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Sleep with the lights on... Join us as we count down our picks for the greatest scary movies that will leave you questioning reality long after the credits roll! From claustrophobic nightmares to mind-bending twists, these films prove that true horror lives in the darkest corners of the human mind. Which of these psychological masterpieces haunted you the most? Let us know!
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00:00Oh my god, you know what we have to do? You know what we have to do? We have to
00:03kill him.
00:04Yes. Yes. Yes.
00:07Welcome to WatchMojo, and today we're counting down our picks for the greatest scary movies that will leave you thinking.
00:13There will be spoilers.
00:15I understand you's fine.
00:17But if I don't play along with your little game here, Dr. Naring's gonna turn me into one of his
00:24ghosts.
00:25Number 30, Back Rooms.
00:26Who would have thought that a single innocent image online would create one of the greatest horror films of the
00:312020s?
00:32Director Cain Parsons did.
00:34I found something in the store.
00:36Okay. What did you find?
00:39A24's highly anticipated adaptation of the Back Rooms brings the dread of endless fluorescent-lit office corridors to the big
00:45screen.
00:46Following a depressed furniture store owner who discovers a portal to an impossible dimension,
00:50the film leans heavily on environmental unease.
00:53The true monster isn't just the roaring entity hiding in the labyrinth,
00:57but the mind-bending reality-fracturing nature of the space itself.
01:01You still haven't told us what we're doing here, man.
01:03I did tell you. Research.
01:05It is a visually striking, claustrophobic nightmare that perfectly captures the existential dread of being hopelessly lost in a fabricated
01:12reality.
01:13It's a real mess.
01:16But also beautiful.
01:18In a way.
01:19Number 29, The Vanishing.
01:21Some horror films shock audiences.
01:23The Vanishing haunts them.
01:33This Dutch psychological thriller features a man obsessively searching for his missing girlfriend.
01:38The premise sounds simple, but the film's power comes from its relentless focus on uncertainty.
01:43Every year that passes only deepens the need to know the truth.
01:53What elevates the movie into horror territory is its chilling understanding of human curiosity
01:58and the terrible things people will endure for closure.
02:01Decades later, it remains a distinctly compelling and criminally underrated gem in the horror catalogue.
02:12Oh, and in case there was any question, we 100% mean the original, not the remake.
02:18Number 28, The Invitation.
02:20Going to a dinner party hosted by your ex-wife is already awkward.
02:24But The Invitation masterfully weaponizes that anxiety into a 90-minute white-knuckled thrill ride.
02:29I think you need to go back inside.
02:33You don't like me?
02:35I don't know you.
02:36As our grieving hero navigates his complex feelings, the movie slowly ratchets up its tension.
02:41How much of this is real?
02:42Should we be suspicious or is it all in his head?
02:45You're all smiles spewing out all this jargon with these two in tow.
02:49Don't tell me that this is normal.
02:51The Invitation walks a tightrope of perspective,
02:54leaving the audience constantly guessing as to what the truth really is.
02:57By the time it unveils its answers,
02:59the paranoia has already boiled over into a brilliant final act guaranteed to leave you reeling.
03:05Just let go.
03:08Just...
03:10We'll be there soon.
03:11Number 27, Bug.
03:13There's an old horror adage about how what you don't see is scarier than what you do.
03:17That is Bug in a nutshell.
03:19I wish I didn't think about it either, but they don't let you forget.
03:22They want you to know they're there.
03:24That what's there?
03:26The machines?
03:27Starring Michael Shannon and Ashley Judd,
03:30we follow a pair of broken people who are absolutely convinced they're being watched.
03:34What follows is a terrifying escalation as the two push each other to crazier and crazier heights in the name
03:40of survival.
03:40They can't get to everybody.
03:42People slip through the cracks.
03:43They find the chip.
03:44They cut it out.
03:45Like me or Ted Kaczynski.
03:46They need a chip that will self-perpetuate, that will spread like a virus.
03:51And yet Bug has a remarkable degree of restraint.
03:54At some points, it feels like these two really have some screws loose.
03:58But at others, we are convinced there really is something going on.
04:02Bug's determination to leave things vague is a bold and unforgettable cinematic swing.
04:07I am the super mother bug!
04:11I am the super mother bug!
04:14Oh my god!
04:15Number 26.
04:16Shutter Island.
04:18Please stop!
04:22Martin Scorsese, Leonardo DiCaprio, and famous source material.
04:26Need we say more?
04:27We will anyway.
04:28It's safe to say a lot of people showed up to Shutter Island for its pedigree alone.
04:32But they left with a twisted, thought-provoking piece about the human psyche.
04:36This is a game.
04:37All of this is for you.
04:40You're not investigating anything.
04:43You're a f***ing rat in a maze.
04:45Scorsese's at the top of his directing game here, with tight angles and eerie music perfectly
04:50putting you on edge.
04:51Then there's DiCaprio, who turns in some incredible work too.
04:54If you somehow haven't had its bonkers ending spoiled, we urge you to run to your nearest
05:00screen and watch this to the end.
05:01Clock's ticking, my friend.
05:04We're running out of time.
05:05Number 25.
05:06The Changeling.
05:07Grief and atmosphere are at the heart of this story.
05:10Are you the child killed by the cold car?
05:15No.
05:16Don't get us wrong.
05:17The Changeling is still terrifying enough to leave you sleepless for a few nights, but
05:21it balances those scares with a moving story of loss.
05:24Relying on overwhelming ambiance and psychological dread over cheap gore, it proves that sometimes
05:29the most terrifying monsters are simply the buried secrets of greedy, ruthless men.
05:34Well, what was that all about?
05:35Senator Carmichael thinks he's being blackmailed.
05:38While its methodical pacing won't be for everyone, there is no denying the visceral
05:42impact you'll be left with at the credits.
05:44There's a reason it's still regarded as one of the best, even 40 years after release.
05:4999% out of frauds, but the 1% astonishing.
05:58Number 24.
05:59The Invisible Man.
06:00Escaping domestic violence is only half the battle.
06:03Trauma is something you can't outrun.
06:05An idea that takes on a new terrifying meaning in The Invisible Man.
06:16Re-contextualizing the monster as the echoes of a dangerous relationship is brilliant.
06:21It allows the film to gaslight, manipulate, and frame both the audience and see.
06:25It's some kind of suit that Adrian has built, and it has cameras, and I somehow, what?
06:33Then, when The Invisible Man becomes not so invisible anymore, it feels like the movie has
06:38really earned it.
06:39You think you're learning how to beat me, so I'm gonna truly teach you something.
06:44Not only is The Invisible Man an avant-garde update to a famous story, but it is one of the
06:49most addictive thrillers in recent memory, period.
06:52Number 23.
06:53Smile.
06:54It takes some serious work to turn a grin into a source of terror, but that is exactly
06:59what Smile does.
07:00Listen, Rose, I don't think you should go anywhere, okay?
07:02You just relax, and I'm gonna make a phone call, all right?
07:06Rose!
07:07Rose, don't go anywhere!
07:08We have to give this movie its flowers, because there is another world where this could have
07:12devolved into a mindless, cliche ghost story.
07:14Instead, the film dives deep into the psychological implications of shared trauma.
07:18It just so happens to come in the form of some very creepy smiles.
07:25Spine-tingling, but sophisticated at the same time, you'll come to Smile for the scares,
07:29but stay for its surprising, nuanced message about the ways we all subconsciously affect
07:33each other.
07:34Why the f*** did you come here?!
07:36You're not giving it back to me!
07:38Get out of here!
07:39Number 22.
07:40The Witch.
07:41I am no witch, father.
07:42What did I put say in my house?
07:45Will you not hear me?
07:47I'm pretty, come fast.
07:48Why have you turned against me?
07:49If you want to check this one out, here's a piece of advice.
07:52Remember to breathe.
07:54Robert Eggers crafts such a suffocating tale here, it's genuinely difficult to avoid getting
07:58sucked in.
07:59On the surface, it's a fairly simple story, but The Witch excels in what it doesn't show.
08:04It lives in lengthy still frames and stretches of silence, slowly ramping up the terror until
08:09it's practically unbearable.
08:17And then, only then will it give you a half beat to compose yourself before it's on to
08:22the next scene.
08:22We don't want to give too much away, but take our word for it.
08:25The Witch is downright spellbinding.
08:28I cannot write my name.
08:31I will guide thy hand.
08:35Number 21.
08:36It follows.
08:37You can get rid of it, okay?
08:38Just sleep with someone as soon as you can.
08:41Just pass it along.
08:42In this film, you're never safe.
08:44Not when you're asleep, not when you're with friends, and definitely not out in public.
08:48The titular It is always on its way.
08:55Sometimes it's a stranger, sometimes it's someone you know, but it's always coming.
09:00And when it finds you, well, you can guess.
09:03The ingenious premise adds a sense of danger to even the most innocent scenes.
09:07You really feel as desperate as Jay does, constantly wondering where the monster will
09:11strike next.
09:12Combined with a dreamlike aesthetic and a truly haunting score, It Follows has risen above
09:17a mere cult hit and turned into a true modern classic.
09:24Number 20.
09:25Get Out.
09:26Jordan Peele's directorial debut scares audiences in all the right ways.
09:30In lieu of gory set pieces or excessive jump scares, his film relies on its politically charged
09:36mysteries to generate tension.
09:38And to say it works would be a massive understatement.
09:41Get out.
09:43Sorry, man.
09:44Okay.
09:45Get out!
09:46Chris meeting his girlfriend's parents is its own kind of horror.
09:49But by the time the credits roll, Get Out devolves into a bone-chilling fright fest that's
09:54bound to leave you thinking.
09:56Its biting social critique struck a major chord with audiences and critics.
10:00But we are divine.
10:03We are the gods trapped in cocoons.
10:06Alongside a massive box office hall, Peele walked away with the Academy Award for Best
10:11Original Screenplay.
10:13Clearly, Get Out leaves its viewers wanting to do anything but.
10:17Number 19.
10:18The Cabinet of Dr. Caligari.
10:20With just one look at this film's striking visuals, it's obvious why it's considered a
10:25revolution for arthouse horror movies.
10:27Dr. Caligari's twisted set design is the very definition of unsettling.
10:32Even when nothing particularly scary is happening on screen.
10:40And that's to say nothing of its actual narrative.
10:43The tale of a mad hypnotist turning patients into murderers is a painfully potent mirror
10:48to the state of 20th century Germany.
10:50It's all the more impressive since the silent film accomplishes it without any spoken dialogue.
11:00Dr. Caligari's artistic merits have kept it in the conversation for over 100 years after
11:05its release.
11:06And there's no reason to believe it can't do it for another 100, too.
11:09Number 18.
11:11Eraserhead.
11:12The story here is remarkably straightforward.
11:15Henry has a wife.
11:17He cheats on her.
11:18He blames their baby.
11:19And the screen cuts to black.
11:21However, the what isn't nearly as interesting as the how and why.
11:26You see, David Lynch's surrealist masterpiece features imagery so disturbing, it has to be
11:31seen to be believed.
11:39Whether it's walking home from the grocery store or eating dinner with some friends,
11:43the film successfully turns each and every mundane act into a deeply horrific set piece.
11:48It's a harrowing portrait of parenthood, for better or for worse.
11:52Suffice it to say, Eraserhead is utterly unforgettable, if only for that nightmarish baby prop.
11:59Oh, you are sick.
12:02Number 17.
12:03Jacob's Ladder.
12:04This film is a little bit of everything on the horror scale.
12:07Psychological terror mixed with arthouse vibes and surrealistic moments.
12:14But above all else, it is terrifying.
12:17The movie follows Tim Robbins as a Vietnam War veteran who begins to experience extremely
12:22strange visions.
12:23The nature of these visions remains a tantalizing mystery throughout, and you soon begin to question
12:28the film's reality.
12:29It'll make you feel disgusted long after the credits roll thanks to its discomforting scenes
12:34and hopeless attitude.
12:36But no matter how difficult it may be to stomach, Jacob's Ladder is definitely worth stepping
12:41on.
12:41No one can remember that night.
12:44Like it flashes, but they don't make sense.
12:47Number 16.
12:48Repulsion.
12:49Repulsion was director Roman Polanski's first feature film to be released in English, and
12:54what an introduction it was.
12:59When the troubled Carol Ledoux is left alone in the apartment she shares with her sister,
13:03she begins to experience strange and unexplainable occurrences.
13:07The movie is terribly claustrophobic and isolating, a terrifying depiction of a young woman's slow
13:12dip into utter insanity.
13:14The acting, Polanski's use of sound, the startling images, and the filmmaking are all top-notch, and
13:20the result is a truly unnerving psychological experience.
13:32Number 15.
13:33The Haunting.
13:34The dead are not quiet in Hill House.
13:38Director Robert Wise interpreted this story as one about mental health instead of ghosts,
13:43and that vision is reflected in the film's final cut.
13:46Namely, there's a distinct lack of blood or monsters in its two-hour runtime.
13:51Don't mistake that as a lack of scares, though.
13:53On the contrary, The Haunting is easily one of the most off-putting films of its time.
13:59Oh, someone.
14:01It's a lie.
14:02Wise purposefully used an imperfect camera lens in order to give the set a distorted look.
14:07As a result, The Haunted House feels as much like a character as the paranormal investigators.
14:12Plus, the focus on Eleanor's deteriorating mental state ensures that when the scares do come,
14:18they are fiendishly effective.
14:21Number 14.
14:22The Others.
14:23I think that sometimes the world of the dead gets mixed up.
14:33The Others follows Nicole Kidman as a single mother who begins to suspect that her house is haunted.
14:38And even though it's a modern movie, it gleefully reminds us of old-school horror.
14:42There are no cheap jump scares, screeching violins, or buckets of blood.
14:46It's just a creepy haunted house that acts up in subtly horrifying ways.
14:50And Nicole Kidman perfectly portrays a troubled and increasingly desperate mother who only wants the safety of her children.
14:56It also has one of the most shocking endings in horror movie history, even if it's become common knowledge in
15:02the years since.
15:03We're not dead.
15:04We're not dead.
15:05We're not dead.
15:06The Others is a simple, old-fashioned ghost story.
15:09And we love it.
15:11We're not dead.
15:12We're not dead.
15:20For the first hour of this seminal Japanese work, you'd be forgiven for assuming it's an oddly paced romance film.
15:26But a body bag and an infamous needle scene later, an audition reveals itself as one of the most sinister
15:32horror films of all time.
15:41The shocking twist of fate works so well because the film spends most of its runtime intentionally lulling the audience
15:47into a false sense of security.
15:49Outside of an odd line here and there, there is nothing to prepare you for what the movie becomes in
15:55its final minutes.
16:07Audition is a true masterclass of turning audience expectations into a sadistic type of gruesome horror.
16:14Number 12.
16:15The Babadook
16:24The Babadook was an unfortunate victim of misleading marketing.
16:28Many audiences expected another haunted house romp like The Conjuring and were left disappointed with this more methodical film.
16:34However, those without faulty expectations found a harrowing movie about the destructive power of grief.
16:40The story follows a depressed single mother who becomes hunted and influenced by The Babadook, a monster found in her
16:47son's pop-up book.
16:48While The Babadook is indeed scary, it's in the metaphorical nature of the monster where the real scares lie, as
16:54Amelia soon becomes enveloped by the madness that The Babadook represents.
16:58This is both a depressing and uplifting film, and it's frightening to boot.
17:02You are trespassing in my house!
17:12Number 11.
17:13The Blair Witch Project
17:15To make this found footage movie, three actors were set loose in the woods with a camcorder and no written
17:21dialogue.
17:22Eight days of filming later, they turned in a movie that's still influential to this day.
17:27I know, I know, we have to get back to the car.
17:29We're obviously not wanted here, so let's get the hell out.
17:32The shaky cam presentation adds a certain visceral quality to each unnerving moment, and there are a lot of them.
17:39Yet somehow, the accelerating scares never compromise how authentic the footage feels.
17:44Even with the knowledge that this is fiction, the movie never fails to put you right in the character's shoes.
17:49I am so, so sorry for everything that has happened.
17:56At a time when horror films were becoming increasingly cinematic, The Blair Witch Project went in the completely opposite direction.
18:03And evidently, that was a very good thing.
18:07Number 10.
18:08Funny Games
18:08Despite its name, this horror flick is no laughing matter.
18:12Just not for the reasons most expect.
18:15On paper, a pair of sadistic invaders tormenting an innocent family is pretty standard horror fare.
18:21But instead of resisting those tropes, Funny Games embraces them by slowly and surely blurring the line between fact and
18:28fiction.
18:36While there are still plenty of grisly moments to satisfy genre diehards, none of them matches the mind-bending twists
18:42this movie throws at you.
18:44At a certain point, it feels less like a movie and more like, well, a game.
18:49Albeit one that is totally rigged.
18:52Nothing is scarier than villains who can write their own ending.
19:02Number 9.
19:03Don't Look Now
19:06Another oldie but a goodie, Don't Look Now stars Donald Sutherland and Julie Christie as a depressed couple who travel
19:12to Venice.
19:13There, they meet a psychic who informs them that their dead daughter is attempting to reach and warn them of
19:18impending danger.
19:19Oh yes, she's with you, she's with you, my dear.
19:22The movie is arguably a masterpiece, and it still manages to stop the heart all these years later, thanks to
19:29its horrifying scenes and harrowing depiction of grief.
19:32It also has one of the scariest endings in horror movie history, one that's sure to leave you open-mouthed
19:38and petrified.
19:39It's influenced many filmmakers over the years, and it's not hard to see why.
19:43Wait, wait.
19:50Wait.
19:53Number 8.
19:54The Sixth Sense
19:55M. Night Shyamalan's breakout feature is known for having the twist ending to end all twist endings.
20:01But there's a whole film preceding that moment, and its execution is just as exemplary.
20:06I don't want to be scared anymore.
20:08From the very start, The Sixth Sense excels in the steady rise and fall of tension.
20:13It takes the time to let its characters sit back and breathe.
20:17Then, when a ghostly hand reaches out from under the bed, it has genuine stakes.
20:22Best of all, the film is just as interested in its contemplative themes as it is terrifying its audience.
20:28I'm not going to see you anymore, am I?
20:33I think we said everything we needed to say.
20:35That thoughtful approach makes for an incredibly fulfilling two hours, whether you know the ending or not.
20:42Number 7.
20:43Black Swan
20:44You what?
20:47I want to be perfect.
20:48Director Darren Aronofsky certainly knows how to explore the dark sides of the human mind, and he does it masterfully
20:54in Black Swan.
20:55This is a movie about a ballerina who descends into insanity due to the immense pressure of landing a coveted
21:00role.
21:01Natalie Portman shines as Nina Sayers, capturing both the childlike innocence of the white swan, and the dark maturity of
21:07the black swan.
21:08And helping us to feel conflicted about the nature of her character and her sanity.
21:13The film explores the dangers of attempting to reach perfection in a beautiful, scary, and unforgettable way.
21:19Aronofsky is a true master of the psychological.
21:22Perfect.
21:23What?
21:25Perfect.
21:26Perfect.
21:26Perfect.
21:32That is perfect.
21:34Number 6.
21:35Hereditary
21:35At its core, this is a movie about a family in mourning.
21:39And yet, even in its most innocuous moments, Hereditary channels an unbearable amount of rising dread.
21:46It's hard to breathe.
21:49What do you mean?
21:51I think my throat's getting bigger.
21:53Then, just like that, it all boils over in a burst of graphic violence.
21:58And then another.
21:59And another.
22:01None of these scenes is easy to sit through by any means.
22:08Still, it's hard not to be mesmerized by the film's ambitious themes.
22:13Especially when they're brought to life by a career best performance from Toni Collette.
22:16Don't you swear at me, you little shit!
22:19Don't you ever raise your voice at me!
22:21I am your mother!
22:23Do you understand?
22:24All in all, Hereditary succeeds because it's an utterly enthralling deconstruction of grief that just so happens to come with
22:31a few jump scares.
22:32Not the other way around.
22:34Number 5.
22:35Misery
22:36I thought you were good, Paul.
22:38But you're not good.
22:40You're just another lying old dirty birdie.
22:43Stephen King has really done it all when it comes to horror.
22:46A little gross-out gore here, a ghost story there, and some vampires sprinkled on top.
22:51With misery, he tackled non-supernatural psychological horror.
22:55And he succeeded brilliantly.
22:57I have this gun.
23:03Sometimes I think about using it.
23:06The story, about an author who becomes trapped with a psychotic fan,
23:09was adapted perfectly by Rob Reiner,
23:11who beautifully transfers the isolation and claustrophobia felt on the pages to the screen.
23:16Kathy Bates' performance in particular is stellar,
23:19playing the seemingly pleasant but realistically unhinged Annie Wilkes.
23:23It's a terrific adaptation,
23:25and a terrifying look into the dangers of celebrity worship.
23:28Trust me.
23:30God's sake.
23:31It's for the best.
23:32Number 4.
23:33The Silence of the Lambs
23:35Where were you going, Clarice?
23:37I don't know.
23:38I didn't have any food, any water, and it was very cold.
23:42The Silence of the Lambs is undoubtedly a masterpiece,
23:44and it remains the only horror film to win the Academy Award for Best Picture,
23:49a testament to just how memorable and powerful it is.
23:51The film follows FBI trainee Clarice Starling,
23:54who seeks the help of an imprisoned cannibal in order to catch a serial killer.
23:58If I help you, Clarice, it will be turns with us too.
24:02Quit pro quo.
24:03I tell you things, you tell me things.
24:05She soon forms a fascinatingly therapeutic bond with the cannibal, Hannibal Lecter.
24:09Not only is their relationship tantalizingly complex,
24:13but also the film itself is rife with unforgettable quotes,
24:16nightmarish images,
24:17and one of the best villainous performances of all time in Anthony Hopkins.
24:21I ate his liver with some fava beans and a nice Chianti.
24:29It's not only a fantastic horror movie, but a fantastic movie too.
24:34Period.
24:35I do wish we could chat longer, but I'm having an old friend for dinner.
24:41Number 3. Psycho.
24:43It's not hyperbole to say Alfred Hitchcock's signature slasher flick
24:46practically defined what the horror genre could achieve.
24:49That being unforgettable plot twists,
24:51despicable villains,
24:53and loads of spine-tingling moments.
24:55Add in a downright iconic musical score,
24:57and it's really no wonder Psycho lives on as Hitchcock's magnum opus.
25:04It's so scarily good,
25:06it's genuinely difficult to choose a favorite part.
25:09The performances,
25:10the direction,
25:11or the fact that Hitchcock pulled it all off with a fraction of his normal budget.
25:15Either way,
25:16we can all unanimously agree on one thing.
25:18Despite decades of innovations and rip-offs,
25:21Psycho still easily holds up as a gripping example of tasteful horror at its best.
25:26They'll see,
25:27they'll see,
25:28and they'll know,
25:29and they'll say,
25:31why she wouldn't even harm a fly.
25:35Number 2.
25:36Rosemary's Baby.
25:37Let's have a baby,
25:39alright?
25:40Let's have three babies,
25:41one at a time,
25:42alright?
25:42Three years after Repulsion,
25:44Rowan Polanski returned to cinemas with Rosemary's Baby,
25:47and it strengthened his status as one of film's most disturbing directors.
25:51The movie,
25:52about a woman who begins to suspect that her neighbors want her baby for cultish reasons,
25:56is a horror masterpiece,
25:57filled with Polanski's unique sense of dread and isolation.
26:01Just the concept itself,
26:03learning that you were impregnated by Satan and gave birth to his offspring,
26:06is horrifying enough.
26:08What have you done to it?
26:10What have you done to its eyes?
26:12However,
26:13it's Polanski's filmmaking,
26:14complete with a disturbing use of sound,
26:16and tormenting lack of visuals,
26:18that elevates the movie to art.
26:20God is dead!
26:22Hail Satan!
26:23Satan lives!
26:24The air is won!
26:26Hail Satan!
26:27The air is won!
26:29God is not!
26:31Before we continue,
26:32be sure to check out WatchMojo's 24-hour livestream.
26:35All of your favorite videos in one place,
26:3724-7.
26:38Always on,
26:39always live.
26:40Are you not entertained?
26:43Number 1.
26:44The Shining
26:45Although the initial reaction to Stanley Kubrick's masterpiece The Shining was mixed,
26:49it's now widely regarded as one of the best and scariest movies of all time.
26:54Let's go!
26:55Stop it!
26:55Red rung!
26:56Vinny!
26:57Red rung!
27:01Vinny!
27:02The story follows a jaded father who slowly loses his sanity due to the malevolent forces
27:07of a hotel.
27:08Jack Nicholson is simply outstanding in this role,
27:11delivering a nuanced performance that is equally terrifying and captivating.
27:15Here's Johnny!
27:18Aside from its now classic scares like the twin girls in the bloody elevator,
27:22the movie explores the petrifying concept of watching a comforting and protective family member descend into murderous insanity.
27:29This is the ultimate psychological horror film and one of Kubrick's best.
27:34You can't get away!
27:40I'm right behind you!
27:42Which of these movies kept you up the longest?
27:45Sound off in the comments.
27:45Sound off in the comments.
27:46Things like the
27:47We do!
27:47Once you have time,
27:51Days like 25,
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