- 3 hours ago
Dummy (2026)
Category
🎥
Short filmTranscript
00:00:03Now, Bartholomew, it's time for a bit of sophisticated humor.
00:00:08Ahem!
00:00:10Why don't scientists trust atoms?
00:00:15Because they make up everything.
00:00:19Bartholomew, that joke's older than the moon.
00:00:22But it's a classic, Marty.
00:00:25Always lead with a classic.
00:00:28I've heard better jokes than the obituaries.
00:00:32Hmm.
00:00:36Ah, Sean Delphine?
00:00:38I feel gas.
00:00:40Did someone bring the beans?
00:00:42Because that's what's electrifying the air.
00:00:47County fairs can be so depressing, especially when the entertainment is someone who's washed up.
00:00:52Speaking of that, do you remember that one ventriloquist guy?
00:00:57His dummy was named Chucklehead.
00:01:00Oh, Archibald.
00:01:02Yeah, he played at county fair over here.
00:01:05Really?
00:01:06Wow, that's sad.
00:01:08Wasn't he all over late night TV at one point?
00:01:12Yeah, he was everywhere.
00:01:13And then I forget what show he was on, but he bombed horribly.
00:01:17That's right.
00:01:18And then it just kept happening.
00:01:20He just couldn't recover from that.
00:01:22Yeah, he went from being everywhere to pretty much nothing.
00:01:27Hmm.
00:01:28Poor Archibald.
00:01:30Yeah, poor Chucklehead.
00:01:31He was awesome.
00:01:33You would feel sorry for the puppet.
00:02:02Oh, you suck!
00:02:05Oh, you suck!
00:02:06Hey!
00:02:07Which one's the ventriloquist and which one's the dummy?
00:02:12So, Chucklehead.
00:02:13This is so agey.
00:02:14How do cats stop a VCR?
00:02:17I don't know, Archibald.
00:02:19How does a cat stop a VCR?
00:02:23It hits the pause button.
00:02:24I bet that thing is more of a brain left than this old man.
00:02:27Yes, I got it.
00:02:29And I hope it ain't contagious.
00:02:31Looks like we're knocking them dead tonight.
00:02:34Dead?
00:02:36Nothing could resurrect your career.
00:02:39Tell me again why I put up with you.
00:02:42I'm part of your work release, remember?
00:02:46You know, Chucklehead, this is our final performance.
00:02:50What are you going to do in retirement?
00:02:52Get as far away from you as possible.
00:02:55Are those jokes from the Stoney Age or what?
00:02:57That's not nice.
00:02:58Why?
00:02:59How would you like my hand up your ass for 20 years?
00:03:03It's been longer than 20 years, Chucklehead.
00:03:07Don't remind me.
00:03:09They say time flies when you're having fun.
00:03:12No wonder our time together feels like an eternity.
00:03:17What are you going to do in retirement?
00:03:21Honestly?
00:03:23I don't know, Chucklehead.
00:03:26I don't know.
00:03:28The ventriloquism is barely passable.
00:03:30It's all been done before.
00:03:32And better.
00:03:33This is just sad.
00:03:35Um...
00:03:36Hey, dummy.
00:03:37Say something.
00:03:43Um...
00:03:44Yes.
00:03:45Well...
00:03:47Ladies and gentlemen,
00:03:48as they say in showbiz,
00:03:50that's all, folks.
00:03:53He means it's time to go.
00:03:56Thanks, Archibald.
00:03:59Thanks, Chucklehead.
00:04:11Thanks, Chucklehead.
00:04:14Better luck next time.
00:04:17There isn't going to be a next time.
00:04:20Good night.
00:04:20You too.
00:04:28I don't know.
00:04:54I don't know.
00:05:27I don't know.
00:05:57I don't know.
00:06:28Oh, hello, Archibald.
00:06:29How'd your final performance go?
00:06:33As predicted.
00:06:35Oh, you don't look so glum.
00:06:37Now you can move on to new and exciting things.
00:06:40Showbiz is all I know.
00:06:42Did you know my family started in vaudeville?
00:06:45No, really?
00:06:47Yes, way back in 1908.
00:06:50Our family even toured with Barnum Bailey.
00:06:52That's how I got Chucklehead here.
00:06:56Well, maybe it's time that you and that thing take a break.
00:07:02Chucklehead, him and I will be together forever.
00:07:06Why don't you pass him on to one of your other relatives and show business?
00:07:11Because I'm the only one left.
00:07:13The last of my kind.
00:07:15It's just him and me now.
00:07:18You seem very depressed.
00:07:20I'm sorry.
00:07:22Look, everything will be fine.
00:07:25Be thankful that you can retire.
00:07:28I'll never be able to.
00:07:31I'm going to my room now.
00:07:33Are you sure you don't want something to eat?
00:07:36The dining room will be open for another 30 minutes.
00:07:38No, but I'll see you at breakfast.
00:07:41Will you be checking out in the morning?
00:07:44No, I'm going to stay a few days more.
00:07:46Good night.
00:07:50Good night.
00:08:08Good night.
00:08:39Good night.
00:08:59Cheers, my friend.
00:09:08Not thirsty tonight?
00:09:10Okay.
00:09:28Oh, how I long for the joy of another world.
00:09:50We should be there shortly.
00:09:53Good.
00:09:54We can check in and get cleaned up before the reunion.
00:10:04How many high school reunions have we been to together?
00:10:08I don't know.
00:10:10I don't know.
00:10:10About four, maybe.
00:10:12I lose track.
00:10:13I wonder if Maggie will be there.
00:10:15Drop it.
00:10:16You dated her in high school.
00:10:18And you took her to the prom.
00:10:21Big deal.
00:10:22She'll never forget that night.
00:10:25Best five seconds of her life, I'm sure.
00:10:28Every reunion we go to.
00:10:30Every reunion we go to, she's after me.
00:10:32She's just being nice, that's all.
00:10:34Her husband is never too happy to see you.
00:10:37He's a chum.
00:10:39She realized what a mistake she probably made.
00:10:43Right?
00:10:44He's a rich Wall Street banker with a house on Long Island.
00:10:48Big deal.
00:10:50He's got money, so what?
00:10:52Yeah, look, so what?
00:10:54Let's just enjoy the time we have away from our crazy life.
00:10:58These times aren't going to last forever.
00:11:01Amen.
00:11:03Maggie still wants me.
00:11:04I don't care what you guys say.
00:11:06There's a place right there, up ahead.
00:11:09We have arrived.
00:11:24I guess we'll park here for now.
00:11:26Let's check in.
00:11:28And get something to eat.
00:11:29We wouldn't want Maggie thinking you're malnourished.
00:11:49Well, hello there.
00:11:51Hi, guys.
00:11:52What can I do for you?
00:11:53We have a reservation, a room for Alan Duncan.
00:11:57Okay, let me see.
00:12:01Oh, there you are.
00:12:03Room 203.
00:12:04Maybe the rest of our classmates are here, too.
00:12:07Classmates?
00:12:08Oh, we're here for a class reunion.
00:12:11It's here at the high school.
00:12:12Hmm.
00:12:13Well, no one else has checked in and mentioned it,
00:12:16but then I live outside of town,
00:12:17so I don't know what goes on here.
00:12:19How many hotels do you have in this town?
00:12:22Just two.
00:12:25Well, they must be at the other hotel, then.
00:12:28Hmm.
00:12:28How big was your graduating class?
00:12:31Oh, around 128 kids.
00:12:33Hmm.
00:12:34Well, maybe it's only the three of you, then.
00:12:37Here, here's the key.
00:12:40I see you have a dining room.
00:12:42What time do you serve meals?
00:12:44Breakfast is at 8.30,
00:12:45lunch at noon,
00:12:46and dinner is at 5 sharp.
00:12:48We'll see you at lunch, then.
00:12:50Your room is upstairs and to the left.
00:12:52Okay, thanks.
00:12:53Thanks.
00:12:54And I'm going to go to the floor.
00:13:09It'd be odd if you were the only ones here.
00:13:25hey you know this isn't half bad very turn-of-the-century charm I'm starved
00:14:06hey does that guy look familiar I wonder what the dummy ordered
00:14:14what can I get you guys I'll have a coke and a cheeseburger I'll have a roast beef sandwich
00:14:22and a glass of water I'll try the chicken and biscuits and a coke as well you got it
00:14:29I'll put that order right in hey I know who that guy is he's Archibald the Great
00:14:37he's a ventriloquist I saw him on that's incredible ones he doesn't look so great
00:14:44to me can't be too famous if he's hanging around this town excuse me sir are you
00:14:51Archibald the Great why yes yes I am how did you know I saw you on TV when I was
00:15:01a
00:15:01kid would you mind having a seat with us Chucklehead and I have traveled all over the world we gave
00:15:14our
00:15:15final performance last night are you retiring from the business yes I'm afraid people today
00:15:21aren't into my antiquated style it's time to move on I can't believe you don't have your own reality TV
00:15:29show have you always performed with Chucklehead yes since the very beginning that's cool would
00:15:38you mind if I asked you for an autograph I would be delighted thanks so much it was a pleasure
00:15:52talking
00:15:53with you but we must be going take care thanks again
00:16:14how cool was that swell has been entertainer signed your napkin hope this isn't the
00:16:23high point of our trip come on we made the guy's day
00:16:39Archibald I have your fresh towels where is that weirdo I'm keying in
00:17:00fuck you
00:17:02fuck you
00:17:02fuck you
00:17:03fuck you
00:17:18that was damn good listen we're eating dinner at the reunion you ate so much you're not even
00:17:27going to be hungry look these things go into the night plenty of time to eat and for other things
00:17:34too
00:17:35please don't tell us you think you're scoring with Maggie tonight who knows
00:17:41dream along with me
00:17:44are you guys ready
00:17:46isn't it a bit early
00:17:48the time did you say this thing started
00:17:50before 30 but I thought we'd get there ahead of time so we could get a good table
00:17:54who's paying
00:18:11who's paying
00:18:12have fun tonight
00:18:14you can bet on it
00:18:23may I please ask not to be disturbed tonight
00:18:26sure thing
00:18:27thanks
00:18:33thanks
00:18:42thanks
00:18:43thanks
00:18:59Hey, why don't we walk? It's only a few blocks away.
00:19:02Because I'm not carrying your drunk ass home tonight.
00:19:06Good point.
00:19:27Good point.
00:19:45Good point.
00:20:01It's time, my friend.
00:20:03We knew this day would come.
00:20:08We did give our final performance.
00:20:13Maybe we'll see one another soon.
00:20:42We did give our final performance.
00:20:43We did give our final performance.
00:20:56We hit the progress.
00:21:03We made the Fate illegal force.
00:21:04So, let's go.
00:21:34Ha ha ha!
00:21:47Party time!
00:21:49Looks like we're the only ones there!
00:21:52Thanks to Mr. Early Bird.
00:21:54Let's go check it out!
00:21:55Hey!
00:22:19What the hell? What time did you say this starts?
00:22:23See?
00:22:255.30. Yeah, but not today. Next week!
00:22:31What?
00:22:32Oops.
00:22:34You've got to be kidding me. You got the damn date wrong.
00:22:42Sorry I did.
00:22:43No wonder no one was at the hotel besides us and the Ventraliquist.
00:22:48You did it again. You never pay attention to details.
00:22:53It was a simple mistake. We'll come back next week.
00:22:55I can't get off work that soon.
00:22:58We booked a hotel for two days and prepaid for this event.
00:23:02Come on. We've been worse scrapes, right?
00:23:06Come on. I'm sorry.
00:23:08You certainly are.
00:23:10Let's just get out of here.
00:23:15Urgh!!!
00:23:22Jeez.
00:23:29Hey! Hey! Doc!
00:23:39Hey!
00:23:40Hey!
00:23:42Hey!
00:23:43Hey!
00:23:47Sorry!
00:24:05Hey!
00:24:41Hey!
00:24:42Hey!
00:25:14Hey, that was quick!
00:25:20Dingbat gave us the wrong date.
00:25:22It's next week, not this week.
00:25:35Ooh, they don't seem too happy.
00:25:37It was an honest mistake.
00:25:39Well, buy them dinner tonight and they'll forgive you.
00:25:42Yeah, I'm gonna have to do something.
00:26:30I was gonna have to do something.
00:26:30I was gonna have to do something.
00:26:58I don't know.
00:27:00What the hell?
00:27:30AHHHHH! AHHHHH! AHHHHH!
00:27:35AHHHHH!
00:27:53Look, I said I was sorry. I made a mistake. I had the wrong date.
00:27:59I'll make it up to you, I promise.
00:28:01How? A week of vacation at the Bahamas?
00:28:06Tickets to a Broadway show.
00:28:09$200 a slot at the casino?
00:28:12Alright, alright. You're getting a bit carried away. How about dinner on me?
00:28:18Fair enough.
00:28:20You only wasted a week of our vacation time and lots of money.
00:28:26Way to make me feel better.
00:28:28Come on.
00:28:53Have a good night.
00:29:01What have I done?
00:29:29What can I do for you?
00:29:31Dinner for three?
00:29:32No.
00:29:32No.
00:29:35No.
00:29:36No.
00:29:40Yay!
00:29:47Time for a guest on 2.
00:29:49$300.
00:29:50$300.
00:30:04$50.moners.
00:30:18The Echo and Ed show presents a fascinating dialogue.
00:30:23Echo's technical skills is on the novel, but Ed the Puppet displays a level of sardonic
00:30:30wit that often upstages his human counterpart. The dialogue crackles with an almost uncomfortable
00:30:37honesty pushing the boundaries of traditional ventriloquism. While the act is undeniably
00:30:45innovative, certain unease lingers. Ed's cynicism, while often hilarious, borders
00:30:52on nihilistic. Is this social commentary or simply shock about you?
00:31:00The jury's still out.
00:31:03Seraphina and Silas is a study in contrast.
00:31:07I guess he is famous. See, I told you so. That was very nice of them to do a farewell
00:31:13piece on his final show. Turned out better than our reunion.
00:31:21Watch it.
00:31:22Haunting dance of light and shadow. Silas, the dummy, is a revelation.
00:31:29Now, Reginald, tell the audience about your latest scientific discovery.
00:31:34Well, Professor, it involves a complex algorithm, a quantum entanglement field, and...
00:31:40Oh, look. A butterfly. Reginald, please. This is important research.
00:31:49Important? But butterflies are important. They're like... flying flowers.
00:31:57This voice, a low and resonant timbre, seems to emanate from a place beyond the stage.
00:32:06It's a performance that transcends mere ventriloquism, venturing into the realm of theatrical possession.
00:32:27Where the hell is that waitstaff person?
00:32:54What makes someone want to get into a profession like Archibald?
00:32:57He probably found joy in making other people happy.
00:33:01What are you getting at?
00:33:02I think it takes an odd person to hang out with a ventriloquist, dummy.
00:33:07Odd, but probably wealthy.
00:33:10You can only be so lucky.
00:33:12When he sat down next to us, I couldn't ignore the air of sadness around him.
00:33:19Well, he gave his final performance. I'm sure it was an emotional couple hours for him.
00:33:25It's a lot for one person to deal with, especially an entertainer.
00:33:31They're used to being a center of attention. It's a lot to have to deal with.
00:33:37Still, stop playing psychologist and go back to your video game. Striking out all over the place.
00:33:46Funny.
00:33:58Have a great night.
00:34:00Good night.
00:34:14Hello, Bassinet Inn. How can I help you?
00:34:21Okay, let me take a look.
00:34:27Thanks for waiting. Yes, we have availability on the 15th and 16th.
00:34:32Okay, how would you like to pay for that?
00:34:35Credit card? May I have a credit card number, please?
00:34:41Okay.
00:34:43And an email address, please?
00:34:50Okay.
00:34:52You should be receiving a confirmation shortly.
00:34:55And we'll see you soon.
00:34:57Come on, Alm?
00:34:59.
00:35:01Oh!
00:35:34Alistar in the original is a variable question you take on the intellectual ventriloquist
00:35:40act.
00:35:42Alistar is like a scholar.
00:35:45Measured, composed, always in control.
00:35:51You know guys, I miss high school.
00:35:54Do you?
00:35:55I don't miss it at all.
00:35:56All the clicks and pettiness. Life's better on the outside.
00:36:01Yeah, make it sound like jail.
00:36:03It was. Just legalized.
00:36:06How about you, Trey? Did you miss school?
00:36:09I went howling on the school thing.
00:36:11Maggie didn't change your mind?
00:36:13Oh yeah, Maggie. She made every day worth it.
00:36:17Until you got beat up in the locker room.
00:36:20I got slugged a few times, but I always hit back.
00:36:24Remember George Watson and his gang?
00:36:27Sure do. You mopped his ass up in the cafeteria that day.
00:36:32And his party.
00:36:33Their reputation got ruined and all I got was in-school suspension.
00:36:38Yeah, they never bothered anyone ever again.
00:36:41Most people, when they think of the idea of talking through someone else, think ventriloquism,
00:36:46which these days is just prop comedy.
00:36:48Oh look, there's our friend.
00:36:51I saw him about a minute ago down the hallway.
00:36:54Wasn't looking too good.
00:36:56Yeah, he's probably just tired.
00:36:58Talking through someone else, like having a dummy or a puppet speak for you,
00:37:01more often is a symptom of mental illness in adults.
00:37:04Sometimes it's a reaction to something like social anxiety.
00:37:06Some people act one way because that's how they feel they're expected to act,
00:37:10or because they're too scared to be themselves.
00:37:12And they use that other self to let their real personality shine through.
00:37:16They act how they want, and if other people get upset, they can just blame it on the dummy.
00:37:20For others, it's a symptom of some deeper mental illness, like dissociative identity disorder.
00:37:25Think Arnold Wesker and Scarface from the Batman series.
00:37:28Wesker was a criminal genius, but weak and inept.
00:37:31So Scarface was a separate personality that manifested itself,
00:37:34and Wesker created the Scarface dummy so they could look and play the part more.
00:37:38So talking through someone else is usually a sign that it's time to seek some professional help.
00:37:43Unless, of course, you're stuck in a horror movie.
00:37:45In which case, the other self will slaughter your friends, your family, your neighbors,
00:37:49and that you'll date to the senior prom in horrible and gruesome ways.
00:38:29Why?
00:38:30Why?
00:38:31Why are you doing this?
00:38:34This is what you wanted.
00:38:37I never wanted death.
00:38:41Death is a part of revenge.
00:38:45I never wanted revenge.
00:38:49You did.
00:38:51You did.
00:38:53I did?
00:38:54For all the failures.
00:38:57The people who cheated you.
00:39:00The people who laughed at you.
00:39:03Those people.
00:39:05Yes.
00:39:06But these aren't...
00:39:08those people.
00:39:10All people are those people.
00:39:14Revenge.
00:39:28Damn.
00:39:31I need ice, and there's no ice here.
00:39:34I thought I saw an ice machine in the lobby.
00:39:37I didn't go get some.
00:39:38No, I'll go get it.
00:39:40Be right back.
00:39:43Ha ha ha ha ha.
00:39:52Ha ha ha ha.
00:40:07Hello?
00:40:11I need some ice.
00:40:14Is anyone here?
00:40:24I am never staying at this hotel again.
00:40:27I don't even see an ice machine.
00:40:29Those guys are whacked.
00:40:40Anyone?
00:40:42Anyone?
00:40:49Come on.
00:41:06This is ridiculous.
00:41:20No.
00:41:22Don't go down there.
00:41:24Who's there?
00:41:39Hello?
00:41:47Don't do it.
00:42:13Hello?
00:42:17Is anyone here?
00:42:22I need some help.
00:42:24Stop screwing around.
00:42:30What the hell was that?
00:42:38Who's down here?
00:42:39What did you do?
00:43:07Hello?
00:43:08Why are you working here?
00:43:09Let's go.
00:43:46You've got to be kidding me.
00:44:12I see the cracks, Silas. The fractures and their carefully constructed realities. I see the void, Silas. The emptiness they
00:44:20try so desperately to ignore. And it calls to us.
00:44:25Hey, Patrick, were you expecting a package anytime soon? Because I got something delivered to me, but it had your
00:44:31name on it.
00:44:32I don't think so.
00:44:33I don't know, but it said, say hello to Patricia.
00:44:38How do they know my track name?
00:44:39I don't know where it came from. I don't know why it is, but it's just a little dummy head.
00:44:45Yeah.
00:44:47Do we need a third mic-er?
00:44:50Mic up Patricia. Let's see what she says.
00:44:52Um, I have no clue why it's called a dummy. It's, I mean, puppet, mannequin, dummy, what do you think?
00:45:00Institutional bias.
00:45:03I can't, I can't postulate on why, why they're called dummies with her, with her eyes just staring at me
00:45:08like that. It feels very judgmental. Like anything I say could be like offensive. I don't know if I want
00:45:13to offend our new third co-host.
00:45:15Maybe it makes you feel like a dummy because you don't know what to say.
00:45:18You know, maybe it's a feedback loop. Maybe we call them dummies and it, you know, it insults them on
00:45:23a molecular level and they have to lash out, um, in the form of murder.
00:45:29Oh yeah, let's, uh, all right. Goodbye, Patricia.
00:45:33So anyway, what movie are we going to watch this week?
00:45:36Silas and Shadow is a departure from traditional ventriloquism.
00:45:41Silas's intense focus and Shadow's unsettling pronouncements create an atmosphere of palpable tension.
00:45:48Shadow, the dummy, is a chilling presence. His voice, a low and guttural rumble, seems to come from a place
00:45:56of darkness.
00:45:58The act is less a performance and more a ritual, leaving the audience with a sense of unease.
00:46:04Hey, boy, re-rock this joint.
00:46:06Re-lover me. Let's get in line and break something.
00:46:09All right, try not to break everything. We still gotta get paid.
00:46:12Details, rusty details. Now get in the mic.
00:46:14Oh, Shaq. Darling, do you feel the electricity in the air? The sheer passion of our performance?
00:46:24Passion, Delphine? I feel gas.
00:46:28Did someone bring the beans?
00:46:30Because that's what's electrifying the air.
00:46:33Shaq, show some restraint. We are artists.
00:46:40Our artists who need to eat. I hope we have some good dippers in the audience.
00:46:47Shadow, do you see what I see when I look at them?
00:46:51I see the cracks, Silas. The fractures in their carefully constructed realities.
00:46:58And what do those cracks reveal, Shadow?
00:47:02I see the void, Silas. The emptiness they try so desperately to ignore.
00:47:07The puppet's got more life than you do. Ha! And he's made of wood! Ha ha ha ha!
00:47:13Enough about Archibald.
00:47:16Gosh, it'd taken Alan a long time to get that ice.
00:47:21Maybe he got lost.
00:47:23This place is too small to get lost.
00:47:26Maybe he went to the corner store to get some.
00:47:29I'm gonna take a nap.
00:47:31I'm tired.
00:47:32I'm gonna go see if I can see where he wandered off to.
00:47:35Well, okay.
00:47:37Okay.
00:48:00He's waiting for you.
00:48:16Please, be warned.
00:48:24Hey, anyone here?
00:48:31Oh, Archibald. Have you seen Alan?
00:48:56Oh, it's so much.
00:48:57It's so HIIT!
00:48:58Oh, it's so great!
00:49:03I'm a crazy man.
00:49:03Bye,olds!
00:49:03Bye,bye.
00:49:03Goodnight.
00:49:07Bye, my God.
00:49:09Hello, hold on, Football!
00:49:10Bye,inha!
00:49:11Bye, istem yourself.
00:49:56Hey Archibald, I'm talking to you.
00:50:06Man, you look like shit.
00:50:08It's too late for Alan.
00:50:11What?
00:50:13Gather your other friend and leave.
00:50:16You're not making any sense.
00:50:18Let's find a place to sit down and chat.
00:50:21Maybe we can get you some help.
00:50:23It's too late for me.
00:50:25Chucklehead is loose in this hotel and now he wants to kill everyone.
00:50:31Look, you're taking this Tao thing way too seriously.
00:50:34I know you might be in the dumps about quitting your act, but...
00:50:38It's alive. I am not.
00:50:41My negative energy filled the dummy after I took my life.
00:50:45And now it wants to kill everyone.
00:50:49What?
00:50:50All my negative energy over the years filled the dummy.
00:50:54And now it is exacting retribution on everyone.
00:50:58Be warned.
00:51:04Whoa.
00:51:06Did I see what I think I saw?
00:51:08I know.
00:51:23I know.
00:51:26I know.
00:51:27I know theuis quicks of all the things.
00:51:29I saw.
00:51:45I conversely into this and Dios of all the signs.
00:51:45And then that puts me in the mirror.
00:51:47Just never again.
00:51:49I don't know thisеляn't enough.
00:52:16Hey, what's wrong?
00:52:19We gotta go. I can't find Alan. And Archibald's a ghost or something. He said Alan is dead.
00:52:26Are you nuts?
00:52:29I'm being honest, I swear. He says his dummy chucklehead is alive and killing people.
00:52:36Listen to what you're saying. Are you getting even because we were mad at you?
00:52:42I wish it was.
00:52:44There's only one way to find out.
00:52:46How's that?
00:52:48Let's go to Archibald's room and see. He's probably watching TV.
00:52:53Alright, let's go.
00:53:04Archibald, we need to have a word with you.
00:53:07I told you he wasn't there.
00:53:22Archibald, I told you the dude's dead. He's not here.
00:53:31Over there.
00:53:39Oh my god. I told you he was dead. How did you see him moving around?
00:53:45It was his ghost. I told you that. Let's get out of here. That dummy's lurking around here somewhere.
00:54:05Let's get out of here. I can't make it down the stairs. My leg hurts so much. The room.
00:54:27My leg. We should be safer now. We have to stop the bleeding. This should help.
00:54:37Thanks. This is so unbelievable. Well, believe it. It's because it's happening.
00:54:45No, it's not all. It's all. It's not all. It's not all. It's happening.
00:55:13working. Let me see your phone. It's no good. Well, we're in the middle of nowhere. It's not that. The
00:55:26dummy must have tampered with the router. How could it know to do that? Because it possesses
00:55:32human knowledge. Everything Archibald knew transferred to the dock. Why would the dummy
00:55:37be killing people? Because now it has all of Archibald's pent up rage and anger at its
00:55:43fuel. That's why it's full of hate and rage. What do we do now? Try to get out of here.
00:55:50I can't go
00:55:51anywhere on this leg. Then I'll have to go. Damn, too high to climb down. What are you
00:56:01going to do? You stay put. You'll be safe here. Please hurry. It really hurts. I feel
00:56:08lightheaded. You're losing a lot of blood. I will hurry back.
00:56:12I will be back.
00:56:12I will be back.
00:56:21I will be back.
00:56:23I will be back.
00:56:28Ah!
00:56:48Hey! I need help! Something serious is happening here!
00:56:57Oh no! No!
00:57:23Oh no!
00:57:39Ha ha ha ha ha!
00:57:47Ha ha ha ha ha!
00:57:50Ha ha ha ha ha ha ha ha!
00:58:19Alan is dead.
00:58:20We're going to have to try to get you out.
00:58:24Oh, no, fucker, come on out, chucklehead knucklehead, you chucklehead.
00:58:44Oh, no, fucker.
00:58:44Oh!
00:58:47Oh!
00:58:51Oh!
00:58:52Oh!
00:58:53Oh!
00:58:53Oh!
00:58:55Oh!
00:58:55Oh!
00:59:02Oh!
00:59:05Oh!
00:59:08Oh!
00:59:09Oh!
00:59:11Oh!
00:59:12Oh!
00:59:24Oh!
00:59:26Oh!
00:59:28Oh!
00:59:51Hey, hey, I'm here, hey!
01:00:05What in the name of Caesar are you all in a state about?
01:00:09I know this is going to sound incredible, but I'm being chased by a living dummy.
01:00:14Dummy? Are you drunk?
01:00:17No, it's Chucklehead, the dummy Archibald used during his final performance?
01:00:23Yeah, I know him.
01:00:24He was here about a night ago. Really poor turnout.
01:00:27But I got overtime, so who cares?
01:00:31We need to call the police.
01:00:34Well, the phone's over there.
01:00:55No!
01:00:56Open a door!
01:01:10Ha ha ha ha ha ha!
01:01:39Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:43ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:43ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:43ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:43ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:44ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:47ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:47ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:48ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:48ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:48ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
01:01:51ha ha ha
01:02:10I don't know.
01:02:24Ha, ha, ha, ha.
01:03:08Leave me alone, I didn't do anything to you.
01:03:12Ha, ha, ha.
01:03:19Oh, yeah.
01:03:22Oh, my God.
01:03:49Go now. It is finished.
01:03:52What?
01:03:54I know now only I can stop Chucklehead.
01:03:58He is me, and I am him.
01:04:01He has unholy powers.
01:04:03The curtain is closing.
01:04:05Go now, without haste.
01:04:13I take back any negative energy I unwittingly gave you.
01:04:25It is time, my friend.
01:04:32Time to go.
01:04:34Go now.
01:04:54Good luck, Archibald.
01:04:57Wherever you are.
01:04:58Oh, my God.
01:05:37Oh, my God.
01:05:48Oh, my God.
01:05:51Oh, my God.
01:05:54Hello?
01:05:55I need help.
01:05:57Yes.
01:05:58Well, ladies and gentlemen, as they say in showbiz, that's all, folks.
01:06:04Shooting inches like a W.
01:06:08Oh, my God.
01:06:11Lock your doors.
01:06:14Stay in still after you.
01:06:16Come here.
01:06:17Come here.
01:06:20I'm coming for you, better run
01:06:23In this game of cat and mouse
01:06:25Lock your doors, run upstairs
01:06:27I'm already in your house
01:06:30You can run, you can scream
01:06:32I'll come find you in your dreams
01:06:34Run away or stay and fight
01:06:37Either way it ends tonight
01:06:39Grab a knife, grab a gun
01:06:41Grab a pad, let's have some fun
01:06:43Cut me, shoot me, chop me up
01:06:46Bury me, you'll lock me up
01:06:48It doesn't matter what you do
01:06:50I'll be coming out for you
01:06:53I only got them eyes for you
01:06:55Before I go, you're dying too
01:06:57Lock around
01:07:00In the entrance, I'll tell you
01:07:07Locking doors, stay and see you
01:07:10After you, I'm coming
01:07:22I'm coming for you
01:07:24For you
01:07:29I'm gonna get you
01:07:31In the entrance, I'll tell you
01:07:36In the entrance, I'll tell you
01:07:53Locking doors, stay and see you
01:07:56Locking doors, stay and see you
01:08:01Locking doors, stay and see you
01:08:01Locking doors, stay and see you
01:08:09Locking doors, stay and see you
01:08:13Locking doors, stay and see you
01:08:14Locking doors, stay and see you
01:08:15Locking doors, stay and see you
01:08:15Locking doors, stay and see you
01:08:16Locking doors, stay and see you
01:08:16Locking doors, stay and see you
01:08:16Locking doors, stay and see you
01:08:16Locking doors, stay and see you
01:08:17Locking doors, stay and see you
01:08:17Locking doors, stay and see you
01:08:18Locking doors, stay and see you
01:08:20Locking doors, stay and see you
01:08:24Locking doors, stay and see you
01:09:57What are you going to do in retirement?
01:10:01Honestly?
01:10:03I don't know, Chucklehead.
01:10:06I don't know.
01:10:14Um, hey, dummy, say something.
01:10:22I don't know.
01:10:23You
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