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Sueños de Libertad - Capitulo 620
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00:06You can't afford to miss a single opportunity to acquire new customers.
00:11But, Tina, we're talking about floral. Don't you realize?
00:14Of course, all travel expenses are on me, and I would also pay your salary.
00:19here every month.
00:20I would like to apologize for all the harm I have done to you.
00:26Are you my father?
00:30He can't even deny it, can he?
00:33Jorge, wait.
00:35Love is the most important thing. Why do you want to tiptoe through life?
00:39What I want is to support you in whatever makes you happy and to enjoy that happiness.
00:45By your side. That's what I want.
00:47But do you think Paula is the right person?
00:50Well, I get along with her very well. And having worked here, serving, I think she has the experience to deal with a
00:57women...
00:58Demanding. Exactly, demanding like me.
01:01So what should I do?
01:04She, I mean...
01:06Well, she should just go with the flow.
01:08Should I continue dating that guy and enjoy the relationship?
01:12We are made for each other.
01:15I love you and I need you, Gabriel.
01:17But I need you strong.
01:27Dreams of freedom, to live differently, wings to fly, wherever the soul desires.
01:36Dreams of freedom, the heart doesn't wait, it's asking for another chance.
01:45Dreams of freedom, even though the past hurts, to start over, to love whomever I want, to shout my truth to them, to live without
01:57fear and without looking back.
02:16Dreams of freedom, dreams of freedom.
02:28Okay, perfect, sir.
02:30Yes, yes, don't worry, I'll call you again on Monday.
02:33Okay, thank you.
02:37Dad, I just hung up on the purchasing manager at Floral.
02:41Amalio García, watch out for him, he's an old dog.
02:44Yes, yes, it hasn't been easy at all, don't think so.
02:46But I have managed to reach an agreement for an initial order.
02:50Oh, really?
02:53Well, this is quite a bit more than you had calculated.
02:58Yes, it's that easy to attract them. We have pretty competitive prices at the company, Dad.
03:03In the end you're right.
03:05Floral is going to be a good customer, despite the bad impression I have of them.
03:11Congratulations, son.
03:12Thank you.
03:15And that long face, cheer up, son. You've just landed a fantastic contract.
03:22I'm very happy, you can't tell.
03:24No, it doesn't show at all. In fact, I'm starting to think you have some serious issues with your siblings.
03:33Yes, yes, yes. And especially with Marta, it's clear she's doing her part to ease the situation.
03:38Yeah.
03:39So I can only conclude that the problem is with someone else, right?
03:49It's because of María del Carmen, right?
03:52Yeah.
03:53It hasn't escaped a father's notice.
03:55And have you heard from her again?
04:01A few days ago I received a letter from him.
04:03Oh.
04:04I didn't say anything to him, because, well, our relationship has been a bit cold lately, so...
04:11Already.
04:13And what did he say in that letter that made him leave you like that?
04:18Like last time.
04:20That he's not coming back.
04:21And that he doesn't forgive me.
04:24I understand it's a real blow, son, but life has many twists and turns, so don't lose hope.
04:29hope.
04:30Keep behaving yourself, staying away from trouble, problems, and temptations.
04:36And you'll see how that great woman will see you again as the good-for-nothing she once knew.
04:42And in less time than it takes a rooster to crow, you have her back here.
04:48Don't get discouraged, please.
04:50You're not alone, you know that, right?
04:52I know, I know.
04:54And I thank him for it.
04:56Yeah.
04:58Hello.
05:00Don Damián de la Reina is for you.
05:02He has arrived at the factory.
05:04To the factory?
05:05This is some kind of clueless person.
05:06She still hasn't realized that I've already severed ties with the perfume company.
05:11Have you managed to speak with Hugo?
05:13Nothing, there was no way.
05:15So the problem has been passed on to Othier, one of the managers.
05:19Do you think Hugo might be avoiding you?
05:22No, no, that's not it.
05:23Hugo was going to collect an honorary award that the Paris Chamber of Commerce was giving to him.
05:27father.
05:28I had many differences with Antoine, but I think he deserves that award.
05:33It's a shame I can't pick it up in person.
05:37Well, I still get goosebumps when I remember his death here at home.
05:41Yes, it's a shame.
05:45If you'll excuse me, I have to get back to work.
05:51Son, when you talk to Hugo, don't be too belligerent with him.
05:56He will come dressed in homage to his father.
05:58It's a trial.
05:58I won't take you into account.
06:12María Palomero told me that her mother will no longer buy the queen's perfumes.
06:16Oh, really? Why is that?
06:18She says they're losing quality and that she's going to start buying the floral ones.
06:23Julia, that's just gossip.
06:25Don't pay attention to the gossip.
06:27That's not just gossip.
06:29But I've also heard Grandma complain because her divine flower lasts less time.
06:33Look, try it with your perfume and you'll see.
06:36I've already tried it and mine smells the same.
06:39Yes, they smell the same, but they last less time.
06:41Why is this happening now with perfumes?
06:44I don't know, honey.
06:46I don't know the reason, but perhaps it has to do with the fact that they have changed the formulation of the perfumes.
06:53Hello.
06:54Why are you so late? Julia and I have already eaten.
06:57Oh, well, I had another last-minute meeting.
07:00You have the food in the kitchen.
07:01Thank you.
07:01Is it true that they have changed the formula of the perfumes?
07:07No.
07:08Who told you that?
07:10Nobody.
07:10But there are rumors at the school that they are losing quality.
07:14But that's not true.
07:16Don't pay any attention to them.
07:17The perfumes are exactly the same.
07:19So why do they last less time?
07:21I've noticed it too.
07:23No no.
07:24They don't last any less time.
07:25I don't know who put those ideas in your head.
07:28I'm sure that if they hadn't told you, you wouldn't have noticed.
07:32Yes, I would have noticed.
07:33Julia, darling, leave him alone.
07:34No, no, leave it.
07:35I'll explain it to him.
07:36Look, the thing is, the world changes.
07:39And chemistry evolves.
07:41And the perfume company has had to adapt.
07:44Even if the changes are for the worse.
07:47No, you know what's happening?
07:48It's because you're too young and you can't understand it yet.
07:52Julia, darling, didn't you have to use your geography book to look at the Galician rivers?
07:56Come on, we're not going to make it.
08:01I will not tolerate any more disrespect.
08:05Either you raise her properly, or I will.
08:07If you think your comment will intimidate me, you are very wrong.
08:12Mother and daughter are a perfect match.
08:14Look.
08:15Oh, no, I forgot.
08:17She's not your daughter.
08:19No.
08:22No.
08:23No.
08:24No.
08:25No.
08:31Oh!
08:39Hello.
08:40What would you like to drink?
08:42Well, a black coffee, please.
08:44Very good.
08:44Which, by the way, Tina.
08:45I've seen the photos you took of Chloe's farewell party.
08:48They are beautiful.
08:49We all looked amazing.
08:50Even me, who's usually terrible at taking photos.
08:53Well, thank you very much.
08:54Thank you so much.
08:54I like it when people recognize themselves in photos.
08:57Already.
08:57It must be difficult, right?
08:59To capture the essence of a person or a place.
09:02Yeah.
09:03A lot.
09:04A lot.
09:04What works for me is to focus on some detail that clearly defines the scene I want to portray.
09:09Well, for example, I don't know, gesturing hands or the face of someone who has made an unexpected gesture or
09:17the clinking of glasses in a toast.
09:19Yes, but if, for example, you take a picture of a landscape or a place where there are no people, in
09:22What are you noticing?
09:23Well then, you have to look for something peculiar, something that stands out, that is different from the rest.
09:30And what might be unusual, for example, if there is a red poppy in a wheat field?
09:36Well, for example.
09:37Yes, yes.
09:39You have artistic sensitivity.
09:41Okay, I'll try.
09:43So you like it?
09:45I mean, are you reading anything or taking any courses?
09:48I'm taking a course.
09:49Huh?
09:49Interior decorating.
09:50That's why I want to modernize the canteen a bit.
09:53Do you like them?
09:54I've already seen it, I've already seen it.
09:55My goodness, what tablecloths, huh?
09:57It's risky because they are very striking colors, but yes, I think they brighten up the place.
10:03That's great, that's great, but yes, I thought the same thing, I saw them and they reminded me of the colors of the
10:08labels, of the perfumes.
10:09Yeah.
10:10And the paintings, which I don't know if you've seen.
10:12And the same thing happened to me, I said, it's like Brossard's expressive line, right?
10:16Do you like them?
10:17Hi how are things?
10:18Hey, sorry, am I interrupting?
10:20Nothing, you never interrupt.
10:22She is Mabel, a future interior decorator.
10:25Don't tell me, Bianca, I'm delighted.
10:26In the end, this place is going to be full of artists, huh?
10:29Bianca is one of the best painters in the world.
10:32Wow, that's exaggerated.
10:34From the Spanish-speaking world only.
10:37Lie.
10:37Well, I'd be delighted.
10:39It's a pleasure.
10:40What would you like to drink?
10:41The same as Fina.
10:43And you love yourself, because among artists...
10:46No?
10:47Perfect.
11:01Marisol, why haven't you brought the suitcases down, Manuela?
11:04It wasn't necessary.
11:06I've already given the poor thing enough work.
11:08Come, sit down.
11:16So you did it for her.
11:18In the end, you ended up becoming friends.
11:22And who wouldn't be Manuela's friend?
11:25That woman is all heart.
11:27Yes, it is.
11:29I'm glad that thanks to her you'll have a good memory of this house.
11:34Thanks to her, and also thanks to you and Don Damián.
11:39What they have done for me is priceless.
11:42Seeing you recovered brings us great joy.
11:45So we're even.
11:48I want you to know that, despite the circumstances,
11:51It has been a real pleasure having you here.
11:54The pleasure has been all mine.
11:58Furthermore, you have become a role model for me.
12:01I?
12:03An example? Why?
12:05Because of the way he faces life despite adversity.
12:11Daughter, no one teaches us how to cope with loss.
12:17That's true.
12:19But you have shown me
12:21that one can move forward without giving up in the attempt.
12:25I think you're exaggerating a bit.
12:27But if I've been able to help you in any way, I'm happy.
12:32You have not only welcomed me,
12:35They have also restored my dignity.
12:37Do you know how you can show us your appreciation?
12:42Valuing you.
12:43Life is a gift.
12:45And now a new beginning starts for you.
12:48Having said that,
12:50I think I have to go, otherwise I'll be late.
12:53Excuse me, Mr. Salazar has just arrived.
12:56Hello, Pablo.
13:03Everything will be alright.
13:05Bye bye.
13:07Thank you, Mom.
13:15I'm sorry, but I don't have much time.
13:18Don't worry, I'll be brief.
13:22Why were you so distant with Damian this morning?
13:25Did you make me come all the way here to talk about Don Damian?
13:28No, he has been very generous with me.
13:31And I'd like to know why you've withdrawn your friendship with him.
13:36I understand your reasons for defending him.
13:40Your family has truly been wonderful to you.
13:43but...
13:45But, Marisol,
13:47my differences with him
13:48They have nothing to do with this matter.
13:52That's as far as I go.
13:55But whatever the reason you've drifted apart,
13:59Pablo, I think you're making a serious mistake.
14:02Don Damián is a good man
14:03And it's worth it.
14:05Marisol,
14:06Don't waste money on frills.
14:08I'm not going to give you any explanations.
14:09about what happened to me with him
14:11Nor am I going to change my mind.
14:13Just like you, I imagine.
14:16It would be impossible.
14:17after everything he's done for me.
14:22He does many good things,
14:24I know.
14:26But it's not perfect.
14:28And he is capable.
14:30He's capable of the worst, believe me.
14:34Don Damián prevented me from taking my own life.
14:40The other day,
14:41after seeing each other.
14:44What are you saying, Marisol?
14:50Well, have you thought about the offer yet or...?
14:54You're direct.
14:56Yes, direct, frank,
14:58just the way you like it.
14:59I say this because
15:00whether you're going to let them steal a little more or not,
15:03The merchant is already asking.
15:04answer.
15:06Bianca, I did quote you here
15:07It's because,
15:08As you can imagine,
15:09Yes, I have been thinking
15:09in the pros and cons
15:11of your offer.
15:12From what I can see,
15:13There is a...
15:15There is a downside.
15:16which includes the rest
15:17of the pros,
15:18could be?
15:19Which?
15:20Marten.
15:21And make no mistake,
15:22I swear I would understand.
15:23No, no, no, Bianca,
15:24Don't be mistaken.
15:26It would be very childish.
15:28reject a project
15:29so stimulating
15:30out of fear of jealousy,
15:32No?
15:32Yeah,
15:34of course.
15:35Especially because it is
15:36everything very clear
15:37among us.
15:38It's true?
15:39I mean,
15:39I think they are
15:40all the letters
15:41on the table,
15:42each one knows
15:43what to expect
15:44And I think it is,
15:46I don't know,
15:46anyone who sees us
15:47He knows we're friends,
15:49we have a relationship
15:50of friendship
15:50lovely
15:51and now,
15:52if possible,
15:54share
15:55a creative process.
15:58That?
16:00I'm really looking forward to it.
16:01I'll get to work on it.
16:09It was because of me.
16:11For you.
16:14For the child.
16:16For my family,
16:17because I lost everything at once.
16:23Look, Pablo,
16:24I don't want you to feel
16:24guilty.
16:27But I won't deny it
16:29that the conversation
16:30It left me very shaken.
16:34We said things to each other
16:35very hard.
16:36But I didn't come
16:37with that intention.
16:41That doesn't matter anymore.
16:44I was in...
16:47I was at a moment
16:48very vulnerable and...
16:52I had the feelings
16:53on the surface.
16:55I felt like I was superfluous
16:56in this world.
16:59Then I saw that knife.
17:00and...
17:02Yes, please.
17:05You have plenty of reasons
17:07to continue living.
17:09I know.
17:12I know,
17:13Don't worry.
17:15I'm not coming back
17:16to try nothing.
17:18I promised him
17:18to Mrs. Digna,
17:21but above all
17:22It's thanks to Don Damián.
17:24He avoided
17:24what I at that moment
17:25I believed it was inevitable.
17:28He made me reconsider.
17:30and...
17:31and it reminded me
17:32that I have reasons
17:33for a start
17:34a new life.
17:36Even if it's far away
17:37from here.
17:40I have regretted it
17:42And I'm asking you
17:42sorry.
17:44No, it's not me.
17:45who has
17:46that ask for forgiveness.
17:47It is worthy
17:48and their children.
17:49The love I feel
17:50for them
17:51You can't fake it.
17:52Can't you fake it?
17:53Well then
17:54Let me tell you
17:54that you are
17:56sick.
17:58Because if those people
17:59is now his family
18:00It's because you
18:01he got out of the way
18:02to his best friend
18:03And he did
18:03in the worst possible way.
18:10I don't know
18:11how could he
18:12forgive him.
18:13I wouldn't be able to do it.
18:19Don Damian
18:20He gave me all the support
18:21and all the understanding
18:21that I needed
18:22when I was about to
18:23to throw away my whole life
18:24overboard.
18:27This family
18:30with hardly
18:30I don't know you at all
18:31and without having
18:32no reason
18:33he took me in
18:34and took care of me
18:34out of pure compassion
18:37And I don't judge myself.
18:38Not once.
18:42I have never denied them
18:44the merit,
18:44really.
18:46And then
18:46Why are you here to fry her?
18:48Because it's clear
18:50that
18:51Don Damian
18:52It's not perfect.
18:53But he's a great man.
18:54Pablo.
18:58I have a lot of respect for you.
18:59that you show him
19:00gratitude,
19:01really.
19:05I know I've thrown
19:06less
19:06your friendship
19:08and I don't know
19:09What happened?
19:10among you
19:12But I do know
19:13that deserves
19:13another chance.
19:16That's it.
19:19I just wanted to tell you
19:20That's before I leave.
19:23Good.
19:28Good luck
19:29in life,
19:29Marisol.
19:30Wish you all the best.
19:33You deserve it.
19:35I'm wondering the same.
19:52Well, thank you very much.
19:53Mrs. Gloria.
19:54Hopefully we'll see her soon.
19:55here.
19:56Have a good afternoon.
20:01Tell me, please,
20:02that has taken
20:02one of our perfumes.
20:04No way, Mrs. Marta.
20:05He has bought
20:06some fertilizers
20:07for her nieces
20:07and nothing more.
20:09This week
20:10We haven't sold
20:10not a single bottle
20:11of the queen's.
20:13Well, we're going to have
20:14that start thinking
20:15in some strategy
20:16so that they return
20:16to notice them.
20:17Well yes,
20:18because the thing
20:18It's going from bad to worse,
20:19Huh, Mrs. Marta?
20:22Well,
20:23I wasn't coming
20:23That's why.
20:25Will you go?
20:27Have you heard?
20:28of the latest news
20:29with Paula?
20:31No,
20:31What's new?
20:34They have done it to him
20:34a proposal
20:35work
20:36Very interesting.
20:43Excuse me,
20:44There are few soaps left
20:45in the warehouse,
20:46we have to ask
20:46Bring us more.
20:47Yeah,
20:48Don't worry,
20:48Paula,
20:49that I now call
20:49And bring us more.
20:50Paula,
20:51I asked precisely that.
20:52for you, Claudia.
20:54Ah,
20:54What can we offer you?
20:55You see,
20:56I imagine you know
20:57that Doña Clara
20:58She's my mother-in-law.
20:59We have been
20:59having lunch together
21:00and he told me
21:02What has he done to you?
21:02a job offer
21:03Very interesting.
21:04That's how it is,
21:05Yeah.
21:06Well,
21:07more than interesting,
21:10It's a trip
21:11through Europe
21:12accompanying her,
21:13a trip that
21:14very few people
21:15could afford.
21:16Yeah,
21:17the truth is that when
21:17He suggested it to me
21:18I didn't even know what to say.
21:20Not to mention,
21:21You haven't told me anything.
21:21nor me.
21:22Well,
21:22I just didn't want to
21:23to anticipate events,
21:24Claudia,
21:24because still
21:25I haven't decided.
21:26But you're considering it,
21:28clear.
21:29Well, I don't want to be
21:30ungrateful
21:31with Doña Clara,
21:32but,
21:33I don't know,
21:33I don't want to cause
21:34no problem
21:35in the store,
21:36leave my job
21:37without prior notice
21:38corresponding,
21:39No...
21:39No,
21:40Thank you
21:41that you are so considerate.
21:43Oh well,
21:44That's something.
21:44that you can value
21:45Claudia.
21:47Man,
21:47That would be a setback,
21:49That's clear.
21:49But come on,
21:51Don't worry,
21:52Paula,
21:52that we take care of
21:53Valentina and I
21:53until we find
21:54to another colleague.
21:55Well,
21:55in fact,
21:56You've already been
21:56just the two of them
21:57at the front of the store
21:58several weeks.
21:59Yeah.
22:00And as such a setback,
22:02if the need arises
22:02My mother-in-law caused it.
22:04I would help you
22:05with the tasks
22:06as manager,
22:07There wouldn't be a problem.
22:07Look,
22:08Don't worry about that,
22:09Paula.
22:14Forward.
22:16Don Damián,
22:18Miss Marisol
22:19He's leaving now.
22:19Ah.
22:25Are you leaving us now?
22:28I'm afraid so.
22:29The bus to Madrid
22:31He'll be out in a little while.
22:32Once in Madrid
22:32I'll take another bus
22:34for Tarragona
22:35and there it will come to me
22:36to look for my father
22:37to take me back to my village.
22:40Gandesa,
22:40TRUE?
22:41Yeah.
22:42Everyone is invited
22:43to come and visit me
22:44whenever they want.
22:45Gandesa is a town
22:46beautiful.
22:46I'll take you up on that.
22:48although I fear
22:48that catches us
22:49a little bit back hand.
22:51It's a long journey, yes.
22:54In the end.
22:58Don Damián,
22:59thanks a lot
23:00throughout.
23:01I will never forget
23:02everything they have done
23:03for me.
23:04And why?
23:04Was I going to want to forget it?
23:08Their hospitality,
23:09Of course not.
23:11But the episode
23:12from the other day...
23:13I don't remember
23:14no episodes.
23:20I'll take it
23:21a great lesson
23:21of greatness
23:22and generosity
23:23of this house.
23:23I haven't felt
23:24judged
23:25not a single day
23:26And that was fair.
23:27what I needed.
23:29You see,
23:30at my age
23:30imagine
23:31the amount
23:31nonsense
23:32that I may have committed.
23:34So I'm not
23:35who to judge
23:37to no one
23:37and less
23:38to a good person
23:39that simply
23:40It's happening
23:41a bad moment.
23:44I hope it arrives
23:45at his age
23:45with so many lessons
23:46You were learning.
23:47Well,
23:48a few less
23:49and will live better.
23:51Listen to me.
23:52Well,
23:52the important thing
23:53is knowing how to recognize
23:53the mistakes
23:54and try to fix them.
23:56It's not easy.
23:58I fortunately
23:59Now I have Dina.
24:04Okay, okay, okay, okay.
24:07Say goodbye to Manuela.
24:10Good luck.
24:12Thank you.
24:21I feel bad about it
24:22because afterwards
24:23of what was organized
24:24to get in here
24:25in the store
24:25I don't know.
24:27Evil woman,
24:27Don't think about that.
24:29What do you prefer?
24:31Going out there,
24:32through Europe,
24:32to visit the world
24:33or you are here
24:34attending to clients
24:36dissatisfied?
24:37Especially now
24:37with the complaints
24:38of perfumes,
24:39that's true.
24:39Well.
24:41Already.
24:43Thanks anyway
24:45Thank you for your support.
24:46You see,
24:47It's a journey
24:47that my mother-in-law
24:48It takes a long time
24:49preparing.
24:50And to Doña Clara
24:51the truth is that
24:52He's excited
24:52that you accompany him.
24:55In case
24:56you rejected the proposal
24:57You have to
24:58communicate in advance
24:59so that he/she can search
24:59another person.
25:01Yes, yes, yes.
25:02I am the first
25:02that wants to resolve
25:03that unknown.
25:06When I make a decision
25:08I'll tell him.
25:09And you too,
25:10Claudia.
25:10Thank you very much, Paula.
25:12I'm going to the warehouse
25:13Go get more soaps.
25:14Clear.
25:21It's incredible.
25:22the turns
25:22that can arrive
25:23to give their lives.
25:23I'm telling you, yes.
25:26Claudia,
25:28Keep complaining.
25:30See you later,
25:31Mrs. Marta.
25:41Perfumery
25:41Queen's Frosal,
25:42tell me.
25:43Hi, Claudia.
25:44I'm Miguel.
25:45Hello, Miguel.
25:46What's happening?
25:47Something wrong?
25:49No, nothing.
25:50He was calling
25:51because I would like to see you.
25:53Clear,
25:53of course.
25:54And when
25:55Do you want to see me?
25:56Today?
25:57In the end
25:58I'm leaving here
25:59through tears.
26:00Well,
26:01It's that goodbyes
26:01They are not easy
26:02And you already
26:03She's had a few today.
26:05I haven't had time
26:06to finish the embroidery
26:07of the handkerchief
26:08that was for you
26:09and...
26:09Oh well,
26:10I'll send it to you.
26:11But, Manuela,
26:12if you already gave it to me
26:13the jar of lilies
26:13of the valley.
26:15Look.
26:18I fly it ahead
26:19from you
26:19to associate
26:20always this smell
26:20to that of a very beautiful person.
26:25He has to promise me
26:26that's going to come out
26:27through that door
26:27with the head
26:28very high
26:29and willing
26:30Enjoy!
26:31of everything that
26:31He has a lot of life left to live.
26:33I promise you.
26:37Of all the good things
26:39that I take with me
26:39of this house,
26:40You are the best
26:41of all.
26:42Friend.
26:46You are the proof
26:47that even
26:49in the worst situations
26:50they can leave
26:51good things.
26:53Virgin,
26:53holy,
26:54I didn't want to cry.
26:57It's not a big deal.
27:00but I would like
27:01that had
27:02a memory of mine.
27:04Thanks a lot,
27:05lady.
27:06But really
27:07He doesn't want to take it.
27:08for the trip.
27:09I'd love to
27:09that you had it.
27:10And if he likes it
27:11I can follow you
27:12sending more.
27:15You are worth a lot.
27:16Don't forget that.
27:17never.
27:23Well,
27:24it will be better
27:24that I leave.
27:25Yeah,
27:25I'll help you.
27:26No, no, no.
27:26What do you mean, no?
27:27Of course.
27:31Well, exactly
27:32when I was about to close
27:32the store
27:33he called me
27:33Chloe
27:34and it has been
27:35telling everything
27:35what he's doing
27:36over there.
27:37He went to have
27:38tea
27:38to the Plaza Hotel.
27:39Do you know which one it is?
27:41Yeah,
27:41opposite Central Park,
27:42No?
27:43It's the hotel
27:44where they fasten
27:44all the aristocrats.
27:46All the movies are shown.
27:49The truth
27:49it's that she
27:50it is handled
27:50like a fish in water
27:51anywhere.
27:52It could be
27:52in London,
27:53in Paris.
27:55I'm really looking forward to it
27:56to visit her.
27:57If you like
27:58I can accompany you
27:59as a translator.
28:01Sure, sure.
28:03But not only
28:04to go and visit
28:04to Chloe,
28:05but
28:06to see the world.
28:08I would like to.
28:10And does that imply
28:11More than one trip?
28:12Yeah.
28:13But the thing is
28:14I would like
28:14go to Paris,
28:15to Zurich,
28:16to Athens,
28:17to Berlin...
28:18Well,
28:18Stop, stop.
28:19It's not necessary
28:19that you review me
28:19all the capital cities
28:20of the world.
28:21That's clear to me.
28:22that you want to travel.
28:24But the most
28:25It is important that
28:28I want it to be with you.
28:31I already told you
28:31which I hope
28:32to overcome what happened to me.
28:33I know I'll get through this.
28:36But I don't want to.
28:36waste
28:37the most wonderful
28:38that has never happened to me.
28:40It's you.
28:42I love
28:43Seeing you like this.
28:44Happy,
28:46excited,
28:47making plans,
28:49but what most
28:50It makes me happy
28:51is to be part of
28:51of them.
28:55I think we could
28:56give us another chance.
28:59You don't know
29:00how much do you want
29:01from seeing you say.
29:03And I promise
29:04go slowly
29:05that you want.
29:06or fast.
29:08Or fast.
29:11Follow your own pace.
29:12and respect
29:13your doubts.
29:15I just want
29:16to be by your side.
29:19Will you let me?
29:31I imagine this
29:32It's a yes.
29:33Yeah.
29:36You're crazy.
29:42Gentleman,
29:43a bit
29:44of decorum,
29:44please.
29:45Sorry,
29:45agent,
29:46Yeah,
29:46Yeah,
29:46Yeah.
29:50Let them pass
29:51good afternoon.
30:04What do you think?
30:06Right now
30:06I would leave
30:07anywhere
30:08of the world
30:08if it's with you.
30:12Do you know that here
30:13That's where we met
30:14Our first kiss?
30:16Yeah?
30:17Yeah.
30:18Yeah.
30:18Yeah.
30:29Who are you looking for?
30:31Nobody.
30:32I'm noticing
30:32in this new decor.
30:34I didn't know
30:34that you were so posh.
30:36It's Mabel's doing
30:37who wants to change
30:39the air of the cantina.
30:40It has changed
30:41even the lamps.
30:42Already,
30:43I see.
30:45This to you
30:46You don't like it at all,
30:46No?
30:47And the truth is
30:48that I don't finish
30:49to understand
30:49their tastes.
30:50Already.
30:59You have written
31:00the face
31:00that you are looking for
31:01Paula.
31:02Well,
31:03I need to talk
31:03with her and nothing else.
31:04If you never learn
31:05the lesson,
31:05Tassio.
31:06What needs to be marked
31:07distance.
31:12Jungle,
31:12I can't.
31:14Can't.
31:17I've fallen in love
31:18of this girl.
31:20I confessed it to him
31:21And we weighed ourselves again.
31:28Look,
31:29I to Carmen
31:30I respect her.
31:30Really.
31:32I admire her.
31:33She really has courage.
31:34and a commitment
31:34with things
31:35of that woman
31:35If it were up to her
31:36I would move
31:37a mountain.
31:38But the thing is
31:39when I'm with Paula
31:39I feel more comfortable.
31:41And she too
31:42feels out of place
31:43with his family,
31:43like me,
31:44and we are quite a few
31:44visceral ones...
31:45You have to not measure
31:46the consequences,
31:47But do you think
31:48something like that
31:48Will it work?
31:50Don't know,
31:51Save,
31:51I don't know.
31:53What I do know
31:53I feel
31:54very comfortable
31:54when I'm with her
31:55and that he doesn't judge me.
31:56When I was with Carmen
31:57I felt inferior
31:58continuously.
31:58But don't say
31:59nuisance,
31:59Tassio,
32:00which is with Carmen
32:00who you are married to.
32:01Save,
32:01Carmen is not here.
32:05Maybe Paula
32:05He's leaving too.
32:07And where is she going to go?
32:10Now it turns out
32:10that the mother-in-law
32:11from my sister Marta
32:12has proposed to Paula
32:13that accompanies him
32:14to a trip through Europe.
32:16The best
32:16what could happen to you,
32:17put distance.
32:19But what future
32:20that girl is waiting for her
32:20If he stays here,
32:21Tassio?
32:22Will they have a relationship
32:23secretly with you?
32:25And you?
32:26You know you can't
32:27to lead a double life.
32:28What are you going to do?
32:29Run away with her?
32:31Man, Tassio,
32:31please,
32:32Use your head,
32:33Hey?
32:33You'll have it later.
32:43Even if he doesn't stay
32:44dinner tonight,
32:45you already know that
32:46this house
32:47It will always be open
32:48for you.
32:49It remains
32:50of the family.
32:51Oh,
32:52That sounds great.
32:55Thank you
32:56both the support
32:56that they are giving me
32:57at this moment
32:58so hard.
32:59Luckily,
33:00tomorrow it will be over
33:01all.
33:02He told me
33:03Marta who is
33:03preparing a trip
33:04through Europe.
33:05Yeah,
33:06Yeah,
33:06Yeah.
33:07I'm excited
33:08take a trip
33:10by the main ones
33:11European capitals.
33:12What I didn't imagine
33:14is that I would have
33:14than to do it alone.
33:16But woman,
33:16if Pelayo
33:17He always said
33:18that you
33:18a woman
33:19with a vibrant social life,
33:20Have you found it?
33:21to no one
33:21who wants to accompany her?
33:22Well,
33:24among my friends
33:25married
33:26I can't say
33:27with them
33:28because their husbands
33:28do not approve
33:29that are outside
33:30so long.
33:31And among the single women
33:33those who want
33:34They can't.
33:36And those who can
33:37They are annoying.
33:38In any case,
33:40a trip
33:40It's a good opportunity
33:41to make new friends.
33:43Hopefully.
33:44Anyway,
33:46through many friendships
33:47that you have,
33:49when you arrive
33:50to your house
33:50And you're alone.
33:52Yeah,
33:53I understand that
33:54the loss
33:55of a son
33:56It leaves a void,
33:57TRUE?
33:58When
34:00died
34:01my wife
34:02it was different
34:03because the children
34:04They were small.
34:06But death
34:07of Jesus...
34:11Look what's happened
34:12time
34:12and I still haven't gotten it done
34:13the idea
34:14that it doesn't feel
34:15next to me
34:15on the table.
34:17Already.
34:19I understand.
34:21And that's despite you
34:22He has three more children
34:24and above all
34:25a woman
34:25that loves him.
34:26That's true.
34:28Yeah,
34:28I am very lucky
34:29to count
34:30with Digna.
34:32She's a good wife
34:33and also
34:34best friend
34:35and advisor
34:36that a man
34:36I might wish.
34:39Listen to her,
34:39Damian.
34:40She is a woman
34:41very wise.
34:43I'm already doing it.
34:44In fact,
34:45this very morning
34:45on his advice
34:47I have accepted
34:47a proposal
34:48for industry
34:49that initially
34:50I didn't feel like it.
34:50not funny at all.
34:52That's great.
34:54Although men
34:55They are not very generous
34:56to verbalize
34:58feelings,
35:00but
35:01us
35:02We need it.
35:05I love you very much
35:06to Digna
35:08And she knows it.
35:10That's great,
35:11but love
35:12It cannot happen,
35:13of course.
35:14Come on,
35:15I believe
35:16if there is anything
35:17of what
35:17I regret it
35:18deeply
35:19It's because he didn't have him.
35:20told my husband
35:20more times
35:21I love you.
35:23Had there been no celebration
35:24the anniversaries
35:25as if it were
35:27the first
35:27and
35:29of not having done
35:30the trip
35:31what I plan to do
35:32now,
35:33but with him.
35:46Hello.
35:47You arrive two minutes early.
35:50Okay, Miguel.
35:51Sometimes I don't arrive
35:53and others I pass by.
36:00What did you want to tell me?
36:02I can't take it off
36:03of the head
36:04our conversation.
36:06Already.
36:08Well,
36:08I went too far.
36:09sincerely.
36:10No,
36:10not telling the truth
36:11Alright.
36:13Miguel,
36:15I would like
36:16that you understood
36:16that
36:17I know perfectly well
36:18because of what is happening
36:19Marisol.
36:20about her baby
36:21and everything else.
36:24But I shouldn't
36:25to have judged you.
36:27There is
36:28too many things
36:29of your life
36:29that I didn't know.
36:30Well,
36:31You also shared
36:32with me
36:32everything about Marisol
36:33despite the fact that
36:34It was very painful
36:35for you.
36:39I felt it necessary
36:41that
36:41the best thing was
36:42that you knew
36:43all about my life
36:45and now we are
36:46on equal terms.
36:47It's the best, isn't it?
36:51Don't know.
36:54What do you mean?
36:56What I feel
36:57for you
36:57It's very strong.
36:59At least that's what I think.
37:01I'm thinking of you
37:01constantly
37:02and when we're not together
37:03I'm counting the minutes
37:04to see you again.
37:08And in fact,
37:09before I met you
37:10I
37:11I cry a sad one.
37:14Can I be sad?
37:16Yeah.
37:17That's what he was telling me.
37:18sometimes
37:19my sister
37:19to make me angry.
37:22You're a tad atypical
37:23But not sad either, Miguel.
37:25What I mean is
37:27I just can't
37:28continue to feel
37:28that I have no control
37:30about my feelings
37:31and that I have to look for
37:32acceptance
37:33from another person.
37:34Miguel,
37:35But a couple
37:36He's not meant for that.
37:37A couple is
37:38to build
37:40a path together
37:42to enjoy
37:43of the good things
37:43and also to lean
37:44in bad things.
37:45Yes, but afterwards
37:46of everything you told me
37:46I don't know how to react.
37:48Claudia,
37:49You have lost a baby,
37:50You have lost a husband.
37:52Miguel,
37:53You don't have to react,
37:54No.
37:55It's information.
37:56Yes, but it's information
37:56that I don't know how to process.
37:59Nor do I know how to cope.
38:03I don't understand
38:04what you're telling me.
38:05Well, I'm telling you
38:06no...
38:07This is too much.
38:08for me.
38:09The fact that?
38:09It's too much for you,
38:10Miguel.
38:11My past,
38:12your feelings,
38:13our relationship...
38:14I just don't know
38:14What's wrong with me?
38:15My head tells me one thing
38:17And my heart tells me otherwise.
38:18But I can't go on.
38:20feeling like I have no control
38:21about my life
38:21and my job.
38:23But I just don't understand.
38:23what does that have to do with it
38:24the work now
38:24with all this.
38:25Well, thinking about you,
38:26Claudia,
38:26and think of us
38:27It pervades everything.
38:29Love is something
38:30very good
38:30for most people,
38:32but...
38:34It hurts me a lot.
38:44I'm sorry,
38:46But I don't think I can.
38:47keep trying.
38:50Love doesn't work well for me.
38:53I'm sorry.
38:55I'm sorry.
39:11This wine is excellent,
39:13They bring it to me directly.
39:14from Jerez.
39:16Clara,
39:17Are you staying for dinner?
39:18with us?
39:19Oh,
39:20dignified,
39:20thanks a lot.
39:22I was telling him
39:22to Damian
39:23no,
39:25Thank you very much,
39:26But I'm
39:27restricting dinners.
39:28Well,
39:29I know very little
39:29I'll have a little snack
39:30at the hotel
39:31and I'll go to bed very early.
39:33Very good.
39:33Oh.
39:35A catalog
39:36from Bianca Forner?
39:37Yeah.
39:39Do you know her?
39:40Of course,
39:41Dear.
39:42Look,
39:42I saw the exhibition
39:44of his work
39:44in Buenos Aires
39:45years ago.
39:46My husband
39:47I was traveling
39:48business
39:48and I accompanied him
39:49and I dedicated myself
39:49to explore the city.
39:51Oh,
39:51My God,
39:52I didn't know what I was exposing
39:53in Spain.
39:53He will do it soon.
39:56Ah,
39:56Look at this.
39:57And how did he manage it?
39:58This catalog?
39:59Fina gave it to me.
40:01Well,
40:01in fact,
40:02They are friends
40:03and almost all
40:04The photos are his.
40:07My God,
40:08Fine,
40:08Fine,
40:09how talented
40:10it has always been
40:10This girl.
40:11Yeah.
40:12Yes, it is.
40:13They met
40:14in Argentina
40:15And now that Bianca
40:16He will be exhibiting in Spain,
40:17because they have resumed
40:18the contact.
40:19Ah,
40:20And when does he exhibit?
40:22I admire
40:23much of his work.
40:25Me too.
40:26They are very strong.
40:28Yeah?
40:29They remind me
40:30to the portraits
40:31from Fina.
40:32She gets
40:33capture
40:34the essence
40:34of the person
40:35and immortalizes her.
40:38I am absolutely
40:39OK,
40:40dignified.
40:41Look.
40:43Oh,
40:44How beautiful!
40:44please.
40:46Isn't that right?
40:48Good.
40:53Good.
41:12Yeah,
41:13tell me.
41:14Yeah,
41:15clear,
41:15I accept the conference.
41:19Hugo,
41:20What a joy!
41:20hear him.
41:22Tell me.
41:26Andrew
41:27He called her.
41:30Well,
41:30but still
41:31we cannot calculate
41:32how much fixation
41:33It gets lost,
41:34But I assure you
41:34that has bought
41:35with the benefits
41:36that we have
41:36It's very little.
41:37and the fragrance
41:38It's the same.
41:42already,
41:43but
41:43that trend
41:44down
41:45of sales
41:46It's temporary.
41:47In a few days
41:48will be discussed
41:49of any other topic
41:50and sales
41:51They'll go back to the same thing.
41:55No,
41:56No,
41:56I did not know
41:57nothing
41:58of those problems
41:59of the fixation
42:00when I proposed
42:02reformulate
42:02perfumes.
42:09Clear,
42:09Yeah,
42:10Alright.
42:11Of course,
42:12We will do as you say.
42:22Glad?
42:23The truth
42:24the thing is
42:24when he told me
42:25that you proposed
42:26reformulate their perfumes
42:26I couldn't believe it.
42:28Thank goodness
42:29which he did not do.
42:30How can one be
42:31So clumsy?
42:33Andrew,
42:33if all this
42:33You do it
42:34to snatch me away
42:35the director position
42:35that you know
42:36that you are wrong.
42:38I will continue to be
42:39the director
42:39for a long time.
42:41Exact,
42:42since you are the director
42:43It will be you
42:43that it becomes more serious
42:44that perfumes
42:44of the queen
42:46become again
42:46those that my father
42:47and Gervasio created.
42:49Well,
42:50I'm going home.
42:52Ah,
42:54and remember
42:54come first thing tomorrow morning
42:55to inform
42:56to the perfumers
42:57of the changes
42:57formulation.
42:59That would be good.
42:59starting tomorrow
43:00first thing in the morning
43:00begin
43:02to produce
43:02the new perfumes.
43:04OK?
43:20OK?
43:31Good night.
43:33Vase,
43:33please.
43:35What's happening?
43:36I was surprised
43:37Your call was great.
43:39Let's go to the living room.
43:41We'll be more comfortable.
43:43Would you like a drink?
43:45Thank you.
43:48Well,
43:49I imagine that
43:50you have me
43:51made come
43:52for
43:52that you find out
43:54about the game
43:55from Marisol.
43:56He's on the bus
43:58destination
43:59to Tarragona.
44:03Damian,
44:05thanks for everything.
44:06You don't have
44:07Why give them?
44:08We have
44:08hosted
44:09at home
44:09with great pleasure.
44:11I found out
44:12that saved him
44:13life.
44:15Don't worry,
44:16He told me
44:16herself.
44:18It was his wish
44:19express
44:19that you didn't find out
44:20of his attempt
44:21suicidal.
44:23He wanted to make me see
44:24that he was wrong
44:25with you.
44:27That I should
44:28reconsider
44:29the reason
44:29for which I broke
44:30our friendship.
44:31And the truth is
44:32the thing is
44:33his attempt
44:33suicidal
44:34It's made me think
44:35a lot in Gervasio.
44:37To be honest,
44:38me too
44:38It has moved me
44:39all of this is a lot.
44:41Shall we sit down?
44:53Look,
44:55I'm not here
44:56to reproach him
44:57again
44:57what he did,
44:58but
45:00rather
45:00to make him see
45:01that now
45:02We're tied.
45:04Both
45:05we have been
45:05the cause
45:06about what
45:06someone
45:07may have wanted
45:07to take one's own life.
45:08No.
45:10What Marisol did
45:11It's not your fault.
45:15Perhaps
45:15Don't push her.
45:17consciously
45:17that he would take
45:18that decision,
45:19But it's clear.
45:19that I didn't behave
45:20I'm fine with her.
45:22And if you
45:22It doesn't prevent it,
45:23right now
45:24would bear the burden of his death
45:25as a sentence.
45:27In any case,
45:28It has nothing to do with it
45:29with what I did to him
45:30in Gervasio.
45:31You're sure
45:32What makes it so different?
45:35All decisions
45:37that I took regarding it
45:37they were thinking
45:38solely and exclusively
45:39in me.
45:41In my needs,
45:42in my feelings,
45:44never in it.
45:44But you were willing
45:46to help her
45:46about the child
45:47to recognize him
45:49like your son.
45:49Thinking about me again?
45:52To cleanse my conscience.
45:55Really,
45:56Damian,
45:57thank you so much.
45:59Saving that woman
46:00has avoided
46:01that the rest of my life
46:02be a hell.
46:04I believe,
46:05sincerely,
46:06You're exaggerating.
46:07but
46:08glad to hear it
46:09that this episode
46:10I hope it helped you
46:10to realize
46:11that although I committed
46:14abominable acts
46:15in the past,
46:17I am no longer that person.
46:19I am a man
46:19very different.
46:20I know.
46:22And I thank you
46:24that you have spoken
46:24with me
46:25because
46:26tonight
46:27I'll be able to sleep
46:28more relaxed
46:29knowing that
46:29in the future
46:31There are possibilities
46:32to recover
46:33our friendship.
46:38What would you think?
46:39if we start
46:40with a little game
46:41of chess?
46:42Well, it seems to me
46:43that afterwards
46:44that he'll beat you up
46:45I don't know if I'll want to
46:46being a friend of mine.
46:47Ha ha ha!
47:06Paula.
47:08Yes, for God's sake!
47:09What a fright!
47:10What are you doing sweeping?
47:11if you have finished
47:12Just a moment?
47:13Already.
47:14I need to think.
47:15a lot
47:16and to sweep
47:17It helps me.
47:20Paula was coming
47:21to know
47:21if that's true
47:22that you're leaving
47:22with Doña Clara.
47:24Take a trip
47:25and that you leave the store.
47:26It's not
47:27of your concern.
47:28I'm not asking you
47:28no application.
47:30I just want to know
47:30yes or no,
47:31Paula, please.
47:33How did you find out?
47:36I listened to Marta
47:37at my father's house
47:39talking with Mrs. Clara.
47:41Well yes.
47:42It's true.
47:44I haven't decided yet.
47:45nothing, but
47:47Everything is ready, yes.
47:51Paula,
47:52Come on, Silvio.
47:53Are you going to leave?
47:53a job like this
47:54for going as a lady
47:55company
47:55around the world?
47:56I thought that
47:57You had already left it behind.
47:58Tasi,
47:58It's a great opportunity
47:59I'm going to leave
48:00to Europe
48:01with everything paid for.
48:04And furthermore,
48:05No one will know me there.
48:06nor will he judge me
48:07not like here.
48:09I thought
48:10that you already were
48:10fitting into the store,
48:11Paula.
48:12For Mrs. Marta
48:13and Claudia always
48:13I will be the reason
48:14for which Carmen
48:15He's gone.
48:16They respect me,
48:17They tolerate me,
48:18But they never accepted me.
48:20Tassio.
48:21Besides,
48:22I'm sure she'll be happy.
48:22a lot
48:23when I say
48:24that yes to that offer.
48:27Paula,
48:27I don't believe it
48:28that you're going to leave
48:28just for this.
48:29Well, give me one reason.
48:30so that I stay.
48:30Well, I don't want to
48:31Get out of my life,
48:32please.
48:32Well,
48:32That's the main reason
48:33which is why I'm leaving,
48:34and Tassio.
48:35That trip
48:35It's the opportunity
48:36perfect
48:37to get away
48:37from here
48:38and that you forget
48:39from me.
48:42Paula,
48:43Paula,
48:43really,
48:45It's not going to be that simple.
48:46as you think.
48:47One forgets
48:48when he wants to forget,
48:49But I don't want to.
48:50that you leave my life.
48:51Tassio,
48:52For God's sake,
48:52Just stop it.
48:53Really,
48:53I'm trying
48:54do things right
48:55for once.
48:55But me too.
48:57I'm trying,
48:58But I feel
48:58that continually
48:59the only thing I get
48:59It's tormenting you.
49:01And I'm fed up
49:02of suffering
49:02and to fight.
49:03I want to be happy
49:04and we don't deserve
49:04to be together.
49:06And what happens
49:06when your wife returns
49:07to the pardons
49:08And I just stayed
49:09a bad memory?
49:10Paula,
49:11That's not going to happen.
49:13Carmen has taken
49:13their path
49:15And I've taken mine,
49:16which in this case
49:17it's you.
49:19And I assure you
49:19that I am not willing
49:20to resign
49:21to what I most desire
49:21at the moment
49:22of my life.
49:23And I know
49:23that you think the same.
49:25You're wrong.
49:27I hate you.
49:28I hate you.
49:29If you are the reason
49:30for which I have lost
49:31control of my life.
49:33Paula,
49:33please,
49:51Why is this happening?
49:52Why are you taking so long, Andrés?
49:54Perhaps it has been delayed
49:55his conference with Pares.
49:57This has been
49:58a farewell.
49:59You're going to leave
50:00with Doña Clara.
50:01This afternoon
50:01we have the reading
50:02from Pelayo's will.
50:05Look, Mabel,
50:05to me, your brother
50:06He asked me for distance.
50:07and I gave it to her
50:08because we already are
50:09all grown up
50:10to know what we want,
50:11No?
50:11Miguel,
50:11Why are you doing this to yourself?
50:13If you're having a hard time
50:14You and he's having a hard time
50:15Claudia.
50:16Andrés and I,
50:17Andrés and you,
50:18we've had a moment
50:19very...
50:20Romantic.
50:22I called yesterday
50:24but his secretary
50:25told me
50:25who was gathered
50:27although in the background
50:28I heard Roque himself
50:28dictating the excuse to him.
50:29You don't know
50:30the difficult
50:32which is turning out to be a great day.
50:33Lack of sleep?
50:36No.
50:38Well,
50:39because of how difficult it is
50:39which is being
50:40contain
50:41this feeling I have
50:42after
50:43last night.
50:45And I wondered
50:46if you
50:47would accept positions.
50:48The text that needs to be recorded
50:50on the plate
50:50in homage to Brossard.
50:51The mark it left
50:53in us
50:53will continue to guide
50:54the course
50:55of this company.
50:55Spot.
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