- 58 minutes ago
- #buzz
- #rehamrafiq
- #hassanchoudary
- #arydigital
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
BUZZ EPISODE 54 | REHAM RAFIQ | 27 JUNE 2026 | ARY DIGITAL
Host: Hassan Choudary
Guest: Reham Rafiq
Watch Buzz every saturday at 9:00 PM only on ARY Digital!
#buzz #RehamRafiq #hassanchoudary #ARYDigital
BUZZ EPISODE 54 | REHAM RAFIQ | 27 JUNE 2026 | ARY DIGITAL
Host: Hassan Choudary
Guest: Reham Rafiq
Watch Buzz every saturday at 9:00 PM only on ARY Digital!
#buzz #RehamRafiq #hassanchoudary #ARYDigital
Category
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Short filmTranscript
00:06hello assalamu alaykum khuatrini huzrat, my name is hasan chaudhri and this is buzz, buzz
00:12ki eek oor dhuwaadar or dhuwaadar episode ke saad aapki khidmat mein hazir hai, mera instagram
00:18pura flood hua wa hai, baasah selamat ka pura instagram flood hua wa hai, a.r.wai digital
00:22ka instagram flood hua wa hai, a.r.wai digital ka instagram flood hua wa hai, a.r.wai
00:29300 loggo nye bagaida torpe khud se ye boh ra hai, ke wau tamarisha ka hizah benna
00:33jathe hai, a.r.wai un ke liye kuchh kruun, to me un sab logon ko, a.r.a. sab
00:38logon ko,
00:39ye badei mohdubana tariqe ke saad guzarish karna chaatau, ke hum sab meese kooi bhi
00:44aapki madad nahi ka sakta, is wad aapki screen ke oopar joh number aara hooga, a.p.loogon
00:50ne siref isi number ke oopar rapta karna hai, isi number ke oopar jab aap apna audition bhejenge
00:55to isi number se aapko call aayegi, ya message aayegah, baashtar salamat jab buzz pe aayethe,
01:00unhneunne aapko بتaaya tha, ke kiunke itni badei taad me auditions hume mohsool hotate
01:04it is not possible to get back to every single one of you, lekin rest assured,
01:09aapko badei vasook se ye wad bata raha raha ho, kiunke bhi mein purei tamasha ki team se
01:13miltava raha raha ho, woh log badei ah, gohro fikr ke saad,
01:17aapke saare auditions screen karearei hai, bqaida taur pe dhekarei hai, ah, bhot saare
01:21contestants, upcoming contestants ke saad meetings bhi ho rhi hai, to aagere ap tamasha ka
01:26hissah benna chatea hai, aap bhi isi number ke oopar apna audition bhejenge,
01:33aap food line t wave saad hai,
01:39kadata ka ferverete drama, mera paki co,
01:48bst tirax hato, der samali wa mija ise lagta ha,
01:51aapki kurbek kar diya iye na, wo bas kemali hai,
01:58But I want to give a huge shout out to Qasim Ali Mureed, he is a fantastic director otherwise as
02:05well.
02:06But just with your hands, with the nuanced way that he has published these articles, I have a lot of
02:13appreciation for Qasim.
02:15And I think that this is till date one of his best works.
02:19Overall, the story's impact is not only that I'm feeling, but that the whole audience is feeling.
02:23I am a little bit surprised by the audience, but I think that these stories are really good at this,
02:30and I think that they have made me a lot of ideas.
02:30But I think that many people have made me think that the third time,
02:40I think that they have been waiting for me.
02:47I hope that they will be waiting for me.
02:48I think that they are the same,
02:53that we're all together.
02:53So I'm going to come back to this story.
02:57That's what I'm looking for.
02:58And because I'm going to go to a house and I'm going to go to a house,
03:01which are fireworks, I'm going to go to a house,
03:04because I'm going to go to a house and I'm going to go to a house,
03:06that's what I'm doing.
03:09I'm not going to be very important.
03:11You can enjoy your own.
03:15I'm going to tell you about your comment section.
03:17I'm going to tell you about feedback.
03:19I'm going to tell you that
03:21کہ شاید unfortunately مرزا کی ہیر کا جو initial episodes میں impact audience کے
03:27اوپر ہوا تھا وہ زائل ہو گیا ہے اس کے کیا وجہ ہو سکتی ہے یہ آپ
03:32نے اس comment section میں مجھے اپنے comments کے ثروب بتانا ہے اور مجھے یہ
03:36بھی بتانا ہے کہ کیا آپ کو ہنا کی اور علی کی آپس کی جو chemistry ہے جو
03:42equation ہے وہ پسند آ رہی ہے یا نہیں یا اس کے علاوہ مرزا کی ہیر میں
03:47آپ کو اگر کوئی weakness نظر آ رہی ہے یا اگر آپ مرزا کی ہیر کو بہت
03:51پسند کر رہے ہیں تو بھی آپ اپنے comment section کے ثروب مجھے اس بارے میں
03:55بتا سکتے ہیں بار بار میرا دل چاہتا ہے میں آپ سے تماشا کے بارے میں
03:59بات کروں کیونکہ جیسے میں آپ کو بتا رہا ہوں کہ نہ صرف آپ کو تماشا کی
04:03excitement ہے مجھے بھی تماشا کی بہت excitement اور پورے ای آر وی کے
04:06office میں اس وقت ایک buzz سی چل رہی ہے تماشا کو لے کے تو آنے والے
04:10ہفتوں میں آپ دیکھیں گے کہ ہم آپ کو وقتاً فوقتاً تماشا کے بارے میں
04:15update کرتے رہیں گے اور اس کے اس سے related جو بھی information ہے وہ
04:19انشاءاللہ آپ کو buzz تک پہنچاتے بز میں پہنچاتے رہیں گے فلحال
04:22خواتین وزرات وقت ہوا چاہتا ہے آپ کو آج کی ہماری گیس سے ملانے
04:26کا آج کل آپ ان کو ای آر وی ڈیجیٹل کے ہی drama serial رحمت میں دیکھ
04:30رہے تھے ڈراما ابھی کچھ دن پہلے ہی ختم ہوا ہے لیکن ان کا جو
04:33کردار ہے اس نے بڑی پذیرائی حاصل کی اس سے پہلے ہم نے ان کو
04:37پرورش میں دیکھا پرورش اگین لاس year was a big blockbuster hit اور
04:41ان کا کردار عمل کا کردار بہت resonate کیا آڈینسز کے ساتھ اور
04:46ابھی الیزے کا جو انہوں نے کردار play کیا ایک specially able character جو
04:51کہ ایک challenging کردار تھا اس کو بھی انہوں نے بہت اچھے طریقے
04:53کے سزاد نبایا تو آج ان سے گفتگو کریں گے ان کے سارے کرداروں
04:57کے بارے میں جاننے کی کوشش کریں گے ان کی جنرنی کے بارے میں جاننے
05:00کی کوشش کریں گے کیونکہ ناسب ہو ایک اداکار ہے بلکہ بہت ہی
05:03زبردست ڈانسر بھی ہیں اور ہمارے ملک میں ڈانسز کیونکہ کچھ
05:07کلت سی ہے تو مجھے لگتا ہے کہ آج کی ہماری یہ گفتگو بہت ہی
05:10مزیدار ہونے والی ہے تو خواتینوزرات بس بیاری ہے رحم رفیق
05:18السلام علیکم رحم کیسی آپ
05:21رحم اللہ حافظ
05:22میں بلکل ٹھیک ہوں such a pleasure to have you on my show please have a seat
05:26thank you so much for having me
05:27نہیں نہیں pleasures all mine رحم یہ بتائیں کہ زیادہ تب میں دیکھتا ہوں
05:32جب بھی میں ایکٹر سے ملتا ہوں وہ کہتے ہیں یا ہم ایکٹر بننا
05:36چاہتے تھے یا ہم اتفاقن اس فیلڈ میں آگئے آپ دانسر بننا
05:40چاہتی تھے اور آپ دانسر ہیں یہ کیسے ہوگا یہ بڑی انوکھی
05:43ایک چیز ہے کیونکہ آج کل ہمارے جو میں دیکھتا ہوں
05:47youngsters میں دانس کا شوق تھوڑا کم ہے
05:50نہیں دانس کا شوق ہے
05:52ہاں وہ کیونکہ ابھی بھی ایک ٹابو جو ہے ٹاپک ہے تو اس لئے زیادہ
05:57بات نہیں کی جاتی لیکن ڈانس کا شوق تو سب کو ہے
06:00میں ڈانسر بننا چاہتی تھی لیکن ڈانس کا ایسا چھ سکوپ نہیں ہے پاکستان میں
06:06اس لئے تھوڑا سا ڈائریکشن اپنی چینج کر لیکن مجھے لیکن یہ بتائیں
06:10کہ میں اکثر یہ سنتا ہوں کہ either you're a born dancer or you're not
06:15یہ آپ مانتی ہیں اس بات میں
06:16میں بالکل مانتی ہوں اس بات کو
06:18کہ اگر آپ سیکھنا بھی جاتے ہیں آپ کو شوق ہے
06:21اچانک سے ایک age میں آپ کو شوق ہوتا ہے کہ بھئی ڈانس سیکھیں
06:25تو آپ سیکھ سکتے ہیں ایسا نہیں کہ آپ نہیں سیکھ سکتے
06:28لیکن جو وہ ایک ڈانسر ہے نا وہ
06:30میں اپنی بات کروں گا مجھے نہیں لگتا ہے میں سیکھ سکتا ہوں
06:33مجھے بڑا شوق ہے
06:36مجھے لگتا ہے آپ سیکھ سکتے ہیں
06:40لیکن وہ ہوتا نا
06:40دیکھیں آپ کو اچھے choreographer کی ضرورت ہے بس
06:43ایک اچھے teacher کی بالکل
06:44آپ نے کس عمر میں realize کیا کہ
06:46میرا ڈانس کی کچھ ہے اسکل
06:49میں گیارہ سال کی تھی
06:51گیارہ کی
06:52اور مجھے میں تو بس وہ enjoy کر رہی تھی
06:55کہ ماحول کو
06:56فیملی نے مجھے notice کر آیا
06:58کہ یہ تو اچھا ڈانس کرتی ہے
06:59تو اچھا ڈانس کرتی ہے
07:00تو انہوں نے زیادہ register کروایا
07:02especially میرے فادر نے
07:03اچھا
07:04جی
07:04تو وہ اس کے بعد
07:08شادیوں میں ہی ہم جاکتے ہیں
07:10گانا ملا یاد آپ کو گیا چاہتے ہیں
07:11نہیں مجھے گانا یاد نہیں ہے
07:12لیکن شادیوں میں ہم جاکے
07:14ڈانس کیا کرتے تھے
07:16تو میت کچھ زیادہ ہی
07:17ڈانس کر رہی ہوتی تھی
07:18تو وہ بڑا notice میں آتا تھا
07:20اور سب خوش بھی ہوتے تھے
07:22تو
07:23ابا ہمارے جو ہے نا
07:25ان کو بڑا
07:25بڑی خوشی ہوتی تھی
07:27اور وہ الگ سے وہ نا
07:28ویڈیو بنا رہے ہوتے تھے
07:29میری کہ ہاں
07:29یہ بچی دانس کر رہی ہے
07:31پیاری لگ رہی ہے
07:32یہ بھی مجھے پتہ چلا ہے
07:34میرے سورسز سے
07:35کہ اے آر وی سے آپ کا
07:36بہت پرانا ایک تعلق ہے
07:38جب آپ ساتھ آٹھ سال کی تھیں
07:40تو یہاں پر ایک ریالیٹی شو ہوتا تھا
07:41بالکل
07:42دم ہے تو انٹیٹین کر
07:44دم ہے تو انٹیٹین
07:45دم ہے تو انٹیٹین کر
07:46اس کے پہلے سیزن میں
07:47آپ نے پارٹیسپیٹ کیا
07:48پھر سیکنڈ سیزن
07:49آپ ایکچولی جیتی ہیں
07:50اور آپ کی پہلی فلم بھی
07:52اے آر وی کے ساتھ
07:53تھی کھیل کھیل کھیل
07:54تو یہاں اے آر وی سے
07:55تو بہت پیار کیا
07:57مجھے بھی ان سے پیار ہونے بھی
07:58مجھے بھی ان سے پیار ہونے بھی
07:58مجھے بھی مجھ سے پیار ہے
07:59آج میں نے وہ لوٹس کیا
08:01کہ کتا پیار کرتے ہیں
08:02اے آر وی سے
08:02بالکل
08:03انہوں نے آپ کو پورا یہاں پہ
08:05آج جما کے رکھ گیا
08:06رہام آئی ہے
08:07واپس گھر
08:08اب اس سے جانے نہیں دیں گے
08:09بالکلہ سیزن
08:10ہی ہی رکھیں گے
08:12تو پہلا ریالٹی شو میں
08:14at a very young age
08:15اس کا حصہ بنجھے
08:17I think that was the first time
08:18you faced the camera as well
08:19if I'm not mistaken
08:20اس وقت
08:22وہ دور تھا
08:23I don't remember
08:24I was
08:267 یا 8 سال کی
08:27مر ہوگی میری
08:28اور
08:30اس کا ایڈ بھی آتا تھا
08:32اگر کوئی اس طرح کی
08:33ریالٹی شو آتا تھا
08:35بلکل
08:35اور اس وقت
08:36سعودی میں ہوتے تھے
08:37تو انہوں نے مہاں سے
08:38کال کر کے
08:38سعودی اربیہ سے
08:39اگر نے کال کی
08:40کہ بیٹا آیا
08:41ایڈ سون کو
08:42اخبار کیسے مل رہا تھا
08:43آمان تو
08:43یہ بتائیں مجھے
08:44مس نیوز پونٹ جائے
08:45گرتی تھی انتک
08:46اور وہ
08:47ٹی وی پہ بھی
08:48آتے تھے
08:48تو وہاں سے بھی دیکھتے تھے
08:49اور پھر وہاں دیکھا
08:50انہوں نے کہا
08:51بیٹا ایر وی پہ
08:51شو آرہا ہے
08:52تمہیں جانا ہے
08:52اہاں
08:53انہوں نے کہا
08:53کہ یہ ٹیلنٹ شو ہے
08:54اور ریحام کو
08:55اس میں لے کر جاؤ
08:57تو
08:57پھر والدہ کے ساتھ
08:58پھر والدہ
08:58بالکل والدہ
08:59لے کر گئی
08:59میں تو بہت چھوٹی تھی
09:01تو والدہ لے کر آئیں
09:02اور میں نے
09:03آڈیشن دیا
09:03اور میں سیلیکٹ ہو گئی
09:05پرچی کے بغیر سیلیکٹ ہو گئی
09:07پرچی تو تھی نہیں
09:08نا ہماری
09:09تو میڈیا میں کوئی سائم
09:10مری گو گیا
09:11تو وہ سیلیکٹ ہو گئی
09:12اس کے بعد پھر
09:13میں پہلا راؤں
09:15دوسرا راؤں
09:15تیسرا راؤں
09:16اور سمی فائنل میں
09:17پھر میں
09:18اس میں
09:18آؤٹ ہو گئی تھی
09:19رنہ اب تھی
09:20اور
09:20جب
09:21سیکنڈ سیزن
09:22ہوں گا
09:22اس کا
09:22کانسپ ڈیفرنٹ تھا
09:23وہ ایک ہی اپیسوڈ
09:24ہوتا تھا
09:24اس میں
09:24تین چار پرفارمنسز
09:25اور اس میں
09:25کوئی ایک ونر تھا
09:26تو اس میں
09:27میں جیتی تھی
09:28اور یہ جو
09:28آپ کا
09:29ٹائم تھا
09:30اس
09:31فیس سے لے کے
09:32پھر
09:32جب تک
09:33آپ نے
09:33فلم نہیں کی
09:35مجھے
09:35ایسا لگتا ہے
09:36کہ شاید
09:36آپ کا فوکس
09:37زیادہ
09:38ڈانس کی طرف
09:38ہی تھا
09:39آپ نے
09:42کام اور بھی
09:43بہت کیا
09:43ڈانس بھی
09:44نہیں
09:44پڑھائی کی طرف
09:45بھی تھا
09:45اور ڈانس کی طرف
09:46بھی تھا
09:47بائیو ٹکنالوجی
09:48تو
09:50میرا فوکس
09:51زیادہ
09:51یہ تھا
09:51کہ
09:51ڈگری پوری کرنی ہے
09:52تو ابا
09:53تھوڑی سے
09:53ہمارے اس
09:54معاملے میں
09:54تھے
09:55کہ
09:55جو کرنا ہے
09:56کرو لیکن
09:56پہلے اپنا
09:57اپنی پڑھائی
09:58مکمل کرو
09:58تو وہ بھی
09:59چل رہا تھا
10:00ساتھ ساتھ
10:00اور ڈانس کا
10:01مجھے زادہ شوق
10:01تھا
10:01ایکٹنگ کا
10:02کبھی سوچا نہیں
10:03تھا
10:04تو ڈانس کی
10:05بڑی کوشش کی
10:06بیکگرانڈ ڈانسنگ
10:07میں چلی رہی
10:07کہ یہاں سے
10:07کوئی
10:09کریوگرپر بن جائیں
10:10گے
10:10اپنا سٹوڈیو
10:10کھول لیں گے
10:12ہم بھی بڑے
10:13کریوگرپر بنیں گے
10:14تو سمجھ آئے
10:14کہ یہ تو
10:15مشکل کام ہے
10:16اور کوئی
10:17اسش خاص
10:18کوپ نہیں ہے
10:18آپ کیا بن سکتے ہو
10:19آپ کیا بن سکتے ہو
10:20اس کے بعد کیا
10:22مطلب اس میں
10:22کوئی آگے
10:23لرننگ کرو نہیں ہے
10:24آپ ایک فلم
10:25کوریوگرپ کرو گے
10:26پھر دوسری کرو گے
10:27پھر تیسری کرو گے
10:27پھر چوڑی کرو گے
10:28یا
10:29اگزاٹلی
10:30یا پھر ڈراماز میں
10:30آپ کیا بن سکتے ہو گے
10:31تو کچھ
10:32مجھے
10:32اس سچ مارجن
10:33نظر نہیں آیا
10:34پھر میں
10:34ایکسپیسیو بہت تھی
10:35تو اس سے
10:36جو ہے
10:36اور پھر
10:37بچپن میں
10:38میں مکری بھی
10:39بڑا کیا
10:39کس کی کرتی
10:41دوسری صاحب کی
10:41بیوہ
10:42اور
10:43اس طرح کی
10:44characters جو ہوتے ہیں
10:45کارٹونز کی
10:46بڑی
10:46میں مکری کیا
10:48کرتی تھی
10:48تو وہ
10:49میں
10:49گھر کی ہی
10:50ایک کارٹون
10:50تھی میں
10:51کہ یہ
10:51جیسی رشتہ دارائے
10:52کھڑا کر دیا
10:53ہاں بھئی کر کے
10:53دکھاؤ
10:54تو اس سے
10:55پھر تھوڑا
10:56سمجھے اندازہ ہوا
10:56کہ ہاں
10:57ایکٹنگ کی طرف
10:57جا سکتی ہوں
10:58پھر کمرشل
10:59کمرشل سے پھر
10:59مووی
11:01جب میں نے کیے
11:02بیسکلی
11:02تو وہ پہلی دفعہ
11:03میں نے کوئی
11:04بڑا پروجیک کیا تھا
11:05اور اس میں
11:06مجھے ریلائز ہوا
11:06کہ ہاں
11:07پوٹنشل ہے
11:08بہتر اگر میں
11:09اس کو کروں
11:10تو میں شاید
11:10کر سکتی ہوں
11:11اور
11:11آپ نے اس کو
11:12سیکھا ہے
11:13میں نے
11:15کسی
11:15ٹیچر سے نہیں
11:16سیکھا
11:17کسی استاد سے
11:17نہیں سیکھا
11:18سیلف ٹاٹ
11:20لیکن یہ تھا
11:20کہ بیکگراؤنڈ ڈانسنگ
11:21میں
11:21ڈیفرنڈ ڈیفرنڈ
11:22کوریوگرفرز کے ساتھ
11:23کام کیا
11:23تو ان سے بھی
11:24زیار سے بات ہے
11:24آپ جو
11:25کام کر رہے ہوتے
11:26تو آپ سیکھتے ہو
11:27ہر کسی سے
11:28آپ سیکھتے ہو
11:28تو میں نے
11:29ہر کوریوگرفر سے
11:30تھوڑا بہت
11:31کچھ نہ کچھ
11:31لیکن آپ
11:32سیلف ٹرینڈ ہیں
11:33بلکول
11:33میں خیال میں
11:34یہی term
11:34استعمال
11:47بلکول
11:47ایسے
11:51سیلف ٹرینڈ
11:52کیونکہ
11:52ہمارے پاس
11:53سپیسز نہیں ہیں
11:54ہمارے پاس
11:55ڈانس ٹوڈیوز نہیں ہیں
11:56بہت
11:57ایک آت
11:58سٹوڈیوز ہیں
11:59جو کی
11:59یوزیلی
11:59موویز
12:00راماس
12:00کی رہیرسز
12:01کے لیے
12:01یوز ہو رہے ہوتے ہیں
12:02اور وہ بھی
12:02کوئی
12:03پروپر
12:03ڈانس ٹوڈیوز نہیں ہیں
12:04پروپر فلورنگ
12:05اس کی ہوئی
12:06ڈانس کے
12:06اساپ سے
12:07تو ہمارے پاس
12:17پاس پیسز نہیں
12:18لڑکیاں بھی ہیں
12:18اور لڑکے بھی ہیں
12:19اور بچے بھی ہیں
12:20اور بچیاں بھی ہیں
12:22اور وہ
12:23اس میں یہ ہے
12:24کہ کچھ
12:24ایسے ڈانسرز ہیں
12:25جو کہ
12:26ڈو تھاؤزن نائن
12:27ڈو تھاؤزن تین
12:28سے ڈانس کرتے
12:29وے آ رہے ہیں
12:29اور
12:29there's a term
12:30بی بوائنگ
12:31جو کہ
12:31hip hop میں ہوتی ہے
12:32تو وہ
12:32سکھاتے وے بھی آ رہے ہیں
12:33اور خود
12:34سیکھتے وے بھی آ رہے ہیں
12:36تو
12:36they're also
12:37self-taught
12:37اور انہوں نے
12:39یہ
12:39community
12:39بڑھاتے بڑھاتے
12:40اب اتنی بڑھ گئی
12:41کہ ہم
12:41ہیں تو
12:42again
12:43main stream پہ نہیں ہے
12:44underground community
12:45ہے
12:46different locations پہ
12:47کڑاچی میں
12:48جو ہے وہ
12:48jams کر رہے ہوتے ہیں
12:49لاہور اسلامباد
12:50تک بھی ہم جا چکے ہیں
12:52بٹ یہ ہے
12:53کہ جب وہ
12:54training کرنے کی
12:55باری آتی ہے
12:56کہ سب آپس میں
12:56community مل کے
12:57train کر رہے ہیں
12:57تو ہمارے پاس
12:58space نہیں ہوتی
12:59تو وہ کسی کے
13:00گھر میں ہم نے
13:00space بنائی ہوئی ہوتی ہے
13:02یا کہ
13:02کہیں پارک میں
13:03جا کے ہم
13:05practice کر رہے ہو
13:05تو وہاں سے
13:06بھی ہم ہلات مار کے
13:06نکل دیا جاتے
13:07کہ چلو
13:07کیا کر رہے ہو
13:08تم لوگ یہاں
13:09ناشا شروع کر دیا ہے
13:10تو یہ بھی
13:11struggles ہیں
13:12لیکن
13:13passionate ہیں
13:14تو کر رہے ہیں
13:14وہی بات کہ
13:15اگر شوق ہے
13:16تو آپ کر لیتا ہے
13:17اچھا یہ بتائیں
13:19ہر actor
13:20dancer
13:21تو نہیں ہوتا
13:21بلکل
13:22لیکن کیا آپ کو
13:23لگتا ہے کہ
13:24ہر dancer کے اندر
13:25وہ expression
13:25چونکے ہوتا ہے
13:26تو وہ acting کر سکتا ہے
13:28کیا آپ کا
13:28اس بارے میں
13:29کیا آپ اندر ہے
13:29نہیں
13:30جیسے ہر
13:31actor
13:32dancer نہیں
13:32ہو سکتا
13:33ویسے ہی
13:33ہر
13:34dancer
13:34actor نہیں
13:35ہو سکتا
13:35بلکل
13:36ایسا ہی ہے
13:36کیونکہ
13:37dance is a form
13:37of expression
13:38expression
13:38but
13:40usually
13:41I'm talking
13:42about good
13:42dancer
13:42people can
13:44have a lot
13:44of moves
13:45but
13:45ضروری نہیں
13:46کہ وہ
13:46اچھے
13:47dancer
13:47کیونکہ
13:47اگر آپ کی
13:48moves
13:48اگر
13:49expression
13:49نہیں
13:49تو
13:50کچھ
13:50اچھے
13:50dancers
13:51بھی
13:51ہوتا
13:51لیکن
13:52وہ
13:58چلتا ہے
13:58جیسے
13:59b-boying
14:00ہے
14:00وہ
14:00technique
14:01پہ
14:02اس کو
14:02جج کرتے
14:03ہمیشہ
14:03اس پہ
14:05آپ کی
14:05personality
14:06دیکھی
14:06جاتی
14:06اس کا
14:06aura
14:07دیکھا
14:07آپ کی
14:07presence
14:08دیکھی
14:08جاتی
14:08ہے
14:08stage
14:09پہ
14:09اور
14:10آپ کی
14:11آپ کا
14:12جو
14:13بھی
14:13look
14:13ہے
14:13وہ
14:13دیکھا
14:14جاتی
14:14اور
14:14آپ کی
14:14technique
14:15دیکھی
14:15جاتی
14:15ہے
14:15وہاں
14:16پہ
14:16ہی نہیں
14:16دیکھتے
14:16کہ آپ
14:16کے
14:17expressions
14:17کیا
14:18ہیں
14:18تو
14:18اگر
14:19ہم ایک
14:19b-boy
14:20کو
14:20کھڑا
14:20کر دیں
14:20اور
14:21کہ
14:22جی
14:22اکٹر
14:22کن سکتی
14:23تو
14:23نہیں
14:23ہو سکتا
14:24تو
14:24اس طرح
14:25کے
14:25بہت
14:25سے
14:26ڈانس
14:26فارم
14:26ہیں
14:26جہاں
14:28فیس
14:29ایکسپرسیو
14:29نہیں
14:29ہوتا
14:30لیکن
14:30آپ کی
14:31بوڈی
14:31اتنی
14:31اچھی
14:31موف
14:31کر رہی
14:32ہوتی
14:32کہ
14:32آپ
14:32اس
14:33ڈانسر
14:33کو
14:33دیکھ
14:34آپ
14:34سکتے
14:34مطلب
14:35یہ
14:47بہت
14:48ہیٹ
14:48اور
14:49آپ
14:49کے
14:49کردار
14:49نے
14:50بہت
14:50حد
14:50تک
14:50ریزنیٹ
14:51کیا
14:51آڈینس
14:52کے
14:52ساتھ
14:52اور
14:53اسے
14:53پہلے
14:53بھی
14:54آپ
14:54کے
14:54پروجی
14:54میں
14:54دیکھے
14:55اور
14:56جب
14:56آپ
14:56پہلی
14:57فلم
14:57آئی
14:57کھیل
15:10کھیل
15:11میں
15:11وہ
15:14بہت
15:17دیو
15:18دیو
15:19موڈی
15:20پہلی
15:20بھائی
15:21نبیل
15:22کوریشی
15:22اور
15:22فیزا
15:23میم
15:23کو دوں گی
15:23کہ
15:23انہوں نے
15:24بہت
15:24ہمیں
15:25کبھی
15:26بھی
15:26یہ
15:26نہیں دیا
15:26کہ
15:27یہ
15:27نئے
15:27بچے
15:27ہیں
15:27نیو کمرز
15:28ہیں
15:29تو
15:30پراغٹیس
15:30کرو
15:31سیکھو
15:31کرو
15:32کہیں
15:33بھی
15:33مشکل
15:33ہوتی
15:34تھی
15:34ہم
15:34ازیلی
15:35جا
15:35کمیونی
15:35کھنیٹ
15:35کر لیتے
15:36But still, if I go to play again and see myself, I wouldn't do that.
15:44So, I improved a lot and learned a lot.
15:48And the process of learning is an observation.
15:51I observe actors, I learn from directors.
15:56Meesam and Naveed are a lot.
15:59So, every director has a different process.
16:04So, I catch the process from every director.
16:08And I try to implement it in the future.
16:12So, God bless you that the work is still there.
16:15So, if you have a clip from your perspective,
16:18you can see it as a result.
16:21Yes, I can see it.
16:22Even when I saw it, I thought,
16:25I wanted to do it.
16:26I wanted to do it.
16:27It was better.
16:29I just kept the process of learning.
16:31I just kept the process of learning,
16:31so that it was better.
16:33Not really.
16:34Yes, I couldn't say that.
16:36Yes, I did.
16:36So, I think it was really a wonderful breakdown.
16:40Something in your own vision?
16:42Even the breakdown scenes I saw that it was better.
17:07because it was such a big hit and so critics or otherwise audience
17:11you would call it that?
17:27you would call it that?
17:34yeah definitely
17:35it was such a big hit but I got a response from the two types of work
17:39I noticed a lot and as a skilled artist I noticed that they have a job
17:48it was such a good thing
17:50it was such a bad thing
17:52but I also felt it
17:55because people thought that
17:58it was very bad
18:00it was the second thing
18:03that I was just a negative character
18:06I felt that
18:08I felt a backlash
18:10I had a backlash that I had to say, who is this girl?
18:13She is a bad person.
18:14It's the concept of our audience,
18:16that the person is a good person,
18:19in real life.
18:20So, when I worked at work,
18:22I said, you are so beautiful.
18:24You are so beautiful.
18:25We are so beautiful with this girl.
18:27So, people understood that, okay,
18:29it's a good person.
18:31We don't do this in real life.
18:32We don't do this in real life.
18:34So, that was also a benefit.
18:35But, definitely, I was a good person.
18:38My friends,
18:40we are here.
18:41You can't go anywhere.
18:43You can go anywhere.
18:46Welcome back.
18:48We have a relationship with the GFTAG.
18:50I have noticed a interesting thing.
18:53You have a positive and negative characters.
18:56It's equal.
18:58It's not.
19:01Because, if we have negative,
19:03we have to cast it.
19:05Or, if we have negative,
19:07and put it on the chair,
19:08then it's a bad thing.
19:09How did you achieve balance?
19:11This opportunity,
19:12this is a luck.
19:15I got a problem.
19:17When I got a problem,
19:17I have proved to you that,
19:19I can do something from this.
19:22So, when I proved it,
19:24everyone knows that
19:26they can do it.
19:27And they can do it.
19:29And then,
19:30the audience also accepts you.
19:33Not only can do it positive or negative,
19:35but also can do it challenging roles.
19:39So,
19:41if you get an opportunity,
19:42then you get an opportunity.
19:43What are you doing?
19:45Negative or positive?
19:47Negative?
19:48I don't know.
19:49Why?
19:49Margin.
19:50Margin.
19:51Margin.
19:52Margin.
19:52Margin.
19:53Margin.
19:53Margin.
20:02Margin.
20:03Margin.
20:04Margin.
20:05And then,
20:07Margin.
20:07Margin.
20:08Margin.
20:08Margin.
20:08Margin.
20:09The money.
20:12Margin.
20:15the money.
20:15This money.
20:19You already have tried
20:21to make a mistake.
20:26Margin.
20:27I was just taking advantage now.
20:32So,
20:33When I told you that you have to do a disabled character,
20:39I said, okay, just that.
20:42Because in every drama, you are going to work at two hours.
20:48You are doing all the work.
20:49This is such a role in which I represented many disabled people.
20:57And I was very scared that someone doesn't get up or down,
21:00not happen, no such thing,
21:02in which any person
21:05will offend
21:07or wrong action,
21:09or wrong thing,
21:11so I was very critical
21:13to take the script,
21:14and the directors did many discussions,
21:16and why are they writing this?
21:18Why are they writing this?
21:19And my feet are fine,
21:21so I will not start to go for the walker,
21:24so I will give them time to me.
21:27I was very critical to me,
21:29because it's okay,
21:32it's a drama,
21:33of course there's no reality,
21:35but still, I can't offend anyone,
21:40I can't represent them,
21:41I didn't represent them,
21:43so I was very respectful,
21:46so I was very scared,
21:47but I was very excited,
21:49that I got a challenging character,
21:52and I started to say,
21:54many people said,
21:55you're doing a work,
21:56and I'm going to sit on the wheelchair,
21:58and you've also told me,
22:00that you're a good girl,
22:02and you're acting on the wheelchair,
22:04but that's also a concept,
22:05that's also a mindset,
22:07and for me, it was a great honor,
22:09that I offered a character,
22:11and I hope,
22:12I think you can see the challenges characters,
22:14I have to find them,
22:14How does one prepare for a character like this?
22:17Especially able,
22:18and obviously,
22:21you've said that,
22:23there's a completely different lifestyle,
22:26and the journey's different,
22:28everything's different,
22:29and since,
22:30we can't delete that from that,
22:34why do you want to prepare them?
22:36How do you feel prepared?
22:37Look, he was a very special character.
22:41Because when I sit on a wheelchair,
22:44I feel like I'm going to do a portrait
22:47when I'm not going to cross that.
22:50So Naveed Bhai helped me,
22:52the writer helped me,
22:53and he sent me references to disabled people,
22:56which are working independently,
22:58because his journey was like,
23:00that he is independent,
23:01his own jewelry business,
23:03and he was doing everything.
23:04So they gave me references,
23:07so that I can give them inspiration,
23:08or at least some things,
23:12some elements, some nonsense.
23:14So I saw those references,
23:16plus I felt that if I'm in this situation,
23:23then I feel what I feel.
23:25And just holding that emotion,
23:27I have almost done it.
23:29I think Bhaino has been very good.
23:32Because in our drama,
23:34it's not that you can show good girls,
23:38or else they can show negative light.
23:40No.
23:42Throughout this,
23:42I have a very good bonding for three girls.
23:45How was your experience overall?
23:48It was a great experience.
23:50It was a great experience.
23:51It was a great experience.
23:54It was a great experience.
23:57It was a great experience.
24:02Probably not to talk about anything.
24:04But no,
24:05it was very good.
24:08I had a lot of fun.
24:09It was a great experience.
24:10It was a great friend named Aswad,
24:11and Salma,
24:11and Salma Hassan.
24:15It was a great feeling.
24:16There was a good bonding.
24:17It had a great interaction with you.
24:18You are sitting down and talking about it.
24:20It meant that you are together.
24:22We live like a family and it was the same time that we fought with little things and we had
24:29a lot of love with each other and we had a lot of love with each other and we had
24:33a little prolonged project and we had a lot of connected to each other.
24:39How was your experience with Hina?
24:42I had a lot of fun with Hina and I had a little bit of a lead, but I didn't
24:49have a job but she was very down to earth.
24:54I never felt like there was a lead artist or a heroine.
25:00It was great and we helped each other and I had a lot of support.
25:06I had a lot of support in each set.
25:08I had a lot of support in this set.
25:10You had to take a lot of support in the past.
25:11I had a lot of support in summer.
25:17I have to take a little bit of support.
25:20It was a trigger and it was also a lot of support.
25:23It was very polite and you couldn't speak.
25:26Yeah, everyone is polite on camera.
25:28There are other cameras with the quality.
25:32The handle was polite, not aggressive.
25:35That's a good thing.
25:37That's a good thing.
25:38But if you pin it,
25:40then he said, okay.
25:41Then he came and said, okay,
25:44we'll talk about it.
25:45When you were talking about
25:48the lead actress,
25:51this is obviously
25:53an element of
25:55lead, second lead, third lead,
25:58etc.
25:59All these things in your career,
26:01in your life, in your professional life
26:03do you have to factor in
26:05whether you bother or not?
26:07What do you think about your career?
26:09When you think about industry,
26:11then you bother not.
26:12It's for you to bother.
26:15If there was a set,
26:17if there was a set,
26:18the lead actors,
26:20or actors,
26:22then they get into it.
26:26So,
26:27there was a doubt
26:29that what will happen.
26:31you don't have to blame
26:32you.
26:33But when the work started,
26:35you don't realize that
26:37that's not what happens.
26:38We've started working with Sajjal.
26:41That's not what happens.
26:42Just give people a space.
26:46This is very basic,
26:47I think,
26:49that you don't have space.
26:51And when you talk about it,
26:53you talk about it.
26:54And you talk about it too.
26:55So,
26:58when I was a background dancer,
27:00when I was a background dancer,
27:00I had a interaction with me.
27:02I didn't have models and actresses.
27:04But,
27:04when I came to the drama industry,
27:08I didn't feel like
27:10that someone showed
27:11some attitude,
27:12or that someone didn't talk about it.
27:14Or,
27:14that I was listening to
27:15all of my preferences.
27:19It's a wrong thing.
27:22I don't have to relate to it.
27:26But,
27:27if I talk about it,
27:30it's the same way.
27:32And it's the same way.
27:33When you take a role
27:35or sign a script,
27:37this is the second lead,
27:40this is the parallel lead.
27:42I want to play the lead.
27:43You don't bother me.
27:45I don't want to play a lead.
27:47It's a good choice.
27:50Some actors say,
27:51I don't have a difference.
27:52You don't bother me.
27:54Yes.
27:56When I'm dealing with the work,
28:00I didn't want to struggle.
28:03I didn't want to struggle with something about it.
28:04I don't have a good job.
28:04I don't want to get the lead.
28:05It doesn't get a complaint.
28:08But,
28:09you have to do it.
28:10You have to do it.
28:11You have to do it.
28:11You don't want to do it.
28:13But,
28:13when I'm getting a parallel lead
28:15or a second lead,
28:16someone gave me a character,
28:18then I'm telling you
28:20by taking the story line based on it.
28:22It's a backstory of his backstory.
28:24If it's negative, why is it negative?
28:27Why is it positive?
28:29What's the story?
28:30What's the nature?
28:31Where is it going?
28:33I can see that in the whole series or soap,
28:37which is the drama,
28:39I don't get the acting margin.
28:41If I don't get the acting margin,
28:43I will probably get the answer to it.
28:46But if I get the acting margin,
28:49then it's not a difference
28:51if you have second or third lead,
28:53or supporting role.
28:54I don't get the confidence in that
28:56when I get the screen time,
28:58I will be aware of it.
28:59It's like that.
29:00Eventually, it will also be a lead.
29:02It's not that it's not that it will happen.
29:04It's also for me.
29:06Whatever I get the screen time,
29:10I get the work and I get the same.
29:14You are a complete outsider to this world.
29:16But you have worked here as a dancer,
29:20you have worked as a voice-over artist,
29:22as a singer,
29:23as a choreographer,
29:24and now as an actor.
29:25How much welcoming is this industry?
29:27The outside industry?
29:29Do you have to say anything?
29:31It's welcoming.
29:32It was for me.
29:33It was for me.
29:33If it was for me,
29:35it wouldn't be for everyone.
29:37That's why I don't want to say that
29:38it's very welcoming.
29:39It was for you.
29:41It was for me.
29:42It was for me.
29:43It was for me.
29:43I started my work from the movie.
29:49I got the offer of drama.
29:50I got the offer.
29:51I got the offer of auditions.
29:53I got the offer of auditions.
29:54When I got the offer,
29:54I got the auditions.
29:56You didn't have production houses?
29:58You didn't have production houses?
29:59No.
30:00Of course.
30:01But before that,
30:02I had a small web series.
30:05I also had auditions.
30:06There were auditions in the agencies,
30:07that I might get through
30:09acting and commercials.
30:12So,
30:13that's the only reference to my work.
30:16And then,
30:16my movie also worked.
30:18Plus,
30:19I was very active on TikTok.
30:21I was always looking at social media.
30:24So,
30:24I came through offers.
30:26There are some things.
30:28I'm saying,
30:30I'm trying to come through
30:30you're if you're new.
30:32You know,
30:34we discriminate in protocols
30:36and we're discriminating on.
30:38But,
30:38it's fair enough.
30:40You say,
30:41as an actress,
30:42you know how to prove good things to happen.
30:45You get better.
30:45When we hear,
30:46you get a moment,
30:48you don't have opportunities,
30:50you don't have so much
30:52like the industry or such,
30:54you don't have such a welcoming.
30:56I do a lot of conversation because many actors come and say that we don't have any problems
31:02and we have a very easy job.
31:03So I'm trying to understand why this happens and why this happens?
31:08I think that when I started my work, I didn't really rely on any work.
31:16If I had an audition, there was hope that was necessary.
31:19But again, voiceover, dance, everything was going on.
31:24So I was very sordid in this situation.
31:27That I didn't get this, I didn't get this, I didn't have anything.
31:30So it happens that when you get rejection,
31:33the person gets motivated.
31:36Now I've been rejected, I've been rejected,
31:38I've been rejected, I've been rejected,
31:39I've been rejected, I've been rejected,
31:40I've been rejected.
31:41I've also made a project with me,
31:44and when I was shooting, I told you to replace you.
31:48Because you didn't look like a hero,
31:49I didn't look like a hero.
31:52I told you to remember that.
31:54You remember that one day before?
31:55Yes, exactly.
31:56So I felt bad that you remember that one day before,
32:01because it doesn't have a process of casting.
32:03Exactly.
32:04I felt bad, but it was just the fact that you did my time.
32:08I had so much hope that I could offer another project.
32:10I had to invest somewhere else in that time.
32:13So that would remain.
32:15Mentally prepared.
32:15Mentally prepared.
32:18That would be bad.
32:20But I didn't think that my worth is less.
32:22I wouldn't get a job.
32:24Or I would be rejected.
32:27Or I would be rejected.
32:29Or I would be finished.
32:30So that demotivation is very difficult,
32:35and it keeps you in your life.
32:44Especially when I quit the background dancing,
32:47I had to quit acting.
32:50So I joined agencies,
32:52and I had a commercial for 6-7 months.
32:54So the struggle of the two years,
32:56is that I will get something or not.
32:59But when I got to get it,
33:01I realized that you have confidence in yourself.
33:19You have to stick around.
33:23Yeah.
33:24You have to stick around.
33:35You have to stick around.
33:36You are going to listen to my other videos.
33:38And my agent started to send you out.
33:40To your audience,
33:41What do you do today's party and I want to do today's attention?
33:44And you will get attention to what you've got.
33:46I should do today's attention.
33:48Today's attention.
33:48It's fine.
33:48We've watched anything on ad.
33:50Then we've started off.
33:51If you've contacted us,
33:53then we can't realize that.
33:55Or if you're involved in the room.
33:56Or if you're involved in the room.
33:57Or if anyone came together with actors.
34:00Then we came together in the room.
34:02But today's social media, what is the problem of everyone knows that if you work for a channel,
34:08there are 2-3 production houses, you can go and audition.
34:11You can post the production houses that we are taking the audition for someone else,
34:17you are taking the same place in the same time and you give the audition.
34:20So you don't have to do much of this work.
34:23You don't need to know for audition.
34:26You make your content, you post it on your social media and you call it direct.
34:31You don't have to do much of this work, so you don't have to do much of this work.
34:35You have told me that you started your life with AR-V.
34:42You started your first film and acting with AR-V.
34:47You have to consider it a reality show.
34:50You have to consider it or you have to consider it.
34:55I am also looking for a person, I am very shocked.
34:59If you have an offer, you will go to your offer or not?
35:02If I am tired, then I will go.
35:05This is a good game for you.
35:07If I am tired, then I will go.
35:09I am tired, so that if you don't have any work, then I will go.
35:13It is a very nice show.
35:14I also saw it in the last season.
35:19But the thing is that it is a very prolonged 2-3 months.
35:23It is a kind of a relationship.
35:24I cannot do that commitment or not.
35:27I don't know.
35:27I feel like people who go to Tamaasha have a lot of guts.
35:32They are very proud.
35:35Do you want to accept the challenge like this?
35:36Do you want to accept the challenge like this?
35:39I accept the challenges.
35:42There is no doubt that I accept the challenges.
35:47But...
35:48Some people are confused.
35:49There are so many scrutiny, 24-7 cameras.
35:52I think it depends on the person to person.
35:55If you are right, then...
35:57You will be open to it.
35:58Yes, I will be open to it.
35:59I will say to my team and Tamaasha's team.
36:03Look, this girl is ready for Tamaasha.
36:05I will do 4-5 projects actually.
36:08I am very busy.
36:10No, we will do your dates back.
36:12No, Rehaam, thank you so much.
36:14You have come.
36:15It has been a great fun doing it.
36:17Especially because as a dancer's journey,
36:21I think again...
36:23I felt like that...
36:25There are many young girls who avoid girls.
36:28So there is no scope.
36:29But I am talking to you about it.
36:31There are many girls who are interested in it.
36:35If you want to accept the dance,
36:39what will you do to do?
36:40They will say that you will pursue it.
36:42Or you will say that you will do something else.
36:45No, if they are shocked,
36:47and passionate for any art is very important.
36:53If you are passionate,
36:54I will tell you that people will be demotivated.
36:58And they will feel that they will not be able to do something else.
37:00In this way, we are also in dance.
37:01What is our underground community doing now?
37:04They are doing dance.
37:05They are posting on social media.
37:07They are doing jams.
37:08They are thinking about what will happen and what will happen.
37:10The main stream will not be able to get chance.
37:13But they will not leave their hope or they will not leave their dance.
37:16Because those dancers who are the same,
37:19they will not leave their dance.
37:21If they can leave their dance,
37:22they will not leave their dance.
37:23So if someone wants to do it,
37:25then I think they will definitely do it.
37:27In the world of dance,
37:28who are your favorite role models?
37:31You have learned a lot of role models?
37:33First of all, Michael Jackson is called.
37:35And then in 2016, I learned what is happening in hip-hop and what is happening in my underground community.
37:42There are boys and girls who have learned from them and learned from them.
37:46So I started following them.
37:49It is not that I am an idol,
37:49but I have seen as a friend.
37:52It is also Yaya Vankova.
37:53There is also Matt Sephenina.
37:56There are also many dancers who have taught tutorials that I have taught.
38:01They also followed them.
38:03There are many different art forms.
38:05which I have learned.
38:06I have learned a lot from you,
38:08but I am so bad dancer,
38:11that I don't want to be a bad dancer,
38:13especially with you.
38:14So thank you.
38:16And when you come in the show,
38:18when you come in the show,
38:19I will choose a copy of you,
38:22and I will see you a couple of 2-4 dance moves.
38:24Good luck, Riham.
38:26And when you come in the show,
38:28I hope you will come in the show.
38:31And that note,
38:32that note,
38:33it is time to come in the show.
38:36Inshallah,
38:37next week,
38:37we will see you again.
38:39We will see you again.
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