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00:32Feels like we've been her a month.
00:35Thanks. That says a lot for my company.
00:37I'm sorry. You've been great.
00:39I wasn't fishing.
00:41I mean it. I was the one who dragged us out here after all,
00:43so if anyone should be complaining, it's you.
00:45When it's early days, let's not give up just yet, OK?
00:48OK.
00:49Buongiorno.
00:50Roberto, hi.
00:51Have you had a fruitful morning?
00:53No, not really.
00:54I'm sorry. Maybe you'll have better luck tonight.
00:56Let's hope so.
00:57I don't know if it's of any help,
01:00but one of my girls tells me that there is an English woman
01:03working at the San Pietro Café down at the Cathedral Square.
01:07San Pietro?
01:08Si. I doubt it is your wife,
01:10but perhaps she might know some other English people working here.
01:13Thank you. That's very kind of you.
01:14If I can help in any way, please, ask.
01:16Thanks, we will.
01:18Looks like we've got a Lisa own friend.
01:20Yeah, every little helps.
01:21Right, it's 12.30 now,
01:23so we've got half an hour before your appointment with Marco.
01:25I'll find home and check on Lucy.
01:27OK, I'll wait here.
01:29Your coffees.
01:32What about Mr. Beale?
01:33He wanted to find his little girl in England.
01:36Must be very difficult for him.
01:38The father should be with his children.
01:39Yeah.
01:50Good luck.
01:55Ready?
01:56That's a liver, B.
02:02Mr. Beale?
02:03Mr. Beale, buongiorno.
02:04Mr. Beale?
02:05Yes, he's a resident.
02:07But I'm afraid you just missed him.
02:30He's got copies of the UK residence order for the children,
02:33and I've given him a brief history of the case.
02:35All right.
02:35What about you?
02:36I'll follow up the leads I got yesterday in this cafe Roberto told us about.
02:39All right.
02:40Can we meet later?
02:41Um, you know, I'm not sure where I'm going to be,
02:44so I'll leave a message at the hotel when I'm finished.
02:46OK.
02:47Sure you don't want me to come in with you?
02:49No, no.
02:50No, you just come and try out on my finance in the year.
02:58No, I'm not sure where I'm going to come in with you.
03:02No, I'm not sure where I'm going to come in with you.
03:23No, I'm not sure where I'm going to come in with you.
03:44I'm not in England, Mr. Beer.
03:45You cannot take the children from your wife without the permission of an Italian court.
03:50Once your wife's whereabouts are known, we can apply to the court for your case to be heard.
03:53Oh, right.
03:54Well, how soon can we do that?
03:55Well, we can apply immediately.
03:56Then what?
03:57Well, we should have a date, say, within eight weeks.
04:01Maybe a little longer with the Christmas break.
04:03Eight weeks?
04:04That's if she doesn't contest it.
04:06I wish she will.
04:08In which case a little longer.
04:09How much longer?
04:11It's hard to say, but certainly three months, maybe more.
04:14And one thing is for sure.
04:16If you expected to take the children back with you, I'm afraid that is impossible.
04:21She's English.
04:22She may have had two small children with her.
04:24I'm sorry.
04:44I have completed all the necessary forms to make an application to the court.
04:51Once we know where your wife is, we can present her.
04:54Okay.
04:54Good.
04:56What I have said has disheartened you?
04:59I was just hoping for something a bit quicker.
05:02I understand how difficult this must be, but you must be patient.
05:06I think you have a good case for your children to be returned to you.
05:09Something, I suppose.
05:10Mr. Beale, can I be frank?
05:12When you find your children, you may be tempted to simply take them back.
05:15Please, think very carefully before doing so.
05:18Northern Italy is not a good place to abduct children.
05:21The authorities do not look kindly on such things.
05:23They're my children.
05:24Even so, I would strongly advise against you doing anything rash.
05:28Yeah, I understand.
05:30I hope so.
05:32You will let me know if there's any news.
05:34Yes, sir.
05:35Of course.
05:36Good.
05:36It has been a pleasure to meet you.
05:37Just help me get my kids back.
05:39I will do my best.
05:40I have children of my own.
05:41Goodbye.
05:55Are you English?
05:56Sorry.
05:57Do you have an English waitress here?
05:59English?
05:59I don't know.
06:00I'm English.
06:01Va bene.
06:01Questa la faccio io.
06:02What can I get you?
06:04A cappuccino.
06:06And a bit of help?
06:07Help?
06:08I'm looking for someone.
06:10So what's she done?
06:11She hasn't done anything.
06:12Our family are trying to find her, that's all.
06:15She's early 30s, around your height.
06:18Ring any bells?
06:19I'm sure I've seen her somewhere.
06:21Do you remember where?
06:22I know.
06:23In a bar.
06:24In Minaggio.
06:25The Chiata.
06:26Are you sure it's her?
06:27If it isn't her, it's her sister.
06:28The Chiata bar?
06:29It's a bit of a dive.
06:30I wouldn't go there on your own.
06:40So, how'd you get on?
06:42It was a nightmare.
06:43Can't do anything until we find him.
06:45And when we do, we've got to fight our way through red tape.
06:47He's talking about at least three months.
06:48Oh, damn.
06:49How about you?
06:50I've got a new lead.
06:51What?
06:52Roberta's waitress thinks she's seen Cindy.
06:53Where?
06:54Across the lake in Minaggio, working in a bar two, maybe three weeks ago.
06:58I'm going to check it out this afternoon.
06:59Oh, I'm coming with you.
06:59Okay.
07:01I think we should be clear about what your priorities are.
07:04What does that mean?
07:05It means are you here to find Cindy or the children?
07:07Well, it's the same thing.
07:08Is it?
07:08You think I want her back.
07:10I don't think anything I'm asking that, so...
07:12I hate her.
07:13But she's got my kids.
07:17We'll find them.
07:18I have to ask.
07:20Yeah, well, now you know.
07:21I bet you're a really good dad.
07:24I am.
07:25Cindy must be kicking herself.
07:26Well, you've only heard one side of the story.
07:29Maybe I was a lousy husband.
07:30I don't tell.
07:33Stand by, you bits!
07:34What are you two doing here?
07:36I thought you might need a bit of help.
07:37You know, like in the movies, when the cavalry arrived just in the nick of time.
07:40Roz, this is Phil Mitchell, my stepfather.
07:42This is his brother Grant.
07:44This is Roz.
07:44Hi.
07:46So, no sign of it yet, then?
07:47No, not yet.
07:48I'm going to go check out a bar of a sleigh.
07:50I'll start off a good one here first.
07:51Excuse me, can I have a beer, please, bruv?
07:54I'll have an orange juice.
07:54What about you two?
07:55I'll have a beer, please.
07:56No, I'm all right, thanks.
07:57I'll do a beer and, er, un orange juice, pull for four.
08:00Good night, I'll have a seat.
08:01So, what's this bar, then?
08:02Sounds quite hopeful.
08:03Yeah, it's the best lead we've got.
08:04Well, if I knew it was a pub call, I'd have got an earlier flight.
08:07You should have phoned me.
08:07I could have met you at the airport.
08:08We only decided last night.
08:10So, what have we missed?
08:11Nothing much.
08:12Spent most of the time on the phone to solicitors here and back in London.
08:15And Roz's been going round the, er, pubs and restaurants.
08:18Nice work, if you can get it.
08:19So, what makes you think Cindy's at this bar?
08:21I met an English girl a bit an hour ago.
08:23She said she saw Cindy, someone very much like her, working there.
08:26So, how far is it?
08:27It's across the other side of the lake.
08:29Well, how did we get there, Smith?
08:30There's the ferry.
08:31Er, so what shall we do?
08:32Should we meet you two back here?
08:33No, we'll come with you, won't we?
08:34Oh, I don't think that's such a good idea.
08:37All four of us turning up.
08:38Don't worry.
08:39You won't even know we're there.
08:43They could turn out to be a liability.
08:45I'll keep an eye out of them.
08:47You know what we should do, don't you?
08:49What?
08:50Well, we're in Italy.
08:51We should find the Mafia.
08:52The Mafia?
08:53Yeah, get them.
08:53Do help us find Cindy.
08:54Why would they want to do that?
08:56We make money off where they can't refuse.
08:58They find Cindy and Bill gives them free cotton chips for the next 12 months.
09:01I can't see them being that easy to find somehow.
09:03Of course they are.
09:04We just look around for a lot of geese and dark suits and sunglasses.
09:06I've been watching too much telly, er.
09:12What will you do at the door, Fainter?
09:14I don't know.
09:15Haven't thought that far ahead yet.
09:17You have to get back.
09:19You've got the election.
09:20Right now, all I can think about is seeing Peter and Stephen again.
09:24Do you reckon those two are at it?
09:27No.
09:28Where should I get?
09:29What is it with him and women?
09:31He's got Annie Palmer slobbering all over him and now this one.
09:33It's his little boy loss routine, isn't it?
09:35Women can't resist it.
09:36Well, if you think he's a nauseating little gitt now,
09:38can you imagine what he'll be like when he becomes a councillor?
09:40What do you reckon he'll get in?
09:41Well, he's got the right qualities to become a politician.
09:44Slimy, devious, two-faced.
09:46I take it you won't be voting for him, eh?
09:48I might do.
09:49Either way, I tell him I have.
09:49You never know when you might need a favour, do you?
09:51Yeah, well, I think there's already a cue for the favours if he does get in, eh?
09:54Well, like you said, that Annie Palmer's being very helpful.
09:57She ain't doing that for nothing, is she?
09:58Maybe she's after his body.
10:00Yeah, right.
10:02Are you sure there's nothing you want to tell me?
10:04Well, like what?
10:05Like why they're here.
10:07I don't get you.
10:07It's a simple enough question.
10:09Is there something going on here that I don't know about?
10:11Of course it's a surprise to see him as you are.
10:13I'd rather you were straight with me.
10:15Roz, you're still running this.
10:17If you want to use him, use him.
10:18If you don't, don't.
10:20Okay.
10:21Did I tell you, Annie Palmer tried it on with me?
10:24Yeah, of course you did.
10:25Straight up?
10:26One minute we're talking about the weather,
10:27next minute she's got me pinned up against a tumble dryer.
10:29Was this before or after you woke up?
10:31I'm telling you, she was up for it.
10:32And you turned her down, of course.
10:34Well, I had to, didn't I?
10:35I just sorted things out with Tiffany.
10:36I couldn't have done that to her, could I?
10:38Oh, and you would have.
10:41All right, if you got back with Caffer,
10:42you'd go back to screwing around, would you?
10:44That's a stupid question.
10:45Not only because you know you wouldn't.
10:46Just leave it, Grant, will you?
10:47I don't want to have this conversation.
10:53All right, where now?
10:54Just off the main square at the Bar Kiata.
10:57You two should wait around here somewhere,
10:58like Ian and I, check things out first.
11:01If that's what you want.
11:02Yeah, just give us five minutes.
11:21How do we do this?
11:22Why don't you wait over there?
11:26Two beers, please.
11:28Oh, look at that.
11:30I'm sure that the woman of course
11:31is going to pay for the money.
11:32Paolo, you're going to be a little bit crazy.
11:36Oh, listen, why don't you come here?
11:38Why don't you pay for the money?
11:39We don't have to pay for the money.
11:42We're looking for an English woman.
11:44We were told she was working here.
11:46Yes.
11:46Is she here now?
11:47No, no.
11:49She's gone out shopping,
11:51but she'll be back soon.
11:52Do you mind if we wait?
11:53If you buy drinks.
11:55Yes.
12:03Good night, Sid.
12:04Good evening.
12:05What are you on?
12:07What?
12:08If Tiffany looked at someone like you just looked at her,
12:10you'd go into one.
12:11No, I wouldn't.
12:12Yeah, you would.
12:13You'd either start slagging everyone off,
12:14or you'd sulk.
12:15I wouldn't.
12:17People change.
12:19Yeah, well, you ain't people.
12:20Well, I'm going to try.
12:21Yeah, well, I suppose one of us better try and have a decent marriage.
12:25Come.
12:26Better go next door.
12:27I'm going to finish my drink.
12:28Well, I'll buy you another.
12:29I can't believe she's working here.
12:31It is a bit of a day.
12:33A bit?
12:33It's a nice place.
12:35How are we doing?
12:36There's an English woman working here calling herself Lucy.
12:39She's just nipped out.
12:39You reckon she'll be ten minutes?
12:41So we wait, yeah?
12:42Yeah.
12:43How about a game of pool?
12:44Yeah, right, why not?
12:45Please don't cause me trouble.
12:47Us?
12:48You're round.
12:53Afternoon.
12:54Anybody fancy a game of bubbles?
12:58Me and him against two of you.
13:01Dosso.
13:03Me and him against two of you, Owen.
13:08Maybe they want to play in their own.
13:10Can't boil it out now, brother.
13:11Have we challenged them?
13:12Er, El Puo, yeah?
13:14England versus Italy?
13:17Nice one.
13:20Have that a little cycling.
13:21Don't you think we should be in play first?
13:23Come on, we're stuffing.
13:25Er, money, er, er, lira?
13:30Nice one.
13:31Looks like we're in business.
13:33That's a relief.
13:34What?
13:34What, the locals might have turned nasty.
13:36It's not the locals you've got to worry about.
13:39She should be back by now.
13:41If she is here, do you think she'll have the boys with her?
13:44I doubt it.
13:45She's probably got an apartment somewhere.
13:47Won't be much.
13:47Not if she's working here.
13:51Foul.
13:53Oi, that was a foul.
13:54Leave it.
13:55Hey, hai qualche problema?
13:57Don't give me that, mate.
13:57Speak of the English.
13:59Look, he's Italian.
14:00So?
14:01So he's in Italy.
14:01He don't have to speak English, does he?
14:03Senti, you want to play a billiarder or che cosa?
14:05You move the ball with your fingers.
14:08Come on, it's time now, does he?
14:09Yeah, when it matters to me, we've got some shots.
14:27Come on.
14:27Money!
14:28Give him a voice.
14:29Give him a mum.
14:31It wasn't my fault.
14:32They started it.
14:32I guess you've forgotten we're here to try and find the kids, not start fighting with the locals.
14:35What if Cindy had been there?
14:36You could have ruined everything.
14:37You weren't there.
14:38They started on me.
14:39I don't care who started on who.
14:40It's hard enough as it is without you two showing up and acting like flaming hooligans.
14:43That's a bit over the top, innit?
14:45Oh, you think so, didn't it?
14:46Anyway, it doesn't matter, does it?
14:47Because it wasn't her.
14:47That's not the point.
14:49All right, so if someone stops me, I've just got to take it.
14:51I don't think so.
14:52Oh, come on, let's go.
14:53Would you want us to come with you?
14:54All right.
14:54Do what you want.
14:56Well, I've got a vote, you know.
14:58You could do these for me.
14:59What are they?
15:00Bars that I haven't had the time to check out yet.
15:03All right.
15:05What shall we do now?
15:07I don't know.
15:08You up for going back in there and sorting that line?
15:09No, that'll only make things worse.
15:10Have any bars on that list?
15:11No, it doesn't.
15:12Well, get going here.
15:15You definitely cheated, though.
15:16Did you see him move that ball?
15:17No.
15:18How could you have missed it?
15:19He knocked it about three feet, banged it with his hand.
15:21Well, it don't matter now, does it?
15:23And you nip my money.
15:25Sorry, Roz.
15:26I'm sure there wouldn't be any trouble.
15:28There's no damage done.
15:30I really thought Cindy might beat her.
15:32We're not beaten yet.
15:33They're still tank.
15:34Yeah, as long as we keep the Neanderthal twins out of the way.
15:37Oh, I doubt we'll be seeing that much of them from now on.
15:39Why?
15:40I gave Grant a list of places I'd already been to.
15:43That should keep him busy.
15:44You're sneaky of you.
15:45Hmm.
15:46Needs must and all that.
15:48Why don't we just admit it?
15:50We're wasting our time.
15:51If Cindy was here, she's...
15:53She's long gone by now.
15:56We'll find her.
15:58I promise.
16:01Grazie.
16:03She reckons there was someone else there asking after Cindy.
16:05I mean, who else would be looking for her?
16:07I suppose I'd better mention it to you.
16:08It might be important.
16:09Yeah.
16:11What are you so miserable about?
16:13Just trying to picture Kathy's face when Ian tells her we started to punch up five minutes
16:16after getting off the plane.
16:17Well, it weren't like that, was it?
16:18And I'll tell her.
16:19Oh, yeah.
16:19I forgot.
16:20You're mates, ain't you?
16:22Well, don't start on me just because Ian's getting up your nose.
16:24Well, then don't tell me.
16:24You're going to put a good word in with my missus for me.
16:29Look, I know you've had a rough time a bit lately, but it ain't exactly been easy for
16:32me if you were, you know, stuck in the middle.
16:33You loved it.
16:34No, I didn't.
16:35No?
16:35And how come you always took Kathy's side?
16:37Because you were behaving like a plonker and she wasn't.
16:40So you gave her a shoulder to cry?
16:42Yeah.
16:43Just like you did to Sharon, remember?
16:45I mean, that's all Kathy got.
16:46A shoulder.
16:49Anyway, I don't know how to argue about it.
16:50Well, you brought it up.
16:51Well, I was only trying to help.
16:53Well, done.
16:54Me and Phil have never got on.
16:56Not really.
16:57The idea of him and me mum together just made me blood run cold.
17:02Anyway, I got married a couple of years ago now.
17:04I knew it wouldn't last.
17:05Phil's an alcoholic and mum threw him out.
17:07Must still think a lot of you'd come all the way out here, though.
17:10No, he's just trying to impress her, that's all.
17:12Will it work?
17:13No.
17:14She's as single-minded as you, then?
17:15It's a bill family trait.
17:17So your father was the same?
17:19He was stubborn.
17:20But you're not?
17:21No.
17:22Determined, maybe.
17:23Focused, even.
17:24But no, not stubborn.
17:26But you generally get what you want.
17:28Generally.
17:29I was just looking out for you.
17:31That's what families do.
17:32Yeah, a great family we are, aren't we?
17:34I'm an alcoholic, like the old man, and you're a moaning old woman, like mum.
17:38Cathy needed someone to talk to her when I was there for her.
17:40Pour out her troubles.
17:42Tell her she married the wrong brother, did she?
17:45She did, didn't she?
17:48All right, what's the funny?
17:49Well, come on, share the joke.
17:51The funny thing is, that's exactly what Sharon said to me.
17:55If you were anybody else, I'd rip your head off.
17:58But if I was anyone else, you probably could.
18:03Now this is stupid.
18:05No, what's stupid is me sitting here watching you drink yourself silly.
18:09Where are you going?
18:11Back to the hotel.
18:12Stop Ian doing a hatchet job on me with a cafe.
18:15Well, I ain't grovelling to the little weasel.
18:17No one's asking it to, aren't I?
18:18All right, I'll meet you back in the bar by the market.
18:20Yeah, maybe.
18:21Look, you'll take you five minutes there and back in the cab.
18:23Say a good ten minutes of grovelling.
18:25Back by half past seven.
18:26You're going to be really annoying, do you know that?
18:33There you go.
18:34Thanks.
18:36You must be fed up listening to me going on about Cindy, the kids, the election.
18:39No.
18:41I don't know anything about you.
18:43I don't think you'd find me very interesting.
18:45I might.
18:46Okay.
18:47I'll give you five questions.
18:49Why five?
18:50Because four is not enough and six is one too many.
18:54All right, er...
18:56Are you married?
18:57No.
18:58Boyfriend?
19:00No.
19:01You'd never make a private detective.
19:02You've just wasted two questions finding out if I'm involved with anyone.
19:05You could have done that with one.
19:07Right, so what would you ask yourself?
19:09Was that a question?
19:09Yeah.
19:11I'd ask me if I fancied you.
19:14It's what you want to know, isn't it?
19:15Usually it's when a man asks you if you're married.
19:19Yeah.
19:19Well, that's what I'd ask.
19:21And?
19:22What?
19:22What's the answer?
19:24A bit.
19:25A bit?
19:26I don't know you well enough to fancy you alone.
19:29So are you saying you'd like to get to know me better?
19:31Is that number four?
19:32Yes.
19:34Then yes.
19:35I think that might be interesting.
19:37Interesting?
19:38Yeah.
19:42Come on then, you've got one left.
19:45What?
19:59It's called her.
19:59You've got one left.
20:00I don't know if I had a place.
20:05I'll get it.
20:06I'll get out of here.
20:08I'm hungry.
20:09I'm hungry.
20:11I'm hungry.
20:13I'm hungry.
20:25Phil?
20:26Can I have a word?
20:28Yeah, I suppose I.
20:31If it's about time, I might have come back later.
20:33No, it's okay. I was just going.
20:35Are you going to be downstairs later?
20:37No, I've got those cops to do, remember?
20:39I'll call you and let you know how I got on.
20:40Oh, so I'll give you some minutes. I'll come with you.
20:42No, I'm better off with my own,
20:44especially after this morning's me out of school.
20:46If I find anything, I'll let you know, okay?
20:48All right. I'll stay by the phone.
20:54Sorry, I didn't mean to interrupt anything.
20:56You didn't. So what can I do for you?
20:59I just wondered if you'd spoken to your mum yet.
21:01Oh, you happened to call her in a little while.
21:03Well, when you do,
21:05I'd really appreciate it if you didn't mention what happened earlier.
21:08Frightened she'll think badly of you?
21:09Something like that.
21:10Why should you care what she thinks anymore?
21:12Well, I'm still her husband.
21:14Legally, I suppose you are, but that's about as far as it goes.
21:16Look, I don't want to argue with you.
21:17I just want to know whether you're going to say anything to her or not.
21:19That's what this is about, isn't it?
21:20Trying to win a few brownie points.
21:21Phil, you're wasting your time.
21:22She doesn't want you anymore.
21:23That's between me and her.
21:25I'm her son.
21:26Good.
21:26Then you care about her enough
21:27to let her make her own decisions, won't you?
21:30Are you asking me to lie for you?
21:31No, I'm asking you not to slag me off
21:33for something Grant did.
21:35I'll think about it.
21:36No, you tell me now.
21:38I need to know where I stand.
21:41If she is about it, it won't be from me.
21:44Good enough.
21:49Look, whatever you think about me,
21:51I know how you must feel about them kids.
21:54Not seeing a lot of Ben lately has taught me that much.
21:57It's hardly the same, is it?
21:58No, but it's as close as I ever want to be.
22:02Well, I just want you to know that
22:04I'll help you get them back.
22:06Whatever it takes.
22:08Phil,
22:11while we're on the subject of keeping things to ourselves,
22:13I'd appreciate the same from you.
22:29Good evening.
22:32Good evening.
22:34Good evening.
22:36Good evening.
23:00I spoke to a doorman in the piazza.
23:02He said he saw someone fitting Cindy's description working in the club on the outskirts of town.
23:06I'm on my way in there now.
23:08OK.
23:11No, it's OK. I'll wait up for you.
23:15Why don't you come up when you get back?
23:17It's probably not a good idea.
23:20Let's concentrate on finding Cindy.
23:22OK.
23:25Yeah, bye.
23:37Let's go.
23:38Let's go.
23:45Excuse me.
23:46Can I have another wine, please?
23:50I'm looking for someone.
23:52An English woman.
23:53Early 30s, blonde.
23:55Anyone like that working here?
23:56I don't think so.
23:58But I'm new.
23:59I'm not sure.
24:01Well, are there any English people working here?
24:03Some.
24:04Would you like to speak to the manager?
24:06No, it's OK.
24:07I'll wait a while.
24:08OK.
24:08Aiming easy for me, you know, being a younger brother.
24:11If anything I did, you'd already done.
24:14I played football.
24:15You ate a shelf with the medals.
24:17I got a girlfriend.
24:18You already had three.
24:20I suppose that's why I joined the army.
24:22You hadn't done that.
24:23But I thought about it.
24:26Don't surprise me.
24:28I had a baby.
24:29And you already had one.
24:31So now you're going to be an alcoholic.
24:34Yeah, I don't see why not.
24:36Well, believe me, it's no fun.
24:38No, I know.
24:41How drunk are you?
24:42Not being worse.
24:43You too drunk a run?
24:44Definitely one.
24:47What'd he say?
24:53Maybe he's offering us a drink.
24:54I don't believe this.
24:55I just finished telling Ian what good boys I'm going to be.
25:01All right.
25:02Which one do you want?
25:03The little one.
25:05OK, I'm free.
25:06Free!
25:07Oh, I don't know, Mum.
25:08I'm just taking things one day at a time.
25:12Phil?
25:13Yeah, yeah, he's been a great help.
25:17Look, I've got it going, Mum.
25:19Yeah, give Lucy a big kiss from me and tell her I call again in the morning.
25:23Yeah, all right.
25:24Yeah, bye.
25:26Bye.
25:30Get your ass off me!
25:33We should've got to stop this!
25:35Grant, calm down.
25:36You just do what they say.
25:37I can't do this.
25:38We were the ones that were attacked.
25:39Well, turn that when you get to the nick.
25:40I want to turn him there.
25:41Get your hands off me!
25:42Fuori!
25:43Entrate subito nel forgone.
25:45I forgot they've got guns.
25:47Oh, no.
25:48Well, I don't just stand there.
25:49Get in the van.
26:09Can I have the bill, please?
26:10See?
26:28Good day to you.
26:52Channel Island crime fighting with Bergerac on the way at 3.15 today, here on Drama,
26:59after a place to call home next.
27:11.
27:12.