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00:30Picture which was a very beautiful film.
00:36But as the shooting of the film was finished, the director of his home was the film,
00:45the film was the film.
00:46He had to forget that the film was the post-production work of his film.
00:57just here came a little
00:59when the analysis was done
01:01and the work started
01:03this picture of the finishing
01:05that was done
01:07I want to know
01:09that they said
01:11what they have to say
01:13what they have to say
01:15what they have to say
01:17this is why
01:19the film
01:21is released
01:23and the release
01:25is complete
01:27this is why they are saying that
01:29what happened in that moment
01:31that they cannot do the final
01:33because they were in the outdoor
01:35there was a big schedule
01:37and there were many artists
01:39and there was a lot of money
01:41so they had to plan their film
01:43for the film
01:45they were planning
01:47and the work of this
01:49was neglected
01:51and before they went
01:53we did not get the final print
01:55we did not get the final print
01:57we did not get the post production
01:59we did not get the post production
02:01on the 27,000-28,000 foot
02:03that was all the work
02:05after they came
02:07when they came back
02:09we did not do it again
02:11if they had a film
02:13after the film
02:15if they had a film
02:17if they had a film
02:19then I could not do it
02:21in August
02:23in 1989
02:25in March
02:26in 1989
02:27as a film
02:28in the end
02:29I don't know what to do.
02:59that's not my work.
03:29I don't have any advice to you.
03:31I don't have any advice.
03:33I don't have any advice for this.
03:35I don't have any advice.
03:37I don't have any advice to say,
03:39that to Vinod Khanna,
03:41how difficult to work with a man.
03:45How difficult you have to make a human,
03:49and you have to create a stone,
03:51a stone,
03:53to create a human,
03:55so difficult to work with a man.
03:57Now, when they came back,
03:59look at all the producers' situation.
04:03They are not always up to the time,
04:05they are not always up to the time,
04:07they are not always thought that
04:09the producers and directors of the 9.30,
04:11they are asking for cameras,
04:13they are asking for other artists,
04:15they are asking for thousands of people,
04:17and they are asking for shooting at 5 o'clock.
04:19How much money is in 5 hours?
04:21They have never thought about it.
04:23You never know that night,
04:25when you are shooting at night,
04:27that Vinod Khanna's name,
04:29the name of the name of the man,
04:31the name of the man,
04:33the name of the man,
04:35he will reach the door to the door.
04:37If you are at 6 o'clock,
04:39and you are shooting at 4 o'clock,
04:41and you are shooting at 4 o'clock,
04:43then the amount of money is the same.
04:45It is a matter of time,
04:47the amount of money is the same.
04:49Why do Vinod Khanna do not pay?
04:51Why do Vinod Khanna do not pay damages?
04:55So this is not a professional behaviour.
04:57I will request it from FMC,
04:59through this,
05:01that the artists should be blacklisting
05:03that the producers are being lost in the house.
05:05As a director,
05:07Anil Sharma'i and Vinod Khanna's
05:11non-professional behaviour,
05:13they are the two women who were roaming for the two women.
05:17Then the women left,
05:19even though the women went away.
05:21After watching this film,
05:23you will be appreciated.
05:25As a director, I was working as a director.
05:29It was the most important public and my commitment was the most important for me.
05:34They had signed me. I thought that I would have signed me.
05:37Anil Sharma would have made a better film from my mind.
05:41I thought that I would have made a better film from my mind.
05:45But, you have made a lot of fun from them.
05:50And until now, why did they feel like a chata?
05:53No, no.
05:54This was in between.
05:58It didn't have to be complete.
06:00In between the making of the film,
06:03because the film was not complete,
06:05now the second climax of the film was not complete.
06:09So it was in the centre of the film.
06:11So when the producer is in the centre of the film,
06:14he is in the centre of the film,
06:15then he will be so sad, you think.
06:18If he has increased by his hand,
06:21then I will take my hand.
06:23And I have not killed him as a director.
06:25I have also killed him as a son.
06:28The owner wanted to take my patience and patience.
06:35He wanted to learn how to do a non-creative work in a non-creative atmosphere.
06:43His thinking can be different from our thinking.
06:46But there is no question of interference from working.
06:50And the matter of the facilities,
06:52whatever they want to do for shooting, pre-shooting,
06:56location hunting,
06:57or post-production,
06:59whatever the demand is needed,
07:01I underline it.
07:03That is the same thing that we have provided to them.
07:07As the madam said,
07:09that they have given me everything.
07:10They have given me everything.
07:13They have given me everything.
07:15One hundred percent non-creative atmosphere.
07:18And in any kind of non-creative atmosphere,
07:21I have also said that creative work is so difficult.
07:25I have seen the film as well.
07:33It was so much fun.
07:35I have seen the problems.
07:36Now, these are all the issues.
07:38I have one thing.
07:38I have heard the other thing.
07:40I don't know.
07:42I have no idea.
07:42I don't care about that.
07:43The film is that
07:44where I think that is.
07:47I think that is the film.
07:48The only thing that is supposed to be in the movie.
07:50The film is such a film.
07:51The film is such a film.
07:53The film is such a film.
07:55There was a shooting for 120-125 days for my film.
08:00If Anil Sharma can do his whole job or not,
08:04then it wasn't my job.
08:06Which thing is such a thing?
08:10That we have told Mrs. Shoury,
08:12and they didn't provide,
08:14I will accept my defeat.
08:17I said, but you are thinking that this film is a great hit.
08:20Don't think about it.
08:22Because the climax isn't so good.
08:24The film's script,
08:26which I wanted to shoot,
08:28which I wanted to shoot,
08:30which you didn't give me to shoot.
08:34Then I said,
08:37if I wanted to shoot the climax,
08:39then you would like to do it.
08:41What do you want?
08:42I want to do the remuneration.
08:44I want to do something to do.
08:46I was very emotional, very charged.
08:48I saw a great director,
08:50and I said,
08:52I didn't see anything.
08:53I said,
08:54I didn't see anything about my film.
08:55I said,
08:56I'm not saying that this film is my shock.
08:57I'm saying that this film is your pleasure.
08:59If I don't even think that this film is right,
09:01then I will try to do something else.
09:04But this film is your pleasure.
09:07I have another film.
09:09I'm saying that this film is your pleasure.
09:11I'm saying that this film is your pleasure.
09:12I'm going to go to torture chamber for 10-12-15 days.
09:14I want to do the film.
09:16I'll try to do it.
09:17I'll try to do it.
09:18I'll try to do it.
09:19I'll try to do it.
09:20But,
09:21ultimately,
09:22he shot for 25 days.
09:25It was a total shooting total for 25 days.
09:27In the total shooting,
09:29in the 25 days,
09:30it was $25,000 was paid for.
09:33It was paid for 25,000,000.
09:35It was paid for $25,000,000.
09:37It was paid for setting, equipment, etc.
09:40plus 6 months later the picture was delayed,
09:43we received interest of 25, 30, 40,000,000 rupiah.
09:46There is no doubt about it, there is no complaint about it.
09:49I just want to say that
09:52I will not do it with what I am going to do tomorrow.
09:55So this is the thing that what is happening to me is that this is important for me.
09:59I am sorry.
10:00I want to watch you in the world.
10:03SGS Films Private Limited,
10:07the second production that will be in the future of the film,
10:10what will happen to the director, technicians,
10:15and actors?
10:17What will happen to them?
10:19I just want to watch this one.
10:21I wish all of them good luck,
10:25and I hope they will have a wonderful experience.
10:28And...
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