00:00In this sense, people say,
00:02who is who is who is who is who is who is who.
00:05They say,
00:06they say,
00:06they say,
00:07things are on the better side.
00:11You should always see things
00:13are on progress.
00:15I always think of my films,
00:16even if it's a film,
00:19I always listen to my role
00:19and listen to my performance-like scenes.
00:23I accept it.
00:24You should always say that the roles were always good.
00:26It was wrong.
00:27You should have asked why some films
00:29didn't come out.
00:30You can't say that the roles were always good.
00:38This film is going to be released.
00:41This film is going to be released.
00:42With this film,
00:43there are some kind of controversies.
00:44There will be some kind of things
00:47that you will find out.
00:49What kind of controversies?
00:52There were some kind of things
00:56that you will find out.
00:56Tell me.
00:58Those were genuine problems.
01:00Those were our problems.
01:02We talked to them
01:04and we talked to them.
01:06It was settled.
01:07You have also said a lot about them.
01:10I have also said a lot about them.
01:11I have also said a lot about them.
01:12I have also said a lot about them.
01:26In the past,
01:27the sort out of the film.
01:28We took them all because both of us
01:29made a professional picture picture.
01:32We were done all the way.
01:34Let me tell you about my role,
01:36I will tell you.
01:37My role is a very good.
01:39She's a girl.
01:41She's a girl.
01:42She's got a mother of Vinohji.
01:45She has everything for her.
01:47She's always prepared for her.
01:48He is a police inspector
01:49and at a point in the film
01:53he has a death of his husband
01:56and that is Rajnikanth
01:57and this girl is crazy
01:58and then the brothers know that his daughter is crazy
02:03and they restore his memory
02:06It's a good shade
02:07This film is a good shade
02:08And the producer's relationship
02:11has not affected the role
02:14I don't think
02:15After all, the film is making a betterment
02:17There's what he's making for me
02:19and I'm not making it for myself
02:21For the people to see
02:23I think he knows
02:25who's got the role
02:27Absolutely not to say
02:28He will break up against me
02:30They know that director
02:32That's the reason that they say
02:35That's my role
02:37I like that
02:39We're probably 5 years old
02:43If you will be able to get your own understanding, you will not be able to get your own understanding.
02:49I would like to say that, today's position is a better place.
02:54People say that, in the sense of knowing who is from their own understanding.
03:00Maybe they say that they are working in the government.
03:02They say that they are in the right direction.
03:04So things are on the better side.
03:06You should always see this, that if things are on a progress,
03:10they are moving fast,
03:14then it is good.
03:16Things are better than what they were yesterday.
03:17It was a good position from yesterday.
03:20But your roles weren't any special in all films?
03:25Which film was it?
03:27Every two or three films were released, nothing spectacular.
03:30The roles were always good.
03:32That's what you said.
03:33You should have asked why some films didn't come out.
03:36You can't say roles were always good.
03:38The roles were always good.
03:40This is a good thing.
03:43Some people make success.
03:45Some people get quickly.
03:46Do you have a preference for commercial films?
03:48Yes.
03:50Only commercial films?
03:51It doesn't have a role in the heroines.
03:54It doesn't have a role in the heroines.
03:55Yes, that is a trend which is very prevalent.
03:57In Bombay, I don't want to say that.
03:58In South, there is a lot of scope of heroines.
04:01All of the roles in the variety of roles.
04:03In Bombay, it is a little bit less.
04:05But the question of my film is that,
04:09whether it is a film that is a film that is a film that is a film that is always
04:11a film.
04:11I always listen to my role and hear that I have a performance-like scene.
04:14I accept it.
04:16So, Fulal South has also done a job?
04:18No, no.
04:19No, no one has done it.
04:20Because there are problems.
04:22So, there is a lot of problems.
04:24I have a lot of problems.
04:25I think that the audience can really recognize you.
04:30I know that the audience can tell me that you don't know me.
04:34If you don't know me, then why were you here?
04:36Why did you come to me?
04:38Why did you come to me?
04:39Why did you come to me?
04:40Why did you come to me?
04:40So, this is not the case.
04:42People are enjoying it.
04:43People want to come and get some more films.
04:46It is because of the time.
04:49And, the people who are coming are great.
04:51Like the film.
04:53The film is like Vahya.
04:53The film is called Kulpatruji.
04:55And, there is a great role of film.
04:57Then, Kulpatruji is one of his other two brothers.
05:01That is also very good.
05:02The film is also very good.
05:03The film is like Vahya.
05:04That is the film's Fulal.
05:05The film is about Vahya.
05:09What do you think?
05:10What's going on?
05:11So, next, let me tell you,
05:15What kind of relationship did you get?
05:18What kind of relationship did you get?
05:20What kind of relationship did you get?
05:22I think that Dharam Ji was shooting in Madras.
05:25At that time, Sattie Ji and LNG were also there.
05:30When it was the most difficult time,
05:32Dharam Ji and LNG and all of the Sattie Ji thought
05:34why not go for this role.
05:37And because already the government has been done with them,
05:40I will do this role.
05:42So I will do it.
05:43And the three of them,
05:45they will approach me.
05:47I don't know.
05:49When there are so many stories about Sattie Shourie,
05:52what is your role in Sattie Shourie?
05:57What is my role in Sattie?
05:58What is my role in Sattie Ji?
05:58For me, as the other producers,
05:59Sattie Ji didn't have so much trouble.
06:02They didn't do it.
06:03Whatever it happened, it happened.
06:06What do you want to call it?
06:07What do you want to call it?
06:08I will say that this film is all they want.
06:11I also want to call it
06:13and it will release immediately.
06:15And all this.
06:15I'm not scared about it.
06:18Okay.
06:19Thank you very much.
06:21Thank you very much.
06:23Thank you very much.
