- 2 days ago
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Short filmTranscript
00:00:00The End
00:00:39The End
00:01:07The End
00:01:52You're going too fast for a load like that.
00:01:54Load? Where do you think we are, melons?
00:01:56I'm sorry, miss. What's the hurry?
00:01:59I'm Rick Daniels, press agent for Cold King's Varieties.
00:02:03This is Mr. Cold King himself.
00:02:05We have taken the Rutherford Mansion, Sergeant.
00:02:07Could you direct us?
00:02:08There's no way to miss it.
00:02:10Look, Sarge, I'll take it easy.
00:02:12There's no need in handing us a ticket.
00:02:13These girls have worked hard on the show all winter.
00:02:15We're on our way to the beach for a month.
00:02:17If you want, I'll call your lieutenant and...
00:02:20That's enough, Daniels. The Sergeant understands.
00:02:22You'll see the Rutherford place down the road to your left.
00:02:25Go a little slower.
00:02:26You've got a valuable load.
00:02:28Oh, Sarge.
00:02:31Well, well, I fixed that.
00:03:06Come on, girl.
00:03:08Come on.
00:03:11Come on, girl.
00:03:12What's this?
00:03:13Oh, fine.
00:03:14This is wonderful.
00:03:15Well, pretty house, isn't it?
00:03:20You're Mrs. Weebles, the housekeeper?
00:03:22Yes.
00:03:23The broker told you to expect this, of course.
00:03:25Yes.
00:03:28I'm Mrs. Thorne, wardrobe mistress of the company.
00:03:32Come in.
00:03:37Your baggage has arrived.
00:03:39It's upstairs in your rooms.
00:03:41Upstairs, girl.
00:03:46May we take a look at the rest of the house?
00:03:48Certainly.
00:03:50Ah, this would be Mrs. Pebbles, huh?
00:03:52Mrs. Weebles.
00:03:53No banter, Daniels.
00:03:55Well, cheer up.
00:03:55Youth and beauty have arrived in brilliant wit.
00:03:58The old house will re-echo to music and laughter.
00:04:05Show people.
00:04:10Oh, this place needs a little air.
00:04:14Yes, and a little dusting wouldn't hurt either.
00:04:16I should say not.
00:04:18Oh, what a beautiful view.
00:04:21But the ocean always makes me sad.
00:04:23Ghosts are here.
00:04:25Ghosts of gayer days.
00:04:26I once lost a dear friend by drowning.
00:04:29Who is that caretaker?
00:04:31Yes.
00:04:32Oh, we wanted to use this for rehearsals in a general sitting room.
00:04:36Yes, ma'am.
00:04:37I'll get some dusters.
00:04:39Drink is the root of all evil.
00:04:43Oh, one of them.
00:04:45Probably a very sincere, kind woman.
00:04:47I'll be back to help as soon as I see if the girls are all right upstairs.
00:04:52And Marsha gets a whole suite to herself.
00:04:54That's your choice by right, Winifred.
00:04:56Oh, no, Ruby.
00:04:57Marsha's our lead for the next season.
00:04:59This room's been cleaned.
00:05:00It's really nice.
00:05:01I think we should bring more beds.
00:05:03All the rest of us sleep in one room.
00:05:05It'd be safer.
00:05:06What are you feeling unsafe about now?
00:05:09In this big house, anything.
00:05:11Just anything could happen.
00:05:14Oh, Winifred.
00:05:15Adelaide.
00:05:16I think it would be better if you girls shared the rooms with Marsha.
00:05:19Oh, this I call a grand plaisir.
00:05:21We can manage you very well, Mrs. Ballard.
00:05:23Go on, you goose.
00:05:24We'll help you take over.
00:05:26This I call a swell break.
00:05:28Oh, girls, no horseplay.
00:05:30What's Santoy?
00:05:31Maiden-waiting to the sole great star, Marsha.
00:05:35Come on, Lois.
00:05:36And Clem, this we've got to see.
00:05:39Oh, I think I'll just stay here.
00:05:43Marsha isn't going to like this.
00:05:45I hope.
00:05:48Oh, Marsha, the other room in this suite is for Winifred and Adelaide.
00:05:52I was going to put Santoy in the other room.
00:05:54I'm sorry, Marsha.
00:05:56Santoy isn't a maid.
00:05:57She'll stay with the other girls.
00:05:59Oh, clumsy, don't.
00:06:00That's a cruel thing.
00:06:01I could put that down.
00:06:03Girls, please.
00:06:05I talk with you.
00:06:06Leave me.
00:06:06I want to talk with her.
00:06:07There's no need for us to use the room.
00:06:09The arrangements have already been made.
00:06:11Come, girls.
00:06:11I'll have no quarreling.
00:06:13Sicker, Adelaide, sicker.
00:06:16I knew something dreadful was going to happen when we came here.
00:06:19Oh, now, dear, come along.
00:06:20Maestro expects us all in for a suite before evening.
00:06:27Again you make trouble with your bad temper and your so grand manners.
00:06:30I might suggest you mind your affairs.
00:06:33In Switzerland, in France, always the same thing.
00:06:36You flirt with rich men and poof, trouble.
00:06:38I would advise you to mind your own business.
00:06:41You make the fool of Cold King, same as the others.
00:06:44You will ruin this show.
00:06:45I will own this show.
00:06:47And listen, you know the maestro's rules.
00:06:50What if he were to find out that Doc Brandt is your husband?
00:06:53There is other work in this country.
00:06:55Women like you, someone should like that.
00:06:59Furthermore, the maestro and a lot of other people
00:07:02might like to know who Doc Brandt really is.
00:07:05As bad as you are, you would not do a thing like that.
00:07:09Ah!
00:07:10Well, we're all going swimming before dark, dear.
00:07:19Vig, I could kill her.
00:07:34Well, where have you been?
00:07:37Pick those things up.
00:07:39No, wait a minute.
00:07:41We're going swimming, but I'll get you excused.
00:07:44I want you to go to Adelaide's trunk for me.
00:07:47Oh, please, don't make me steal.
00:07:49Steal?
00:07:50Who do you think I am, Fagin?
00:07:52Look, in Adelaide's trunk, there's a small metal box.
00:07:55There are some letters in it.
00:07:57No, Marsha.
00:07:59Please, I can't.
00:08:01Do you want the maestro to know that you're under 18?
00:08:03Oh, I can't lose this job, Marsha.
00:08:05I can't.
00:08:06It's my chance, and, well, I need the money.
00:08:10Exactly.
00:08:11Bring me three or four letters.
00:08:14Three or four will do.
00:08:21All right, Rick, roll it in.
00:08:22All right, Matt.
00:08:28Mr. King will be down soon, girls.
00:08:30Then we can swim.
00:08:31Oh, maestro making an entrance, eh?
00:08:34I just wish her not go in.
00:08:35Well, of course you'll swim, dear.
00:08:37Sun, sea air, exercise, that's the tonic.
00:08:40Where's Lois?
00:08:41She has a headache.
00:08:42I don't think I'll go in either, Miss Thorne.
00:08:44Well, that'll be all right, Stantoy.
00:08:46Come on, girls.
00:08:50Perfect.
00:08:51Perfect, Daniels.
00:08:52We should have pictures.
00:08:53We're posing a set for the magazines tomorrow.
00:08:56Good.
00:08:56Then today, we swim.
00:09:00Come on, sweetheart.
00:09:01Come on.
00:09:06Come on.
00:09:07Come on, sweetheart.
00:09:08Come on, you love it.
00:09:09Come on.
00:09:11Come on.
00:09:11Wait a minute.
00:09:12Wait a minute.
00:09:13Wait a minute.
00:09:41Wait a minute.
00:09:43Marcia. Her robe was gone when I came out.
00:09:46Maybe she's ill or something.
00:09:48I hope it's serious.
00:09:49This woman, she's sick all the time, inside.
00:09:53Shhh.
00:09:54Has anyone seen Marcia?
00:09:56I think she went up to the house, Maestro.
00:10:02I wonder if Marcia and Maestro quarrel.
00:10:05You can't quarrel with a lap dog.
00:10:40Well, I think I'mflow.
00:10:43I'm gorgeous, Maestro.
00:11:04¶¶
00:11:16¶¶
00:11:19The root of evil.
00:11:20You said it.
00:11:22Lots of evil has come out of the sea.
00:11:23The world, for instance.
00:11:25Liquor is the root.
00:11:27Crime, the stem and branches.
00:11:28And what's the fruit?
00:11:30What?
00:12:03You look like if you have seen the ghost.
00:12:06It's kind of chilly.
00:12:09Did you see Santoy or Lois?
00:12:12No, I was just in the cabana.
00:12:23Lois, you in there?
00:12:24All right.
00:12:40All right.
00:12:42All right.
00:12:49What?
00:12:50What?
00:12:51What's the matter with her?
00:12:52What happened?
00:12:53She's dead.
00:12:53No, no, no, no.
00:12:54Oh!
00:12:55Quiet, girls.
00:12:56Please.
00:12:56I think you've got to leave the room.
00:12:58Look, maestro.
00:13:00For the good of the show, Lois is dead.
00:13:01She'll not mind if it looks like an accident.
00:13:04You couldn't move the body.
00:13:05Why, sure.
00:13:06To the beach.
00:13:06It'll look like a drowning.
00:13:07We'll work it out when the fuss dies down.
00:13:09It'll be easier on Lois' mother, too.
00:13:11You press agents are all calloused.
00:13:14I forbid it.
00:13:15Take the edge off the first news breaks and we can handle it quietly, I tell you.
00:13:18I forbid it.
00:13:19She was garretted a cord around her neck.
00:13:23What kind of a cord is that?
00:13:24A silk cord.
00:13:25A silk, huh?
00:13:27That's an old Chinese custom.
00:13:30Chinese!
00:13:30Now, Clem, this is no time for hysterics.
00:13:32Come on.
00:13:33Hey, girl.
00:13:33Clem, we'd better leave her now.
00:13:35Oh, for heaven's sake, Clem, let up.
00:13:47Don't let her come near me!
00:13:48Clementine, control yourself.
00:13:50It's a Chinese drink of silk and cord.
00:13:52She was in the house with poor Lois all the time.
00:13:55Oh, I wish Doc were here.
00:13:57What she needs is a pill.
00:13:58You'll have to humor him.
00:14:00Oh, sure, Clem.
00:14:01The Chinese garotte people all the time.
00:14:03You're accusing me?
00:14:04J'accuse, j'accuse.
00:14:06This is very bad.
00:14:07The garotte is an old French abash costume, too.
00:14:09That's right.
00:14:10And if it was Masha up there, you'd have some tall explaining to do.
00:14:13I'm going to see if you may have found any trace of Masha.
00:14:15No, Winifred.
00:14:16They asked us to stay here until the police come.
00:14:19Girls, please try to be calm.
00:14:21Yes, until Masha's found.
00:14:23We won't know anything.
00:14:24All Masha's clones are still upstairs.
00:14:26If she went away, she went in a bathing suit.
00:14:29But don't stare at me like that.
00:14:31Santoy, dear.
00:14:32No one accuses you.
00:14:33It was a silk gourd.
00:14:36I've read about the Chinese.
00:14:38I'll put an end to this.
00:14:40I met a detective, the world's greatest detective.
00:14:42His name is Jimmy Chan, great Chinese detective.
00:14:46He'll protect his country woman.
00:14:48Santoy, where are you going?
00:15:15Mr. Chan!
00:15:17Jimmy!
00:15:18Jimmy!
00:15:18Murder!
00:15:19It's murder!
00:15:23Hello.
00:15:24This is Mr. Chan's resident.
00:15:26Mr. Chan!
00:15:27Jimmy!
00:15:28Jimmy!
00:15:29Murder!
00:15:29It's murder!
00:15:30That gets those detectives.
00:15:31It's all they understand.
00:15:32Don't let her telephone!
00:15:33She's burning something!
00:15:34We'll all be murdering!
00:15:36Mr. Chan!
00:15:37Jimmy!
00:15:37This is Santoy.
00:15:39I'm at the beach.
00:15:39Tell him it's murder!
00:15:40Oh!
00:15:42Oh!
00:15:43Jimmy!
00:15:43No!
00:15:44Jimmy!
00:15:45Jimmy!
00:15:47Yes!
00:15:47Murder!
00:15:48Murder!
00:15:48Jimmy!
00:15:49Jimmy!
00:15:50He's murdered!
00:15:50Hold on, now.
00:15:51Be calm.
00:15:51Don't get excited.
00:15:52Be calm, everybody, now.
00:15:53I'm with you.
00:15:54Wait a minute.
00:15:54Be calm.
00:15:55Now, wait a minute.
00:15:55Wait a minute.
00:16:01Where's the pair?
00:16:02What's your number you said it was?
00:16:0426 Malibu Drive?
00:16:05Malibu Drive?
00:16:06Oh!
00:16:06Good gracious!
00:16:07That's all right.
00:16:07Hold it, now.
00:16:08Hold it.
00:16:08Don't get excited.
00:16:09Who?
00:16:11Mr. Chan!
00:16:12Good gracious!
00:16:15Wait a minute.
00:16:15Mr. Chan!
00:16:16Mr. Chan!
00:16:17Mr. Chan!
00:16:19Mr. Chan!
00:16:19Mr. Chan!
00:16:19Mr. Chan!
00:16:20Mr. Chan!
00:16:20Mr. Chan!
00:16:20Mr. Chan!
00:16:20Good evening.
00:16:22Oh!
00:16:22Good gracious, Mr. Chan!
00:16:23Jimmy's just gotten murdered.
00:16:24I just got it over the telephone.
00:16:26What?
00:16:26Where?
00:16:27Where did Carl come from?
00:16:28Uh, uh, 26 Malibu Drive.
00:16:30There's a whole lot of girls there, and they said he just got murdered.
00:16:33Malibu Beach?
00:16:33How long since you've seen Jimmy?
00:16:35Oh, this afternoon, he must have had a date.
00:16:37But them girls said he just got murdered.
00:16:39I can understand the girl part of it.
00:16:41I can understand the girl part of it.
00:16:41The rest of it, no.
00:16:42We go.
00:16:43Uh, I'll get car.
00:16:44You get your clothes on.
00:16:45Yes, sir.
00:16:46Oh, good gracious of me.
00:16:47Ain't this something?
00:16:53You are sure you have correct address?
00:16:56Yes, sir, Mr. Chan.
00:16:57I heard it plain.
00:16:58A whole lot of girls screaming and hollering about Jimmy.
00:17:01Oh!
00:17:02Please, you will drive carefully in the city.
00:17:05We make up time on Coast Highway.
00:17:07Yes, sir.
00:17:10Birmingham.
00:17:2726 Malibu Drive.
00:17:41Sam, I found her.
00:17:43You must find Marsha, Sergeant.
00:17:44Now let the Sergeant talk.
00:17:45What's he know about it?
00:17:46I'll have to take your statements separately.
00:17:49Have they moved?
00:17:51Yes, the coroner took over.
00:17:52Now, who is Marsha?
00:17:54The murderess.
00:17:55Oh, now, Madge, we don't know.
00:17:57There's very little the girls can tell you, Sergeant.
00:18:00If you'll wait until the men come back, they may have news of Marsha.
00:18:03And where are the men?
00:18:04Well, they're out looking for her.
00:18:06Someone sent for a detective.
00:18:08Oh, thank heavens.
00:18:12I'm here looking for number two son, Jimmy.
00:18:15But he's not here, Mr. Chan.
00:18:17Understood.
00:18:18Jimmy was here and in trouble.
00:18:20Oh, that must be a mistake, sir.
00:18:22Oh, mistakes sometimes bring most fortunate relief.
00:18:26I see all other troubles are in most capable hands.
00:18:30Good evening, Sergeant.
00:18:31A very serious thing has happened, Mr. Chan.
00:18:35This is the sergeant's big break. Give him a chance.
00:18:37I'm Reynolds of the state police, Mr. Chan.
00:18:39This is out of city jurisdiction.
00:18:41But now that you're here, I'd be glad if you kind of look things over.
00:18:44Little Chinese girl tells me many persons are wrongfully accused.
00:18:49Was a dead girl so very badly hated?
00:18:52Oh, no, Mr. Chan.
00:18:54Lois was a sweet, harmless child.
00:18:56The murder of Lois, that is a mystery.
00:18:58But the missing one, Marsha, we all hate her.
00:19:00I kill her myself. Poof!
00:19:02Correct.
00:19:03Lois was strangled.
00:19:05Adelaide's right.
00:19:06We all hated Marsha.
00:19:07Not hate, Madge.
00:19:08That's a bitter word.
00:19:10Marsha, bah.
00:19:11She will not be found.
00:19:12I hope not.
00:19:14Bah.
00:19:15Question the men.
00:19:16Ask them.
00:19:17Girls, please.
00:19:18Mr. Chan, would you care to talk to us separately?
00:19:21Would like few moments along with Sergeant, if you please.
00:19:24Come, girls. Upstairs.
00:19:26No, no, not up there.
00:19:28No need to go to that room.
00:19:30We can make a general dormitory where you can all be together.
00:19:33Come on.
00:19:36Don't worry, Mr. Chan will clear things up.
00:19:39The sergeant looked capable to me.
00:19:41Oui, but, uh, the detective.
00:19:47Well, that looks like an ordinary bathrobe cord to me, sir.
00:19:52I was more concerned about the presence of my number two son Jimmy in this house.
00:19:57Well, I haven't seen him, sir, but I'd appreciate any time you can give the case, sir.
00:20:02Oh, Mr. Chan, I met you when you were on the March case.
00:20:06I was handling publicity for the March flour mills.
00:20:09My name is Rick Daniels.
00:20:10I'm delighted.
00:20:11Being press agent, you will have factual eye for details.
00:20:15Mr. Chan, am I glad to see you.
00:20:18Mr. Cole King, I believe?
00:20:20Yes, sir.
00:20:21Your presence here is a great relief to us.
00:20:24One moment.
00:20:26Uh, what is your position on Mr. King's show?
00:20:30Uh, physiotherapist in charge of diet.
00:20:32Uh, general physical culture.
00:20:34Uh, George Brandt, Mr. Chan.
00:20:35An honor, sir.
00:20:36Any sign of the missing girl?
00:20:38No, we searched every room and every cabana.
00:20:40We can't find her anywhere.
00:20:42Now, gentlemen, I will ask you for careful statements and details, please.
00:20:48Well, I'll be in my cabana, girls.
00:20:50Madge will take care of you.
00:20:51Good night.
00:20:52Good night.
00:20:52Good night.
00:20:55Clam, hold it.
00:20:57Clam's off again.
00:20:59I saw it too.
00:21:00Somebody out on the porch.
00:21:01A man.
00:21:01He went into the next room through the window.
00:21:06Birmingham, guard entrance.
00:21:08Yes, sir.
00:21:12Come on, let's get the serge.
00:21:13Come on, Clam.
00:21:14Oh, someone's gonna get killed.
00:21:16Oh, I scared.
00:21:17Oh.
00:21:18What is trouble, please?
00:21:19Someone run in here from the porch.
00:21:21A man.
00:21:21I saw him jump through the window.
00:21:22Come on.
00:21:42So, you will explain your behavior with speed?
00:21:46Well, Pop, you'll see it was this way.
00:21:48Also, intelligence.
00:21:50Well, I found the address on the telephone pad.
00:21:52I figured you were on the case and that you might need some help.
00:21:55And when I saw the state cops up on the highway, I knew that they had just stopped.
00:21:58So, I just climbed up.
00:22:01Hello, Jimmy.
00:22:06Unorthodox, though not unusual.
00:22:08One moment, please.
00:22:11You and Birmingham will take up positions in rear.
00:22:14No one is to leave premises.
00:22:16Okay, Pop.
00:22:16Our quarters are in a cabana, Mr. Chan.
00:22:18Kindly remain in the house.
00:22:20Ladies, return to your rooms.
00:22:22Hmm.
00:22:22Sounds official.
00:22:23I still think the sergeant could handle it.
00:22:33Position up, buddy?
00:22:35Yes, sir.
00:22:36Trunk?
00:22:37All right, sir.
00:22:49Jimmy.
00:22:50Ain't nobody going to try to leave the house tonight.
00:22:52Come on, let's find a place to stretch out.
00:22:54Pipe down.
00:22:54I'm already in touch with Pop.
00:22:56Yeah, but I'm plum exhausted.
00:22:57I want to go to sleep.
00:22:58Sleep.
00:22:59Why don't you try sleeping on your feet for a change?
00:23:01Hmm.
00:23:01That ain't a bad idea.
00:23:06Hey, duck.
00:23:07There's somebody now.
00:23:18He went into the cellar.
00:23:20What are you worrying about?
00:23:21He ain't leaving the house.
00:23:26He's always looking for trouble.
00:23:31Now, now, now, wait a minute.
00:23:32Now, where are you going?
00:23:33Come on.
00:23:33This'll square us with Pop.
00:23:34I'm already square with your Pop.
00:23:36Well, you stay here.
00:23:37I'm going in.
00:23:37That's just what I'm...
00:23:38Whoa, gangway.
00:23:39I changed my mind.
00:24:09Jimmy!
00:24:10Whoa, Jimmy!
00:24:12I wonder where did that boy go?
00:25:30That's me.
00:26:07Mr. Chan, come out somebody.
00:26:11Jimmy, hold on.
00:26:12I got you.
00:26:13Hold on.
00:26:14Mr. Chan, Jimmy.
00:26:16Come on, all of you.
00:26:17You got me surrounded.
00:26:18I got you.
00:26:19Come on.
00:26:19Mr. Chan, come here.
00:26:26Jimmy.
00:26:29They tried to kill me.
00:26:30Everybody tried to kill me.
00:26:32They hit me across my head.
00:26:34Look at everything falling on me.
00:26:35I saw him run.
00:26:36He had a bundle in his hands.
00:26:37Yeah, he might have had a bundle in one hand,
00:26:39but he sure had a club in the other one.
00:26:41Where's my hat?
00:26:43Jimmy, let's get out of here.
00:26:44Can't you get the thing off of you?
00:26:45Come on, let's go.
00:26:46Here, take this, would you?
00:26:50Oh, gee, Pop, you scared me.
00:26:52You observed something in cellar?
00:26:54Yeah, somebody went down there and tried to stuff a bundle in the furnace.
00:26:57Person make exit, carrying bundle away in hands?
00:27:00Only in one hand, Mr. Chan.
00:27:02Yeah, he clipped Birmingham.
00:27:04Resume vigilance.
00:27:05Person when bundled.
00:27:06Most important.
00:27:08Now, the way I figured that thing, Jim...
00:27:09Clip!
00:27:30Oh, my God!
00:27:33Oh, my God!
00:27:33Oh, my God!
00:27:35Oh, my God!
00:27:36Quiet, girls.
00:27:37It's Centoy.
00:27:38Jimmy!
00:27:42Oh.
00:27:43I am so glad to learn you are not cause of this latest disturbance.
00:27:48Remain where you are, please.
00:27:50Oh, my God!
00:27:52Drink!
00:27:53If you mention the root of evil...
00:27:54Oh, Centoy, what happened?
00:27:56What's the matter?
00:27:57What happened?
00:27:57What's the matter?
00:27:58Tell us.
00:27:59Upstairs.
00:28:00Someone threw something over my head.
00:28:03I smell a chloroform.
00:28:05I can smell it here, too.
00:28:06Ruby, don't go up there.
00:28:07Don't!
00:28:08I can smell it down here.
00:28:09No!
00:28:09It's ether.
00:28:10Impossible.
00:28:11There's a plot against all of us.
00:28:13Oh, Centoy!
00:28:14Quiet!
00:28:16Quiet!
00:28:17Quiet!
00:28:17Quiet!
00:28:20Mucho.
00:28:20Mucho.
00:28:21Do I smell ether, Doctor?
00:28:23Yes, sir.
00:28:23A cloth must have been saturated with it, Mr. Chan.
00:28:26It's fantastic.
00:28:27It's madness.
00:28:28This house is haunted.
00:28:29It's all clam-dried out.
00:28:30Please, please, young ladies.
00:28:31I would suggest you all go quietly to your rooms.
00:28:33Come on.
00:28:34The little Chinese girl is evidently the center of general mystery here.
00:28:38Well, why don't you search the place?
00:28:40By now, attackers have ample opportunity to escape.
00:28:45Or to join us here.
00:28:58What a horrible night.
00:29:00I didn't sleep awake.
00:29:02You're snoring.
00:29:03It was asthma, no?
00:29:04Poor Clem.
00:29:05She was nervous before we ever came here.
00:29:08Feel better this morning, dear?
00:29:10I slept a little.
00:29:11I'm inside the poor kid until she relaxes.
00:29:14It's really so funny.
00:29:15Look, hi.
00:29:16He's all so.
00:29:17Just carrying around my own protection.
00:29:18What is the great Mr. Chan doing?
00:29:20He has the situation well in hand.
00:29:22Oh, Mr. Chan is working it out.
00:29:24You've got to admire him.
00:29:25He's quiet, intelligent, and persistent.
00:29:27Persistent.
00:29:28An admirable quality.
00:29:30Oh.
00:29:40Good gracious of life, Mr. Chan.
00:29:41I know that it was going to happen sometime.
00:29:44No, no, no, Jimmy.
00:29:45Get up.
00:29:46Could not possibly happen that way.
00:29:47Come in, Birmingham.
00:29:48Could not possibly...
00:29:49Birmingham, come here.
00:29:50Yes, sir.
00:29:54I want you to stand right there.
00:29:56Bend over and simulate pilfering of trunk.
00:29:58Oh, yes, sir.
00:29:59Hmm?
00:30:00Imagine you are stealing something from the trunk.
00:30:03I know.
00:30:03Now, you are familiar with technique of the garotte?
00:30:07They didn't teach that in my school, Pop.
00:30:09Hmm.
00:30:11Observe.
00:30:13When held in this manner,
00:30:15garotter cannot possibly be caught
00:30:17if victims should suddenly grasp the cord.
00:30:21Gee, Pop, where'd you learn that?
00:30:22In the school of hard experience.
00:30:24Uh, simulate, uh, pilfering.
00:30:28Now, I am garotter.
00:30:31I enter from this door.
00:30:34I approach the victim stealthily.
00:30:39Not now, Mr. Chan.
00:30:41Not now.
00:30:41You see, Jimmy?
00:30:42That is what I mean.
00:30:43It was utterly impossible for garotter
00:30:47to approach victim from behind
00:30:49while victim is kneeling in that position at the trunk.
00:30:52I get it, Pop.
00:30:53That Lois girl wasn't at the trunk.
00:30:55Uh-huh.
00:30:55Well, deduce further.
00:30:56Remember?
00:30:57The body was lying here
00:30:59where these marks are placed upon the floor.
00:31:01She whirled away from the trunk
00:31:02and saw the killer.
00:31:04Uh-huh.
00:31:04Deduce further.
00:31:05You're reaching the point.
00:31:06She recognized the killer.
00:31:08She couldn't believe what she saw with her eyes
00:31:10or she would have gotten further away.
00:31:12Maybe clean away.
00:31:13Uh-huh.
00:31:14Indicating what?
00:31:14That the killer was a friend.
00:31:16Exactly.
00:31:17What I am trying to demonstrate.
00:31:19The killer, Jimmy, was a friend.
00:31:21Oh, Mr. Chan,
00:31:22maybe that girl didn't see the killer at all.
00:31:24Maybe the killer was transparent.
00:31:26Oh.
00:31:27No further deductions.
00:31:38All this inaction.
00:31:39If only we could go swimming.
00:31:41A good idea, but...
00:31:42Forbidden.
00:31:43Sergeant's orders.
00:31:44Stay here or in the house.
00:31:45Look out the orders for Mr. Chan.
00:31:47Detract her.
00:31:48The sergeant's a great criminologist.
00:31:49He told me so himself.
00:31:51Crimes and criminals.
00:31:52It all seems like a nightmare.
00:31:54There.
00:31:55Oh, Mr. Chan.
00:31:57Is it how you say permissible to go swimming?
00:32:00I think nice swim would be very refreshing for everyone.
00:32:04Let's go.
00:32:06Sure.
00:32:06Come on.
00:32:07I'll go back.
00:32:25Tolling your own laundry, Rick.
00:32:27I'd be glad to do any washing, sir.
00:32:29Uh, no, thank you.
00:32:30It's just something I had for the maestro.
00:32:38Jimmy.
00:32:41Jimmy.
00:32:45Sign Birmingham.
00:32:46You will both follow movements of Mr. Daniels very closely.
00:32:50Oh, but Pop, Santoy and I were gonna go for a swim.
00:32:54Swim.
00:32:55Swim later.
00:33:05Oh, Clementine.
00:33:06Look what I found.
00:33:07It moved.
00:33:08Don't touch it.
00:33:09Ruby, don't.
00:33:10Afraid of a crab.
00:33:12Oh, bite.
00:33:15Clementine, get it before it goes in the water.
00:33:19Where are you going?
00:33:20Come on.
00:33:22Come on.
00:33:22Oh, I got you.
00:33:23Come on.
00:33:25Come on.
00:33:29Come on.
00:33:30Oh, I got you.
00:33:31It's Marshall.
00:33:33Marshall!
00:33:35Marshall!
00:33:36Marshall!
00:33:45The tide washed her up, huh?
00:33:47Remove cord.
00:33:49You will also examine not very closely.
00:33:53Doubt it.
00:33:55Another one.
00:33:56Strangled.
00:33:57Good gosh.
00:33:58Another cord.
00:34:00Everyone will please return to the house.
00:34:03Except the sergeant.
00:34:05You remain here and instruct the coroner.
00:34:17It's obviously a suicide, Mr. Chan.
00:34:21She killed Louise and then go out and drown herself, n'est-ce pas?
00:34:26You observe not?
00:34:28It was a granny not, sir.
00:34:30You also possibly examine victim's throat?
00:34:33Yes, the trachea was flattened.
00:34:35What would you say regarding possible period of immersion?
00:34:39Ten or twelve hours.
00:34:41He is only guessing, Mr. Chan.
00:34:43Well, I have only a superficial knowledge of such things, Mr. Chan.
00:34:46I am certain coroner will agree with your every statement.
00:34:50Excellent.
00:34:51Doctor.
00:34:54It can't be a suicide, Mr. Chan.
00:34:56She was a good swimmer.
00:34:57She'd have to tie the cord on herself.
00:34:59Not to the kind women tie.
00:35:01Also many men.
00:35:03Pac.
00:35:03Hey, Pac.
00:35:04Yes?
00:35:05He's going off the beach with that package.
00:35:07Birmingham's watching him.
00:35:08I will take care of it.
00:35:09I must ask you all not to leave this room.
00:35:12I have much to discuss with you later.
00:35:15I will take care of it.
00:35:52So, you will open it, please.
00:35:59I can explain, Mr. Chan.
00:36:01I will listen to your explanation at the house in the presence of your friends.
00:36:10Yeah.
00:36:12Yeah.
00:36:14Right.
00:36:18Well, the coroner says she couldn't have died by drowning.
00:36:20I thought not.
00:36:22She wasn't the kind.
00:36:25Better we leave this place while the excitement is still on.
00:36:28You don't know America, honey.
00:36:30They'd hound us and never let up.
00:36:31Oh, I'll live with you in caves.
00:36:33Even in tree trunks.
00:36:34Only to run away from this.
00:36:36I've been running away for years.
00:36:38Time has come now to face it.
00:36:40That detective.
00:36:41He knows everything.
00:36:43All righty, he called you doctor.
00:36:44Yes, I caught that.
00:36:50Look, before we go in.
00:36:51I was trying to keep somebody from being framed.
00:36:54This robe was planted on him.
00:36:55The maestro?
00:36:56That's right, and you can check on that.
00:36:58He found it in his clothes closet.
00:37:00I prefer to listen to your explanation in presence of the other suspects.
00:37:05Listen, Mr. Chan, I know crime.
00:37:07There isn't anybody in this house that could have killed Lois except Marsha herself.
00:37:11Then Marsha took the water route.
00:37:13Suicides do not garrote themselves by tying granny knot at back of neck.
00:37:18I've seen a lot of crime.
00:37:20Repetition of your merit only go to prove your fear of fault, Mr. Press Agent.
00:37:27Continue inside, please.
00:37:38It's Marsha's robe!
00:37:40Where was it, Rick?
00:37:41I had it.
00:37:42It's Rick!
00:37:43Rick killed her!
00:37:45Please, please.
00:37:47For the benefit of everyone, I wish to inform you, it's my opinion.
00:37:52Marsha did not kill Miss Lois.
00:37:55Mr. Chan, several of us saw Marsha going up to the house while we were swimming.
00:37:58The sergeant has a theory on that.
00:38:00He thinks somebody wore the robe and then went into the house.
00:38:03Excellent deduction, but lacks point of fact.
00:38:06And Santoy had every opportunity.
00:38:11Santoy is a little doll and she herself was attacked, no?
00:38:15You sound repressed.
00:38:17Then that ether business could have been phony.
00:38:19If anyone wanted to cover up.
00:38:21Ruby, please.
00:38:22Mr. Chan, it's plain you suspect all of us of the actual, for the actual murder of trying to shield
00:38:27someone.
00:38:29Daniels, don't stare that way.
00:38:31You look like a vulture.
00:38:33Mr. King.
00:38:39You are familiar with these cords?
00:38:41This one possibly from black gown?
00:38:45There is no black gown in the wardrobe, Mr. Chan.
00:38:51Excuse please, Chinese girl who is familiar with wardrobe, tell a different story.
00:38:57This cord which killed Miss Lois is from your black beach robe.
00:39:01And this one with silver thread is from Marsha's gown.
00:39:06All right.
00:39:07So that is correct.
00:39:08How do you expect to get cooperation from one you so obviously and wrongly accused?
00:39:12Spill it, you dope.
00:39:14You're the guilty one.
00:39:14Let's get him out of here where we can give him a third degree.
00:39:17Wait a minute, Daniels.
00:39:18Don't you see?
00:39:18There's a trick of Chan's.
00:39:20It's an old oriental custom trying to get us to accuse each other.
00:39:23You're going to talk.
00:39:24Don't ever lay a hand on me again.
00:39:26You killed them both, why don't you spill it?
00:39:28Daniels, this police court stuff.
00:39:30I'll have you arrested.
00:39:32Rick, stop it.
00:39:34Look, I was loyal to you and your show, but enough's plenty.
00:39:37I took that robe out and tried to bury it because I thought somebody was trying to frame you.
00:39:41Then Chan caught me and the finger's on me.
00:39:43Daniels, you took that robe to Chan.
00:39:46Oh, skip that.
00:39:47But Doc here's got something in his past that stinks.
00:39:49And the finger's on him too.
00:39:51The girls are accusing each other.
00:39:53You're ruining lives, Cold King.
00:39:55When you're the guilty one, why don't you spill it?
00:39:57Stop it, Rick.
00:39:58Get yourself more evidence.
00:39:59I got evidence enough.
00:40:01He let this dame Marsha make a fool out of him.
00:40:03Then he got tired of her.
00:40:04Then he gouted her with a cord from his own bathrobe.
00:40:07Now stop him, Mr. Chan.
00:40:08No, no, please continue.
00:40:10This kid, Lois, was a chiseler.
00:40:12She shook Adelaide's trunk for the tin box to put the bee on you, Doc.
00:40:16Blackmail.
00:40:16And that's where you came in.
00:40:18She was swiping the box when she saw you fix Marsha.
00:40:21You had her kill, Lois, with a cord from Marsha's gown.
00:40:24I don't know anything about it.
00:40:26You're crazy.
00:40:28Oh.
00:40:29Now I see it, Daniels.
00:40:31You're the murderer.
00:40:33You killed Marcia.
00:40:35Marcia took Winifred's job in the show.
00:40:37And ever since then, you've been moody and ugly.
00:40:39You killed Marcia and then later took her body out to sea.
00:40:43Oh, that won't get you anywhere.
00:40:44Hey, wait a minute.
00:40:45You killed Marcia.
00:40:47Daniels, you're calloused.
00:40:49You tried to make Lois's death look like suicide.
00:40:52Obstructing justice is very serious crime, Mr. Daniels.
00:40:56Sergeant, you will make investigations and bring proper charges.
00:41:00Shall I handcuff him, sir?
00:41:01Oh, not necessary, no.
00:41:04Listen, all of you.
00:41:05When I shall have dismissed you,
00:41:08the men will all go to their cabanors.
00:41:11The ladies will remain here in this house.
00:41:14Oh, Mr. Chan, you won't make us put in another night in this house.
00:41:17Impossible to speed up investigation now.
00:41:20You two, in a few moments,
00:41:22will meet me in my headquarters,
00:41:24first room on the right at the top of the stairs.
00:41:26Doc and Adelaide?
00:41:27Why, they're no more guilty than I am.
00:41:29That is very interesting comment, young lady.
00:41:32Perhaps I will be able to question you later on.
00:41:35Sanjoy!
00:41:36He won't question Sanjoy!
00:41:38Oh, no, ma'am.
00:41:39Sergeant, you will please join my two assistants.
00:41:42Right, sir.
00:41:42No one is to leave house or cabanors.
00:41:44The beach party are okay, sir?
00:41:46If carefully guarded.
00:41:47This is routine precaution.
00:41:49I am convinced the murderer is in this room.
00:42:20It's a dame, Sarge.
00:42:21I'll get her.
00:42:22You stay here.
00:42:23See that none of the others tried.
00:42:24It's a dame, Sarge.
00:42:25Come on.
00:42:51Oh, so it's you.
00:42:52Where were you going?
00:42:54To mail a letter.
00:42:55Wisecracks won't help, honey.
00:42:57You sure fooled me.
00:42:58Move over.
00:42:59I'll drive back like a good girl, Sargeant.
00:43:01Oh, no, you don't.
00:43:02I'll send for the bike later.
00:43:03Move over.
00:43:13State board of medical examiners.
00:43:16What's this?
00:43:17I'm not talking.
00:43:39You wish I should open this letter, doctor?
00:43:41Of course.
00:43:41It's my application for the state board.
00:43:43I'll give it to Ruby to post, because she had a better opportunity to escape.
00:43:47Tomorrow's the last day for filing.
00:43:49I'd decided to drop it.
00:43:51Best laid plans of mice and men sometimes go a little bit haywire, huh?
00:43:56Very well.
00:43:57I accept explanation.
00:43:59I think perhaps, Sargeant, you had better mail letter.
00:44:02You may open it first, if you wish.
00:44:04I guess I'll mail it, Mr. Chan.
00:44:06Good work, Sargeant.
00:44:08Sit down, please.
00:44:11I suggest now we all talk together freely.
00:44:15Well, it seems obvious to me, Mr. Chan.
00:44:17Marshal killed Lois, contrived to tie a similar cord around her own neck,
00:44:20since she was so good a swimmer.
00:44:22One moment, please.
00:44:23One moment.
00:44:24If either garotte had been tied with square knot,
00:44:28a surgeon's knot,
00:44:30the case would now be closed with you arrested.
00:44:32Alors, ça c'est pas possible.
00:44:33Sit down, please.
00:44:36Today, I confirmed a suspicion which began to germinate when I first see you.
00:44:41Six years ago, in New York City,
00:44:43a very young and promising doctor was accused of wife murder.
00:44:48Messonge!
00:44:49They're lies, lies, lies!
00:44:50Lies, lies, yes, perhaps.
00:44:53Young doctor was exonerated, but the whole affair ruined his life.
00:44:57All right.
00:44:58He went to war.
00:45:00There he met a girl and married her.
00:45:02Me.
00:45:03Now you know everything, Mr. Chan.
00:45:05Thank you so much.
00:45:07When you were both in Paris,
00:45:09you knew this girl, Marshal, very well?
00:45:12Oh, zut.
00:45:12We know her too well.
00:45:14No, no.
00:45:14Let it drop, Adelaide.
00:45:16I'm suspect again.
00:45:18You refuse to talk about yourselves?
00:45:21What is there to say?
00:45:22The medical association disowned me.
00:45:24I couldn't resume practice when I came back.
00:45:27Marshal got Adelaide a job with this show, and there was a job for me.
00:45:30It's as simple as that.
00:45:32I have no wish to reopen old wounds.
00:45:35Adelaide knows I was completely innocent of that charge, Mr. Chan.
00:45:39Then, yes, perhaps.
00:45:40But now, by simple process of elimination, doctor, I have arrived at a most important conclusion
00:45:47in this present case.
00:45:49I am very sorry, but I am under the painful necessity of accusing you of a most serious crime.
00:45:55Excuse me, Mr. Chan?
00:45:56No, no, this is all wrong.
00:45:57I killed Marcia.
00:45:59No, Adelaide, Adelaide.
00:46:00Mr. Chan doesn't want dramatics.
00:46:02Excuse, please.
00:46:03On contrary, dramatics highly valuable just now.
00:46:07I am convinced, doctor, you tell only partial truths.
00:46:11I am convinced you find dead girl's body in this room.
00:46:15I am also firmly convinced you remove from this room certain articles which Lois steal from Trunk.
00:46:21No, no.
00:46:22He was with me everywhere, in the water, on the beach, everywhere.
00:46:24It's no use, Adelaide.
00:46:26I found Lois.
00:46:28That metal box of yours was on the floor beside her.
00:46:30I took it away.
00:46:32You did find her, then.
00:46:34Continue.
00:46:35But she was dead, Mr. Chan.
00:46:37I tried artificial respiration.
00:46:39It was no good.
00:46:40I knew in a bad situation I was in.
00:46:43That metal box contained personal letters referring to that affair in New York.
00:46:47I saw the whole thing being bungled by the local police to ruin us,
00:46:51to destroy everything Adelaide and I have together.
00:46:54Our entire future.
00:46:56This box contained other articles besides letters?
00:46:59Lots of things.
00:47:00Everyone has something in it.
00:47:01It was only a fireproof container of the girl's head, sir.
00:47:04Ruby have some letters, Winifred, Santoy, some Jane, Mrs. Thort.
00:47:07You can produce this box?
00:47:09It's in my cabana, sir.
00:47:10Good.
00:47:11We will go at once to cabana.
00:47:13Go ahead.
00:47:18The contents of the box may reveal new clues, Doctor.
00:47:22Doc never did this to Lois.
00:47:23We care if she's still box, sure.
00:47:26But we not care that much.
00:47:27Evidence so far quite convincing, but puzzle always deepest near the center.
00:47:33Mr. Chan, it's gone.
00:47:36Gone?
00:47:39You'll excuse me, Doctor, if I seem slightly suspicious.
00:47:43But it was here.
00:47:45I...
00:47:45Look, it's been cut open.
00:47:47I had no chance to slip this bag.
00:47:50Until boxes found can offer very little comfort.
00:47:52Oh, no, no, please.
00:47:53We tell the truth.
00:47:55All the truth.
00:47:55Isn't there anything we can do to convince you, Mr. Chan?
00:47:57I will bend every effort to find the box.
00:48:00But in the meantime, Doctor, I must assure you,
00:48:02your position is extremely delicate.
00:48:08Well, here goes my chance for the state medical examination here.
00:48:13They can't ruin people like this.
00:48:15They just can't.
00:48:16If Chan arrests me, the publicity, everything will come out.
00:48:21Oh, it does not matter.
00:48:22We have lived through so much we overcome this.
00:48:24I live with you in jail, in hovels.
00:48:27I even live with you in pork pies.
00:48:30It's pig's ties, honey.
00:48:32Oh, what's the difference?
00:48:41Oh, hiya, Pop.
00:48:43Santoy needed some air.
00:48:44Okay, can't be arranged.
00:48:46Well, that's fine.
00:48:47She's kind of scared with all those other dames.
00:48:49I mean, girls around.
00:48:50They've been picking on her.
00:48:51Oh, it isn't that bad, Jimmy.
00:48:54Everyone's nervous and jumpy.
00:48:55Couldn't she go back to the city with us tomorrow, Pop?
00:48:57Oh, I'm afraid too soon.
00:48:59You have made tall talk of prowess as detective.
00:49:03Honor of Chan family now at stake.
00:49:05Well, Santoy got it all wrong.
00:49:07Hmm.
00:49:08I'm afraid too short time to bring this to conclusion.
00:49:12Well, can't you speed it up, Pop?
00:49:13Hmm.
00:49:14Lazily, Hunter have time to stalk prey, but Hunter in haste must set trap.
00:49:19A trap?
00:49:20Shrewdly baited.
00:49:21Pop's concentrating.
00:49:22He'll settle it fast now.
00:49:24Jimmy, you will find other assistant and take a post of observation of last night.
00:49:29Oh, but Pop, Santoy wanted to take a walk.
00:49:31So she shall.
00:49:33So she shall.
00:49:34Nice walk.
00:49:35With intelligent conversation.
00:49:38With me.
00:49:43They can't keep us caged in here another night.
00:49:47Chan wants us all to get some rest.
00:49:49What's happened to the maestro?
00:49:50His nerves are shot.
00:49:52He's hysterical.
00:49:53Doc's got him in his cabana trying to calm him down now.
00:49:56Come on, Clem.
00:49:57No, no, not upstairs.
00:49:58Well, that'll be best, Clementine.
00:50:00Madge can give you a rubdown.
00:50:01And sleep?
00:50:02Fabula, no.
00:50:03Why, I never sleep until this thing is all settled.
00:50:05In the wall.
00:50:06Noises in the wall like someone whispering.
00:50:08Oh, it's just probably some rats.
00:50:10Ow!
00:50:11If you want, we can bring in some bedding and you can sleep down here.
00:50:14Good.
00:50:14I'm not hangering for upstairs.
00:50:16I'll help with the bedding.
00:50:17Well, that's a sound idea.
00:50:19I think I'll go to my cabana, girls.
00:50:21I'm terribly tired.
00:50:22Madge can take care of you.
00:50:23Oh, I tell you, there's something in that wall.
00:50:26Someone call?
00:50:27Oh, it's nothing, Mrs. Weebles.
00:50:29One of the girls heard noises in the wall.
00:50:32Mice were overrun with them.
00:50:33Would you help bring some bedding for the girls?
00:50:36They're going to stay downstairs tonight.
00:50:38Certainly.
00:50:56That quaked.
00:50:58That quaked.
00:50:59That quaked.
00:51:00Run for coffee, everybody.
00:51:01Run for coffee.
00:51:03Quiet, quiet.
00:51:04You're supposed to be on guard.
00:51:05What is you up to?
00:51:06What do you mean throwing people around like this?
00:51:08Hey, listen.
00:51:09I just talked to Pop.
00:51:10Yeah, but he told me to stay here by myself.
00:51:11It's about a box.
00:51:12If we find the box, everything's okay.
00:51:14Oh, is it a long box, about six feet tall,
00:51:17and got flowers piled up on it?
00:51:18No, no, no.
00:51:19It's a little tin box with some papers in it.
00:51:21And I've got a hunch where we can find it.
00:51:23Where?
00:51:23In the maestro's room.
00:51:24He's with the doc.
00:51:26And I figure the maestro's guilty.
00:51:27Yeah, but I ain't figuring.
00:51:30Oh, you stay here.
00:51:31If anything happens, I'll hear you yell.
00:51:33And you ain't kidding.
00:51:44Oh, boy.
00:51:45Oh, boy.
00:51:46Not now.
00:51:47I'll tell you when.
00:51:49I'll tell you when.
00:51:50I'll tell you when.
00:51:51Not now.
00:52:10Be brave knees.
00:52:11That ain't nobody but the housekeeper,
00:52:13Miss Weebles, or Miss Wobles, or...
00:52:16What was she going in that door for?
00:52:20Where you going?
00:52:21Oh.
00:52:23A policeman.
00:52:25Well, you see, one time,
00:52:26that somebody went down in there,
00:52:27and I followed them, see?
00:52:29So after they went second, I went first,
00:52:30and I come out first after I...
00:52:32So?
00:52:32So, well, what it was,
00:52:34I went down in that second,
00:52:35and when I followed them,
00:52:36they come out first,
00:52:37and what I was trying...
00:52:38Don't you get it?
00:52:39I'm no good at geometry.
00:52:40Did you see anybody go by here?
00:52:41Oh, the housekeeper.
00:52:42She went over there in that door.
00:52:44Keep your post.
00:53:15I make a picture.
00:53:16Open the door.
00:53:16You have to know.
00:53:19Keep your post.
00:53:19You, too.
00:53:23People are on the back.
00:53:23You may get your post.
00:53:24You, too.
00:53:24You, too.
00:53:30You, too.
00:53:30Oh, my God.
00:54:00Oh, my God.
00:54:33Oh, my God.
00:55:23Oh, my God.
00:55:39Oh, my God.
00:55:56Oh, my God.
00:56:06Oh, my God.
00:56:10Oh, my God.
00:56:21Oh, my God.
00:56:37Oh, my God.
00:56:51Oh, my God.
00:57:03Oh, my God.
00:57:13Oh, my God.
00:57:19Oh, my God.
00:57:33Oh, my God.
00:57:51Oh, my God.
00:58:11Oh, my God.
00:58:14Oh, my God.
00:58:17Oh, my God.
00:58:18Oh, my God.
00:58:27Oh, my God.
00:58:31Oh, my God.
00:58:36Oh, my God.
00:58:43Oh, my God.
00:58:49Oh, my God.
00:58:58Oh, my God.
00:59:03Oh, my God.
00:59:07Oh, my God.
00:59:11Oh, my God.
00:59:24Get out Daniels, or I won't be responsible.
00:59:27So you're covering for him.
00:59:29The box was in your bag.
00:59:31It's beginning to get clear now.
00:59:33You're wild. Get out.
00:59:35You needn't have given him that shot.
00:59:37It was the merciful thing.
00:59:39The only merciful thing.
00:59:41Maybe so.
00:59:42But I'm getting to a phone.
00:59:44I'll bring some law in here.
00:59:45It'll make Chan look like a monkey.
00:59:47I'll bring some law in here.
00:59:50I'll bring some law in here.
01:00:17Stop.
01:00:19I know it's you, Daniels.
01:00:21Come out with your hands up, or I'll shoot.
01:00:23You wouldn't dare.
01:00:24Listen, I'll make you a deal.
01:00:26Come out with your hands up.
01:00:28Look, Sarge.
01:00:29I got this thing cracked.
01:00:31Let's get to a telephone.
01:00:32Chan's orders.
01:00:33No one leaves premises.
01:00:35But I tell you I got this thing cracked.
01:00:36Let's get to your headquarters.
01:00:37There's a promotion in this.
01:00:38And I can see that you get the breaks.
01:00:40Chan's orders.
01:00:45Whither I go, so goest thou.
01:00:47I'll break you for this.
01:00:48I got influence.
01:00:48Not as much as I've got right now.
01:01:28Whither I go, so goest thou.
01:01:57Oh, that's them darn mice again.
01:02:01Birmingham.
01:02:04Birmingham.
01:02:06Jimmy, is that you?
01:02:09Birmingham, come help me.
01:02:10I'm stuck.
01:02:11You're stuck?
01:02:12Where are you stuck?
01:02:13Come on, help me.
01:02:14Birmingham.
01:02:16Yeah, I'm over here.
01:02:17Where's you at?
01:02:17Come on.
01:02:19Oh, my goodness.
01:02:21He's stuck.
01:02:26Say something so I can find you now.
01:02:27Is you talking from this side?
01:02:30What do you mean this side?
01:02:31I'm slipping.
01:02:32Give me a hand.
01:02:33I just want to know if you're talking on this side of the world or the other side.
01:02:47Jimmy, Jimmy.
01:02:50Birmingham, Birmingham.
01:02:51Good gracious, Jimmy.
01:02:52What is the matter with you?
01:02:53I got it.
01:02:54I got it.
01:02:55It's in the furnace.
01:02:56Yeah, you ain't going back in there, is you?
01:02:59I tell you, I got it.
01:03:00You sure have.
01:03:01You got it all over your face.
01:03:02Hey, what's in there?
01:03:03It's very important.
01:03:04We got to get it to pop.
01:03:05Yeah, but you're going to wash your face first, ain't you?
01:03:07Having time for that now.
01:03:08Yeah, but suppose you meet that little Chinese number.
01:03:10Yeah, maybe you're right.
01:03:12Come on.
01:03:30Pop must be around these cabanas somewhere.
01:03:33Can we wait till morning to tell him?
01:03:34Oh, no, he's got to know tonight.
01:03:35He might arrest an innocent person.
01:03:37And besides, we've got to watch these cabanas anyhow.
01:03:39You ain't fooling me.
01:03:41I know how come you ain't interesting in these cabanas.
01:03:43It's that little Chinese girl.
01:03:45Hey, look.
01:04:04I found it, Pop.
01:04:05I have trap all set and you put Bigfoot in it.
01:04:08Come.
01:04:12Which way did it go?
01:04:14It went that way.
01:04:15Well, hurry.
01:04:15We followed.
01:04:16Quick.
01:04:16Well, let's go.
01:04:44Well, let's go.
01:04:46Too bad. I was in hopes soon to overtake other cars.
01:05:41Oh, my God.
01:05:48It's Mrs. Thorne.
01:05:51You're too late, Mr. Chance.
01:05:55I wanted to ruin him.
01:05:58I wanted to make him suffer as badly as I have.
01:06:04Call King the maestro.
01:06:08I was his wife.
01:06:11I ran away from him, but...
01:06:13When I tried to come back, he wouldn't even recognize me.
01:06:19He gave me a job.
01:06:22Wardrobe mistress.
01:06:26I was humiliated.
01:06:29Cast aside like...
01:06:32Like something unclean.
01:06:35You can understand about Marsha and Lois, Mrs. Thorne.
01:06:39But why Zantoy?
01:06:41Zantoy knew.
01:06:43She stole my papers.
01:06:45My papers in the box.
01:06:47No.
01:06:48No, papers stolen by others.
01:06:53I hope he suffers.
01:07:10Highway Patrol, Jimmy.
01:07:12Direct it here.
01:07:15she deserted me years ago ran away with a dancer I have some of her letters here in the box
01:07:20she
01:07:21put the bathrobe in the maestro's closet hoping the local police would make the obvious arrest
01:07:26then clinched the evidence with the cords is that the way it was Mr. Chan exactly happy
01:07:31solution of case will permit you doctor once again to resume medical practice will you excuse
01:07:38please I'm in very great hurry but Mr. Chan Marsha went up the beach while we were in swimming
01:07:45Mrs. Thorne went up the beach in Marsha's robe silly making it seem as if Marsha was killed in
01:07:50the house and then carried out exactly exactly thank you so much yeah say pop can I yes you may
01:07:58take that walk now yeah goodbye Mr. Chan no one has thanked you oh oh I am sufficiently recompensed
01:08:06now thank you so much goodbye Mr. Chan Mr. Chan what's the matter about me huh it was mouses in
01:08:12them walls
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