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La Palme d'or 2026, "Fjord" de Cristian Mungiu, vient de sortir en salles. Les deux acteurs du film, Renate Reinsve et Sebastian Stan, nous raconte ce que signifie le film pour eux et comment le tournage s'est déroulé.
Transcription
00:00C'est complètement subjetif, et c'est un part de ce que je pense que c'est tellement brillant sur
00:05Christian.
00:07Il n'existe pas à vous donner une réponse. Il veut que vous pensez pour vous.
00:13Qu'est-ce qu'il y a de vous ?
00:14J'ai juste eu l'appelé sur les stairs.
00:17Il y a des bleus signes sur le rinqueur et sur le sien.
00:19Je suis Michael Olsen, du local police department.
00:22Je l'aime mes enfants, et je n'ai jamais hâte de les.
00:25Non, l'apprentissage sur vous.
00:34Je pense que c'est très important de ne pas se dérouler en quelque chose.
00:37Je pense que c'est l'exercice du film, c'est de rester ouvert.
00:42Vous êtes, comme l'audience, pour rester ouvert le film.
00:46Je pense que vous ne devriez pas à une conclusion.
00:51Dans notre société, vous devriez être tellement opinionnés.
00:54Je pense que c'est plus facile pour nous d'ouvrir le cas et de continuer.
00:58Mais je pense que c'est vraiment un exercice de l'empathie.
01:02Il faut rester ouvert et ne pas décider sur quelque chose.
01:05Et d'avoir le matter continuellement bouger dans vous.
01:11Et toujours rester ouvert à l'opportunité.
01:13Je pense que vous devriez être mauvais sur quelque chose.
01:16Vous n'avez jamais vu quelque chose.
01:17C'est déroulant.
01:18Peut-être que vous devriez.
01:20Mais je pense que c'est la seule façon de accéder à l'empathie pour les gens qui vivent une
01:25vie très différente que vous.
01:26Je pense que c'est complètement subjective.
01:29Et c'est part of what I think is so brilliant about Christian is he doesn't try and give you
01:37the answer.
01:38He wants you to think for yourself.
01:41He wants you to make those projections onto them, whether you think they did or you didn't,
01:46and then make your own and then be able to face that within yourself.
01:50Because that's what happens, right?
01:55It's discrimination and it can happen at a very subtle level, too.
01:59You know, everyone has, they're projecting their own past and experience.
02:03You're looking at somebody and maybe they don't smile enough and you go, oh, they're this, right?
02:09How do you know?
02:11It's like, so that's kind of what I love about the films that he makes and our film.
02:18It's just, I think you have to go and experience the movie and then make, and then answer that question
02:24for yourself.
02:25When we shot this film, I mean, we were always together, all of us, the company and everything.
02:30And I definitely believe that influenced a lot of how, a lot of went into the movie because of that.
02:37There's a real closeness that way.
02:39The bigger stuff, things are more divided, you know?
02:42And it feels like sometimes not, it really still depends on the director,
02:48to communicate and keep all the departments on the same page.
02:52Because every department's focusing on doing a good job as best as they can,
02:56but it's not always kind of cohesive like that.
03:00I really love working with something physical and to have, because they also live such different
03:07lives than I do, you can also play around with the detail of the physicality.
03:13And that was, that was great.
03:16But it's definitely something explosive inside that has to be contained.
03:21But that says so much about their life and the situation they're in.
03:24So it's, it was an important part of it.
03:28A lot of it felt like going against your instincts, you know?
03:31But, but, but I don't know, something happened when we put everything on,
03:35when everything goes on and everything, you change and, you know,
03:39you sort of become these people in a way by the end.
03:41So that's what we did.
03:43Hello children, welcome to our school and to our country, I could say.
03:47Hi, I'm Laura.
03:48Hi.
03:49I understand that you came all the way from Romania.
03:52But my wife is Norwegian, so.
03:54They seem so happy here.
03:56And they wanted so much with Nora.
03:59Why don't you let Emma and Elia come for my birthday?
04:02Because they're punished.
04:03What are you doing here?
04:05We're five, unless there's some discipline now.
04:10Hello, familia.
04:12You decide to wish them one?
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