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Short filmTranscript
00:00:22hey how much should take you to my place baby doll sorry I don't do private dances she'll
00:00:28strip her money but you won't fuck a guy I'm not a hooker show some respect you fucking bitch I'll
00:00:36show
00:00:36you respect mr. Morgan I am so sorry she's new here I've got a trainer better just have a seat
00:00:44we'll be with you shortly sorry about that you ungrateful bitch you remember who saved your
00:00:55ass when you were knee-deep in debt me how are we doing with the search not good boss still
00:01:06going
00:01:08find her I don't care what it takes
00:01:15I found the perfect one for you it's about time you settle down get married her name is Carla
00:01:20she's a daughter of a friend of mine dad we've been over this I don't need you to find me
00:01:26the
00:01:26perfect woman of course I do you're an arduin I have to make sure my son marries the perfect woman
00:01:31so
00:01:31now all of a sudden you give a shit about me you never care when you drove mom away or
00:01:36when you
00:01:37sent me to that orphanage all by myself silence how dare you it's for the arduin family business
00:01:43your American counter Jennings end of discussion dad I paid your 500 grand debt and I gave you a job
00:01:57now if you want to quit so bad pay me back and get the fuck out of my club please
00:02:03you know I don't
00:02:04have five hundred thousand dollars just give me another chance then get the fuck back in there
00:02:08apologize to that nice gentleman and do whatever the fuck he tells you to do now if I get any
00:02:15more
00:02:15complaints from our clients you will be sorry got it is there a problem here no sir everything's fine
00:02:27she looks just like her
00:02:37will you marry me
00:02:44will you marry me
00:02:48now let's tell my father I've chosen a wife for myself
00:02:51are you sure boss she's a stripper
00:02:54how about we make a deal name any price you want and we get married
00:03:00I owe my boss five hundred thousand dollars he's not gonna let me go until I pay it
00:03:09anything else
00:03:18this is your house
00:03:31all right sign this agreement and we'll be contractually married for a year after that
00:03:37you can file for divorce until then you're part of the richest family in the country
00:03:55my heart belongs to somebody else though I don't want you to know that I'm not attracted to you
00:04:00we're just going to be married on paper
00:04:04is that so well don't worry I'm not attracted to you either I just wanted the money
00:04:24hey where am I staying by the way
00:04:27in the guest room
00:04:35total jerk this is an ad
00:04:45it's been over 10 years
00:04:48I miss you so much
00:05:10what's up
00:05:21what else you can do
00:05:21I miss you so much
00:05:21and I miss you
00:05:21it's been here
00:05:23Nas, I need you to find out everything you can about the woman I just married.
00:05:27See if she grew up in the same orphanage.
00:05:46Sorry, I didn't mean to.
00:05:47This is my bathroom.
00:05:49What do you think you're doing?
00:05:52I was trying to use your little tricks to get my attention.
00:05:55It's not going to work though. Sorry.
00:05:58I wasn't trying to get your attention.
00:06:07You mind turning that off?
00:06:11I just thought the carpet needed some cleaning.
00:06:14You're here to be my wife, not a maid.
00:06:19Who are you?
00:06:23Wait, you're that stripper.
00:06:26What are you doing in Edward's house?
00:06:29I am. Who are you?
00:06:31I am Edward's fiancé.
00:06:37Edward, you're marrying a stripper?
00:06:40I thought I was your fiancé.
00:06:43My father arranged for us to get married only for the sake of our families.
00:06:46We wouldn't be happy even if we did get married.
00:06:49But I would be happy, Edward.
00:06:51Carla, you know I have someone that I love.
00:06:55She's the one I'm waiting for.
00:06:59I don't know who the fuck you are, but if you think you have a chance against me, you're dumbest
00:07:05than I thought.
00:07:06Miss, get it straight. I'm not competing with you.
00:07:12Stop it.
00:07:14Edward?
00:07:15Are you defending her now?
00:07:19You're not dumb, bitch.
00:07:20You're sweet.
00:07:23Wow.
00:07:24You got a lot of admirers, huh?
00:07:26Need more that I need to watch out for?
00:07:29Look, if you see me in the living room, don't show your face.
00:07:33Same will go for me.
00:07:34Your house, your rules, big deal!
00:07:43Hi, I'm Velma.
00:07:48I've worked a lot of odd jobs in the city.
00:07:54Waitressing and working in nightclubs.
00:07:59All for a chance to act.
00:08:07I'm also looking for someone.
00:08:14And I hope that one day he sees me on screen.
00:08:23That way he knows that I'm still here.
00:08:41I hope you see me.
00:09:00That's okay, Sarah.
00:09:02Grandma doesn't need to dine with me.
00:09:05Bring my food to my room and I'll eat there.
00:09:07Yes.
00:09:09It's fine.
00:09:10I usually don't eat with people anyway.
00:09:13By the way, I'm going out for a bit today.
00:09:17Where you go is none of my concern.
00:09:21Fine.
00:09:25Is he always this big of a jerk?
00:09:28Excuse him, ma'am.
00:09:29He's just used to living alone.
00:09:32I'm sorry, Sarah.
00:09:33It must be difficult dealing with him every day.
00:09:36It's okay.
00:09:43Yeah.
00:09:44I'll be right there.
00:09:57Hey.
00:09:58Okay.
00:09:59Sit.
00:10:01So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:10:08It's the truth.
00:10:08I didn't know that he was a billionaire until after we were married.
00:10:12You're joking.
00:10:13How did you manage that?
00:10:15Shh.
00:10:16I just signed a contract.
00:10:18It's fake.
00:10:19What?
00:10:20Well, who cares?
00:10:21What are you waiting for?
00:10:22Seal the deal.
00:10:23I know that I can't think about anyone but Algar.
00:10:28It's been ten years since you two escaped the orphanage.
00:10:31I mean, Algar could be anywhere.
00:10:33He could be dead.
00:10:34He's not dead!
00:10:35Okay, um, it's okay.
00:10:38All right.
00:10:38I'm sorry.
00:10:39So, what's your plan?
00:10:42Keep things the way they are, I guess.
00:10:45Except now I can focus more on acting and not dancing in strip clubs.
00:10:51Hey, that's exciting, right?
00:10:53That's something you've always wanted to do since you were a kid.
00:10:56Is that audition today?
00:10:58Yeah.
00:11:06Hi, I'm here for the audition.
00:11:10You think you could just show up like that, you slut?
00:11:17You slut?
00:11:19Are you stalking me?
00:11:21Oh, don't flatter yourself.
00:11:22I'm the lead of this production.
00:11:25She's not auditioning.
00:11:27Sorry.
00:11:28You can't do this.
00:11:30I've worked so hard for this opportunity.
00:11:32Oh, like stripping for men and fucking them in strip clubs?
00:11:36Got it.
00:11:37I was dancing.
00:11:38That's it.
00:11:40What's the fucking difference?
00:11:42I eat girls like you for breakfast.
00:11:45Let's go, Derek.
00:11:50No.
00:11:51Please.
00:11:52Wait.
00:11:59Be quiet.
00:12:01Be quiet.
00:13:03But not an orphan.
00:13:06No name changes.
00:13:08And definitely never been to an orphanage.
00:13:20I wanted it to be her so bad.
00:13:23Of course it can't be Helen.
00:13:25You've been looking for this girl for 10 years.
00:13:28Who is she?
00:13:30Someone more important to me than life itself.
00:13:44Oh my God.
00:13:46It is her.
00:13:52Find me the location where this photo was sent.
00:13:55Got it.
00:13:56The photo's been sent.
00:13:57Good.
00:13:58Where is she?
00:14:00Oh.
00:14:01Out like a lame.
00:14:04I guess marrying Edward won't solve everything.
00:14:07How about I bet it?
00:14:09Do whatever you want with her.
00:14:10And clean up after you're done.
00:14:31I've been searching for you for so long and you were right here.
00:14:56Both.
00:14:57He's gone.
00:14:58Find him.
00:14:59And keep this between us.
00:15:00I got it.
00:15:01Oh God.
00:15:03Save me.
00:15:04Come on.
00:15:05I got you.
00:15:18Oh God.
00:15:45We'll need your names once we're out of here, right?
00:15:49Yeah.
00:15:50We're starting a new life.
00:15:52I'll be Thelma.
00:15:54What about you?
00:15:56Algar.
00:15:58Helen.
00:15:59Where are you?
00:16:02You have to run quick.
00:16:03Trying to escape again?
00:16:05I warned you it's not going to work.
00:16:08Looks like I got to give you some real punishment.
00:16:11You go first.
00:16:12At least one of us needs to escape.
00:16:14No.
00:16:15You go.
00:16:16She's going to kill you.
00:16:18I won't let her catch me.
00:16:19Just go.
00:16:20I'll find you.
00:16:21Let's send me to the amusement park.
00:16:27I'll wait for you, Algar.
00:16:35I'll wait for you, Algar.
00:16:59What happened?
00:17:01Nothing to worry about.
00:17:02Just some issues with the film crew.
00:17:05Why are you being so nice to me?
00:17:08No reason.
00:17:10Here.
00:17:11Take this card.
00:17:12It's unlimited.
00:17:14Spend it however you want.
00:17:15Why are you doing this?
00:17:17I don't want your money.
00:17:21Well, if you need money, just let me know.
00:17:23And you can stop looking for odd jobs.
00:17:30Odd jobs?
00:17:32Acting is my dream.
00:17:35I danced in strip clubs for a living, but people like you, born from a silver spoon, wouldn't
00:17:42understand that.
00:17:43Then stop doing it.
00:17:45We're in a contract marriage, right?
00:17:48I won't interfere with your life, and you can't meddle in mine.
00:17:53Acting is something that I've always wanted.
00:17:57And besides, I'm not going to take your money besides the number that we agreed on.
00:18:05We need to rest now.
00:18:09Do you mind?
00:18:11Do you mind?
00:18:13Do you mind?
00:18:31Look at this mess.
00:18:34Clean it up if you even think about going to bed.
00:18:52Eat up.
00:18:53He must be starving.
00:18:57Nah, you'd probably work hard for this.
00:19:00Come on, take it.
00:19:06I can't believe she locked you out for three days and made you do all this.
00:19:11Did she even feed you at all?
00:19:13You made it easier for me.
00:19:15No, get back before she sees you here.
00:19:37Excuse me, I'm calling to ask about my audition.
00:19:41I'm sorry, your name has been blacklisted from reproduction.
00:19:46What?
00:19:52This is the dude who talked about and I'll send you those pictures.
00:20:04How about a drink?
00:20:06There are two glasses of scotch there.
00:20:09Pick one.
00:20:11I'm sorry, Mr. Edward, please.
00:20:14Just a friendly gesture from the boss.
00:20:18One more thing.
00:20:20Only one of those glasses is poison-free.
00:20:24You should have known better about what would happen when you could have them.
00:20:28Here.
00:20:29I'll do it for you.
00:20:31Hold it.
00:20:35Go.
00:20:39Go.
00:20:47Take him away.
00:20:55This is what I've become, Thelma.
00:20:59I hope you never see me like this.
00:21:02Ruthless.
00:21:04Merciless.
00:21:06Both glasses.
00:21:08The one who silenced the man.
00:21:11But I simply can't forgive him for what he did.
00:21:17Thelma, will you forgive me?
00:21:26What?
00:21:28What the fuck happened to you?
00:21:29How did he find you?
00:21:31What happened?
00:21:32Oh, you can't even talk now?
00:21:35God, you fucking useless.
00:21:40Inform every production you can reach.
00:21:43Thelma will never be an actress.
00:21:47Make sure of it.
00:21:51Go!
00:22:03Are you okay?
00:22:07I've been blacklisted by every production company.
00:22:10Even the Actors Guild.
00:22:12What am I going to do?
00:22:13Hey, don't lose heart, okay?
00:22:15I happen to know of an audition going on today, if you're interested.
00:22:19Since when did...
00:22:20Good friend of mine tipped me off.
00:22:22Now, come on.
00:22:23Let's go.
00:22:24All right.
00:22:24It's better than moping around here.
00:22:26Come on.
00:22:29Here it is.
00:22:31So I can just go in there, just like this?
00:22:35Yes, I got everything set up, okay?
00:22:36Just go ahead, go in, and do your thing.
00:22:40You got this.
00:22:41Break a leg!
00:22:55What a shame to do.
00:23:02Who is she?
00:23:05Nobody.
00:23:06She's not here for the audition, too, is she?
00:23:09Well, in that case, we're in for a treat.
00:23:16Carly Janney, you're up next.
00:23:23Watch it.
00:23:37I can't believe it.
00:23:39It was you, all along.
00:23:43That's right.
00:23:45I never thought you'd find me.
00:23:47But it must come to an end.
00:23:51Oh, no!
00:24:05Cuts!
00:24:09I'm sorry.
00:24:10Were you shot, or did someone just step on your toe?
00:24:14Can I just try again?
00:24:16I was just a bit nervous.
00:24:18Miss Jennings, we are making a thriller with a tragic ending.
00:24:22What you just did was borderline comedy.
00:24:26Excuse me?
00:24:27Yeah.
00:24:28Do you know how close I am with your investor?
00:24:32Sir?
00:24:33She was indeed recommended for the role.
00:24:36May we give her another chance?
00:24:47Miss Jennings, we are creating art that appeals to our audience.
00:24:51And she is clearly not right for the role.
00:24:54Next!
00:24:56I'm sorry, Miss Jennings.
00:24:57That was great.
00:24:59Maybe another project, or another...
00:25:03What are you still doing here?
00:25:05I thought you were a blacklist.
00:25:07So it was you.
00:25:08You know, if that's the best you got, then I'm not that worried.
00:25:12Do you think you could do better than me?
00:25:15Then you're nothing.
00:25:18Yeah, show us what you got.
00:25:22Selma?
00:25:25Hi.
00:25:38So it was you.
00:25:41All this time!
00:25:43That's right.
00:25:46I never thought you would find me.
00:25:50But now it must come to an end.
00:25:54No!
00:25:56This can't be it for us!
00:26:05Cut!
00:26:08Well, that was amazing!
00:26:12Oh, you fully captured that role!
00:26:15Congratulations!
00:26:16You get the part!
00:26:18What?
00:26:24What about me?
00:26:25You promised me!
00:26:27Oh, come on.
00:26:27You have to admit.
00:26:28She was exceptional.
00:26:30She is perfect for the part.
00:26:32Pearl, you killed it!
00:26:35You were great.
00:26:37I'm Alex.
00:26:38Looks like we're going to be team partners.
00:26:40Selma.
00:26:41Hey, do you want to go somewhere more private?
00:26:43We can talk about the script.
00:26:44Yeah, sure.
00:27:00What the fuck?
00:27:01I'm hitting on the wrong girl, buddy.
00:27:03Edward, what are you doing?
00:27:06I need to go talk to Selma.
00:27:08How about you shoot another day?
00:27:14What are you doing?
00:27:16You going to explain yourself?
00:27:18I don't owe you any explanations.
00:27:21So you're seeing new guys?
00:27:25What?
00:27:26No!
00:27:26We were just acting out a scene.
00:27:28A scene where you two get real close?
00:27:30Like a couple?
00:27:31I was just doing my job.
00:27:33There's nothing wrong with it.
00:27:35And besides, even if I was seeing someone, it would be none of your business!
00:27:47I heard you got the lead role.
00:27:50That's amazing.
00:27:52I knew you'd kill it.
00:27:53Jim, what is a good doing here?
00:27:55Who?
00:27:56Come on, you know who I'm talking about.
00:27:59Oh.
00:28:00Um.
00:28:01Gosh, you still don't know, do you?
00:28:03You know what?
00:28:06Well, he's actually the investor of this movie.
00:28:10This is his project.
00:28:17Why did you bring me here then?
00:28:20Well, it was actually his idea.
00:28:26Hello?
00:28:28Hi, is this Jean?
00:28:30Who is this?
00:28:31This is Edward Arduin.
00:28:33I recently invested in a film project, and I want you to take your friend, Selma.
00:28:38I think she'll be great for a lead role.
00:28:40Oh, wait, wait, you're Edward Arduin?
00:28:43I wired the payment to your account.
00:28:46Oh, wait, wait, wait!
00:28:51I still can't believe I spoke to the legendary Edward Arduin.
00:28:56I can't believe you knew all this time, and you didn't tell me.
00:29:00Oh, well, don't look at me.
00:29:01I'm just the middleman doing somebody else a favor, okay?
00:29:04And you still got the lead.
00:29:06It's amazing.
00:29:09But, you know, a lot of people say that Edward's not very nice.
00:29:13He's like a stone-cold man.
00:29:15So why is he being so good to you?
00:29:19Yeah, I don't get it either.
00:29:20I mean, women must be throwing themselves at him.
00:29:25Why would he help?
00:29:34Maybe he's fallen for you.
00:29:37Come on.
00:29:38That's impossible.
00:29:39Why?
00:29:39He said some pretty harsh stuff earlier, so...
00:29:42Well, is that why you look all gloomy?
00:29:45What happened?
00:29:46Did you guys fight?
00:29:47He saw me doing a scene with another actor, and...
00:29:53That's...
00:29:54Whatever.
00:29:59Why do you care what he thinks, though?
00:30:03Come on, girl.
00:30:04This does not sound like you.
00:30:06Are you sure you haven't fallen for him, too?
00:30:08No, it's just...
00:30:10There's something about him that's...
00:30:14Familiar, like...
00:30:16Like...
00:30:17I've seen him before.
00:30:21Hmm.
00:30:41Thank goodness you here, Helen.
00:30:43This place is depressing.
00:30:45I don't know if I could make it without you.
00:30:49You're the one protecting me.
00:30:51I can't stand watching you getting hurt.
00:30:54You're as sweet as a sugar pea.
00:30:56Can I call you sugar pea?
00:30:57Sure.
00:30:58As long as I can call you my little rock.
00:31:01My little rock.
00:31:03Because you make me feel safe.
00:31:04Like a rock that I'll never break.
00:31:08Deal.
00:31:17Elker.
00:31:19What have you done to me?
00:31:26I see your face everywhere.
00:31:38Oh, good.
00:31:40Just in time.
00:31:41Just in time.
00:31:49Damn.
00:31:52Why are you being so nice to me?
00:31:58Look, I'm sorry about today.
00:32:01It was stupid of me to react that way.
00:32:06No, I mean, why did you help me get the role for your film?
00:32:16Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work a regular
00:32:23job.
00:32:26Oh, okay, so that's why.
00:32:30We're all rich people this morning.
00:32:33What was that?
00:32:34Nothing.
00:32:35This is great.
00:32:41You know, you can be real sweet sometimes.
00:32:44This is delicious.
00:32:47I'm glad you like it.
00:32:50Sweet pea.
00:32:55Good morning, man.
00:32:57Edward has left already.
00:33:00Oh, I saw you were cooking last night.
00:33:03I watched your utensils.
00:33:06Uh, yeah.
00:33:07It was Edward.
00:33:10He was the cook.
00:33:11Edward.
00:33:12Gotta go.
00:33:13Are you cooking?
00:33:16Are you good?
00:33:21What is going on?
00:33:24What are we waiting for?
00:33:25Let's get started.
00:33:26One of our lead roles is not here yet.
00:33:29Oh, my God.
00:33:31The one thing I ask everyone here is to be professional.
00:33:37Woo!
00:33:38Sorry, guys.
00:33:39Traffic was a nightmare.
00:33:41All right.
00:33:42I'm ready to start.
00:33:44Wait, I thought that she didn't get the part.
00:33:47Well, how about that?
00:33:48Looks like I'm going to be playing your fisty.
00:33:53After this, nobody's even going to remember you.
00:33:56We'll see about that.
00:34:0142 Delta, take two.
00:34:05Ready and action.
00:34:07You have to leave now.
00:34:09Not without the love of my life.
00:34:11I'll wait for him no matter what.
00:34:19Oh, God.
00:34:20God, stop.
00:34:21What do you think you're doing?
00:34:23Just playing my role.
00:34:25I don't know how to say.
00:34:26Maybe I'll just...
00:34:28Carla.
00:34:29What the hell was that?
00:34:31That wasn't even in the script.
00:34:33I was just adding some extra touch to it.
00:34:35You know?
00:34:36For the sake of art.
00:34:37Art?
00:34:38This slap doesn't make any sense.
00:34:40And who gave you the authority to change my script?
00:34:45It's fine.
00:34:47She can hit me.
00:34:48Oh.
00:34:50Thelma, are you sure about that?
00:34:52It's all good.
00:34:53If it's all for the sake of the effect.
00:34:56Wow.
00:34:57I knew I was right.
00:34:59I'm choosing you as my lead.
00:35:02Okay.
00:35:02Okay.
00:35:03Uh, back to ones, please.
00:35:05Yes, thank you.
00:35:06Can you pick up my script?
00:35:08And action.
00:35:10You have to leave now.
00:35:12Not without the love of my life.
00:35:14I'll wait for him no matter what.
00:35:19Edward.
00:35:24Good to see you here.
00:35:26Were you watching me?
00:35:28Me and Thelma make perfect.
00:35:31You know me.
00:35:32Jay, have these two switch roles.
00:35:34I want Thelma to do the slapping.
00:35:38Since it's all for the sake of art.
00:35:47But Thelma's the lead.
00:35:49Yeah, that wouldn't make any sense.
00:35:51We can't make more changes to the script.
00:35:54Ed, we're already behind.
00:35:55Better get right to it then.
00:35:58You don't have to do this for me.
00:36:00I'm not doing it for you.
00:36:02I'm doing it for my own investment.
00:36:09All right.
00:36:10Uh, we have added a line to the script.
00:36:14So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:36:21Got it?
00:36:23All right.
00:36:24And, uh, action.
00:36:28You have to leave now.
00:36:29Not without the love of my life.
00:36:32I'll wait for him no matter what.
00:36:34But what if he's dead?
00:36:35What if he finds somebody else?
00:36:37You're just gonna spend the rest of your life waiting for someone who will never come?
00:36:47Then I'll be sure to leave no room for regret.
00:36:53Cut!
00:36:55Oh, bravo!
00:36:57That was perfect, Thelma!
00:37:00You handled that perfectly.
00:37:03Thelma, were you not supposed to love Carla after that line?
00:37:06Uh, no need for that.
00:37:09I think that my character is above that kind of pettiness.
00:37:21I'm going to expose you, Thelma.
00:37:24Sooner or later.
00:37:36Where are you, my little rock?
00:37:40I'm doing fine.
00:37:42Don't you worry.
00:37:46You know it's bad to waste food.
00:37:49Do you think you deserve to be punished?
00:37:51Yes, headmistress, I-I do.
00:37:54Ma'am!
00:37:55Helen's sick, that's-that's why she couldn't finish.
00:37:58Isn't that sweet?
00:37:59Too bad.
00:38:01She's getting more punishment because of you.
00:38:04Isn't that sweet?
00:38:06Well, if you so insist, you can take it for her!
00:38:09Oh, get off.
00:38:12You're alright.
00:38:26I found the worker who leaked info to our computer.
00:38:29A manager who's worked with us for 20 years.
00:38:33What do we do with him?
00:38:35Uh, fire him.
00:38:38So, um, if we need to.
00:38:41Can't have disloyalty in the company.
00:38:43Why wound him and his family?
00:38:46So be it.
00:38:49Fine.
00:38:49You're right.
00:38:51I'm sorry.
00:39:13You're right.
00:39:17You're right.
00:39:34Elker
00:39:40Elker
00:40:09Elker
00:40:10Where's my...
00:40:21Oh, no, no, no.
00:40:39Morning.
00:40:41What are you doing?
00:40:44Nothing.
00:40:53Nothing.
00:40:53Nothing.
00:40:58I carried you to your bed last night, and that was it.
00:41:04No, seriously, what are you doing?
00:41:07Nothing, sweet pea.
00:41:09What did you just call me?
00:41:12Sweet pea.
00:41:15You said it in your sleep last night.
00:41:21I see.
00:41:22Well, don't ever do that again.
00:41:24Sure.
00:41:39Hi.
00:41:41Could you maybe explain this scene a little bit?
00:41:44I'm not sure if I get it.
00:41:45I mean, it is pretty straightforward to just do what it says without improvising.
00:41:53Thelma, you were so great yesterday.
00:41:56I want to go over this one part.
00:41:59Now, when you say this line, I'm about.
00:42:03We'll see who wins.
00:42:06No, what am I doing this afternoon?
00:42:09Well, it's kind of a very important meeting.
00:42:13Did you forget?
00:42:15Canceled.
00:42:16Canceled.
00:42:16Send them my apologies.
00:42:18What?
00:42:20So, what do you normally do when you're not working?
00:42:23Uh, I do striptease.
00:42:26Oh.
00:42:28I was thinking more along the lines of going to the movies.
00:42:33There's actually a good one out right now.
00:42:35I mean, maybe if you're interested, we could try to catch it together.
00:42:38I'm sorry, but I really need to focus on this job right now.
00:42:42Oh, yeah.
00:42:43Sure, sure.
00:42:45You're a really interesting person to talk to.
00:42:48You know that?
00:42:51Edward.
00:42:52Are you here to see me?
00:42:55Oh, you're brutal, Dad.
00:42:57Oh.
00:42:59Edward?
00:43:01It's not for you.
00:43:02I'm sorry.
00:43:03Why is she still talking about you?
00:43:06Go put the snacks in the lounge.
00:43:08You got it, boss.
00:43:15Edward?
00:43:17What's your name again?
00:43:19Actually, it doesn't matter.
00:43:21What were you talking to my wife about?
00:43:32Oh.
00:43:34Thelma, I had no idea that you were married.
00:43:39Oh, don't worry about it, man.
00:43:40We were just talking about stuff in the script.
00:43:42Is that right?
00:43:43Yeah.
00:43:44Hey, so you must be Edward Ardoin.
00:43:47I've heard a lot about you.
00:43:49I'm Alex.
00:43:50Cool.
00:43:51Bye, Alex.
00:43:52Great.
00:43:53Yeah.
00:43:54I'll see you later.
00:43:56Thelma.
00:43:56No, you won't.
00:43:58Good.
00:43:58You guys are all here.
00:44:00Edward brought snacks.
00:44:01They're in the lounge if anyone wants some.
00:44:03Yes, I'll come.
00:44:07Snacks.
00:44:12Edward doesn't usually come to set this often.
00:44:15He's quite the busy man.
00:44:16I think he's here to see you.
00:44:17He's here to see Carla, not me.
00:44:20Oh, please.
00:44:21Can you not see the way he looks at you?
00:44:24Whatever.
00:44:25Oh.
00:44:26Speak of the devil.
00:44:29I will give you two some privacy.
00:44:31No.
00:44:32Don't.
00:44:32Excuse me.
00:44:40You're getting out of hand.
00:44:41Don't forget, I'm the one who hired you.
00:44:44Excuse me?
00:44:45Stay away from Alex.
00:44:47Got it?
00:44:48What are you talking about?
00:44:49There's nothing going on between us.
00:44:51Besides, you came here to see Carla.
00:44:57So you're jealous.
00:44:59What are you talking about?
00:45:00I'm not just...
00:45:11What are you doing?
00:45:13Carla and I are together.
00:45:15I'm here for you.
00:45:16You really expect me to believe that?
00:45:19Don't look.
00:45:25Yeah, girl?
00:45:29What?
00:45:38Jean, are you absolutely sure?
00:45:40Yes.
00:45:41Positive.
00:45:42I used to know this guy from the streets, and he and Algar drifted around for months.
00:45:46So where is he?
00:45:48Well, they later got separated, so he has no idea after that.
00:45:52But that's got to mean that Algar's still alive, right?
00:45:55Oh, my goodness.
00:45:58Thank you so much.
00:45:59You have no idea how much this means to me.
00:46:01It's been ten years.
00:46:05Don't forget, you are married, too.
00:46:07What are you going to do?
00:46:09I'll divorce him once our contract is up.
00:46:12I needed the money.
00:46:15Algar will understand.
00:46:17I don't know.
00:46:18Edward seemed really into you.
00:46:22Actually, Jean, I think I should keep my distance from him.
00:46:36You okay?
00:46:38Yeah.
00:46:43You want to tell me what happened?
00:46:46I just want to be alone for a bit, okay?
00:46:50Is this about Carla?
00:46:52I told you, I went to see you, not her.
00:46:56Edward, I don't care who you're seeing.
00:46:58We're only married on paper, right?
00:47:03Is this because we're moving too fast?
00:47:13Is this about Carla?
00:47:15I told you, I went to see you, not her.
00:47:19Edward, I don't care who you're seeing.
00:47:21We're only married on paper, right?
00:47:26Is this because we're moving too fast?
00:47:32I just think that we should keep our distance.
00:47:35Please.
00:47:43Thought she was playing hard to get, huh?
00:47:46Maybe she doesn't want to seem too eager.
00:47:49I mean, why would anyone project you?
00:47:52It's impossible.
00:47:54Come on.
00:47:55Let's get to the set.
00:48:01Hey, Thelma, you'll be wearing this dress for the next scene.
00:48:04Is that okay?
00:48:04That's fine.
00:48:08So you think you could just take whatever you want?
00:48:15I thought this was my personal changing room, like it's always been.
00:48:21Carla, this room is for the lead role.
00:48:23Yours is outside.
00:48:26Well, actually, I'm all done here.
00:48:29Carla loves taking things that aren't hers.
00:48:31Be my guest.
00:48:32Use it.
00:48:34Well, aren't you quite generous then, hmm?
00:48:39Edward's not here, so you can drop the act.
00:48:41We actually need to get back to work, if there's nothing else.
00:48:46Actually, I can finish my makeup myself.
00:48:52Go on.
00:48:53What do you want to talk about?
00:48:55Let's make a deal.
00:48:57Deal?
00:49:01Who the fuck do you think you are?
00:49:04Well, as far as I know, I'm Edward's wife.
00:49:12Gunner, deal.
00:49:13Stop picking fights with me.
00:49:14Stop giving me a hard time on set, and I won't take anything away from you.
00:49:18I'll actually help you with whatever you and Edward have going on.
00:49:25All right, deal.
00:49:28I'm done with this room, by the way.
00:49:30It's yours if you still want it.
00:49:32I don't need your pity.
00:49:45What's up?
00:49:48Don't you have, like, business to run?
00:49:50What are you doing here all day?
00:49:58Hey, um, actually, about what happened.
00:50:02I think that we should talk.
00:50:04Why don't you meet me in the lounge after we wrap up?
00:50:08Why can't we talk now?
00:50:10Wanted to be a surprise.
00:50:12See you later.
00:50:13See you later.
00:50:15See you later.
00:50:23What does she want to talk about?
00:50:26Does she not want to see me?
00:50:29Hi, Edward.
00:50:32Carla?
00:50:34Why are you here?
00:50:36Where's Thala?
00:50:37Who should I be?
00:50:39Maybe I'm going to have a squirt.
00:50:43What are you doing?
00:50:44Are you trying to set those two up?
00:50:46Yeah, and if they're together, then they'll have nothing to do with me.
00:50:51Sounds like a terrible idea.
00:50:54Well, if you have a better idea, then let's hear it.
00:51:00Edward!
00:51:05If they're together, then they'll have nothing to do with me.
00:51:09Well, as long as you're okay with this.
00:51:13Of course I am.
00:51:14Why wouldn't I be?
00:51:16I mean, now I can just focus on what really matters.
00:51:20And I can try to find Algar.
00:51:24Edward!
00:51:26What the fuck are you doing?
00:51:35Whatever games you're playing, you need to stop.
00:51:38What are you talking about?
00:51:40You came here to see Karlo, right?
00:51:42Thalma, come on.
00:51:44Edward, we're going to be divorced really soon.
00:51:47So?
00:51:48So if you're attracted to somebody, then go for it.
00:51:51I want you to be happy.
00:51:53The only person I love is you.
00:51:59Edward, how could you?
00:52:04Everything I do for you, Carla, I do for your father.
00:52:08He looked out for me, so this is me hanging back.
00:52:20I'm already in love with somebody else.
00:52:23It's never going to be you.
00:52:26But if that man didn't exist, would you consider me?
00:52:28Stop it, Edward.
00:52:29Edward, it's never going to happen.
00:52:37What do I do, Algar?
00:52:39I know you're out there.
00:52:42What do I do?
00:52:56Boss, you've been here for a while.
00:52:58Is everything okay?
00:53:03Why don't you tell her you're the one she's looking for?
00:53:07Do you remember what I did to return to the Arduin family?
00:53:23About Algar.
00:53:25Are you telling me that Mr. Arduin knows his illegitimate son is Algar?
00:53:31Yes, and now the old man wants him back.
00:53:37Mmm, another brat to share their inheritance.
00:53:40If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:53:47Madam, it's our fault.
00:53:50Please don't withdraw your donation to the orphanage.
00:53:53If we work together on this, I could even help you.
00:54:00Get rid of Algar.
00:54:03For good.
00:54:08Take care of it.
00:54:11That makes sure we lose it.
00:54:16Shall we go to the Arduin?
00:54:17Rolls card it.
00:54:18Yes, please, sir.
00:54:19I have to see it, sir.
00:54:21I've hoped for goodness.
00:54:23Yes.
00:54:26I got rid of the woman who killed my mother.
00:54:29Sent me to an orphanage.
00:54:33I eliminated everyone associated with her.
00:54:37Over the years.
00:54:44I did whatever it took.
00:54:47To gain my father's approval.
00:54:50To secure my inheritance.
00:54:52And my methods were ruthless.
00:54:55My conscience.
00:54:58Callous.
00:55:00You did what you had to do.
00:55:03And now I'm a different man.
00:55:06A monster.
00:55:06She doesn't even recognize.
00:55:09If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:55:17I can't lose her again.
00:55:21So it was true?
00:55:30Argonne and I, we roamed the city for a winter, and a lot of people say he made some enemies.
00:55:41One night, under the bridge where we slept, under the bridge where we slept, he got stabbed, and he died.
00:55:49No.
00:55:50You're mistaken.
00:55:52You're mistaken.
00:55:53He always had a ring with him.
00:55:54It was a nice ring.
00:55:57I think it had the letters A and H on it.
00:56:02I told him he could pawn it for a few bucks, but he just kept it with him.
00:56:09No.
00:56:10He can't just be gone.
00:56:12He can't just be gone.
00:56:14It's okay.
00:56:15It's okay.
00:56:15It's okay.
00:56:23It's okay.
00:56:23Oh, Thelma.
00:56:26Sweetie, what's wrong?
00:56:28Oh my God, baby, you have an evening three days.
00:56:33Can I get you something?
00:56:35Anything?
00:56:36It's not good.
00:56:37Good for you.
00:56:42It's okay.
00:56:43It's okay.
00:56:44It's okay.
00:56:45It's okay.
00:56:46This is my fault.
00:56:49She's burning up.
00:56:51The doctor said it was from emotional distress and not eating.
00:56:57Go make her something light.
00:56:59I'll stay with her.
00:57:01Yes.
00:57:09You need to get some rest and let me handle this.
00:57:12No, it's okay.
00:57:14Leave it to me.
00:57:16Look, I know you care, but I've never seen you do this for anyone.
00:57:21And if the old lady were here, she'd be heartbroken to see you this exhausted.
00:57:27Don't worry about me, Sarah.
00:57:29You can go now.
00:57:38You can do it.
00:57:41I'm not hungry.
00:57:44I'm not hungry.
00:57:46Thelma, please eat and get better.
00:58:18The
00:58:19Thelma, are you okay?
00:58:21I've been trying to call you 10 times.
00:58:24You haven't done something stupid, have you?
00:58:26I can't find a reason to go.
00:58:30Stop saying that, okay?
00:58:32Don't listen to what that guy said.
00:58:34He doesn't know what he's talking about.
00:58:36they never found alger's body maybe he's still alive you've waited 10 years okay you're sure
00:58:45you're gonna give up now don't you want to find out the truth for yourself yeah you're right
00:58:53i should keep going good now go get some sleep and get back to set girl okay that is something
00:59:01that you've always wanted and you're not gonna screw it up all right yeah i understand
00:59:10i'll keep going for algar
00:59:15i want that bitch dead you got that thing ready
00:59:21sure i would do the job
00:59:28all right don't mess this up
00:59:31ready for the first day
00:59:33coming
00:59:46uh you wanted to see me
00:59:47yes it is about the scene we're stabbed we will be using this as a prop so once the uh
00:59:55safety is
00:59:56clicked off the blade will go back inside itself upon impact so don't worry that's not gonna hurt
01:00:01you see nice exactly
01:00:12uh thelma carla all set all departments ready
01:00:21and action
01:00:28wait
01:00:30cut cut
01:00:31edward are you okay
01:00:33oh god how did this happen
01:00:37edward don't die on me
01:00:39please
01:00:41i know that my past is complicated and i'm not worthy of your time
01:00:46or your love
01:00:47what makes me so special
01:00:54okay i admit
01:00:55i think somewhere along the way i became attracted to you
01:00:59and i know that you keep this stone cold face
01:01:03but i know that
01:01:05that's not the real you
01:01:09please
01:01:11show me the real you let me in
01:01:18edward
01:01:25what are you doing that's not funny i was worried sick what's the matter with you
01:01:30how else could i get such a lovely monologue
01:01:32okay you know what i'm gonna go get a doctor
01:01:35no no no no no i'm fine no look not even a scratch just need a minute
01:01:42are you sure it seemed pretty serious
01:01:45yeah the knife didn't even get to me
01:01:49something blocked it
01:01:51really where is it
01:01:54nothing
01:01:55i'll uh find out what happened today
01:01:57meanwhile
01:01:59be more careful on set yeah
01:02:02no no no no don't worry about it you're the patient just rest up now
01:02:08i heard everything you were saying by the way
01:02:11okay
01:02:11okay you know what i'm really getting you a doctor now just shut up
01:02:27you saved my life
01:02:32how you doing boss
01:02:35oh not too shabby
01:02:38so
01:02:38what do you plan to do with karma
01:02:42karma
01:02:44almost forgot
01:02:46let's get payback
01:02:47let's go
01:02:50i'm not sure what we're gonna do after your little incident
01:02:55i'm sorry i wasn't thinking
01:02:57it won't happen again i promise
01:02:59jay get a replacement for her role
01:03:01she's done
01:03:08edward what are you saying
01:03:10i told you to stop pulling these tricks behind my back
01:03:13i didn't do anything
01:03:14don't listen to her she's making it all up
01:03:17karla had someone on the prop team switch the fake knife with a real one
01:03:21she almost killed velma
01:03:23and myself
01:03:24edward i'm sorry i messed up
01:03:28please please give me another chance
01:03:30i've given you plenty of chances
01:03:34really edward
01:03:36after all these years
01:03:39please stop embarrassing yourself
01:03:43hey mate
01:03:45doing all of this for a man i hope it's worth it
01:03:50edward you know
01:03:51everything i did
01:03:52is because i love you
01:03:55if you try hurting her again
01:03:57you will be sorry
01:04:05hand her over to the place
01:04:11well
01:04:12now that that's over
01:04:14we should talk about what you said to me earlier
01:04:16which is what
01:04:19that you were attracted to me
01:04:24no we're not gonna talk about that that's not fair you tricked me
01:04:47what if the person you're looking for is me
01:04:53don't be ridiculous
01:04:57besides you come from a rich and powerful family
01:05:00and he's an orphan
01:05:02like me
01:05:05and he's incredibly kind
01:05:07he wouldn't even step on an ant
01:05:12i can't say the same thing about you
01:05:17people can change
01:05:19i'll never stop searching for him
01:05:22i'm afraid that you can't stop me
01:05:31am i even worthy of love
01:05:39am i even worthy of love
01:05:41am i even worthy of love
01:05:42you're a billionaire i'm sure that there's plenty of women fighting over you
01:05:47plus
01:05:51i stand by what i said
01:05:55i don't think that this edward is the real you
01:06:00do you remember when we first met
01:06:03you saved me
01:06:05you're a good person
01:06:08you're kind to nos
01:06:09to sarah
01:06:14you'll find the love that you deserve
01:06:23he's gone
01:06:28i waited 10 years and he's just gone
01:06:35do you like the man i am now
01:06:38doesn't matter we're getting divorced in a year
01:06:46if i give you all my properties and assets
01:06:49can we not get a divorce
01:06:55oh
01:06:56oh
01:06:57oh
01:06:58oh
01:06:59oh
01:07:00oh
01:07:00oh
01:07:00oh
01:07:03oh
01:07:11oh
01:07:13oh
01:07:14oh
01:07:18oh
01:07:19oh
01:07:19oh
01:07:20oh
01:07:20oh
01:07:20oh
01:07:20oh
01:07:23oh
01:07:25oh
01:07:25oh
01:07:30oh
01:07:32oh
01:07:33oh
01:07:34oh
01:07:34oh
01:07:35and assets, and then after that, not a thing.
01:07:47All right, okay, back to work, come on.
01:07:53I can't be watching people get arrested all day.
01:07:56Can we talk?
01:07:59I heard you've been looking for someone.
01:08:01Yes.
01:08:06I believe this could be helpful.
01:08:10This place is reopening soon.
01:08:14I'd like for you to come.
01:08:16What does this have to do with the man that I'm looking for?
01:08:20You'll see.
01:08:24Okay, I'll go.
01:08:26Good.
01:08:27I don't want to spoil the place.
01:08:30What does this have to do with Edward?
01:08:32You'll see.
01:08:37Look at that, see?
01:08:39Oh my God.
01:08:40Yes, I trusted you.
01:08:41You did it.
01:08:41Guys, we're blowing up.
01:08:42What do you mean?
01:08:44After we posted the behind the scenes, we went viral.
01:08:48Thelma became a sensation.
01:08:50She's now trending number one.
01:08:52Big star.
01:08:54Trending?
01:08:54Does this mean more money?
01:08:56Oh, of course it does, and that is just the easy part.
01:08:59I was, uh, thinking about my next movie, and I want you to be in it.
01:09:05Wow, this is a dream come true.
01:09:08And we're having a wrap party at the hottest bar tonight.
01:09:12All right.
01:09:13All right.
01:09:14You'll wonder who's so generous.
01:09:24Boss, about this new country.
01:09:27Do you think Thelma will be surprised by the party I'm throwing for him?
01:09:30Oh, definitely.
01:09:32So should I pick her up, or do I just show up at the party?
01:09:37You don't do this often, do you?
01:09:41No.
01:09:46No.
01:09:47You don't do it.
01:09:53No.
01:09:54You don't do it.
01:09:57No.
01:09:58No.
01:09:58Great party Edward.
01:10:00It will only be fitting right?
01:10:03No.
01:10:03Not entirely bad.
01:10:05So, thank you.
01:10:07Great party Edward.
01:10:08How would you like to thank me?
01:10:11Uh, sorry everybody, attention, attention, thank you, thank you.
01:10:15Uh, first off, this has been an amazing three months.
01:10:21I'd like to thank everybody in here.
01:10:23And, uh, well, here is to its huge success.
01:10:29Cheers, cheers, cheers.
01:10:32Mm-hmm.
01:10:33And now, a few words from Edward, the man, the big boss.
01:10:38Without him, none of this would be possible.
01:10:42Thank you all so much.
01:10:43I just want to say how grateful I am for the opportunity.
01:10:49Jay is an exceptional director.
01:10:51His casting, remarkable.
01:10:55Thelma's performance in particular, out of this world.
01:10:58And I'd like to take this moment to tell her that I'll always be there to support her.
01:11:05Cheers.
01:11:11Thelma, the superstar!
01:11:13Stop it.
01:11:15Uh, by the way, do you think Algor will watch my new show?
01:11:19Do you think he'll recognize me?
01:11:21Oh, Thelma, I know this is really hard to hear, but you gotta let him go.
01:11:28Algor's gone.
01:11:31I'm not giving up until I know for sure.
01:11:45Hey! Let me out!
01:11:53Thelma!
01:11:55Are you quitting?
01:11:56What are you talking about?
01:11:58Production told me you turned down Jay's new project.
01:12:00And you didn't show up for any of the promo events.
01:12:03What new project is this about?
01:12:06Who told you this?
01:12:07Oh.
01:12:08I don't know.
01:12:10It couldn't be Edward.
01:12:13Could it?
01:12:15Edward?
01:12:16Edward?
01:12:18So, he turned it down and he told everybody that I quit?
01:12:23Maybe he thought it was for your own good?
01:12:26Interfering with my career without telling me?
01:12:28How is that for my own good?
01:12:35Babe, Mr. Erdogan is in a meeting right now.
01:12:38You got me?
01:12:38Help my way.
01:12:40Apologies, gentlemen.
01:12:41Let's take a break.
01:12:43We'll continue this afternoon.
01:12:48Did you turn down the offer for my new film?
01:12:57Can I explain?
01:12:58This will terminate our contract marriage.
01:13:00The deal is over.
01:13:03What do you mean?
01:13:05I'll pay the penalty for breaching our contract.
01:13:08Once it's settled, I don't want you meddling in my life anymore.
01:13:11You almost got hurt on set.
01:13:13I was trying to protect you.
01:13:15I don't need your protection, okay?
01:13:17I can look out for myself.
01:13:19This is my life.
01:13:21You're making a big mistake here.
01:13:24Just stay out of my work and my personal life, Edward.
01:13:28We're done.
01:13:36Hey, it's Thelma.
01:13:38Can I see you real quick?
01:13:43Thelma, you're very talented.
01:13:46It was such a shame just seeing you give up.
01:13:50But I knew you had it in you from this start.
01:13:53I saw it in you all the way.
01:13:59Now I strictly get to make decisions for myself.
01:14:03Now, let's see this next project.
01:14:06Next project, next project.
01:14:09Here.
01:14:10It is.
01:14:12What do you think?
01:14:17Let's just say that it's a pleasure doing business with you, Jay.
01:14:26Congratulations.
01:14:41Come on.
01:14:42Please move, I'm leaving it.
01:14:43You need to calm down.
01:14:44What are you doing?
01:14:45Excuse me, I'm perfectly calm.
01:14:47How about we both compromise?
01:14:49You continue with your acting, as long as it's through Ardoin investments.
01:14:54You still don't get it, do you?
01:14:56I'm not your accessory.
01:14:57I'm not a part of the Ardoin family.
01:15:00Plus, the only person that can make decisions for me is myself.
01:15:04Can't we talk about it for the sake of our relationship?
01:15:09Look.
01:15:11Thankful for everything you've done for me.
01:15:14You've crossed the line.
01:15:17Bye, Edward.
01:15:22Oh, Thelma.
01:15:24Look, I have rarely seen Edward smile since his father passed away.
01:15:29And he's like a new man now that you're here.
01:15:32I'm sorry, but...
01:15:34I can't stay here.
01:15:38It's okay, Sarah.
01:15:40Let her go.
01:16:00Since when did we become stalkers?
01:16:03Where is she?
01:16:05I know she has a bunch of crazy fans trying to get her attention,
01:16:08but if those assholes think they have a shot with my woman...
01:16:11You've not seen the news?
01:16:13Thelma has announced she's single again.
01:16:16What?
01:16:17Yeah, even a bunch of haters have turned into fans now.
01:16:21Especially after watching her show.
01:16:27Oh.
01:16:29Are you okay?
01:16:30Yeah.
01:16:31Damn it.
01:16:32I knew that guy was up to no good.
01:16:41Thelma, Thelma, Thelma.
01:16:43Thelma, Thelma.
01:16:44Are you still working with Ardawan Investment Family?
01:16:47The Ardawan family's never officially announced your divorce.
01:16:50Is there something that they're hiding?
01:16:52Was your marriage to Edward Edward in strictly business,
01:16:56like the tabloids say?
01:17:02Uh...
01:17:03Why don't you ask the man himself?
01:17:14Hey, Mr. Ardawan, you gotta step in.
01:17:16I don't.
01:17:18It's fine.
01:17:22So, Mr. Ardawan, what brings you here?
01:17:25Thinking of joining the entertainment industry?
01:17:28You know why I'm here.
01:17:30Sorry, I can't help you with that.
01:17:33Uh, so this new film is a romantic drama with some comedy.
01:17:38When Jay said in the script, I was like...
01:17:42You ever wanted to eat?
01:17:43Let's go!
01:17:44No.
01:17:45Not yet.
01:17:46Please, I would love to thank our amazing director, Jay, for all of his amazing visions and everyone else who's
01:17:54helped me on this incredible journey.
01:17:56What?
01:17:57Hello, specifically?
01:18:00And I'm so excited to get started because I know that this is going to be another hit.
01:18:05Alright, ready to check out the set for the new movie?
01:18:08I'll walk in.
01:18:09Uh, actually, do you want to check it out together?
01:18:12Sure.
01:18:15Velma, Velma, Velma!
01:18:20How do you win back a woman?
01:18:21Um, flowers, romance, gifts are always a good move.
01:18:28How original?
01:18:29Let's get back to the office.
01:18:30Alright.
01:18:40I, uh, got these for you.
01:18:44Will you just leave them there?
01:18:52Velma, I'm sorry.
01:18:54I was wrong.
01:19:01Please, give me another chance.
01:19:05I promise I won't be overbearing.
01:19:08I'll respect all your opinions.
01:19:10And I'll never interfere with your career again.
01:19:18The flowers look good.
01:19:26I'll take these and we can talk about the rest later.
01:19:39Go!
01:19:40I don't want to see you again!
01:19:43Cut!
01:19:45Well done, everybody.
01:19:46That is a wrap.
01:19:48You were great.
01:19:49Here.
01:19:50I got you a cup of coffee.
01:19:52Thanks, Alex.
01:19:53Oh, shoot!
01:20:19I need to know where she is.
01:20:21Now!
01:20:25Uh, I think I might know where she is.
01:20:27Why the hell would you know?
01:20:28Do you have something to do with it?
01:20:29No!
01:20:30Man, look, alright.
01:20:30Carla was talking to some sketchy dude about Carla's basement.
01:20:34I think Velma might be there.
01:20:36Trust me, man.
01:20:36I don't want anything bad to happen to her either.
01:20:39Believe me.
01:20:46Delma?
01:20:49Where are you?
01:21:00Let's not do anything stupid.
01:21:02Whatever you want.
01:21:05Whatever you want.
01:21:05Just name it.
01:21:08Edward, Edward, Edward.
01:21:13How did you find this place?
01:21:21You again?
01:21:23You didn't seriously believe I would just walk away, did you?
01:21:27You're a coward.
01:21:31Kill her.
01:21:32And Edward, I want you to watch.
01:21:35If you touch her, I will skin you alive.
01:21:37I got it.
01:21:42I got it.
01:21:48Delma, run!
01:22:15It's okay.
01:22:17It's over.
01:22:21It's all over.
01:22:37Sew up.
01:22:46It's today.
01:22:48At Promise Ness I would go.
01:23:00Wait, this is the amusement park I agreed to meet Little Rock At.
01:23:04I thought it closed down years ago.
01:23:09Alma?
01:23:11Edward?
01:23:12What are you doing here?
01:23:14Nas told me to come. What are you doing here?
01:23:18Well, now that you're here, I need to tell you a little secret.
01:23:23Be right back.
01:23:25Edward?
01:23:39Don't be scared, sweet man.
01:23:41What did you just call me?
01:23:50I told you I'd meet you here, Alan.
01:23:59I told you I'd meet you here, Alan.
01:24:03Algar, but how?
01:24:06Why didn't you tell me after all this time?
01:24:10After I escaped the orphanage, the headmistress sent people after me.
01:24:16So I had to fake my own death.
01:24:19I survived.
01:24:21But the price was becoming a different man.
01:24:25Cold.
01:24:27Ruthless.
01:24:28Even cruel.
01:24:32And I was so scared that if you found out this was the man I'd become, you wouldn't love me
01:24:38anymore.
01:24:39Besides, the Arduin family erased every trace of my past.
01:24:45If they find out you're the one I'm looking for, they'll use you against me.
01:24:50And I can't risk that.
01:24:52Algar, you know that I love you.
01:24:58You do?
01:25:03Yeah, with you by my side, I'm not afraid of anything.
01:25:08Then I want us to ever be apart again.
01:25:22Yes!
01:25:23Yes.
01:25:24Yes!
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