Horror movies are films designed to evoke fear, suspense, and tension through stories involving monsters, ghosts, serial killers, demons, supernatural creatures, or unexplained events. The genre includes many subgenres such as slasher, paranormal, zombie, psychological thriller, found footage, and survival horror, featuring both timeless classics and modern productions that have shaped the history of horror cinema.
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FunTranscript
00:00:26It gleams every night.
00:00:28Crime scene tape phosphorescing in the dark woods.
00:00:34It guards between human intellect and the sentience of nature.
00:00:52Consider your feelings for a lone hawk soaring in the sky.
00:00:56Now consider it mantling over a little rabbit and the squawk, squawk, squawk of dying life.
00:01:07The crime scene tape flaps between these two images, between the religious feeling of the
00:01:15soaring hawk and the frozen moment when we see what's on its talons.
00:01:24Consider the fern that covers the surface of the water, spreading to make a feast of the
00:01:30light.
00:01:30And everything below is held in darkness, starving slow.
00:01:39Between the survival of the fern and the deaths of the darkened plants and fish, that is where
00:01:46we put a barrier to mark evidence of a crime.
00:01:48This tape we put up, it's a strange legality, a symbol of our exclusively human concerns.
00:01:59Cut through it, come into an extra human reality.
00:02:30What's the first macabre thing you remember?
00:02:37I remember being a kid, four, maybe five, waking up to discover a streak of dried blood on my
00:02:43pillow and wondering from my ears, from my nose, from my eyes.
00:02:53Blood from the eyes, that's rich. Like a detail from one of your stories. I don't remember that.
00:03:01You're coming awake, bleeding.
00:03:04Probably it was a dream. Crows attacking fairies tumbling bloody in the sky.
00:03:09I used to dream like that all the time. So vivid there'd be remnant outside my head.
00:03:15A stain upon my pillow.
00:04:06I've been teaching my course on the contemporary novel for years. Then two years ago I started a night class
00:04:12on romantic poetry.
00:04:13And puts us on the metaphysical. Coleridge, Baudelaire, Poe.
00:04:20Are you still religious?
00:04:23Not like we were before.
00:04:25Of course not.
00:04:28We should go in. It'll be dark soon.
00:04:32You worried about snakes?
00:04:34You are too. Don't lie.
00:04:37There's some DVDs in the cabin. Horror movies.
00:04:40Any bad ones?
00:04:41We can hope.
00:04:42We can hope.
00:04:43We can hope.
00:04:47Try it afterwards before you go.
00:04:49Sorry they wanted to take care.
00:04:49We hope you've yet to see ourselves.
00:05:02I think always play your way.
00:05:02Were you around?
00:05:15All horror movies are about prying into private places, and the discoveries are like long
00:05:22falls through the dark.
00:05:24You have a story. Your character Lizzie. Searching through a family member's private things.
00:05:33Yes, Lizzie. She pays a secret visit to her stepbrother's closet and falls through a trapdoor.
00:05:41The fall of Lizzie. Is it far? A long tumble through the dark? Into a basement? More like a realm
00:05:50beneath the house.
00:05:51Oh, I like that. There's a troll down there, and Lizzie's hurt her ankle from the fall.
00:05:59She's defenseless. Therefore, pray? The troll tells her there are special laws. If she obeys these laws, her ankle will
00:06:07heal,
00:06:07and the puddle of blood at her feet will rise into a ladder, which, rung over rung, she can climb
00:06:14all the way up to the trapdoor.
00:06:17What are the special laws? The most special law is this. No snooping. But, of course, the troll lays it
00:06:24out in a biblically formal way.
00:06:26Thou shalt not cast eyes in unwelcome places, neither shall you open cabinetry or peek through curtains. That sort of
00:06:36thing.
00:06:36But our Lizzie can't resist a secret visit to a closet or quick peek to cabinetry.
00:06:42No, she can't.
00:06:44I'm trying to imagine a mind that rejoices in these stories.
00:06:48I don't rejoice in them.
00:06:50Do you always write anonymously?
00:06:52I really don't want the attention. Not for this kind of work.
00:06:56What does body horror mean?
00:07:00Blood spray.
00:07:01Do all your stories spray blood?
00:07:04Like a car wash.
00:07:06Is it ritualistic? For revenge?
00:07:10These aren't literary stories. The draw is mutilation.
00:07:14You must know why that is, otherwise you wouldn't be so successful at it.
00:07:17Mutilation is like a search. It turns the characters' insides into outsides. Hidden things now seen. Roughly exposed.
00:07:34The reader's desire to see private parts.
00:07:37And knowing that it's not alright to want that.
00:07:41An appealing sense of shame.
00:07:44Like something from the dark recesses of puritanism.
00:07:48Shame and rage.
00:07:51A reliable business model.
00:07:58a
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00:08:28Screams
00:08:58Screams
00:09:01Screams
00:09:02Screams
00:09:02Screams
00:09:11Screams
00:09:11Jory
00:09:13I called to you
00:09:16To make sense of what happened
00:09:20You didn't answer
00:09:26It's taken me a long time
00:09:29I'm sorry
00:09:32But now I have a plan
00:09:35A way for us to
00:09:36Move past our troubles
00:09:39Into a future
00:09:40Tense of joy
00:09:55You bring me all the way out here to a place that seems
00:10:01Prehistoric
00:10:02To tell me about future joy
00:10:08I
00:10:08Reveal everything
00:10:10Soon
00:10:12But first let me catch up with you
00:10:15I didn't realize how much I had ached to see you
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00:12:25Hey!
00:13:16We were sold.
00:13:20We were sold.
00:13:20Not sold.
00:13:25Whatever ceremonial name you want to put to it, we were sold.
00:13:29And him that bought us is an old half-witted, the mistaken light between competence and desire.
00:13:36An inheritance of goat-nod automobiles he can't put to profit.
00:13:41The light at the ceremony, the light they say binds us to him.
00:13:47It's the light of absence, the light of isolation, our toil.
00:13:55Binding light, bright light.
00:14:01Indentured light.
00:14:03Light upon sweat.
00:14:06Light upon blood.
00:14:09Light of a raw life.
00:14:11The light of a belt around our necks.
00:14:14Light decaying into light.
00:14:17And the light of our own darkness.
00:14:20Receiving.
00:14:27Light from the edge.
00:14:47Light from the edge.
00:14:56I don't know.
00:15:32A fall on an axe will create a specific wound.
00:15:35We have to mimic that wound.
00:15:37You said we'd hide the body.
00:15:39Hide it perfectly.
00:15:41Anything hidden can one day appear again.
00:15:44We'll be ready no matter what.
00:15:47Come on, let's give it a try.
00:15:53No.
00:15:56Slowly, to practice precision, like this.
00:16:01Chop.
00:16:05Chop.
00:16:06Chop.
00:16:09Chop.
00:16:11Chop.
00:16:12Chop.
00:16:14Chop.
00:16:16Chop.
00:16:17Chop.
00:16:19Chop.
00:16:20Chop.
00:16:26Hey, drop my fucking bag!
00:16:30Hey, you!
00:16:46Must you?
00:17:00Quit throwing rocks at my head!
00:17:02God, y'all!
00:17:11Back the fuck off or I swear I'll kill your husband and your daughter!
00:17:15I'll slip both your throats to rags!
00:17:27Remember, my knife knows the way home, bitchy.
00:17:44Yes.
00:17:49Oh, yes, me too.
00:17:58I miss you both.
00:18:01I love you.
00:18:05I will.
00:18:07Goodbye.
00:18:11They're fine?
00:18:12Yes, they're fine.
00:18:15The aleck of that crazy girl coming back after we...
00:18:18I know.
00:18:19Cause she even has a sense to find her way out of those woods is...
00:18:23I know.
00:18:24I'm all good.
00:18:26How much did you tell your husband?
00:18:37Who roams a house looking like a wolf?
00:18:40It's so odd.
00:18:42What about the person in the truck?
00:18:44Clearly not very brave.
00:18:47Listen, I was thinking...
00:18:49I think we should stay and finish our vacation.
00:18:52I don't think she'll be back.
00:18:55What's wrong?
00:18:59You mentioned an event that would move us past our troubles.
00:19:04So that we can focus on a future tense of joy.
00:19:12You don't think I orchestrated that break into you?
00:19:24Maybe it's too late for us to be normal with one another.
00:19:28I didn't say that.
00:19:31I've ate for so long.
00:19:33Let's try, please.
00:19:39Someone's here.
00:19:40The park rangers?
00:19:42We hope.
00:19:50We searched the woods where she fled, but no luck.
00:19:54She probably made her way to the fringe.
00:19:56The fringe?
00:19:57Yeah.
00:19:58It's what we call a little ad hoc community between here and town.
00:20:02Camp of young adults.
00:20:03Found themselves out of place.
00:20:05Now living in the woods by choice.
00:20:08Are they violent?
00:20:09Not normally.
00:20:10But sometimes they're our drifters.
00:20:14You're going to thoroughly check this place out, yes?
00:20:16Now that you have the description of the one who attacked us.
00:20:20I'm on my way there now with the park rangers.
00:20:22I just stopped by to tell you that the woods near your cabin are clear.
00:20:26You're not a park ranger?
00:20:28I'm a volunteer.
00:20:30That's rich.
00:20:31You look like a ranger out of central casting.
00:20:34I know these woods pretty well, I guess.
00:20:37What do you do?
00:20:38I'm a pastor at a Congregationalist church in town.
00:20:42No fooling.
00:20:44No fooling.
00:20:46I never would have figured that.
00:20:49Well, thanks.
00:20:50Maybe.
00:20:51How is it that this fringe community is tolerated by the Parks Department?
00:20:56Not tolerated exactly.
00:20:59I sort of liaison between the two.
00:21:02Do you have a card or something?
00:21:04I don't mean to be impolite, but if you're not a park ranger, then we ought to have some record
00:21:08of who we're speaking to about our case.
00:21:11Case?
00:21:11We weren't robbed exactly.
00:21:13But you clearly saw the knife.
00:21:16I don't have a card, I'm sorry.
00:21:18My name is Jack Weems.
00:21:20I'm known around the lake.
00:21:22It's easy to check up on me.
00:21:24Parson Weems.
00:21:26Sorry.
00:21:26It's fine.
00:21:28I've heard them all.
00:21:29Believe me, I cannot tell a lie.
00:21:33Can we go with you to see the fringe?
00:21:36Not a good idea.
00:21:39But I can circle back after my look around if you want me to.
00:21:43That would be nice, thank you.
00:22:02I'm on.
00:22:15I can circle back after my look around if you want me to come.
00:22:16I can circle back when asked.
00:22:21I'm so tired.
00:22:21I'm so tired.
00:22:21I'm so tired.
00:22:24Everything's dark.
00:22:24I'm so tired.
00:22:25I'm so tired.
00:24:27Rupture, rupture, rupture, rupture, the only thing we're living is our thoughts.
00:24:56Rupture, rupture, rupture, the only thing we're living is our thoughts.
00:25:02Rupture, rupture, rupture, the only thing we're living is our thoughts.
00:25:12Rupture, rupture, rupture, rupture, the only thing we're living is our thoughts.
00:25:15You talk to me.
00:25:53Giant salvenia, the ferns you see here are choking the lake.
00:25:58Biological control through the use of salvenia weevils is the best management option.
00:26:04The weevils devour that the lake may become clear.
00:26:07Looks chaotic, doesn't it?
00:26:10Looks like renewal.
00:26:23This place is magical.
00:26:26Yes.
00:26:28It's as though there's a separation.
00:26:31This natural place and the place of ambition.
00:26:35Place of concrete skin.
00:26:37There's encroachment.
00:26:39This place needs preserving.
00:26:43At your church, do you say God's plan?
00:26:46Yes.
00:26:47Is that accurate?
00:26:49It's helpful.
00:26:52Saying plan presents a sense of authority in the unknown.
00:26:55What word would you use?
00:26:58Spectacle.
00:27:00God's spectacle.
00:27:03God's spectacle which includes individual damage.
00:27:08An individual grace.
00:27:13Can it be included in this talk of spectacle and grace, the prospect of a double?
00:27:19That each of us has a double?
00:27:23A double that prepares us for survival?
00:27:27A representation of ourselves?
00:27:30Imagine I have a double.
00:27:32Someone who struggles but also sets the stage for me to live more wisely.
00:27:40Are you talking about Kayden?
00:27:44We've been separated for a long time.
00:27:47The lake is our union.
00:27:49Although it sounds magical, I believe I have a way forward for us.
00:27:56A path you didn't know about before.
00:28:00Take the idea of heaven and God's plan for destination.
00:28:04Imagine not a plan but a spectacle.
00:28:07Everything happening simultaneously.
00:28:10Instead of toil and reward being one thing followed by another.
00:28:14Life and life after.
00:28:17Imagine toil and reward at once.
00:28:20Experienced between doubles.
00:28:23One struggle prepares the other's survival.
00:28:27They're at the same pace.
00:28:33It's interesting.
00:28:39So no, not a pathway.
00:28:42An event.
00:28:45An event of grace.
00:28:47Where the doubles meet and are made equal.
00:28:58What type of event is that?
00:29:00Something extreme.
00:29:17There you are.
00:29:22There are many failures.
00:29:22There's a aim even fret.
00:29:22You didn't see me again, like what type of event?
00:29:22You know?
00:29:40It's you, like it or not, you can hear me.
00:30:21It's you, like it or not, you can hear me.
00:30:30It's you, like it or not, you can hear me.
00:31:19It's you, like it or not.
00:31:22It's you, like it or not.
00:31:52It's you, like it or not.
00:32:38It's you, like it or not.
00:32:48It's you, like it or not.
00:33:22It's you, like it or not.
00:33:27I'm in so much pain.
00:33:31I need to think about my life and find a new way to be.
00:33:38What if the change is death?
00:33:41Don't you think it's possible that you deserve to die?
00:33:47I prefer to live.
00:33:51There's a way to live and be changed.
00:33:54I want that.
00:33:57What will you do?
00:34:01Anything.
00:34:09Do you have the authority to help me?
00:34:15Yes.
00:34:18An exchange is necessary.
00:34:23You must bring me two.
00:34:27Then you will have the opportunity to reform.
00:34:30One.
00:34:32Two.
00:34:41All right.
00:34:44I'll bring you two.
00:34:46One.
00:34:47Two.
00:34:56One.
00:35:06A few.
00:35:11Two.
00:35:12Two.
00:36:24I had a moment of recognition.
00:36:27Like a face that appears suddenly at the window.
00:36:32First, it's a surprise.
00:36:35Then you know.
00:36:38Sounds profound.
00:36:52I found a way for Caden and me to let the pain of her past stay in the past.
00:37:01Not a denial.
00:37:03We understand we can't possibly make each other feel what the gap of years was like for each other.
00:37:11Her time staying solitary and me trying to make a life for myself.
00:37:17Right now there is a void between us.
00:37:21A history of absence and the pain of absence.
00:37:25What might help is the shock of the new.
00:37:32Shock of the new.
00:37:34The idea is to create a new beginning.
00:37:37It must be a profound experience.
00:37:42Something that regenerates our relationship.
00:37:45Allows us to reshape our understanding of one another.
00:37:51What is this shocking experience?
00:37:55It has to do with that thief.
00:38:03Is that true?
00:48:34In the
00:49:45There's a heart.