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A billion-dollar blockbuster meets its fiercest critic. Join us as we break down classicist Emily Wilson's viral review of Christopher Nolan's "The Odyssey," the academic debate it ignited, and the public firestorm that followed. From the London Review of Books to social media outrage, we explore what happens when scholarly authority collides with Hollywood's biggest ambitions.
Transcript
00:00Your reaction to the new adaptation of Odyssey has caused such a stir that it reportedly
00:05crashed the London Review of Books website.
00:09You know, I was told that's fake news, but who knows?
00:11Welcome to WatchMojo, and today we're looking at the public response to classicist Emily
00:16Wilson's critique of the 2026 film The Odyssey, inspired by her work.
00:21I thought it was a fun time at the movies. I think, you know, I think there are many ways
00:26in which the book is better, but I would say that.
00:29Universal Pictures released The Odyssey to sweeping acclaim on July 17th, 2026.
00:36No one could stand between me and home.
00:41Now these are the gods.
00:43This big-budget, star-studded revival of a Western cultural touchstone was already a pop-cultural
00:48phenomenon. A record $50 million just in IMAX pre-sales was grossed after tickets went live
00:54a year before the film's release. Within the month afterward, it crossed $1 billion worldwide
00:59to become the highest-grossing film in writer-director Christopher Nolan's career.
01:03You're a man who needs to control his fate.
01:07His esteem is undoubtedly the main factor in this baffling success for a three-hour-long,
01:13darkly philosophical take on an ancient Greek poem.
01:15But Emily Wilson, whose translation of Homer's Odyssey was a key source for Nolan's script,
01:20wasn't particularly impressed. Her essay in the London Review of Books underscores public
01:26discussions about the quality of the Odyssey, the nature of Nolan's interpretation, and the
01:30validity of its success. You certainly can't argue Wilson's qualifications with the subject.
01:35Everyone has the right to remake The Odyssey in their own image, and Nolan has certainly
01:39done that.
01:49I try and tease out the ways that ancient texts, such as The Odyssey, The Iliad, Ancient
01:55Tragedy, has all this wonderful richness, complexity of ideas and of language.
02:00She soon landed a position at the University of Pennsylvania, home to one of the most respected
02:05classical studies departments in the world. Her writing on European cultural artifacts and their
02:09context culminated in the first-ever English publication of Homer's Odyssey to be written
02:14by a woman.
02:14We need new translations because we need constantly to be reassessing what exactly might this text
02:20be doing. Might there be ways that an earlier generation of scholarship might have missed
02:25certain things because of their cultural blind spots.
02:28Wilson's 2017 version was praised for its authentic style and accessible drama, earning her MacArthur
02:34and Guggenheim grants that supported her 2023 translation of The Iliad. As her, the Odyssey
02:39became an academic standard for one of the defining fables in Western civilization, Christopher
02:44Nolan explicitly referenced it for his film adaptation. It's just one of many honors in
02:49Wilson's career, at least by commercial measures. Then, she stunned the world with another publication
02:56The poem is very much interested in what does it mean to be a warrior poet and how are those
03:04two roles related to each other?
03:06Facing a giant, Wilson's review. Wilson's The Odyssey famously opens with the line,
03:12tell me about A Complicated Man.
03:14I think I know in some ways what complicated means, but it also has a gesture towards,
03:19I don't know exactly in which way this character or this poem or this journey will be complicated.
03:25She similarly hooked readers into her review of Christopher Nolan's The Odyssey by titling it
03:30An Uncomplicated Man. The essay gained so much traffic so quickly that the London Review of
03:35Books website crashed. Wilson accused Nolan of falling into old tropes of convoluted storytelling
03:40and gaudy production values. I think it's a quite simple action hero movie about an action hero who
03:48feels bad about being an action hero. She called the script, quote, abysmal for its largely utilitarian
03:53development of the characters, particularly the female ones. Wilson also dismissed the much-discussed
03:58multiracial casting as tokenism, a point she would later walk back as too harsh. But even Odysseus is
04:05said to be so entrenched in anachronistic commentary that he lacks the charisma and cunning that made him
04:09legendary. I thought there were, there was something quite, in a way quite stylish about doing Odysseus
04:15but don't make him too smart. As Wilson popularized the humbler characterization, her review received an
04:21unusual amount of media attention. So too did her follow-up for The Atlantic, titled, A Trojan Horse
04:26is Supposed to Have Humans Inside It. Some critics have echoed Wilson's dissent from the greater reception,
04:32but few boast her credentials. And the Odyssey is constantly reminding us that in most cases,
04:37people are not just one thing or the other. Angering the gods, Nolan's interpretation. One of the most
04:43heavily debated aspects of this new The Odyssey is how it handles supernatural elements. The existence of
04:49the gods who walk among us is one of the things I love most about Homer in general. Homer's pious
04:54poem
04:55presented Olympian gods as literal beings with direct influence on the world. Christopher Nolan downplays
05:00that element to focus philosophical themes more on the ways of men who build the world around
05:05belief. Emily Wilson noted how Nolan was much less reluctant to play up the fantastical obstacles
05:10that the gods threw at Odysseus. There's a sort of absence of the gods and yet the gods are
05:14constantly mentioned. She criticized his journey for streamlining Homer's episodes to serve specific
05:20themes, only to lose sight of them in action set pieces. Nolan explores wartime ethics, trauma,
05:26and patriarchal principle with a deliberately anachronistic lens that most felt was thematically
05:30justified. Wilson takes particular issue with how he mixes classical fantasy and modern reality.
05:36Others take particular issue with her on this matter.
05:39I kept looking in vain for a sense that this was a film about glory. I think it's a film
05:45that has some
05:46interest in shame, but I don't think it has any interest in glory. Are you interested in hearing more
05:51about our interpretations of film, literature, and so much more? Scan the QR code to venture into the
05:5624-7 WatchMojo pop culture live stream.
05:59You're pining for a daddy you didn't even know.
06:03Lost in translation. Academic responses.
06:06Note that Nolan claimed to reference a number of translations of Homer while crafting his screenplay.
06:11It's just one of the great adventure stories and I really wanted to see it done justice,
06:15so we just sort of dove in.
06:17Wilson just earned the spotlight for her similar balance of Homeric nonlinear structure and modern
06:22humanism. The suspicion is that some of her criticism stems from how Nolan interpreted her
06:27storytelling. I don't think the movie has that sense of finia is about forming lasting multi-generational
06:33relationships. Classical archaeologist Dr. Theo Nash responded in Slate to praise the film for
06:38tackling the consequences of defying Zeus's law rather than Zeus himself. Emily Austin, Joel
06:44Christensen, Gregory Nagy, and other academics championed the Odyssey as both entertaining and
06:48complex. But before Wilson, classicist and New York Review editor Daniel Mendelsohn wrote that Nolan
06:54betrayed Homer's characterizations for his own conventional morality play. While scholarly
06:59interpretations clash more loudly than usual for a mainstream movie, some outsiders see bias as a factor
07:05all around. I felt a little bit disappointed that Nolan was going for the easy idealization
07:10narrative as opposed to things that I think are very much available to a modern viewer if you trust the
07:16viewer to be a little bit, you know, to be open to just tiny notch more complexity than this movie
07:23was
07:23allowing us to have. Going to war, defense, and backlash. Rarely has a non-professional film review gone as
07:31viral as an uncomplicated man. I don't really know why this somehow blew up the way it did. I think
07:37it's
07:37quite weird. Considering the popularity of the Odyssey, Emily Wilson's own critics are at least more
07:42visible than her defenders. Author Jeff Vandermeer called the controversy, quote, ridiculous, while other
07:48public figures have affirmed Wilson's credentials, articulation, and right to express personal opinion.
07:53But authors Joyce Carol Oates and Susan Orlean found the essay to be arrogant, even ungrateful,
07:59to a film that raised interest in her work and discipline. Never mind the masses on social media
08:03who've weighed in on Wilson's opinion and whether she was right to share it. She has expressly dismissed
08:08allegations of being personally offended by this interpretation of her book. The question then is
08:13if she has the authority to talk about the merits of tentpole filmmaking just because of her authority
08:17on its basis? For many, the upside is that people are talking about these things at all.
08:23There's so much to say about the film. I think you guys are going to have so much to talk
08:27about
08:27with your friends and loved ones after you see it.
08:31Ecclesia, an ongoing discussion. No one associated with Christopher Nolan's The Odyssey has directly
08:37responded to Emily Wilson's criticisms. People have this idea that because I can understand why the
08:42story affects me the way it is, therefore it didn't work. That's not how storytelling works.
08:46Nolan did challenge critics in a viral interview with Yi Yang Zhuge, believing that some use personal
08:52reaction to measure art's objective function. Even if a classicist knows more about Homer's lore,
08:58detractors say that what's most important is individual objective and impact with art.
09:02Nolan's vision is clearly having an impact as the most commercially accomplished adaptation of Homer ever.
09:07In some ways, I want to try to celebrate. People are coming together over this movie and over this
09:12poem, even if they're coming together in ways that sometimes involve, in my opinion, pretty simplistic
09:18kinds of conversations. At least there's a common cultural ground for people to talk about.
09:23Wilson herself closed an uncomplicated man by praising The Odyssey for emboldening the movie-going
09:28experience and popular interest in the humanities. She couldn't help but acknowledge that her book was
09:33quote, flying off the shelves. Book sales for the almost 3,000-year-old story rose by more than 70
09:38%
09:39in the United States alone around the film's release. Wilson's backlash and the backlash against her
09:44can be taken as a dated lesson in what constitutes respectful discourse. Or it can be taken as a
09:50timeless lesson embodied by the poem in question, the importance of art and how it's discussed.
09:55I mean, I like that he's trying something new. I'm just not 100% convinced that for me it totally
10:01worked.
10:01What's your take on Nolan's The Odyssey as well as the scholarly takes on it?
10:06Sail toward the comment section.
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