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00:02:00There you have it.
00:02:01120 kilos of muscle and 40 grams of brain.
00:02:04He is man, the master and lord of the Quaternary world.
00:02:07Although it may not seem like it, he is happy because he is the only inhabitant on Earth.
00:02:11A free being.
00:02:12But as soon as he had a brother, as soon as there were two men in the world, freedom ended.
00:02:17One worked for the other.
00:02:18The strong prevailed over the weak.
00:02:21Well, sometimes the weak one isn't the one who appears at first glance.
00:02:30And maybe you should go shopping a little earlier next time, you idiot.
00:02:35Yes, sir.
00:02:36The first slave had been born.
00:02:39From him descended those thousands upon thousands of slaves who built the pyramids of Egypt because the pharaoh said a
00:02:44day...
00:02:45I'm going to build myself a mausoleum to my liking. You'll see what a monolithic tomb it is.
00:02:48Hey, what a silly thing to say.
00:02:51And those who rowed in the Roman galleys for the greater glory of a Scipio, one of those who began to invent
00:02:56that thing about...
00:02:57La Dolce Vita.
00:03:00And those who fought in the Middle Ages as serfs against the invader who had the intentions
00:03:06of a Miura bull.
00:03:07And sometimes it's not just the intentions.
00:03:11Later, the slaves were transported on slave ships to be sold as human flesh.
00:03:16But the story of slavery does not end here.
00:03:20There are still slaves in our time.
00:03:22Although they no longer travel on slave ships but on the Extremadura Mail.
00:03:26This is the last example of a slave.
00:03:28The maid.
00:03:29Her name is Vicenta Berruguillo Ptolomé, a native of Villarrioso, province of Cáceres.
00:04:08Cáceres of Cáceres of Cáceres of Cáceres.
00:04:16Vicenta, the slave.
00:04:18Upon arriving in Madrid, I encountered certain difficulties.
00:04:21For example, when ironing.
00:04:28Lady!
00:04:31Lady!
00:04:32What's up, Vicenta?
00:04:33Does the young man wear short or long underwear?
00:04:38Short, naturally.
00:04:41Because?
00:04:43Because his whole ass will be visible.
00:04:48He also had difficulty setting the table.
00:04:55Long live Vicenta!
00:04:57Here we'll see all his secrets!
00:04:58Long live Vicenta!
00:05:02Long live Vicenta!
00:05:03He's going to see it!
00:05:04He won't see it!
00:05:08He won't see it, miis!
00:05:29When Vicenta arrived in the capital, she only knew the basics of reading and writing.
00:05:33From A to F, the four rules,
00:05:35and that Madrid turned right as you went up.
00:05:38But after three months...
00:05:40Yes, Mr. Martinez, yes.
00:05:43I am sorry, Mr. Harrington.
00:05:46Isop.
00:05:50Yes, yes.
00:05:51Of course, yes.
00:05:54Oh, what a poultice you are, Mr. Martinez, of my life.
00:05:59Yes, yes.
00:06:02Let's go for my mother, that's right.
00:06:04Vicenta.
00:06:06My name is.
00:06:08No, it's not you, Mr. Martinez, no.
00:06:11Excuse me, please.
00:06:13Thank you.
00:06:15See you tomorrow.
00:06:20Oh, there you go.
00:06:21I haven't told you that I don't want visits, phone calls, or boyfriends.
00:06:24It was the one from the commissary.
00:06:26It was that Verpas of your boyfriend.
00:06:27The stretcher bearer.
00:06:29The stretcher bearer is not my boyfriend, he's my cousin.
00:06:31Right?
00:06:32Through my uncle, who is his father, who is my cousin.
00:06:36Well, whoever it is.
00:06:38Show some respect, this is a decent house, and I am a lady.
00:06:42Or am I not a lady?
00:06:43Yes, Mr. Salington.
00:06:44And my husband, an American sergeant, cultured, formal, and clean.
00:06:52It's a little dark, I admit.
00:06:55More like completely black.
00:06:57And what was Friar Escoba?
00:06:59And the Maharaja of Capurtala.
00:07:01And Eusebio, uh-huh.
00:07:03That's fine too.
00:07:04Take that photo.
00:07:08I already know her.
00:07:10It doesn't matter.
00:07:11What do you see?
00:07:12The lady dressed as a bride.
00:07:14In white.
00:07:14With four kilos of luck on my arm that my former Pasapoga classmates gave me.
00:07:19I've always believed it plugs in.
00:07:21And what do I have next to me?
00:07:22A flowerpot.
00:07:24To the other one.
00:07:24The black one.
00:07:26Newly married, in the church, as God commands.
00:07:29Ah.
00:07:30And with organ.
00:07:35I am a married lady, educated, proper and very decent.
00:07:45And I remember the father of anyone who doesn't acknowledge me.
00:07:48The servant and her modesty are recognized.
00:07:50Lady.
00:07:51Hey?
00:07:52That's what you call a lady.
00:07:54He is recognized as having a salary.
00:07:56Lady.
00:07:57The lady who sounds a lot.
00:07:59Yes, ma'am.
00:08:01Oh, really?
00:08:02I'll go to the commissary.
00:08:04Lady.
00:08:05There, there.
00:08:06With the highway horn.
00:08:08And don't delay.
00:08:09Okay.
00:08:09I'm flying.
00:08:13Lady.
00:08:44Let's take care of ourselves, let's take care of ourselves.
00:08:57Let's take care of ourselves.
00:08:58Oh, oh, oh, oh.
00:09:25You can't say I've lost.
00:09:26It's because of the traffic.
00:09:27Today you've got the handsome one feeling good, little one.
00:09:29My name is Felisa.
00:09:30But I like "pichurri" better, it's more affectionate.
00:09:32Okay, what? Did you bring that?
00:09:35Take 2,500 of your salary.
00:09:37And 40 duros in tips from the young master.
00:09:39Because I iron his pants and deliver letters to his girlfriend.
00:09:42Don't go believing anything else.
00:09:43No, I don't believe any of it.
00:09:44Also, anything for the floor.
00:09:45Well, it's not like I go through all sorts of trouble.
00:09:48And for less than 40 pesetas, they already corrupt me.
00:09:50Yes, but we are.
00:09:50But our floor is what's at stake.
00:09:51And when are we going to see it?
00:09:53What? The floor?
00:09:54Yesterday they started measuring the land.
00:09:56Well, they've been together for a year.
00:09:57No, because they do them consciously.
00:09:58They're not like those modern apartments that sneeze.
00:10:02And the parquet floor jumps, doesn't it?
00:10:03If only I had the desire I have for them to finish it and for us to get married.
00:10:11Because I love you, Manolo.
00:10:12And I'll give you everything I earn for the apartment.
00:10:1518,217 pesetas.
00:10:20Manolo!
00:10:21We're late!
00:10:22Time passes by without me even noticing when I'm with you.
00:10:24We'll talk later.
00:10:25I'll call you tomorrow, sweetie.
00:10:2918,217, Manolo?
00:10:31Yes, little one.
00:10:31With the number two in front.
00:10:33See you tomorrow, little one.
00:10:37Goodbye, little one.
00:10:39Come on, take it easy.
00:11:00You won't say you're sick.
00:11:02It's because of the traffic.
00:11:03Today you have something for your life, little one.
00:11:05Don't call me "pichurri" or I'll develop a poodle complex.
00:11:07Well, if it's a cute nickname, then pichurri.
00:11:09Okay, so today we have pony three, right?
00:11:11Yes, leaves.
00:11:12Take.
00:11:13Three thousand in salary, five hundred in excise taxes.
00:11:15But?
00:11:15And one hundred and fifty pinches.
00:11:17What's this about pinching?
00:11:18The ones the lady's father gives me.
00:11:20They charge five pesetas for them.
00:11:22But you're crazy.
00:11:22How dare you do that?
00:11:23Let me be pinched?
00:11:24No, they're going to charge us five pesetas.
00:11:26That's what got you, babe.
00:11:27I do everything for our apartment.
00:11:29When are we opening it, gorgeous?
00:11:30Well, there's no gold left.
00:11:31Imagine, I'll be at the foundation.
00:11:34They should put up the flag soon.
00:11:35Because when I see you, I can't be responsible for myself, dark-haired one.
00:11:38No, no, no.
00:11:39Not here, you crazy woman, I'm in uniform and I can't.
00:11:41Because?
00:11:42Because I have the buttons on my back.
00:11:47End of line.
00:11:52Goodbye, little one.
00:12:12Hey, where are you going?
00:12:14Man, for the injured man.
00:12:15We received a phone call.
00:12:16Yes, three hours ago.
00:12:18It's because of the traffic.
00:12:19He won't say I've been late.
00:12:20Today you have the handsome Swiss guy, little one.
00:12:22I mean, what happened?
00:12:23Well, it was a neighbor who broke his leg.
00:12:26But she has already gone to the clinic.
00:12:27And how did he leave like that with a broken leg?
00:12:30Taking a walk.
00:12:31Well, at least they could have taken the queen to the next door.
00:12:34Chuflas on top, man!
00:12:36Stop it, no, let's go!
00:12:37Stop it, no!
00:12:38For Turkish, look!
00:12:40Foam backwards or forwards, forgive us!
00:12:43Stop!
00:12:43Ah, forgive us!
00:12:54Push forward, forward, forward!
00:12:55Push forward, forward, forward!
00:12:57Push forward, forward, forward!
00:12:59Human vairo!
00:13:01Oh no, you've forgotten the pasteurization again.
00:13:04That's right, I'll bring it later.
00:13:06But Ligerito, these Americans, if they don't have milk with dinner, do they just have coffee?
00:13:12Go ahead, Pepe
00:13:19Who is it?
00:13:20Manolo, for your father's sake!
00:13:21Who is it? I ask, who is it?
00:13:24I'm not answering because I can't breathe
00:13:27Not you, Vicenta, not you
00:13:29Again!
00:13:30You're my cousin, and my cousin doesn't get lost in Madrid.
00:13:32Why are you giving me a map?
00:13:34Because I'll slap you so hard you'll remember me for the rest of your life.
00:13:38Your father has appointed me as your guardian.
00:13:40And you, young lady, have come from Villarrioso
00:13:43And you return to Villarrioso like an untasted melon
00:13:46I am now of legal age
00:13:48Women are not of legal age until they turn 50.
00:13:54And speaking of
00:13:57Is this a decent house?
00:13:59Come on...
00:14:00Like all
00:14:00No way
00:14:01In the decent houses, Mrs. Susan Ropo, inside Valletta Amarilla
00:14:05Yours
00:14:06And you, be very careful.
00:14:08There are a lot of scoundrels out there.
00:14:12A shameless person who only wants to take advantage of the unfortunate.
00:14:15Like you, who are unhappy
00:14:16And that guy at the door was a guy who was trying to pick someone up.
00:14:19It was the milkman!
00:14:20Do you really think they read the milkman's stuff?
00:14:24That scoundrels exist everywhere
00:14:26I've talked to you about buying an apartment to get married in.
00:14:28Hey?
00:14:29Right?
00:14:30It's a trick
00:14:31Right?
00:14:31But if he's married with six children and eight cows, Manolo
00:14:35Well, that's exactly why.
00:14:36Being married with children is not decent, having eight cows under the same roof.
00:14:40Please
00:14:40That?
00:14:41Where do they keep the legumes?
00:14:42Oh, I don't know, ma'am, I don't work here
00:14:44Oh, sorry.
00:14:46Also, if you're not going to be calm, will you find me another house?
00:14:48That's another thing, you never stop anywhere, you're like a restless turd.
00:14:51Where do you keep the ribs, please?
00:14:54Underneath the shirt, ma'am, I don't know
00:15:05Oh, sorry, miss!
00:15:08What should they focus on more today?
00:15:09I'm going to patent them
00:15:10Excuse me, Mrs. McNewton
00:15:12Oh, excuse us, good heavens!
00:15:15It doesn't matter, Vicenta
00:15:17Oh, do they know each other?
00:15:18Yes, Mrs. McNewton is a friend of my wife.
00:15:21Here's my cousin, but my real cousin
00:15:23Go on, tell him that your father, my father
00:15:26Yes, yes, ma'am, brothers, brothers
00:15:29When you say so, it will be true
00:15:33What would this be about, love?
00:15:36It smells like a storm.
00:15:37Let me in
00:15:38Try, let me, let me through
00:15:42Try, let me, let me, let me, let me
00:15:44And what are you doing here?
00:15:46The purchase is barely noticeable.
00:15:48Ah, but you do the shopping yourself, like a maid.
00:15:51I am a maid.
00:15:53No, daughter, you are a domestic worker
00:15:57Oh, oh, oh, how right he is
00:15:59Look, I'm always telling you this.
00:16:01Maid is a derogatory term
00:16:03It's clear you haven't heard of freedom.
00:16:06Equality and fraternity
00:16:08Yes, it's a song by Masiel
00:16:10No, that's it, hallelujah, hallelujah, hallelujah
00:16:14I'm talking about the storming of the Bastille.
00:16:16For a cold?
00:16:17No, not the pill, more hem
00:16:19Ah
00:16:22Well, to be honest, daughter, I feel sorry for you because you work in a small house
00:16:25Excuse me, clerk, can you tell me where the... are?
00:16:27The lettuces are over there
00:16:29Tripe down below, brains up top
00:16:30And the cheeses in portions inside because of the heat
00:16:32Good afternoon, ma'am
00:16:34Yes, yes, I'm here now.
00:16:36What did he say about the little house?
00:16:37If it's because the cigars blow, it's only on Saturday nights
00:16:40For them, the Saturday notice board is a tradition
00:16:43So, Mr. Hallington
00:16:46She's a close friend of mine, and it's not right for one of us to talk.
00:16:48But to begin with, don't call her Mr. Hallington
00:16:51Call it, in a friendly way, the pack
00:16:53That's what all the cabarets in Madrid knew it as.
00:16:55Just a moment, just a moment, we're going to park here
00:16:57Blue zone
00:16:5812:30
00:16:59That way we don't get a fine
00:17:00Excuse me, why? Why the pack?
00:17:02Because to talk to a man, the first thing she asked for was a pack of Chester cigarettes.
00:17:05Don't tell me
00:17:06Come on, she was a professional, you understand?
00:17:09Oh, you can't go to this, Vicenta, you can't
00:17:11Vita, now comes the morbid part
00:17:13I went out into the street, I met a man and...
00:17:15And censored, Vicenta, has this been censored?
00:17:17I'm not just saying that she was kicked out of several hotels for stealing towels.
00:17:21Oh, mother!
00:17:23But where have you gone, you wretch?
00:17:24Are you already packing your bags?
00:17:25And where do I go?
00:17:30Ah! Don't worry about that.
00:17:32I just happened to fire my housekeeper on Monday
00:17:35So, if you want to come to my house...
00:17:38Thank you so much, ma'am, thank you so much
00:17:40Of course we'll go, absolutely.
00:17:41Don't worry, we'll go, of course.
00:17:42Normal conditions
00:17:43Three thousand, two exits, all mechanized
00:17:46Television, my transistor, the service
00:17:48Anyway, the usual.
00:17:51Made...
00:17:52Okay, okay, done.
00:17:53Well, it's nice, ma'am.
00:17:54Oh, hey
00:17:55Don't tell the pack that I told you
00:17:57Don't worry, we'll make up an excuse.
00:17:59I always come up with very natural excuses.
00:18:03Honestly, I'm glad to see you open your eyes.
00:18:06Because that grace is a daughter of her father
00:18:11Grace of my life!
00:18:12Oh, honey!
00:18:14Come in, come in
00:18:15Geneva Rutherford is there
00:18:19The wife of your husband's and my boss's boss
00:18:20Okay, then we have to lose
00:18:22Let's see
00:18:25Happens
00:18:28Exactly, no, he wants us to give him letters, dear.
00:18:31Hey, it's Geneva!
00:18:34Do you really think it bothers me when he calls me "darling"?
00:18:36Woman, he's telling you nicely.
00:18:37It's because they've called me so many times in a nasty way.
00:18:41They know each other, right?
00:18:42Hey, it's time, Indy
00:18:44Here you go, Geneva
00:18:45One nedoyar, seventy pesetas
00:18:48Oh, the fights
00:18:49Thank you so much, dear
00:18:52And give it to him
00:18:53How's it going in Jureme?
00:18:55No, thank you, a dream before
00:18:56Well, we have a club
00:19:00A club
00:19:01But a club, for single women
00:19:03Like in Cincinnati
00:19:05Cincinnati is my town
00:19:07Every Saturday, every afternoon
00:19:10We, conferences
00:19:11I speak
00:19:13They're all talking
00:19:15Next Saturday, you, conference
00:19:18You can
00:19:19I?
00:19:20Yes
00:19:23Very kind, but
00:19:24I don't know
00:19:25What can I talk about?
00:19:27Oh
00:19:27Last week
00:19:29I speak
00:19:31Chinese tradition
00:19:32And Mao's revolution
00:19:34Ah, Mao
00:19:35Mao
00:19:36Cat theme
00:19:38Ah, yes, yes, yes
00:19:40Very funny
00:19:41I think that you
00:19:43I could talk
00:19:44For these reasons
00:19:45Ah, yes
00:19:48Issues
00:19:49About prostitution
00:19:50In the country
00:19:52Okay?
00:19:57Well, I don't know about that.
00:19:58I don't know anything, ma'am.
00:20:00Sure, man
00:20:01All women
00:20:03They knew about prostitution
00:20:05I smelled it by hearsay
00:20:06By ears
00:20:08Well, what do you know?
00:20:10What you must have done
00:20:10In Cincinnati
00:20:15Some of you
00:20:16They want a little bit
00:20:17Of that
00:20:17Pum
00:20:18Pum
00:20:19Pum
00:20:19Oh my God
00:20:20You're making us lose money.
00:20:21No, for God's sake!
00:20:21That the siphon is delicious
00:20:22That the siphon is delicious
00:20:23That the siphon is delicious
00:20:23That the siphon is delicious
00:20:24That the siphon is delicious
00:20:25It's very fresh
00:20:26And it's very good for the siphon
00:20:27You have to see that, daughter.
00:20:28Oh my God
00:20:28What are you doing there?
00:20:29Aján
00:20:30Aján
00:20:31Aján
00:20:31Aján
00:20:33What are you doing there?
00:20:34Oh, I have typhus
00:20:36I have typhus
00:20:37Oh, ma
00:20:38What is it?
00:20:38Yes, ma'am
00:20:39I have typhus
00:20:40And I'm leaving so I don't infect him.
00:20:43Like typhus?
00:20:46Who told you that?
00:20:48How should I know?
00:20:49Will you have a fever?
00:20:50No, it's not necessary
00:20:51I look in the mirror and say
00:20:53Typhus is here
00:20:54And that's it
00:20:55Neither typhus nor bagpipes
00:20:56If what you wanted was to leave
00:20:58You could have started there
00:20:59What's happening?
00:21:00The jebo, right?
00:21:02If you're referring to my cousin
00:21:04What is your cousin?
00:21:05Because you say so
00:21:06Because he looks like a cocky kid.
00:21:09Engracia a la Ginebra
00:21:10Let them bottle it!
00:21:11Who is the wife of the eldest?
00:21:12Even if it's the minor's problem!
00:21:14Domestic questions
00:21:16Oh, yes, really
00:21:18That happens in America too.
00:21:20But with husbands
00:21:21They're the ones who wash dishes
00:21:25Is something wrong with you?
00:21:28I know the maids very well.
00:21:31First of all
00:21:32I am not a maid
00:21:33I am a domestic worker
00:21:38Or haven't you heard?
00:21:39What about taking the pill?
00:21:41And of those three famous words
00:21:43Throughout the world
00:21:46Free
00:21:47Calamiten
00:21:48And screw you.
00:21:50Oh!
00:21:51What you have to hear
00:21:53Did you hear that, Lindon B?
00:21:55And that's what they're letting themselves be allowed to do.
00:21:56What about the lives of our men in Vietnam?
00:21:59Why would some idiot come?
00:22:00And tell a lady
00:22:01American like me?
00:22:02You don't even have the lining of an American.
00:22:05And as a lady
00:22:06According to what your identity card says
00:22:08Where it says profession
00:22:10I bet they haven't assigned her chores
00:22:12Shh!
00:22:12Who do you think you're talking to, you shameless person?
00:22:15With the pack
00:22:16Oh, mother!
00:22:18That you were a saint
00:22:19In all the horse stables of Madrid
00:22:20Until he caught the black man
00:22:21Oh!
00:22:22Oh!
00:22:22Oh!
00:22:23And he's been kicked out of several hotels
00:22:25For stealing towels
00:22:26Me?
00:22:27But you're with the police.
00:22:28Oh!
00:22:29I believe
00:22:30Yes, being able to talk
00:22:31About prostitution
00:22:33So you get through it however you can.
00:22:38Come on!
00:22:39But why are you asking her?
00:22:40Because honest and decent people
00:22:42We need to stand together
00:22:43And I'm going to serve myself at his house
00:22:46Little girl
00:22:47So this has been it
00:22:48The one who told you all that about me
00:22:49It has opened my eyes
00:22:51And I saw them shut it down with a slap.
00:22:53Gasoline!
00:22:54Engage!
00:22:55Gasoline!
00:22:56Yes, because they used to call me the cigarette pack
00:22:58But this
00:22:58Gasoline
00:22:59Because the radio's fuel dispensers were being worked on.
00:23:02And in an Opel Captain Green
00:23:03You linked up with Lieutenant Brown
00:23:05Shut up, poison!
00:23:06I don't feel like it!
00:23:08The maid is crying
00:23:09Pretending to be a cloistered nun
00:23:10Just so you know, gorgeous
00:23:12This
00:23:13She was recently involved
00:23:14With a gentleman from Bilbao
00:23:15They called it the municipal crane
00:23:16Because he appeared when I least expected him
00:23:19And you with a canary
00:23:21Oh my God!
00:23:22Even with birds!
00:23:24Yeah
00:23:24With a short canary
00:23:25He was selling contraband transistors
00:23:27And I believe that the two
00:23:29Being able to talk about prostitution
00:23:31Well
00:23:33Keep airing your dirty laundry
00:23:35But the washerwoman leaves
00:23:36No, rich girl!
00:23:38If you want to get out of here
00:23:39To go home from this
00:23:40It has to be feet first
00:23:44Good public appearance
00:23:45Section on contagious diseases
00:23:47Is there anyone who has typhus, for example?
00:23:48And very fat!
00:23:49Suba
00:23:50There is one free spot.
00:23:51Oh, wait a minute!
00:23:52You cannot enter here
00:23:53This is American territory
00:23:54Did you bring your passport?
00:23:56No, ma'am
00:23:56It's an invasion
00:23:57It had to be you who were invaded sometime, right?
00:23:59Geneva!
00:24:00Tell your husband
00:24:01To the strategic air command
00:24:02Red telephone!
00:24:03Red telephone!
00:24:04Shut up, idiot!
00:24:07We no longer have a maid
00:24:08Neither you nor I
00:24:09You're the dog in the manger.
00:24:11I am your father's dog
00:24:12But she doesn't get like that, dear
00:24:15No
00:24:16I'm fine with the dog thing.
00:24:17My father is a pastor
00:24:18I'll drag you and your father down with me!
00:24:19I am the dog in the manger!
00:24:21I am the dog in the manger!
00:24:23Ah, look
00:24:24Here's the new lady
00:24:25I've been looking for you.
00:24:25Because I already knew
00:24:26That the other one was also a prostitute
00:24:28Nice to meet you, ma'am
00:24:29But your home will be quiet.
00:24:31My house
00:24:32The quietest in all of Madrid
00:24:34There is peace
00:24:35Oh, how wonderful!
00:24:36We'll talk about the salary later, okay, ma'am?
00:24:38And you'll see, you'll see how calm it is
00:24:40That you're going to be at my house
00:24:43Yes, ma'am
00:24:44Oh!
00:24:45I'm leaving
00:24:46My cousin has already found me another house
00:24:48Oh!
00:24:49But, daughter
00:24:49Have I let you down in any way?
00:24:51Did my husband bother you?
00:24:53By chance
00:24:54No, no, no, ma'am
00:24:55You guys are very good
00:24:57But you promised me a quiet home.
00:24:59And with much peace.
00:25:03And there is no peace in this house
00:25:06Yes, ma'am
00:25:10Too much
00:25:13Too much
00:25:14Of course I love you, Pichurri
00:25:16I swear to you on my father's life.
00:25:17That is underground
00:25:18But your father is dead?
00:25:20No
00:25:20He works on the subway.
00:25:25Take
00:25:25Okay, when are we going to go see our apartment?
00:25:28I'm so excited!
00:25:29The architect doesn't want pretty girls to go there.
00:25:32Understand it
00:26:01The bricklayers get nervous
00:26:02Your cousin
00:26:03Hey, Pichurri, you're not going to distrust me
00:26:05No, I don't think so.
00:26:07Here, my envelope
00:26:12And how's our apartment doing?
00:26:13Ah, very good.
00:26:14The other day there was a plumber installing a tap
00:26:18Inside a small plot we got married
00:26:24Vicenta
00:26:27Who is it?
00:26:28To my cousin
00:26:29Other?
00:26:29But you don't have several cousins, Solta
00:26:31I don't
00:26:31My parents were both only children.
00:26:34Bad
00:26:35They would be very spoiled
00:26:40But, girl
00:26:41What are you doing here?
00:26:45She was fed up with being Juan Simón's daughter
00:26:47But once again, Vicenta is unemployed.
00:26:49You're worse than a hippie
00:26:51Don't scold me on top of that, or I'll burst into tears
00:26:53This service job is tough, Manolo.
00:26:56Come on, come on, come on, woman, get up, get up
00:26:57Come up with me, come up, come up, woman
00:26:59That poor thing
00:27:03Calm down, woman
00:27:03I think I have a sign for you.
00:27:06Sit there
00:27:06You were already prepared, weren't you?
00:27:08Let's see
00:27:08It's like putting you in the starting lineup is harder than putting a cripple at center forward.
00:27:13No fuss, Manolo, I'm going alone.
00:27:15Where to?
00:27:17To the doctor
00:27:18What's wrong with you?
00:27:21I think I have existential angst
00:27:23But you know what that is
00:27:25But if not, we don't know.
00:27:27Look
00:27:29What do you see here?
00:27:31One eye
00:27:32But white
00:27:33Bloodless
00:27:34Sad
00:27:35Yes, you look like a stale sea bream.
00:27:38Well, don't worry
00:27:39Tomorrow we'll go to the insurance company to have that pale eye checked.
00:27:43Yes, yes, I'll stay two more days in that house.
00:27:46Span
00:27:47But at least he wouldn't have told you anything about the funeral.
00:27:54Yes, yes, yes, I admit it
00:27:56I've gone too far, I've gone too far
00:27:59Well, well
00:28:01How are you, doctor?
00:28:03Very well, and you?
00:28:05I ask him about the girl
00:28:07Well, it doesn't seem to be important.
00:28:10But it's best if a radiologist looks at it, okay?
00:28:13Yes, yes, yes
00:28:17I'll give you a flyer
00:28:19What kind of nonsense is this?
00:28:21To chaos!
00:28:23Where are my glasses?
00:28:26This is
00:28:29Sorry
00:28:30Thank goodness
00:28:30Hey, Cristina
00:28:32Hey, Cristina
00:28:33Have you seen my glasses?
00:28:36Aren't they in your lab coat pocket?
00:28:37No
00:28:38Because it's unstitched and they would have fallen off.
00:28:41I've already lost three pens
00:28:46His wife may know.
00:28:47Yesterday he said he was going to fix this
00:28:49Hey?
00:28:50What has my wife fixed?
00:28:53Well, then I'll make the steering wheel by feel.
00:28:55And tomorrow I'll go to the optician.
00:28:59I hope you're doing well.
00:29:01Good afternoon
00:29:02Good afternoon
00:29:02The signs are on the steering wheel.
00:29:04From the best specialist in Spain
00:29:06He will take very good care of you.
00:29:08Thank you very much, very good.
00:29:09Thanks a lot
00:29:10Bye
00:29:10It says here, Dr. Tincuentes
00:29:15Blasco de Garay, 180, sixth floor
00:29:18Does that sound familiar to me?
00:29:19Clear
00:29:20How could it not sound familiar if it's here?
00:29:22And this is the sixth floor
00:29:25Will they be neighbors?
00:29:27No, brothers
00:29:28Because the last name is the same
00:29:31They are father and son
00:29:32Come in, come in
00:29:34How are you all?
00:29:37Very well, and you?
00:29:38Well, not very well.
00:29:39Otherwise, we wouldn't have come to see him.
00:29:43Oh, my father sends his regards.
00:29:44Yes sir
00:29:45It bothers me that he's my own father.
00:29:47Whoever recommends me
00:29:48If you want
00:29:49The lady can give you the directions
00:29:51From another radiologist better than me
00:29:52No, sir
00:29:52We trust his father
00:29:54And from you too
00:29:55Thank you
00:29:56Thank you so much
00:29:57Thank you so much
00:29:58Okay, let's see
00:30:01Who is the sick person?
00:30:03Servant
00:30:04Well, go ahead and undress.
00:30:06How by undressing?
00:30:08Sure, for exploration
00:30:09But what exploration?
00:30:10No, sir
00:30:10I am his cousin
00:30:11And I have a commission from my uncle
00:30:13That Vicenta has come out
00:30:14Young woman from Villarrioso
00:30:15And he has to return to Villarrioso
00:30:17Be very careful, Vicenta
00:30:18Don't take everything off
00:30:19Not the petticoat, eh
00:30:20Vicenta
00:30:20I'm not going to talk about the petticoat
00:30:21I'm not taking off my petticoat
00:30:22No, goodbye
00:30:23Bye
00:30:24Be careful with the petticoat, Vicenta
00:30:26Watch out, eh
00:30:27Yeah
00:30:27Ignore him
00:30:30He's from a small town
00:30:32That I have to take off
00:30:34Well, the...
00:30:35Miss
00:30:37He will tell
00:30:39That
00:30:42The doctor is nice.
00:30:43Yeah
00:30:45But very shy
00:30:46Look
00:30:47He's embarrassed
00:30:48Let her get naked
00:30:48Someone in front of him
00:30:49What nonsense.
00:30:52Me too
00:30:53I am very shy
00:30:59Is he married?
00:31:00No
00:31:06But does he have a girlfriend?
00:31:08No, neither.
00:31:11I like him more and more each time I see him.
00:31:14Position yourself here
00:31:22Okay, doctor
00:31:26Oh, this is just right
00:31:28I'm going to get a cramp.
00:31:30Come in, doctor
00:31:31Be careful
00:31:32Don't run into something
00:31:35Don't worry
00:31:36I'm used to it
00:31:37He sees it
00:31:39Nurse
00:31:39Why don't you move things out of the way?
00:31:45Did he hurt himself?
00:31:46No no
00:31:47Calm down
00:31:48No
00:31:49Please
00:31:50Let's see
00:31:58Take a deep breath
00:32:07Where have they gone?
00:32:08I don't trust it
00:32:10Hey?
00:32:11But what are the three dark ones doing?
00:32:13Will you shut up?
00:32:14Vicenta
00:32:14Have you taken off your petticoat?
00:32:16No, there
00:32:16Three years ago
00:32:17When I left the village
00:32:18Cristina
00:32:18Would you like to accompany this gentleman?
00:32:20And that it doesn't bother us?
00:32:21Clear
00:32:21What you don't want
00:32:22They are eyewitnesses
00:32:23Yeah, yeah
00:32:24We'll wait out there
00:32:25Leaving them alone
00:32:26No no
00:32:26Don't rush
00:32:27Your cousin is in very good hands.
00:32:29That's what I fear.
00:32:30The hands
00:32:30Vicenta, Vicenta
00:32:31Be careful with the petticoat
00:32:31Don't take off your petticoat
00:32:32Vicenta has left
00:32:33Young woman from Villarrioso
00:32:34How tiresome the poor man is
00:32:36Please
00:32:36Shut up
00:32:48Where are you going, man?
00:32:50What does it say?
00:32:50You're looking into my guts
00:32:52Because he's a doctor.
00:32:52But below the knees
00:32:55I don't refuse
00:32:55Do you know that you are worse than your cousin?
00:33:00Dress
00:33:00Leave
00:33:01Yes, yes
00:33:02Sorry
00:33:09Are you going to look at me a little more?
00:33:11Oh no, no, no
00:33:12That little check-up is enough
00:33:16Check?
00:33:17Oh, mother!
00:33:18What did he see in me?
00:33:18Nothing important
00:33:19It's just nerves
00:33:20Nerves
00:33:21With a little rest
00:33:23And vitamin B
00:33:25It will be as good as new
00:33:26Is it missing a button?
00:33:29Yeah
00:33:29I'm a disaster
00:33:31But the tie covers it up.
00:33:34So, how far do your ties reach?
00:33:37As?
00:33:38The button is missing from the loop.
00:33:41Oh, yes
00:33:41Also
00:33:42Do neither you nor your father have anyone to take care of you?
00:33:45Yeah
00:33:46Yeah
00:33:47Clear
00:33:47Clear
00:33:48My mother
00:33:49But
00:33:50But the poor thing has migraines
00:33:52It's a beautiful apartment
00:33:55I'm paying in installments with great difficulty
00:33:58If I found a good woman
00:34:01Good
00:34:01Decent
00:34:02May it come to a good end
00:34:04For what purpose?
00:34:06With the promise to help me pay for the apartment and then marry me
00:34:10I am good, sincere, and very affectionate.
00:34:16Continue the treatment and she'll be as strong as an ox.
00:34:19It will be a torah
00:34:20Oh, yes, of course.
00:34:22Bye
00:34:24Bye
00:34:25Thank you so much
00:34:27Very kind
00:34:28Hello good
00:34:35Let's go, Manolo
00:34:36What has he done to you?
00:34:37Oh, she looked at me in a way that no one has ever seen before.
00:34:41Oh, that means you've taken off your straw.
00:34:42And if he insists, I'll take off my sternum.
00:34:45What has he seen in you, Vicenta? What has he seen in you?
00:34:47Ah, the whole check-up
00:34:49The checkup? What did the checkup find?
00:34:51Let's see how I explain this to my uncle
00:34:53Vicenta!
00:34:54I'll call you, start saving.
00:34:55Vicenta!
00:35:03You may stay
00:35:04And the lady?
00:35:05He cannot leave, but he agrees to the conditions
00:35:07The main thing is that this is a decent house.
00:35:11This is the most decent house in Spain.
00:35:14There is no radio
00:35:16Not even television
00:35:18Nor such frivolities
00:35:20Glad to hear it
00:35:20Because I need some rest for my nerves
00:35:24His room is at the end of the hall.
00:35:26You can leave the suitcase.
00:35:28And put on the uniform you'll find in the closet.
00:35:33Goodbye, now
00:35:34Goodbye, cousin
00:35:34You'll be very well off here.
00:35:37How nice she is
00:35:42I'm leaving too.
00:35:43Good afternoon
00:35:44Nice to meet you
00:35:49She suffers
00:35:51Who?
00:35:53The girl?
00:35:54Yeah
00:35:54Very hardworking
00:35:56Well, goodbye
00:35:59Does he eat a lot?
00:36:02Well, that's normal.
00:36:03Maybe he'll lose his appetite here.
00:36:06Because?
00:36:07There is little work.
00:36:09Lack of exercise
00:36:11It takes away the desire to eat
00:36:12Well, goodbye
00:36:15Well
00:36:19Are you going to the movies?
00:36:21Rarely
00:36:23But now he's watched scary movies
00:36:26Some, yes sir
00:36:27From Frankenstein
00:36:30From Dracula
00:36:31The one who sucks blood
00:36:34Yeah
00:36:35That
00:36:38Poor thing
00:36:38Yeah
00:36:40Listen
00:36:42My neck itches
00:36:43And?
00:36:44Because I dirt my face
00:36:45We don't see if you let go of my hand
00:36:46Ah, yes
00:36:47Sorry
00:36:48Good night
00:36:54Good night
00:37:24Good night
00:37:45Was she a dwarf?
00:37:46Who?
00:37:47The other maid
00:37:49No
00:37:50When he entered here
00:37:52It weighed 60 kilos
00:37:54And he was 1.72 meters tall
00:37:56Ah
00:37:57Well, they dressed her in a mini uniform
00:38:01It decreased a lot over time
00:38:03The uniform
00:38:06The girl
00:38:09He was from Salamanca
00:38:10He had grown up among bulls
00:38:12Strong
00:38:14Career
00:38:16And at four months
00:38:26If required
00:38:27He will be given other uniforms.
00:38:28Now
00:38:31Well
00:38:31Prepare
00:38:33Let's serve dinner
00:38:34To the gentlemen
00:38:36Yes sir
00:38:43Dinner is served
00:38:50Divine
00:38:51I read a news article
00:38:52Very rare in the newspaper
00:38:53They say they're going to manufacture in Spain
00:38:55Some cars that are made in Italy
00:38:56The Fiats
00:38:57And that here they will be called Seat
00:38:59What an ugly name, right?
00:39:02That's like the thing about Hitler
00:39:03He is going to declare war on France
00:39:06Hoaxes
00:39:26You'd like to believe I don't feel like eating dinner.
00:39:29I was telling it to the gentleman
00:39:34The new maiden
00:39:36Very good
00:39:39And where are you from, beautiful?
00:39:41From Villarrioso to serve you
00:39:43And does that fall within the national territory?
00:39:46Yes, ma'am
00:39:47By Cáceres
00:39:48Great place, Extremadura
00:39:49My husband loves it
00:39:54Right, Honorato?
00:40:07We'll get along very well
00:40:09Serve, serve, daughter
00:40:12To Mr.
00:40:13In this house, the master is served first.
00:40:16Will it get cold?
00:40:17No, she takes it right away.
00:40:19But until he comes
00:40:21Who?
00:40:21The Lord
00:40:25Oh my God
00:40:26Another one I don't see you, Honorato
00:40:28What a disgrace the service is!
00:40:30Serve the Lord, woman
00:40:31He doesn't see that I'm telling him.
00:40:34What are you telling me?
00:40:37Go on, Honorato
00:40:38Raise your voice
00:40:38She must be deaf
00:40:39Like the others
00:40:48Serve
00:40:49But the thing is
00:40:50Serve
00:40:51Yes sir
00:41:07Enough!
00:41:09She told him enough was enough
00:41:11She told me enough was enough!
00:41:14Livinius
00:41:14What did he say to you?
00:41:17That's enough.
00:41:19The uniform is starting to suit me.
00:41:25Don't serve it so hot tomorrow
00:41:27It has burned
00:41:31Oh my God
00:41:37It's true
00:41:38You're right, Honorato
00:41:42Okay, explain it to the girl.
00:41:44Let's see what he thinks
00:41:46No
00:41:47Tell them about the shirt first.
00:41:48Because otherwise the girl won't understand.
00:41:50No, not even if you tell me.
00:41:53Exact
00:41:55That's it, that's it
00:41:58Well, that's true.
00:41:59TRUE?
00:42:00Yes it's true
00:42:02Good
00:42:03What do you think?
00:42:06Well, I think the commander here
00:42:09I mean, Mr.
00:42:11Be right
00:42:12That's what you call being right.
00:42:15She has it
00:42:17But with the shirt
00:42:19Things change
00:42:20Because one thing contradicts the other.
00:42:22And neither fu nor fa
00:42:24Rather fa than fu
00:42:28Just as if we were to say
00:42:29A corollary
00:42:33Don't laugh with your mouth full
00:42:34Don Honorato
00:42:35What are you going to swallow?
00:42:37Samblas, samblas, samblas
00:42:39Don't make me another uniform
00:42:41This one is too big for me now
00:43:01Do you think they will come?
00:43:02Natural
00:43:02The girl or I
00:43:03Don't forget that for you it's the cross-eyed one
00:43:05Also, if it doesn't arrive, don't worry.
00:43:07We chose others
00:43:11Wow, dude, that's wild!
00:43:13Wow, that's smart
00:43:14Here you have the entire calendar of saints.
00:43:15Let's see
00:43:16And you never get your name wrong?
00:43:18That is the mistake of the worldly man.
00:43:19He has several girlfriends
00:43:20Since they are all made of cloth
00:43:21And you wear them by another name
00:43:22That it is not a dream
00:43:23You brought it on yourself.
00:43:23That's why I call them all Pichurri
00:43:26How awful!
00:43:27Hey, what if they insist on seeing the apartment?
00:43:29I know of a house under construction
00:43:30A fellow countryman of mine is on guard duty.
00:43:31I'll take it up to the third floor
00:43:32And I say, there's your apartment
00:43:33Distrustful
00:43:34Don't ever speak to me again.
00:43:35And they all end up crying
00:43:37Regretful
00:43:37Wow, what a smooth talker!
00:43:39Well, I think so, if you
00:43:40They drop you off at a bar in London
00:43:41We had already been sent back to Gibraltar
00:43:44Manolo, you're getting a phone call.
00:43:45Ah, thank you.
00:43:46It will be from the garage
00:43:47I said we were here
00:43:48Just in case there was something urgent.
00:43:49Yes, yes, go away, go away
00:43:52Greetings to you
00:43:53The uncle
00:43:54What pleasure they'll get from it
00:43:55Of grace
00:43:57Thanks, Pichurri
00:43:58What's up?
00:44:00Oh, it's you, Vicenta
00:44:02Let's see
00:44:02What's wrong now?
00:44:04I bet that house too
00:44:06Have you found any flaws in it?
00:44:08Manolo
00:44:11Get me out of here right now, Manolo
00:44:12No
00:44:13I can't speak any louder.
00:44:15That I can hear the invisible man
00:44:16What are you saying?
00:44:17I served him dinner.
00:44:19The Phantom of the Opera
00:44:21And we're starting to gain confidence.
00:44:23With the gentleman, right?
00:44:24Oh, don't even talk to me about Mr.
00:44:26Which is like participation
00:44:28In profit
00:44:28Everyone's talking about her
00:44:29But no one has ever seen her.
00:44:32Yeah
00:44:39Listen
00:44:41Listen
00:44:43Are you the young lady's cousin?
00:44:44Who is it?
00:44:45Gift
00:44:46Divine Gift
00:44:47Ah!
00:44:48The butler
00:44:50Hey, what's wrong with the girl?
00:44:52She's a little nervous
00:44:53Clear
00:44:54Until he gets used to the house
00:44:56We already had another one who insisted
00:44:58In which there was an invisible man
00:45:00And there is.
00:45:00And they call him Don Honorato
00:45:02Don Honorato is the owner of this house
00:45:05Doña Ernestina's husband
00:45:07Manolo, get me out of here
00:45:09That the butler is in cahoots with her
00:45:11Don't worry about your cousin anymore.
00:45:13He has been very jealous
00:45:15And it must have upset him.
00:45:19And we'll talk later.
00:45:21Good night
00:45:22That's it, tomorrow.
00:45:23Good night
00:45:25My cousin
00:45:26That is
00:45:26Half an hour more on the white slope
00:45:28Pichurri
00:45:31Listen
00:45:32Don't do this again
00:45:34You have nothing to fear
00:45:36He'll eat whatever he wants
00:45:38The salary is good.
00:45:40But I gave soup to a strange man
00:45:42Or not?
00:45:43It's still a bit early
00:45:45But you will understand.
00:45:47I'll explain it to him.
00:45:51Later
00:45:54Mother of my soul
00:45:55A normal house
00:45:57I'm just asking for a normal house
00:45:59The kind where the husband cheats on his wife
00:46:01The lady summons her husband
00:46:03The boy is staging strikes at the university.
00:46:05And some friends take the girl away.
00:46:06Take a walk in the outskirts
00:46:08And three months later she gets married in brown
00:46:10At seven in the morning
00:46:11Normal
00:46:12But these are not madhouses
00:46:20But all I ask for is a quiet house
00:46:22I don't mind working
00:46:24No washing up or anything.
00:46:26But look, if I'm not at home
00:46:27Of a ghost
00:46:28I can't take it anymore.
00:46:30I'm not going to live
00:46:32Oh, you scoundrel!
00:46:33I've discovered you with eight
00:46:35In bed
00:46:37With the maid
00:46:38Honorable
00:46:38You're a miserable wretch
00:46:39And a satyr
00:46:40Listen
00:46:40I didn't get it.
00:46:42Not a hair of the clothes
00:46:43But you're going to deny how I found you.
00:46:46Honorable
00:46:47Confess
00:46:48If you do the same with all of them
00:46:50Ah, you heard him!
00:46:51What did he say?
00:46:52There is no government from this corner.
00:46:53There is no maid in this house
00:46:55That it has nothing to do with him
00:46:56Adulterer!
00:46:57He'll say whatever he wants
00:46:58But I am very honest.
00:47:01Come on
00:47:02Tell the truth, Mr. Honored
00:47:04Don't complicate things further, rich man.
00:47:06Shut up, you fake!
00:47:08It's your fault.
00:47:09You are shameless.
00:47:15You
00:47:17Never cough on men
00:47:19With your flattery
00:47:20And you are capable of destroying a home
00:47:23Without caring about the harm you cause
00:47:25Oh!
00:47:26Don Liviño
00:47:27I called my cousin
00:47:29Bring the ambulance
00:47:30And with blood plasma
00:47:32From group A
00:47:33Positive!
00:47:38No, Honorable
00:47:39No
00:47:40If it was a joke
00:47:42I just wanted to scare her
00:47:43Don't hit me
00:47:44Don't hit me, Honored
00:47:46Don't hit me, I'll go blind, okay?
00:47:48I'm going blind!
00:47:49Oh!
00:47:50Take!
00:47:51Take!
00:47:52Conullo!
00:47:53Take!
00:47:54Adulterer!
00:47:55Conancha!
00:47:57Conullo!
00:47:58Adulterer!
00:47:59Take!
00:48:00Take!
00:48:01Take!
00:48:07I have killed
00:48:11I've killed him!
00:48:16Honorato!
00:48:18Answer me!
00:48:19Honorato!
00:48:22Answer me!
00:48:24Honorato!
00:48:25Answer me, my love!
00:48:27Answer me, Honorato!
00:48:29Honorato!
00:48:31Honorato!
00:48:40It's useless, Restina
00:48:42He is dead
00:48:43We'll bury him without anyone finding out.
00:48:46Nobody will know anything
00:48:48Vicenta wants to grab him by the feet
00:48:50Oh!
00:48:51And which way do the feet fall?
00:48:53Around there
00:48:54Come on, hurry up!
00:48:55We'll take it to the basement
00:48:57And you're going to involve me in a crime?
00:48:58Grab it already!
00:48:59Oh!
00:49:00Stay still!
00:49:01Ah!
00:49:02Honorato, you scoundrel!
00:49:03You will always be the same
00:49:04You love making me suffer.
00:49:05He's not dead, didn't I hit him?
00:49:08Yes, he's dead.
00:49:09Vicenta, tell them he's dead!
00:49:11But you can see that he's alive.
00:49:13Say he's dead!
00:49:15Come on, get up and let's go to bed
00:49:17It's not there, you hear it.
00:49:18It doesn't exist.
00:49:22He left you 30 years ago
00:49:23When you had only been married to him for two years
00:49:26When were you going to have a child?
00:49:29A son
00:49:29He was born dead
00:49:32He hasn't returned
00:49:35He will never return.
00:49:36He left with someone else.
00:49:39It's me
00:49:40The one who has always lived by your side
00:49:42Going through your delusions
00:49:44Because
00:49:45I love you
00:49:47I have always loved you
00:49:49Even before you met him
00:49:53Save yourself, Ernestina
00:49:54You killed him
00:49:56It no longer exists.
00:49:58You realize
00:49:59You are free
00:50:02You can still be happy
00:50:05We can still be happy.
00:50:12You think?
00:50:14Clear
00:50:15Forget it
00:50:17Look
00:50:18There is nothing.
00:50:19Do you see it?
00:50:21Isn't it there?
00:50:21The ground
00:50:22Nothing but the ground
00:50:23Do you see it?
00:50:24Only the ground
00:50:25Nothing, look
00:50:26Leave him alone!
00:50:27Don't hit him
00:50:28Don't lay a hand on him
00:50:30He's my husband!
00:50:37Come on, Honorato
00:50:41I'll help you
00:50:49You're crazy, Livinio
00:50:50You always have been
00:50:51Right, Honorato?
00:50:54But neither Honorato nor I wanted you to be taken to a mental asylum.
00:50:58See?
00:50:59He's laughing at you
00:51:01Yeah
00:51:02Now I see him
00:51:05Perfectly
00:51:07That's better.
00:51:11As for you
00:51:16Try not to flirt with my husband
00:51:18Because nobody can take this one away from me.
00:51:24You cause me so much grief, darling.
00:51:26If it weren't for the fact that I'm always willing to forgive your indiscretions
00:51:38And then they talk about science fiction
00:51:48Lie down
00:51:49And try to sleep
00:51:52Tomorrow, things will be like that.
00:51:55They will be different
00:51:56And so different?
00:51:57I will no longer be here.
00:51:59The door is closed
00:52:01Well, open it.
00:52:04No, don't get like that.
00:52:05Why would I call 091?
00:52:08Okay, yes, yes, I'm coming.
00:52:11Ande
00:52:12Convince my grandmother not to call the police
00:52:14And tell him everything that's happening in this house
00:52:16But where is her grandmother?
00:52:18Here, here
00:52:18Look how he pushes to make the phone go
00:52:21You won't dare
00:52:23Grandma says you don't dare
00:52:25This guy doesn't know you.
00:52:26Don't worry, I'll call, Grandma
00:52:28What I call
00:52:29Wait, wait
00:52:31I will open it for you.
00:52:32But where will he sleep tonight?
00:52:36After what has happened
00:52:37The crocodile-filled pond of the retreat
00:52:40The Spanish is going to sound like Hilton to me.
00:52:43Come on, grandma
00:52:44Let my grandmother through
00:52:46Listen, please, think about it
00:52:51Well, you haven't improved much.
00:52:53Improve?
00:52:53What I don't know is how I'll live to tell the tale.
00:52:55I will prescribe some tonic injections.
00:52:57I think I have...
00:52:59Let's see...
00:53:00I think I have a sample around here
00:53:03One of them has had the button sewn on.
00:53:05Hey?
00:53:05That one over there
00:53:12Is this a bit of a mess?
00:53:15Yeah, yeah, yeah
00:53:18Where is the sample?
00:53:22Hey, son
00:53:22Have you seen it around here, my trench coat?
00:53:27Your mother
00:53:28He wanted to fix the radiator in the doctor's office.
00:53:31And naturally
00:53:32He's killed him
00:53:36It will be in the closet by the entrance hall
00:53:37In the entrance closet
00:53:39There are only the pillows.
00:53:40Swimsuits
00:53:42And the pressure cooker
00:53:44Well, you have everything very close at hand
00:53:46The girl has said goodbye to us.
00:53:49Why didn't you tell me before?
00:53:52I was so eager to serve at home
00:53:54From a doctor like you
00:53:56Hey?
00:54:03Well
00:54:03So I can get sick
00:54:07Free
00:54:12Now that I am going to die
00:54:15I'll tell you who the Siso killer is
00:54:17It was the lame one, wasn't it?
00:54:22Say it
00:54:22Say it, I'll turn you around
00:54:23And I'll beat you up
00:54:24Even if you're hunched over
00:54:25Do you know if Marcelo has called to...?
00:54:26Shut up!
00:54:29But I won't be able to know.
00:54:30But Mariano, please
00:54:32The lame man has been
00:54:35Confess or you'll have to go to the bathroom.
00:54:41If you give me
00:54:43A Scotsman
00:54:46I'll tell you on the rocks
00:54:48There is no break
00:54:56Correct
00:54:58Will you serve me the soup or not?
00:55:01Can't you shut up?
00:55:03Look, look
00:55:05The killer
00:55:09Is...
00:55:10It was the lame one, wasn't it?
00:55:11It was the lame one
00:55:13Consultant!
00:55:15Son!
00:55:17You're a firecracker!
00:55:18And it's been 26 years of firecracker
00:55:2126 years putting up with you!
00:55:23You're a riot!
00:55:25And now with television
00:55:27More fireworks!
00:55:48I'm telling you
00:55:50You've done it!
00:55:52I've run out of ideas.
00:55:53Who is the killer?
00:55:54The killer?
00:55:56It's going to be me
00:55:56Don't yell at me!
00:55:57I'm in the lead!
00:55:59Consultant!
00:55:59Love!
00:56:00May God be with me!
00:56:00Yes, Mom!
00:56:03I can't take it anymore
00:56:04I'm going to eat out.
00:56:06That
00:56:06And we'll give the food to a poor person.
00:56:09That's what I've spent all day for.
00:56:10In the kitchen
00:56:11You?
00:56:12Breakfast is served here
00:56:13Lunch and dinner are served.
00:56:15Because Vicenta does everything
00:56:16If it were up to you
00:56:18We would have starved to death by now.
00:56:20Years ago
00:56:22Don't fight!
00:56:23Don't fight!
00:56:25Who is saying I'm lazy?
00:56:27The gentleman is not saying that you are lazy.
00:56:30He says that when it's time to work
00:56:32He doesn't work
00:56:33Which is different
00:56:34If only I had known what I was doing
00:56:37That day I went to church
00:56:38To say yes
00:56:39Go away!
00:56:40Go away!
00:56:41And whenever you want, we can separate.
00:56:43You're going to be killed by my tastes!
00:56:47That won't happen.
00:56:49My presence!
00:56:51Oh!
00:56:52Monster!
00:56:55My head!
00:56:56My head is going to explode!
00:56:59Let me know when the Virginian starts
00:57:00Hey?
00:57:01Ah!
00:57:02Oops!
00:57:02They called you, my mother!
00:57:04She's miserable!
00:57:05She's miserable!
00:57:06Did you find the news yet?
00:57:07Under laboratory testing
00:57:08As this edition goes to press
00:57:09Tomorrow on the midday news
00:57:12We will make it easier for you
00:57:13The report on this event
00:57:27Hello, Vicenta
00:57:28Oops!
00:57:28That gave me such a fright!
00:57:30Please sit down, I'll serve you your food right away.
00:57:34No!
00:58:00Hmm!
00:58:24Giblet soup, just the way you like it.
00:58:27I don't feel like it.
00:58:29You have to eat.
00:58:30He's at a very bad age.
00:58:32And now there is no work.
00:58:40Very tasty.
00:58:53He already has this ironed and navy blue suit.
00:58:57And I sent the black shoes to be resharpened, because I heard her say they were hurting her.
00:59:03metatarsus.
00:59:04You learned it so well.
00:59:05Yeah.
00:59:09Just to do something.
00:59:10You never stop working.
00:59:12This house seems like a different place since you've been here.
00:59:14I'd like to give more, but as you know, I'm a girl who'll see...
00:59:19But you can ask with that mouth, because I'm here to serve you whatever you need.
00:59:25Thank you, Vicenta.
00:59:27The ones you have.
00:59:31Oh...
00:59:35Oh...
00:59:36Oh...
00:59:37Oh...
00:59:37Oh...
00:59:43Oh...
00:59:50Oh...
00:59:51Oh...
00:59:53Oh...
00:59:55Oh...
00:59:57Oh...
00:59:58Oh...
00:59:58Oh...
00:59:59Oh...
00:59:59Oh...
01:00:00But hey, what's going on?
01:00:01These are the ones who started it.
01:00:02I was the one who gave you a bottle.
01:00:03Yes sir.
01:00:04Oh, what was that monkey? Come on, with us.
01:00:06And what about you?
01:00:07And who hit me here with a knife?
01:00:09What a knife! How beautiful!
01:00:11We'll take the one that's been in an accident and seems a bit fuller.
01:00:13I mean, more urgent.
01:00:15Let's see, little one, how did you say that happened?
01:00:17Oh, how cute.
01:00:20Wait for me here, you with me, okay?
01:00:22Don't be late.
01:00:23Look, they've left me with a permanent mark.
01:00:26Vicenta, you're not going to tell me you're homeless again, are you?
01:00:28I need to talk to you.
01:00:31But can't you see I'm busy, that I plan to stay up all night putting on tape like a madman?
01:00:36Manolo, you don't know what's happening to me.
01:00:40That?
01:00:41Yes, I fell in love until I was four.
01:00:43And since he can't marry me, I'm leaving that house so I don't get lost.
01:00:46What are you saying, you wretch?
01:00:48The truth is, not even when our calf died have I been more distressed.
01:00:54And does he love you?
01:00:54What could he possibly want from me?
01:00:56No matter what the Montepío says, I am a maid.
01:00:58And how could he possibly fall in love with a maid?
01:01:01He's such a gentleman.
01:01:03Out of sympathy, he showed me his skeleton, but nothing more.
01:01:07What has taught you what?
01:01:08See how you're such a dirty-minded person?
01:01:10It's a skeleton they have in their office for study.
01:01:12Oh, no, no.
01:01:13Yes, yes, this is it.
01:01:14No, no, that scoundrel isn't laughing at you.
01:01:17He doesn't laugh.
01:01:18Manolo, if you insult him, I'll slap you.
01:01:21Get me the bus ticket and I'll go to the village tomorrow.
01:01:24Calm down, that young gentleman is going to hear me out first.
01:01:27What you have done to my cousin is unspeakable.
01:01:30And if it does have one, it's a very ugly name.
01:01:33But what have I done?
01:01:35Seduce her!
01:01:36I?
01:01:36Yes sir.
01:01:38And she's fallen head over heels for you.
01:01:41Something I don't understand, to be honest.
01:01:42Of course, because I don't know what she saw in him.
01:01:44Hey, listen.
01:01:45Not with me now.
01:01:46I'm a little wart too, and Vicenta is leaving this house with her head held high.
01:01:50As?
01:01:51Vicenta says she's leaving.
01:01:54How odd.
01:01:55I thought I was very comfortable here.
01:01:58Me too...
01:01:59And why is he leaving?
01:02:01Son, you should have realized.
01:02:04About what?
01:02:07That he looks at you a lot.
01:02:10That she stares with her mouth open when you speak.
01:02:14He's dressed like a fashion designer.
01:02:18But, Dad...
01:02:19If the first thing he cleans is your room, which looks like a suite from the Castilian Gil.
01:02:24Because she's a good girl.
01:02:26And because she's head over heels for you.
01:02:28Dad, please.
01:02:29Yes, son, yes, for you.
01:02:32Does he like you?
01:02:33His cousin told me, who by the way had a different number on him.
01:02:38But that's absurd.
01:02:41He likes you, I'm telling you.
01:02:43And if necessary, his cousin will tell you.
01:02:46Well, even if that were the case...
01:02:48That?
01:02:48I didn't think you could make an effort.
01:02:51If you set your mind to it, it won't go away.
01:02:53You don't expect me to take advantage of her, do you?
01:02:56Take advantage of yourself, take advantage of yourself.
01:02:58I'm not saying you should take advantage of it.
01:03:00Look, I'm just saying, just drop in.
01:03:07Tell her she looks very pretty.
01:03:11Take her dancing sometime.
01:03:14Do you want me to take Vicenta dancing?
01:03:16Nobody will find out!
01:03:19Don't count on me!
01:03:21Well, we'll be without it then.
01:03:24So say goodbye to sweet desserts.
01:03:27Of the clean suits.
01:03:29Things in their place.
01:03:32Remember, before she came, that your mother ironed some pants for you with stripes on the sides.
01:03:38You looked like a gaucho.
01:03:39Well, we'll find another one.
01:03:42Another one who can put up with your mother?
01:03:44Already!
01:03:45But don't you see how neatly he's got everything arranged?
01:03:47But man, I saw her cleaning the skeleton's teeth with pervorate just the other day.
01:03:53Well, look how happy it made him.
01:03:56I don't do that kind of despicable thing.
01:04:01Very good.
01:04:02Well, the day after tomorrow, all three of us will be wearing gaucho pants.
01:04:25Where are you going?
01:04:27To the people.
01:04:29Because?
01:04:31Because...
01:04:32Because I have tension in my epigastrium.
01:04:35And painful projections on the left side.
01:04:38Come on, I look awful.
01:04:41You memorize everything I say.
01:04:44With your permission.
01:04:46Your shirt collar is folding down.
01:04:50Hey, another button is about to drop.
01:04:52Your buttons fall off a lot.
01:04:55I'll sew it right away.
01:05:07I...
01:05:09I know why you're leaving.
01:05:12The boyfriend, right?
01:05:16I don't have a boyfriend, miss.
01:05:18But...
01:05:19Have you had it?
01:05:20No, sir.
01:05:21Whoever has it will have it forever.
01:05:23I don't like to flirt with one person or another.
01:05:25Then one arrives at the altar like the sample fruit.
01:05:28Without tasting, but good...
01:05:30Sobaba.
01:05:32Do you feel that the server is too small?
01:05:38AND...
01:05:39Very...
01:05:39Very pretty.
01:05:41Since you are so tall...
01:05:43Well, I...
01:05:46That?
01:05:48You're very pretty.
01:05:51I?
01:05:54It seems to me...
01:05:55I don't think I'll be able to sew the button on.
01:05:57It's the same.
01:05:59When you leave, all my buttons will fall off.
01:06:01I won't have anyone to sew them for me anymore.
01:06:05We're going to miss you a lot.
01:06:09Especially me.
01:06:12It had been a long time since anyone had taken care of me.
01:06:15And I didn't realize it until now.
01:06:17Are you leaving?
01:06:19Well, if you want me to stay...
01:06:21I'm staying.
01:06:22For me?
01:06:24As far as I'm concerned...
01:06:25You would never leave.
01:06:27Well, I'm not leaving in my entire damn life.
01:06:30Oh...
01:06:30And I sewed on all the buttons.
01:06:32And I make him giblet soup every day.
01:06:34And I clean his skeleton.
01:06:35And whatever you want.
01:06:37Thank you, Vicenta.
01:06:38You are the nicest girl I've ever met.
01:06:55But where are you going?
01:06:57To leave the suitcase in my room.
01:07:00It's that way.
01:07:03Ah, yes.
01:07:04Excuse me.
01:07:14He's leaving or he's staying.
01:07:16He's staying.
01:07:17But I think this is a disgrace.
01:07:18Very good, son.
01:07:19He saved us all.
01:07:20Oh, oh, oh, what a pleasure.
01:07:21Oh, oh, what's wrong?
01:07:23Yeah.
01:07:42My father says this isn't dancing.
01:07:45It's like a nervous breakdown.
01:07:50I get scared
01:07:51About what?
01:07:53Since you laughed at me
01:07:55No, I'm not laughing at you.
01:07:57I laugh with you, which is very different.
01:08:00Hey?
01:08:02Then!
01:08:08Then!
01:08:32Yes, yes, you
01:08:36You'll find out soon enough.
01:08:40You'll find out soon enough, oh yeah
01:08:44You'll know when you get here
01:08:48Laranda!
01:08:52Hey, hello!
01:09:02Then!
01:09:10Then!
01:09:13Then!
01:09:14Then!
01:09:16Then!
01:09:26Then!
01:09:27Then!
01:09:28Then!
01:09:31Then!
01:09:33Then!
01:09:36Then!
01:09:37Then!
01:09:37Then!
01:09:39Then!
01:09:46Then!
01:09:48so he could kiss me like that
01:09:54If you don't come back, I will cry.
01:10:02But I'll find you very soon.
01:10:09Don't even think about it.
01:10:16Well, you will find yourself again
01:10:24But you know
01:10:28what if you don't come back
01:10:31Listen
01:10:33We're both in a cabaret
01:10:35Or am I dreaming it?
01:10:37No, it's true, it's true
01:10:40Now you know
01:10:44what if you don't come back
01:10:48Now you know
01:10:50What will I do?
01:10:56Now you know
01:10:58What will I do?
01:11:03Now you know
01:11:05What will I do?
01:11:08la, la, la
01:11:11la, la
01:11:14la, la
01:11:26the
01:11:39If you want to dance now that they're playing something calmer
01:11:44I warn you, I do it very badly
01:11:46if I can't move
01:11:48Come on, woman!
01:11:49Oh no, my legs have suddenly become so weak I'm about to fall.
01:11:54Okay, I'll hold you up
01:11:55Oh, what joy!
01:11:56Oh, I'm warning you, I'm going to step on her because I'm a real stomper.
01:12:05You dance very well.
01:12:06Ah, but I'm dancing
01:12:09Uh, I'll say one thing
01:12:13Tell me whatever you want
01:12:15Well, I hadn't danced since my student days.
01:12:28By your mother, young man
01:12:33But Vicenta, what's wrong?
01:12:35You look very pale
01:12:38Tachycardia, right?
01:12:40a bit
01:12:42I'm cyanotic
01:12:43Don't talk nonsense
01:12:44Here, have a drink and you'll feel better.
01:12:46Ah, no
01:12:47not to drink
01:12:48that they have already charged you three hundred pesetas for two Pepsi-Colas
01:12:52which are hard for me and sometimes I take the helmet apart
01:12:55Don't talk nonsense
01:12:56Go on, have a little drink
01:13:04Excuse me, but...
01:13:07when I realized
01:13:09that we were hugging
01:13:11And you should see how you hug!
01:13:15Something has risen up my throat
01:13:18Well, you can ask me for anything.
01:13:21and me headfirst
01:13:24Okay, I have to make a phone call.
01:13:28call
01:13:30call
01:13:34Oh
01:13:36forty degrees
01:13:37Nothing, eh, this is a waste, little one
01:13:39We're hardly ever going to save up for the apartment
01:13:41But if I invite you
01:13:42and?
01:13:43They have community property.
01:13:44So what?
01:13:45that what you earn and what I earn all goes into a common fund
01:13:48But since the husband has parental authority
01:13:50I manage the marital property, as I am the receiver.
01:13:53Well, this afternoon I felt like dancing with the interceptor.
01:13:59the ruin
01:14:01pichurri, if we start with privileges
01:14:03Come on, move it, big eyes
01:14:11No, Dad, this is over.
01:14:14We ran out, girl, but
01:14:17I'm telling you the truth
01:14:19No, son, calm down, calm down
01:14:22Remember the croquettes from last night?
01:14:25But no, you don't understand, Dad.
01:14:28I don't like red, I don't like it
01:14:30She's crazy about me
01:14:33who's crazy about me
01:14:34Yeah, yeah, he's even fixed the razor.
01:14:38the thing is
01:14:40He's going to confess his feelings to me, Dad.
01:14:42Well, give him the runaround.
01:14:44Tell him you need to think about it.
01:14:46that you'll sleep on it
01:14:47But don't take away their hope
01:14:52poor thing
01:15:03my mother
01:15:04Ah, but it's going here too.
01:15:06Introduce her to me
01:15:07Manolo, Manolo
01:15:11What are you doing here?
01:15:13Who had that Pepsi with you?
01:15:15No, let's begin, Manolo
01:15:15Ah, I know, that shameless young master
01:15:18Who is this?
01:15:19To call me a scoundrel, you'd have to step over my dead body.
01:15:21So go ahead, stretcher bearer
01:15:22You are a Cleopatra
01:15:23What kind of imagination does it take to call this language Cleopatra?
01:15:27You shut up, sweetheart, or you might get meningitis again.
01:15:30It's under the table
01:15:31What does it say?
01:15:33Where is it? Where did that goal go?
01:15:35Let's see, let it come out
01:15:36Don't touch him, do you understand?
01:15:38that poor thing has respected me more than Saint Roch
01:15:41And that's even though he can do whatever he wants to me because I'm crazy about him.
01:15:44Oh mother, let her come, let her come, I'm going to tell her what two and two are.
01:15:48No, no, he already knows that, he's a doctor.
01:15:51Let it come, let it come
01:15:53How do you say something to him?
01:15:55I'm becoming a bilingual
01:15:56Please, how did you get out of being a villain?
01:15:58Something's wrong
01:15:58No, he's my cousin, my cousin, but he was already leaving
01:16:03Yours truly, well, that's a figure of speech.
01:16:05Manuel Locumura Berruguillo, healthcare worker, diplomat
01:16:07Ah, yes, I remember now, nice to meet you
01:16:09We'll see about that.
01:16:11Here, it's not like at the FBI, where they know nothing, you get away with nothing.
01:16:15Manuel, get the stretcher ready, you're going to need it.
01:16:19young gentleman
01:16:20I told you to get the stretcher ready, you're going to need it.
01:16:25Manolo!
01:16:25Manolo!
01:16:26Oh, what a thief!
01:16:27Oh, my Manolo has made me so thin!
01:16:29But this is deadly, I'm a dwarf!
01:16:31Oh, criminal!
01:16:33Oh, criminal!
01:16:34Oh, criminal!
01:16:35Oh, criminal!
01:16:36Oh, criminal!
01:16:38Oh, criminal!
01:16:38Oh, criminal!
01:16:40Oh, criminal!
01:16:40Oh, criminal!
01:16:41Shorty!
01:16:42Let's go, let's go!
01:16:43Let's go!
01:16:43Oh, my dear!
01:16:45I don't mind!
01:16:45But who is this?
01:16:46No!
01:16:47No!
01:16:53It's nothing, just a minor knee injury from ligaments
01:16:56a little bit of concussion
01:16:58a fibula crack
01:16:59But no, no, it's nothing.
01:17:01He fell with even worse luck!
01:17:04Do you think you will die from this?
01:17:05No, of course not, daughter
01:17:07No!
01:17:08I have offered six novenas to Saint Rita
01:17:10If he doesn't get to stay in paradise, it's my fault.
01:17:12It's your fault!
01:17:13Well, let's see, let me find out!
01:17:15I'll explain it to you.
01:17:16Come to the bedroom
01:17:17Let's go to the bedroom
01:17:19Hooray, you lie down and I talk!
01:17:20But hey, I want to know!
01:17:22Oh!
01:17:22Oh!
01:17:23Oh!
01:17:23Oh!
01:17:23Oh!
01:17:24Oh!
01:17:31Vicenta!
01:17:31No!
01:17:34I'm here, mister!
01:17:36I've brought you a cup of coffee just the way you like it.
01:17:38Neither light nor dark
01:17:40Neither cold nor hot
01:17:42Neither closed air nor low
01:17:43Half Columbia, half torrefacto
01:17:45Just the way you like it
01:17:45Vicenta!
01:17:47You are...
01:17:48very sincere and...
01:17:50very decent
01:17:53Tell me the truth
01:17:57Are you in love with me?
01:18:01Up to the hilt.
01:18:05Vicenta, leave.
01:18:07Yes sir.
01:18:09Where to?
01:18:11Wherever you want.
01:18:12But leave this house, and for good.
01:18:15Because?
01:18:16Because I'm a scoundrel.
01:18:19I've been deceiving you all this time.
01:18:23All we wanted was not to be left without a maid.
01:18:28That's why I went out with you.
01:18:31And I took you dancing.
01:18:33And to the movies.
01:18:35Do you understand?
01:18:36Yes sir.
01:18:41You'll find a job somewhere else.
01:18:44And you will get married.
01:18:46Because you were born to get married.
01:18:49Not anymore.
01:18:52Go away, Vicenta.
01:18:55Leave.
01:18:59Forgive me.
01:19:01You are the one who has to forgive me.
01:19:04You let yourself be loved.
01:19:05Because I looked at him in a certain way.
01:19:07Let's see who's brave enough not to give in.
01:19:12Thank you.
01:19:14Thanks for everything.
01:19:22Drink your coffee, it's going to get cold.
01:19:29And if you offer him something,
01:19:32Ask the Poor Clare nuns in Cáceres for Sister Vicenta.
01:19:37I'll go out and give him doughnuts.
01:19:39Cáceres by Sister Vicenta.
01:20:10Tell me, are you Marcela?
01:20:12Yeah.
01:20:13Who is it?
01:20:14I am the bride.
01:20:15By Manolo Berrullo.
01:20:16As?
01:20:18Impossible.
01:20:18I am Manolo's girlfriend.
01:20:20Me too?
01:20:21I think Manolo's girlfriend is the entire pantheon of female saints.
01:20:25Just me and everyone else.
01:20:26What can I tell you?
01:20:27He's been fooling us, because who am I going to sleep with among these people?
01:20:30He's taken us all for fools.
01:20:32Who do I give it to among these people?
01:20:33Man, it matches the face.
01:20:35And if you are not here, we are not here for Father.
01:20:43Do you agree?
01:20:44OK.
01:20:47Vicenta, have you ironed my blouse?
01:20:49Vicenta, my books.
01:20:51Vicenta, my bike.
01:20:52Vicenta, my chocolate milk.
01:20:53Nothing, I don't have breakfast, right?
01:20:55At least they could have given me a maid.
01:20:57Oh, pick up a book.
01:21:00I'm going to the supermarket.
01:21:02You take care of the mess.
01:21:04You clean the bathroom, hang the bedroom curtains, and fix the refrigerator.
01:21:07Yes, ma'am.
01:21:08And in my free time I will dedicate myself to studying solfège.
01:21:11Come on, let's...
01:21:14Excuse me, does Vicenta Berruguillo live here?
01:21:18Who?
01:21:18Ah, the maid, yes, she's in there somewhere.
01:21:21Vicenta.
01:21:22Come in, come in, he must be in the kitchen.
01:21:33Vicenta.
01:21:34Miss!
01:21:35It's been so hard to find you.
01:21:36If it weren't for your cousin, who told me where you were...
01:21:39What has he come for?
01:21:42Vicenta, I...
01:21:45Who is that?
01:21:47He will be the nanny's brother.
01:21:49It's very ugly.
01:21:49Shut up, kid.
01:21:50Don't be silly, he's a boyfriend.
01:21:52And what could he have come for?
01:21:53To get married, just like in fairy tales.
01:21:56And what are they saying to each other?
01:21:59I love you very much, Vicenta.
01:22:01Me too, Pepe.
01:22:02And how do you know his name is Pepe?
01:22:03Because all the nannies' boyfriends are named Pepe.
01:22:06Right?
01:22:06And should we just shut up already?
01:22:07But do you want me to get married or to take walks in the park on Sundays?
01:22:11I want you to play Indians and with boys.
01:22:14Leave me alone.
01:22:15You and I.
01:22:16I love you, sir.
01:22:18But we have to get married soon, and in my town.
01:22:20And in white.
01:22:22Be careful with the dishes, Vicenta.
01:22:24I think these guys are incredibly corny.
01:22:27Vicenta, the dishes, Vicenta.
01:22:30So, if we're going to get married, can I give you a kiss, Vicenta?
01:22:34Grandma, get ready, tomorrow we're all eating in the pressure cooker.
01:22:40Whoa!
01:22:42Half of the grandma!
01:22:44Be careful, things are the way they are.
01:22:47I was going up, I'm following you now.
01:22:49Oh, hey, third from the left, Pichurri.
01:22:59Thank you very much, and porous.
01:23:01Well, it's just for a moment, you know?
01:23:03Don't worry, and I'll give you the money because he only likes steak.
01:23:06Ah, he likes sirloin steak.
01:23:08Bosses, my son.
01:23:09Well, it's your own portrait, it's just missing the helmet.
01:23:12Health to raise him, what a mess.
01:23:18Be careful, Pichurri, you're stepping on the dining room table.
01:23:21Is the kitchen here?
01:23:22Yeah, that way, man.
01:23:24But the important thing, the important thing is that we're going to put the bed here, Pichurri.
01:23:33Good afternoon.
01:23:34Good afternoon, you are the second one.
01:23:35Are they up already?
01:23:35Yes, yes, put on your helmet, the regulation one.
01:23:38Pichurri.
01:23:42Wait for me here, Pichurri, don't move.
01:23:44Where are you going?
01:23:45Down below, I dropped a lighter.
01:23:52Well, what a coincidence.
01:23:59Hey, Pichurri, you over here.
01:24:01Yes, what a beautiful eye, I was just dying of curiosity.
01:24:02Third from the left, right?
01:24:03No, no, first right.
01:24:05Oh, well, I thought that...
01:24:06No, well, you see, we changed it because there were a lot of drafts in the third one, you know?
01:24:12Wait, I'll go with you, it's dangerous.
01:24:14Here, here, don't go any higher.
01:24:19Where are we going to put the bedroom, big man?
01:24:22Well, well, well, I don't know, wherever you want.
01:24:25Right there, huh?
01:24:33Am I late?
01:24:34No, no, no, you are the third one.
01:24:35Please put on your helmet, the regulation one.
01:24:38Oh my God, what's going on today?
01:24:43No, no, no, don't move from here, I'll be right back, Pichurri.
01:24:47Hey?
01:24:48Did you drop something?
01:24:49Yes, the hair.
01:24:55Pichurri!
01:24:58Up, up, up, higher, here, here, to the left.
01:25:02But what's happening today?
01:25:08Pichurri!
01:25:11Here?
01:25:12No, higher, higher, higher, higher, higher.
01:25:15Upstairs, to the attic, to the attic.
01:25:27Pichurri!
01:25:30Here, right!
01:25:31Thank goodness.
01:25:33Pichurri!
01:25:35Go up.
01:25:37It goes up more.
01:25:38Here?
01:25:38No, not here.
01:25:42Now, here, here.
01:25:44Very!
01:25:48What bad luck!
01:25:50Pichurri!
01:25:52Up, up, up.
01:25:53Where does it go up?
01:25:54From here, from here now?
01:25:55No, no, I'll tell you later.
01:25:57But why did it come with a woman on the ID card?
01:25:59How can you skip there?
01:26:00It goes up, it goes up more.
01:26:05The architect told him so.
01:26:07The first thing I had to install were the elevators.
01:26:09You never know what might happen.
01:26:15Pichurri!
01:26:17But why are you crying, man?
01:26:18What's wrong with you?
01:26:19He cries tears of joy at seeing this, understand it.
01:26:22Here, here.
01:26:22It's here, it's here.
01:26:44What would a third A for Frankfurt cost me?
01:27:02Hi, Manolo. You seem very nervous, huh?
01:27:08No, I have a shareholders' meeting today.
01:27:12Hi Manolito, what do you think of this?
01:27:14Well, a national gathering of little shits.
01:27:19A gathering of unhappy people deceived by a scoundrel.
01:27:22Oh, what an exaggeration!
01:27:24And if you hadn't lost your planner, we wouldn't have known about the argument the other day about how much of a scoundrel he was.
01:27:27you are.
01:27:28What a shame! She's such a good kisser, and now I'm going to have to punch her in the mouth.
01:27:32We can reach an agreement.
01:27:33If you give me two months' salary, I'll find you a good lawyer, whom I know.
01:27:38Ah, for him!
01:27:39No, no, no! I'll give it back! I'm firing you!
01:27:43No, no! I'll sign some letters for you, I really will!
01:27:4660! 90! And 1,200 days! Everything! Or I'll return it!
01:27:51Thank God.
01:27:52Bye bye.
01:27:52Goodbye, thank you.
01:27:54Bye bye.
01:27:55Have you seen, Trapos? Thank you.
01:27:58I suppose this has helped you learn something, right?
01:28:02You might say, I've learned that it's dangerous to carry a planner in your pocket.
01:28:06Next time I'll learn the addresses by heart.
01:28:10Rufo!
01:28:15Manolo!
01:28:17We've come to bring you joy.
01:28:18Oh, really? Domestic service has been abolished?
01:28:21No, no, sir.
01:28:22We got married.
01:28:23But together?
01:28:24Yeah.
01:28:25Well, I'll go see you at the clinic next week.
01:28:28I am transferring ownership of an apartment in excellent condition.
01:28:31Manolo, what happened to you?
01:28:33Nothing, nothing, just an accident.
01:28:35Oh, if it weren't for the helmet...
01:28:37No, well, my father already told me that.
01:28:39Conquest, but safe.
01:28:41Bye bye.
01:28:41No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:28:47no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:28:48no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:28:48no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:28:48no, no, no, no, no, no, no, no, no, no
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