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las hijas de la criada capitulo 3
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00:01Ma'am, the gentleman's wounds appear...
00:04They look like blows.
00:06Why are they blows?
00:07My sister did not die from an illness.
00:09You lied to me, Gustavo, again.
00:12I think you'd be more at peace if you stopped interfering in my business.
00:15All these tantrums are because you won't be able to show off in front of José Ortiz anymore, right?
00:18You are the most beautiful woman in the entire Caribbean.
00:21You have a guide, but it will take time to get to know her.
00:25I'm sorry, Renata, but we can't hire anyone else.
00:28I want to move away from the manor.
00:30Spend as little time as possible with that beast of a sister of yours.
00:32If the sawmill succeeds, it will be thanks to you.
00:34Speak just like Doña Inés.
00:36He encouraged us to fight for what was right.
00:38I so long to return to Galicia.
01:15Thank you!
01:17Thank you!
01:22Thank you!
01:23Thank you!
01:29Thank you!
01:45Thank you!
01:58Thank you!
02:06Thank you!
02:07Thank you!
02:09Thank you!
02:10Thank you!
02:12Thank you!
02:12Thank you!
02:24Thank you!
02:26Sorry
02:30Sorry
02:31Sorry
02:46Sorry
02:47High!
02:49Stop right there!
02:53Stop! Stop!
03:01What did you do, you bandit?
03:03Don't you look like you're going to get into trouble?
03:05You don't know me
03:06And that's a shame.
03:07But I told you we'd see each other again, and look.
03:10That was three months ago.
03:11You've got them counted.
03:40Dear Inés
03:41I hope Puntado Vico welcomed you with open arms
03:44And that you found the pass in good condition
03:57I am writing to you from the Trochka Hotel in Havana
04:00I've decided to settle here temporarily.
04:03Because a house would feel too big and empty without you.
04:30I confess I was surprised not to hear from you.
04:34According to my calculations, you should have arrived a couple of weeks ago.
04:40Please
04:42Write to me to let me know that there haven't been any unforeseen events.
04:45I'm counting down the days until I see my family again
04:48He loves you
04:50Gustavo
05:01A rat!
05:02A rat!
05:03Crass!
05:04I got more comfortable in bed!
05:05Kill her!
05:06Kill her!
05:10It's just a mouse, nothing more
05:13You can leave now.
05:16He likes Puntado Vico
05:19It will be very different from Cuba.
05:20Yes, especially because the house there was clean and there were no rats.
05:26That's what old houses are like.
05:27And the lazy maids too
05:36I will set traps
05:40By the way
05:44Her mother is waiting for her downstairs to have breakfast together
05:46My mother has already made too many decisions for me.
05:48Hello, what did you imagine?
05:48Thank you
05:55Thank you so much
05:57Thank you so much
06:00Thank you so much
06:02Thank you so much
06:09Thank you
06:10Thank you
06:17Someone
06:19But what are you doing here?
06:20Catalina?
06:22I'm leaving.
06:23Catalina!
06:25What's going on here?
06:27Well, I don't know what he's doing here.
06:28I'm sorry, it won't happen again.
06:31Can you read?
06:33Yeah.
06:34And writing, a little.
06:36Who taught you?
06:38I learned on my own.
06:40And how long have you been sneaking into my father's library?
06:44For as long as I can remember.
06:46No problem.
06:47You have permission to enter whenever you want and you can take books with you on the condition that you bring them back in good condition
06:52State, okay?
06:52Thank you, Doña Inés. I will take care of them like a treasure.
06:55Will you forgive me?
06:57And why haven't you come down for breakfast?
07:01You can't spend all day locked up, Catalina.
07:03I have nothing better to do.
07:23That's the last time you mess with God, okay?
07:25That I didn't do anything.
07:27Furthermore, if you think it's normal that they take the food to the cities while we go here...
07:30let's see.
07:31Has it done what there is?
07:32No, it has made it so, no.
07:34Uncle Fermín, the girl from Santiago says that the Barba Peláez family has a warehouse full of food.
07:38And here we are, working longer hours every day for the same pay.
07:41It's just not fair.
07:42Well, we don't decide what's fair or unfair.
07:44We'll get to work and be thankful, okay?
07:46It would be worse to be begging on the street.
07:48He cried for me while eating lamb.
07:52Look, Clariña, ideals aren't for people like us.
07:56And the sooner you accept it, the better.
08:00Come on.
08:01Come on.
08:06Little girl.
08:14They say she returned without her husband.
08:16She would stay there with another woman.
08:17Don't you think so?
08:19Clara, do you know anything?
08:21Girl, the one you see, the one you see.
08:23Here it goes.
08:25Good morning, ladies.
08:26Good morning.
08:27Hello.
08:28What a joy to see so many women here.
08:31Until recently, many people thought it was an absurd idea for us to work in factories.
08:35And now, without us, he would divide the country.
08:39How's everything going?
08:41Clear.
08:43Everything is fine, Doña Inés.
08:44We are very grateful to his family.
08:48Are you OK?
08:49Yes, yes, sir.
08:50You don't look bad.
08:52Please sit down.
08:55Careful, careful.
08:57They passed it in their hands.
08:58No, it's nothing.
08:59He had an accident.
09:01And his wound did not heal properly.
09:06He's been working non-stop for weeks.
09:10And what about Sunday rest days?
09:12They are not fulfilled.
09:28It seems like only yesterday I was last in this office.
09:33Everything is there...
09:35distinct.
09:37Her husband left us a business that was on its last legs.
09:41And now we are leaders in the region.
09:43And we are prepared to offer a good sum for your part in the Serradero.
09:48We haven't come here to sell.
09:51Do you know what this is?
09:54The first slat we made.
09:57Gustavo had it on his desk to remind him how difficult it was to start this business.
10:02Now it's time to look to the future, Mr. Valdés.
10:05My husband owns 60% of this sawmill, so I'm afraid we'll be looking to the future together.
10:11My son and I will work here.
10:13Jaime will be the new sales director, and I'd like to make more changes because I've noticed that the employees are working harder.
10:19hours of the permitted hours.
10:21Well, since the war started we've been exporting to France.
10:24We've had to double production.
10:27I am concerned that the leadership he boasts about so much is at the expense of the workers.
10:32Well, if he's so worried, he can sell it and go back to Cuba.
10:36This sawmill doesn't need saving, Mrs. Valdés.
10:40I don't know if the same can be said of her marriage.
10:46This is still our business.
10:50And we will work on it.
10:52Good day.
10:58And what about Doña Inés's? What do you think?
11:01I hardly know her.
11:03They left when I was very young.
11:11The rest seem different to me.
11:14What are you doing?
11:15What's it to you?
11:16No, I don't care, but I was wondering if you wanted to do something this afternoon.
11:20What are you saying, you bandit?
11:21Don't call me that.
11:24Since you didn't tell me your name, are you doing anything this afternoon or not?
11:27Be careful with this one, sailors are more mischievous.
11:30Depends.
11:30About what?
11:32Whatever is offered.
11:34Ah, no, well, offering little, I'm not going to lie to you.
11:38At the beach with the boats this afternoon.
11:40Will you come?
11:40We'll see.
11:42We'll see.
11:45And my name is Clara.
11:48Did you hear?
11:49Char from Pesco is already here, I'm telling you.
11:52Green, green is incredible.
11:54This green is beautiful.
11:55No, I don't like this place.
11:57But why?
11:58But it's not so bad, look.
12:01Look how awful.
12:02And I've been told that the summers are pleasant.
12:04I don't want to be here in the summer.
12:06I want to go back to our house with our father.
12:08Okay, I know I'll miss him.
12:11But I don't know, we're already here, aren't we?
12:14We'll have to give it a chance.
12:17Catalina.
12:18Will you do it?
12:22And this one?
12:24Mother has given him permission to enter the house.
12:27He must have seen something in her, right?
12:54With this cold and damp weather, it's hard to turn it on.
12:59You're already going to leave me.
13:00There, you see?
13:03I know we hardly know each other, but can I ask you a favor?
13:06Tell me.
13:07Let's see.
13:11If my mother asks, you can tell her that she's sending me all the way to Puebla for a dress.
13:16And where is it really going?
13:19I'm going to see you with a boy.
13:23His name is Celso.
13:25And he's a sailor at the cannery.
13:28And every time I see him, my legs tremble.
13:31Has this ever happened to you?
13:33Miss, I can't lie to your mother.
13:35And it's better that I don't go.
13:36I won't be long.
13:37And it's only if my mother asks.
13:39Do me a favor.
13:40I'll do it for you.
13:42Really?
13:44I'll give it back to him.
13:45You can ask me for anything you want.
13:47Thank you.
14:16To tell you the truth, I thought you weren't going to come.
14:18Don't get your hopes up.
14:19I only came because I owed you one for what happened the other day at the market.
14:24Want?
14:25It helps to kill hunger.
14:34Where are you from?
14:35I control myself.
14:37I came for work, but I'm not going to stay long.
14:39I'm saving up to go to America.
14:42To America?
14:43America for what?
14:44What do you mean, "what for?"
14:46To see the Statue of Liberty?
14:47Yes of course.
14:49Well, I don't think so, not even in your dreams.
14:51People like us can only work and be grateful.
14:54And can't we dream?
14:55Who put that idea in your head?
14:57And what's the point?
14:58If dreams don't come true.
14:59What do you mean, no?
15:03Look, one day I'm going to take you with me to America.
15:06We will go on a ship from the transatlantic company.
15:09But not in third class.
15:10In the best cabin, the most expensive of all.
15:13And in America we will live in New York.
15:16Yes, I am going to be a businessman.
15:19And you?
15:22What do you want to be?
15:26No, I don't know.
15:29Well, you already know.
15:32In America we will live in a big, brick house.
15:35And every night we'll go out to dinner at the best restaurant in town.
15:39And we'll eat the biggest steak and potatoes you've ever seen.
15:43And we will drink wine, we will take her for a walk hand in hand.
15:49Under the moon.
15:51And then...
15:56Didn't you let me finish?
15:57I already told you not to put dreams on.
16:02Goodbye, Celso.
16:05Goodbye, Clara.
16:26There's no bread, is there?
16:28No.
16:30No rest, Karen.
16:33Good night.
16:38And where do you come from?
16:40Catalina sent me to get a dress and I was late.
16:45Besides being cheeky, she's a liar.
16:48That?
16:48Have you spread your legs yet?
16:51You didn't take long.
16:53We can't feed any more mouths here.
16:55Let that be clear to you.
17:31Ah, it's bitter.
17:33I want a mango.
17:35There isn't any here, miss.
17:36If that's the case, I don't want anything.
17:44You told my mother where I was yesterday.
17:46How do you know it wasn't her?
17:48Because I know it.
17:50He already got away from me.
17:52What's the matter?
17:53What bothers you?
17:54You're envious.
17:55Envy?
17:56Whose?
17:57From you?
17:58Miss, please stop.
18:01What did I do to you?
18:02Why are you picking on me?
18:04Because I don't like you.
18:06And I'm going to tell my mother.
18:08You go around staying alone with sailors.
18:11So you know who's letting you into the house.
18:14To just anyone.
18:17Remove it.
18:18Take it back!
18:19Clear.
18:20Apologize to him right now.
18:21She was the one who called me...
18:22Ask him for forgiveness.
18:26Sorry.
18:28Sorry.
18:52Your daughter was right.
18:56What my daughter needs to know is where she belongs.
18:59You make a lot of excuses for Catalina.
19:03Is she the lady's daughter?
19:19I don't know what they're looking at.
19:21No, kid.
19:22I don't know.
19:24How scary.
19:26Oh.
19:28Are they going to fire the sick people?
19:30No.
19:31Obviously.
19:32Quite the opposite.
19:33Doña Inés wants to help us.
19:35Peaceful.
19:37Again?
19:42Note.
19:43Malnutrition and bronchitis.
19:45That's it.
19:46Malnutrition.
19:48Are you alright?
19:50Yeah.
19:50Yes, it's just the change in climate.
19:52And this is where we keep a detailed record of our contracts with clients.
20:00Listen, I know my mother can be a bit direct, but are you sure we can understand each other?
20:10What's going on there, Jora?
20:19But what is all this?
20:25A medical examination.
20:27Did you know this?
20:29To find out the status of the staff.
20:31You can't do anything without my father's permission.
20:35Come on, let's get to work.
20:37We want to prevent sick people from working and putting themselves in danger.
20:41I said let's get to work.
20:46We're done for today, but I promise you things are going to change.
21:04I'm sorry, it's okay.
21:10Gustavo Valdés.
21:12I'm waiting to hear from my wife.
21:14Thank you.
21:26Do you have a telegram, sir?
21:29Thank you.
21:34Dear Gustavo, we want to buy 100% of the sawmill.
21:39His wife is not happy about it, but the decision is his.
21:43I trust that you will know how to choose the best option.
21:53Ma'am, the doctor has prescribed this mint.
21:56Their infusions are good for the head.
21:58Shall I make you one?
21:58Yes, thanks.
22:02Doña Inés, may I?
22:05You don't need to ask permission to enter
22:07And don't call me Doña Inés either.
22:09Come on, sit down.
22:12I've already finished it.
22:15If you like adventure novels, I can recommend another one.
22:19Have you read The Three Musketeers?
22:22I thought I'd read something more about life or love.
22:32So you're in love.
22:35I don't know.
22:36How do you know if it's love?
22:38What did you feel when you met Don Gustavo?
22:45I felt alive.
22:48Very lively.
22:50We met at a dance in San Lázaro.
22:53I was with my sisters and he was there.
22:57Very handsome.
22:58Wearing a white linen shirt.
23:01We looked at each other and I knew she was the love of my life.
23:04And they got married.
23:05Well, but much later.
23:07He was sent to study here, I was sent to New York.
23:11And we wrote letters to each other.
23:14When I returned to Cuba, that's when we got married.
23:17It's a beautiful story.
23:20Love can overcome obstacles, but it needs to be nurtured or it will wither.
23:30I'll think of a new book for you that talks about life and love.
23:34OK.
23:36Thank you, ma'am.
23:38Thank you, Inés.
24:06We haven't been introduced.
24:07I am Braulio Barba Peláez.
24:09You must be Catalina.
24:14Do you mind if I come with you?
24:16You weren't going to do it anyway.
24:19I've heard you haven't made any friends yet.
24:23And since we're from the same class...
24:25And what kind is that?
24:28I think she's settled.
24:30No?
24:31Well, I, on the other hand, have heard that your family inherited through a stroke of luck,
24:35but your grandparents raised cattle.
24:38We come from humble beginnings.
24:41And now also one of the most powerful families in the area.
24:44Oh, well, it still gives me a certain cow-like swagger.
24:53And what about Cuba?
24:54Because I've heard that...
24:56that you have left your beloved there.
24:57José.
24:58His name is José.
24:59It's curious, isn't it?
25:00Your family's fondness for long-distance marriages.
25:05I don't know about you, Gerardo, but I have a lot of things to do.
25:08Braulio, Barba Peláez.
25:09Oh.
25:10Do you have chocolate?
25:11Wait.
25:12Yeah.
25:22Okay.
25:23Thank you.
25:53I'm going to the village.
26:03Not that sailor again.
26:05I saw him this morning with a girl.
26:09Congratulations.
26:10In a friendly manner.
26:24Thank you.
26:32Why didn't you come to the beach? I was waiting for you.
26:35I couldn't.
26:39Did something happen?
26:41You went upstairs with a girl this morning.
26:44What's wrong? Are you jealous?
26:46Come on, you don't deny it.
26:47I don't even know what I have to deny.
26:49I was already warned about guys like you.
26:51How do I eat?
26:54You know that perfectly well.
26:55You take us to the beach, you tell us stories, but then you do the same thing with someone else.
27:00Don't act all pitiful, you're not poor at all, you know?
27:02Yes, I know.
27:04That's why it's a lie.
27:06What does it matter?
27:08You've already drawn your own conclusions, haven't you?
27:18Mother, why didn't you tell me about the medical examination?
27:20I didn't have time.
27:22And do you think it's a good idea to make promises to workers?
27:25Would you speak to your father like that if he were in charge of this?
27:31Incidentally, he sent a telegram.
27:34It seems the fighting beards are determined to buy the sawmill.
27:38And what did he say?
27:39No, he's fine with it.
27:41He can illegally sell it because it's his, but...
27:44Since he doesn't want this to cause a conflict between us, he asks me to accept willingly.
27:49So, what are you going to do?
27:50I haven't answered.
27:53I need you by my side, Jaime.
27:57I need to show your father and everyone else that this is still our business and that we have good ideas for
28:02improve it.
28:04Count on me, mother.
28:07Is there anything I can do?
28:09Yes. He is calling a meeting of the business group.
28:24Reduce profits to improve working conditions and avoid strikes.
28:29How interesting.
28:31Although they were never going to accept it.
28:34Because it's not viable.
28:37Or because I'm a woman.
28:40She has courage, Inés.
28:42But she won't get very far on her own.
28:45Thanks for the advice.
28:47If you'll excuse me.
28:48Our husbands' families had their ups and downs, but...
28:52What do we care about that?
28:54Those are things of the past, don't you think?
28:57I think 17 years isn't that long ago.
29:00As?
29:02Our trees suddenly became sick and our business almost went under.
29:08He would do well to ask himself who benefited from all of that.
29:12Perhaps he has an enemy within his own home.
29:17If you need anything, you know where to find us.
29:22Thank you.
29:29Apparently, Mrs. Valdés met with those in charge to see if they would give us a raise.
29:33And what did they tell you?
29:34What do you think?
29:35Let's have a porloca.
29:36I'm not going to achieve anything, you'll see.
29:38Well.
29:39Regina, you're so positive all of a sudden!
29:45Who's going?
29:46You?
29:47I'll be right back.
29:48And what about you?
29:49What about me?
29:50What about me?
29:50Is something wrong with you?
29:52Nothing's wrong with me.
29:54Sure?
29:56Nothing's wrong with me.
29:58Wow, that's great!
30:00Well, a march.
30:00Ah.
30:01But...
30:02Because?
30:04Something's wrong with him.
30:05Distribute.
30:06Bandit!
30:06We need to talk.
30:07Oh, really? About what?
30:08Hey, don't get so worked up, you're the one who messed up, okay?
30:12The girl from the other day. Her name is Aldara.
30:15And is he your boyfriend?
30:15Of course not.
30:16He was helping us with something and I didn't tell you so as not to get you in trouble.
30:19What thing?
30:23Come on.
30:25Tonight we're going into the Barbapelaez warehouse.
30:29Aldara is the daughter of the guards.
30:30He was helping us.
30:34And if you don't believe me, come and see for yourself.
30:52I'll bring you dinner.
30:54I'm not buying it.
30:58I'll leave it here.
31:11I was born in this town.
31:14In...
31:15A humble house.
31:18Just like my daughter.
31:21And I don't know what it is.
31:23Living in another country.
31:25Or move house.
31:29But Punta Domingo has good things.
31:33Like what?
31:38The mountain.
31:39The mountain.
31:40And the estuary.
31:43And the chestnuts.
31:46Well, I hate it and I don't want to be here another day.
31:55Are you leaving?
32:02Well...
32:07AND...
32:14Come on!
32:42What are you doing here?
32:43And you?
33:05Now! Now!
33:27Then I'm the bandit.
33:29You're leading me astray.
33:33With a full belly, there's no bad path.
33:36Come, come, come!
33:38Come!
33:42Come!
33:43Come!
33:45Come!
33:46Come!
33:50Come!
33:51What is the lookout point?
33:54Come!
33:55Come!
34:00Come!
34:02Come!
34:04Come!
34:20Come!
34:28Come!
34:30Come!
34:38Come!
34:43Come!
34:47Come!
34:49Come!
34:53Come!
34:55Come!
34:57Come!
34:58Let's all dance, shall we?
35:00Come!
35:01Come!
35:05Come on, we're celebrating!
35:47Come on, we're celebrating!
36:06Come on, we're celebrating!
36:31Come on, we're celebrating!
37:01This is what happens when you go around saying that they should be paid more and that kind of nonsense.
37:04Everything was going very well until it came to you.
37:06No, everything was going very well until my trees mysteriously got sick.
37:10He's accusing me of something.
37:12And you to me?
37:14I will find the culprits.
37:16Go to the casino and see if anyone hears anything.
37:18And there you have it.
37:20Take this.
37:29But Clara, did you really think I wouldn't find out?
37:32A whole warehouse packed to the brim.
37:36It's impossible to know what's wrong with you, Clara.
37:40What's the matter?
37:40How could you even think of stealing from your bosses?
37:42Who are your bosses?
37:44What is a crime?
37:44If they catch you, will you go to jail?
37:46Yes, but they store that food to sell it later at a higher price.
37:49Uncle Fermín, they don't go hungry, but we do.
37:58Do you recognize this cap?
38:00Any information you have would be greatly appreciated by my family.
38:10Can we talk?
38:14Not now.
38:16I need a ticket for the steamship that leaves in three days for Havana.
38:21My father will be very grateful to yours.
38:24My father has major problems.
38:25Or don't you know we were robbed?
38:29Gentlemen, do you recognize this cap?
38:32Because it could belong to one of their employees.
38:40I do.
38:45If you get me the ticket, I'll tell you.
38:49So you weren't going with your friends?
38:53No.
38:55You couldn't have emptied that warehouse on your own.
38:58He was defending himself a little while ago, and it turns out Antonio was right.
39:01He's a hoarder and I'm selfish.
39:03You're not making it easy for me, Clara.
39:04I'm giving it my all to help you.
39:06And who asked you for help?
39:09Nobody.
39:10I do it because I want to.
39:11So that?
39:13To feel better at night?
39:16Or to ease his conscience as he looks around and sees hunger and misery,
39:19While you and your children sleep on linen sheets and eat meat every day?
39:23Clara!
39:26I'm trying.
39:28You can fail.
39:30Doña Inés, we can't even try.
39:35If you'll excuse me.
39:37Clear.
39:40Doña Inés, please don't turn the authorities in.
39:43I promise you it won't happen again.
39:45I wasn't planning to betray her, Fermín.
39:47But he would do well to keep an eye on his companies.
40:27Le Nonce La Inés, please, not the one from Williams, please.
41:13Thank you!
41:43Thank you!
41:46What is this, Catalina?
41:49He searched through my things
41:51Renata found it
41:53Were you planning to go to Cuba without telling me anything?
41:56I am an adult now
41:57And I can make my own decisions
41:58Are you an adult?
42:00Is it adult behavior to speak rudely to the staff?
42:02Looking down on everyone?
42:04Behaving like a despot and a spoiled brat?
42:15I didn't mean that
42:16But he said it
42:19Catalina
42:20Catalina, daughter, listen to me
42:21Listen to me
42:25I know I haven't paid much attention to you lately.
42:28And that you're bored here
42:31But I have an idea.
42:34I want to offer you a job at the sawmill.
42:36At the same level as your brother
42:38After all, one day it will be yours.
42:40And working will make you a strong woman
42:42And independent
42:43If I don't want to work, mother
42:45Do you know how many people would love an opportunity like that?
42:49Who is it?
42:49The maid's daughter?
42:50Then give it to her.
42:51It seems they've been getting along very well lately.
42:53But why is this confusing me?
42:55I'm going to Cuba
42:56Mother
42:57That's my place
42:58With my father and José
43:00Your father should be here with us.
43:02That we are your family
43:03He promised we would get back together if he didn't keep his promise.
43:06And he had no right to ask me to stay even one day
43:08And now you're doing exactly the same thing to me.
43:11Keeping me here
43:12Because I am your mother
43:13Well, I hope it doesn't happen to him.
43:42Well, I hope it doesn't happen to him.
44:02The herbal teas provided relief.
44:06Yes, thanks
44:13I brought her another plant
44:17But this one is not medicinal.
44:18This is to gladden the soul
44:22What is it?
44:24Rhododendron simsi
44:26Azaleas
44:27Are you a botany enthusiast?
44:30Yes a lot
44:31There are plants that have healing properties
44:36And others are used for communication.
44:39They have meanings
44:40And does this mean anything?
44:45Temperance
44:48Temperance
44:54You know?
44:56I've tried to readjust to this site
45:01Improving things at the sawmill
45:04To make my children happy
45:08I have failed at everything
45:10No no
45:11Maybe I just have to keep trying.
45:13No, it's too late.
45:16We're going to sell
45:18We're going back to Cuba
45:24Starting today
45:25The Barba Peláez family
45:27She will be the sole owner
45:28From this sawmill
45:30I hope this new stage
45:31May it be fruitful
45:33For everyone
45:39This isn't supposed to be
45:40I was going to change things
45:41No, from Saint Premoyor
45:42There is no such promise
45:43After
45:43Nothing
45:55Thank you
46:13Thank you for the book.
46:16It was what I was looking for
46:25They are going to Cuba
46:30Yeah
46:31There's nothing left for us to do here.
46:33The women at the sawmill were eagerly awaiting you.
46:36They say he surrendered
46:40You said it yourself
46:42I am privileged and I haven't known how to help
46:44Prove me wrong
46:48Yeah...
46:49If you really want to change the things you want
46:50Oh, little girl
46:52How many times do you think I can bang my head against the same wall?
46:57Until I manage to throw it away
47:01Look, even...
47:02Until recently I thought that
47:04People like me had to make do with little.
47:07Or so I was always told.
47:10But I've realized that I don't
47:13Life is meant to be lived.
47:15You have to dream it
47:16And you know what my dream is.
47:17Because I didn't know it before.
47:18But now I know
47:20I want to have my own business
47:22One where people don't have to go to work sick
47:26I want to be a free woman
47:28And without fear
47:32Like you
47:35You already are.
47:38You are, Clara
47:48Thank you
48:02Dear Gustavo
48:04I'm sorry I haven't written sooner.
48:06These have been difficult weeks.
48:08And I was still angry about having to go back alone.
48:11But now I know I'm not alone.
48:17Although we sold the sawmill as you wished
48:20I've decided to stay in Puntado Vico
48:22And start another business
48:35I don't know what kind yet.
48:37But it will be one in which benefits are not at odds with humanity.
48:44I know it won't be easy
48:47But I've decided to take control of my life
48:54Thank you!
48:58Thank you!
49:00Thank you!
49:22I don't expect you to understand this decision
49:25But do respect her.
49:41Life must be dreamed
49:43And I want to be a free woman.
49:45And without fear
49:56Why are you running so fast?
49:57My uncle, who since the robbery
49:59He sends me to go from work to home and from home to work.
50:02But
50:03I ran away to do this
50:15Celso Dominguez de Alzarán
50:16It's me
50:17Because?
50:18She is accused of theft
50:19As?
50:21How much of a robbery?
50:23Where are they taking him?
50:24Don't worry, bandit
50:25Nothing's going to happen
50:26No
50:27Nothing's going to happen
50:48I miss you, Isabela
50:51Can you tell me why the maid is packing my suitcase?
50:54Lower your voice, this isn't the place.
50:55He says he sent me from Santiago de Compostela
50:58Indeed
50:58To a boarding school
51:00Where I hope you become the person
51:01That I clearly haven't known how to raise.
51:04Is this because of the ticket to Cuba?
51:08That's why, and for many other reasons, Catalina
51:39You
51:40Snitch
51:42This is your fault
51:43I can't go to Cuba
51:45And now they're sending me to boarding school
51:50Don't worry
51:52I plan to return and I'm going to make your lives miserable.
51:55At two
52:24I'm glad to see you
52:25Your mother will be happy
52:27It's not there
52:28I am very proud
52:30And happy
52:31To have you back
52:32What happened, Mom?
52:34Agustín has a very good eye for business
52:36It will help you, you'll see.
52:37I would congratulate him
52:39But I know they're wrong
52:40Don't worry about the competition
52:42There's business for everyone.
52:44What worries you?
52:45A canning factory?
52:47What they should have done is return to Cuba after selling the sawmill
52:50Miss
52:51They are waiting for her
52:52Do you know my fiancé?
52:54Will you excuse me for a moment?
52:55I'll be right back
52:58I bought a ticket to Cuba
52:59Change of information to stop a thief
53:01We are at peace.
53:02Celso is not your husband
53:04They won't let you see it
53:05Yes, I mean, but I've been locked up for a year.
53:06That
53:07Jaime
53:07Okay, fine.
53:08Clara
53:11Celsus
53:12You should be more careful
53:14Each gap is small
53:15It was me, but it could have been my mother
53:18What do you want, Catalina?
53:19Long live Doña Inés!
53:20Viva!
53:21Viva!
53:23Companion and patron
53:24That is
53:24The captain of the ships wouldn't let me board.
53:27Right there he told me to go back to work.
53:29I don't understand
53:31I do
53:32He has enlarged lungs
53:33But what's wrong with that?
53:37It's the flu
53:40The captain of the ships wouldn't let me board.
53:41The captain of the ships wouldn't let me board.
53:46The saxophone of the road trips wouldn't let me board.
53:46That's a lot of days
53:47Quem persona se ondra
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