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Short filmTranscript
00:00Hi, everyone. Welcome to our channel, Malastar.
00:02We have a special guest in this interview.
00:05He is a Telugu person, Telugu actor.
00:07But he has a guest appearance in Hollywood, and has a lead actor in Hollywood.
00:12Unfortunately, we have a lot of performance in Telugu in Telugu.
00:15So, we have to prove that we are all satisfied on August 14th.
00:20So, we have a very interesting character.
00:23We have a very interesting character.
00:24We have a very interesting character.
00:26Let's go. Hi, bro.
00:27Hi.
00:28That is what we are always feeling.
00:30That is what we are always feeling.
00:31You know, we have a very interesting character.
00:35A good performer, a good actor.
00:38A perfect cut-out.
00:39Hero material is all about.
00:41In your maintenance, the ultra-stylist is all about.
00:44But in Hollywood, the technicians and the audience are all about.
00:49That is the question mark.
00:50What do you do?
00:53I am going to tell you about the technicians.
00:58I am going to tell you about the show.
01:00I like this first film.
01:02I am going to tell you immediately.
01:03I am going to tell you about the industry.
01:08In the industry game, there was an important, consistent performance, producer, director, and immediate sign of the film.
01:16But the timing of the dirty hurry was in COVID.
01:21So, in the industry, there was a movement.
01:26There was a heat that generated.
01:29So, I think, as a sign, there were some external factors.
01:32There were a couple of images.
01:34There were offers.
01:38But we didn't correct it.
01:42We didn't correct it in terms of different genres.
01:47Less filmmakers who can complete the film, who can package it well, who can release it well.
01:52So, under satisfaction, there were a couple of projects that started to take off.
01:58So, in the industry, there was a different transformational stage.
02:03There was a time in the COVID-19 pandemic.
02:05There was a lot of theatre issues.
02:07There was a lot of confusion.
02:10So, I think, I lost one, one and a half year after signing the film.
02:13Okay.
02:14So, then, there were external factors.
02:15There were external factors.
02:18There were factors.
02:18So, there was a lot of work.
02:21Okay.
02:22There were some technical factors.
02:23They were able to work with technicians.
02:24Then, if you can do it, you know, if you can do it, you can do it.
02:30Then, if you can do it, you can do it.
02:30So, the most important actor is the box office proof.
02:33Correct.
02:33So, the more analysis is the most important.
02:37So, you can do it.
02:37So, you can do it.
02:38So, you can do it.
02:39You can do it.
02:39You can do it.
02:40And even the producer's confidence.
02:42Right.
02:42Most important.
02:43Yes.
02:45So, the technical part, the creative part, you can do it.
02:48But, you can do it.
02:49You can do it.
02:49Then, the time, the momentum.
02:52You can do it.
02:53You can't do it.
02:54You can't do it.
02:55You can't do it.
02:55You can't do it.
02:56You can do it.
02:58But, I was doing my own stuff.
03:01So, then, Mangalwaram I did it purely for the technician.
03:04It's the canvas.
03:06Ajay Bupati Gauri was trying to show.
03:08So, I did that.
03:09So, I was just waiting in the wings.
03:12I did it correctly.
03:14I did it correctly.
03:16Some technicians, directors, creators, or creators,
03:19were doing it commercially.
03:22It was not working out.
03:24So, I think that time is probably now after.
03:28So, I think that time is probably now after.
03:30So, I think I'm going to do it.
03:31I think I'm going to do it.
03:32I'm going to do it.
03:33I'm going to do it.
03:35But, I think these are the reasons.
03:39The most chillest person.
03:41You have a lot of vibe.
03:42You have a lot of vibe.
03:44You have a lot of vibe.
03:45You have a lot of interviews.
03:46You have a lot of friends.
03:48Whoever you have, you will have a lot of vibe.
03:52You have a lot of vibe.
03:54I just loved it.
03:55You have a lot of vibe.
03:57But, I don't know if you have a lot of vibe.
03:59But, you started the journey in 2007.
04:02So, in 2027.
04:0420 years in film industry.
04:06I was initially FTI training myself.
04:08Yeah.
04:09Then, first I wanted to do it.
04:11I need to train myself.
04:13If I want to sustain.
04:14Okay.
04:15Just that,
04:17I don't want to do it.
04:18I don't want to do it.
04:21I don't want to do it.
04:23Okay.
04:23I want to train.
04:24So, first enough,
04:26good amount of time I went in training myself.
04:28I was in AD.
04:30Hindi,
04:30there was a proper mainstream commercial film AD.
04:34So, there was a lot of time behind.
04:36Okay.
04:40Then,
04:40there was a web market opening.
04:43Then,
04:44things started opening differently.
04:46In fact,
04:46there was a lot of time.
04:47There was a lot of time.
04:49There was a lot of time.
04:50But, it was COVID.
04:51It was COVID.
04:53It was COVID.
04:54It was COVID.
04:55It was COVID.
04:56It was COVID.
04:57But,
04:57whatever it may be.
04:59And,
04:59launch time,
05:00it's the wrong time.
05:01Me,
05:01I'm talking.
05:03That's basically.
05:04Great.
05:05But,
05:05why do you think,
05:07Bollywood,
05:08or,
05:08or,
05:09or,
05:09or,
05:09or,
05:10or,
05:10or,
05:11or,
05:12or,
05:12or,
05:12or,
05:13the
05:15legal
05:15or,
05:16or,
05:16and I think I'll be looking for a perfect movie.
05:19I'm looking for a Bollywood movie,
05:21I'm looking for a hero-meter.
05:23I'm looking for a very good movie,
05:27I'm looking for a stylish movie,
05:28and I'm looking for a stylish ultra-look.
05:30I'm getting a correct statement.
05:32I'm looking for a good idea.
05:33So what would you do?
05:35I'm looking for this.
05:35Maybe this could be the reason.
05:37But I'm looking for a reason.
05:38You're talking about a theoretical movie
05:41and you're talking about it.
05:46But the basic thing is that we can show a good looking villain in Hindi or whatever villain.
05:53That's why we're going to show a good villain in Telugu.
05:57Even though I'm in homebred, I'm going to show a lot of juice.
06:04But I still feel one film.
06:08It's just one film. It's just one film. It's just one film. It's acceptance.
06:13It's just one film.
06:14It's just one film.
06:15It's just one film.
06:19But it's normal to Telugu audience.
06:22We don't know.
06:24If you're in Telugu states,
06:25you're going to show a dirty man in Shravan.
06:29But when you enter the North states,
06:32you have to know Shravan's stardom.
06:34There's a lot of pulling factors.
06:36There's a difference between Telugu South and North.
06:39How did you enjoy that?
06:41There's a lot of stardom.
06:43There's a lot of stardom.
06:45Everyone notices you.
06:46There's a lot of struggling in between stages.
06:50In between stages.
06:50There's a lot of balance in your actor.
06:53I think that's...
06:57See, every actor who's doing that,
06:59when he's doing that,
07:00he's doing that,
07:01finally,
07:02the last tick point is recognition.
07:04Right.
07:05You can do that.
07:06You can do that.
07:07Secondary.
07:07If they're coming up,
07:09then you have to tell us
07:09what to do.
07:10This is how you understand,
07:12you can do it.
07:14You can't do it.
07:15You can't do it.
07:16So...
07:16That's not there.
07:17But I think,
07:18I think one thing is to adapt to the situation.
07:24Initially, you have a little confusion.
07:29You don't know what happened, you don't know what happened, you don't know what happened, you don't know what happened,
07:33you don't know what happened.
07:36But then, you can choose and choose and choose, and you can choose and choose.
07:41That's not an option.
07:43But years of hard work, bro, that's why you have to pay off, you can enjoy it.
07:47You can choose, you can choose, and you can choose.
07:51You have a good start-up, you have a good project, and then you can choose.
07:54And in the past, you can choose.
07:57Why do you scratch my start-up now?
08:00But there are many opportunities.
08:04I've attempted to get the opportunity to start to get my name, and I've lost it.
08:12I've got a point.
08:12Actually, I didn't start a dirty year, but I didn't start a long time.
08:16That's why I had to choose my Hindi work.
08:19Wow!
08:20So, there are various situations, industry dynamics,
08:25investment, last moment,
08:28and all the other problems.
08:31Finally, I had to say,
08:32I had to say,
08:33I had to say,
08:34I had to say,
08:34I had to say,
08:36I had to say,
08:40I had to say,
08:41I had to say,
08:44if I am totally unproven,
08:46it would be a different game altogether.
08:48I had to say,
08:48I had to say,
08:49I had to say,
08:51I had to say,
08:52I have to say,
08:52I have to say,
08:53I have to say,
08:54I have to say,
08:54I have to say,
08:56I am talking pre-dirty.
08:59I felt disrespected also.
09:02Then I thought,
09:03I am going to jail.
09:04I am given my due respect there.
09:07I am going to say,
09:08I am going to jail.
09:09I was looking at each other in a tiem.
09:12So, I said,
09:13I have to say,
09:13I couldn't tell you,
09:15I have to say,
09:15you will be trying to get the entry.
09:19I didn't understand.
09:20It was always a point.
09:21Yes.
09:21One couple of times,
09:22there were some reasons,
09:23and a few times,
09:23there were real reasons over there.
09:26There were other reasons.
09:28So, then,
09:3030 years,
09:31Sir chose the web series,
09:33You see, that's when he called me.
09:36But I didn't even know.
09:37For me, now it has become like, maybe, I think, age is over.
09:42I felt I should, I mean, I want to prove myself here.
09:46Feeling alone, I put it.
09:47I was like, great.
09:50If I had to do it, I would have to do it.
09:56But I think it's just one.
10:00But there are a lot of things.
10:02You are there, you are there, you are there, but you are not there.
10:07Yes, correct.
10:08So, that's one of you.
10:10Great.
10:11So, you can prove yourself.
10:13If you have any experience in Bollywood,
10:14you can choose the experience in Bollywood.
10:17There are a lot of different circumstances.
10:21Some of you have to do it.
10:23I'm going to go to TV cinema or Pananda cinema.
10:25I'm going to be a perfect Pananda actor.
10:28And the other thing,
10:28I'm going to be here, Rabai.
10:30I'm going to be here.
10:31I'm going to be here.
10:32I'm going to be here in Telegui State.
10:32That's all.
10:33Different, different.
10:34That's all.
10:35That's great.
10:37That's all.
10:37You're not there.
10:38You're going to be here, you don't know.
10:39First thing.
10:39You're here, I'm going to be here.
10:41You're going to be here.
10:44You're going to be here.
10:44I'm going to be here.
10:44I'm going to be here with basic.
10:45Yeah.
10:47What's going to change, Bollywood?
10:48August 14th.
10:49Agatha alandhi. In the name of Mangalwaram,
10:50the original cinema release,
10:52all of them are underestimated.
10:54Teaser trial, we expect to do it,
10:56and we wait to do it,
10:57in the theatre, we blast it. Everyone,
10:59choose one thing.
11:01Mangalwaram. Got it, got it.
11:03Cinema release,
11:04one of them is a good cinema.
11:06We will see it.
11:07That feeling is Agatha alandhi.
11:09Wow.
11:10I don't know about how you felt about teaser,
11:12Agatha alandhi.
11:13Mangalwaram alandhi, I understand.
11:14Good quality, BGM alandhi,
11:17I remember this experience,
11:19Mangalwaram alandhi,
11:21I think,
11:22Daspalalo.
11:23Daspalalo,
11:24teaser, trailer, whatever,
11:26play jeser.
11:28Silent.
11:31Sound ki visuals ki,
11:33they were actually,
11:34media itself I am talking about.
11:36They went silent.
11:38Were you there?
11:39So, one of them
11:41manchi gundi ra,
11:43digest yes.
11:44He was just a trailer.
11:45He was just a pile,
11:47but he was just a love story.
11:49He was released with butterflies.
11:52He was just a shock.
11:54He was just a shock.
11:55I could sense,
11:57Mandar kurcuna,
11:58silent.
11:59That's positive silence.
12:02So,
12:03I hope the same from Agatha too.
12:06But you don't have confidence in the Raajagar.
12:09You don't have confidence in the Telugu Technician.
12:11You don't have confidence in the Duttihari time.
12:14Actually, I am feeling goosebumps.
12:16In Duttihari time, there are peaks.
12:18Again, there are all kinds of things.
12:21Actually, it's done in the beginning.
12:23Wow.
12:25But it's not correct.
12:27Tanake as a maker,
12:32but it's not a decision.
12:35And the project is not done.
12:36Basically.
12:37So, when it comes to one or two,
12:41we have a couple of projects.
12:46Again, fortunately, I thought,
12:48I had a job.
12:53So, it's two different directions.
12:57Rules-wise.
12:58So, I think something that he saw,
13:02that he feels I can do.
13:06You know, it's important.
13:07For an actor,
13:08one or two makers,
13:10it's important for them.
13:12So, at least,
13:14Rajivari is believing.
13:15If the rest is still to Meeta.
13:19I know that there are people who are sensing it.
13:22They are not the same.
13:23They are not the same.
13:25They are the same.
13:27They are the same.
13:27So, our decision.
13:28But it's not the same.
13:29They are the same.
13:30They are the same.
13:32They are the same.
13:33It's a little different.
13:34Again, I know.
13:34I am working with people whom I know
13:36in the given circumstances,
13:38which is a possible project.
13:41So, I thought,
13:42I was thinking about Kashmir.
13:44So,
13:45I'm talking about this.
13:46So,
13:47I'm thinking about this.
13:47Here's my thing.
13:48Great, bro.
13:49But you see,
13:50we have a lot of charm.
13:52You know,
13:52some technicians or
13:53any other people,
13:54they have a hero.
13:55They have a beautiful story.
13:57It's beautiful.
13:58We have a love story.
14:01We have no love story.
14:02This is the same.
14:02It's a high intense drama.
14:04Wow.
14:05But it's a lot of de-glamour roles.
14:07We have a toned down in the movie.
14:10But you have a technical perspective.
14:13I'm not a technician, I'm not a technician.
14:14You're not a maintenance agent.
14:17I'm a student who is doing anything to do for me.
14:20I've told you, you're very important,
14:21I don't understand what I'm doing.
14:22I don't understand anything.
14:25I'm not a professional.
14:26But you have to...
14:27You're an inspiration bro,
14:29he's been looking for a lot of people.
14:31That's why we have a maintenance agent.
14:34But I think one of the roles,
14:36of course,
14:37Yes, that's why I was talking about the tonality of filmmakers in Mangalwaram.
14:43How did you do that in Mangalwaram?
14:44That's right.
14:44That's why I didn't even know what to do.
14:47I didn't know what to do.
14:48No, no, no.
14:49That's right.
14:49I've seen a little bit of a village look in the outfit.
14:52I've seen a little bit of a village look in the first conversation.
14:59What were your thoughts at that time?
15:02That's right.
15:03That's right.
15:04That's right.
15:04I'm a writer.
15:09I'm a writer.
15:12I have full narration.
15:14I have written a narration after one or two days.
15:21I'm a writer.
15:23I'm a writer.
15:25I'm a writer.
15:26I'm a writer.
15:26I'm a writer.
15:26I'm a writer, so I come to an actor for a person.
15:29I have didn't.
15:31I have a woman between one and one and one and two.
15:35This is the whole story of a couple times.
15:37Like me, when someone in the industry means a couple days.
16:05I know you'll perform.
16:07I played a role in the whole-off,
16:10though, in my visual, I would just call all the cast as well as
16:12there's a guy, a guy and a guy's guy, a guy, a guy, a guy,
16:16and he's showing us a guy page.
16:22How did you say that?
16:25So I also went to that side of it.
16:27I also went to the BBC and gave some extra help!
16:33I know I got to see myself and see.
16:36but we will chase them.
16:38We will talk about that story.
16:39We will talk about the characters in the film.
16:43So, we will talk about it.
16:44We will talk about it.
16:46But we will talk about it every time.
16:49Daddy Harry, every telecom audience,
16:52Daddy Harry, Mangalvaro,
16:54Mr. Rajivar Agatha,
16:55he will come to the film.
16:56We will wait for him.
16:59I will wait for him to do the film.
17:02At least,
17:03in my own skills,
17:06in my own choices,
17:08at least,
17:08we will do the film.
17:10At least, we will do the film.
17:13At least, we will do the film.
17:14Why do we do the film?
17:16I don't know how to do the film.
17:18I don't know how to do the film.
17:20So, we will wait for him.
17:25We will talk about it.
17:27The end of it is producers, directors,
17:30industry,
17:30in that time.
17:31and we will talk about it.
17:32If you feel conscious,
17:34you want to do the film,
17:36reach out to the last one.
17:38First, you can create it.
17:39If you feel the film,
17:41you will take the decision.
17:42and then we have the option.
17:44Now, when we are doing it,
17:46we collaborate with them.
17:48We don't have any dynamics.
17:51But if we look at Biden,
17:53if we choose to take care of our family,
17:56we will take care of them.
17:58Or we will take care of them.
17:59But what are the real dynamics between you and MS?
18:02It is a very sweet answer.
18:04I don't want to talk about it.
18:06I don't want to talk about it.
18:07Rajarud is not much of a talker.
18:09But I am also not much of a talker.
18:13I think maybe that is also something.
18:16And I think,
18:19instinct is that
18:22he needs good actors.
18:24He needs sincere actors.
18:25Maybe he sees that at least sincerity,
18:28good or bad.
18:30Good or bad.
18:33Maybe he sees that I am going to give everything.
18:37That is one of the reasons.
18:41that is not much of a talker.
18:43It is not much of a talker.
18:45It is not much of a talker.
18:47It is not much of a talker.
18:48There is a police cop role,
18:48a swami cop.
18:51There are many films here.
18:53There is a lot of interogation scene.
18:55Yeah, we know.
18:56So,
18:57one of the lighting breaks.
19:00There is one of the scenes.
19:01There is one of the scenes.
19:01There is one of the scenes.
19:02As a cop.
19:06There is almost a film.
19:07There is almost 20% of the film.
19:09There is one of the scenes.
19:10So,
19:11Ajegar,
19:12Chesar,
19:12I think,
19:14he was standing there,
19:15near the vanity.
19:16I don't know.
19:17I just started doing the scene.
19:19I don't know.
19:21I don't know.
19:22I don't know.
19:22I don't know.
19:23I don't know.
19:24I don't know.
19:26I don't know.
19:26I don't know.
19:28I don't know.
19:28I don't know.
19:29I don't know.
19:32Next level is the idea.
19:35You are?
19:36I don't know.
19:39I don't know.
19:40I don't know.
19:41I don't know.
19:42It's a common news information.
19:44I don't know.
19:46I don't know.
19:47Basically,
19:48why would someone launch your thoughts?
19:51I don't know.
19:52So,
19:52I don't know.
19:54Ok.
19:59But,
19:59I don't know.
20:00How did you discuss this?
20:01Of your thought process,
20:03it is a great cinema.
20:05I just thought you'd go to the camera.
20:08You did now.
20:08You did the comedy cinema.
20:09Next level is the bond.
20:12Justlerin,
20:13I want to talk a few words later.
20:16I have some words.
20:17You're the director.
20:18You're the director.
20:19But,
20:21you are the director.
20:21I will be able to find a dish,
20:23that you can make it,
20:27that's why I have a beer.
20:29I have to buy something.
20:31I want to make a beer.
20:33So, your beer will be good.
20:35As a concern, be sure
20:40that if I wasn't coming along here,
20:42because I can't talk,
20:43what's going on here?
20:45I will go in a second down.
20:46That's why I have a beer.
20:49Duttihari is in the promotion time of Duttihari's cinema time.
20:51Meiru, Rajgaru is more than that.
20:53Harry's character is a python snake character.
20:56That's how he is.
20:57So, how do you define your character?
21:04Let's look at the cinema.
21:10The basic film genre is a lot of horror.
21:14It's definitely a horror film.
21:15But part is a divine supernatural thriller.
21:24With horror elements.
21:27And in the course, the film is a divine character.
21:33So, the character is a character.
21:37Right.
21:38One character.
21:40Divine and devil's story.
21:44Okay.
21:45This is a story.
21:46Basically simple.
21:48So, the film genre.
21:49Plus, there are some situations.
21:52What has got to do with this whole thing?
21:55What has got to do with this whole thing?
21:56What has got to do with this whole thing?
22:08Who will do it first?
22:09Or who will achieve?
22:10Who will succeed?
22:11Okay.
22:11So, plus a strong woman emotion.
22:16That's why.
22:17Meeth characters are a character.
22:21A character is a character.
22:23How does that matter?
22:23That's why I'm telling you.
22:25Then there is race.
22:28So, there is a divine element.
22:32Devil element.
22:33So, you know.
22:34I don't know.
22:36I don't know.
22:36What is your character?
22:38You can't do that.
22:39No, I didn't do it. I didn't do it.
22:42It was called a thriller film.
22:43Just now, I'm going to talk about Kamakshi.
22:45Other than Mahadevi character,
22:47what character is a big part,
22:49you didn't have to guess.
22:51You didn't have to guess.
22:54After Mahadevi.
22:56It is true.
22:57No, Kamakshi.
22:59No, she meant,
23:01in terms of the story,
23:02you guessed.
23:05Actually, the way it was in the last film,
23:08there was a climax,
23:09but it was a climax.
23:12It's still an interesting watch.
23:15I think it's a big film for Kamakshi too.
23:17I think it's her best work till now.
23:19According to me,
23:21canvas-wise,
23:23scale,
23:23performance,
23:25it is her best work.
23:27And for me also,
23:29I think it's a big film for Kamakshi too.
23:31So, at the time of
23:35Mangalwaran promotion,
23:36I'm going to be a big film for you.
23:37I can't believe it.
23:38I can't believe it.
23:40I can't believe it.
23:41I can't believe it.
23:46So, what is the most challenging work
23:49you have done for Agatha?
23:51You have done this character.
23:53I did not believe it.
23:55I did not believe it was the last moment.
23:56First of all.
23:57Not like Kamakshi.
23:59Kamakshi almost
24:00paper,
24:01paper,
24:03time to fund.
24:04The project is so important,
24:05whatever,
24:06for some reason,
24:07I entered.
24:08I entered.
24:11Basically,
24:13he has written certain segments
24:14of the film.
24:16This film, which is not my
24:18way of working,
24:19when I was stressed,
24:21I had to do some homework.
24:23I had to do some homework.
24:24I had to do some homework.
24:25I had to have time to forget it also.
24:29I had to settle.
24:30On the move,
24:31the director changes.
24:33You need to be ready.
24:34We have to be ready.
24:35I had to do some homework.
24:39But,
24:40Rajugaru also was inventing himself
24:41everyday with what he wants to do with my character
24:43or other things.
24:45There is clear clarity.
24:47But,
24:47what is the behavior?
24:50So,
24:52when I was inventing myself,
24:55in the moment,
24:58we have to edit
24:59this.
25:01We have to do some learning options.
25:02We have to do some
25:03We have to do some
25:08options.
25:13That's how I worked.
25:15It's a new thing for me.
25:16But,
25:17which was good.
25:18In the moment,
25:20we have to do some homework.
25:23But,
25:25I think I pulled it off.
25:28You have to be very present.
25:30Honestly,
25:30when we wanted to do some homework.
25:33No you had the goal.
25:35Basically,
25:35There is no scope.
25:36There is no problem.
25:38But,
25:39we don't have time.
25:42If you want to do,
25:44you can manage the time.
25:47In the moment,
25:48what do we do,
25:49just be present.
25:51We don't want to take the film.
25:53filmmaker came out of all.
25:54Now, there is still confusion sir.
25:56In your cinema time, you have 100% efforts
25:59to open what you have opened,
26:01you know the cinema.
26:04Just to realize that,
26:06you have to do the cinema,
26:08you have to do the cinema,
26:08you have to do the cinema,
26:10you have to do the social media,
26:12you have to do the cameras.
26:15Then, first, double go.
26:17You have to double go.
26:20Of course, you need to have interest.
26:22You can have interest.
26:23You have to pay attention,
26:23you have to pay attention,
26:25you have to pay attention,
26:26you have to pay attention,
26:27you have to pay attention.
26:27That is the same.
26:35I have to pay attention.
26:40I don't care.
26:42Because you've asked me,
26:42I would never do that.
26:42Why would I pay attention to you?
26:44I think there are two reasons.
26:46I have to pay attention.
26:47But I would like to do it.
26:50Automatically the team, just one message and the author is a double wall.
26:54So, I didn't realize that.
26:58My parents are happy.
27:01I was doing great in Bollywood.
27:03Now, I was doing well. Finally, I was doing well.
27:05I was doing well.
27:07But I was doing well.
27:07I was doing well as a good boy, Ramud Land Rolls.
27:12I was doing well as a good boy.
27:15That day, I was doing well.
27:17I was doing well in the market.
27:19I was doing well.
27:21I was doing well.
27:23I was doing well.
27:25I was doing well.
27:27I was doing well.
27:33But they are happy that I am close by.
27:36But the cinema has changed.
27:37We have one love story.
27:39We have one family story.
27:42They have one family story.
27:44Must have become an activeess work Bizaharamanari.
27:46It's doing well.
27:47I can win.
27:49But everything, I have been blind to death.
27:52Yes, we've had one other family story.
27:56I don't think I'm going to be a good person and a good person.
27:59It's a transition.
28:00It's easy to be a actor.
28:02I don't want to be hype because of all the time.
28:08There are basic conversations.
28:11There are some separate issues.
28:13There are good and bad.
28:17But I'm very detached.
28:20Maybe when you're trying to learn,
28:22I don't want to do it, I don't want to waste time and spend time.
28:27I think I should be able to do it with subconscious function.
28:31That's better. Sometimes I have to do serious work,
28:36but I can do the work.
28:38But if I do it with my own work,
28:41I can't do it with my mind.
28:46I can't do it.
28:48No, I don't know.
28:49What is interesting, bro?
28:52Do you have five to six news papers?
28:55Yes. That's Hindi.
28:57Because I'm going to go to the Hindi industry.
29:03Either you take classes,
29:06but if you don't talk about it,
29:11you don't have to go to the audition.
29:14I'm going to go to the television.
29:18That's the survival.
29:20But when I was taught,
29:21you don't have any activities.
29:24You don't have any activities.
29:26First language.
29:27Right.
29:28So the thing I used to do is,
29:30read paper.
29:31I used to use words.
29:32I used to use Hindi.
29:34The accent,
29:36the vocabulary limitation,
29:37the word slow limitation.
29:40That's a good thing.
29:43I thought,
29:44what do you do?
29:46Once I felt okay,
29:48then I left it.
29:50Okay.
29:51So now COVID,
29:52you're going to be exposed to the world cinema.
29:54You're going to be able to maintain the world cinema.
29:57Yes.
29:59I'm actually using it now.
30:00That's right.
30:01If you don't have a gap,
30:02you're going to be able to get a phone.
30:04No.
30:05I used to watch tablet or laptop or whatever.
30:08I used to watch.
30:08I think I used to watch Game of Thrones in India.
30:11It's one of those users.
30:12Oh my God.
30:13And you know,
30:15that's four or five seasons.
30:17That's right.
30:17That's right.
30:19I think,
30:19five years,
30:21five and a half years,
30:21three users.
30:22That's right.
30:24One example.
30:25Yeah.
30:26I used to watch a lot.
30:28Now,
30:28it's very bad.
30:29Two, three.
30:30Best.
30:31Best.
30:31Most of the world cinema,
30:33even the best.
30:36Best.
30:37I'm visual.
30:38I'm very visual man.
30:39I have a very customary.
30:44You're welcome.
30:45What's your name?
30:48How do you say the intro?
30:50I mentioned something.
30:52I'm talking about the face, the director, and the name.
30:55I'm talking about the recommendation.
30:59I'm talking about the audience.
31:02I'm talking about my favorite 3-4.
31:06I'm just a very visual guy.
31:08I'm very bad.
31:10I'm talking about GPS.
31:12I'm talking about GPS.
31:13I'm talking about GPS.
31:16I'm talking about GPS.
31:20Great.
31:21So finally, from Telugu directors, actors.
31:23What do you think about the inspiration?
31:25I'm following the journey from Telugu industry.
31:29See, I've been a very 90s Telugu film fan.
31:32The K-Vision.
31:34So, that kind of, Raji Ghar.
31:36Raji Ghar visuals,
31:37one of the strongest visuals
31:40are better.
31:41Fresh visuals are better.
31:44The elements of film and drama,
31:46the visuals are very strong, very fresh.
31:49But Telugu film,
31:50one of the quality.
31:52One of the quality.
31:54One of them.
31:55He was one of them.
31:57One of them.
31:58So, I'm not a fan.
32:01Dandaratha, Mahanati.
32:02Like those kind of films.
32:04Then, Sandeep Reddywanga.
32:07So,
32:09I'm talking about a lot of films.
32:10I'm talking about a lot of films.
32:12I think, Nani, even as an actor,
32:15Nani, as a maker,
32:16taste, you can see.
32:18Choice of what he makes.
32:22So,
32:24I can say who I like.
32:26For me,
32:27in the entire blog post,
32:29Raji Molli Ghar the guy is my favourite.
32:30Wow. Great.
32:32I also have a lot of films.
32:33I have a lot of films.
32:34I have a lot of films.
32:35I have a lot of films.
32:40I have a lot of films.
32:45I have an assistant director in the Hindi film.
32:47And I have an assistant director.
32:49I said,
32:50I have a lot of films.
32:52I have a lot of films.
32:54I'm tired of my mind.
32:56I haven't seen the Hindi film.
32:59I have a lot of films.
33:01the film is a very Hindi film.
33:04I have a lot of films.
33:06So, I was in Hindi for the first time.
33:09I was in måladi in the same time, but I was still in Pombay.
33:11In a few weeks, I was in high school.
33:15When I was in the same time, I was in the same time.
33:16Like a bad guy, I was in Hindi for the first time.
33:20Though I liked the download, but first, you had the first language in Telvila.
33:26Finally, I want to ask you a question, bro.
33:27Before I introduce you to Agadaguri, you are a state under 16 player.
33:31You are a state under 16 player and you are a state representative of ACR Cricket, and a athlete.
33:34Then throughout this interview, we are just shades of Viratkoil in the way of actions, your looks, your smiles, everything.
33:42So, your Bollywood side is where you are, but the winner is like this.
33:46The winner is like this.
33:48The comparison of the looks, the winner is like this.
33:52Offer, a few times when I wear shoes, I wear shoes, I wear shoes, I wear shoes, I wear shoes,
33:57I wear shoes.
33:59I wear shoes, I wear shoes, I wear shoes, I wear shoes, I wear shoes, I wear shoes.
34:05But we are expecting, I'm going to be perfect in the Tyler Made and Biopic.
34:10I'm going to be easy.
34:14Definitely bro, next to 5 years, I'm going to be Biopic.
34:17You already have to do the job in the Bollywood and Trollywood.
34:21They are perfect, the hands of you are the way of everything.
34:25Wish you a great success bro.
34:27What is your experience in August 14th?
34:31Divine, mystical thriller with horror element.
34:34For me, I have fallen in the limited cinema.
34:37I have a little time for the divine thriller.
34:41Right.
34:42Horrors and thrillers have a little bit.
34:45There is a bit of offbeat but a bit of commercial.
34:49So, climax is the important thing of the film.
34:54There is an experimental climax.
34:56But it has worked for me today.
35:00So, it's good.
35:01It's on August 14th.
35:02Now, we have to do this interview on August 3rd.
35:06Then, the trailer is released on August 3rd.
35:08So, I really believe that you have to do it.
35:12You have to do it on August 4th, 15th, 16th weekend.
35:14You have to do it on August.
35:16You have to do it on August.
35:17So, you have to do it on August.
35:18You have to do it on August.
35:43From the bottom of my heart,
35:44what I am telling you,
35:45I am not sure who you are,
35:46I am not sure who you are.
35:47I am a very good actor.
35:49I am a good actor.
35:50I am a good actor.
35:53I am ready to go.
35:53I am ready to go.
35:54I hope Agatha,
35:55a good platform,
35:57you are a good role,
35:58you work and your experience.
36:00How do you have access to your friends?
36:04Thank you very much.
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