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La promesa capitulo 874
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00:03In the end, he'll be grateful that Simona and I made a croquette of man.
00:08That's the thing about Lope's dishes, they're a hit wherever they go.
00:12They're decent, nothing more, nothing less. I had a craving, that's all.
00:15Well, I think they're delicious.
00:18And whatever they've put on him, it suits him wonderfully.
00:21Thank you so much for the compliment, Teresa.
00:23There are some people from whom you have to extract compliments with a tooth puller.
00:27Yes, Candela, but actions speak for themselves.
00:31Those who repeat the experience do so by choice, not out of obligation.
00:34They're to die for. I could eat a whole tray without meaning to slight the cabbage.
00:39No, it doesn't, Doña Pia. At least no one has complained about the cabbage.
00:45Don't look at them funny, there's a croquette for you too.
00:49I've already told them no.
00:51I understand it, even if it's just a little bit. And that's how he gives us his opinion.
00:54Hurry up, huh? Because her work partner is going to leave her without a bite to eat.
00:59Well, there's no need to be annoying, Mrs. Garcia.
01:03I'll try them, but only because you insist.
01:13What... what did you think?
01:18As the gentleman from Buenaventura says, decent. And I would add that they could be much better.
01:25Although what they say about the... aftertaste is true. And I can't figure out what it is.
01:31But it's peculiar.
01:36It's the magic of López, which he put into all his dishes.
01:40It's a shame they didn't get to know him.
01:44Because they were going to be surprised by the dishes she cooked. Wasn't that right, Simona?
01:48Yes. A big surprise.
01:52We are proud that she was trained by Doña Simona and Doña Cándela,
01:55the one who later became the cook of the Duke of Carvajal and Cifuentes.
01:58Don't flatter us, Teresa. We're the ones who learned from him.
02:03Well, it was Recipocrus, however you say it.
02:07It also took away some of our age-old wisdom, didn't it?
02:10It is in very bad taste to cross into Lagos with the intention of welcoming them.
02:15What I want to know is what that secret ingredient is that croquettes have.
02:22The magic of López.
02:23Yes. And we've already told him, don't insist because we're not going to reveal the secret.
02:29A magician never reveals his trick.
02:32But we're glad you liked it so much.
02:36I didn't say that.
02:38And next time we do it, we'll keep them in mind.
02:41Even if it's not food fit for dukes.
02:44Come on, Candela. Everything needs to be done.
02:48López's specialty was French cuisine.
02:51Specifically, the desserts.
02:53Do you know Madame Cocotte?
02:56Do we look like kitchen boys to you, Mr. Ballesteros?
02:59What happened to that cook in this house is of no interest to us.
03:03However, if we are concerned, when will that maiden be incorporated into the group?
03:08If you're referring to María Fernández, you're completely wrong.
03:11She is one of the hardest-working people in the house.
03:15We understand that he will soon have the opportunity to prove it.
03:18As far as we know, the girl is healthy.
03:21Thank you for your interest.
03:23But the Marquis has granted him all the time he needs to return.
03:28Oh.
03:29How lucky.
03:47That's how it is.
03:48I'll call you again as soon as we've finished it.
03:54Of course.
03:54If our customers are satisfied, we are even more so.
03:59No, don't worry.
04:01I'll let you know, leave it in my hands.
04:03That.
04:04You too.
04:06Good day.
04:07Good day.
04:11What a cretin.
04:15Once we have the accounting entries, we'll get started on the manual.
04:18You, come closer to the llorga.
04:20Good morning.
04:20I'll try.
04:23Good morning, Tiro.
04:24Shot.
04:28And those faces?
04:30Is there a problem at the company, partner?
04:33No, none.
04:34Anyway, if there were one, I'm sure you would know about it before we did.
04:40So I can assume that everything is going smoothly.
04:44I'm doing a round of phone calls to our customers and all I'm doing is listening for goods.
04:50Ah, that's great.
04:52Then we'd better not let them down and get back to work, right, Juliet?
04:56Yes, I have quite a few tasks on my desk.
04:59In addition, we have the troubleshooting manual separately.
05:02Exactly, the manual.
05:03We want to have it ready as soon as possible.
05:06Well said, my dear.
05:07To some of our clients, and to others we trust, I am sharing the idea we have had.
05:12And the truth is, they receive it with enthusiasm.
05:15It's not that they're having problems with their engines, nothing like that.
05:19But it's better to be cautious.
05:20Don't you think so, Manuel?
05:22Ciro, you could have said that the idea was yours.
05:24I wouldn't have had any problem.
05:27We're all in the same boat.
05:29What does it matter who gets the congratulations as long as we all reach our destination safely?
05:36And now I won't keep you any longer.
05:38Partid.
05:39Ciro, are you coming to the workshop later?
05:43Unfortunately, I still have a lot of work to do.
05:45I guess I'll be glued to my phone all morning.
05:50If you need help, ask for it.
05:52No, no, no. Not at all. It's my job.
05:56So I'll see you at lunchtime.
05:59We might stay there late, working.
06:01We were just talking about that, weren't we, Manuel?
06:03Yeah.
06:05Yes, well, in my case I have no other alternative.
06:09Well, if that's your plan, I understand you've already notified the kitchens to prepare something for you.
06:14The truth is, we haven't even had time.
06:16But thanks for reminding us, okay?
06:18Yes, I'll notify some lackey now.
06:20No, no, don't worry, cousin.
06:22That's precisely why I was asking.
06:24I will personally notify Lacayo.
06:27Would you do that for us?
06:30Leave it in my hands.
06:32And now go, you have a lot of work to do.
06:36Thank you.
06:38Thank you.
06:39Thank you.
06:39Thank you.
06:41Thank you.
06:41Thank you.
06:42Thank you.
06:42Thank you.
06:43Thank you.
06:45Thank you.
06:51Dao.
06:53Dao.
06:54A magnificent performance.
06:56I haven't seen anything so excessive since a certain work by Sherwood that's now irrelevant...
07:03I didn't know you were listening, Captain.
07:05I do it with matters that concern me.
07:08You did very well encouraging those two to move forward with the manual.
07:15And this is just the beginning.
07:18The sooner Julieta and Manuel finish their work, the sooner we will see a benefit.
07:24You know what, Ciro?
07:26You know what, Ciro?
07:27You've reminded me of a certain corporal who was in charge of the piglets at the barracks.
07:33I ask you to retract your words, Captain.
07:35No, Ciro, for God's sake.
07:36It wasn't an insult.
07:38But, in short, he treated the piglets like marquesses.
07:42And there were those who mocked him.
07:45Why are they pigs?
07:47Precisely.
07:49He fed them the best acorns for a single purpose.
07:54The massacre.
07:57Time was on his side.
08:00And it will do the same for us.
08:07Some of my companies are based on innovative ideas that you will appreciate better than I do.
08:12Don't be modest, Uncle Max.
08:14If he didn't value them, he wouldn't have invested his capital in them.
08:17You're wrong.
08:19I feel the same way about them as I do about your brother Manuel when he talks to me about his engines.
08:23I catch their enthusiasm, but if you ask me what the story is about, I draw a complete blank.
08:30In the end, all companies are alike.
08:32I suppose you, Uncle Max, care more about your expense account than what they sell or what
08:37are manufactured.
08:38Very bright, donkey.
08:40I'm looking forward to you coming to meet Luis Boa.
08:43You're going to love the palace.
08:45Some say it looks old, but its walls hold even more history than the promise.
08:50That's a lot of years.
08:52I don't mean to belittle your palace, Alonso, but there is life beyond the Luján family.
08:59Lisbon has always been one of the capitals, or the forgotten capital of Europe, because it is so far away.
09:05But it was also an imperial city.
09:08And more and more people are coming to do business.
09:10Yes, like the former German Chancellor, Theobald von Berman Holbeck.
09:16I see you've caught up on the homework I copied for you.
09:21Good old Theobald. I met him during his pacifist period when he was trying to ease tensions with Great Britain.
09:29and not get involved in their arms race.
09:32But in the end, pressure from his own country's military led him to war. And so it has
09:38finished, having to resign.
09:40Yes, it's a shame, because he was an upright man. I always told him,
09:45Herbert Mann, Germany is at the center of Europe to mediate, not to absorb.
09:52Your work alongside me can prevent future wars, Curro. But I don't want to place that responsibility on your shoulders either.
10:00No, no. On the contrary, Uncle Max. If that's the case, I'm more than willing to help.
10:08Is something wrong, Alonso?
10:11No, no, no. It's just that, listening to you, it seems you've already made a decision, Curro.
10:17Or it even seems that you've already started working together.
10:21No, you know that's not true, Father. I still need to think it over. And I want to talk to Angela about it.
10:28Always taking things so seriously, my friend. Let the kid dream. If young people don't, who will?
10:35Is he going to do it?
10:35My job as a father is to keep her grounded.
10:38Well, I haven't made a decision yet.
10:42And we don't do any harm by talking about it. Right, Curro?
10:46The better you know your future job, the more tempting my proposal will be.
10:52And I'm not going to object. But it seems your only purpose in coming here is to fulfill the promise.
10:58whether it's taking Curro with you to Lisbon.
11:00Of course not. I missed spending time with you, my dear son.
11:05In fact, what do you think? If we ask them to saddle the horses and we go for a ride in the
11:11estate.
11:12Yes? That's a great idea. Go ride with him.
11:16I can handle the pending contracts on my own.
11:19If you have a child who is worth his weight in gold.
11:26They're decent, nothing more, nothing less.
11:29And he said it while soaking his cheeks.
11:35And you can find out what the secret ingredient is.
11:41Oh, if only he knew.
11:43Him and her, huh? She acts all dignified, but the lady from Buenaventura didn't leave a crumb.
11:50Those with a delicate palate.
11:52Those with delicate palates can't tell the difference between a hazelnut croquette and a cabbage croquette.
11:55Candela, don't take away our merit.
11:57Neither they nor anyone else realized the trap.
12:00That was a fine move, wasn't it? With López's magic.
12:05Magicians pull rabbits out of hats, and we put vegetables in croquettes.
12:11Who says he didn't want vegetables on that man's menus, potoma?
12:15Average rate.
12:17The shame is that we can't embarrass him in front of everyone.
12:20I certainly don't lack the desire.
12:21Me neither. But hey, we can still play the game.
12:26Mandela, I don't know if it will be prudent.
12:28Just watch me, I know what I'm doing.
12:31He's going to eat more greens than a cow.
12:33Oh my God!
12:39I need to talk to you.
12:45Has something happened, Teresa?
12:47Yes, of course it has happened.
12:48And I honestly thought you would warn me.
12:52It is true that those two boss around as they please.
12:54But there are things that are intolerable.
12:56Already.
12:57Us...
12:59We are very sorry, Teresa.
13:00We didn't want to hurt anyone, Teresa.
13:03But I'm not blaming you.
13:06They are the gentlemen of Buenaventura and their last-minute whims.
13:11Are you talking about hake?
13:12Of course I'm talking about hake.
13:14So why was the Duke's menu changed?
13:17It was Doña Tomás and Don Julio who requested it.
13:19Apparently, Don Máximo has been sleeping poorly the last few nights because he finds the dinners heavy.
13:25Is that so?
13:28We didn't ask because we haven't spoken to His Eminence, okay?
13:32We complied, which is what Mr. Ballesteros told us to do with the little dukes.
13:37When were they asked to make the change?
13:38In the morning, right, Simona?
13:40Yes, at a time when it was already too late to find fresh hake at the market.
13:45And thank goodness it was Don Ricardo, huh?
13:47Otherwise, we would have had to paint that hake.
13:49That's not how things are done.
13:50And just as they asked, huh? In a very rude way, everything has been said.
13:53Those two, education, don't spend much, huh?
13:56Wow, Candela.
13:57They did it to annoy us, like everything else they do.
14:00Because they knew for sure that we weren't going to find any fish or hake to put in the dinner.
14:05And haven't they been asked to change the menu today?
14:07Today the gentlemen have their Latvian.
14:09You won't see it today, come on.
14:11This is intolerable.
14:12Someone has to put a stop to them.
14:14Ah, yes, yes, Teresa.
14:15You're absolutely right.
14:17But those who can, remain silent.
14:21Don Cristóbal is just as committed as we are.
14:24These are the orders of the Marquis.
14:26If he's not saying it about himself, he's saying it about Doña Petra.
14:28She could talk to her sister to bring them to their senses.
14:31Precisely because of their family ties, he shouldn't get involved.
14:35Yes, but what you can't do is have your cake and eat it too.
14:39He's either with us or he's with them.
14:41And the way Tomasa treats her, well, I wouldn't have any doubts, you know?
14:44I ask you, please, not to interfere.
14:47And even less so that they speak with Mrs. Arcos.
14:50We'll see which way the sun rises.
14:55Uncle Max, you should go upstairs and change. My father is waiting for you.
15:00It's already been said that he wants to inspect the mounts himself. That gives me a little more leeway to
15:05Let's talk.
15:08About what?
15:11Didn't we already discuss everything at breakfast?
15:16I think your father isn't keen on the idea of you working for me. In fact, I'd say that
15:22He's jealous.
15:24Yes, yes. I admit there might be some truth to that.
15:28Have you talked about it?
15:30The truth is that when I've spoken to him about it, he's always been very positive.
15:35But I know my father and I know he doesn't like it at all.
15:39We both know him too well.
15:42Although this time he's got me confused.
15:47I was hoping that talking to you would shed some light on things.
15:50About what?
15:51About this.
15:54I don't know, I can't understand why he gets like that.
15:57I'm not trying to flatter myself.
15:59But an opportunity like the one I'm offering you doesn't expand every day.
16:03Already.
16:07Vera, it's not the first time I've raised the possibility of leaving the promise.
16:13Why? Did I think you were comfortable here?
16:16No, no. And I am. And I am.
16:18It's something Angela and I agreed on.
16:20She wants to finish her studies in Switzerland, and it would be perfect for both of us to get away for a bit.
16:24Say no more. I take full responsibility.
16:27You can't spend a love nest under parental supervision.
16:31Something like that.
16:32But there's something I don't understand.
16:34You speak to me in the present tense.
16:36Are those plans to leave still on?
16:42But I won't tell my father. Or Doña Eucadia. Or anyone, please.
16:46I'm not going to air your dirty laundry, hat.
16:50I acted as if I hadn't heard anything.
16:53We had to backtrack because...
16:56The pressures were reaching an unbearable point.
16:59I understand myself. I can imagine.
17:03I haven't been here long, but I know exactly what you're talking about.
17:07The truth is, we still don't know if we'll leave or not.
17:11We'll talk about it after the wedding, and it will be our decision alone.
17:14That's how it should be.
17:17Children are called to separate from their parents to begin their own lives.
17:24Although...
17:25I understand your father's distress.
17:29What great aim on my part, reopening that wound.
17:31No, Uncle Max. Don't blame yourself. Because you didn't know anything.
17:36Come in, Angela. We're almost finished.
17:39And I can find any other corner for my reading. Thank you.
17:43It's not necessary.
17:45I'm going upstairs to change. I'll tell you later how my time with your father went.
17:52And I was going straight ahead.
17:58What did he tell you?
17:59He keeps making efforts to be even more unbearable.
18:02Angela.
18:04We agreed that you would give it a chance.
18:05Well, he should do his part, shouldn't he?
18:07But has he done anything?
18:09Has he done anything?
18:11Do you think it's not enough to talk about you as if you were his pupil?
18:15Curro. Anyone who hears her would think we're following him around to Lichua like lapdogs.
18:19Angela was just telling me about my possible tasks to help me make a decision.
18:23A decision I haven't made yet.
18:25Well, we haven't taken any.
18:28I don't want to argue.
18:30Do as you see fit.
18:32But please, I'm just asking you to...
18:34Don't let your uncle manipulate you, Max.
18:37Please.
18:42Don't let them get away with it.
18:53Don't let them get away with it.
18:55Did you want to see me?
18:56Yes, it happens.
18:57You don't need to close the door.
19:00I needed to talk to you.
19:01I imagine you've already taken that for granted.
19:02But in the end, you won't need to move Don Ciro's belongings to another room.
19:07Do you remember that I asked you to be prepared to take Don Ciro's things to his wife's room?
19:16Yes, yes. Sorry, I forgot. Perfect, I'll get right on it.
19:21Carlos, wait.
19:24Yes, what do you need, Teresa?
19:26Just listen to me. That would be a good start.
19:31What I just told you is that it won't be necessary.
19:36Finally, Mr. and Mrs. Julieta will sleep in separate rooms.
19:42Okay. Then I don't have to do anything.
19:47Are you OK?
19:50Yes, yes. And you?
19:55It's not me who needs things repeated five times because I'm daydreaming.
20:00Already.
20:02Yes, sorry. I didn't sleep very well.
20:07Why? Has something happened to your daughter?
20:10No, no, no. My daughter is perfectly fine. Thank you for asking.
20:14But I suppose it's the stress of these days that my body still isn't used to.
20:21Yes. Well, you need to try to rest. You can't be this distracted.
20:27Yes, yes, I will. I'm sorry.
20:29And I'm not saying this for myself, but for Mr. Ballesteros. Or worse, for the Duke of Buenaventura's service.
20:35We don't want the complaints to be escalated to the higher-ups.
20:40Okay, that's all. I just wanted to let you know that the change won't be necessary anymore.
20:46So you can leave.
20:52Carlos, are you listening to me?
20:54Huh? Yes, yes, perfectly.
20:58Oh, uh, I should go. Uh, sorry.
21:02Stop apologizing and do your part, for God's sake.
21:06I will. Have a good night.
21:30Hang in there. Hang in there.
21:33Martina, no matter how many times you tell me, I'm not going to put up with anything.
21:35Sorry.
21:36It was just a joke.
21:38Okay, don't lose focus. Let's see, five more seconds.
21:4318?
21:4419?
21:46And 20?
21:47Very good, isn't it?
21:49Well, it's not like you ran an Olympic marathon, although it feels the same, right?
21:54Well, you rest, we'll continue now.
21:56What's wrong? Are you never going to set me free?
21:59Is that what you want?
22:01Get rid of me?
22:03Perhaps this isn't the best time to ask me this.
22:09Have you really not lost focus for a single moment?
22:12No.
22:13No.
22:14I've been seeing it clearly continuously.
22:16In fact, the teaspoon had a coffee stain on it. I don't know if you noticed.
22:22Keep making jokes, I've got you doing exercises until tomorrow, okay?
22:26I don't think it's a bad plan.
22:29Well, I'm going to point out that you lasted 20 seconds, which is progress already.
22:33Well, what progress? It's a good thing you see the positive side of everything, huh?
22:3720 seconds.
22:38Well, this is going very well.
22:41Martina, if I keep going at this rate, I'm going to be able to see. When Andrés and Rafaela make me a grandfather.
22:46Okay, please don't be impatient. The more you practice, the faster you'll progress.
22:52Now you are able to see relatively small objects. A few weeks ago you didn't know you would be able to see again.
22:57see.
22:58So please, cheer up, you're ruining your recovery. Come on, try again.
23:06Let's see...
23:06But?
23:10Are?
23:11Yeah.
23:13Already.
23:15Wait, did you switch from a spoon to a fork?
23:21Do you see a fork?
23:23Yeah.
23:25And it also has a coffee fence.
23:30Martina, I can't defend myself.
23:32Well, that's your problem, not mine.
23:34Okay, I'll get it.
23:36Yeah.
23:41Yeah.
23:44Well, this is the engine.
23:46This is what took us the most work, to be honest, back in the day.
23:49And... Ah, this thing here, what I'm saying, if you're able to put your finger in it, that would be great.
23:54I haven't been able to...
24:03This is incredible, Julieta.
24:27It has balls that are... so that... the gear doesn't rub and then...
24:32One moment.
24:36One moment.
24:38One moment.
24:51One moment.
24:54One moment.
25:00So.
25:02One moment.
25:03One moment.
25:05One moment.
25:07One moment.
25:14One moment.
25:14One moment.
25:16One moment.
25:16One moment.
25:22One moment.
25:23One moment.
25:26One moment.
25:26One moment.
25:27One moment.
25:29One moment.
25:30One moment.
25:31or the mechanism that connects the crankshaft to the fuselage.
25:38Well, I understand it.
25:40Yeah?
25:40Yes, although I might put everything in points,
25:44as a list to make it easier for the reader.
25:48Very well thought out.
25:52Are you sure it's clear?
25:55I mean, I understand it's a technical manual,
25:57But I also don't want to be complicated.
25:58Manuel, it's perfect.
26:01Let's see what you think of this.
26:15What am I going to think?
26:16That I'm wasting your talent,
26:18asking you to do sketches when you should be painting grandchildren.
26:20Go on, you flatterer.
26:21It isn't true.
26:23Besides, you can trust me, because I don't exaggerate even a little bit.
26:26No?
26:26No.
26:28Okay, give me one reason to believe you.
26:36One reason.
26:39Everything he touches turns into art.
26:42That's a reason not to believe you.
26:44because you're clearly not being objective.
26:47Well, maybe there's something preventing me from being that.
26:52And can I ask you what it's about?
26:58If you want, I'll prove it to you.
27:06Are they in here?
27:08Don Manuel?
27:09Doña Julieta?
27:10Yes, Carlos.
27:11We are here.
27:12Happens.
27:16It's lunchtime.
27:18In fact, I have missed the hour.
27:20Please excuse me for not coming sooner,
27:22But the thing is, I wasn't prepared at first.
27:23Ah, Carlos, Carlos, Carlos, calm down.
27:26Julieta says this because the morning has passed her by very quickly.
27:30But then should I leave the tray?
27:32Yes, yes, yes, yes.
27:33Leave it here.
27:34And now that my grandfather has opened his eyes.
27:38Alright.
27:39So, what can Doña Simona and Doña Candel delight us with?
27:42In fact, the food is not the cooks' responsibility.
27:46I mean, preparing them like that...
27:48Do you mean someone else has chosen our food?
27:51Yes, yes, that's it.
27:53Your husband has given the directions.
27:57You will see that there are two desserts.
27:59Don Ciro told me to tell them that they are earning it through hard work.
28:02Yeah.
28:03You can pass on our thanks to Ciro.
28:06Yeah.
28:07And thank you too, for making the trip here.
28:10Yes, sir, Don Manuel.
28:11Enjoy your meal.
28:12Thank you, Carlos.
28:13Thank you so much.
28:16He certainly went to great lengths for Ciro.
28:18This isn't lunch, it's a banquet.
28:20Yeah.
28:21Besides, coming from my cousin, I was expecting a plate with a dead rat and a glass of Cyclone.
28:25Be mean, Manuel.
28:27Celebrate that he has changed his attitude, which is a good thing.
28:29Oh yes, I'm glad.
28:31Anyway, isn't that a lot of food? Do you want to fatten us up like pigs?
28:35How much does it cost you to write a positive review about him?
28:39Look, you know what? I'd rather not talk about him.
28:40And if you're in front, even less so.
28:45Shall we eat?
28:56Of course, don't worry, I'll pass on your greetings to them.
29:02Well, now what you have to do is help your brother and your mother, of course.
29:09Yes, don't worry.
29:11Bye bye.
29:13Bye bye.
29:18Any bad news?
29:19No, no, no, no. Jacob's brother is still recovering and... but come on, he's making progress, everything's fine.
29:29Why do I hear that worried tone in your voice, Martina?
29:36It's nothing, it's fine.
29:40Well, it's possible that I noticed Jacob acting strangely.
29:47I don't know if it's because of her voice or her attitude or...
29:52I think the one who's acting strange isn't Jacobo, but you.
30:00And I feel that way too.
30:03Why aren't we treating him well?
30:12I know it's wrong of me to say this, but...
30:18I hate when he calls me.
30:22Because in the meantime I can pretend that nothing is wrong and that you and I have a chance.
30:27But he brings us back to reality.
30:30And it makes me feel terrible.
30:33Is it so bad that I'm happy when I forget about him?
30:37No, Martina, no.
30:38That's the truth.
30:41When he doesn't exist, you and I are free to live for each other without regrets.
30:46And I feel terrible.
30:48I hate myself for saying this.
30:50It's not easy to drive or control what one feels.
30:53It can't be done.
30:55AND...
30:58And you make me so happy.
31:04Just yesterday, with just a walk and a kiss, it was like...
31:10It was like touching the sky.
31:15And I don't want to give you up.
31:18I don't want to.
31:19I'd love to put on a bandage and...
31:22And pretend that Jacob no longer exists in my life.
31:30But the reality is that it is...
31:34And we are hurting him.
31:39That's the reality.
31:48Oh, no.
31:49It's best not to eat mackerel, as it has too many bones.
31:52Thorns?
31:53Or spinach.
31:59They say it's very good, with green sauce.
32:03Yes, indeed!
32:06No way!
32:11Oh, artichoke heart, now we understand each other!
32:15Oh, as long as we don't give him anything for the hare!
32:23Or we'll be on our best behavior!
32:26Oh, Simona!
32:27Oh, look!
32:28How nice to give him zucchini!
32:33I need to talk to you.
32:36Oh, look how well I'm asking!
32:39Why do they say that?
32:40Because Teresa came by this morning and said those same words to us.
32:44If he comes to ask about the dukes' hake, he should know that we were a gang.
32:49No, no, I'm not here to ask about the hake, no.
32:51I've come to ask about...
32:54The croquettes.
32:55And I think you already know what I mean.
32:57That?
33:00Didn't he like them?
33:02Of course I liked them, Simona, just like everyone else.
33:04And I think I liked them even more because of that secret ingredient they contained.
33:10Of course, they don't want you, Gattusa, do they?
33:12So that we would confess, but no.
33:15That's not going to happen.
33:17Cabbage, Candle.
33:19The croquettes contained...
33:20Cabbage.
33:21What I don't know is how nobody else noticed.
33:26Well, because we were very clever and used just the right amount so that it wouldn't be noticeable.
33:32But like this, Simona?
33:33No.
33:34The thing is, nobody could imagine that croquettes had cabbage in them, for God's sake.
33:38Furthermore, I don't know why nobody could notice that.
33:42Cook's quirks.
33:46Enrich the dish without killing the old flavor.
33:50Yes, or sneaking vegetables in for the Dukes of Buenaventura when they specifically forbade it.
34:00How did you find out?
34:03Well, I had my suspicions, I asked a couple of questions and he was a slave.
34:08And?
34:09Hey?
34:09Because those two deserved it.
34:11Well, she's out all day like a killer, trying to get a kid into bed.
34:13We wouldn't have done it if it was the duke's doing.
34:16But that dandy Don Julio doesn't like vegetables...
34:19They think we're all fools, don't they?
34:22We're going to be afraid that we did it.
34:24Are you going to serve it, sir, Bobo?
34:27Of course not.
34:29Why are they cutting me down?
34:30When I realized what was happening, I had to...
34:33I had to bite my tongue to keep from laughing out loud.
34:36Simona, look, we can finally share it with someone.
34:40Because the worst thing was having to keep quiet about so much brilliance.
34:45It was just an innocent joke.
34:48Those that don't harm anyone.
34:50Yes, that's today, Simona.
34:52But they should be grateful that nobody noticed.
34:54that the croquettes contained call.
34:57If you happen to see Mr. Ballesteros,
34:58They would have had a very serious problem.
35:00So once, as a joke, it's fine.
35:03But that's it.
35:04My advice is that they never repeat it again.
35:07Anymore.
35:09Maybe.
35:10Or why not.
35:17Look, dress it however you want, Leocadia.
35:20But for someone with an agenda like the Duke's,
35:22That much isolation is not a vacation.
35:24It's torture.
35:26Look, it seems to me that Máximo is so unhappy.
35:28This morning you went riding around the farm.
35:31No, Alonso?
35:32Hey?
35:33I asked you a question.
35:35Leave it, Leocadia.
35:37I think our marquis has other worries.
35:42What were you talking about?
35:44From your friend, Máximo.
35:45But it's clear that what worries you is that your secretary will be stolen.
35:50That concern is natural, Lorenzo.
35:52It's no secret that we both want our children close by after the wedding.
35:56Is that all it is?
36:00Is there anything else?
36:01I just don't understand your insistence, assuming that Curro is going to accept that offer.
36:07That boy has never been very bright.
36:09They offer him the moon and he still hesitates.
36:12I do it too.
36:14I don't want to be unfair, and I know it's a great opportunity,
36:17But Máximo should know that Curro lacks experience.
36:20And many other things.
36:22But he is willing to address that deficiency.
36:24She doesn't leave Curro's side for a single moment.
36:27It's almost like running their own companies.
36:31It's not a question, Varadi.
36:33A small mistake can be a big failure.
36:36Okay, Ayakta, the die is cast.
36:39I don't want it to be a reason for chance.
36:41What do you want me to say?
36:42I completely agree with you.
36:44Curro is not ready because he never will be.
36:47And that's where the doubt arises.
36:49Either your friend is incapable of seeing it, or...
36:52That offer...
36:54It hides other intentions.
36:57Well, I think Máximo knows very well what he's up against.
37:01And honestly, I don't know what hidden motive there could be behind hiring Curro.
37:05Hidden motive?
37:06For God's sake, Alonso.
37:08If she's become infatuated with Curro, it's been to do you a favor.
37:11But I agree that it's nonsense.
37:15And you're the first one who should talk to him.
37:18Listen to me, nobody...
37:20Can you hear?
37:22Nobody does favors that amount to professional suicide.
37:25Not for friendship, nor for anything.
37:28And if you have doubts, it's because it's absurd to want to elevate someone like Curro.
37:31I have never doubted Curro's ability.
37:34Only if this is the right moment.
37:36You should watch your words, Lorenzo.
37:39There are no conspiracies here.
37:41Simply a sincere interest in pleasing Alonso.
37:45But we should prevent those good intentions from being used against us.
37:48may end up harming our children.
37:51Look, there is none so blind as he who will not see.
37:55And I'm going to enjoy it a lot when time proves me right.
38:19If you're looking for Curro, you'll see he's not here.
38:21And I'm glad it's like that because the topic I need to discuss with you
38:25It's better to do it alone.
38:28I am studying.
38:31Even the most diligent student needs rest.
38:34My breaks are usually quite short.
38:36So I'll get to the point.
38:38I know you never miss an opportunity to discredit me.
38:42And it is my wish that you adopt that attitude once and for all.
38:50Has Curro asked you to talk to me?
38:52No, it hasn't been necessary.
38:56You're not exactly a woman who makes an effort.
38:59for hiding your feelings.
39:01I can't tell you how sorry I am that our paths crossed.
39:04with more women like me on her path.
39:06Yes, she knew it, yes.
39:08But in order to fulfill your wish
39:11to make this interview brief
39:13It would be better if we focused on what brought me here.
39:17Really, what do I have to do?
39:20to convince you
39:22Are my intentions good?
39:25I'm sorry, but it's not going to be possible.
39:28Nothing I can say or do
39:31He's going to convince me that I'm wrong.
39:33Regarding what?
39:33Regarding you.
39:35Obviously.
39:37He can disguise his plans as good intentions,
39:39But he doesn't fool me.
39:42I see you've inherited that from your mother
39:45a taste for conspiracies,
39:46But you're wrong about me.
39:48Really?
39:50Are you really going to deny me?
39:52who is trying to sideline Curro
39:54of all of us who love him?
39:55Yes, even from me.
39:57Quite the opposite, Angela.
39:59You are the first one invited to my palace
40:02when Curro accepts my proposal
40:04after your wedding.
40:06And he's so sure of it that he takes it for granted.
40:09I would say that you do it too, to some extent.
40:13Otherwise, I wouldn't put you on the defensive.
40:16Your esteem, Curro, Duke.
40:17He is capable of making his own decisions.
40:20I know.
40:21And that's why I know it won't escape him.
40:23that the opportunity I am offering you is unique.
40:26But you're wrong about my reasons.
40:29My offer is born exclusively
40:31of the affection I have for him
40:32at a price that I extend to you.
40:35He's messing around with his rhetoric again.
40:39Words are just words.
40:40if they are not accompanied by actions, Duque.
40:43And that is precisely why I have come looking for you.
40:45So that you'll give me just one chance.
40:48Since I came to the palace
40:49I have done nothing but receive your disdain.
40:51Maybe because it arrived sweeping everything away.
40:53and without showing respect for anyone.
40:54That's my friend's.
40:56I never thought I should ask for permission.
40:59In any case,
41:01It has never been my intention to make you uncomfortable.
41:04As I already told you the other day,
41:06Nor can he expect us to be friends.
41:07by legal imperative.
41:08I know, and you're right.
41:10And that is why I appeal to your goodwill
41:12for Curro's sake.
41:13I only wish that she has a bright future
41:16And you're part of that...
41:18Stop saying he's doing this for Curro!
41:21He has been missing for 15 years.
41:23And now it suddenly appears out of nowhere
41:24and offers her the moon.
41:27That's hard to believe, sir.
41:29Thank you, sir.
42:15A tough day at work?
42:19Yeah.
42:21Yes, that's what's needed to have it soon
42:24The manual is ready.
42:33So much so that it has forced Manuel and you
42:35to sacrifice dinner along with the rest of the family.
42:38Well, we had a late lunch.
42:40Neither Manuel nor I were hungry.
42:43By the way,
42:44Thank you for sending Carlo with the food.
42:47No, they don't deserve it.
42:49I asked that it be plentiful.
42:50And it is clear that he has delivered.
43:00Well, work has left me exhausted.
43:04So it's best if...
43:06that he goes to rest.
43:09If I want to perform well tomorrow.
43:14You're right.
43:16You need
43:17to take a break from the workshop.
43:20Yeah.
43:22AND
43:23It occurs to me
43:26one way.
43:51What's wrong, Juliet?
43:54I'm really tired, Ciro.
43:57I only have the strength to
43:59put on my nightgown
44:01and lie down in bed.
44:03I'm sorry.
44:06Clear.
44:08It's natural.
44:10After working so hard...
44:12Forgive me,
44:13I wouldn't want this to imply
44:14a misunderstanding between us.
44:16No, no, no.
44:17I understand.
44:19Forgive me
44:20for not having realized it sooner.
44:30I'll let you rest.
44:33Good evening, dear.
44:54Thank you very much
44:55that you stayed
44:57with the girl
44:58while I was washing up.
44:59I needed some time for myself.
45:01God knows.
45:04And well,
45:05You already know that I'm very stubborn.
45:07And when something gets in my stomach
45:07between the eyebrows
45:08I can't stop thinking about it.
45:11I think we would have
45:12to give the girl a name already
45:14to baptize her.
45:15Already.
45:17Are you still thinking
45:18Should I call Jara?
45:19Yeah.
45:19It's becoming clearer to me every day.
45:22I know I couldn't anymore
45:23call it something else.
45:24But I know he has
45:25the burden that you mentioned.
45:28Already.
45:29It's that history
45:30from your friend
45:31It's quite sad.
45:33Yeah.
45:34I know.
45:35But I don't know.
45:36That would be
45:37dwell on the bad.
45:38We could
45:39Let's focus on how good it was.
45:41You didn't know her,
45:41That's why you can't know.
45:43But...
45:44But she was
45:45the most generous person
45:45kinder and braver
45:47that mother has given birth.
45:49And that my daughter would be named that
45:51It would be like having a little piece of her.
45:54Do you understand?
46:02It's important to me.
46:05And maybe with luck
46:06who knows
46:07Something sticks to him
46:08from the other Jana
46:10and we came out on top.
46:15That seems fine to me.
46:23Carlos, I don't want to impose anything on you.
46:26You are very important to me.
46:31Yeah.
46:32Call Jana.
46:36Yes, I knew it
46:37who had the face of a fighter.
46:39That's why I came out in front.
46:40of the disease.
46:42Come.
46:44How is the creature doing?
46:46Good night.
46:48Very good.
46:50We already have a name.
46:51for the baptism.
46:52How praiseworthy.
46:53Praised be the most holy.
46:54Oh, excuse me.
46:56He will be praised.
46:57Monica,
46:58What will it be?
46:58the creature's name,
46:59please?
46:59Perhaps I can't answer you.
47:01because he hasn't told her yet.
47:06that your mother
47:07He takes it all
47:08very calmly.
47:13Hanna.
47:14Her name is going to be Hanna.
47:53Good night.
47:55I thought it would be at this time
47:57There would be nobody left here.
47:59That's the right thing to do.
48:00in a bunch of lazybones.
48:04I've been washing you
48:05some diapers.
48:07Ha!
48:09Of course.
48:11Doing his homework
48:12to that maiden
48:13that a princess was created.
48:15It costs very little
48:16make life pleasant
48:17to the others.
48:18You should try it.
48:20Don't come here lecturing me.
48:23Unless they are
48:25how to wash dresses.
48:27I understand
48:28that he's developed a taste for it.
48:31I didn't know it had been
48:32that's his business.
48:33You put on the dress
48:34of Doña Leocadia
48:35next to the dirty laundry.
48:37It must have been a small oversight.
48:39No.
48:40He did it on purpose.
48:41And?
48:41If that was the case.
48:43Don't you have any proof?
48:45What is he going to do?
48:46Apart from crying.
48:48I don't recognize you, Tomás.
48:51Neither do I like you, Petra.
48:54You look pathetic.
48:56Defending a maid,
48:58always lowering their heads.
49:00I'm ashamed to see
49:01what you have become.
49:04Always letting yourself be trampled on.
49:06You are no more
49:07that the laughingstock of everyone.
49:08No.
49:09That's not true.
49:10Of course.
49:12Nothing remains
49:14of that woman
49:16cold
49:16and lasts
49:18which said
49:19that we had to fight
49:21and step over
49:23from whomever was needed
49:24to achieve their goals.
49:26The one who supposedly
49:28He taught me to be strong.
49:32If that was my purpose,
49:36It's obvious
49:36I didn't get it, Tomás.
49:39Because you are not
49:40a strong woman.
49:42You're just bitter.
49:43which is not the same thing.
49:47Why are you behaving like this?
49:50Answer me.
49:51Thomas, we are sisters.
49:54Tell me
49:54and we tried to fix it.
50:10But to the young dukes,
50:12without them noticing,
50:13We add vegetables to the food
50:14a bad point.
50:16Be careful.
50:17Let's see if
50:18They're going to discover them
50:19the little dukes
50:20or worse,
50:21he finds out eventually
50:22Mr. Ballesteros
50:23And here's where you play dumb.
50:24Well, I just found out.
50:26You already know
50:27of my hatred towards her
50:28of all these years.
50:30But now
50:31that I've seen her again
50:32It's like all that hate
50:33would have multiplied,
50:35as if it were growing
50:36inside my womb
50:37with each passing day.
50:38I swear to God
50:39that I will not stop
50:40until I destroy my sister.
50:42Curro is a great guy,
50:43Of course it is.
50:45But from there
50:45to come
50:46out of nowhere
50:46as if he were their savior
50:47to offer to take over your business
50:49It's going to a different world, don't you think?
50:50My word is being questioned.
50:52Of course I do.
50:53That little one
50:54It's a shot of life.
50:55And that blessing from God
50:56Still unnamed?
50:57Her name is going to be Hannah.
50:58To a girl
50:59that has been
51:00on the verge of death
51:01They're going to load it
51:02with the name
51:02of a dead woman?
51:03But darling,
51:04Are you back to the same thing?
51:05I?
51:06But it's him
51:07the one who comes back to the fray
51:08constantly.
51:08I told him
51:09that leaves me in peace
51:09But he tries to tickle me.
51:11No, Angela,
51:11He just wants to get along with you.
51:12And a horn,
51:13I'm telling you.
51:13that man
51:14He doesn't do anything without a reason.
51:15You can't fool me,
51:16Carlos Castejón.
51:18He's been acting strange lately.
51:19distant,
51:20reconcentrated.
51:21That's curious.
51:22Because me too
51:22I ask myself questions,
51:23You know?
51:24About Samuel.
51:26I don't know,
51:27if something has already happened to him.
51:28I'm going to make sure
51:29that Angela
51:31be far from you.
51:32So far
51:33like you've had it
51:34for many years.
51:36So far
51:36you can't even
51:37imagine his voice.
51:38You're going to lose
51:39to your daughter Leocadia.
51:41All you have left is
51:42decide
51:42how to fit it in.
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