00:00I never had a sense of competition. If I had a competition with someone, it was my own.
00:05The energy level of charisma when she dances is amazing.
00:09With charisma, there is always a competition to match her energy level that she puts in all whatever she does.
00:14I have done nothing to come till here. I have just been persistent.
00:18I am proud that I have to do something in this line. I am proud of anything.
00:21What do you want to do with your interview?
00:26Like I am doing an interview with you.
00:28Because I am comfortable in interviewing with you.
00:33That is, you are an instinctive actor.
00:42That is and you feel that you have done because of that whole, everything made you feel comfortable.
00:48So you very comfortably did your shots.
00:50Sometimes you are uncomfortable or court martial.
00:53You can make out from the body language.
00:56You do not have a rivalry with Salman?
00:59It is not possible with Salman, but it is not with me.
01:04I have always been working with people like this.
01:06In the first picture, Nana Padekar, Nasiruddin Shah, Paresh Rawal, Sanjeda, Taditya Pancholi, Mithuan.
01:14I have been working with people like this.
01:16And I knew that all that is asked of me is that you do your work and do your best.
01:24That is all that matters.
01:26I have never had a sense of competition.
01:28If I had a competition with someone, it was my own.
01:31I have never had a good game.
01:35I have never had a good game.
01:36You know, because he has double hero set up.
01:41Like if Salman is there, Salman is being casted in this film because of a reason for an image.
01:59If you just do that, your work will be appreciated.
02:11You don't have to compete.
02:13You know.
02:14You know.
02:14It is possible that if two boys have the same image.
02:17If it is my image of a girl, then that comes that sense of competition.
02:23If you are doing a comedy film and both are the same kind of roles, then there is straight competition.
02:28But not in a subject like this where both roles are different.
02:32Because competition is not possible.
02:33I think you are superstitious about what?
02:39Superstitious?
02:43I really like faith.
02:47I really like it.
02:48I really like it.
02:51Because I started as an assistant director for 4 years.
02:55I have even done editing.
02:57I have been a production boy.
02:59Now I have come to here.
03:01So I believe a lot in faith.
03:03I have done nothing to come to here.
03:08I have just been persistent.
03:10I am strong.
03:12I have to do something in this line.
03:14But I am strong.
03:18Because in the process of my journey till here,
03:23I have seen a lot of people who were talented and good looking.
03:31I felt that there is no one.
03:33And nothing happened.
03:34It is really sad.
03:36Where in front of some people I felt that I was not as talented as them.
03:40But today I am in a better position than them.
03:41So I believe a lot in faith.
03:44What has to happen will happen.
03:46You know.
03:46Any color, shirt or days, anything like this you believe in?
03:50No, no.
03:52I just believe in leading life on a day to day basis.
03:57Your mortal life?
03:58Is to lead life on a day to day basis.
04:00You should live your life on a day basis.
04:05What happened before it happened?
04:06What happened after it happened?
04:07What happened before it happened?
04:09It is a small life.
04:11If you think about your age,
04:1420 or 30 years old.
04:17How do you think about 35 years?
04:18If you think about it,
04:21you will not know.
04:22So the next year,
04:2335 years also will go like this.
04:25Or 25 years or 10 years will go like this.
04:28So for now,
04:29what is happening now?
04:31What is happening now?
04:31What is happening now?
04:32That is the most important.
04:33Can you tell me an anecdote with Puja?
04:36Particularly in the first anime.
04:39What is an interesting anecdote with Puja?
04:42When I came back with Puja,
04:43I had a taken's experience in my husband.
04:49I had a moment when I came back home.
04:50As I was rather an old man,
04:51I was an old man named Rauhul Roy and Anu Rauhle.
04:55and I had a picture for him.
04:58My daddy named him,
05:01I was dedicated to meet with her.
05:03I would visit him with a high school,
05:04and he would visit him with him.
05:06So I knew her,
05:09hi, hello, hi, base.
05:10I knew her. So, I was not uncomfortable with her, I was not uncomfortable, I didn't get any new director,
05:18no cameraman, no new unit, no new people. So, it did help.
05:26Your impression about her? First impression.
05:35Impression? Pooja portrayed sincerity to her work.
05:45Determination was always. I could see it even before. This was much before she became the Pooja Bhatt that she
05:52is today.
05:53But, there was an element of determination then.
05:59There is an aim, an ambition. You can make out when a person constructively works towards it.
06:06Sir's first schedule was running. And in Sir's climax, there was a black shirt.
06:12So, there was a song.
06:13There was a song.
06:17And at the end of the song, I entered the party.
06:21I hurt myself and I'm bleeding.
06:24I'm beating my throat. I'm entering the party.
06:27So, I go to her and Pooja, she's wearing a shirt.
06:30There was a shot from there.
06:33She's laughing and I look at the back.
06:36So, the shot was running. What happens in the song?
06:38What happens in the song is that they give a little bit of a build-up.
06:40You know, glisten and control the shot.
06:44So, suddenly, I'm getting to know them.
06:46She says, you're wearing my father's shirt.
06:50I didn't know what happened.
06:51And the shot is going to start.
06:53So, I said, it's not your father's shirt.
06:56But, I said, yeah, maybe he has the same shirt.
06:59But, it's not your father's shirt.
07:00And suddenly, that cue came in a turn and we look back.
07:04And a shot, a very good shot. Okay, no?
07:06And I first started laughing. I said, we're having the most insane conversation before the shot.
07:10You're arguing whether this shirt I'm wearing is mine or your father's.
07:14It was an insane conversation going on.
07:16And, you know, a capella schedule, another thing is going on.
07:20And she's like, she's holding my shirt and crying.
07:22She's like, you're wearing my father's shirt.
07:24And I said, it's not your father's shirt.
07:26The shot is running. You know, it's quite funny.
07:28It's the same thing about charisma, can you say?
07:32Your impressions. I want to go to charisma, mahta.
07:36Charisma, I don't make impressions of people, really.
07:42I take people at face value.
07:46The way they come, the way they are with you is the way.
07:55That's all that matters to me.
08:00I've had no problem with charisma.
08:02Charisma has been a very sporting, very cooperative co-star and a fantastic dancer.
08:05Charisma, if you're doing scenes, you can still survive.
08:09You can still do your bit.
08:12But, Charisma Kapoor means, she's phenomenal.
08:17She's phenomenal.
08:18The energy level of charisma when she dances is amazing.
08:25Charisma has always a competition to match her energy level that she puts in whatever she does.
08:31An instance, like, is he a Ghanary convention?
08:38Ghanary was shooting a little bit, a potion shoot, and I said, Saroji, how's it going?
08:44She said, Saroji said, right now my problem is not making you dance, but to make charisma and you match,
08:50I think you have to make charisma dance a little less.
08:52So, with her, it's been, she's very friendly to my wife and they know each other.
09:05So, it was more, it was, like I've said, I've always had a nice warm, friendly relationship with most of
09:15my co-stars.
09:15She knew my wife, my wife was there, and it kind of makes the whole process of working not a
09:21very costa-costa kind of relationship.
09:23It makes working with a person you know, a person you like.
09:28Interesting anecdote with her, anything?
09:30Yes, I was shooting a little bit, and the bike that I used was like, it's like a horse, a
09:38huge bike.
09:41So, I came to the location and I said, it's such a big bike, it's a high suspension, how can
09:47I handle it?
09:48So, I took it for test-drive.
09:51Powerful, very fast bike.
09:52Powerful, very fast bike.
09:52In the helicopter shots, I was riding the bike at about 100-110 km an hour.
09:59Fast bike.
10:00So, we were shooting at a crater, and it was a sharp bend.
10:06So, when I was in the 10th grade, my confidence was coming.
10:10It was over-confident.
10:11So, I was taking that turn, and this is just before we're going to start shooting with the song.
10:16And I was taking the turn, and I lost control of the bike.
10:19So, I lost control of the bike, so I left the bike, and I fell off.
10:22And, to Karishma's bad luck, and to mine, Karishma was looking at the distance.
10:30Now, next shot, how do I do the bike?
10:34So, it didn't happen, fortunately.
10:36I didn't have anything on the bike.
10:38So, in Karishma's face, it fell off.
10:43So, she was so fast.
10:44She was already so fast, she didn't know.
10:46She says, I'm not going to sit on the bike.
10:49And I'm like, what am I going to say?
10:51I can't even say, I can ride, or I'm good on the bike, because I've just fallen in front of
10:56her.
10:57So, I was sitting in front of the whole unit.
10:58Look, there's nothing going to happen.
11:00There's a song on the bike.
11:02And, that's one of my first proper schedules, Karishma.
11:07I was scared of her.
11:09With Mamta?
11:09With Mamta, there was a first schedule of Love Rap.
11:13And, after Sir's release, there was a shooting of Karanthivir.
11:21And, after the release of Sir's release, there was a shooting of Karanthivir.
11:21And, Karanthivir's song was played after the short shot.
11:27And, after the short shot of Love Rap.
11:39I was reserved in the morning.
11:41I was reserved.
11:42I mean, like I told you, if somebody comes and talks to me, I'll talk to the person.
11:47So, how do you do that in boxing match?
11:50One ring, one corner, one corner, and one corner.
11:53And, the other corner.
11:54And, the other corner of my shooting.
11:56And, the other corner of our shooting.
11:58And, the other corner of my shooting, I'm writing a book, I'm doing something.
12:02I will give you a shot, ready, shot, and then back.
12:05So, Karanthir was not my mother's story.
12:09So, now that we meet,
12:14Similarly with Sonali Bendrev,
12:17I had a memorial match for Raj Kapoor,
12:20I talked about Sonali Bendrev for about 12 minutes.
12:24I said,
12:25I don't have to talk about Sonali Bendrev,
12:28I don't have to talk about how much time we have spoken.
12:31It happens sometimes when you work with someone,
12:36where you have your own reservations and all that.
12:40So, with Sonali and Mamata,
12:41I did not get about talking to them only.
12:44We just did the film like,
12:46Hi, good morning, how are you?
12:47Good night.
12:48That's all.
12:49That's it.
12:50Do you have some preconceived emotions about Mamata?
12:56No.
12:57No.
12:59I've fortunately had very good co-stars.
13:01I've always had good co-stars.
13:02But, Bori Gota,
13:03when I was working with you,
13:05no room of the person,
13:06and you talked, you know?
13:07Look, that was my confused mind.
13:09I had to shift 3-3 charge.
13:12I didn't have to stay at work.
13:14I had to stay at 16 hours.
13:15So, at that point of time,
13:17the phase,
13:18you just do your shots,
13:19you go to the next shooting,
13:20you do your shots,
13:20sleep 4 hours,
13:21sleep in the car,
13:22sleep in the make-up room,
13:24that phase.
13:25But, a song like,
13:27Lovecraft,
13:27without knowing a person,
13:29it's not difficult.
13:30You get money.
13:33To fake an emotion.
13:36Okay.
13:37Okay.
13:38Good night.
13:38See you.
13:38Good night.
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