- 4 months ago
Film de 8 Oscaruri !!!
Piesă din 1913 de George Bernard Shaw cu numele de "Pygmalion".
Musical din 1956 de Frederick Loewe (muzica) şi Alan Jay Lerner (libretul).
Ecranizare cinematografică din 1964, aranjament muzical de André Previn. În rolurile principale: Audrey Hepburn şi Rex Harrison. Regia George Cukor.
* * * Din filmoteca www.spiritus.ro
Piesă din 1913 de George Bernard Shaw cu numele de "Pygmalion".
Musical din 1956 de Frederick Loewe (muzica) şi Alan Jay Lerner (libretul).
Ecranizare cinematografică din 1964, aranjament muzical de André Previn. În rolurile principale: Audrey Hepburn şi Rex Harrison. Regia George Cukor.
* * * Din filmoteca www.spiritus.ro
Category
🎈
FunTranscript
00:01:53Don't you remember me?
00:01:55No.
00:01:55Who the devil are you?
00:01:56I'm your pupil.
00:01:57Your first, your greatest, your best pupil.
00:02:00I'm Zoltan Carpathi, that marvelous boy.
00:02:03Oh.
00:02:03Ah, I made your name famous throughout Europe.
00:02:06You teach me phonetics, you cannot forget me.
00:02:08Why don't you have your hair cut?
00:02:09Ah, well, I don't have your imposing appearance, your figure, your brow.
00:02:13If I had my hair cut, nobody would notice me.
00:02:15Where did you get all these old coins?
00:02:17Where did you get all these old coins?
00:02:17Well, these are decorations for language.
00:02:19Oh?
00:02:19The Queen of Transylvania is here this evening.
00:02:21I'm indispensable to hurt these official international parties.
00:02:24I speak 32 languages.
00:02:26I know everyone in Europe.
00:02:28No imposter can escape my detection.
00:02:29Professor Carpathi, for your heart.
00:02:34The Greek ambassador.
00:02:36Greek, my foot.
00:02:37He pretends not to know any English, but he cannot deceive me.
00:02:40He's the son of a Yorkshire watchmaker.
00:02:43He speaks English so villainously that he cannot utter a word without betraying his origin.
00:02:49I help him pretend, but I make him pay through the nose.
00:02:52I make them all pay.
00:02:53Excuse me, sir.
00:02:54You are wanted upstairs.
00:02:55Her excellency asks for you.
00:02:56Excuse me.
00:03:15By God, by Countess Sampson.
00:03:21Baron and Baroness of Yonster.
00:03:26The guy and lady Scott Ackler.
00:03:48The Count and Countess de Moreau.
00:03:51By Count and By Countess Hilyard.
00:03:54Mr. and Mrs. Richard Lanzer.
00:03:57Lord and Lady Clandon.
00:04:01Miss Eliza Doolittle, Colonel Pickery.
00:04:04Miss Eliza Doolittle, Colonel Pickery.
00:04:08Professor Higgins.
00:04:11Your Excellency, Miss Doolittle.
00:04:13How do you do?
00:04:14Good evening, Colonel.
00:04:15Good evening.
00:04:17Oh, Colonel.
00:04:18What an enchanting young lady you have with you this evening.
00:04:22Who is she?
00:04:23Oh, a cousin of mine, Aunt Higgins.
00:04:26Excuse me.
00:04:27Professor Higgins.
00:04:29Such a faraway look, as if she's always lived in a garden.
00:04:33So she has a sort of garden.
00:04:35Uh-huh.
00:04:47Mr. Henry, I shall die.
00:04:52Is that her son?
00:04:54Yes.
00:04:57I don't believe in your eyes.
00:04:59And they shall die.
00:05:01What's my name?
00:05:02Yes, please.
00:05:07Sort of, you know, sort of impostorologist.
00:05:10I beg your pardon?
00:05:11The young lady with Kern of Pickerel.
00:05:14Find out who she is.
00:05:16With pleasure.
00:05:18The whole situation's highly explosive.
00:05:26Jeremy Zoltan's more about the Greek ambassador.
00:05:29Gladly, Professor, but first I would love you to present me to this glorious creature.
00:05:32Has he really come from Yorkshire?
00:05:43Our Majesty, the Queen of Transylvania, and His Royal Highness, Prince Gregor.
00:06:07hat
00:06:26and
00:06:30call
00:06:31us
00:06:36stars
00:06:37Charming.
00:06:39This Doolittle man.
00:07:05Such a charming girl.
00:07:07I think you'll know when you hear her now.
00:07:11This is a beautiful barbie.
00:07:13You don't need to park in a creek.
00:07:16Possibly.
00:07:20Is that your son of a barbie?
00:07:23I have some tiny balls now.
00:07:24But I leave my muscles like this.
00:07:29I took one now.
00:07:54Did you see her?
00:08:17Miss Doolittle, my son, would like to dance with you.
00:08:26Elle est charmante, elle est distante.
00:08:55Elle est charmante, elle est charmante.
00:09:14Elle est charmante.
00:09:16Elle est charmante, elle est charmante.
00:09:46Elle est charmante.
00:10:16Elle est charmante.
00:10:33Elle est charmante.
00:10:50Elle est charmante, elle est charmante.
00:11:16Elle est charmante, elle est charmante.
00:11:23Elle est charmante.
00:11:28Elle est charmante.
00:11:29Elle est charmante.
00:11:44Ça a lot of tomfoolery.
00:11:48No, not for a second.
00:11:49Not during the whole evening?
00:11:51Not a moment. I thought we were going to win hands down.
00:11:53I felt like a bear in a cage, hanging about, nothing to do.
00:11:55It was an immense achievement.
00:11:57I hadn't backed myself to do it. I'd have given it up two months ago.
00:12:00Absolutely fantastic.
00:12:02A lot of tomfoolery.
00:12:03Higgins, I salute you.
00:12:05Oh, the silly people don't know their own silly business.
00:12:08Tonight, old man, you did it. You did it. You did it.
00:12:11You said that you would do it, and indeed you did.
00:12:14I thought that you would rue it. I doubted you'd do it.
00:12:17But now I must admit it, that succeed you did.
00:12:20You should get a medal, or be even made a knight.
00:12:23Oh, it was nothing. Really nothing.
00:12:26All alone you hurdled every obstacle in sight.
00:12:29Now wait, now wait. Give credit where it's due.
00:12:33A lot of the glory goes to you.
00:12:36But you're the one who did it, who did it, who did it.
00:12:39As sturdy as Gibraltar, not a second, did you falter?
00:12:42There's no doubt about it.
00:12:44You did it.
00:12:50I must have aged a year tonight
00:12:52At times I thought I'd die of fright
00:12:54Never was there a momentary lull
00:12:58Shortly after we came in
00:13:00I saw at once we'd easily win
00:13:02And after that I found it deadly dull
00:13:06You should have heard the oohs and ahs
00:13:09Everyone wondering who she was
00:13:11You'd think they'd never seen a lady before
00:13:14And when the Prince of Transylvania
00:13:17Asked to meet her
00:13:19And gave his arm to lead her to the floor
00:13:24I said to him, you did it
00:13:26You did it, you did it
00:13:28They thought she was ecstatic and so damned aristocratic
00:13:31And they never knew
00:13:32That you
00:13:35Did it
00:13:39Thank goodness for Zoltan Kaparthi
00:13:41If it hadn't been for him I'd have died of boredom
00:13:43Kaparthi, that dreadful Hungarian, was he there?
00:13:46Yes, he was there all rising up to his old tricks
00:13:49That blaggard who uses the science of speech
00:13:51More to blackmail and swindle than teach
00:13:54He made it the devilish business of his
00:13:57To find out who this Miss Doolittle is
00:14:01Every time we looked around
00:14:03There he was, that hairy hound from Budapest
00:14:08Never leaving us alone
00:14:10Never have I ever known a Rudapest
00:14:14Finally I decided it was foolish
00:14:16Not to let him have his chance with her
00:14:20So I stepped aside and let him dance with her
00:14:27Oozing charm from every paw
00:14:29He oiled his way around the floor
00:14:32Every trick that he could play
00:14:34He used to strip her mask away
00:14:36And when at last the dance was done
00:14:39He glowed as if he knew he'd won
00:14:41And with a voice too eager and a smile too broad
00:14:45He announced to the hostess that she was
00:14:48A fraud
00:14:49No
00:14:51Yavou
00:14:56Her English is too good, he said
00:14:58That clearly indicates that she is foreign
00:15:02Whereas others are instructed in their native language
00:15:06English people aren't
00:15:09And although she may have studied
00:15:11With an expert dialectician and grammarian
00:15:16I can tell that she was born
00:15:22Hungarian
00:15:24Not only Hungarian but of royal blood
00:15:28She is a princess
00:15:30Her blood, he said, is bluer than the Danube is or ever was
00:15:35Royalty is absolutely written on her face
00:15:38She thought that I was taken in
00:15:40But actually I never was
00:15:41How could she deceive another member of her race
00:15:45I know each
00:15:46Language on the map, said he
00:15:49And she's Hungarian
00:15:51dating
00:15:51As the first Hungarian rhapsodist
00:15:54Hah hahahahaha
00:15:56Aha
00:15:57Oh
00:15:58Ah
00:15:58Ah
00:15:59Of
00:16:03Congratulations, Professor Higgins, for your glorious victory
00:16:10Congratulations, Professor Higgins, you'll be mentioned in history
00:16:18This evening, sir, you did it, you did it, you did it
00:16:21For your glorious victory, you did it
00:16:24This evening, sir, you did it, you did it, you did it
00:16:27We know that we have said it, but you did it
00:16:29And the credit for it all belongs to you
00:16:40Well, thank God that's over
00:16:43Now I can go to bed without dreading tomorrow
00:16:48Good night, Professor Higgins
00:16:49Good night, Professor Higgins
00:16:50I think I'll turn in, too
00:16:52Good night, Higgins, been a great occasion
00:16:54Good night, Big Ring
00:16:57Oh, Mrs. Piers
00:16:59Oh, damn
00:17:00I meant to ask her to give me coffee in the morning instead of tea
00:17:04Leave a little note for her, will you, Eliza?
00:17:06And put out the lights
00:17:08And what'd you say?
00:17:17Thank you
00:17:17All right, sir
00:17:23Thank you
00:17:23And what'd you if you were there?
00:17:30Very much
00:17:30Thank you
00:17:42Oh, my God.
00:18:01What have I done with my slippers?
00:18:06Here are your slippers.
00:18:08There!
00:18:11And there!
00:18:13Take your slippers and may you never have a day's luck with them.
00:18:17What are...
00:18:19What's the matter? Is anything wrong?
00:18:21No, nothing wrong with you. I won your bet for you, haven't I?
00:18:24That's enough for you. I don't matter, I suppose.
00:18:27You won my bet, you presumptuous insect.
00:18:31I won it. What did you throw those slippers at me for?
00:18:33Because I wanted to smash your face.
00:18:35I could kill you, you selfish brute.
00:18:36Why'd you leave me where you picked me out of in the gutter?
00:18:39You thank God it's all over now.
00:18:40You can throw me back again there, do you?
00:18:43Oh, so the creature's nervous, after all.
00:18:46Oh!
00:18:49Claws in, you cat.
00:18:50How dare you show your temper to me.
00:18:51Sit down and be quiet.
00:18:53Oh, what's to become of me?
00:18:55What's to become of me?
00:18:59How the devil do I know what's to become of you?
00:19:01What does it matter what becomes of you?
00:19:02You don't care. I know you don't care.
00:19:05You wouldn't care if I was dead.
00:19:06I'm nothing to you, not as much as them slippers.
00:19:09Those slippers!
00:19:10Those slippers!
00:19:12I didn't think it made any difference now.
00:19:17Why have you suddenly begun going on like this?
00:19:20May I ask if you complain of your treatment here?
00:19:23No.
00:19:24Has anybody behaved badly?
00:19:26Colonel Pickering, Mrs. Pierce?
00:19:27No.
00:19:29Well, you don't pretend that I have treated you badly.
00:19:33No.
00:19:34No.
00:19:34Glad to hear that.
00:19:37Perhaps you're tired after the strain of the day.
00:19:40Would you, uh, would you have a chocolate?
00:19:42No!
00:19:47Well, it's only natural that you should be anxious,
00:19:49but it's all over now.
00:19:52Nothing more to worry about.
00:19:54No.
00:19:55Nothing more for you to worry about.
00:19:58Oh, God!
00:19:59I wish I was dead.
00:20:01Why?
00:20:02In heaven's name, why?
00:20:04Now, listen to me, Eliza.
00:20:06All this irritation is purely subjective.
00:20:09I don't understand.
00:20:10I'm too ignorant.
00:20:11It's just imagination.
00:20:12Nothing's wrong.
00:20:13Nobody's hurting you.
00:20:15Now, you go to bed and sleep it off.
00:20:16Have a little cry and say your prayers,
00:20:18and you'll feel very much more comfortable.
00:20:21I heard your prayers.
00:20:23Thank God it's all over.
00:20:25Well, don't you thank God it's all over,
00:20:27and how you're free, and you can do what you like.
00:20:29Oh, what am I fit for?
00:20:31What have you left me fit for?
00:20:33Where am I to go?
00:20:34What am I to do?
00:20:36What's to become of me?
00:20:40Oh, that's what's worrying you, is it?
00:20:44Oh, I wouldn't worry about that if I were you.
00:20:46I'm sure you won't have any difficulty in settling yourself somewhere or other.
00:20:52I didn't quite realise you were going away.
00:20:57You might marry, you know.
00:20:59You see, Eliza, all men are not confirmed old bachelors like me and the colonel.
00:21:03Most men are the marrying sort.
00:21:05Poor devils.
00:21:07And you're not bad-looking.
00:21:08You're really quite a pleasure to look at sometimes.
00:21:11Well, not now, of course, when you've been crying.
00:21:12You look like the very devil.
00:21:13But, I mean, when you're all right and quite yourself,
00:21:16you're what I would call attractive.
00:21:20Now, you go to bed and have a good night's rest,
00:21:22and then get up in the morning and have a look at yourself in the glass.
00:21:24You won't feel so bad.
00:21:31I dare say my mother might find some fellow or other who'd do very well.
00:21:35We were above that at Covent Garden.
00:21:37What do you mean?
00:21:39I sold flowers I didn't sell myself.
00:21:42Now you've made a lady of me.
00:21:43I'm not fit to sell anything else.
00:21:45Oh, tosh, Eliza.
00:21:47Don't insult human relations by dragging all that cant about buying and selling into it.
00:21:51You don't have to marry the fellow if you don't want to.
00:21:53What else am I to do?
00:21:55Oh, lots of things.
00:21:57What about the old idea of a florist's shop?
00:22:00I'm sure Pickering would set you up in one.
00:22:01He's got lots of money.
00:22:03To pay for all those togs you're wearing tonight and that with the hire of the jury,
00:22:06and make a big hole in 200 pounds.
00:22:09Oh, come on, now.
00:22:10You'll be all right.
00:22:13Well, I used to be off to bed.
00:22:14I've been a devilish, Stevie.
00:22:17I was looking for something.
00:22:18What was it?
00:22:19Your slippers.
00:22:21Oh, yes, of course.
00:22:22You shied them at me.
00:22:25Before you go, sir.
00:22:28Hmm?
00:22:31Do my clothes belong to me or to Colonel Pickering?
00:22:35What the devil's use would they be to Pickering?
00:22:37Why do you bother about that in the middle of the night?
00:22:39I want to know what I may take away with me.
00:22:41I don't want to be accused of stealing.
00:22:45Stealing?
00:22:46You shouldn't have said that, Eliza.
00:22:48That shows a want of feeling.
00:22:50I'm sorry.
00:22:51I'm only a common ignorant girl, and in my station I have to be careful.
00:22:54There can't be any feelings between the likes of you and the likes of me.
00:22:57Please, will you tell me what belongs to me and what doesn't?
00:23:01Take the whole damn house full if you want.
00:23:04Except the jury.
00:23:05That's hired.
00:23:06Stop, please.
00:23:10Will you take these to your room and keep them safe?
00:23:14I don't want to run the risk of them being missed.
00:23:18Oh, I'd hand them over.
00:23:20If these belonged to me and not the jeweller, I'd ram them down your ungrateful throat.
00:23:25The ring isn't the jewelers.
00:23:28It's the one you bought me in Brighton.
00:23:30I don't want it now.
00:23:35Don't you hit me!
00:23:37Hit you, you infamous creature.
00:23:40How dare you suggest such a thing.
00:23:41It's you who have hit me.
00:23:42You've wounded me to the heart.
00:23:43I'm glad I got a little of my own back anyhow.
00:23:48You caused me to lose my temper.
00:23:50I think it's hardly ever happened to me before.
00:23:52I don't wish to discuss it further tonight.
00:23:53I'm going to bed.
00:23:55You'd better leave your own note for Mrs. Pearce about the coffee,
00:23:57for it won't be done by me.
00:23:59Damn Mrs. Pearce.
00:24:01Damn the coffee.
00:24:02And damn you.
00:24:04And damn my own folly for having lavished my hard-earned knowledge
00:24:07and the treasure of my regard and intimacy
00:24:09on a heartless guttersnipe.
00:24:12He-he-he-he-he-he-he-ha-wa
00:25:02Just you white, Henry Higgins, just you white.
00:25:09You'll be sorry, but your tears will be too light.
00:25:15You will be the one it's done to, and you'll have no one to run to, just you white.
00:25:52I have often walked down this street before,
00:25:58but the pavement always stayed beneath my feet before.
00:26:05All at once am I several stories high, knowing I'm on the street where you live.
00:26:15Are there lilac trees in the heart of town?
00:26:22Can you hear a lark in any other part of town?
00:26:28Does enchantment pour out of every door?
00:26:34No, it's just on the street where you live.
00:26:39And oh, the towering feeling Just to know somehow you are near
00:26:51The overpowering feeling That any second you may suddenly appear
00:27:04People stop and stare They don't
00:27:12Darling!
00:27:16Freddie, what are you doing here?
00:27:18Nothing. I spend most of my nights here. It's the only place where I'm happy.
00:27:22Don't laugh at me, Miss Doolittle.
00:27:23Don't you call me Miss Doolittle, do you hear? Eliza's good enough for me.
00:27:30Oh, Freddie, you don't think I'm a heartless guttersnipe, do you?
00:27:34Darling, how could you imagine such a thing? You know how I feel.
00:27:37I've written two or three times a day telling you. Sheets and sheets.
00:27:40Speak, and the world is full of singing
00:27:44And I am winging higher than the birds
00:27:49Touch, and my heart begins to crumble
00:27:53The heavens tumble
00:27:55Darling, and I'm
00:27:57Words, words, words
00:27:58I'm so sick of words
00:28:00I get words all day through
00:28:02First from him, now from you
00:28:03Is that all you blighters can do?
00:28:08Don't talk of stars burning above
00:28:11If you're in love, show me
00:28:14Tell me no dreams filled with desire
00:28:18If you're on fire, show me
00:28:21Here we are together in the middle of the night
00:28:24Don't talk of spring, just hold me tight
00:28:27Anyone who's ever been in love will tell you that
00:28:30This is no time for a chat
00:28:35Haven't your lips longed for my touch?
00:28:38Don't say how much
00:28:40Show me, show me
00:28:42Don't talk of love lasting through time
00:28:46Make me no undying bow
00:28:49Show me now
00:28:56Read me no song, read me no rhyme
00:29:00Don't waste my time, show me
00:29:02Don't talk of June, don't talk of fall
00:29:06Don't talk at all, show me
00:29:09Never do I ever want to hear another word
00:29:12There isn't one I haven't heard
00:29:16Here we are together in what ought to be a dream
00:29:19Say one more word and I'll scream
00:29:23Haven't your arms hungered for mine?
00:29:27Please don't explain
00:29:28Show me, show me
00:29:32Don't wait until wrinkles and lines
00:29:35Pop out all over my brow
00:29:41Show me now
00:29:48Eliza, where are you going?
00:29:49To the river
00:29:49What for?
00:29:50To make a hole in it
00:29:53Eliza, darling, what do you mean?
00:30:05Taxi
00:30:06Taxi
00:30:07But I'm not winning
00:30:08I have
00:30:10Where do we go?
00:30:11Where I belong
00:30:27Darling, shall I come with you?
00:30:55With one enormous chair
00:30:59How won't it be lovely
00:31:03Lots of chocolate for they do eat
00:31:09Lots of cow might be lots of meat
00:31:14Warm fights, warm ants, warm feet
00:31:19How won't it be lovely?
00:31:24Oh, so
00:31:26Boy, a flower, miss?
00:31:28Yes, please
00:31:34I would never budge till spring
00:31:40Crept over me windowsill
00:31:44Someone's head resting on my day
00:31:48Warm and tender as she can be
00:31:53Though tights good care of may have wanted
00:32:02Be lovely
00:32:06Oh, good morning, miss. Can I help you?
00:32:12Do you mind if I warm my hands?
00:32:15Go right ahead, miss.
00:32:24Yes?
00:32:25Oh, excuse me, miss. For a second I thought you were somebody else.
00:32:28Who?
00:32:30Look at me, ma'am. Early morning light playing tricks with my eyes.
00:32:34Can I get you a taxi, ma'am?
00:32:35A lady like you shouldn't be walking alone round London this hour in the morning?
00:32:40No, thank you.
00:32:55No, thank you.
00:33:10No, thank you.
00:33:13No, thank you.
00:33:28Do come again, Mr. Doolittle. We value your place and it's always.
00:33:33Oh, thank you, my good man. Thank you.
00:33:35Here. Come here. Take the missus a trip to Brighton with my compliments.
00:33:39Well, thank you, Mr. Doolittle.
00:33:43Charming spot this, Harry. We was visited more often.
00:33:47Father?
00:33:50Oh, no. You see, Harry, he has no mercy. Sent her down to spy on me in me misery he
00:33:56did.
00:33:56Me own flesh and blood.
00:34:01Well, I'm miserable, all right. You can tell him that straight.
00:34:04What are you talking about? What you dressed up for?
00:34:06As if you didn't know. Go on back to that wimpole street devil.
00:34:11Tell him what he's done to me.
00:34:12What's he done to you?
00:34:14Ruin me, that's all. Tied me up and delivered me in the hands of middle-class morality.
00:34:20And don't you defend him. Was it him or was it not him?
00:34:23Wrote to an old American blighter named Wallingford.
00:34:26Who was given five millions to found moral reform societies.
00:34:30To tell him the most original moralist in England was Mr. Alfred P. Doolittle.
00:34:35A common Dutchman.
00:34:38Sounds like one of his jokes.
00:34:40You may call it a joke. It's put the lid on me proper.
00:34:44The old bloke died and left me 4,000 pounds a year in his blimmin' will.
00:34:50Who asked him to make a gentleman out of me?
00:34:52I was happy. I was free.
00:34:54I touched pretty nigh everyone for money when I wanted it.
00:34:57Same as I touched him.
00:34:59Now I'm tied neck and heels and everybody touches me.
00:35:03A year ago I hadn't a relation in the world.
00:35:06Except one or two who wouldn't speak to me.
00:35:09Now I've 50.
00:35:10Not a decent week's wages amongst a lot of them.
00:35:13All I have to live for others? No, not for myself.
00:35:16Middle-class morality.
00:35:18Come on Alfie, another couple of hours and we have to be at the church.
00:35:21Yeah.
00:35:22Church?
00:35:23Yeah, church.
00:35:25The deepest cut of all.
00:35:27Why do you think I'm dressed up like a ruddy pallbearer?
00:35:31Your stepmother wants to marry me.
00:35:33Now I'm respectable, she wants to be respectable.
00:35:36Well if that's the way you feel about it, why don't you give the money back?
00:35:40That's the tragedy of it, Eliza.
00:35:42It's easy to say chuck it.
00:35:45But I'm the nerve.
00:35:47We're all intimidated.
00:35:48That's what we are, intimidated.
00:35:50Brought up.
00:35:51Yeah.
00:35:52That's what I am.
00:35:53That's what your precious professor's brought me to.
00:35:56Not my precious professor.
00:35:59Oh, sent you back has he?
00:36:02First he shoves me in the middle class, then he chucks you out for me to support you.
00:36:08That's all part of his plan.
00:36:10But you double-cross him.
00:36:13Don't you come back home to me.
00:36:15Don't you take tuppence from me.
00:36:18You stand on your own two feet, you're a lady now and you can do it.
00:36:21Yeah.
00:36:22That's right, Eliza.
00:36:23You're a lady now.
00:36:25Eliza, it's getting awfully cold in that taxi.
00:36:27Here, Eliza, would you like to come and see me turned off this morning, eh?
00:36:31St. George's, Anniver Square, 10 o'clock.
00:36:34I wouldn't advise it, but you're welcome.
00:36:36No, thank you, Dad.
00:36:37No.
00:36:39Are you all finished here, Eliza?
00:36:41Yes, Freddie.
00:36:43I'm all finished here.
00:36:48Good luck, Dad.
00:36:50Thank you, Eliza.
00:37:09Oh, come along, Alfie.
00:37:11How much time have I got left?
00:37:12There's just a few more hours.
00:37:15That's all the time you've got.
00:37:18A few more hours before they tie the knot.
00:37:24There's drinks and girls all over London,
00:37:27and I've got to track them down in just a few more hours.
00:37:32Set them up, me darling.
00:37:34I'm getting married in the morning.
00:37:39Ding-dong, the bells are gonna chime.
00:37:43Pull up a stopper.
00:37:45Let's have a whopper.
00:37:47But get me to the church on time.
00:37:51I got to be there in the morning.
00:37:55Spruced up and looking in my prime.
00:37:59Girls come and kiss me.
00:38:02Show how you'll miss me.
00:38:03But get me to the church on time.
00:38:07If I am dancing, roll up the floor.
00:38:11If I am whistling, clap the door.
00:38:17I'm getting married in the morning.
00:38:20Ding-dong, the bells are gonna chime.
00:38:24Kick up a rampus, but don't lose the campers.
00:38:28And get me to the church.
00:38:31Get him to the church.
00:38:33For God's sake, get me to the church on time.
00:38:41I'm getting married in the morning.
00:38:44I'm getting married in the morning.
00:38:45Ding-dong, the bells are gonna chime.
00:38:49Some grown who's able, lift up the table.
00:38:53And get me to the church on time.
00:38:56If I am flying, they shoot me down.
00:39:01I'm going to get around the town.
00:39:04For I'm getting married in the morning.
00:39:09Ding-dong, the bells are gonna chime.
00:39:13Feather and Tommy, call out the army.
00:39:17But get me to the church.
00:39:19Get me to the church.
00:39:21Oh, for God's sake.
00:39:22Get me to the church on time.
00:39:27He's getting married in the morning.
00:39:31Ding-dong, the bells are gonna chime.
00:39:34Come on, pull off the stopper.
00:39:37Let's have a whopper.
00:39:39But get me to the church on time.
00:39:43He's getting married in the morning.
00:39:47Spruce, the bells are gonna chime.
00:39:51Girls, come and kiss me.
00:39:53Show how you'll miss me.
00:39:55But get me to the church on time.
00:39:58If I am dancing, roll up the floor.
00:40:02If I am whistling, kick me out the door.
00:40:07Call me to get married in the morning.
00:40:11Ding-dong, the bells are gonna chime.
00:40:13Sing-dong, the bells are gonna chime.
00:40:15Grab me or jail me.
00:40:17Stab me and mail me.
00:40:19But get me to the church.
00:40:21Get me to the church.
00:40:22For God's sake.
00:40:24Get me to the church on time.
00:40:28Get me to the church on time.
00:40:28Get me to the church on time.
00:40:30Come on, Alfie.
00:40:31Get us all done.
00:40:33Get us all done.
00:40:37Girls, come and kiss him.
00:40:40Show how we miss him.
00:40:41And get him to the church on time.
00:40:44Show how we miss him.
00:40:50Here's the church on time.
00:40:52Shh!
00:40:53Thick, thump, thump, thump, thump, thump, thump, thump, thump, thump, thump, thump, thump.
00:40:59The light is shining like a candle
00:41:01And the oil is a joke right now
00:41:05If I am poor, then gather all your sounds
00:41:09Ouch! These are getting the strings on my hands
00:41:13Get your blood and follow your time
00:41:17Some blocus able, lift up the tide for your wife's sake
00:41:22Let me to the church on time
00:41:25Wait till our stairs to the right
00:41:27No!
00:41:30Oh my God!
00:41:32Oh my God!
00:41:40Oh my God!
00:41:41Oh my God!
00:41:42Oh my God!
00:41:42Thanks in the yard!
00:41:44Cheers!
00:41:46Woo!
00:41:48Woo!
00:41:50Woo!
00:42:03Starlight is reeling down to bed now
00:42:09Morning is smearing up the sky
00:42:16London is waking
00:42:19Daylight is breaking
00:42:22Good luck, old chum
00:42:25Good health
00:42:27Goodbye
00:42:33I'm getting married in the morning
00:42:41Ding-dong, the bells are gonna chime
00:42:47So listen to that
00:42:48Daylight is so clear
00:42:50Then call off to the king
00:42:52And get me to the church
00:42:54And get me to the church
00:42:56And come to the church
00:42:58And get me to the church
00:43:04I'm getting married in the morning
00:43:13Pickering, Pickering, didn't she even say we're to send her clothes?
00:43:16I told you, sir, she took them all with her
00:43:17Pickering, what's the matter?
00:43:19Here's a confounded thing, Eliza's bolted
00:43:21Bolted?
00:43:21Bolted, last night, Mrs Pierce had to go without telling me a thing about it
00:43:24Well, I'm deaf
00:43:25What am I to do? I got tea this morning instead of coffee
00:43:27I don't know where anything is, I don't know where my appointments are
00:43:29Eliza would know
00:43:30Of course she'd know, but damn it, she's gone
00:43:32Did either of you gentlemen frighten her last night?
00:43:35Last night, beyond a set of work, you were there
00:43:36Did you bully her after I went to bed?
00:43:38Well, not the other way around
00:43:39She threw the slippers at me
00:43:40I never gave her the slightest provocation
00:43:42The slippers suddenly came bang at my head
00:43:43Before I answered a word
00:43:44She used the most disgraceful language
00:43:46I was shocked
00:43:47Well, I'm deaf
00:43:48I don't understand
00:43:49We've always given her every consideration
00:43:50She admitted it herself
00:43:51Well, I'm deaf
00:43:52Oh, Pickering, for God's sake, stop being dashed and do something
00:43:55What?
00:43:56Well, phone the police
00:43:57What are they there for in heaven's name?
00:43:58Mr Tiggins, you can't give Eliza's name to the police
00:44:01As if she were a thief or a lost umbrella
00:44:03Why not? I want to find the girl
00:44:05She belongs to me, I paid five pounds for her
00:44:08Quite right, hello
00:44:10Scotland Yard, please
00:44:11Get me some coffee, would you please?
00:44:13Yes, sir
00:44:13Mrs, um, Scotland Yard
00:44:15Yes, of course
00:44:16I beg of one, yes
00:44:17Mrs, this is Colonel Pickering
00:44:19Speaking
00:44:20Hugh Pickering
00:44:2227A
00:44:23Wimpole Street
00:44:2427A
00:44:25I want to report a missing person
00:44:28Miss Eliza Doolittle
00:44:30Yes
00:44:30About 21
00:44:33Oh, I should say about 5 foot 7
00:44:37Her eyes
00:44:38Oh, let me think now
00:44:39Her eyes
00:44:40Her eyes
00:44:41Brown
00:44:42Brown, yes
00:44:44No, no, no
00:44:45No, a hair
00:44:47Oh, good Lord
00:44:48Let me
00:44:48Well, a sort of nondescript neutral sort of
00:44:51Brown, brown, brown
00:44:52Do you hear what you said?
00:44:54Brown, brown, brown, yes
00:44:55No, no, no
00:44:56This is her residence
00:44:5727A
00:44:57Yeah, yeah
00:44:59About between 3 and 4 this morning, I understand
00:45:02Yes
00:45:02No, no, no, no
00:45:04No, no
00:45:04No, she's no relation
00:45:05No
00:45:06What?
00:45:07Well, just let's call her a good friend
00:45:09I beg your pardon
00:45:11Listen to me, my man
00:45:13I don't like the tenor of that question
00:45:15What the girl does here is our affair
00:45:18Your affair is to get her back so that she can continue doing it
00:45:22Well, I'm dashed
00:45:26What in all in heaven can have prompted her to go?
00:45:29After she had triumphed the ball
00:45:32What could have depressed her?
00:45:34What could have possessed her?
00:45:35I can't understand the wretch at all
00:45:40Higgins, I have an old school chum at the home office
00:45:43Perhaps he can help
00:45:44Think I'll give him a ring
00:45:49Whitehall 7244, please
00:45:53Look, women are irrational, that's all there is to that
00:45:56Their heads are full of cotton hay and rags
00:45:59They're nothing but exasperating, irritating, vacillating, calculating, agitating, maddening and infuriating hags
00:46:07Oh, I want to speak to Mr. Brewster Budgin, please
00:46:10Brew-
00:46:11Yes, I'll wait
00:46:18Bickering
00:46:20Why can't a woman be more like a man?
00:46:23I beg your pardon?
00:46:25Yes, why can't a woman be more like a man?
00:46:29Men are so honest, so thoroughly square
00:46:32Eternally noble, historically fair
00:46:35But when you win, we'll always give your back a pat
00:46:38But why can't a woman be like that?
00:46:43Why does everyone do what the others do?
00:46:46Can't a woman learn to use a head?
00:46:49Why do they do everything their mothers do?
00:46:52Why don't they grow up?
00:46:54Well, like their father instead
00:46:56Why can't a woman take after a man?
00:46:59Men are so pleasant, so easy to please
00:47:02Whenever you're with them, you're always at ease
00:47:05Would you be slighted if I didn't speak for hours?
00:47:08Of course not
00:47:09Would you be livid if I had a drink or two?
00:47:11Nonsense
00:47:12Would you be wounded if I never sent you flowers?
00:47:15Never
00:47:15Well, why can't a woman be like you?
00:47:19One man in a million may shout a bit
00:47:23Now and then there's one with slight defects
00:47:26One perhaps whose truthfulness you doubt a bit
00:47:29But by and large, we are a marvelous sex
00:47:33Why can't a woman take after a man?
00:47:36Because men are so friendly, good-natured and kind
00:47:39A better companion you never will find
00:47:42If I were hours late for dinner, would you bellow?
00:47:45Of course not
00:47:46If I forgot your silly birthday, would you fuss?
00:47:48Nonsense
00:47:49Would you complain if I took out another fellow?
00:47:52Never
00:47:52Well, why can't a woman be like us?
00:47:58Oh, hello
00:47:59Mr. Brewster Budgin there?
00:48:01Boozy
00:48:03Boozy, you'll never, never guess who this is
00:48:07You're quite right, yes, it is
00:48:08Good heavens
00:48:09My George, what a memory
00:48:12How are you, Boozy?
00:48:14Nice to hear your voice
00:48:15What?
00:48:16Oh, don't say that
00:48:17It is really 30 years
00:48:18Good heavens
00:48:19You're quite right, yes
00:48:20Oceans of water
00:48:21Listen
00:48:21Listen, listen, Boozy
00:48:22I'll tell you why I rag up
00:48:23Something rather unpleasant has happened this end
00:48:25Could I come and see you?
00:48:26Hmm
00:48:27Well, I could, yes
00:48:28Now, straight away
00:48:29Right, oh, good
00:48:30Thank you, thank you
00:48:30Goodbye, Boozy
00:48:31Thank you very much
00:48:40Oh, Mrs. Pierce
00:48:41I'm going along to the home office
00:48:43Oh, I do hope you find her, Colonel Pickering
00:48:45Mr. Higgins will miss her
00:48:47Mr. Higgins will miss her, eh?
00:48:49Blast, Mr. Higgins
00:48:51I'll miss her
00:48:54Pickering
00:48:58Pickering
00:49:03Oh, Mrs. Pierce?
00:49:05Yes, sir?
00:49:06Where's the Colonel?
00:49:07He's gone to the home office, sir
00:49:10Oh, there you are
00:49:11I'm disturbed and he runs for help
00:49:14Now, there's a good fellow
00:49:17Mrs. Pierce, you're a woman
00:49:20Why can't a woman be more like a man?
00:49:24Men are so decent, such regular chaps
00:49:27Ready to help you through any mishaps
00:49:30Ready to buck you up whenever you are glum
00:49:33Why can't a woman be a chump?
00:49:38Why is thinking something women never do?
00:49:41I mean, why is logic never even tried?
00:49:45Straightening up their hair is all they ever do
00:49:47Why don't they straighten up the mess that's inside?
00:49:51Why can't a woman behave like a man?
00:49:54If I was a woman who'd been to a ball
00:49:57Been hailed as a princess by one and by all
00:50:00Would I start weeping like a bathtub overflowing?
00:50:04Or carry on as if my home were in a tree?
00:50:07Would I run off and never tell me where I'm going?
00:50:10Why can't a woman be like me?
00:50:17Do you mean to say that after you've done this wonderful thing for them
00:50:21Without making a single mistake
00:50:22They just sat there and never said a word to you
00:50:24Never petted you or admired you
00:50:26Or told you how splendid you'd been?
00:50:28Not a word
00:50:29They just said they're congratulating each other
00:50:31On how marvellous they've been
00:50:32And the next moment on how glad their work was all over
00:50:35And what a bore it had all been
00:50:36This is simply appalling
00:50:38I should not have thrown my slippers at him
00:50:40I should have thrown the fire irons
00:50:42What's that?
00:50:44Henry
00:50:45I knew it wouldn't be too long
00:50:48Now remember
00:50:50You've not only danced with a prince last night
00:50:52You behaved like a princess
00:51:01That might be the most confounded thing, do you?
00:51:08You?
00:51:09Good afternoon, Professor Higgins
00:51:11Are you quite well?
00:51:13Am I?
00:51:14Of course you are
00:51:15You are never ill
00:51:16Would you care for some tea?
00:51:19Don't you dare try that game on me
00:51:21I taught it to you
00:51:22Now you get up and come home and stop being a fool
00:51:24You've caused me enough trouble for one morning
00:51:25Very nicely put indeed, Henry
00:51:27No woman could resist such an invitation
00:51:29How did this baggage get here in the first place?
00:51:31Eliza came to see me this morning
00:51:33And I was delighted to have her
00:51:34And if you don't promise to behave yourself
00:51:36I must ask you to leave
00:51:37What do you mean to say
00:51:38I'm to put on my Sunday manners
00:51:39For this thing that I created
00:51:41Out of the squashed cabbage leaves of Cotton Garden?
00:51:43That's precisely what I mean
00:51:45I'll see her damn first
00:51:46However did you learn good manners with my son around?
00:51:50It was very difficult
00:51:52I should never have known
00:51:53How ladies and gentlemen behaved
00:51:54If it hadn't been for Colonel Pickering
00:51:58He always showed me that he felt and thought about me
00:52:01As if I was something better than a common flower girl
00:52:07You see, Mrs Higgins
00:52:08Apart from the things one can pick up
00:52:10The difference between a lady and a flower girl
00:52:13Is not how she behaves
00:52:14But how she is treated
00:52:19I shall always be a flower girl to Professor Higgins
00:52:21Because he always treats me as a flower girl
00:52:23And always will
00:52:26But I know I shall always be a lady to Colonel Pickering
00:52:28Because he always treats me as a lady
00:52:30And always will
00:52:36Henry, don't grind your teeth
00:52:38The bishop is here, madam
00:52:39Shall I show him into the garden?
00:52:40The bishop and the professor, good heavens no
00:52:43I shall be excommunicated
00:52:45I'll see him in the library
00:52:48Eliza
00:52:49If my son starts breaking up things
00:52:51I give you full permission to have him evicted
00:52:53Henry dear, I suggest you stick to two subjects
00:52:56The weather and your health
00:53:26Well, you've had a bit of your own back, as you call it
00:53:28Have you had enough and are you going to be reasonable
00:53:30Or do you want any more?
00:53:32You want me back only to pick up your slippers
00:53:33And put up with your tempers
00:53:35And fetch and carry for you
00:53:36No, I didn't say I wanted you back at all
00:53:38Oh, indeed, then what are we talking about?
00:53:40Well, about you, not about me
00:53:41If you come back, you'll be treated as you've always been treated
00:53:44I can't change my nature
00:53:46I don't tend to change my manner
00:53:47My manners are exactly the same as Colonel Pickering
00:53:50That's not true
00:53:51He treats a flower girl as if she were a duchess
00:53:53Well, I treat a duchess as if she was a flower girl
00:53:56Oh, I see, the same to everybody
00:53:57Just so
00:53:58You see, the great secret, Eliza
00:54:00Is not a question of good manners
00:54:01Or bad manners
00:54:02Or any particular sort of manners
00:54:05But having the same manner
00:54:07For all human souls
00:54:10The question is not whether I treat you rudely
00:54:13Whether you've ever heard me treat anyone else better
00:54:16I don't care how you treat me
00:54:19I don't mind your swearing at me
00:54:21I shouldn't mind a black eye
00:54:22I've had one before this
00:54:23But I won't be passed over
00:54:25Well, then get out of my way
00:54:26For I won't stop for you
00:54:27You talk about me as though I was a motor bus
00:54:29So you are a motor bus
00:54:30All bounce and go
00:54:32And no consideration for anybody
00:54:34But I can get along without you
00:54:36Don't you think I can't?
00:54:37I know you can
00:54:37I told you you could
00:54:42You've never wondered, I suppose
00:54:44Whether
00:54:45Whether I could get along without you
00:54:49Don't you try to get around me
00:54:51You'll have to
00:54:53So I can, without you or any soul on earth
00:54:59I shall miss you, Eliza
00:55:01I've learnt something from your idiotic notions
00:55:03I confess that
00:55:05Humbly and gratefully
00:55:09Well, you have my voice on your gramophone
00:55:11When you feel lonely without me, you can turn it on
00:55:14It has no feelings to hurt
00:55:17Well, I
00:55:18I can't turn your soul on
00:55:23Oh, you are a devil
00:55:26You can twist the heart in a girl
00:55:28Just as easily as some can twist her arms to hurt her
00:55:31What am I to come back for?
00:55:33For the fun of it
00:55:34That's why I took you on
00:55:36And you may throw me out tomorrow
00:55:37If I don't do everything you want me to
00:55:38Yes, and you may walk out tomorrow
00:55:40If I don't do everything you want me to
00:55:42And live with my father?
00:55:43Yes, or sell flowers
00:55:44Or would you rather marry Pickering?
00:55:46I wouldn't marry you if you asked me
00:55:47And you're nearer my age than what he is
00:55:49Yeah, he is
00:55:50I'll talk as I like
00:55:51You're not my teacher now
00:55:53That's not what I want
00:55:54And don't you think it is?
00:55:56I've always had chaps enough wanting me that way
00:55:58Freddie Hill writes me twice and three times a day
00:56:00Sheets and sheets
00:56:01Oh, in short, you want me to be as infatuated about you as he is
00:56:05Is that it?
00:56:06No, I don't
00:56:07That's not the sort of feeling I want from you
00:56:10I want a little kindness
00:56:13I know I'm a common ignorant girl
00:56:15And you're a book-learned gentleman
00:56:16But I'm not dirt under your feet
00:56:18What I done
00:56:20What I did
00:56:21Was not for the taxis and the dresses
00:56:24But because we were
00:56:26Pleasant together
00:56:27And I come to
00:56:28Came
00:56:29To care for you
00:56:31Not to want you to make love to me
00:56:33And not forgetting the difference between us
00:56:35But more friendly-like
00:56:40Well, of course
00:56:41That's how I feel
00:56:43And how Pickering feels
00:56:46Eliza, you're a fool
00:56:47That's not the proper answer to give me
00:56:49The only answer you'll get
00:56:49You'll stop being a plain idiot
00:56:50If you're going to be a lady
00:56:51You'll have to get up feeling neglected
00:56:52If the men you know
00:56:53Don't spend half their time
00:56:54Snivelling over you
00:56:55And the other half
00:56:56Giving you black eyes
00:56:57You find me cold
00:56:59Unfeeling
00:56:59Selfish, don't you?
00:57:00I'd be off with you
00:57:01To the sort of people you like
00:57:02Marry some sentimental hogger
00:57:03Other with lots of money
00:57:04And a thick pair of lips
00:57:05To kiss you with
00:57:05And a thick pair of boots
00:57:06To kick you with
00:57:07If you can't appreciate
00:57:08What you've got
00:57:08You better get
00:57:09What you can appreciate
00:57:10Oh, I can't talk to you
00:57:12You always turn everything against me
00:57:13I'm always in the wrong
00:57:15But don't be too sure
00:57:17That you have me under your feet
00:57:18To be trampled on
00:57:18And talked down
00:57:20I'll marry Freddy, I will
00:57:21As soon as I'm able to support him
00:57:24Freddy?
00:57:25That poor devil
00:57:26Who couldn't get a job
00:57:27As an errand boy
00:57:28Even if he had the guts
00:57:28To try for it
00:57:29Woman, don't you understand
00:57:31I've made you a
00:57:32A consort for a king
00:57:34Freddy loves me
00:57:35That makes him king enough for me
00:57:36I don't want him to work
00:57:38He wasn't brought up to it
00:57:39As I was
00:57:39I'll go and be a teacher
00:57:42What'll you teach in heaven's name?
00:57:44What you taught me
00:57:45I'll teach phonetics
00:57:47Ha, ha, ha
00:57:51I'll offer myself
00:57:52As an assistant
00:57:53To that brilliant Hungarian
00:57:56What that imposter
00:57:57That humbug
00:57:58That toadying ignoramus
00:58:00Teaching my methods
00:58:01My discoveries
00:58:02You take one step in that direction
00:58:04And I'll wring your neck
00:58:05Wring away
00:58:06What do I care?
00:58:07I knew you'd strike me one day
00:58:12Ah, that's done you, Henry Higgins
00:58:14It has
00:58:15Now I don't care that
00:58:16For your bullying
00:58:17And your big talk
00:58:19What a fool I was
00:58:21What a dominated fool
00:58:23To think you were the earth and sky
00:58:25What a modern-headed dolt was I
00:58:34Now, my reverberating friend
00:58:37You are not the beginning and the end
00:58:45You impotent hussy
00:58:47There's not an idea in your head
00:58:49Or a word in your mouth
00:58:50That I haven't put there
00:58:53There'll be spring every year without you
00:58:57England still will be here without you
00:59:01There'll be fruit on the tree
00:59:04And ashore by the sea
00:59:06There'll be crumpets and tea without you
00:59:09Art and music will thrive without you
00:59:13Somehow Keith's will survive without you
00:59:17And there still will be rain
00:59:19On that plane down in Spain
00:59:21Even that will remain without you
00:59:24I can do without you
00:59:30You dear friend who talk so well
00:59:38You can go to Hartford, Hereford and Hampshire
00:59:45They can still rule the land without you
00:59:49Windsor Castle will stand without you
00:59:52And without much ado
00:59:55We can all muddle through without you
00:59:58You brazen hussy
01:00:01Without your pulling it
01:00:04The tide comes in
01:00:06Without your twirling it
01:00:08Which the earth can spin
01:00:10Without your pushing them
01:00:12The clouds rule by
01:00:15If they can do without you
01:00:18Ducky
01:00:19So can I
01:00:21I shall not feel alone without you
01:00:24I can stand on my own without you
01:00:28So go back in your shell
01:00:30I can do bloody well without you
01:00:33Back!
01:00:34George, I really did it
01:00:35I did it, I did it
01:00:36I said I'd make a woman
01:00:38And indeed I did
01:00:39I knew that I could do it
01:00:41I knew it, I knew it
01:00:42I said I'd make a woman
01:00:43And succeed, I did
01:00:45Eliza, you're magnificent
01:00:47Five minutes ago
01:00:48You were a millstone round my neck
01:00:50And now you're a tower of strength
01:00:52A consort battleship
01:00:55I like you this way
01:00:59Goodbye, Professor Higgins
01:01:00You shall not be seeing me again
01:01:16Mother!
01:01:18Mother!
01:01:20What is it, Henry?
01:01:22What's happened?
01:01:24She's gone
01:01:25Well, of course, dear
01:01:27What did you expect?
01:01:29Well
01:01:32What am I to do?
01:01:33Do without, I suppose
01:01:36And so I shall
01:01:41If the Higgins' oxygen
01:01:43Burns up her little lungs
01:01:45Let her seek some stuffiness
01:01:46That suits her
01:01:48She's an owl
01:01:49Sickened by a few days
01:01:51Of my sunshine
01:01:52Very well let her go
01:01:53I can do without her
01:01:54I can do without anyone
01:01:55I have my own soul
01:01:56My own spark
01:01:58Of divine fire
01:02:04Bravo, Eliza
01:02:26Damn, damn, damn, damn, damn
01:02:29Damn, damn, damn
01:02:30Damn, damn, damn
01:02:31I've grown accustomed to her face
01:02:37she almost makes the day begin i've been accustomed to the tune that she whistles
01:02:43night and noon her smiles her frowns her ups her downs are second nature to me now
01:02:50like breathing out and breathing in i was serenely independent and content before we met
01:02:58surely i could always be that way again and yet i've grown accustomed to her look
01:03:07accustomed to her voice accustomed to her face
01:03:29mary freddie what an infantile idea what a heartless wicked brainless thing to do
01:03:34but she'll regret it she'll regret it it's doomed before they even take the vow
01:03:43i can see her now mrs freddie einsford hill in a wretched little flat above a store
01:03:50i can see her now not a penny in the till and a bill collector beating at the door
01:03:56she'll try to teach the things i taught her and end up selling flowers instead
01:04:02begging for her bread and water while her husband has his breakfast in bed
01:04:11in a year or so when she's prematurely gray and the blossom in her cheek has turned to chalk
01:04:18she'll come home and lo he'll have upped and run away with a social climbing heiress from new york
01:04:25poor her life how simply frightening how humiliating how delightful
01:04:35how poignant it'll be on that inevitable night when she hammers on my door in tears and rag
01:04:42miserable and lonely repentant and contrite will i take her in or hurl her to the wolves
01:04:48give her kindness or the treatment she deserves will i take her back or throw the baggage out
01:04:57well i'm a most forgiving man the sort who never could ever would take her position and staunchly
01:05:05never budge
01:05:09it's a most forgiving man
01:05:15but i shall never take her back
01:05:17if she were crawling on her knees
01:05:20let her promise to atone let her shiver let her moan i'll slam the door and let the hellcat freeze
01:05:31marry freddy
01:05:33ha
01:05:46but i'm so used to hear her say good morning every day her joys her woes her highs her lows
01:05:58is a second nature to me now like breathing out and breathing in i'm very grateful she's a woman and
01:06:08so easily to forget rather like a habit one can always break
01:06:16and yet i've grown accustomed to the trace of something in the air accustomed to her face
01:06:31so
01:06:44so
01:06:46so
01:06:46so
01:06:46so
01:06:47so
01:09:24Where the devil are my slippers?