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00:01Yes, go ahead.
00:03Good afternoon.
00:06What is happening now?
00:10I wanted to share with you an idea that I have occurred
00:14that, to say the truth, has inspired me.
00:16Thank you, Marta.
00:16Thank you, Prima.
00:17Yes, I'm giving you the idea of making a public campaign.
00:23Yes?
00:24Is there money?
00:25No, no money, you told Pablo Salazar,
00:28but I've found the solution.
00:30So?
00:31Yes, a very good solution, by the way.
00:34We're listening, Gabriel.
00:36Atentally.
00:37Well.
00:40Is very good the campaign
00:42of Brossard with Bubu Puesa, do you think?
00:44It's a wonderful thing, I already told you this morning.
00:46It's not that they don't have a lot of money.
00:48Yes.
00:49Only contrating to Europe
00:50and suming the cost of production,
00:52well, imagine.
00:55Do you think so humiliating, Gabriel?
00:57Do you think so much of the French people
00:59when they have a pan and water?
01:01Yes, but calm down.
01:02I've told you that I've found the solution.
01:04We're going to have a public campaign.
01:09Gabriel, do you really have achieved a presupuesto?
01:11Of course, it's a good news for the new department.
01:14Yes, although it will be a small job,
01:16but it's about to adapt to the news.
01:20No, you'll be talking about it.
01:21No, you're doing it.
01:21You're doing it.
01:22You're using all of the graphic items
01:24of Bubu Puesa in order to take only a cent.
01:28Is how will you make that possible?
01:30You're going to translate
01:32all of the publications and articles
01:33of the great Bubu Puesa.
01:35It will be our...
01:36Not a cosmopolitan.
01:39But if we use exactly the same cartel,
01:42it means that we're going to promote the Brossard products?
01:47Well, yes.
01:49It's a shame for the reina products,
01:51but if there's no money...
01:57You're trying to hide our own products,
02:00and you don't even have the regret to ocult it.
02:03We're going to announce the French product,
02:05so I hope that at least the translation of the cartels
02:08and the doblaj, they'll pay them.
02:09No, we'll pay them with the money
02:11that we've spent producing their perfumes in the factory.
02:15Gabriel, this is a desproposite.
02:19Tranquilos.
02:20The company's benefits are not distinguishing
02:23a product from another.
02:24You're not provincian.
02:26You've also said that with the meriendas
02:28with the girls in the big house,
02:29they're going to be fired.
02:32Gabriel, you don't realize
02:33what you're going to do
02:34is a trap.
02:35One more.
02:36Well, we've finished the meeting.
02:39Please, put it with the valero
02:41to translate all the announcements.
02:43If you have problems with the French,
02:45then ask Victoria, my secretary,
02:47or use a dictionary.
02:48I remind you of the French.
02:50Perfect.
02:51You're doing a very good team.
02:53I want you tomorrow at my table.
02:58I don't know.
02:59Itasio,
02:59cuando dejes de fulminarme,
03:00con la mirada,
03:01ponte con los perfumes franceses
03:02a ver cuándo podemos arrancar la producción.
03:05S'il vous plaît.
03:23...�...
03:26... ...
03:26...
03:26...
03:26...
03:26I was calling you. I was waiting for you.
03:29Well, I'm going to be in the way.
03:32We don't have anything to do, right?
03:34Well, we have to adapt this announcement to the Spanish market.
03:42Traducir the text, send it to imprenta, a little more.
03:47Well, very good.
03:48For this, I'm going to have a department of publicity.
03:51I'm a photographer, I'm not a traductor.
03:53Well, I know.
03:54But we're the responsible department and we'll take care of.
03:59Very good.
04:01What I call you is something else.
04:06Ayer I told you something serious.
04:09I want to tell you something and I don't like it.
04:16It was Bianca who gave the great idea of the Fundación Olivares to Doña Clara.
04:24You can imagine the intention.
04:28No, because that was not like that.
04:30I'm sure that yes.
04:31My suegra me lo ha dicho in person.
04:34And it has been a good opportunity to generate distance between us.
04:39Marta, I've talked to Bianca.
04:41And me it's been clear.
04:43You've talked to her.
04:45You've talked to her.
04:45Yes, and I'm going to tell you that it seems to be fatal to think that you're always bad.
04:48You've talked to me.
04:49I'm going to be finging that no one of the two knows what's going on.
04:52What's going on?
04:53What's going on?
04:54What's going on?
04:55What's going on?
04:56That Bianca is enamored of you.
04:57I'm going to go on, Marta.
05:00What's going on?
05:01What's going on?
05:03What's going on?
05:04former people.
05:05Anger are making you.
05:06I've talked with Bianca and Bianca has tell you what happened.
05:09And it's not a thing to tell you of you to make me so.
05:12Titiliza?
05:13Titiliza?
05:14Titiliza is very than you.
05:17Are you very often telling you her version before talking about you.
05:23What's going on?
05:26When we present a Doña Clara and me, we're going to talk, we're going to talk, we're going to talk,
05:31and she tells me the idea of passing all the money from the son of the son of the son
05:37of a beneficiary.
05:38That was the intention.
05:40Of course, and as I knew that you were going to be fine, it's like I had to celebrate a
05:45lot of the idea.
05:47But from there to think that it was your idea, no.
05:52No, Fina, pero ¿sabes qué? Le dije que me parecía muy lindo como homenaje a la memoria de su hijo.
05:59Y ahí es donde ella de repente empieza a pensar en la idea de la fundación, ¿viste?
06:06Y bueno...
06:07Sí, sí. Pues a lo mejor sí que se le ocurrió a partir de vuestra conversación.
06:15No sé, no sé, no mal que me siento porque...
06:22Y también saber que soy un poco ahí el punto de discordia con Marta.
06:27Perdón.
06:32Bueno, no te preocupes porque al final no lo hiciste a propósito.
06:38No, sí a propósito no, pero al final...
06:41No, no te preocupes, sí está Bianca.
06:44De verdad, no le des más vueltas.
06:46No pasa nada.
06:49Así que Bianca no actuó con ninguna mala intención.
06:52Ella simplemente sugirió una idea.
06:54Una idea muy lógica, te voy a decir.
06:57Me parece increíble que seas tan comprensiva y que la entiendas cuando no haces más que arremeter contra mí.
07:02Marta, porque tú no paras de acusarla de forma injusta.
07:05No.
07:05Que Bianca es una mujer adulta con muchísimos valores
07:09y te puede asegurar que ha entendido y ha aceptado perfectamente que yo te haya escogido a ti.
07:15Te estoy diciendo que es justamente lo contrario.
07:17Que lo veo en cada cosa que hace, en sus gestos.
07:21¿A ti te parece normal que haya acabado poniendo el estudio en tu casa?
07:24Que paséis tantas horas trabajando juntas.
07:27Vamos a volver otra vez a la casilla de esa isla.
07:28No, escucha.
07:29Marta, eres tú, mi novia, la que ha decidido formar parte de la fundación aún sabiendo lo que a mí
07:35me duele.
07:35Dime quién es la que está actuando de forma injusta.
07:37No, Fina, esperamos.
07:39Es que no es...
07:43Es que no es así.
08:02Hola, Marta.
08:05Bienvenida.
08:06¿Qué tal estás?
08:06Ah, sí.
08:11Me...
08:12No sé, me llamó mucho la atención.
08:14Me sorprendió tu mensaje en mi hotel para quedar y digo,
08:18mira esa, cómo se quiere disculpar.
08:21Qué linda Marta, pensé.
08:22No.
08:23¿No?
08:24Quería felicitarte.
08:26Ah, felicitarme.
08:29Por haber conseguido convencer a Fina de que no tenías mala intención a la hora de hablar con mi suegra
08:34y contarle la gran idea.
08:37Ay, qué pena, ves, porque ahí te equivocas. No, no fue así, pero bueno.
08:44Bianca, no me cuentes milongas, como te dirías, que ya nos conocemos.
08:50Pero enhorabuena, esta vez Fina ha decidido creerte a ti.
08:56Bueno, porque esa es una mujer muy inteligente y además me conoce mucho.
09:01¿Cómo no me va a creer, Marta?
09:02Qué pena que yo solo la conozca desde que apenas éramos unas mocosas.
09:06Prácticamente toda una vida juntas.
09:09Y la vida que nos queda por delante, aunque tú intentes estropearla,
09:16no vas a conseguir tu propósito.
09:20¡Mírala, ella! ¡Cómo sabe intimidar!
09:24Pero si hasta recién me diste un poquito de miedito, Marta.
09:27Sí, Marta, sí, sí.
09:29Para nada era mi intención.
09:32Ay, gracias. Muy amable.
09:34Yo voy a brindar por tu...
09:39Sí, por tu inseguridad.
09:41Sí, porque acabas de descubrir lo insegura que sos.
09:44Y a Marta de la Reina no le gusta eso.
09:47Y después, ¿quieres que yo te lo compre?
09:50Y yo no...
09:52No, por ahí no, Marta.
09:55De nuevo evasivas.
09:57Es triste, Bianca.
10:01No.
10:02Mirá, si esta va a ser la conversación, se termina acá.
10:07Porque yo no estoy para guerras, boluda.
10:09No.
10:09Yo no vine a eso, ¿sí?
10:11Espera.
10:11Ah, ¿tenés más? Espero, ¿eh?
10:14¿Qué crees?
10:17Yo te voy a decir una cosa.
10:19Yo no soy una competidora tuya.
10:22¿Te queda claro?
10:23Y nada, nada que le haga a Fina va a ser algo que le haga daño.
10:28Por el amor que nos tuvimos ella y yo.
10:30¿Sí?
10:31¿Ves?
10:32Eso es lo único que sí tenemos en común tú y yo.
10:36¿Y entonces por qué crees estar en esa fundación, Marta?
10:40Ah.
10:42Ah.
10:42¿Ves?
10:42¿Qué?
10:43Más allá de tus buenas palabras, se acaban viendo tus intenciones.
10:49Las vi desde el primer momento en que llegaste a Toledo.
10:53Pero quiero que sepas que no voy a quedarme quieta.
10:59He tenido mucho aguante hasta ahora.
11:02He dejado que entrases en la casa de la persona que amo.
11:05Que entrases en mi propia casa.
11:08Pero eso se acabó.
11:10No te olvides que Fina es una gran mujer.
11:13No es una cosa que se pueda comprar, poseer.
11:16Y esa solita es muy libre, Marta.
11:19Sí.
11:19Es cierto, es una mujer excepcional
11:22que me ha elegido a mí.
11:24Que decidió no volver a Argentina.
11:27Yo acepté la derrota.
11:29¿Cuál es tu problema?
11:30No, no la aceptaste.
11:32¿Por qué eres de esas personas que no se rinden?
11:37Como yo.
11:39Por eso conozco tu juego.
11:42Y me parecía lícito.
11:43¿Por qué no?
11:45Pero pensé que iba a ser un juego honesto.
11:48Y me equivoqué.
11:51No estás siendo honesta y por ahí, por ahí sí que no pasó.
11:56Solo quería que supieses que te has topado con la persona equivocada.
12:04Bravo.
12:08Bravo.
12:09Estás invitada, querida.
12:11Gracias.
12:12Salud, querida Marta.
12:13Bien.
12:14Bien.
12:16Coxos.
12:17Vamos a
12:19Terre.
Comments
2
NadezBut not a single word about Fina... It’s like she completely forgot how Marta encouraged her to work with Bianca and even accepted her working at her place. Honestly, it feels so selfish
2 days ago
NadezAMAZING Marta, fighting for what she truly loves!!
2 days ago