- 2 days ago
THE WITCHER 3 GAMEPLAY PART 71
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GamingTranscript
00:02You've seen the new waitresses.
00:05Don't disappear well. I'll see it all around.
00:42I'll see you next time.
01:03I'm doing all I had.
01:07How is business?
01:40I think I know how to free Dandelion. Got a plan. But we need Doodoo. Got to find him.
01:47This plan? What is it?
01:49Our Doppler friend will assume Menga's form. Order Dandelion move to Oxenfurt. We can grab him on the way.
01:57Brilliant. But how do you aim to find Doodoo?
02:01You're his friend. Any idea where he might be hiding?
02:04With the Doppler the questions never where, but as whom?
02:08In the past facing trouble he'd disappear then reappear on the morrow with someone else.
02:13But this time... this time he hasn't returned.
02:22Known Doodoo long?
02:23I know this might sound strange, but... I can't be sure. It seems he'd been circling me for some time
02:29in various forms, trying to attract my attention.
02:32Can't blame him for making the effort.
02:35Thank you. I failed to notice him at first. Then he decided to shoot the moon, assume Dandelion's form.
02:42What tipped you off? How'd you know it wasn't Dandelion? Doodoo not much of a singer?
02:47No. He simply spoke about something other than himself.
02:50What tipped you off.
02:57Why not to play the moon, it's definitely you know the same way to go around the same way.
03:08What a man who tries to do!
03:09What is that?
03:09What a man who might want to do to do to do to do to do so if he would
03:10not understand.
03:10What are you doing in the end of the house?
03:10How do you think so?
03:11I know what about the fight?
03:11What are you thinking?
03:11I know that's about getting no change.
03:13How can we have to look after all the men's hopes and how to do it again?
03:14What else do I know about the way?
03:16What a man who needs to do is?
03:17What is the man who wants to do that?
03:23We need to convince Doodoo to reveal himself. Any friends we could leave a message with someone he trusts?
03:30Dandelion. Irina Renard's troupe, that's all really. Not certain he was friendly with anyone else. Spent dawn till dusk with
03:36the troupe, on stage or in the crowd.
03:39So he liked going to the mummings?
03:41Yes. I'm actually surprised he didn't come to us after it all happened. He certainly could have counted on the
03:46Foxen's help.
03:47Hmm. So if these mummers are ready to help...
03:50We need only mention Doodoo. Irina and company are deeply indebted to him.
04:00Doodoo and the mummers, how'd they meet?
04:03That was my doing. Some opening night. Maxim lay comatose in his wardrobe, drunk as a knotter. I thought of
04:10Doodoo. Hard to imagine a better actor than a Doppler.
04:14And Doodoo revealed himself to them just like that?
04:17I didn't think it wise to tell anyone. But Doodoo and Irina took to each other completely and right away.
04:23He fell so hopelessly in love with the theatre.
04:26That he started performing with you?
04:28Yeah. Now Irina feels terribly guilty. They let him put himself in danger. She can't forgive herself.
04:39Maybe we could use a play. You know, work a message to Doodoo into something. Lure him out of hiding
04:44that way.
04:45Not a bad idea. But I doubt a few lines would suffice. Besides, do you really think Doodoo whiles away
04:52his days attending mummings he knows by heart?
04:54So what do you suggest?
04:57We must write an entire new play. From scratch. Something grand. Something that will grab Doodoo's attention.
05:02So most importantly, it must have a splendid title.
05:07It must be the talk of the town. If you wish we can start on it right away.
05:15Not sure I'm cut out to write a play. Maybe you're better off doing this on your own.
05:20It's sure to go quicker if you help me. You'll see. We'll have a grand time together.
05:28All right. Guess we can start writing the play. Any ideas for the plot?
05:34Actually, I was hoping... The key is to convince Doodoo that he can rely on you.
05:38And that we wish to free Dandelion. The message must be clear, though naturally woven into the play's
05:45dramaturgical essence. Meaning we need an appropriate dramatic structure. Following along?
06:08Dandelion. More or less. That'll do.
06:25Now to find the proper expressive form for our content. A gripping, contemporary story. That'd be best.
06:31Perhaps about the Conditieri of Povis. I know. Lorenzo Moller. A tale of a handsome but ruthless
06:39bandit. And the Doppler who manages to fool him. But now the Doppler must hide, and can only count on
06:45the help of his friend, who's a Witcher, who in turn is prepared to do anything to save his daughter.
06:50No. Better.
06:51His beloved. Hmm. What do you think?
07:02Sounds great.
07:03Really think so. Lorenzo Moller. Yeah. Hmm. Or perhaps not. Wait. I've got it. We shall stage a story of
07:14the Urcheon of Erlenwald.
07:16Secret lovers. Their betrothal. A curse. A cruel queen. Bell sounding midnight.
07:20But...
07:21At which point he reveals his face. He's a monster. There to steal Princess Pulver. They want him dead,
07:26but at that instant a Witcher steps in. And everything ends splendidly. So it's settled,
07:32yeah? You wish to say something?
07:43Will I get a say in any of this, or have you decided everything already?
07:47Why are you cross? It's the nature of the creative process. We toss around ideas and choose the best ones.
07:52Meaning yours. Well, you must admit I'm better acquainted with the theatre. Naturally, you'll play a part in shaping this
07:59play. Contribute to the work as a whole. Dandelion will explain how it works later.
08:11We need a good title. Venture to say that's more important than the story itself. I've some ideas. Perhaps you
08:17can choose.
08:18Gonna consider my opinion this time? Of course. We're partners in this. I'm just in charge. I've two really good
08:26ones. The Doppler's Salvation and A Changeling Rescued or The Witch's Triumph. Which do you prefer?
08:52Let's go with the Doppler's Salvation. It's shorter, catchier. Just one problem. No Dopplers in that story. Just a princess
09:02and a curse.
09:05Let's go with the Doppler's Salvation.
09:07Let's go with the Doppler's Salvation.
09:07Let's go with the Doppler's Salvation.
09:13Nothing simpler. We need merely swap the Doppler in for the Urchin. The message, that's what's important. A witch arrives
09:21and saves the Doppler. Got it?
09:24Hmm, alright. So it's a comedy. I was thinking more along dramatic lines. But if you prefer something lighter... Listen,
09:32merely decide and I'll get to work.
09:54Hmm, you're right. A drama'd be better.
09:57Very well. I must get to work. While you must pick a corner, sit down, read silently, or just think.
10:07Alright?
10:09Fine, since you don't need help with the writing.
10:13Geralt, wait. A rhyme for Witcher?
10:17Uh, did itcher?
10:20Ugh. Just keep quiet.
10:30Done. I could make a small masterpiece of this had I a bit more time, but...
10:33We're fresh out of that. The hidden message to Dudu. What did you weave in?
10:38Hidden message?
10:40You were gonna work something in. Like, come to the Kingfisher at dawn, or...
10:45That wouldn't be in keeping with the tone of the play. Not at all!
10:48You wrote it to contact Dudu. That was the purpose. Fine.
10:54So how do you see this working?
10:57I dunno. I was counting on recognizing him by his scar. Or just... improvising?
11:02Shall we worry about that later?
11:05First, you must take the script to Madame Irina.
11:08Sure you know where to find her?
11:10The troupe performs in the Butcher's Yard off the main square.
11:14Join us later. See ya.
11:17Back there!
11:20murdered
11:20Erm springaviamenteudes
11:37George
11:37Elizabeth
11:37L
11:37secretary Music
11:40Murphy
11:40Queen
11:40pills
11:50Let's move to the to the room.
12:11Oh, I've worked out quite well with that.
12:14Well, I'm doing all the men.
12:17Come on, mate.
12:28Newbie crowd!
12:32They must be in it.
12:44Where you going?
12:45That's a place of culture!
12:49Elven blood, eh?
12:52So, how do you go with this here?
13:34It must have broken many a heart, eh, Darndy?
13:37Hey, now!
13:38Oh, fuck.
13:41Ah!
13:56Move it!
13:58Oh, come here!
13:59Oh, come here!
14:00Oh, come here!
14:09Oh!
14:11I don't know.
14:41I don't know.
15:15I don't know.
15:27I don't know.
15:47I don't know.
15:51I don't know.
16:22I don't know.
16:24I don't know.
16:51I don't know.
16:58I don't know.
17:17I don't know.
17:37I don't know.
17:42I don't know.
17:51I don't know.
18:02Priscilla, actually.
18:03She's done writing it.
18:05Tells the story of a witcher who rescues a Doppler from certain death.
18:08Hmm.
18:10Sounds interesting.
18:11I'll gladly have a glance.
18:13But first we must think about getting the word out and organizing some protection.
18:18Ushers.
18:19Would you mind tending to these matters?
18:36Think we need ushers?
18:38A play about Dopplers could be controversial.
18:40But are ushers absolutely necessary?
18:43Can't be sure if you've attended many performances, but Novigrad crowds can be particularly difficult.
18:50Rotten apples, tomatoes, eggs, that sort of thing?
18:53Axes, butcher's knives and bricks, actually.
18:57All right.
18:58Know anyone appropriate?
19:01Try the docks, perhaps.
19:02You're bound to find some men willing to do any work for a few crowns.
19:11How can I help you spread the word about the premiere?
19:14Well, we'd like all the city to hear about it, so we must clearly talk to the Puffins.
19:19Who are the Puffins?
19:21Street artists.
19:22Get them to announce the premiere, and even the muscles on the harbor piling will hear about it.
19:27Where'll I find them?
19:28They did occupy some rooms in the bits in a townhouse, but I can't be sure they're still there.
19:33I've not seen them in the streets lately.
19:35They may very well have hung up their body hose.
19:39See if I can find them, and if they'll work for us.
19:49Thanks for helping.
19:50I'll come back once I've found some Ushers.
19:52See you then.
19:55Ah, there you are.
20:00Thanks for helping.
20:01See you then.
20:04See you then.
20:13Let's go.
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