- 6 days ago
Category
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Short filmTranscript
00:00:00You
00:00:30Oh, my God.
00:01:00Oh, my God.
00:01:30Oh, my God.
00:02:00Oh, my God.
00:02:29Oh, my God.
00:02:59You stay here.
00:03:01I'm going to telephone.
00:03:02Right.
00:03:02Oh, my God.
00:03:32Most happy to meet old friend.
00:03:35You work fast as usual.
00:03:36I'm in town only an hour, and yet already you have telephoned me.
00:03:40Boy, the minute I got your telegram, I started watching all trains.
00:03:43You contact mysterious Mr. Roush?
00:03:46Sure.
00:03:47I picked him up the minute he got off the train.
00:03:49And Hodge, that's one of my men over there.
00:03:50He and I have trailed him for seven hours.
00:03:54Roush know you follow him?
00:03:56He couldn't help it.
00:03:57I figured you were about to make an important arrest, so we've kept close to him.
00:04:00He's on that tug over there, man.
00:04:02I did not want to arrest him yet.
00:04:07You, you didn't.
00:04:10Roush's agent, in pay of someone trying to steal radar secrets from our government.
00:04:17Merely wanted you to locate him so I could observe him myself.
00:04:22Oh, so you could trail him to the head of the gang who's trying to steal the radar, eh?
00:04:26Oh, gee, I'm, I'm awful sorry, Charlie.
00:04:31Oh, no matter, no matter.
00:04:34Perhaps we arrest him anyhow.
00:04:37Then we put him someplace where you not be sorry anymore.
00:04:41Oh, thanks.
00:04:49Roush, use this car.
00:04:51Oh, no, no, that was parked when we got here.
00:04:56He's still on the boat.
00:05:00All right, let's go.
00:05:26Oh, there's no one in there.
00:05:51Blood on the floor.
00:05:56It's Roush.
00:06:17He's dead.
00:06:18Stabbed within the last 20 minutes.
00:06:20Here, Prince.
00:06:27Someone stepped in blood, leave Prince.
00:06:29I'm afraid, Captain.
00:06:44Murderer arrive and depart in Caron Dock, which just leave.
00:06:50And I didn't even look at the license plate.
00:06:54I look.
00:06:55Get me the coroner.
00:07:03Hello, Doc.
00:07:04This is Flynn talking.
00:07:05We just brought in the homicide.
00:07:06Get me a quick report, will you?
00:07:08Thanks.
00:07:09Sit down, Charlie.
00:07:11Come on.
00:07:12Give me the radio room.
00:07:15This is Flynn talking.
00:07:17Check on a stolen car number, huh?
00:07:199B-2-X-5-4.
00:07:219B-2-X-5-4.
00:07:24Yeah?
00:07:26Huh.
00:07:28That car's been reported stolen by Miss Diane Hall, a radio actress of the Cosmo Radio Center.
00:07:34Cosmo Radio Center.
00:07:36They broadcast by television.
00:07:38Yeah, their offices are on the 10th floor.
00:07:4110th floor.
00:07:43Same floor as Hamilton Research Laboratory.
00:07:46Yeah.
00:07:47And say, doesn't that fellow Hamilton experiment in radar?
00:07:51Radar, radio.
00:07:54Believe we'll soon meet Miss Diane Hall.
00:07:58Tonight.
00:07:58If he ain't a black market man, my name ain't Birmingham.
00:08:01And I can prove it is.
00:08:02He's right.
00:08:03That man's business is as dark as, uh...
00:08:05It ain't exactly that dark.
00:08:06Can you identify him from a picture?
00:08:08Yes, sir.
00:08:09As mad as I am with that man, I hate to think of what I think of him.
00:08:12It makes me blush.
00:08:15Here.
00:08:15Look through this.
00:08:17If it's in here, I'll sure find it.
00:08:19And I hope it's in there, too.
00:08:21Now, let me see.
00:08:22No.
00:08:23No.
00:08:24That's a funny little character, ain't it?
00:08:26No, no.
00:08:29That is.
00:08:29Mm.
00:08:30Uncle Nicodemus.
00:08:31I wonder what he's doing.
00:08:32Look at that zoo suit he got on.
00:08:34It's killing him, ain't it?
00:08:35Yes.
00:08:35Big house show makes some funny suits.
00:08:37There ain't him.
00:08:39Mm-hmm.
00:08:39No.
00:08:41Let's see.
00:08:41Right along here.
00:08:43There.
00:08:44Mm-hmm.
00:08:46Let's see.
00:08:47Now, no.
00:08:48That ain't him.
00:08:49Why did you turn that page over so quick?
00:08:50Oh, that page?
00:08:51Oh, that's a desperate character.
00:08:52You don't want to see that.
00:08:53Come on.
00:08:53We're going to look over here.
00:08:54Now, right here.
00:08:54He's right over here.
00:08:55Oh, I want to look at it.
00:08:56All right.
00:09:00Uh-oh.
00:09:03Well, what do you know about that?
00:09:05What do you know about that?
00:09:07Well, you see, it's a little, uh, guy, I mean, it's a little error.
00:09:11You see, I had that suit made for a masquerade.
00:09:14I went to a ball, you know, and I win the contest.
00:09:16And you should have seen me dance.
00:09:18I jumped up.
00:09:18Here's the step I did.
00:09:20Doop bop.
00:09:22You expect us to believe that?
00:09:24Well, uh, it could be.
00:09:27Are you two trying to kid us?
00:09:29I'm going to run you both in.
00:09:30Look, wait a minute.
00:09:31You can't do that to us.
00:09:32I came here looking for Pop.
00:09:33Yeah, you don't know who he is.
00:09:34Hey, hey, hey, wait a minute.
00:09:36What's going on here?
00:09:36Who are these two?
00:09:37He says he's Charlie Chan's son.
00:09:39Well, so sorry I must apologize, Captain.
00:09:42What he say is true.
00:09:43This is number three son, Tommy.
00:09:46And this one is second assistant, Birmingham Brown.
00:09:50Both at times often feeble-minded.
00:09:53All right, boys.
00:09:54Now, you two are supposed to take baggage to a hotel.
00:10:00We did, Pop.
00:10:00Then we came looking for you.
00:10:01You know we have to look after you.
00:10:03You look after me until I'm out of sight.
00:10:06Oh, Pop.
00:10:06You know we're a big help to you.
00:10:08Your worries are our worries.
00:10:10In fact, no trouble is too big for us.
00:10:12Some of your trouble too big for me.
00:10:15Come, we must investigate slight case of murder.
00:10:18Murder?
00:10:19Well, here I come.
00:10:20Here I go.
00:10:21Oh, the end of the line.
00:10:28Now, she can't do that to me.
00:10:30I paid her my alimony this morning.
00:10:31She can't do that to me.
00:10:32Mr. Chan.
00:10:33Mr. Chan, come get me out, please.
00:10:35I done changed my mind.
00:10:37Mr. Chan.
00:10:37Mr. Brett, the manager is coming right out, Mr. Chan.
00:10:57I'm Mr. Brett, Mr. Chan.
00:10:59So happy to meet you.
00:11:00I'm sorry to keep you waiting, but we've just finished a broadcast.
00:11:03Now, why do you wish to see Miss Hall?
00:11:06Is she in trouble?
00:11:07I wish to speak to Miss Hall regarding her automobile.
00:11:12Oh.
00:11:12Oh, well, right this way, sir.
00:11:18I mop and mop and mop, so why you walk on the floor till my nerves go yingle, yangle?
00:11:23Well, we haven't learned to walk on the ceiling yet.
00:11:25I speak serious stuff, and you speak York's.
00:11:28Who are you?
00:11:29What do you want here?
00:11:30I'm Tommy Chan.
00:11:31This is Birmingham Brown.
00:11:32We're assistant to Charlie Chan, the world-famous detective.
00:11:35Hold her.
00:11:35Miss Swenson.
00:11:36You're benemony.
00:11:37Sorry, Mr. Brett.
00:11:39Right this way, Mrs. Chan.
00:11:43They told me to advertise on the air.
00:11:46Well, any program that smells like the one you people just put on needs the air.
00:11:50And you think I'm going to continue paying you?
00:11:52Well, this is radio.
00:11:57I try to put on a program, and the manager himself lets in tourists to gape at us like goldfish.
00:12:03Mrs. Marsh.
00:12:04Herbert.
00:12:04People...
00:12:05Herbert Sinclair.
00:12:07You were supposed to definitely inform the management that I wanted no sightseers in the studio
00:12:11while my actors were either rehearsing or broadcasting.
00:12:14Quiet!
00:12:15Never mind making excuses.
00:12:17Mrs. Marsh, these people are not tourists.
00:12:19This gentleman is here because, well, it's something I'm sure won't happen again.
00:12:25You've said that before.
00:12:26And so have you.
00:12:27Don't talk back to me.
00:12:30Well, what do you want?
00:12:31Really wish private conversation with Miss Diane Hall.
00:12:36You wish to see me?
00:12:38You are Miss Hall?
00:12:39Yes.
00:12:40Permit me to introduce myself.
00:12:42Permit me to depart.
00:12:44Breaking into conferences that I'm paying for.
00:12:46Come, come, Herbert.
00:12:52I am Charlie Chan, representative of federal government.
00:12:55Federal government?
00:12:57The law?
00:12:57Oh, well, when the law arrives, Willie ran to part.
00:13:00To Lulu.
00:13:08Miss Hall, tonight you report car stolen.
00:13:11Oh, that, but it wasn't stolen.
00:13:15It was merely borrowed.
00:13:16By whom, please?
00:13:17Well, I, I don't know.
00:13:20You see, Gloria and I, oh, excuse me, this is Gloria Bain, Mr. Chan.
00:13:26After rehearsal tonight, Gloria and I went out to the parking lot.
00:13:28And Diane's car was gone.
00:13:30So I, uh, telephoned police.
00:13:32Then we went to a restaurant.
00:13:34Ate, talked with some friends, and came back up here.
00:13:37And there was Diane's car right back in the parking lot.
00:13:39Your car missing about 8.30 tonight?
00:13:42That's right.
00:13:43But how did you know?
00:13:44And why should the federal government be interested in a stolen car that wasn't completely stolen?
00:13:49That is all.
00:13:50And I'm most fortunate to have met such charming radio ladies.
00:13:54Hope to meet you again.
00:13:56Very soon, perhaps.
00:13:58Oh, I beg your pardon.
00:14:12Sir, to meet a gentleman who apologizes for bumping you in these days is a rare thing indeed.
00:14:18He is either a coward or a gentleman.
00:14:21I give you credit for the lack.
00:14:24Uh, Mr. Chan.
00:14:25This is Mr. Horace Carlos, the Shakespearean actor, now of motion pictures and radio.
00:14:30And television, Mr. Brett.
00:14:32Of course.
00:14:32Yes, once the foremost Shakespearean actor of my time, but now, charred.
00:14:39Now I am known only for the mask behind which I hide when I play the mad monster.
00:14:47On radio, screen, and television.
00:14:51Still, it is a living.
00:14:52And so, good night to you, one and all.
00:15:02Carlos acts on and off the stage.
00:15:05Did you, uh, learn everything that you came to see this all about?
00:15:09Yes, thanks for our kind assistance.
00:15:11Well, good.
00:15:12Now, if you will, excuse me.
00:15:13Certainly.
00:15:14Pop, I don't get it.
00:15:17We came all the way from New York City following a man named Roush.
00:15:21Roush was murdered.
00:15:22Who killed him?
00:15:23Same person who leave that heel print on floor.
00:15:27Right shoe.
00:15:29Print is duplicate of one found in cabinet scene of Roush murdered.
00:15:36Killer, someone who walked here recently.
00:15:40Perhaps someone we all see.
00:15:46Most interesting place.
00:15:48We'll visit here tomorrow.
00:16:10Manager, please.
00:16:19Where's Carl?
00:16:20This is Brett.
00:16:21Roush was contacted.
00:16:23He was scared.
00:16:24Said the police were after him.
00:16:27He was ready to blab because Charlie Chan was after him, too.
00:16:31But he can't talk now.
00:16:32He's dead.
00:16:40I borrowed Diana's car last night to go meet Roush.
00:17:24Information?
00:17:27I want the address of the telephone number, Harding, 2535.
00:17:31Yes, I know, but this is Inspector Grady.
00:17:34Freezing station, 27.
00:17:42Where?
00:17:44Office 211.
00:17:46Algon Building?
00:18:04Next on list, please.
00:18:05Uh, that's Gloria Bain, radio actress, small time, until she made a hit on Mrs. Marsh's program.
00:18:12Seems to be a gold digger, but she's a hard worker. No records.
00:18:16Diane Hall, radio actress from legitimate states in New York, came here two months ago.
00:18:20Nothing definite on her, except that she lives with Gloria Bain.
00:18:23Well, thank you so very much, Captain, for your excellent report on my list of suspects.
00:18:30Charlie, you mean to tell me that you really think that one of these people here is a murderer?
00:18:35Not only thinks so, but firmly believes so. But which one? We'll go now to try and find out which one is guilty person.
00:18:46That's easy, Pop. The murderer will be the one with the guilty look.
00:18:50Number three, son, have excellent head. Question have always been what it contained.
00:19:01Well, if it ain't, uh...
00:19:02Ben Carter is my name.
00:19:03Benjamin Carter, yeah. Boy, it's been a long time. I haven't seen you since...
00:19:07Longer than that.
00:19:08Yeah?
00:19:09The last time I saw you, you was living over...
00:19:11Oh, I moved from there.
00:19:12Yeah?
00:19:13Sure. I moved over to, uh...
00:19:15How can you live in that neighborhood?
00:19:16I don't know.
00:19:17Now, where I'm living, I only pay...
00:19:19It ain't that cheap, is it?
00:19:20Sure it is.
00:19:21Hey, look again.
00:19:22What?
00:19:23Is you still married?
00:19:24No, I divorced her.
00:19:25Yeah?
00:19:26I know you have lots of...
00:19:27You got me wrong. You got me wrong. I got married again.
00:19:30No kidding.
00:19:31I sure did.
00:19:32Yeah?
00:19:33Say, you're not changing the subject. Have you got a...
00:19:35No, I don't smoke.
00:19:36No.
00:19:37Hey, look again.
00:19:38Wasn't you in the...
00:19:39Yeah, but I got an honorable discharge.
00:19:41You did?
00:19:42What was the matter?
00:19:43Well, I developed a kind of...
00:19:44Oh, that's a terrible pain.
00:19:45Yeah.
00:19:46Yeah, it starts right along...
00:19:47No, more in the back.
00:19:48Yeah?
00:19:49Mm-hmm.
00:19:50What are you doing for it?
00:19:51Well, I was taking some...
00:19:52Don't take them, Ben. They'll make you sleep.
00:19:54Yeah?
00:19:55Sure.
00:19:56Now, what you should have taken...
00:19:57I did.
00:19:58You know what?
00:19:59What?
00:20:00That's how come I like to talk to you.
00:20:01Yeah?
00:20:02Cause me and you seem to agree with each other.
00:20:03We should do it.
00:20:04Yeah!
00:20:05Ha!
00:20:06Ha!
00:20:07Ha!
00:20:08Ha!
00:20:09Ha!
00:20:10Ha!
00:20:11Ha!
00:20:12.
00:20:13Ha!
00:20:14I wonder...
00:20:15Oh, it's about...
00:20:16Is it that late?
00:20:17It sure is.
00:20:18Well, thank you.
00:20:19I'll be seeing ya.
00:20:20Ha!
00:20:21Ha!
00:20:22Ha!
00:20:23You know, Pop, I've got an idea about this case.
00:20:32Yes, well?
00:20:33Well, I had an idea, but it's gone now.
00:20:36Possibly could not stay in solitary confinement.
00:20:42Quiet, please. We go now to watch studio rehearsal.
00:20:49No, Walter. You've broken your promise to me.
00:20:52Just when the landlord has broken our lease,
00:20:55and Grandmama has broken her leg.
00:20:58Oh, Grandmama, what are we to do?
00:21:01Well, tears are all right to wash out your eyes,
00:21:04but they used up too many haggages.
00:21:06So face the future with a smile, my children,
00:21:09for tomorrow is bound to be another day.
00:21:11It is just bound to be.
00:21:17What does the future hold in store for Jean
00:21:19and her so lovable family?
00:21:22Have you tried a Marsh's Mellow Mixed Waffle
00:21:25covered with just oodles and oodles of melted butter and...
00:21:28Shut up! You two.
00:21:30Oodles and oodles of butter.
00:21:32With butter ration so strictly, who wrote that in?
00:21:35Well, I thought it sounded nice.
00:21:37You thought? That's a lie.
00:21:39The whole program sounds as stupid as you.
00:21:41I should cancel my contract here
00:21:43and give my account to some other network.
00:21:45Mrs. Marsh, if that's how you feel about it, why don't you...
00:21:47Why don't I... what, Mr. Brett?
00:21:50Let us change the script and the announcement.
00:21:53Then do it, instead of talking about it.
00:21:55And you, learn how to talk like a human instead of a gloop,
00:21:57or I'll change announcers too.
00:21:59Also, I...
00:22:03Sorry to interrupt again.
00:22:05Huh. You're sorry.
00:22:07If you want to speak to Miss Hall again,
00:22:08you'll wait till we are finished.
00:22:10So sorry.
00:22:12Must speak to everyone present.
00:22:14All of us?
00:22:15But why?
00:22:16Regarding a murder.
00:22:18Murder?
00:22:19But yesterday, you said you were investigating my stolen car.
00:22:22Person who steal your car commit murder.
00:22:25But who was killed?
00:22:26Hey, Mr. Roush.
00:22:29I never heard of him.
00:22:30Thank goodness.
00:22:31You know what, Tommy?
00:22:33I'd like to get on the radio sometime.
00:22:35If I could get on...
00:22:36Oh, excuse me.
00:22:42Tommy!
00:22:45What's the matter?
00:22:46I got an urge that I want to leave,
00:22:48but my legs won't cooperate with me.
00:22:50You want to leave for where?
00:22:52I just saw something going there.
00:22:54It's a combination between Dracula and a zombie.
00:22:58Just fresh out of a graveyard.
00:23:00A graveyard?
00:23:01Mm-hmm.
00:23:02But an old one.
00:23:03Well, that I got to see.
00:23:04Well, go ahead.
00:23:05I ain't no hope.
00:23:08What is thou wish, laddie?
00:23:10Oh, nothing, sir.
00:23:11Excuse me.
00:23:12A friend of mine was seeing things.
00:23:16Did you see it?
00:23:17Yeah, it's hanging right on the door.
00:23:18It's hanging.
00:23:19It ain't knocked it.
00:23:20Let's go.
00:23:22One moment.
00:23:24Here we go.
00:23:25Tenth floor.
00:23:26Come.
00:23:51Here we go.
00:23:52Here we go.
00:23:53Here we go.
00:23:54Well, Charlie Chan.
00:23:55It's good to see you again.
00:23:56I'm most happy to see you, Mr. Hamilton.
00:23:58This is number three son, Tommy.
00:23:59How are you?
00:24:00And Birmingham Brown.
00:24:01These boys are second team assistants.
00:24:04You, uh, receive my telegram and follow instructions?
00:24:06Immediately.
00:24:07All of my radar equipment has been taken away by the government.
00:24:10What about record of experiments and copies of secret patents?
00:24:12The government has the originals.
00:24:13I have my own copies in the safe.
00:24:14Contents of safe only secure so long as someone outside watching safe.
00:24:17You know, since receiving your wire, I've found evidence of several attempts to break in here.
00:24:19Do you think I ought to hire special guards?
00:24:20No.
00:24:21Now that I am present, contents of safe becomes trap and papers inside are only bait with which to catch enemy rat.
00:24:36Sure a lot of gadgets in here.
00:24:37Yes.
00:24:38Useful gadgets, too.
00:24:39Right here we began the work that today allows our night fighters to hunt down and destroy enemy airplanes without even seeing them.
00:24:44Gosh.
00:24:45That sounds spooky.
00:24:46Nearly radar.
00:24:47Radar?
00:24:48Radar?
00:24:49Radar.
00:24:50Radar?
00:25:07Radar?
00:25:08Well, what is radar?
00:25:10Well, radar is a sort of, uh… birmingham.
00:25:15I know as much about radar as you do.
00:25:18Or do I know anything?
00:25:20Now, he oughta know I studied radar.
00:25:23What is that?
00:25:24A temperature or a climatic tunnel.
00:25:28You make weather in tunnel?
00:25:30Yes. That is, the extremes of heat and cold.
00:25:33To test the reliability of radar and television
00:25:36in all sorts of climatic conditions.
00:25:38The tunnel has two compartments, one for heat and one for cold.
00:25:41That light works flashing whenever there's a foreign body in the tunnel.
00:25:44No matter what the weather in there.
00:25:46Now, this is a funny thing. You know, what is this?
00:25:52Help! Mr. Fitz, help!
00:25:54There's light in this wagon all the way. Help!
00:25:56Mr. Chance!
00:25:57Good, quick, Mr.
00:25:58Help! Mr. Chance!
00:26:00Help!
00:26:01Help! Mr. Chance!
00:26:03Help!
00:26:04Help!
00:26:11Mr. Chance!
00:26:12Birmingham!
00:26:13When in strange laboratories,
00:26:16do not poke nose into strange machines like these.
00:26:23Also, keep finger out of same.
00:26:25Goodbye.
00:26:26Goodbye, Charlie.
00:26:27Thank you for coming in.
00:26:28Bye.
00:26:29Good to meet you.
00:26:30Hope to see you some more.
00:26:31Bye.
00:26:32Goodbye, gentlemen.
00:26:35Come in.
00:26:42May I speak to you for a moment, Mr. Brett?
00:26:46Mr. Brett?
00:26:47Why all the formality, Gloria?
00:26:49I'm here on business.
00:26:51I want better parts and more money, starting tomorrow.
00:26:55You say that as if you were ordering me to give them to you.
00:26:58I am.
00:26:59Now, look here, young lady.
00:27:01Instead of getting more parts, you're liable to lose those you already have.
00:27:05I wouldn't be so hasty, Mr. Brett.
00:27:07You'd better let me finish.
00:27:08Please, Gloria.
00:27:09I'm busy.
00:27:10Remember these.
00:27:14Remember them?
00:27:15What do you mean?
00:27:16That's the last pack of my private matches, Mr. Brett.
00:27:19And I gave them to you yesterday morning in this building.
00:27:21Well...
00:27:22Does that entitle you to order me to give you better jobs?
00:27:26Diane's car was stolen last night.
00:27:28I found these later in the seat.
00:27:34Well?
00:27:38Is this blackmail?
00:27:40Blackmail.
00:27:41Oh, that's bad, isn't it?
00:27:43Perhaps I'd just better give these to Mr. Chan and see what he says.
00:27:46Oh, wait.
00:27:48I'll see that you get better jobs.
00:27:52Thank you so much, Mr. Brett.
00:27:58The manager, please.
00:27:59Where's the car?
00:28:00This is Brett talking.
00:28:01Listen.
00:28:02Gloria Bain, an actress here, knows that I used Diana Hall's car last night.
00:28:19She's blackmailing me.
00:28:20What'll I do?
00:28:21Personally, I think the program needs an entire change of personnel.
00:28:38However, I'll listen from my office and then I'll decide.
00:28:41What did you say?
00:28:42Then don't say it.
00:28:43Come along.
00:28:44Pop, how can we solve a case just by watching people through a class?
00:28:51What detective needs is great patience.
00:28:54Oh, I know that.
00:28:55When it comes to detective work, I know my P's and Q's.
00:28:58But are you familiar with rest of alphabet?
00:29:01Oh, Walter, to drink when your wife's in trouble.
00:29:06To say nothing of my broken leg.
00:29:08Drink?
00:29:09It seems as though I've heard that word before.
00:29:13What are we to do?
00:29:15Trouble?
00:29:16Nothing but trouble staring us in the face.
00:29:19We must move by the first of the month and we've no place to go.
00:29:24Why can't we settle down and be like other people?
00:29:29Now keep your chin up, Mary, and look on the brighter side.
00:29:34Of course, Grandmama.
00:29:37You're always right.
00:29:38Always.
00:29:43I never had such a sudden headache in my life.
00:29:45I was all set to do some fancy ad-living myself.
00:29:48Uh-oh.
00:29:49The battle acts.
00:29:50Well, it wasn't bad.
00:29:52That is, not as bad as usual.
00:29:54You sounded poorly toward the end.
00:29:56Better stop gadding about.
00:29:57Come along.
00:29:58Do you want to stand here talking all night?
00:30:00Can I get you anything, Gloria?
00:30:04A cigarette might help.
00:30:05Oh.
00:30:08Will you give me a light, Mr. Brett?
00:30:11Why, of course.
00:30:21Oh, that's better.
00:30:30Gloria.
00:30:31What happened?
00:30:32Get young lady to dressing room.
00:30:33Quick.
00:30:34Hurry.
00:30:35Bring her in here.
00:30:36I beg your pardon.
00:30:37Yes, please.
00:30:38Why is it that whenever anything happens around here, you're always on hand?
00:30:40I beg your pardon?
00:30:41Yes, please.
00:30:42Why is it that whenever anything happens around here, you're always on hand?
00:30:45That's just what they always sellin' me down at the office.
00:30:58Hey, Tommy.
00:30:59I know the cigarette shortage is tough, but that ain't no reason why you should snitch a cigarette butt from that old lady.
00:31:08You know I don't smoke the good.
00:31:10I can't do it.
00:31:11I can't do it.
00:31:12I can't do it.
00:31:13Well, you know I don't smoke the good.
00:31:14You know I don't smoke, but what other people try to grab
00:31:16often turn out to be valuable clues.
00:31:18Clue to what?
00:31:19Well, that's what we'll have to find out.
00:31:22You're just including me out.
00:31:24Did anybody call her, doctor?
00:31:27Doctor, no use now.
00:31:28Young lady, already dead.
00:31:31Dead?
00:31:34The corner was right, sir.
00:31:36Well, he said Miss Bain was poisoned.
00:31:37Toxic reaction proved she was.
00:31:40But I don't know what type poison was used.
00:31:42I've never run into it before.
00:31:43Say, do you suspect any of the people who were present when she died?
00:31:48Suspect everyone on general principle.
00:31:51But two assistants already watching person who interests me most.
00:31:57Thank you so much, doctor.
00:31:58Good night.
00:31:59Good night.
00:32:13Good night.
00:32:14Good night.
00:32:15Good night.
00:32:16Good night.
00:32:16Good night.
00:32:20Well, what do you want?
00:32:29Why, Cooper?
00:32:31Brought.
00:32:32How are you?
00:32:33Not brought now.
00:32:35투 bet.
00:32:35It's Britt.
00:32:37Come on in.
00:32:54So it's Britt now instead of Brought, huh?
00:32:57It was Britt when we worked in France together, remember?
00:33:00Seems like we're working together again.
00:33:03Thought I recognized your voice on my phone.
00:33:05Asking for the manager, please.
00:33:07Oh, so you're the manager.
00:33:09The head man of the party, eh?
00:33:11Not me.
00:33:13I just answered the phone.
00:33:15Someone else, someone unknown to me, listens in.
00:33:19If the caller is okay, the caller switched away from this line.
00:33:23I see.
00:33:27What do you care if we don't know who our boss is?
00:33:30We've worked that way before.
00:33:32I've got to know, Cooper.
00:33:34There's been two murders on this job already.
00:33:36Two murders?
00:33:40Yeah.
00:33:42I see what you mean.
00:33:44We should know the name of our boss to protect ourselves.
00:33:48Listen.
00:33:52Hello? Who's calling?
00:33:54Manager, please.
00:33:56See how it works?
00:33:58Yeah, I see.
00:34:00Well, if you learn anything, let me know.
00:34:02We'll need a lot of information.
00:34:04We have to squeal.
00:34:06What's the matter?
00:34:07Someone's coming.
00:34:08I'm going.
00:34:12You hear nothing which is said inside strange office?
00:34:16Just a mumble and a jumble, Mr. Chan.
00:34:18But outside in the hall, you overhear Mr. Cooper call Mr. Brett, Mr. Brought.
00:34:22That's right, Pop.
00:34:23Mean anything to you, Charlie?
00:34:24British intelligence-seeking espionage agent named Ralph Brought.
00:34:28Ralph Brought.
00:34:29Ralph Brought.
00:34:30Oh, and the radio station manager calls himself Ralph Brought.
00:34:31Nothing in office except Taylor Brought.
00:34:33You hear nothing which is said inside strange office?
00:34:35Just a mumble and a jumble, Mr. Chan.
00:34:37But outside in the hall, you overhear Mr. Cooper call Mr. Brett, Mr. Brought.
00:34:42That's right, Pop.
00:34:43Mean anything to you, Charlie?
00:34:44British intelligence-seeking espionage agent named Ralph Brought.
00:34:49Ralph Brought.
00:34:50Oh, and the radio station manager calls himself Ralph Brought.
00:34:55Nothing in office except table chair and telephone, huh?
00:34:59Yes, sir.
00:35:00It must have been a race book in office.
00:35:02Because it was just as clean as I is when I make a bet.
00:35:06Captain, please detail man to check all people coming and going from office 211 Algaard building.
00:35:13Right.
00:35:15Believe we make Mr. Brett surprise visit.
00:35:18Tom.
00:35:19Boy, here we go again. Surprise visit.
00:35:21Don't surprise me.
00:35:25Here we go.
00:35:31Let's get to it.
00:35:32Brett absent.
00:35:33Downstairs, also here.
00:35:34Do you think he's run away, Pop?
00:35:42Is that the heel print you're looking for?
00:35:45The person who wear this shoe killed Rausch.
00:35:48Oh, gosh, you mean Brett murdered this fellow, Roush?
00:36:07You must locate Mr. Brett at once.
00:36:18Let's go.
00:36:46Manager, please.
00:36:47Where's Carl?
00:36:48Brett.
00:36:51Listen.
00:36:52Charlie Chan knows all about the Roush murder.
00:36:54He's after me.
00:36:56You've got to protect me. What'll I do?
00:37:17Right here in this building.
00:37:18Right here in this building.
00:37:24Where is the house?
00:37:25Where is the house?
00:37:28Let's go.
00:37:33Here.
00:37:34Okay.
00:37:36Let's go.
00:37:37Doormans say Mr. Brett's still here, has not left building.
00:37:48Mr. Ryan.
00:37:53Doormans say Mr. Brett's still here, has not left building.
00:38:00Mr. Ryan.
00:38:07You see Mr. Brett lately?
00:38:09I saw him eavesdropping outside of his own office, as if there were a couple of ex-wives in there waiting to collect alimony.
00:38:16Not funny, huh?
00:38:18When do you see this?
00:38:19About 20 minutes ago.
00:38:21Pop, that's when we were in there.
00:38:23Must ask police to guard all doors.
00:38:25Police? Why?
00:38:27Because Brett is a murderer.
00:38:29Brett a murderer?
00:38:31That kills me.
00:38:32Hmm.
00:38:33Nice people I'm working for.
00:38:35Birmingham, we've got to find Brett.
00:38:36Well, what's the right?
00:38:37Because he's a killer.
00:38:38Yeah, it'll just be my luck to catch up with it.
00:38:40Come on.
00:38:42Say, it's eight hours since Brett has been seen.
00:38:45You know, he must have a hideout somewhere in this building.
00:38:48You have man posted at every exit?
00:38:51Sure.
00:38:52He can't get by them.
00:38:54Think we'll take a look on various floors.
00:38:56Good.
00:38:59I've got to change the water before I'm cleaning some more.
00:39:11You know, Birmingham, everywhere we go, we bump into that woman.
00:39:14Oh, don't be so suspicious, Tommy.
00:39:16After a while, you'll be telling me I did the murder.
00:39:19Look here.
00:39:20Did you see...
00:39:21Not in the last ten minutes.
00:39:22No.
00:39:23No, but there was a fella here.
00:39:24Him?
00:39:25Yeah.
00:39:26Oh, he ain't the one.
00:39:27No.
00:39:28No.
00:39:29The fella I'm looking for is...
00:39:30I didn't see him.
00:39:31But if you wait until I...
00:39:32I ain't got time.
00:39:33No.
00:39:34But maybe if you could...
00:39:35I'm busy that night.
00:39:36Oh, sure now.
00:39:37Yeah.
00:39:38Say, look here.
00:39:39What?
00:39:40Do you think that...
00:39:41Ah, no, it's getting late.
00:39:42Yeah.
00:39:43Why don't you go...
00:39:44I ain't got a phone.
00:39:45No.
00:39:46But I could if you were...
00:39:47Well, my car's in the shop.
00:39:48Oh, it is?
00:39:49Mm-hmm.
00:39:50Well, I'll see you then.
00:39:51I'll be soon.
00:39:52I'll be soon.
00:39:53You'll call me, huh?
00:39:54Okay, kid.
00:39:55Okay, so long.
00:39:56All right, goodbye.
00:39:57Do you know that he...
00:39:58He can't be that bad.
00:39:59Look, the laboratory door's open.
00:40:00Yeah?
00:40:01Do you suppose Brett's in here?
00:40:02Well, if he is, let him stay in there.
00:40:03I'm tired of tangling with them gadgets.
00:40:06Well, it ain't no use to be in this lonesome.
00:40:10Uh, nobody home.
00:40:11Let's go.
00:40:12Wait.
00:40:15Oh!
00:40:16What's the matter?
00:40:17Look, the safe bin robber.
00:40:19Perhaps the robber's still in here.
00:40:20Robbers and murderers.
00:40:21Why, this is a regular cleaning and dying place.
00:40:23Let's get out of here.
00:40:24Come, come.
00:40:29Could have been a little light around here.
00:40:31Shh.
00:40:32Mm.
00:40:33Uh-oh, I'm surrounded.
00:40:34Come.
00:40:38Say, this looks like a good hiding place.
00:40:40Let's take a look.
00:40:41Let's take a look.
00:40:42Let's take a look.
00:40:43And nothing will do him to go in and take a look.
00:40:47Uh, you know what, Tommy?
00:40:48When you're hunting a killer, you're supposed to have a guard on the outside just in case.
00:40:52So I think I'll stay on the outside just in case.
00:40:55In case of what?
00:40:56That the killer's in here.
00:40:57Oh, you stay with me.
00:40:58All right.
00:40:59Gosh, it's dark in here.
00:41:00It sure is.
00:41:01Well, I'll turn on the light.
00:41:02Hey, come on again.
00:41:03Instead of the light, you're not going to get the damn door.
00:41:06Let's do it.
00:41:07Let's do it.
00:41:08Let's do it.
00:41:09Let's do it.
00:41:10Let's do it.
00:41:11Let's do it.
00:41:12Let's do it.
00:41:13Let's do it.
00:41:14Woo-hoo.
00:41:15Woo-hoo.
00:41:16Hey!
00:41:17Hey!
00:41:18Who turned off the heat?
00:41:19Who turned off this coal?
00:41:20Hey, hey!
00:41:35Hey!
00:41:44Who turned on this coal?
00:41:45Ain't this something?
00:41:46Home.
00:41:48Hey, I sure wish I had some snow juice.
00:41:52I wish I had a little underwear.
00:41:54Boy, Eskimos are crazy to live in this kind of stuff.
00:42:02Hey, it looks like the place has been robbed.
00:42:05Looks, in this case, not deceiving.
00:42:14Blashing light indicates someone in tunnel.
00:42:18Blashing light.
00:42:23Blashing light.
00:42:27Hey, are you back?
00:42:37Hello.
00:42:39Someone in here?
00:42:41Is that someone calling?
00:42:43Yes.
00:42:45Yes.
00:42:47Well, well.
00:42:51What a little tunnel, Pop.
00:42:54It ain't a place to get a sun tan.
00:42:57What you two do in here?
00:42:59Anybody else in tunnel?
00:43:02Go away, Pop.
00:43:03Was Blashing light working when you come in here?
00:43:13Should we call him?
00:43:14Well, nothing more than that.
00:43:17I tell you, Pop, there's no one else in here.
00:43:20But the papers are missing from Hamilton State.
00:43:22Someone besides assistance, is this proof?
00:43:24Someone besides assistance, is this proof?
00:43:26We've got Fred.
00:43:27But he's dead.
00:43:28We've got Fred.
00:43:29But he's dead.
00:43:30The coroner's just finished, Charlie.
00:43:31He says Brett wasn't poisoned.
00:43:32He died of death.
00:43:33But he's dead.
00:43:35The coroner's just finished, Charlie.
00:43:36He says Brett wasn't poisoned.
00:43:37He died of a fall from a great height.
00:43:42Brett last seen alive on the second floor of Cosmo building.
00:43:45Later, he found dead on tenth floor.
00:43:49And he's dead.
00:43:50He's dead.
00:43:51We've got Fred.
00:43:52We've got Fred, but he's dead.
00:43:56The coroner's just finished, Charlie.
00:43:57He says Brett wasn't poisoned.
00:43:59He died of a fall from a great height.
00:44:01Brett last seen alive on second floor of Cosmo building.
00:44:07Later, he found dead on tenth floor.
00:44:11Someone would have us believe victim fall eight stories up.
00:44:29Hello. I'll look at the telephone now.
00:44:31No one sent for you.
00:44:33Isn't the name Cooper?
00:44:34Why, yes.
00:44:35Go on with work.
00:44:41Mr. Cooper, alias Carper, alias Cowper.
00:44:47Charlie Chan.
00:44:49I remember you since last time I arrested you.
00:44:53Six years ago in Singapore, remember?
00:44:56Yeah, I remember.
00:44:59Very great pleasure to arrest you again, Mr. Cooper.
00:45:03Mr. Cooper.
00:45:05For whom you work now.
00:45:07I'm not talking.
00:45:09You talked with your friend, Mr. Brett, yesterday.
00:45:12Now he is murdered.
00:45:14Brett? Murdered?
00:45:17I had nothing to do with it.
00:45:19I don't know who I work for.
00:45:20I only answer the phone.
00:45:22Someone else switches the calls.
00:45:24I never hear a thing.
00:45:33What did you find out?
00:45:35There's a cut-in relay installed here, Mr. Chan.
00:45:37Calls can be switched.
00:45:38Can you locate place where calls switch to?
00:45:41Yeah, but it might take a couple of days.
00:45:44Keep working.
00:45:46You gentlemen will remain with Mr. Cooper.
00:45:49He will continue to answer phone calls as usual.
00:45:53I'll do it.
00:45:54I'm not getting mixed up in murder.
00:45:56Good.
00:45:57Mr. Dixon?
00:46:02Yes, the radio impersonator.
00:46:04Glad to meet you, Mr. Chan.
00:46:06Radio impersonator.
00:46:07Good.
00:46:08You know what you are to do?
00:46:10Death of Mr. Brett not yet made public.
00:46:14Wish to try experiment.
00:46:16I'm ready, sir.
00:46:27Hello?
00:46:28Who's calling?
00:46:29This is Brett calling.
00:46:30Hurry it up.
00:46:31Brett!
00:46:32Brett!
00:46:33I've got to see you.
00:46:34Here you are.
00:46:35Dead.
00:46:36Use service elevator.
00:46:37Come 7th...
00:46:465th...
00:46:48This is what's calling.
00:46:49This is Brett calling.
00:46:50Hurry it up.
00:46:51Brett!
00:46:52Brett!
00:46:53I've got to see you.
00:46:58Uh...
00:47:00Dead.
00:47:02Use service elevator.
00:47:05Seventh floor, if I not there, come tenth floor.
00:47:15It's the unknown leader, Charlie.
00:47:17The one you're after, the killer, Pop.
00:47:19Thank you so much.
00:47:20Please say nothing of this to anyone.
00:47:22I understand.
00:47:31No one's in sight, Pop.
00:47:33We go tenth floor.
00:47:41Wait.
00:47:42Uh, we go tenth floor by stairs.
00:47:44Uh, you go in elevator.
00:47:46That way, we have killer between us.
00:47:54Well, they're walking.
00:47:56Ha, ha, ha.
00:47:57Cause I never said...
00:47:58Ha!
00:48:00Hmm, there's a long way down.
00:48:04Ha!
00:48:05Oh, good gracious!
00:48:06Help!
00:48:07Come here, somebody!
00:48:08Help!
00:48:14Elevator already arrived.
00:48:18Birmingham, come out of there.
00:48:20Is that you, Mr. Chan?
00:48:21For heaven's sakes, come get me out of here.
00:48:23Well, well, get down, get down yourself.
00:48:25Get down.
00:48:26Oh, not without a parachute.
00:48:27One drop of this is certain death.
00:48:29Birmingham, what are you talking about?
00:48:32Mr. Chan, what is you standing on?
00:48:34On the floor.
00:48:35The floor?
00:48:36Get down.
00:48:37Where did that floor come from?
00:48:41Well, what do you mean, what floor come from?
00:48:43What...
00:48:44Mr. Chan, when I was down on the seventh floor,
00:48:46that elevator floor went out from under me
00:48:48and left me standing on nothing.
00:48:50You can sure imagine things, Birmingham.
00:48:52Imagine.
00:48:53No, I ain't, Mr. Chan.
00:48:54When I went in that elevator,
00:48:55the elevator door closed.
00:48:56That floor went out from under me just like a trap door
00:48:58and left me hanging on my fingernail.
00:49:00I was looking out eight or nine floors straight down.
00:49:03You mean to say bottom of elevator fallout?
00:49:06Yes, sir.
00:49:12Perhaps Mr. Brett receives same message we get.
00:49:15You mean come to the seventh floor, then to the tenth, Pop?
00:49:17Believe fate save us from dying same way Mr. Brett died.
00:49:22He was killed by fall from great height.
00:49:25We descend to basement.
00:49:27Yes, Pop.
00:49:28No.
00:49:30Not by elevator.
00:49:32Come.
00:49:37Blood stains on floor of shaft.
00:49:39This is where Mr. Brett fall to death.
00:49:47You're getting to be a habit.
00:49:49Coming in here and interrupting my program rehearsals.
00:49:51It's an outrage.
00:49:53Murder also outraged.
00:49:55Do you know what I pay for my programs?
00:49:57I'm interested only that murderer shall pay for killing of Miss Bain and Mr. Brett.
00:50:02You all present when Miss Bain die.
00:50:06You're stupid thinking these people would murder anyone.
00:50:09They're too busy murdering the English language.
00:50:12Testimony is Miss Bain say she expect more work and more money.
00:50:16Gloria did say something like that.
00:50:18That's right.
00:50:19Who can give her more work and more money?
00:50:21Mr. Brett?
00:50:22Certainly.
00:50:23He's the slave driver.
00:50:24Or rather he was.
00:50:27Very friendly with Mr. Brett?
00:50:28Gloria couldn't stand him.
00:50:29She detested him and...
00:50:30Oh.
00:50:31Yes?
00:50:32I just remembered.
00:50:33Gloria did say she'd talked with Brett.
00:50:34Gloria said he'd promised her a lot more work.
00:50:36I was surprised because I knew he liked her no better than she liked him.
00:50:38Wait.
00:50:39Gloria did say something like that.
00:50:40Something about... about...
00:50:41Oh.
00:50:42Did she say what, Mr. Rant?
00:50:43Oh, I don't recall.
00:50:44You see, I gab a lot and other people gab back at me.
00:50:51I can't remember half of the things I hear.
00:50:53Please try to remember.
00:50:54Might be most important clue.
00:50:55Yeah, surely it'll come back to me.
00:50:56And when it does,
00:50:57I'll tell you right away, sir.
00:50:58Yes.
00:50:59Here, I'll tell you that it might be a big deal.
00:51:01Of a message that I could tell you.
00:51:02I can't remember half of the things I hear.
00:51:05Please try to remember. Might be most important clue.
00:51:08Yes, surely. It'll come back to me.
00:51:11And when it does, I'll tell you right away, sir.
00:51:14Thank you. That is all. Thank you so much.
00:51:17Thanks indeed. Come, Herbert.
00:51:23Well, what do you make of it, Charlie?
00:51:25So many fish in fish market.
00:51:28Even flowers smell same.
00:51:32Much confusion.
00:51:38We go on in 20 seconds.
00:51:44This is television experimental station WXK9X,
00:51:47presenting Willie Rand, ace comedian,
00:51:49and his own conception of the dance of the spirit.
00:52:02What do you do here?
00:52:03Pop, we were just about to go out to look for you.
00:52:04So it seems.
00:52:05Honest, Pop. Mr. Rand said he remembers something important.
00:52:06He wants to see you right after this show.
00:52:08He wants to see you right after this show.
00:52:12Oh!
00:52:18Real flowers.
00:52:19Ha, ha, ha.
00:52:20Oh!
00:52:21Real flowers.
00:52:24Ha, ha, ha.
00:52:25Ha, ha.
00:52:26Ha, ha.
00:52:27Ha!
00:52:28Ha, ha.
00:52:29Oh!
00:52:30Real flowers.
00:52:31Ha, ha.
00:52:32Ha, ha.
00:52:33Ha, ha.
00:52:34Ha.
00:52:36Ha, ha.
00:52:37Ha, ha.
00:52:38Oh, real flowers.
00:52:54I made a fever and didn't ask for it.
00:53:01Now, ladies and gentlemen, we transfer you to tele-studio number two,
00:53:05where Miguel Moreno and his marimba band carry on during the second portion of the program.
00:53:12Willie, what happened to your closing speech?
00:53:13Did you forget it?
00:53:14Yes, Willie, what happened?
00:53:15I don't know what happened.
00:53:17You got a cigarette?
00:53:21Thanks, sir.
00:53:29Mr. Rand, number three son Tommy, tell me you remember something you wish to tell me.
00:53:34Now I remember what Gloria told me.
00:53:37And I've got a lot of other good information for you, too.
00:53:39Yes, yes.
00:53:41This afternoon, when I was up on the seventh floor, I saw...
00:53:43I...
00:53:47I...
00:53:48What trouble, Mr. Rand?
00:53:55Charlie, he's dead.
00:53:57Dead?
00:53:59Get cigarette, he smoked.
00:54:01Have St. analyzed quickly.
00:54:02Mr. Chester, you come with me.
00:54:12Mr. Chan, my office is never locked.
00:54:14The people on television and radio are in and out of here at all hours.
00:54:16Mr. Chan, I've never seen that thing before in my life.
00:54:32One moment, please.
00:54:34This is obviously control switch for mysterious trapdoor and service elevator.
00:54:39Mr. Chester, we visit police headquarters.
00:54:47Rand was poisoned by the same stuff that killed Miss Bain.
00:54:50But there is no poison in the cigarette he smoked.
00:54:53Is it Miss Bain smoked a cigarette just before she died, Pop?
00:54:55Yes.
00:54:56Also given her by Mr. Chester.
00:54:58That janitor, she picked this up right where Miss Bain fell.
00:55:01I took it away from her.
00:55:01Mr. Chester, this is cigarette smoked by Miss Bain?
00:55:05Yes.
00:55:05Tested.
00:55:07Why have you not mentioned this before?
00:55:09Just a slip of my mind, Pop.
00:55:11Oh, slip of my...
00:55:15There's no poison in this either.
00:55:17Release, Mr. Chester.
00:55:19Oh, but Charlie, the gadget that worked the elevator, is in his office.
00:55:22Sure, he must be the unknown espionage leader we're after, Pop.
00:55:25The person who sends messages to Mr. Brett on teletype machine must have similar machine at other end of line.
00:55:33There is no teletype instrument in Mr. Chester's office.
00:55:38Release him.
00:55:46What are we to do?
00:55:48Trouble?
00:55:49Nothing but trouble staring at his face.
00:55:52Why, this program is strictly slush.
00:55:57It is transcription of last program made by Miss Bain when she dies so strangely.
00:56:02Only wish to hear end of program.
00:56:05We must move by the first of the month, and we've no place to go.
00:56:10Why can't we...
00:56:12Hey, she must have stepped nearer the microphone.
00:56:14She did.
00:56:14Please, turn up volume.
00:56:17Now listen very quietly.
00:56:20Down.
00:56:20And be like...
00:56:25You hear strange noise?
00:56:27Yes, a popping noise when she was sobbing.
00:56:31We hear same noise on record of Mr. Rand's voice made during television broadcast.
00:56:38Believe now, know how both Miss Bain and Mr. Rand were killed.
00:56:43We'll need assistance of radio technician to prove it.
00:56:48Please?
00:56:48Right away.
00:56:49Hey, those look like bits of glass or gelatin used in making capsule.
00:57:08We have only part of proof.
00:57:11Now we visit Studio C downstairs.
00:57:13Murderer ready to do more business.
00:57:24This is what we look for.
00:57:26Thank you so much.
00:57:29Doc, my radio man said that the studio microphones were rigged so that a shortwave radio beam sent from some part of the building,
00:57:37it would explode those capsules.
00:57:45There is some sort of colorless gas in the capsule, Mr. Chan.
00:57:48But it certainly is not poison.
00:57:51Uh, cigarette, please, doctor.
00:57:53When did you start smoking, Pop?
00:57:55Quiet.
00:57:55Would you kindly light same, please?
00:57:58Now, you will blow some smoke into the beaker.
00:58:11Now, just, what is it, Pop?
00:58:12Well, that's it, Mr. Chan.
00:58:27Alone, either the gas or the cigarette is harmless.
00:58:29But if someone first inhaled gas and then pretty soon smoked cigarette, the combination of gas and nicotine becomes a poison and kills instantly.
00:58:39Thank you so much, doctor.
00:58:40That is exactly what I wanted to know.
00:58:42Uh-huh.
00:58:43Yeah.
00:58:44My men are at every exit with orders not to let any of our people leave the building.
00:58:49Good.
00:58:49Mrs. Marsh, Mr. Sinclair, and Miss Hall already here.
00:58:53Well?
00:58:57Chester, Nelson, and Carlos are in the building, Pop.
00:59:00Even that wacky janitor's.
00:59:02Good.
00:59:03All suspects on hand.
00:59:06Come.
00:59:13Believe leader of enemy agents and killer of Roush have office somewhere on this floor.
00:59:19Office containing teletype machine.
00:59:21Okay.
00:59:22We'll soon find out.
00:59:23Birmingham, you take another office.
00:59:31Well, no, not me.
00:59:31I like company.
00:59:39Look.
00:59:41Pop, Captain Flynn, we found one.
00:59:51Do you suppose this is the machine we want?
00:59:53Could be.
00:59:54Could be.
01:00:07Here is a shortwave radio set used to explode death capsule.
01:00:11Good.
01:00:17Good.
01:00:22Head to the oven.
01:00:26Another.
01:00:32Shadow.
01:00:33It's all the oven.
01:00:34Yeah, sir.
01:00:34Good.
01:00:35Very good.
01:00:35There's a毒.
01:00:36Very good.
01:00:36Poor.
01:00:37Not agrar.
01:00:40Pa, he's going up the stairs.
01:00:52Warn guards at exits.
01:01:05I go other end of tunnel.
01:01:07We catch murderer between us.
01:01:09Yes, Pop.
01:01:11We'll catch the guy while Pop's waiting for him.
01:01:13Come with me.
01:01:14Sure.
01:01:15Whoa.
01:01:16I think I'll stick with Mr. Chan.
01:01:18Now, listen, Birmingham.
01:01:20When we see him, I'll hit him high, you hit him low.
01:01:23Understand, Birmingham?
01:01:30Birmingham!
01:01:32Birmingham!
01:01:34I wonder what happened to him.
01:01:36Ah!
01:01:37Ah!
01:01:38Ah!
01:01:39Ah!
01:01:40Ah!
01:01:41Ah!
01:01:46Ah!
01:01:47Ah!
01:01:48Ah!
01:01:54Okay, son?
01:01:55Sure, Pop.
01:01:56The guy couldn't hit the side of a body even if he was inside of it.
01:01:59Mm-hmm.
01:02:00Come.
01:02:01Hurry.
01:02:14The elevator is at the first floor, Pop.
01:02:16He must have gone down.
01:02:17Hey, Charlie.
01:02:18He tried to come down the stairs as I went up.
01:02:20I fired, and he came back this way.
01:02:24Again, we just escaped death by elevator.
01:02:30Pop, there's someone in Office 703.
01:02:31The door's open.
01:02:32Go, quick.
01:02:33Hey, Charlie, he tried to come down the stairs as I went up.
01:02:36I fired, and he came back this way.
01:02:47Again, we just escaped death by elevator.
01:02:50Park, there's someone in Office 703. The door's open.
01:02:53Go, quick.
01:02:54Let's go.
01:03:02Murderer now traveled without costume disguise.
01:03:05Come.
01:03:15Park, what?
01:03:20Killer caught in the own trap.
01:03:24We find murderer in basement. Come.
01:03:27Then you're not a Swedish janitress at all.
01:03:29This is Miss Janet Carter, government investigator.
01:03:33I came here a month ago at Mr. Chan's orders.
01:03:35To keep eye on people coming and going from radar laboratory.
01:03:40No one suspected the janitress of being a government operative.
01:03:43You are a very great assistance, Janet.
01:03:47No, please, do not look at her.
01:03:49Her?
01:03:50Mrs. Marsh.
01:03:52No, I'd never have believed it.
01:03:54Hey, Pop, what about the stolen radar papers?
01:03:57Papers she stole are worthless.
01:03:59Real radar secrets removed some time ago at my suggestion.
01:04:04Oh, what's the matter? What's wrong, Charlie?
01:04:06As usual, at end of case, I have discovered everything
01:04:10except whereabouts of my second assistant, Birmingham Brown.
01:04:14Yeah, where did he go?
01:04:15Hey, which way is out? I want to get away from these faces. They're scaring people.
01:04:30Oh, right out this way.
01:04:33Good gracious.
01:04:34Come here.
01:04:35Come here.
01:04:36Oh, that's me.
01:04:37Let me see this thing.
01:04:41I think I'd rather take this one.
01:04:43Goodbye.
01:04:44Good, Father.
01:04:45Ha, ha, ha.
01:04:46Well, before I got married, I got married to the humans.
01:04:47Come here.
01:04:48Oh, come here.
01:04:49Yeah, I've got married, I've got married, Mrs. Powers.
01:04:50Do not get married.
01:04:51I don't get married!
01:04:52I don't get married.
01:04:53Let me see this.
01:04:54Bye.
01:04:55Bye.
01:04:56Bye.
01:04:57Have a working.
01:04:58Bye.
01:04:59Bye.
01:05:00Bye.
01:05:01Bye.
01:05:02Bye.
01:05:03Bye.
01:05:04Bye.
01:05:05Bye.
01:05:06Bye.
01:05:07Bye.
01:05:08Bye, days.
01:05:09Bye.
01:05:10Bye.
01:05:11Bye.
01:05:12Bye.
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