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Short filmTranscript
00:00Hello all, welcome to our channel, Manashtars.
00:02In this interview, we have a special guest here on August 14th.
00:06We all have an unforgettable experience in August.
00:08We all have a great thriller experience.
00:11We all have a telegui cinema.
00:13We all have a lead actor.
00:15We all have to do a lot of work. Let's go.
00:19Hi, ma'am.
00:20Hi.
00:22Hey, ma'am.
00:23No, no, you really have that peppy energy.
00:27I am really liking it.
00:28But, my friends, I saw Instagram, the cinema,
00:32I was looking at this look and I was looking fabulous.
00:35I was really missing out on this outfit and on this look.
00:38I was really missing out on the outfits.
00:40I am really missing out on the outfits.
00:41I am telling you about the audience, the directors,
00:45I am telling you about the roles in Kamakshi.
00:48But, what is the problem?
00:49The people in Telugu, the Telugu,
00:51the people in the Telugu are so ferocious.
00:53The actors are so ferocious.
00:54So, that is the glamorous side.
00:57The beautiful, cool, busy looks.
01:00I am very happy to be doing a performance-oriented role.
01:03I am very happy to be doing a performance-oriented role.
01:04I am very happy to be doing a lot of work.
01:05How interesting, ma'am.
01:06Where you started, where you are today.
01:10From the starting of your journey,
01:12when you are doing an interview,
01:13when you are doing an interview with an individual,
01:15it is like a mark would be nice.
01:17So, the slogan is that you are growing.
01:20Right.
01:20It is interesting to raise your films.
01:23But, self-analysis is allowed.
01:24Where I started, where I am today.
01:25how the goal is today.
01:28I am showing a little bit of an analogy to start.
01:35There is nothing here.
01:37making happiness, making satisfaction,
01:38but I am that kind of a person,
01:41who is always on a run.
01:44you cannot make the point of what you've done.
01:47I said,
01:50you cannot make it easily.
01:55So, I think that's what I've been doing. I think that's what I've been doing. I kept on growing and
02:02I will grow.
02:03I've been doing that for a while and I've been doing that for a while. Then I don't think so.
02:08Yes, sir.
02:08We can't do anything further.
02:12We're looking for actors in the industry.
02:14We're going to play a good cinema, we're going to play a good cinema, we're going to play a good
02:16cinema.
02:17But the question is, if you're going to play a character, you'll break 32 to 45 days and you'll have
02:23an analysis.
02:23You'll have some recipes, some recipes, you'll have some real experiences, you'll have some fresh experiences, you'll have some fresh
02:29experiences, you'll have some fresh experiences.
02:30So, that's the secret to Kamath Chikar doing back-to-back good films.
02:34True, true. I think, when I'm in a long time, I'm looking for the reality.
02:38I'm looking for four actors in that long.
02:42I'm looking for actors in real life.
02:46I start living normally with friends and bike.
02:53I play with my dogs.
02:55I sit at home.
02:56I'm talking to my parents.
02:57I'm talking to my parents.
02:58I'm talking to my parents.
03:01I'm talking to my parents.
03:20So, I think,
03:21the world is an organized reality.
03:22I think,
03:23the wrongness and authenticity or certain acting will do.
03:26I think that is my secret.
03:28I don't care about these times as mom drawing wiz while enjoying their lives.
03:32We wouldn't need to play a childhood.
03:35They wouldn't need a life anymore.
03:37They wouldn't need to play about the film.
03:37I wanted to learn related related because I lived here.
03:39But here in the moment I want to live the simulator
03:44leadership qualities, radical thinking.
03:46If you're positive, you're obsessed with a start-up.
03:49After a stage, you'll get a win or change.
03:55So, I started my career with all these thoughts.
03:58Now, what is the situation in the next time?
04:01I'm a radical thinker, right?
04:05I'm a radical thinker.
04:07There's no obsession.
04:09I always wanted, yes, a familiarity with every actor.
04:14I mean, narcissist is a very big word.
04:17But it's a quality.
04:18I want to change the society with that start-up.
04:23But you want to change the society with that start-up.
04:25That's why you're in a positive side.
04:26So, you know.
04:27Then, I want to use it.
04:29If you're in a society, you can change it.
04:30If you want to change it, you can change it.
04:33So, you're in a positive way.
04:35So, what is the situation in the next time?
04:38What is the situation in the next time?
04:39What is the situation in the next time?
04:40Wherever you go, you'll know.
04:43You'll know.
04:43You'll know.
04:46So, what is the analysis of your mind?
04:50I mean, I don't have a problem.
04:53The way people look at me has changed.
04:56I'm the one that I'm the one.
04:58I'm the one that I'm the one that I've done.
05:00If you're a fixer, you'll know what I'm telling you.
05:05That's why you put your hands on.
05:06It's the challenge that I've done.
05:07This is always there.
05:08That's why I've changed it.
05:10This side, it's always the same.
05:12But, you've never proved that thinking?
05:15Even in interviews, it's true.
05:16Even in speeches, you have to talk about it.
05:19I think, I've never talked about it.
05:20I haven't talked about it.
05:22Yes, I've never talked about it.
05:25If you are a Indian, I don't want to talk about Indian.
05:28There is controversy, I don't want to talk about Indian.
05:31I don't want to talk about Indian.
05:33I don't want to talk about Indian.
05:36Indian.
05:40This is how I am.
05:42I speak my heart out.
05:44I wear my heart on my sleeves.
05:46My family is a bit scared for me.
05:48You can't do anything.
05:50I can't do anything.
05:51No, no, no, no.
05:53Now, I am a common man.
05:56I don't know what the world is in Agatha.
05:58So, you know what I am saying.
06:00I will tell you that I am talking about Agatha in August.
06:02I will tell you about Agatha in August.
06:05I will tell you that you are a common man or a common man.
06:09Agatha definitely is a made-up world.
06:12Okay.
06:12Creatures in a world.
06:13Okay.
06:15Even as I am living in nature in society,
06:18in various life.
06:20It is created a day.
06:23It is created by
06:24It is created by a small size but it is created by big size.
06:27That's right.
06:28It is created by all these known worlds.
06:30The two opposite ideologies and opposite forces have created this issue.
06:35we all know the feelings of thrill, sadness, happiness, it's always the same thing.
06:43It's a universal thing.
06:45So, in that sense, we can relate to our own, we can relate to our own,
06:49we can relate to our own, we can relate to our own,
06:53we can relate to our own, we can work in the office, we can relate to our own.
06:56So, the basic human emotions are the same.
06:58Okay.
06:59The world is made up world.
07:02So, in all the opposite forces, we can relate to each other,
07:08we can relate to each other, we can relate to each other,
07:10we can relate to each other.
07:12So, the creative world creates different worlds,
07:17we can relate to each other.
07:18And I think, I am very happy, I am pretty sure he succeeded,
07:24the audience can relate to each other.
07:26Because, in the teaser, it was chosen.
07:29I really love the Agatha poster, the first poster,
07:34we can shoot in the cave.
07:37It was beautiful.
07:40If you have a teaser, something fishy is coming at it.
07:44August 14th, something fishy, a best thriller experience.
07:47Already, there is a legacy, there is a filmography,
07:50and there is a stamp for the audience.
07:53We can also be a prominent actor, we can also be a conference.
07:56We can also be a performance, we can also be a plus.
08:00What did you feel, and the posters, and the teaser,
08:03what did you expect sir?
08:05What I am expecting is, we can also be an MS Rajugai,
08:08and we can also be an Arundhati.
08:09Wow!
08:11Wow!
08:12Am I giving that vibe?
08:14Yes!
08:16I am expecting that.
08:17I wish, August 14th is the true event.
08:20Yes, great.
08:21What is important to everyone?
08:23You were born and brought up in the city.
08:26You have travelled around the world, you have studied around the world.
08:29But, if you cut it, you will have a glamour.
08:32But, you will do a fantastic job.
08:34And, you will do a great job with a tailor made.
08:34You will have a great job with a lot of people.
08:36But, the transition is always happening.
08:39You will have a great job with a lot of people.
08:40You will have no connection to me in your life.
08:42But, you will have a great job with a personal life.
08:45So, I am curious.
08:52I have lived with three generations of women.
08:55My father, my mother, my mother, and me.
08:59I have lived with my father in the old school.
09:01I have lived with my father.
09:03I have lived with my father.
09:05I have all the time.
09:06I have absorbed a lot.
09:07I am like, that's a sponge.
09:09So, everything I have in my brain.
09:11So, the incident is, I am curious.
09:13What is the smell of the day?
09:15I am curious.
09:16What is the smell of the day?
09:17What is the smell of the day?
09:18What is the smell of the day?
09:19I am curious about that.
09:20So, I am curious about the details.
09:23So, when some characters are telling me.
09:26When I dig deep into, and you should not forget, being a doctor,
09:30I have read psychology.
09:32So, in a way, it helps me to read the characters.
09:36To understand why this character is behaving the way it is behaving.
09:41Okay.
09:41So, in that analysis, and lived experiences, I can understand a character in a much better way.
09:50Okay.
09:50And I am very empathetic since childhood.
09:53So, non-judgmental, empathetic.
09:56So, I am curious about that character.
10:00I am curious about that character.
10:02Because we all live in a very grey area.
10:05Right.
10:05I am curious about that character is my situation.
10:08Yeah.
10:08I live just in life.
10:10So, the way I understand and empathize with characters.
10:13So, every character is just working out.
10:17But, unfortunately, we have all known.
10:20Society, but industry, but they are being a patriarchal.
10:24I am curious about that character.
10:26We know that.
10:27But, something that people have learned from MS Rajagari.
10:30And in every cinema, what is important for women's characters?
10:33How we empower the characters?
10:35We have learned from common names.
10:37What we have learned.
10:39So, personal to me, I will understand that.
10:41I am curious about that character is a beautiful woman's character.
10:45What is important?
10:46How are you going to become a girl?
10:48How are you going to become a girl?
10:49How are you going to become a girl?
10:52How are you going to become a girl?
10:53How are you going to become a girl?
10:53How are you going to become a girl?
10:54I cannot speak for everybody.
10:57I think it is a very individual journey and I am going to talk about changing and relating to the
11:05term.
11:05Okay.
11:06Now, I'm going to ask you to go to the AC, Michael Pettis, and talk to you about the empowerment.
11:13In this room, there's a lot of slum area in this room.
11:17There's a lot of people in the middle of it.
11:19There's a lot of people in the middle of it.
11:23So, it is a very relative term.
11:26Now, in my life, there's a lot of incidents in my life.
11:32Okay.
11:33But for the other woman,
11:37there's a lot of people in the middle of it.
11:38So, it's a very relatable term.
11:41And I think that's a lot of people in the middle of it.
11:42You know, this, that, and that.
11:47But you're specialized in psychology, right?
11:49You're a normal person.
11:50You're a person who is a person who is a mentality,
11:54and your intentions.
11:56But you're becoming a doctor and actor.
11:58I don't know why you say that.
12:00You're a unknown person.
12:01You're a secret.
12:04I don't know why...
12:10It's important to take you to the right, right?
12:22You're a guy.
12:22I don't know why you are as an actor, right?
12:24state of mind. So, it's important for the actor to have an observation.
12:30I want to create advances in the screen.
12:33Great, great. But what was the opportunity for you?
12:37I don't know. One person called me in the media saying that Rajagaru wants to meet you.
12:46We had a lot of writing in that time. So, we didn't go to the market.
12:55So, I wanted to go to the show. He was introduced to me.
12:59He said, I don't like this. I grew up watching his films.
13:05I grew up in a lot of parts. So, I grew up in a repeat mode.
13:09He said, I don't want to introduce you.
13:13I don't want to introduce you.
13:14So, he said, I want to introduce you to the genre of Mahadevya character.
13:20He told me that.
13:23He said, I want to travel to the North East.
13:27He said, you have to bring it alive.
13:33And he gave me a duty.
13:35So, sir, there is a poster in Adila Pikes.
13:39So, he thought she will be the right person.
13:43Correct.
13:45So, the first day I went to the culture, it was a large shoot.
13:48The journey evolved.
13:50He is very sweet. He is child-like.
13:55And I am a foodie.
14:03So, I am a foodie.
14:04So, the food has a connection.
14:05The table has a connection.
14:07It evolved in one year.
14:08And I am a foodie.
14:09So, I am a foodie.
14:09But, I am a foodie.
14:10In the film, Mahadevya character is doing the job.
14:15I am a foodie.
14:18I am a foodie.
14:25I am a foodie.
14:27I am a foodie.
14:28I am a foodie.
14:29I am a foodie.
14:32I am a foodie.
14:33I am a foodie.
14:36And I am a foodie.
14:38I am a foodie.
14:39I am a foodie.
14:39So, I am an anxious feeling.
14:41But, Rajga is the same.
14:42So, because I know that it is my own script.
14:47trip on the scene, the scene will change a lot, betterment, so I have to understand what
14:57is the difference, I have to change the dialogues, then again I'll get a new paragraph, he'll
15:04say this is the right tone for this character, this scene, then I have to mug up the entire
15:10lengthy dialogues, I think in this film there are lengthy dialogues, I have a face, eyes,
15:16and I have a lot of dialogue-wise, so I am very happy in this set, I am very happy
15:27in the next
15:27sets, I am very happy to be able to analyze and perform, so I have confidence.
15:35Rajghar Ology. That means you are multi-tasking, multi-tasking, multi-tasking, you are
15:45working on every craft, so you are enthusiastic to learn everything, what happens on the 24
15:50crafts. You are strong in writing, you are working in direction, everything is involved, so
15:58what excites you more? I am just a curious mind, I am very very curious.
16:06I think that curiosity is what, and also I feel that movies have a collaborative process,
16:14so 24 crafts, set boy, light man, focus puller, crane pushy, whatever you have to do, you have to do
16:24it.
16:24I am very curious to see what I am doing. I am very curious to see what I am doing.
16:27At the end of the day, we take the large chunk of success and fame, fortunately or unfortunately.
16:35So, one day, I want to live their lives, so that I will understand. You know, physical labor,
16:42mental labor, emotional turmoil, what, real and the rampage is that one. So, because,
16:48Ray put it down the line, if I want to direct a film, I am very curious to see what
16:53I am doing.
16:56So, I want to understand that craft, so that you can empathize. You know,
17:01many people, especially actors, we are always in front of the camera, people are saying,
17:06oh, we love you, we are your fans, we are a lot of people, sir.
17:10You know, you will not be able to see other people's effort. So, I try to involve myself in other
17:25crafts,
17:26understand what I am doing.
17:28Great, ma'am. There are two journeys, ma'am, actors,
17:30one of the big-budget films says,
17:32big-budget production officers will be able to use them.
17:35Other side, we learnt well, starting from the scratch, short films,
17:39small-budget films, zero-jagadal and budget films.
17:41They are doing it, but where do you position the actor's place?
17:44There are 24 craftsmen in 24 craftsmen in 24 craftsmen in 24 craftsmen.
17:47Set boy and the important, light boy and the important,
17:50and the actor's name in 24 craftsmen.
17:52So, where do you position the actor's place in 24 craftsmen?
17:55So, the hard work, the efforts, the success of one cinema, one project, whatever.
18:00Definitely, there will be in top three.
18:04Producers, directors, writers, actors.
18:08Then, cinematography is what I feel.
18:10This is the top place.
18:13The kind of emotional turmoil we take as an actor.
18:23So, because my characterisation, my personality,
18:27they step in.
18:29And sometimes, it puts a lot of emotional pressure.
18:33Every family has time to spend,
18:35because internally, you are a different person.
18:48So, you can't go back home, but you can't go back as Kamakshi.
18:54That too much, you can't go back in your personal time, and your family.
18:59So, that emotional turmoil is going to be in the top three places.
19:04We are starting a situation in a career.
19:08Polymer has a great success.
19:10You are a performer, an audience, an industry.
19:13But the same thing happened to me.
19:16You don't have MS Rajgatthi.
19:18Yes.
19:19I feel like Polymer has a lot of performance.
19:21Again, this is a beautiful, de-glamorous role.
19:24Can you break the stereotype of the monotonin?
19:28Can you break the stereotype of one actor?
19:28Yes. Luckily, I am in a place to choose roles.
19:35I am going to break the stereotype.
19:37Even though it is not as easy.
19:39I am saying that I am not going to do it.
19:41If I click on a role,
19:44we are good at typecasting.
19:52If we do this,
19:53I am going to break the stereotype.
19:55Not with the wrong intention.
19:57You are afraid of me.
19:59You are better at the character.
20:00Yes.
20:00She already did fantastic.
20:01But I have to choose.
20:02Do I want to do the same thing
20:03or do I have to stop it?
20:05If I stop,
20:06I will be in six months or one year.
20:09My role is wrong.
20:10So, am I financially stable enough to not work for one year?
20:15Is what I have to decide.
20:17Okay.
20:17So,
20:18there is monotonous for every actor.
20:22It is glamorous.
20:23Trolls chase a hero.
20:24They are glamorous.
20:25Manant,
20:26you are not going to be monotonous.
20:28You are not going to be monotonous.
20:29You are not going to be a hero.
20:31So,
20:31you are not going to be a hero.
20:32So,
20:33you are going to be a de-glam.
20:34And I would not even say it is glam or de-glam.
20:38It is just a character and a story.
20:40At the end of the day,
20:41I am not going to be a woman's substance.
20:45They are not going to be repeated in an angle,
20:48an economic state,
20:50an mindset,
20:53or another.
20:55Okay.
20:56In financial terms,
20:58you studied a doctor.
21:00You are going to be a doctor in China.
21:02You are going to be a man like that.
21:03You are going to be a part of your career.
21:03And in a beauty pageant,
21:04you can do the work well.
21:06You are going to be a role in an actor.
21:09You are going to be a comfortable position.
21:11You are going to be a bit of a financial stability.
21:15We are waiting for that.
21:17You are going to be a good financial stability.
21:18You are going to be a good place.
21:19I am that person.
21:20I am also going to be a song.
21:22So,
21:22I am go to the music I am actually shade.
21:23I am not going to be a red time to play.
21:24No.
21:26I do not have a good time for you.
21:27So,
21:29it is a bad question that is wrong.
21:30the question but father and happy mom
21:34it's not just beauty pageant time just
21:37he's got a nice too so that time
21:39so now some actors are doing back
21:41back good films so now that support
21:43allowed my family is always see a family
21:51they're very happy
21:52there's a lot of doubts, there's a lot of
21:56Thelin field and everything
21:59they're happy
22:00they're happy
22:03they're not doing anything
22:04slow
22:08i am always on a run on japan so
22:11calm down
22:15yeah great so then came on sequel plan
22:18years
22:19can we expect
22:19yeah that's our
22:20god
22:24my mouth is closed
22:28but we are eagerly waiting for
22:29polimera 3 so you already know
22:31that's what is
22:32so see if you all know that
22:35we all know that so
22:36writing and direction so
22:38it's just the actor
22:40so world building is that
22:41action king arjungaar is also
22:43adai
22:43one thing i will say for sure
22:45I think there are a lot of things like this, and I hope, I know by heart, but I hope
22:55and I wish it's going to touch that 100 crore club.
22:59So, it's a big statement.
23:00Yes, great. So, I'm interested in acting.
23:04What role is there, and what type of writer and director do you want to tell the audience?
23:11Slice of life is my section.
23:13Wow.
23:14Yeah.
23:15Great, ma'am.
23:16Finally, what was your experience on August 14th?
23:19Oh, definitely a very thrilling experience for the audience.
23:22The music, the visuals, the characters, the story.
23:28I mean, when I was the name of my engagement, I was enthusiastic.
23:34And you will also feel thrilled with every visual.
23:38The music and the scenes are good.
23:40Wow.
23:40Wow.
23:42Wow.
23:42I didn't know the story.
23:44I didn't know the story.
23:45I had tears in my nose.
23:49The audience, I cannot wait to see their reaction.
23:52In the individual, I think Mahadevi dominated each and every one of the characters.
23:57Even if Mahadevi is the main character.
24:01I love Shravan's character.
24:04Okay.
24:04Shravan.
24:05Shravan.
24:06Shravan's name is Joe Ulka.
24:08I don't know.
24:10Most of the characters are the main characters.
24:14But my personal favourite is Shravan's character.
24:16Yeah.
24:17Kind of a question, ma'am.
24:18How did you calculate your success?
24:20From 2018, when we started here, we started to talk about the lead actors.
24:25How do you define success?
24:25How do you define success?
24:26How do you define success?
24:29No.
24:29I don't believe it.
24:34The more you work hard, you work on your craft.
24:38The more you work hard, you work hard, you work hard.
24:42Logical, it's not possible to go back.
24:44So, just keep working.
24:47Work in the right direction.
24:48Be a little smart in this direction.
24:50Even if you don't have smartness, you can do it.
24:52Yeah.
24:53So, it took me 6-7 years to understand.
24:56So, finally, now I'm navigating in a better way.
24:59So, success is very relevant.
25:03But that's work satisfaction and working hard.
25:08That's all I believe.
25:10Yeah, but under a few audience,
25:11I want to tell you,
25:12a lot of work is a character.
25:17She's on success track.
25:19We are so happy.
25:22So, wish you a great success, ma'am.
25:24It's a great inspirational journey
25:26to all the women who are eagerly waiting for their race.
25:30Yeah.
25:30And I particularly want to say,
25:32this film,
25:34women are very good.
25:36It's a good film.
25:37It's a good film.
25:38It's a good film.
25:39It's a good film.
25:40It's a good film.
25:41Especially women,
25:42it's a good film.
25:43It's a good film.
25:45It's a good film.
25:46It's a good film.
25:47It's a good film.
25:47And I think women particularly should watch this for.
25:50Thank you, ma'am.
25:51And Miran Rukura,
25:52August 14th.
25:53It's also a witness to Agatha Cinemani.
25:55And finally, once again,
25:56you are looking so beautiful, ma'am.
25:57Thank you so much.
25:59Thank you, guys.
25:59Thank you, guys.
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