C.I.A. Agent Jeff Gordon  1966 - HD 1080 - Full Movie - Dir: Ralph Habib - Vídeo Dailymotion

Retroscreen Movies Revival 2 - Original Version

Cast: Roger Hanin, Jean Lefebvre, Sophie Agacinski, Milo Quesada, Teresa Gimpera, Charles Millot, Gerard Tichy, Yvan Chiffre, Gisele Grandpré, Christian Le Guillochet, Antonio Passalia   Director: Ralph Habib   Synopsis: Engineers from a military organization are testing a new type of ray that disintegrates airplanes in midair. A foreign organization seizes the device, and the French Secret Service recovers the key. Bersen, the head of the organization, tries everything he can to get the key back so he can sell it to a secret agent from another country.

Transcript

00:00:28Transcription by CastingWords

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00:01:20Hello Ruby we think we're all set chief go ahead Carlos

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00:16:50Let's make it another time.

00:16:51I'll be on my way.

00:16:52About the photos, I'll go by tomorrow.

00:16:56I

00:17:16There's no place like Homer.

00:17:20I

00:17:21You can sleep on the couch.

00:17:22It's as cozy as any bed.

00:17:23Or if you want the bed, I could just as well take it.

00:17:25It's all the same to me.

00:17:26Were you expecting somebody?

00:17:27Yes.

00:17:28Ferrier. His name is Clément.

00:17:29He was to make contact in case of difficulty, but I suppose no news is good news, eh?

00:17:33Your whiskey, what's it going to be, eh?

00:17:35With or without ice?

00:17:36And into China, please.

00:17:37Oh, without ice.

00:17:38Oh, so, honorable servant, get honorable glasses, oh.

00:17:44If you feel like it later, I'll give you the cook's tour of the port.

00:17:47What do you say?

00:17:48We're down to the harbor.

00:17:49Watch the ships come in.

00:17:50Suits me fine.

00:17:53You might like to see the Barracuda.

00:17:55She's owned by a guy named Bernson.

00:17:58That name should ring a bell.

00:18:00Bernson?

00:18:01He's a slippery character.

00:18:04We've never been able to pin anything on him.

00:18:17Not a bad view, eh?

00:18:18If you don't get bored with it.

00:18:20This is the life one day just as quiet as the next.

00:18:23It's not as peaceful as it's cracked up to be.

00:18:24For instance, I just heard that a jeep plunged down a ravine near here.

00:18:28Two of the passengers killed.

00:18:29So what?

00:18:30Those things happen.

00:18:31But not like this.

00:18:32The driver was found with a bullet in his head.

00:18:35Here.

00:18:36This one works.

00:18:42And you think it has some connection with Benson?

00:18:44We never know.

00:18:45Do you want one?

00:18:46No, thanks.

00:18:53Come to think of it.

00:18:55I think I'll skip the tour.

00:18:56Ah.

00:18:57You're disappointing me.

00:18:58It's my vacation, you know.

00:19:00I want to feel just like a bird born by a woman.

00:19:02I'm like a bird.

00:19:03Try to keep your feathers clean.

00:19:46I may have one last peek at our first time.

00:19:47There's no 맛있 a place near me.

00:19:52this was the best place for our talk cigarette no thanks

00:20:00you have the merchandise well i wanted to talk to you about that

00:20:05there have been complications we have the box but we haven't the key to open it

00:20:11of course the essential item huh don't expect compliments from me

00:20:17look out it's dangerous mistake my circumstances caused me to avoid crude

00:20:22weapons however i have something discreet that ejects cyanide capsules efficient

00:20:29and silent also at the autopsy a simple heart attack your health is pretty good i hope no

00:20:38heart attacks always in the pink get back to the point we haven't the key in 24 hours we'll get

00:20:45it to you or at the latest 48 should i regard that as a promise benson you can rest assured

00:20:51i'm going to paris you know where to reach me i have to have that key 48 hours the delivery

00:20:58was to take place here in barcelona i can't alter all my plans for your postponements

00:21:15that's it

00:21:21oh

00:21:22I don't know.

00:22:09get up please don't shoot

00:22:14I've got a wife and seven kids

00:22:16what are you doing here

00:22:18oh senor

00:22:19well

00:22:20it's just a mistake

00:22:21of course you're on the wrong

00:22:38floor

00:22:39one

00:22:39two

00:22:41three

00:22:42four

00:22:43five

00:22:57I'll refresh your memory

00:23:01no

00:23:04I tell you my name is Attila

00:23:05what do you want here

00:23:06papers

00:23:08he said

00:23:09the papers

00:23:10and the photographs too

00:23:12who said that

00:23:13a customer

00:23:14I never saw him before

00:23:16he promised ten thousand pesetas

00:23:17and

00:23:18and I need the money

00:23:19I have a family

00:23:20with eight kids

00:23:21with eight kids

00:23:23do you mean your wife

00:23:24had one more

00:23:24while you were here

00:23:25there are so many

00:23:26I never know

00:23:27such bad bookkeeping

00:23:29I'll take you to see him

00:23:30I'll take you there

00:23:55I'll take you to see him

00:23:58I'll take you to see him

00:23:59I'll take you to see him

00:24:03you

00:24:15I'll take you to see him

00:24:20you

00:24:20have a

00:24:20you

00:24:21you

00:24:25you

00:24:30I'll take you to see him

00:24:31Join me!

00:24:31.

00:24:32.

00:24:45.

00:24:45Me llamaban por nombre, por nombre.

00:25:15No, no, no.

00:25:45No, no, no.

00:26:15No, no.

00:26:26No, no.

00:26:29No, no.

00:26:33No, no.

00:26:37No, no.

00:26:56No, no.

00:27:24No, no.

00:28:18No, no.

00:28:21No, no.

00:28:42No, no.

00:28:49No, no.

00:29:03No, no.

00:29:43No, no.

00:30:12No, no.

00:30:15No, no.

00:30:38No, no.

00:30:42No, no.

00:30:57No, no.

00:31:04No, no.

00:31:32No, no.

00:31:58No, no.

00:32:01No, no.

00:32:05No, no.

00:32:06No, no.

00:32:24No, no.

00:32:27No, no.

00:32:28No, no.

00:32:55No, no.

00:32:56No, no.

00:32:57No, no.

00:33:23No, no.

00:33:25No, no, no.

00:33:26No, no.

00:33:40No, no.

00:33:42No, no.

00:33:43No, no.

00:33:46Excuse me a minute.

00:33:48But aren't you going to introduce me to your companions?

00:33:51Enrico, a friend of Robert's.

00:33:53I don't recall your name.

00:33:55Come on, I don't like deadly parties.

00:33:57But I haven't finished. What about my photos?

00:33:59Let go of me or I'll make a scene.

00:34:01You wouldn't want to do that.

00:34:16You look pretty ill. You'd better leave here.

00:34:18Oh, but I'm not ill.

00:34:18Oh, you can't even stand up. Come on.

00:34:21Excuse her. The poor girl can't hold her liquor.

00:34:23I haven't touched a drop tonight.

00:34:25Let's go.

00:34:28Call Tony quick, Tandari.

00:34:30Let go of me, you big brute.

00:34:32You creep.

00:34:33I hate you.

00:34:35I hate you.

00:34:41I do hate you.

00:34:42What's more, that's no way to treat him later.

00:34:43Well, I had to do something to get you out of there,

00:34:45but I promise it's last night.

00:34:46You were far too rough.

00:34:48Why do I have to leave just because you find the party deadly?

00:34:50You haven't any idea who those men were, have you?

00:34:52Sure I do. Friends of Robert.

00:34:53Friends of Robert.

00:34:54Why, they're gangsters.

00:34:54A drop of something in your whiskey,

00:34:56and you wake up in Hong Kong.

00:35:05Good night.

00:35:11I'm coming up with you.

00:35:12I absolutely forbid it.

00:35:13What about the photos?

00:35:14You'll leave right away?

00:35:15Why, sure.

00:35:16All right.

00:35:42You wait right here.

00:35:43Can't I come in for a second?

00:35:45No.

00:35:45After the way you behaved, I don't trust you.

00:35:48All right.

00:35:48Whatever you say.

00:35:49Just slide the pictures under the door.

00:35:51Mm-hmm.

00:36:16I can't find them now.

00:36:17I can't find them now.

00:36:23I hung them up to dry.

00:36:25Are you sure?

00:36:25Yes, and the prints were here.

00:36:26But what happened to them?

00:36:46Hello?

00:36:48Hello?

00:36:51Hello?

00:36:57Oh, what did he want here?

00:36:59There's nothing worth stealing.

00:37:00There's you.

00:37:03Oh, something in the whiskey.

00:37:05You're right, but don't be afraid.

00:37:07It's all over now.

00:37:08You can go to bed.

00:37:10Your photos?

00:37:11In my pocket.

00:37:13And the man?

00:37:14I'm taking him home to a friend.

00:37:16Good night.

00:37:32Hey, what's that?

00:37:33A long-lost friend.

00:37:34How long ago did you lose him?

00:37:36You know him?

00:37:39No, but he looks familiar.

00:37:40I had to beat him off.

00:37:41He was so familiar.

00:37:45I don't like any of this.

00:37:48I can explain everything.

00:37:50No, don't bother.

00:37:52You came here on business.

00:37:54And you don't trust me.

00:37:55Now, listen.

00:37:56Admit that you don't trust me.

00:37:57Go ahead.

00:37:58Let me explain.

00:38:00Admit it.

00:38:01Hirsch.

00:38:02This is my house, and I'm not taking this nonsense.

00:38:04Understand?

00:38:04Shh.

00:38:06I've been a fool.

00:38:07You're nothing but a snake in the grass.

00:38:09Came to replace me, but didn't tell me anything.

00:38:12Listen, Robert.

00:38:13The agent you were waiting for,

00:38:15he'll never show up here.

00:38:18Because they're on to you.

00:38:21Oh, me unto me?

00:38:22Listen to that.

00:38:23That's the best I've heard yet.

00:38:28So I'll just pack up and leave.

00:38:30Is that it?

00:38:30You can go home to your mother in two days, if you like.

00:38:33But right now, I happen to need you.

00:38:35The show goes on.

00:38:36You mean it?

00:38:37Why, sure, you idiot.

00:38:39Send this to Paris.

00:38:40Wire photo.

00:38:41Urgent.

00:38:42And listen.

00:38:43Not you.

00:38:49Text of telegram number 295.

00:38:51We identify one Carl Friedman, alias Boris, born March 1st, 1932, in Beirut.

00:38:58Stop.

00:39:00Two bookings for assault served one prison term.

00:39:03Stop.

00:39:04International warrant issued after Bastiani murder.

00:39:07Stop.

00:39:09Suspected of acting for an international criminal organization.

00:39:15That's all.

00:39:17Send it to Le Goff.

00:39:18Am I forgiven or not?

00:39:20Mm-hmm.

00:39:22I've come all the way from my hotel to apologize.

00:39:25All right.

00:39:26Then you are forgiven.

00:39:28How's your arm?

00:39:30Not much improvement.

00:39:31Would you believe that I managed to get into another brawl last night?

00:39:34Another brawl?

00:39:36Some mean, nasty boys went and set a trap for little me.

00:39:39I was so naive, I stepped right into it.

00:39:42Why, how, Wolf?

00:39:43Well, I wriggled out of it because I'm lucky.

00:39:47Luck isn't the word for it.

00:39:48It was strength and courage.

00:39:50Storch.

00:39:51You're just marvelous.

00:39:53Oh, no.

00:39:53I'm just an idiot.

00:39:55Far too trusting.

00:39:56Just before you ran into my car, I was hot on the trail of two bandits.

00:40:00And I kept you from catching the criminals?

00:40:03How infuriating.

00:40:05And in my loneliness last night at dinner, for a brief instant, I toyed with the mad idea

00:40:09that you were their accomplice, that you almost intended to wreck my car.

00:40:14You bad darling.

00:40:18Forgive me.

00:40:25Oh, what a pleasant surprise.

00:40:27Is it?

00:40:27I was just taking a bath and, uh...

00:40:29Darling, I'm so lonely.

00:40:31What's keeping you?

00:40:33Excuse me.

00:40:34I'm obviously intruding.

00:40:35You better go on with your bath.

00:40:50No point in trying to hide.

00:40:52What are you doing?

00:40:53And what about you?

00:40:57So you wait for Frog while his various girlfriends visit him.

00:41:00Let me congratulate you.

00:41:01Some service.

00:41:03Listen, what we're doing is important, Sylvia.

00:41:05Oh, yes.

00:41:07Frog, darling, I'm so lonely.

00:41:09And somehow I thought that Frog wasn't like the others.

00:41:12We'll explain everything later.

00:41:13Oh, but you keep saying you'll explain later.

00:41:15Robert, explain everything now.

00:41:18No.

00:41:20There's nothing to explain.

00:41:21Robert, nobody moves into your house to entertain women.

00:41:25That's nothing.

00:41:25For a couple of wedding pictures, he moves heaven and earth, and then he wrecks your car,

00:41:29takes me away from my work, and that's nothing.

00:41:31And what about the thief who came to my place?

00:41:33And the fight, and the way he dumped him off on you.

00:41:36That's nothing, huh?

00:41:38Get out quick.

00:41:39No.

00:41:45Where are we going?

00:41:47Where I feel like going.

00:41:55Now I understand.

00:41:56You're following that woman.

00:42:05You might at least answer me.

00:42:20Oh, that was brilliant.

00:42:24We're going to lose her now.

00:42:25Why don't you go faster?

00:42:30You're following that woman.

00:42:32I knew it.

00:42:32And you're doing it for Ponk.

00:42:34Or is it because you're jealous?

00:42:37Are you going to keep this up for much longer?

00:42:39You wanted to come along, didn't you?

00:42:42You want to know where she's going.

00:42:51Damn.

00:42:55What are you hiding from me?

00:42:57It's none of your business.

00:43:02I know one.

00:43:04The girl's a spy.

00:43:06And you were after her.

00:43:08My goodness.

00:43:09But then you're a Secret Service agent.

00:43:13Robert Lugov.

00:43:14Agent of the Secret Service.

00:43:17Here I've been seeing you every day for a solid month and never suspected it.

00:43:20Don't be afraid.

00:43:21You can trust me.

00:43:22Look out.

00:43:27Oh, this is tremendous, Robert.

00:43:28I'm going to work with you from now on.

00:43:30I'll have to learn judo and karate and tumbling and parachute jumping.

00:43:35I'll be yourself.

00:43:35First, you'll learn how to shut up.

00:43:37Oh, yes, of course.

00:43:40Hurry.

00:43:42You love me.

00:43:43That's all you ever say.

00:43:44Oh, darling.

00:43:47Boris, if you meant what you've been saying, I'd leave everything.

00:43:49Bernson and wealth and security.

00:43:51Just be patient.

00:43:52No, I will not wait any longer.

00:43:54You'll see.

00:43:55In two days, it will be finished.

00:43:57You always say that.

00:43:59Listen, up till now, I've stuck my own neck out and Bernson kept the dough.

00:44:03But I swear that's finished now.

00:44:04He's got a surprise coming.

00:44:05This time, I'm going to be the one.

00:44:08You're very sure of yourself.

00:44:13A photographer might be useful to us.

00:44:15Drag her into this?

00:44:16She knows we're secret agents.

00:44:19I see what you mean.

00:44:20They're on to the two of us now.

00:44:21She's determined to get into this.

00:44:23We could send her on a few errands.

00:44:24Might come in pretty handy.

00:44:26Run a few errands, her?

00:44:27Yeah, at the start.

00:44:28Then she'll take over.

00:44:37Hello?

00:44:40Oh, it's you, Franck.

00:44:42No.

00:44:43Some things have got to stay private.

00:44:45Your affairs don't concern me.

00:44:49What?

00:44:50Do you know the three of us?

00:44:53Ah, just us two.

00:44:56But won't people talk?

00:44:58And Robert?

00:44:59Ah, he won't be around.

00:45:08See you tonight, James Bond.

00:45:25You know something?

00:45:27You're sneaking around.

00:45:28You're hush, hush.

00:45:30You're mysterious hairs.

00:45:31You never fooled me for a second.

00:45:34I'm up on many things.

00:45:36Yes, you are up on things.

00:45:38I know in you we have recruited top caliber one.

00:45:43What's the assignment, Chief?

00:45:45Oh, please, not now.

00:45:46Why spoil this?

00:45:47It's such a pleasant evening.

00:45:49There are better things to do.

00:45:51Of course, that's true.

00:45:52It's so nice being with you.

00:45:55You know, I have the impression

00:45:58I've known you for ages.

00:46:00Almost as long as Robert?

00:46:02Oh, Robert.

00:46:04And yet it seemed to me that, well,

00:46:06you weren't here where I was.

00:46:08Oh, of course.

00:46:08But I wish I'd met you first, Fong.

00:46:11Do you think that a woman

00:46:12can be in love with two men?

00:46:14She can be, but she shouldn't be.

00:46:17I know it's on your mind.

00:46:20Want to know what's on mine?

00:46:21Oh, I know that already.

00:46:24To the most alluring of Mata Hari.

00:46:26To the best secret agent.

00:46:32Oh, I'm sorry.

00:46:33Quite all right.

00:46:35Let's go.

00:46:37I've never been so happy in all my life.

00:46:41I'm so happy, I'm glad.

00:46:42You drank too much.

00:46:43Oh, Fong.

00:46:44If I'm drunk, it's your happiness.

00:46:47You know, I keep thinking about you.

00:46:49I think about you even when you're not there.

00:46:52No, you're exaggerating.

00:46:53I dream about you every night.

00:46:55But we only met yesterday.

00:46:58Oh, Fong, I love you.

00:47:02I think very highly of you, Sylvia, dear.

00:47:05Oh, My God!

00:47:08Oh, My God!

00:47:13Hey.

00:47:29Oh, My God!

00:47:34Get me a taxi.

00:47:35Si, senor.

00:47:38Taxi.

00:47:39Here.

00:47:40Gracias.

00:47:46Follow that car.

00:48:25Come on, keep walking.

00:48:27Why?

00:48:27I'll buy you a drink.

00:48:57The view is nice, but just make sure you don't fall.

00:49:05We're a couple of imbeciles, the two of us.

00:49:08How is the pay for your work?

00:49:10Must be better than mine.

00:49:12Being a civil servant, naturally, I'll get retirement.

00:49:15Skip the details, go on.

00:49:16You've got the box, I've got the key.

00:49:18All by themselves, they're useless.

00:49:20Together, they're worth a fortune.

00:49:22And then, well, tomorrow sometime, the box will blow up.

00:49:29That will be just too bad.

00:49:35Wouldn't it be a lot better to make a deal?

00:49:38If you had an international warrant against you, I could just raise my little finger and you'd spend the rest

00:49:43of your life in the jug.

00:49:45I'd be congratulated by my chief.

00:49:48And we'll be two nitwits who missed the bones.

00:49:52I'm pretty sick and tired of making guys like Burson rich.

00:49:57Go on, make me an offer.

00:49:58You tell me where Burson's hiding the box and I'll go get it.

00:50:01I'm the one sticking my neck out.

00:50:03Share and share alike.

00:50:05Afterwards, we find a customer.

00:50:07Have you got a client?

00:50:09We'll find one.

00:50:10I've got a client.

00:50:11He'll pay a million dollars.

00:50:13Then, 60%.

00:50:14A new passport and you're off.

00:50:18All right?

00:50:34All right.

00:50:51Je t'avais dit, les Espagnols vont tous toquer.

00:50:54Oui, darling.

00:51:11You sure he won't double-cross us?

00:51:13It's a risk we've got to take.

00:51:15Part of the game, you know?

00:51:16Right.

00:51:17Let's go.

00:51:25I got the box.

00:51:27Where is it?

00:51:28At my place.

00:51:29Show it to me.

00:51:30I want to see the key.

00:51:31That's natural.

00:51:32But we'll look at the box first.

00:51:33And what about the key?

00:51:35Oh, all right.

00:51:36Not me.

00:51:37Hey.

00:51:39Very well.

00:51:42Well, so long.

00:51:45See you later.

00:51:45We'll meet you up there.

00:51:49Why don't we take my car?

00:51:52I'd prefer mine if you don't mind.

00:52:00Take care of the other one.

00:52:02And him.

00:52:03Give that up to you.

00:52:06Then I'll see you.

00:52:32I'll see you later.

00:52:36Oh, my God.

00:53:06Oh, my God.

00:53:59Oh, my God.

00:54:03Let's stop beating around the bush.

00:54:05To tell the truth, someone set me up here to speak to you.

00:54:09There's no doubt the work you do for your government could pay a little better.

00:54:13That's really too bad.

00:54:16You mean you might get me a raise?

00:54:18That would be asking too much, but I've done one thing for you.

00:54:23I mentioned your proposition to my client.

00:54:27He's ready to make you an offer.

00:54:29We hope you'll be sensible enough to accept.

00:54:33It's time to choose.

00:54:34Either I tie you to this box and you know the time.

00:54:37It will explode even better than I do.

00:54:39Or you make up your mind to be cooperative.

00:54:43Give me the key, the little tape you're hiding, and you can go immediately.

00:54:48Do I get a new passport also?

00:54:51No.

00:55:08Come on.

00:55:15Yes?

00:55:17Fine.

00:55:18Just a minute.

00:55:22A while ago, I thought you were very lucky, mister.

00:55:26But now I think the situation's different.

00:55:29You'll be surprised when you hear this.

00:55:31Your girlfriend, the photographer, we've got her.

00:55:34You're bluffing.

00:55:36Put the blonde on the phone.

00:55:39Hold the wire.

00:55:40Hold the wire.

00:55:46Hello?

00:55:49Hello, Sylvie?

00:55:51Franck.

00:55:52I ran away from the convent.

00:55:54Forgive me, Franck.

00:56:22Get it started.

00:56:23Okay.

00:56:27You see that?

00:56:29If you're nice, she'll get out with her head cold.

00:56:32If not, well...

00:56:53Over there.

00:56:54Go on, I said.

00:56:56The conveyor belt goes at 6.30.

00:56:58If you don't have the tape here by 6, you know what will happen.

00:57:13Go on, I said.

00:57:46It's time you made up your mind, or else, when the smoke clears, there's going to be a lot of

00:57:53dead bugs.

00:57:55You win.

00:57:56Telephone.

00:58:12That's great.

00:58:14I said.

00:58:15I said.

00:58:25I said.

00:58:30I said.

00:58:33I said.

00:58:46I can send someone.

00:58:56Attila.

00:59:04Attila.

00:59:34Attila.

00:59:47Attila.

00:59:48Attila.

00:59:49Attila.

00:59:50Attila.

00:59:52Attila.

00:59:54Attila.

00:59:56Attila.

01:00:00Attila.

01:00:02Attila.

01:00:03Attila.

01:00:07Five o'clock already.

01:00:11If you're trying to pull a fast one, it will be too bad for you, for your girlfriend, too.

01:00:21Hello?

01:00:22You can proceed.

01:00:24I checked. Everything's in order.

01:00:28Goodbye.

01:00:31All right, he can go.

01:00:33All right.

01:01:08All right.

01:01:12All right.

01:01:14All right.

01:01:16All right.

01:01:27Oh, my God.

01:02:19Come on, Carlos, the company's in the other way.

01:02:53Come on, Carlos.

01:02:57Come on, Carlos.

01:03:29Come on, Carlos.

01:03:34Come on, Carlos.

01:04:25Come on, Carlos.

01:04:27Come on, Carlos.

01:05:04Oh, I'm so sorry.

01:05:05I feel responsible for everything.

01:05:06Don't worry about it.

01:05:07Oh, what am I going to do all alone in Paris?

01:05:09You can write a thesis on Picasso.

01:05:10You'll be safe at least up at your mother's place.

01:05:12You'll phone every day.

01:05:13Oh, come on, Harry, will you?

01:05:14Well, you'll be safe at your mother's place.

01:05:15Oh, I'll be right back.

01:05:21I'll be right back.

01:05:22Oh, I'll be right back.

01:05:40Well, that much is done anyway.

01:05:54I'll be right back.

01:05:55I'll be right back.

01:06:23I'll be right back.

01:06:24I'll be right back.

01:06:25I'll be right back.

01:06:46I'll be right back.

01:06:51I'll be right back.

01:06:52I'll be right back.

01:06:53I'll be right back.

01:06:54Hello.

01:06:55Hello.

01:06:56Hello.

01:06:58Hello.

01:07:00Hello.

01:07:01Hello.

01:07:02Hello.

01:07:03No help.

01:07:04No help.

01:07:05She thought we were finished, this stupid operator.

01:07:22The doorbells, Howlett.

01:07:35Is Mademoiselle Sylvie here?

01:07:37No, Monsieur.

01:07:38She is out for the moment.

01:07:42We just got in from Barcelona, Madame.

01:07:43Say, what's wrong with my daughter?

01:07:45The moment she came back, all she wants to do is go to the museum.

01:07:48You fit the description my Sylvie gave in her letters.

01:07:52Ah, she has perfect taste.

01:07:54Oh, Madame.

01:07:56You have a very nice personality, my dear Robert.

01:08:00Excuse me, but I'm Robert.

01:08:02Oh, why didn't you say so?

01:08:04Isn't he the shy one?

01:08:06He is very shy.

01:08:07Let's have a big hug, Madame.

01:08:09Take the phone, Charlotte.

01:08:11Would you answer it?

01:08:12All right.

01:08:16Hello, Sylvie?

01:08:17Yes, we just came in.

01:08:18Hulk, guess what?

01:08:19Skip the suspense.

01:08:21Benson and the girl are at the Hotel Brasilia.

01:08:23Bravo.

01:08:23Don't let them out of your sight.

01:08:25Isn't this nice?

01:08:26You like that one?

01:08:28I'll give you the same one for your wedding.

01:08:33Hello, Brigitte.

01:08:35This is Franck.

01:08:36Keep staying for a second and listen.

01:08:37I must have a couple of men.

01:08:40Who?

01:08:41Well, no, you pick them.

01:08:43I've got no time for that.

01:08:44Have them meet me in front of the Brasilia.

01:08:47Verrier and Le Grand.

01:08:49Fine.

01:08:49They're both good shots.

01:08:50Oh, my goodness.

01:08:52Good shots.

01:08:52Will you please excuse us, Madame?

01:08:55You two are secret agents?

01:08:56No, Madame.

01:08:57We are basketball coaches.

01:08:58You are secret agents and I'm going to help you.

01:09:01No, Madame.

01:09:02Oh.

01:09:15Here is the box.

01:09:16Just a minute.

01:09:21Everything's all right.

01:09:22But I'm warning you.

01:09:23The time clock's running.

01:09:25It might cause a lot of damage, you know.

01:09:26Everything will be taken care of.

01:09:28Can I lock it?

01:09:29Yes, go ahead.

01:09:31I'll go phone the Chief.

01:09:35Splendid.

01:09:36So you will meet me as scheduled.

01:09:38Is everything all right?

01:09:41Yes, I will have the money as ordered.

01:09:44But it's wise to be cautious.

01:09:47In this business, it's always wise, don't you think?

01:09:51Lovely view, isn't it?

01:09:55I don't want to be impolite, but it's getting rather late.

01:09:58See you at the Weighing Inn Terrace by the paddock between the second and third races?

01:10:03I'll have another secade with the money.

01:10:05I hope that you are going to respect your commitments this time.

01:10:09You can count on me.

01:10:10You still plan to live for Rio with your charming friend?

01:10:15Yes.

01:10:16We're going to relax a bit.

01:10:18You are probably planning a big housewarming out there.

01:10:24Oh?

01:10:25So you know about it?

01:10:27Oh, sure.

01:10:29I know.

01:10:32I'll see you later.

01:10:37I'll be picking you up at about five o'clock, and I suggest in the meantime you pack the bags.

01:10:42Unpack for a day and then pack again.

01:10:45I'm sure you'll love Brazil. It's quite a place.

01:10:48You'll see.

01:10:55I wonder what Vonk is up to.

01:10:57Uh-huh.

01:11:01Not bad.

01:11:03Mm-hmm.

01:11:07How do you make out?

01:11:08All right, and you?

01:11:09All right.

01:11:10And the price?

01:11:11A nice wedding present.

01:11:12$500,000.

01:11:14Is everything ready?

01:11:16The car's waiting downstairs.

01:11:17All right.

01:11:18Here goes.

01:11:20Goodbye.

01:11:21Goodbye.

01:11:28About time you two got here.

01:11:30We couldn't find a taxi.

01:11:31Are they still here?

01:11:32Haven't lost them.

01:11:32Your friends are here also.

01:11:34They really go for me the way they're eyeing me all the time.

01:11:36I'm sure you hate that.

01:11:39Is that all you could get in the way of the car?

01:11:40It was the only car available.

01:11:41I suppose an old lady drove it on weekends.

01:11:45There they are.

01:11:48Robert, hurry!

01:11:55Come on!

01:11:57Her work is all he thinks about.

01:12:01But what about me?

01:12:02No, you stay and watch myself.

01:12:03But what the...?

01:12:04She's always the interest.

01:12:21Hey!

01:12:24Herre is a good start!

01:12:25Wait a minute!

01:12:25What about me, dude?

01:12:31I'm sure he's a good start!

01:12:32Let's go, man.

01:12:33Oh!

01:12:34Oh!

01:12:35Oh!

01:12:36Oh!

01:12:37Oh!

01:12:38Oh!

01:12:48Oh!

01:13:10I'll see you over there later.

01:13:47I'll see you over there.

01:14:01Here you are.

01:14:02It's in dollars?

01:14:03Yes, it's agreed.

01:14:05Would you care to see the fourth race?

01:14:06No.

01:14:07Why not?

01:14:08I have a seat for you.

01:14:09You know I must leave.

01:14:47I'll see you over there.

01:15:11I'll see you over there.

01:15:20I'm taking the story.

01:15:22Hurry up.

01:15:53I'll see you over there.

01:15:54You got ready, darling?

01:15:56Just step down the bus.

01:16:24I'll see you over there.

01:16:25I'll see you over there.

01:16:32You have let me down.

01:16:34That's too bad.

01:16:35I'll take back the little valise.

01:16:38It was right here.

01:16:39It was right here.

01:16:40Why don't you have a smoke, Bertson?

01:16:43Do you remember the case?

01:16:48No.

01:16:56It's...

01:17:07I'll see you over there.

01:17:09I'll see you over there.

01:17:15I'll see you over there.

01:17:47I don't know.

01:18:17Take these and cover me.

01:18:31I don't know.

01:19:05I don't know.

01:19:28I don't know.

01:20:05I don't know.

01:20:08I don't know.

01:20:35I don't know.

01:20:45I don't know.

01:20:57I don't know.

01:21:00I don't know.

01:21:02I don't know.

01:21:28I don't know.

01:21:32Hello?

01:21:33Hello, Brigitte.

01:21:34The boss there?

01:21:35There's no one here.

01:21:36Only me.

01:21:38Brigitte.

01:21:39This is important, so keep calm.

01:21:42There's a magnetic tape in the bureau next to the window.

01:21:46In the left door.

01:21:48In the left door, you'll find the key to the door.

01:21:49In the left door, you'll find the key to open the bureau.

01:21:49In the right.

01:21:50Listen to me.

01:21:52Brigitte.

01:21:54There are 300 lights in danger, including mine.

01:21:58Hold the line a minute.

01:22:01I'm going to take it.

01:22:03I'll take it.

01:22:04I'll take it.

01:22:18I'll take the tape recorder, which is in the tape recorder, which is in the cabinet.

01:22:20and plug it in.

01:22:40I found two tips.

01:22:41Which one do you want?

01:22:42Two?

01:22:46Well, choose one.

01:23:05I chose one.

01:23:07Please, the telephone right up against the recorder.

01:23:10Now pray.

01:23:28I don't know.

01:23:38Brigitte.

01:23:42You're a dog.

01:23:44Brigitte, you're beautiful.

01:23:46You're the most beautiful girl I know.

01:23:51He says I'm beautiful.

01:23:54I'm beautiful.

01:23:57You're completely mad.

01:23:59Mad? No, I'm beautiful.

01:24:23I don't know about you, but I've got to sit down.

01:24:29I don't know about you, but I've got to sit down.

01:24:32Do you see what I see?

01:24:50Frank, but I thought you were still in Spain.

01:24:53I was, but when I got word that you were in Paris, I...

01:24:57That's crazy, I know.

01:24:59But I had to follow you here.

01:25:01How sad.

01:25:02I'm just leaving Paris.

01:25:03Where are you going?

01:25:04To Brazil.

01:25:05It's very important.

01:25:06Do you really have to go?

01:25:07But you're not going to the plane with that.

01:25:09Let me carry it.

01:25:10It looks too heavy for you.

01:25:12Oh, no.

01:25:13Just a few intimate articles.

01:25:16The boss is really going to be pleased.

01:25:18You might even get a Paris.

01:25:20He can't.

01:25:21It's too late.

01:25:21I sent in my notice.

01:25:23Married men don't make good.

01:25:24Oh, Charlie.

01:25:28There, you see?

01:25:28That's our plane.

01:25:31One minute.

01:25:32Think I'm letting you get away?

01:25:34Without getting a kiss from the bride?

01:25:39All right.

01:25:40Let's break it up.

01:25:45Goodbye.

01:26:01How about a tall drink

01:26:02in a quiet little place?

01:26:04We'll see you next time.

01:26:05Hey, I'll take it.

C.I.A. Agent Jeff Gordon 1966 - HD 1080 - Full Movie - Dir: Ralph Habib

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