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Sueños de Libertad Capítulo 622
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00:30The worst part was seeing Andrés's satisfied face, that face he gets when he's won the
00:35battle.
00:36This afternoon we have the reading of Pelayo's will.
00:39Okay, go ahead and when you're done, make sure he leaves soon.
00:43And you think a plaque will cover up your mess?
00:46Andrés, you show very little sensitivity if you think there is something calculated behind this tribute.
00:51Look, Mabel, all I can tell you is that after talking to him, the conclusion I've reached is...
00:55The truth is that she doesn't want any headaches and that's why she left me.
01:00Don't hold it against her, it's just that I left her with Claudia.
01:04I don't know, we're comfortable talking about our things. About breaking up together, about being together.
01:09And I kissed her, I don't know.
01:12In fact, I haven't slept a wink last night thinking about it, but I've decided to stay here.
01:17Not only an artist like yourself could portray a woman as beautiful, strong, and yet delicate as she is
01:26my wife.
01:27In memory of Antoine Brossard, period.
01:30We appreciate your vision, comma, leadership, and unwavering dedication, period.
01:37I understand why you have to ask me this.
01:46Dreams of freedom, to live differently.
01:50Altars to plead, wherever the soul desires.
01:55Dreams of freedom, the heart does not wait.
02:00He's asking for your chance.
02:03Dreams of freedom, even though the past hurts.
02:08To start over, to love whomever I want.
02:12Shouting at him is my truth.
02:15Live without fear and without looking back.
02:35Dreams of freedom.
02:48Fortunately, everything has turned out better than I expected.
02:51The new perfumes are already being produced with the original formula that should never have been changed.
02:57Thank goodness.
02:59Honey, don't you like food?
03:02Yes, I know I like it.
03:04But I'm not very hungry.
03:07Well, Dina, I'm so glad that perfumes are going back to what they used to be.
03:10And thank you for telling me, because Gabriel hadn't said anything to me.
03:13Well, I'd probably be about to do it.
03:18How long have you known this?
03:20Last night, just last night.
03:21And if he got home late, well, he couldn't tell you.
03:25Well, it's true that we haven't seen each other much this morning, but we'll get on with it.
03:30Andrés reported the drop in sales of the new perfume.
03:34And Hugo Brossard immediately called Gabriel to tell him of his concern.
03:40So it's sorted out, thanks Andrés?
03:42That's how it is.
03:44Julia, darling, the news about the perfumes is very good.
03:47I know.
03:48And the truth is that I'm glad that Grandpa Gervasio's perfumes are back to what they used to be.
03:55Cielo, we'll change the rice and Manuela will prepare something for you.
04:00I don't like that you don't eat.
04:03Am I incubating something?
04:04I think it's nerves.
04:06Could be.
04:08Why are you nervous?
04:11Oh my God, I remember now.
04:14Sorry.
04:16I know there are a hundred choirs.
04:19Right?
04:21And how did you find out?
04:22Well, the brochures are all over Toledo.
04:25I saw them in the bookstore in Plaza del Monte.
04:29A little bird told me that your school is participating in it.
04:33Yes, it's at the Rojas Theatre in two days.
04:37AND?
04:39She's going to have a little one.
04:41Oh, Mom, I'm so embarrassed.
04:43But why is there shame?
04:44You're going to look great, my love.
04:46Will you and Grandpa come?
04:47Of course, there's no need to even ask.
04:50And I'm going to tell Marta and Andrés too, because they'll be delighted to go.
04:54Didn't you have to ask your grandmother for something?
04:56Oh, really? Come on, come here.
04:57Come here, I want to hug you, come here.
05:00Come here, love, what do you want to ask him?
05:02Because for acting we need layers.
05:07And mine is a little too long for me.
05:09And I wanted to ask if you could sew it for me a little, since you do it so well.
05:13Of course, of course.
05:14Did you bring it?
05:15Yeah.
05:15Look after her.
05:17I offered to cut it for her, but for whatever reason, she prefers that you do it.
05:21It must be because of experience.
05:24That cape is going to look great.
05:38Good afternoon.
05:39Okay, what are you doing? But be careful. Your wife or daughter might see us.
05:45Don't worry about it. They've gone to eat at my old uncle's house.
05:49But if I'm bothering you, just tell me.
05:51You never bother me.
05:54Don't you think we should remember the old days in a special way?
06:00What's the point of this?
06:02Well, the day after tomorrow is the anniversary of the day we became boyfriend and girlfriend.
06:08Have you remembered?
06:10Sure. Although you hinted at it this morning.
06:14It's been a little noticeable.
06:16Beatriz has never forgotten that date.
06:18Neither that one, nor our wedding day.
06:24Nothing is taken for granted that you wouldn't remember.
06:26No.
06:27I remember every detail.
06:30I remember borrowing a friend's motorcycle because I wanted to take you there with the wines.
06:35to declare myself before the ancient dragon tree.
06:38I remember you were wearing a beautiful blue floral dress.
06:44You looked gorgeous, with your hair down.
06:47And I remember that everything was going perfectly until that motorcycle left us stranded in the middle of the road.
06:54On a road where nobody passed.
06:56And you don't stop to say, how will we get back, how will we get back?
06:59Well, you convinced me to walk to town to get a can of gasoline.
07:02I took off my shoes and everything.
07:05But the important thing is that we managed to get in front of the ancient dragon tree.
07:10And I remember that it was already sunset.
07:11The clouds had a color like pink or violet.
07:20And I asked you to be my girlfriend.
07:22And I told you yes.
07:25And I felt like the luckiest woman in the world.
07:30And I told you that the love we had would last for thousands of years, like the dragon tree.
07:39Well, and don't remind me of the scolding my father gave me for coming home so late.
07:47Beatriz, everything we felt in our hearts that day, I have never stopped feeling it.
07:56That's why I think we should celebrate it as we deserve.
08:03And what do you propose?
08:06I've booked a delicious restaurant, my mother's.
08:09Then we'll go for a walk in the Retiro Park.
08:11And we'll end up spending the afternoon in a beautiful suite.
08:15So you can start asking the ladies of the house for the afternoon off.
08:20Because you're having a romantic evening.
08:25Because that's what we are, aren't we?
08:28No?
08:38And you haven't tried the flan either?
08:40What's wrong, am I losing my touch?
08:42No, no, it's just that I'm a little nervous.
08:45And I'm not hungry.
08:47Oh, and why are you nervous?
08:50Tell her, Julia.
08:51Look, well, I have a choir performance with my school in two days and I'm going to sing in front
08:59of many people.
09:00And it only has one.
09:02Oh, Mom, stop saying it.
09:03But how can I stop saying it?
09:05But everyone needs to know that.
09:07I'm going out into the street right now so that all of Toledo knows.
09:12Let me know how it goes, but I'm sure you're going to do great.
09:17He's going to do wonderfully.
09:19Okay, Mrs. Dina will be right back.
09:21Yes, she told me she was going to get a container to make some thin pancakes, right?
09:25Yeah.
09:25That he's going to go and look for them.
09:26But I'll save some for her for when she calms down.
09:29Thank you, Manuela.
09:36Julia, darling, I know you're worried about something else.
09:39Right?
09:44Okay, calm down.
09:46If you don't want to tell me, that's fine.
09:48Whenever you want, I'm here.
09:51I'm going to get the coats.
09:55Well yes.
09:56There is something else that worries me.
10:02Mom, aren't you happy?
10:07Julia, darling, what's that got to do with anything now?
10:09I realized it when...
10:11When I saw you looking so well and so happy in the house in the mountains.
10:15Or is that not the case?
10:18Well, it's just that...
10:19It's complicated.
10:21When you go back home, you get sad again.
10:24And I know why.
10:27You're like this because things aren't going well with Gabriel, right?
10:35Thank you very much for your patience, Julian.
10:36And excuse me, wait, okay?
10:37But I can't afford the expense.
10:39Salva, give me a glass of wine when you can.
10:53Salva, give me another one, please.
10:56Already?
10:57Is everything all right?
10:59Perfectly.
10:59Please, I've fallen short, for whatever reason.
11:03Yesterday afternoon I was looking for Paula.
11:06Salva, are you going to warn me about her again?
11:08No, I just want to know if he's leaving or staying with us.
11:11Well, in the end he doesn't leave.
11:13Stay calm.
11:14But really, wouldn't it be better if he left and just left you guys?
11:18Salva, I really know exactly what you think about this.
11:20Are you going to repeat that to me again?
11:28Arguments in marriages are sometimes inevitable.
11:32But you don't need to worry.
11:34Mom, I've asked you to be honest with me.
11:37And why do you think I'm not being that?
11:39Because we get along well.
11:41And it's not just because of what I heard this time,
11:44but for many other things.
11:47You don't sleep together,
11:48You don't show each other any affection,
11:51You're not laughing
11:51and you can't agree on anything.
11:54And no matter how much you try to hide it from me.
11:58And now don't treat me like a child.
12:01I know we get along well.
12:04Are you going to deny it?
12:07No, darling, I'm not going to deny it.
12:09So why are you together?
12:14Well, Julia, because we're a family.
12:17And that is above what Gabriel and I may feel for each other.
12:21But never forget
12:23that we love you madly.
12:27It's not enough.
12:29I would like to have a family that loved each other.
12:34Like my friends' parents, for example.
12:37They walk together hand in hand, laughing.
12:39On the other hand, you...
12:41You are only happy sleeping in different rooms.
12:46Do you think so?
12:47I don't believe it.
12:50I know.
12:51And you too.
12:54I don't know what else to tell you, Julia.
12:56Me neither.
12:58Maybe I shouldn't have brought it up.
13:00No, yes, yes.
13:01Of course, Julia.
13:02You did the right thing by sharing it with me if you're worried about it.
13:06Look, what I'm sorry about is that I can't give you another answer.
13:09Little girl.
13:12Honey, don't worry about me.
13:15Juanito and you make me very happy.
13:18That's the most important thing in my life.
13:22Come here.
13:31Salva, by the way.
13:32Is this trend of tablecloths and paintings going to be around forever, or what?
13:35Well, I don't know.
13:36But don't get me worked up about that too, man.
13:39Salva, look.
13:40If you don't like it either, I should be honest.
13:43At least with the girl you like, right?
13:45Look, Tassio.
13:46For you to say that to me, that's not cool, is it?
13:50Oh, sorry, sorry, really.
13:51But I had forgotten that you are the only one who can give advice in this life.
13:55Well, she was so excited about her new decorating course that she didn't...
13:58I didn't want to sink her.
14:00Yourself.
14:04Well, but...
14:04I don't think people will stop coming because of the paintings, do they?
14:10Do you find them that horrible?
14:14Is it something that really tells you the truth or...?
14:16No, no, leave it.
14:17It's clear they don't fit in at all with the canteen.
14:21Look, since Mabel isn't here, I'll tell you.
14:24This is neither art nor anything else.
14:25I'm telling you.
14:26But it does look like the quilts my Aunt Juana used to sew.
14:29What are you taking about?
14:30Well, I had an aunt who would collect scraps of fabric that she found and make quilts.
14:34great.
14:35Each one a thousand different colors.
14:36But hey, when you look at a painting...
14:40I don't know, maybe he imagines some partridges, a little landscape with a river, a little castle at the end, some greyhounds...
14:46But a quilt.
14:48Yes, I know, but I don't know how I can tell Mabel.
14:51Because maybe he'd take it as if I were saying no...
14:54He has no judgment, he has no taste.
14:56And just now that she's taking the decorating course and is so confident in herself, well...
15:00My comments could sink her.
15:02Well, it's probably best if you don't listen to me, okay? Don't get yourself into any trouble.
15:05No, yes.
15:06And maybe, with luck, Mabel will realize it on her own.
15:09Yes, but well, the paintings are the least important thing.
15:16Salva, don't tell me you're going to put up curtains to match the tables because next time
15:20The thought of me walking through the door gives me a fit.
15:21No, no, no.
15:22If the biggest change you want to make is with me.
15:26But why?
15:27Well, because now he's decided he wants us to talk about a restaurant in Toledo.
15:31Really?
15:32Well, you took out a loan for that too.
15:35Well, yes, but it's different.
15:37Why would it be any different now?
15:38Well, look, firstly, because it was a tavern.
15:40And second, because their days in the colony were numbered, but that is no longer the case.
15:45And to be honest, Tassio, I don't feel like setting anything up.
15:48And she's selling it to me as if it's a joint project, but it's not true.
15:51It's his project and he wants to drag me along.
15:54Drag?
15:55I don't know if it's giving, huh?
15:57I think you're seeing it in a somewhat dramatic way.
16:00I think that if he puts in the effort and enthusiasm, it could be a great idea for both of them.
16:04I'm fine the way I am, Tassio.
16:06It has been very difficult for me to rebuild my life after leaving prison.
16:11To have a purpose.
16:13And behind this bar is where I'm starting to forget where I come from.
16:18Come on, this was your dream.
16:20That you don't want new goals, new objectives, new ventures, or anything at all.
16:24That you want to enjoy your stability, yes, that's fine.
16:26Well, and especially now that the colony is going to remain open.
16:30I'm happy here, Tassio.
16:32Well, we'll have to ask Mabel if she's happy or not, Salva.
16:37If that's not the case, then I think we have a problem.
16:42And one of them is going to have to give in.
16:46Anyway, Salva, you shouldn't be having this conversation with me.
16:49If not, with your girlfriend.
17:02Go ahead, Andrés.
17:04Hello.
17:04Hello, Andrés.
17:06Come in, have a seat, please.
17:10Good.
17:11Now that you're both here, I wanted to take this opportunity to tell you that Ruperes called me,
17:15the supplier of natural essences.
17:17Ruperes.
17:19And what for?
17:20Tassio isn't going to place the order to get into production as soon as possible.
17:24Yes, yes, that's right.
17:25But he called me because, according to him,
17:28wants to propose a small price increase.
17:3815%.
17:41Oh.
17:42A significant increase.
17:44Yes, I'm afraid so.
17:46And has he explained to you why there is a decision to make such a drastic increase?
17:50I suppose it's a punishment for having given up their products these days.
17:55According to him, it's a price update.
17:57He says he hasn't raised our prices by a single peseta in many years.
18:01Look, that's not true, but it seems like they're taking advantage of our weakness here.
18:07Everyone knows the rough patch we're going through, and I don't think it's very ethical to retaliate with a
18:12rise of this magnitude.
18:15So, what are we going to do, Mr. Director?
18:19Well, nothing to do but follow Brossard's orders.
18:22You'll be happy, won't you?
18:23Yesterday you seemed very satisfied.
18:26And I am.
18:28Well, that's all there is to it.
18:30From now on we will produce with more expensive essences.
18:33Gabriel, I'm sorry, but it's impossible to make even a minimal profit with this increase.
18:37The production budget we were working with was already very tight.
18:41Are you talking to me?
18:43I remind you that it was I who proposed reducing costs.
18:46And causing a drop in sales.
18:47Look, Andrés...
18:48Be quiet for a moment, please, I need to think.
18:57I didn't know Julia was going to find out about everything.
19:00I would say you should have hidden it better.
19:02Begoña, the children find out everything.
19:05And Julia is also a very intelligent and very sensitive girl.
19:09Sooner or later he would have realized the relationship between you.
19:13But however intelligent Julia is...
19:16She's just a child, isn't she?
19:18It's not his responsibility to worry about how his parents are doing.
19:20It is his right to enjoy his childhood and everything that is yet to come.
19:24And she will, Begoña. She will. Trust me.
19:26But it does seem that Nieves has even lost her enthusiasm for her performance.
19:29It's as if witnessing the argument had taken away his desire.
19:33Look.
19:35Mothers always try by all means to make their children happy.
19:41But things happen to us too.
19:43We can't control everything.
19:44Nobody can.
19:47Look at me.
19:49Everything I suffered when Marisol's scandal broke because of my children.
19:52But what could I do?
19:54Nothing?
19:56At least you had a happy ending.
19:58Julia won't even have that.
20:02It's not the end either.
20:03It's just another stage in the relationship.
20:06I was also very sure of my husband when in reality I didn't know everything about him.
20:11And now we're doing well, but things can change again.
20:17Nobody can control the future, Begoña.
20:20I would be happy if the present were a little easier.
20:26May I offer some advice?
20:29Clear.
20:31I know very well what kind of person Gabriel is, but don't you think you could make an effort to try and win him back?
20:37that pact of cordiality you had?
20:42Without betraying yourself, simply until you achieve some harmony at home.
20:48I don't know if I could.
20:51Julia has already realized that you don't love each other.
20:53But if he sees that you are able to live together peacefully, perhaps his spirits will improve.
20:59I don't know, Nieves, right now all I can think about is how much I'd love to take my children in and go far away, where
21:05Nobody could find us.
21:07We were so happy when we were in the house in the mountains that...
21:12But would you really leave?
21:15No.
21:17That would hurt them too, wouldn't it?
21:19Look, time flies.
21:22Children grow up.
21:24Julia and Juanito will be older and then everything will be easier.
21:32You'll find a way out, you'll see.
21:35Oh.
21:37We're awake now.
21:43The only thing I can think of is that I could try to renegotiate the prices.
21:47You?
21:48But if you were unable to get a good contract from the cleaning product supplier.
21:53I remind you that we gave you a very tight budget for the industrial one.
21:56Yeah.
21:57Insufficient.
21:58In the end, I was the one who had to find an Italian supplier.
22:02Well, there has to be some solution, right?
22:04No, there isn't one.
22:05If you had stayed put and left things as they were.
22:10How were you?
22:11Yeah.
22:11Attracting customers.
22:12Receiving criticism in the press.
22:14We were ripping off our customers, Gabriel.
22:16It was only a matter of time before sales picked up.
22:19But because of your impatience, we haven't been able to verify it.
22:21They weren't going to come back.
22:23Look, if we're in this situation, it's because of your decision to cut costs.
22:28Have you finished yet?
22:29Yeah.
22:29Perfect.
22:30Because you're going to be the one to take your little friend Hugo Brosar to tell him that from now on
22:34now
22:35Production will be more expensive.
22:37I?
22:38Yeah.
22:39You.
22:39It's your fault.
22:40But you're the director.
22:42And while you're at it, tell him you're not up to the task.
22:44And may He free you from that position that is too big for you.
22:47I don't know how you can sleep peacefully at night.
22:49I sleep perfectly.
22:51If someone isn't sleeping, it'll be you because of your guilty conscience.
22:54Clear.
22:54To have a problem with your conscience, you must first have a conscience.
22:57For God's sake, just leave it alone.
22:59Andrés, good luck with the call.
23:02I don't know how Brosar will be tamed after the consequences of listening to you.
23:06That's why I'll make that call.
23:08Thank you, Andrés.
23:10Andrew.
23:13Thank you.
23:22It's been incredible.
23:24She has been able to put my wishes before her own.
23:27Supporting the wishes of your loved one is one of the essential ingredients for love to not turn out rich.
23:33That is.
23:35Digna, this project is going to help me boost my career.
23:40And without their support, I don't think I would have ever accepted it.
23:43I'm so glad you understood each other.
23:46Because you deserve to give yourself that opportunity.
23:48Oh, thank you, Digna.
23:50Do you want me to come?
23:51It's upstairs.
23:52No, it's not necessary.
23:53Yes, I had only come to bring ruin.
23:58Clara.
23:59Hello, Digna.
24:02Thank you, Teresa.
24:03How are you, Clara?
24:05Well, all things considered.
24:09Fina, my dear.
24:11How happy I am to see you again!
24:14I'm glad too.
24:17I'm sorry I haven't had a chance to offer my condolences either.
24:22Thank you very much, don't worry, Pela.
24:24I loved you so much.
24:26I'm glad you're back in Spain.
24:29Everyone here has missed you.
24:32I've missed this a lot too.
24:34Do you want to see Marta?
24:35Yes, yes, yes, yes.
24:37Let's go together to the reading of the will.
24:40I just want it all to be over as soon as possible.
24:42It's like reliving it all over again.
24:46I know what you're going through, Clara.
24:48Although it may seem impossible, time helps.
24:51Little by little.
24:57Doña Clara was waiting for her.
24:59Oh, Marta, my dear.
25:01When I saw you coming, it was as if Pelayo were coming behind you.
25:07Oh, God.
25:10He was so good, so honest, so noble.
25:14He always wanted to help others.
25:17Why did they have to take it away from us like this?
25:20Because you shouldn't ask questions that have no answer.
25:31Excuse me, huh?
25:31It's getting late and I have to leave.
25:36Yes, she will thank Manola for me.
25:38Of course.
25:38Thank you.
25:40I'm glad to see her.
25:41Likewise, my dear.
25:43See you later.
25:45Bye bye.
25:49Are you ready?
25:50Yes, I have everything at the entrance.
25:52I'll walk you to the door.
25:53Thank you.
25:56Claudia.
25:59Claudia.
26:02I'm sorry to wake you up, but I'm a little worried.
26:05What time is it?
26:06Well, you've been sleeping a lot.
26:08How are you feeling?
26:09I'm feeling a little off, Valentina.
26:12Yeah?
26:12Wait a minute.
26:15Do you have a fever?
26:17You think?
26:18No, no, it's that you think you have it.
26:20Does anything else hurt?
26:23My head, my head hurts a lot.
26:25I thought you had come here because you were sad and wanted to rest a little.
26:29No, but I am...
26:31I'm sad and out of sorts.
26:33It's a horrible day.
26:38You might have the flu.
26:42No flu.
26:44I'll get a cold.
26:46There are many children with coughs and runny noses at the nursery.
26:50Oh, but what are you doing?
26:52What are you doing?
26:52Claudia, sit down.
26:54But, woman, I've been here for many hours.
26:55Do I have to go back to the store?
26:57You're really stupid.
26:58What you need to do is stay here, tucked into bed, resting.
27:02No, Valentina, it's just that...
27:04Are there many things you do in the store?
27:06Yes, yes, yes, definitely.
27:07Come on, sit down.
27:08Oh, oh, oh.
27:10That?
27:10Oh, Valentina, I'm so dizzy.
27:12But if you're dizzy, how are you going to go to the store?
27:15Come on.
27:16Oh.
27:17Come here.
27:18Valentina.
27:18Yeah.
27:19Yes, there are many things you do there just for the two of you.
27:22Please don't worry.
27:24That we are going to manage perfectly.
27:27Come on.
27:30Thank goodness Paula is staying, huh?
27:32Clear.
27:32You're relieved, aren't you?
27:34A lot.
27:34The truth is that I am very relieved, yes.
27:37Yeah.
27:38Come on.
27:39This will be good for us, Valentina.
27:40Very good.
27:41That way we're not alone.
27:42That is.
27:44Oh, Valentina, you do so many things!
27:46Please lie down.
27:48The one who can't be is you.
27:49Yes, I can, Valentina.
27:52Claudia, if you want to go to work, you have to go to the doctor first.
27:58Doctor no.
27:58Ah.
28:00Well then, if you want to go back to the store later, you have to stay here until your fever goes down.
28:05You're so annoying.
28:06She looks like my mother, Valentina.
28:07Yeah.
28:08I don't care.
28:09Yeah.
28:13Do you need anything else?
28:15No.
28:19Valentina.
28:20Tell me.
28:21Are you expecting an order this afternoon?
28:24Very good.
28:26My folder is under the desk.
28:28I know.
28:29If you need anything, just come and tell me, okay?
28:32Clear.
28:33Better you than Paula, if possible.
28:35Yes, I'm coming.
28:36I'm coming.
28:39Claudia, I really think you should go to the doctor if you want.
28:42You're being annoying, Valentina.
28:44Hey, well, never mind me.
28:45You'll see when your fever rises.
28:46Well, if my fever goes up, it'll go down.
28:48That's what science says, that everything that goes up must come down.
28:50Yeah, but I don't care, we can go right now.
28:52That?
28:52I'm not going there, Valentina.
28:53You're so stubborn, aren't you?
28:55Yeah, well, you too.
28:58Stay there, I'll come back later.
29:20Oh, come on in.
29:22I wasn't expecting you so soon.
29:24Well, there you have it.
29:26And that's despite having to stay and comfort Doña Clara for quite a while after the
29:30reading of the will.
29:32He was such a good man.
29:34He was so honest.
29:35Don't be cruel.
29:37She is suffering a lot and she is not to blame for what her son did.
29:40I know.
29:41But having to listen to so much praise from the person who has destroyed me
29:45Life, I can assure you, has been very difficult for me.
29:51Listen.
29:54I know it hasn't been easy.
29:57But from now on we will regain some semblance of normality.
30:01I ask you what it was like to see her and relive it all again.
30:05I just didn't expect you to be there at that hour.
30:08The idea was for you to find us.
30:09Yes, my idea too.
30:11But your father told me that Dina had a little something for me, and I decided to stop by.
30:14But I'm telling you, if I had known, I would have preferred to go without the pancakes.
30:18I ate them all in one bite.
30:21My God.
30:22The displeasure I felt.
30:25All.
30:28All.
30:29All.
30:33So, tell me, how's the will going?
30:36Well, you know we made a prenuptial agreement.
30:39Therefore, almost all of his properties passed to his mother.
30:45And well, we don't have any children, so...
30:48Almost all of them?
30:52You see, he's left a hotel for Dario.
30:55Ah.
30:56But do you think that's wrong?
30:58No, it's not that I think it's wrong.
31:00I remember perfectly the reaction when I told Pelayo about my intention to add you to my will.
31:06Well, you see, he didn't have the same qualms about doing the same thing.
31:10That seems to be the case.
31:13And you?
31:15Didn't he leave you anything?
31:16Even if it's just to compensate you for the harm you did to us.
31:19Well, you see, perhaps precisely because of this, he has left me the life usufruct of his properties and a pension of...
31:27life.
31:27What is the us...
31:29What's that?
31:30Usufruct means that I can use their property as long as I am alive.
31:34Which isn't very helpful to me since I don't live in any of them.
31:38Already.
31:39And is the pay a lot of money or what?
31:42It's a much higher pay than I expected.
31:45And I will start receiving it from now on.
31:48Are you going to accept it?
31:49Why wouldn't I?
31:52For dignity.
31:56And how does refusing that money affect my dignity?
32:01Marta, that man hurt us a lot.
32:04I believe that money is dirty money.
32:07Wow, I couldn't accept anything that came from him.
32:10But it's your decision.
32:25Hello.
32:28Hello.
32:29I was going to come see you on a day before, but it's been impossible.
32:32Yeah, I can imagine.
32:33Claudia told me that Hugo Grossar has decided to return to original perfumes.
32:36That's how it is.
32:38And I've taken it for granted that it's all thanks to you.
32:41But there are still obstacles to overcome before we can start making the perfumes of yesteryear again.
32:47Well, hopefully it will be soon.
32:48And so sales stop falling.
32:50I hope so.
32:53Although I haven't come here to talk about work.
32:58Well, I was really looking forward to seeing you.
33:00And I've thought of something else.
33:01Neither do I.
33:02Well.
33:04Good morning.
33:05Excuse me, what about this other one?
33:07It was quite possible that he could read it on his wrist.
33:10It smells better that way.
33:12Yeah.
33:15Yes, it's perfect.
33:17Great, great.
33:19Well, I'm going to help the lady and then I'll put it on as a gift for her.
33:23Thank you.
33:24Hello, Mrs. Celsa, how are you?
33:26What do you need?
33:27Good.
33:29We have the large, medium, and small formats.
33:33Then, we finalized tomorrow's plans.
33:36Uh-huh.
33:37I really want to do something with you.
33:39Me too, Marta.
33:42Change that face.
33:44Are you really still upset?
33:45Oh, I don't know, we'll talk about that another time.
33:55Oh, sorry.
33:56I was just about to knock on the door.
33:59Okay, excuse me.
34:01How are you, Bianca?
34:01Marta, how are you?
34:03Good, good, good.
34:05Girls, without interrupting, I can come back another time.
34:08I was going out the door.
34:09Okay, can you stay if I can talk to her about a couple of things regarding the project?
34:12I'll leave you to work.
34:13Okay, very good.
34:15Permission.
34:16We'll talk about this another time.
34:24Do you need anything else?
34:26Uh, yes.
34:27Get me one of those today.
34:29From brosar?
34:30And wouldn't you prefer to take one of the queen's perfumes?
34:34No, no, no, thank you.
34:36Well, I'll start collecting it.
34:38Yeah.
34:39Let's see.
34:44Well, here you go.
34:46And thank you so much for your purchase.
34:48I'll accompany you.
34:51Here you are.
34:52Thank you, beautiful.
34:53Thank you.
34:53I hope to see them soon.
34:55Bye bye.
34:58And you too.
35:00Let's see.
35:02Does the gentleman require anything else?
35:04Look at you...
35:05Yes, I want something more.
35:07I just thought of that.
35:09Surprise me.
35:10Let's go dancing.
35:12Let's dance?
35:13Okay, time for dinner and dancing.
35:15You and I.
35:16Tonight.
35:21Well, sorry, I didn't mean to make you uncomfortable.
35:22No, no, no, Andrés, that's not why.
35:24Claudia has a fever and I have to take care of her.
35:26Okay, I'm sorry.
35:28I feel it more.
35:30Well, don't worry.
35:32I'm going to work.
35:34Although I really want to kiss you.
35:38Me too.
35:40I'm leaving before you lose control.
35:42Ah, yes.
35:44Go on, leave.
35:45Come on, shoot.
35:51What happened to Don Damian's order?
35:53Oh no, Fina, no.
35:54I had to turn him down.
35:56Because, of course, she wanted me to paint a portrait of the woman.
36:00Can't.
36:01Yes, I already figured things would go that way.
36:04Why did you have to reject it?
36:06Because I'm focused on my exhibition.
36:07What I do?
36:08Accepting a commission now seems crazy to me.
36:10I don't have time.
36:11Unless you exhibit that painting in the exhibition.
36:15This wouldn't be the first portrait you've exhibited, would it?
36:17And you would make Don Damián very happy.
36:20Yes, but I don't know the lady.
36:23I don't know who he is.
36:24Don't put me in that awkward position because I do other kinds of portraits.
36:28I know you portray a different kind of person, but you just can't imagine the
36:33the story behind that woman.
36:35Because?
36:37Well, look, Dignan lost her husband and her son.
36:41And yet you have stood up for the family, for the company.
36:46Dignan is a woman who never, ever gives up.
36:49Come on, I'm telling you, you haven't portrayed someone like her in your entire career.
36:53And I understand that you're used to portraying more well-known or prestigious people.
36:58But if you accept the job, you won't regret it.
37:02Oh, Fina, we women are always the ones who come out on top.
37:07Yes, yes.
37:08Incredible.
37:09Okay, that's enough because you've already convinced me.
37:11Don't talk to me anymore.
37:12Perfect.
37:12But listen to me.
37:13You won't regret it, Bianca.
37:15I'm telling you, Berta.
37:16And where do I paint the lady?
37:18That's another issue.
37:19Oh, what happened to the study you were going to see?
37:21No.
37:22Total disaster.
37:23There was no natural light.
37:24He was tiny, a horror.
37:25And I can't work under those conditions.
37:27The truth is, no.
37:28Normal.
37:28Well, something will turn up.
37:30Wait.
37:30Because the circle is closing and time is passing.
37:33I don't know what I'm going to do about that.
37:37And here?
37:38There's natural light here, isn't there?
37:39Could you paint?
37:40No, no, no, no.
37:41What do you mean, no?
37:42No.
37:42If in the end, Bianca, we have to work together.
37:44I don't want to bother Marta.
37:46No, no, no.
37:47I don't think he'll be upset, or maybe he will, but in any case it would be temporary, right?
37:51Until you find something better.
37:54And after all, we have to get to work now.
37:58The truth is that time is something that worries me quite a bit.
38:01That's it.
38:02Come on, don't think about it anymore.
38:05How easy.
38:06Come, come, let it be one thing for you.
38:08So, what do you want to show me?
38:09Because of the incredible natural light in this apartment.
38:11Come.
38:13This space.
38:15I think we could enable it.
38:17Wow, look at the natural light you have, it's spectacular.
38:23Well, that's very generous of you.
38:27But I'm going to pay you the rent and I won't accept one, right?
38:30No, no, no, no.
38:30No, Bianca, not even as a joke, okay?
38:32Don't even say it.
38:35But he's going to pay anyway.
38:37You don't have to pay me a single peseta.
38:40You have taken care of me and welcomed me in the worst moment of my life.
38:45Come on, I owe you this and I owe you much more.
38:51You are prettier.
38:55I think you're convincing me of many things today.
38:59No no.
38:59Hey?
39:00Well, tomorrow I'll bring my things and my things.
39:05Very good.
39:07Very good.
39:17Dad, can I steal a moment?
39:20Oh, sure, daughter.
39:22Tell me, what do you need?
39:27How do you start a business?
39:31Uh, a business.
39:33Hey, don't laugh!
39:35I'm being very serious.
39:36Well, Mabel, I'm afraid there's no magic formula.
39:40It depends on many factors.
39:42It depends on the business, on the investment you want to make.
39:46We're talking about a restaurant.
39:49Do you want to open a restaurant?
39:52With Salva.
39:54Already.
39:55I see he's back at it again with his idea of starting his own business.
40:00Well, actually, this time I was the one who convinced him.
40:05Go on.
40:05Look, I really didn't expect that.
40:07He would be in charge of the hospitality business.
40:09And I'm in charge of the decoration and the general operation.
40:13Hey Mabel, opening a restaurant is a very complicated task.
40:18Besides his job, he runs his own business.
40:22Yes, but we are very well prepared.
40:25In fact, Dad can already imagine what the restaurant would be like.
40:27I can already see the plates being passed around, the smell of food, the cutlery, the glasses, people talking, people laughing.
40:34Because we would treat them so well that we would become their favorite restaurant right away.
40:39I don't think I've ever seen you so excited.
40:43So you're going to tell me how to start?
40:45Well, look, the first thing that needs to be done is a feasibility plan.
40:50Yes, a feasibility plan, of course.
40:52Okay, I have the numbers...
40:54But hey, a viability plan, yes.
40:57Well, I could help you with that part.
41:00Would you really do it?
41:01Mabel, if you're serious, I would support you in every phase of the project.
41:06Can you be sure?
41:08Dad, that's very nice.
41:10But what did you expect? That I'm your father?
41:13Yes, but...
41:14I don't know, I don't think you've ever taken me so seriously.
41:17Well, look, it hurts me to hear that, but maybe you hadn't shown that much interest in anything until...
41:23now.
41:24Already.
41:27Perhaps you're right.
41:31Yes, it is true that Pelayo has been very generous.
41:35Although we will never know if that decision was due more to his feelings of guilt.
41:41It wouldn't surprise me.
41:43I know very well what it's like to carry such a weight and...
41:47I would do anything to redeem myself.
41:49Father, one is not redeemed simply by giving away money.
41:54No, well, it doesn't make sense to think about that.
41:55Look, but it really puts my mind at ease to know that you have that money for the rest of your life.
42:00Things didn't necessarily have to go wrong in the future, but...
42:04You never know.
42:06Yeah.
42:08Forward.
42:11You have a visitor.
42:13Bianca.
42:14How are you?
42:15Bianca.
42:16How are you?
42:16Will we meet again?
42:18That seems to be the case.
42:19How are you?
42:20Thank you, Tere.
42:21To you.
42:22How are you?
42:23Very good, Damian.
42:25How are you?
42:25Please sit down.
42:31You need to think about which area is most suitable for the type of premises you have in mind.
42:35And then see what other places are around there.
42:38What other restaurants?
42:39Knowing the competition is essential.
42:42What are you doing?
42:44Your daughter wants to open a restaurant with Salva.
42:48Yes, but this time I mean it, okay, Mom?
42:50In fact, Dad and I are going to make a feasibility plan.
42:55Well, you know what, daughter?
42:57Which I think is a great idea.
42:58Yeah?
42:59Yeah.
43:00Aren't you going to say I'm a little crazy?
43:01No.
43:03I think it's an adventure for now.
43:06And I'm going to support you.
43:07Thank you so much, Mom.
43:10The only thing that worries me a little is that the banks might give us trouble in granting you the loan.
43:15as already happened to Salva.
43:16Yes, that's right.
43:18Not to mention the interests.
43:24Unless...
43:26Unless...
43:28Let us be the ones to lend them the money.
43:33Would you really do that?
43:35I think it's a great idea.
43:37The thing is...
43:38You are the best parents in the world.
43:40Oh dear.
43:41Okay, okay.
43:41You too, huh?
43:42You too, both of us.
43:44Oh, that's great.
43:45Go to work.
43:47Thank you.
43:47At the top.
43:51Well.
43:53I see that you have complete confidence in his project.
43:56Yes, I don't know.
43:57This time it seems different.
43:59He doesn't have the same unbridled impulse as he has in the past,
44:03but rather it is, I don't know, like a serene illusion
44:07wanting to prosper on her own.
44:09Okay, calm down, calm down.
44:11Already.
44:14Oh, darling, I'm so glad
44:15Seeing you like this, I'd seen us on the same page for a while.
44:19Yeah.
44:20For me, it's a relief that she's not content with the life she has now.
44:24I'm proud of her.
44:26Well, it seems like a nice new chapter is beginning, doesn't it?
44:31It was our turn.
44:34Well yes.
44:38And what brings you here?
44:40Well, I don't want to interrupt because I know you're working,
44:44But anyway, Damian, I just wanted to tell you that I thought about your proposal.
44:48Ah, I was very clear that I wasn't going to do it.
44:52Yes, me too, but the truth is I gave it some thought.
44:55And I think it's going to be a very nice experience.
44:57And are you no longer afraid that it might interfere with the work of your exhibition?
45:02That's what I've come to talk to you about.
45:03Look, I thought the portrait of Doña Digna
45:05It could be part of my exhibition,
45:07But if that's alright with you, of course, I don't know if...
45:10Excuse me, what portrait?
45:13Yes, well, I asked Bianca to draw a portrait of Digna.
45:19It would look fantastic, I think, in the living room.
45:21And I want to give it to him.
45:23That seems like a very good idea, Father.
45:26Bianca is an extraordinary artist.
45:28Thank you, Marta.
45:29I imagine you painted it at home, here.
45:32Well, we'll look for the best place, obviously.
45:35Well, it will be Bianca who decides.
45:38Yes, the thing is, well,
45:39I need to find a place with lots and lots of light.
45:42But what I'm going to do here are the sketches.
45:45But then he took them to the studio,
45:47He worked with my schedule, not for nothing,
45:50But it's my way of working.
45:53And may I ask what made you change your mind?
45:56Yes of course.
45:58Fine.
46:00She, she's the one who made me reflect
46:03And I realized, truly,
46:04that I would be the lucky one to paint someone as special as Doña Digna.
46:09You were right, Damian, weren't you?
46:10Yeah.
46:11It's a final charm, I'm not going to contradict her.
46:15Right, Marta?
46:16It is.
46:18But what I would need is her consent.
46:21Imagine the need to display his portrait.
46:23Because otherwise, I couldn't accept this proposal, Damian.
46:27I need that to be part of the exhibition, no matter what.
46:30Yes, yes.
46:31TRUE?
46:31Well, I think Digna will be delighted.
46:33I'll mention it to him, but it won't be a problem.
46:36Well, then a tiny little detail
46:37And the painting, when the exhibition ends,
46:40You can bring it home now, okay?
46:42No problem.
46:43Well.
46:44So, do we have a deal?
46:45Unless you tell me how much you're going to charge me?
46:48I don't know, Damian, what can I charge you?
46:51What is this house worth?
46:55I love this house.
46:57No, no, no, don't worry.
46:58Well, Fina's friends are my friends.
47:02And we'll get to that detail later.
47:04I'll accompany you.
47:05Yes, yes.
47:06Okay, Marta.
47:07See you.
47:08See you soon.
47:09Take care of yourself.
47:11Well.
47:15Thank you.
47:17Damian, I wanted to sincerely thank you for this opportunity.
47:27That?
47:28Sorry.
47:29Sorry.
47:31Sorry.
47:32I didn't want to.
47:34Better not.
47:35Approach and it didn't attack his heart.
47:38Everything happened very quickly.
47:39She didn't have the pills and she died.
47:44Dacia.
47:46Dacia.
47:46Dacia, spiritist.
47:48Are you OK?
47:53Are you having a nightmare or something?
47:57Were you very upset?
47:58Do you remember what it was?
47:59You were apologizing to someone.
48:03No, I don't remember what you were dreaming about, to be honest.
48:07Are you feeling better?
48:09Yes, thanks.
48:11I'm sweating.
48:14You don't have a fever.
48:16It must be because of the displeasure.
48:24I have to go for a little while, before the girls wake up and see that I'm not in the
48:28healing.
48:28Yeah.
48:29I know.
48:32Okay, if you want, let's take a few minutes and see if I can bring that smile back to your face.
48:53Are you OK?
48:54No, we don't have anything else.
49:32Daughter, the love you feel for each other
49:34It has to be above any circumstance
49:37What I don't know is how much longer he'll be here.
49:39the circumstance is swarming
49:41Do you know where Eduardo is?
49:43We have to go to Madrid
49:44And Floral isn't exactly close.
49:47Well, Eduardo isn't here.
49:49What do you mean it's not there?
49:50He's gone
49:51But Mabel, I'm not comfortable with your family lending us money
49:54My love, but don't worry, we're going to give everything back.
49:57Yes, but first we need to talk
49:59I have to assume that Bianca Forner is part of Fina's life
50:02She has been someone important to her and will continue to be a part of it.
50:06We are very much in love
50:07Well, so much so that we even celebrated the anniversary of our first kiss
50:12I'm so glad you're over your breakup with Valentina
50:16So another woman has appeared
50:19French truckers have failed to reach an agreement with the government and are going on strike.
50:23But then the Brossard products won't arrive
50:26No, and we can't produce our own either.
50:28You didn't tell me you were coming with someone.
50:31Meet Bianca Forner
50:33A pleasure
50:34Bianca needs a space to paint and isn't finding anything that suits her.
50:39So you've offered him your house
50:42Excuse me, it's very urgent, it's about my niece Claudia
50:45Thank you!
50:45Thank you!
50:45Thank you!
50:45Thank you!
50:45Thank you!
50:45Thank you!
50:45Thank you!
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