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A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
BUZZ EPISODE 51 | 6 June 2026 | ARY DIGITAL
Host: Hassan Choudary
Guest: Salman Shahid , Shagufta Ejaz , Qasim Ali Mureed
Watch Buzz every saturday at 9 :00 PM only on ARY Digital!
Watch BUZZ tonight at 09:00 PM only on ARY Digital.
BUZZ EPISODE 51 | 6 June 2026 | ARY DIGITAL
Host: Hassan Choudary
Guest: Salman Shahid , Shagufta Ejaz , Qasim Ali Mureed
Watch Buzz every saturday at 9 :00 PM only on ARY Digital!
Watch BUZZ tonight at 09:00 PM only on ARY Digital.
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FunTranscript
00:05foreign
00:06foreign
00:06foreign
00:07foreign
00:08foreign
00:08My name is Hassan Chaudhry and this is Buzz.
00:11You are watching this location.
00:13This location is Bus Tera Sath Ho set.
00:17Here is the drama shoot which you can see.
00:20You can see the television screens on your TV.
00:22Here is the action.
00:24Today we have to go to this one.
00:26You have seen my interview with Farhan Sahid.
00:29We have to come to this set.
00:32But when we come to this set,
00:34We have to go to this set.
00:38We can see that we will interview them.
00:42This set is also a senior actors.
00:45I will talk to you.
00:48My assumption is that we will try to talk about it.
00:53We will talk about it.
00:54We will talk about it.
00:54We will talk about it.
00:58This set has been a set.
01:00so that we will be able to get rid of it but let's rest assured this set
01:06on the top of this set will be available and you will be able to see that set
01:12will be available. Director Kasim Ali Mureed also will be available. Obviously
01:16he is the captain of the ship. If you will not have set, then who will be set?
01:21So come on, you will see that all of you will be able to see. Follow me.
01:37and now we have a great story.
01:43I will not give any introduction to them.
01:46I will just say this is a very honor and privilege for me.
01:52I'm going to talk with you today,
01:54because I have with me the legendary Salman Shahid.
01:57Sir, Salam Alaykum.
01:58Salam Alaykum.
01:59Sir, how are you?
02:01I am absolutely right.
02:03I am from the West Class.
02:04Sir, on the contrary, what we are seeing is that you are a professional.
02:07Masha'Allah, you are feeling fit-fart.
02:11If you are fit-fart, you can do that.
02:14No, you can't do that.
02:16Sir, Masha'Allah, you have such an illustrious career, if I am not mistaken, since 1975.
02:22Yes.
02:24And again, please correct me if I am wrong.
02:26You are one of those actors that you went to Moscow to study filmmaking.
02:33Yes, absolutely.
02:33Is this the truth, sir?
02:34Yes, yes.
02:35Sir, this is a big deal today.
02:37I went there, I went there.
02:38So, in the 1970s, you were on scholarship.
02:41Yes.
02:42Sir, you started a little journey from there.
02:44I have given the Pakistan National Council of the Arts.
02:46I have given the scholarship to the country.
02:49It was Soviet Russia.
02:52Yes, yes.
02:52It was Soviet Union.
02:54Yes, yes, yes.
02:55So, I said, okay.
02:57This is for me.
02:58This is for me.
02:58Because people are in the United States.
03:01Yes, yes, yes.
03:02I went there.
03:03It was a very nice experience.
03:05I was there for three years.
03:06I did a filmmaking course.
03:12And, sir.
03:14And, sir, in that time, even later on, Russia, Soviet Union, they had a big audience of South Asian content
03:22and cinema.
03:22Because we also heard of stories of Raj Kapoor, even Pakistan.
03:27It will be in Tashkandh.
03:28Yes, yes.
03:29It will be in Tashkandh.
03:30There is a Raj Kapoor street.
03:32Yes, yes.
03:33And, he was in Tashkandh.
03:44Yes, yes.
03:51He was in Russian dub.
03:52He was in Russian.
03:53He was in Russian.
03:53Yes.
03:54And, sir, the Pakistani content is still there?
03:57Yes.
03:57There were two films of Ranggila that people liked Ranggila.
04:02Yes.
04:02Ranggila was my favourite.
04:05So, you have also directed, produced, written and written.
04:11Across all the platforms.
04:13Yes, yes.
04:14If you look back now, how do you, in a few words, would you summarize or define your journey?
04:21It's very easy to say.
04:23A very popular song is English.
04:26In English, Frank Sinatra.
04:29I did it my way.
04:31So, I think I did it my way.
04:34It was a little bit of a difference.
04:36And, after that, it's not special.
04:38Because, probably, everybody really does it.
04:40Their own way.
04:41If you look at the path, the path, the path, the path, the path, the path, the path, the path.
04:50But, sir, some people are followers and some are leaders.
04:53You are more of a leader.
04:55I hope so.
04:56And, I don't mind following.
04:58There is no harm in following.
05:00There are very good things in the world.
05:02There are very good people who can follow the path.
05:05And, I have done it.
05:06Sir, the time that we talked about, we said that it was the golden era of Pakistan television.
05:14And, also, films.
05:16There are so many people who say that it's golden.
05:19It's silver.
05:20It's silver.
05:21It's molten.
05:22It's molten.
05:23But, the fact is that this era is also very good.
05:26I think that it's very good.
05:27I just wanted to ask that.
05:28Now, in 2026.
05:29Look, I've heard that there are so many kinds of things happening now.
05:35I think that there are so many kinds of things happening now.
05:38It's a single channel.
05:39It's a single channel.
05:41There are so many kinds of things happening here.
05:42That's what you can say.
05:43That's what you can say.
05:44That was more of slightly commercial, but mostly public broadcasting.
05:48You can do it.
05:49Because there was no competition.
05:51There are so many ads.
05:54There are so many companies.
05:55There are so many companies.
05:55Now, the marketing department is doing it.
05:58If you want to sell it, you have to sell it.
06:00Whether it's an actor or content, it's something.
06:04Sir, are you happy with the stories that we tell today?
06:09I don't think I am very happy with the stories.
06:12Because, first of all, I think that there are so many non-actors.
06:20It doesn't make you great.
06:23Well, many critics say that when he does not understand anything,
06:28he is going to start to think so.
06:31Our films are written in a special way and exaggerated.
06:35It must not happen.
06:37Just like that, they are going that many stories of the audience,
06:40so let's see.
06:46It's a great team.
06:48a serial one channel, three months,
06:51was played in 13 pages.
06:54If it was a new one,
06:57it would be great, it would be a big hit drama.
07:00It would be 26 pages.
07:02Now the drama started with 50 pages.
07:04I don't know where it would go.
07:07It's different, yes.
07:09Yes, it's not a lot of people.
07:12It's a bit more than it.
07:14But in that it was because it was so small.
07:16It was a lot of work.
07:17You can see, your resources, talent wise,
07:19were very big.
07:21But then it would be all that.
07:24Yes, yes.
07:25It's a serial.
07:26There are better actors.
07:28There are better actors.
07:28There are better writers.
07:31I'm also better director.
07:34So now,
07:36there are 50-50 things going on.
07:38How can you expect that?
07:39There are better levels.
07:41There are many times.
07:42There are better actors and other actors.
07:44There are many times.
07:45There are many movies.
07:46I don't want to take a name.
07:49But my friends,
07:50you know,
07:50and I know,
07:51that there are great things.
07:53And then,
07:54now,
07:54the programs,
07:56like magazine shows,
07:57where did they go from?
07:59Yes.
07:59yes, yes.
07:59Yes, yes.
08:00What are we doing there?
08:02There are still boring.
08:05You know?
08:06That,
08:07that,
08:07that,
08:08that,
08:12that,
08:13that,
08:16that,
08:19that,
08:22that,
08:23The roles that you are getting now.
08:25And now you have mentioned that we have here
08:28that let the audience roll out somehow.
08:30Now the character in your share,
08:32he also made the audience a little emotional.
08:35And today he is only with you.
08:37It's more than that.
08:39It's more than that.
08:40So sir, when you are offered these kinds of characters,
08:44what do you think of?
08:46My think is that,
08:47you know,
08:48he can do much more than what I have done.
08:54So I don't see much of my work.
08:57Because I don't like seeing myself.
08:58Okay.
08:59And I was reading on Facebook,
09:01Star Trek,
09:02very famous Captain Kirk,
09:05William Shatner actor.
09:06He is now around.
09:08He is now 90 years old.
09:10So he says,
09:11he has never seen anything completely.
09:13He hasn't seen Star Trek.
09:15He says,
09:15he doesn't look good.
09:18He doesn't look good.
09:18So I didn't see it.
09:19One,
09:20he saw Star Trek,
09:21I don't know which one.
09:22He also directed it.
09:24Okay.
09:25So he had to see it.
09:26Because the director,
09:26he couldn't avoid it.
09:28Yeah.
09:28So I don't see it.
09:30But I think,
09:32when I'm doing it,
09:33I can do much more.
09:35And I can do much more.
09:37And I can do much more.
09:41But if the demand is that,
09:44you can't absolutely break away from the demand of the script.
09:47Yeah, yeah, yeah.
09:47That's what you can do.
09:48But sir,
09:49legendary actors like you,
09:51don't you sometimes feel that,
09:53because of the stories that we tell,
09:56you are restricted?
09:58And I know that you…
09:59Every actor has that problem.
10:00I have tried,
10:01I have tried to break that.
10:02You have tried?
10:03You have tried?
10:04Because when you do something like this,
10:07and it's not a mistake,
10:08it's a mistake.
10:09It's a mistake.
10:11And I usually have been refusing that.
10:14But,
10:15I don't do that.
10:17It's like the age of the people,
10:18and then the people are like,
10:20they're like,
10:20they're like,
10:21they're like,
10:21they're like,
10:22they're like,
10:24I'm not saying.
10:25But sir,
10:27our audience is,
10:29you would also agree,
10:31especially,
10:32our Pakistani drama,
10:34global audience is,
10:35it's insane.
10:36I mean,
10:36it is insane.
10:38Diaspora,
10:39which has all kinds of,
10:40Hindustani,
10:41Pakistanis,
10:42Bengali,
10:43Sri Lankans,
10:44South Asia.
10:45Sir,
10:46in your assessment,
10:47what has kept them hooked?
10:48Because,
10:48this is always,
10:49our drama.
10:50I mean,
10:52what is your assessment?
10:54Well,
10:54there must be something about our culture,
10:56that,
10:59Pakistanis,
11:00it will be a special,
11:01special thing.
11:03There will be a lot of things.
11:05Some of our actors will love people.
11:07What do you know?
11:08What do you know?
11:08What we are saying,
11:09that we don't like these stories,
11:10that we don't like them,
11:10they love people.
11:12You know?
11:13In particular,
11:14the people who go out,
11:15they want to be more,
11:16connected.
11:18here is a totally,
11:20a special thing.
11:21And that is a special thing,
11:23that we are so happy,
11:24but,
11:25it feels like,
11:26that,
11:27we are remembering the world,
11:29our own,
11:30our own,
11:31our own,
11:31our own.
11:32Sir,
11:32back to Bust Tera Saath Ho,
11:34what can you tell us about,
11:37the journey of your character?
11:37I hope it sticks around,
11:39till the end.
11:40Yes,
11:41I don't know.
11:43I am waiting for my,
11:44because,
11:45every drama in me,
11:46Atmiji's thinking,
11:47that,
12:08I am very happy,
12:14to be working,
12:14with Kasim Marie.
12:15He is,
12:17he is an insightful,
12:18thoughtful,
12:19but,
12:20he looks in,
12:21into detail.
12:22Yeah.
12:23And,
12:24full of energy.
12:25I am amazed.
12:27Full of energy.
12:28And,
12:29that energy,
12:29will probably come in his production.
12:31It will come in,
12:32what we are doing.
12:34Sir,
12:34now that sir,
12:36you are working with all these young actors,
12:38younger generation.
12:39Yes, I mean,
12:40I am working with two,
12:42three generations.
12:43Yes,
12:43two, three generations,
12:44of these young,
12:46very popular,
12:47and also,
12:47very good actors.
12:48Thereafter.
12:49How do you assess their,
12:51their talent?
12:52I think,
12:52some of them are marvelous,
12:53some of them are very good.
12:55I don't remember the name,
12:56but,
12:56I don't remember the name,
12:57I don't remember the name,
12:59but,
12:59I don't remember the name,
13:04they are very good.
13:05Some of them are very good.
13:07Some of them are very good.
13:08You are happy with the talent,
13:09that is coming out?
13:10Yes.
13:11I am very happy.
13:12I am very happy.
13:24And,
13:24I do not remember the name,
13:25I am very happy.
13:26we are not really happy.
13:28I am happy.
13:30I am happy.
13:35They will be blank. They won't know what we are talking about.
13:40They will be blank. They will not know what we are talking about.
13:41They will be working on my own way.
13:43I will go off and all on the screen.
13:47Those who are not working or who are not doing their work,
13:50we will take their names.
13:51Sir, where is this issue?
13:53Yes. We as a nation, we are not good at this.
14:00We are not good at all.
14:02I would like to say that some of our handicrafts have been finished.
14:08Because we have to keep it.
14:10Some of our instruments have been finished.
14:14Our houses,
14:15it was a little wrong.
14:18The houses, the big houses,
14:22they have almost finished.
14:27Classical music,
14:29there is no pop.
14:31Because that is new,
14:32and happening,
14:33and commercially viable.
14:35That is not that.
14:37Could this also be because society at large still views
14:41media and entertainment in a slightly negative light?
14:45And which would be hypocritical?
14:48Yes.
14:48Although there is a lot of difference.
14:49I mean,
14:50when I was in college,
14:51it was 73,
14:5274,
14:53and so on.
14:53When I was in college,
14:54we had to do drama in college,
14:55then our class fellows said,
14:57we didn't have to work in drama.
14:59You are running.
15:01You are running.
15:01You can play on stage.
15:03You can play on stage.
15:03You can play on social media.
15:06You have to do auditions.
15:07You will get so many calls.
15:09And everybody wants to do that.
15:11So the difference is very different.
15:12But sir,
15:13it is hypocritical.
15:14This is completely true.
15:15Because there is opportunity.
15:17Yes.
15:17It will also happen.
15:18If you talk about some cities,
15:20you will talk about some cities,
15:21then that will be the attitude.
15:24Well,
15:25the way the world has developed,
15:26in a moment,
15:27the world has been very different.
15:29But as education has come in,
15:31as culture has grown,
15:34in a particular sense,
15:35these things have been finished.
15:36We have seen it.
15:38And finally,
15:39last question.
15:40How do you view the future
15:42of Pakistan entertainment industry?
15:44Not just television,
15:45but film?
15:46You know,
15:46I think it's good.
15:47But I don't think
15:48that you can build theatre halls
15:52or you will do good dramas.
15:56Or you need a facility.
15:58You need to give a facility.
15:59You need to give a facility.
16:00You need to give a government.
16:01You need to do it.
16:02And private enterprise
16:03people do it.
16:04It's a good thing.
16:06They do.
16:07They help in that.
16:08But eventually,
16:10it is talent.
16:11You have to nurture the talent.
16:13Once it's nurtured
16:14and you have to know exactly
16:15that you have to know exactly
16:16who to back to the world,
16:16who to not.
16:17The people who don't back to the world,
16:19because we are here
16:19is a lot of people.
16:21So when you know
16:22who to back to the world
16:23and who to back to the world,
16:25you will see that
16:25you are doing something
16:26in Punjab,
16:28in the film,
16:29in the film,
16:29that you are doing something
16:31that sometimes
16:32you are backing people,
16:34who to back to the world,
16:35who to back to the world,
16:36no need for the world.
16:37Why are you backing them?
16:38You should be backing somebody
16:39who you suspect is good
16:41but is not getting the finances.
16:43Doesn't have the resources.
16:44Is not getting the opportunity.
16:45Doesn't have the resources.
16:45That you have to back.
16:47That's the way to promote
16:49and nurture talent.
16:50And nurture talent.
16:51And that will grow your industry.
16:55You will build big floors,
16:56studios,
16:57and film city.
16:58You will not just do that.
16:59If there is talent
17:00in the film,
17:01you will not do that.
17:02And secondly,
17:04you have to also do it
17:05as far as TV is being
17:08Because it is commercially viable.
17:10You have to do it.
17:13If you can play the film,
17:16how many people can play it?
17:20How many people can play it?
17:21So you have to bring it down
17:23to the store,
17:24to the store,
17:24to the store,
17:24to the store.
17:25That's where you have to go
17:27to the film city
17:28and go to the city
17:29and go to the cinema houses,
17:30in small towns,
17:31in small towns,
17:32in small towns,
17:32in small towns,
17:32and in small towns.
17:33You will allow it.
17:35So you will see,
17:36a film,
17:36which is flopping,
17:37that will also be sold.
17:39The film will be sold in the city.
17:41Yes.
17:42Sir,
17:44I have no intention of this interview,
17:47but we are pressed for time.
17:49Thank you so much sir.
17:51It's such an honour
17:55Thank you so much.
17:56You are most welcome.
18:11You are most welcome.
18:17So again,
18:18I will only say,
18:19I have with me
18:20the one
18:21and the only
18:22Shek Uftai Jaa sahiva.
18:23Assalamualaikum ma'am.
18:24How are you?
18:27I am a bit nervous
18:29because you are sitting in front of me.
18:30I am a bit nervous
18:31because you are sitting in front of me.
18:31No.
18:32What are you talking about?
18:33No.
18:34I am a bit nervous
18:34because you are sitting in front of me.
18:44I do have to first say,
18:46that it's such an honour.
18:48It's such a privilege.
18:49Not just me.
18:49My entire family
18:50is such huge fans of you.
18:53And if you are sitting in front of me today,
18:54my mother will be very happy today.
18:57She has a lot of salam.
18:58And she has a lot of salam.
18:59All of the families.
19:00And I truly value you.
19:03And I am touched.
19:04Honoured.
19:06Mashallah,
19:06I have such a long career
19:08and still going strong.
19:10What is that one thing
19:12you would say
19:12that keeps you motivated?
19:14In my children.
19:16They also encourage me.
19:19Now,
19:20I started it as a profession.
19:22I mean,
19:23passion and profession
19:24are both.
19:26So,
19:26I think
19:27I am very fortunate
19:27that people
19:28who have a passion
19:30when they have a profession.
19:31Because they have a lot of fun.
19:33Yes.
19:33So,
19:34I was very passionate
19:38that I was very passionate
19:38that I have to do good work
19:40and how to do it better.
19:41how to do it better.
19:42And,
19:43after that,
19:44it was a very long journey.
19:47And,
19:47as I worked in a phase,
19:49when my daughters were younger,
19:54there were no time
19:58at that time,
19:59there was no time
20:00at that time.
20:01There was no time
20:01I was at 9am
20:02and I was at 2am
20:03and I was at 2am
20:04and I was at 2am.
20:05So,
20:05this is a routine.
20:07I was at 3am.
20:07If someone is a person
20:08in the everyday life,
20:10then,
20:10in a certain time,
20:14he would say,
20:14that I am just.
20:16But,
20:16because I had a passion
20:17and I think it was my children.
20:21And,
20:21there is so much
20:22about my profession
20:24that I can tell
20:25that that is the reason
20:27why I am still in the industry
20:29and I want to continue being in it.
20:33That's why
20:33the other thing is
20:34that
20:35we have such power
20:36in our hands
20:38that
20:38we
20:39hear our voices
20:41throughout the drama,
20:44script selection,
20:46character selection.
20:48My
20:49is that
20:50if a character is negative,
20:55there is a need to be
20:57so that people get to learn something
20:59from it.
21:00And,
21:02this side
21:03I did not know
21:03about my work
21:04until I did not do it.
21:06And,
21:06in that particular
21:08segment,
21:09in which,
21:12after marriage,
21:14she comes to her mother's house
21:15and her family's behavior
21:17changed.
21:19And,
21:19they start taking her
21:20as a burden.
21:22And,
21:22that girl
21:23who had eyes
21:24before marriage
21:24and cold
21:28was
21:28when
21:29she came back
21:30to her home,
21:32it became a burden.
21:33I thought
21:34that
21:34this is a strong platform
21:36where
21:36you can reach people
21:39and make it
21:39and make it
21:39more.
21:41So,
21:41Janglus was the first time
21:42that she had a face camera?
21:43Janglus was my first appearance
21:44and,
21:45she had a bad luck
21:47that she ended up
21:48after three episodes.
21:49Yes.
21:50Because,
21:50the novel
21:51of her two parts
21:52was played.
21:53Part one
21:54was played.
21:56And,
21:57part two
21:57was the heroine
21:58who had 18 episodes.
22:01And,
22:01after three episodes
22:02ended.
22:03So,
22:04after two years,
22:05I had done a
22:05hunch.
22:07You were,
22:08Mashallah,
22:09such a household name.
22:11Because,
22:12everybody says
22:13that it was only one channel.
22:14But,
22:14in one channel,
22:15a household name
22:16has become such a success,
22:19such a popularity.
22:20Cut to now.
22:21How do you see that shift?
22:23Because,
22:24people are watching one channel
22:25and the actor
22:27and the talent
22:27had the recognition
22:29of it.
22:30Do you think
22:32that things have deteriorated
22:33or have they become better?
22:35Very tough question.
22:37You were the right person
22:39to ask this question.
22:42I mean,
22:43there are many things
22:44like,
22:46if you look at the financial side,
22:49it is better now.
22:51Yeah.
22:52If you look at the professional side,
22:57it was better then.
22:59Things were better,
23:01organized,
23:01it was nice.
23:02It was a house
23:03in the studios.
23:04And,
23:04it was a great job.
23:06But also,
23:07ma'am,
23:07the question
23:08that I was going to ask,
23:09I was explaining,
23:10perhaps,
23:11the recognition then
23:13meant a lot more
23:14than what it means today.
23:15Of course.
23:16The popularity or the…
23:17Prime time,
23:18one play,
23:198 o'clock,
23:20which the whole Pakistan
23:21has seen,
23:22whether it's in the mountains,
23:23whether it's in the towns,
23:24whether it's in the towns,
23:25whether it's in the towns,
23:26whether it's in the towns,
23:26the
23:27population,
23:27and the population.
23:27And its value also
23:28was more of its recognition.
23:30You can imagine
23:32that some drama is going
23:34and the bazaar is closed.
23:36We saw that time.
23:38I mean,
23:39I didn't know that.
23:41I was alone
23:41to the shop.
23:42He told me,
23:43it's only the shop.
23:44The time is 9 o'clock.
23:45No,
23:46it's the time.
23:46I'm not alone.
23:48And I'm…
23:49Because at that time,
23:50you've become a dead body,
23:52you've become a dead body.
23:54So,
23:55it's a very difficult question.
23:57But I think,
23:58now,
23:59to prove your talent,
24:01to explore your talent,
24:05you have more opportunities.
24:06you have.
24:07But do you also think,
24:09that the kind of stories we tell,
24:11that our senior,
24:14who have so much
24:16body of work,
24:17so much talent and skill,
24:19we're not able to do justice
24:20to their stature.
24:24But the talent and the skill that they have,
24:26we can do justice today's stories?
24:29With them or their characters?
24:32With them.
24:33With them.
24:33With them.
24:34With them.
24:34With them.
24:38Do they do justice to the skill set that you have?
24:43Yes.
24:44To an extent.
24:44Because,
24:47where there was a drama in the four months,
24:50there were 40 dramas in the four months.
24:52So, if you look at that,
24:54in that ratio,
24:57you have such opportunities.
24:59Because,
25:00eventually,
25:00character selection is your own.
25:02Yes.
25:02If you have something to choose from,
25:07so,
25:07you choose such a thing,
25:09in which you have to prove
25:10that you are not just a statue,
25:13or a filler,
25:14you are not just a statue,
25:16So,
25:17I have a lot of scripts.
25:18So,
25:19I say,
25:19I don't have anything to do.
25:20So,
25:21that's a shame.
25:23Because,
25:23people call so much love,
25:25and offer so much.
25:27So,
25:28yes.
25:28Because,
25:28a lot of work has increased,
25:29so,
25:29your responsibility has increased,
25:31that you have to choose such things,
25:33in which you have to do something.
25:36So,
25:36yes.
25:37Now,
25:38on to,
25:3813 o'clock.
25:39A question,
25:40that is,
25:41where are the people from my mind?
25:43Where are the people from the night?
25:44Who are the people from the city?
25:46Who are the people from the city?
25:47Who are the people from the city?
25:48Who are the people from the city?
25:48That,
25:49they are sleeping and wake up,
25:50and they are at home.
25:51I didn't know that they are in Dubai.
25:53Dubai?
25:54Okay.
25:55That makes sense.
25:56Dubai.
25:58And,
25:58there were a lot of things,
25:59which were not justified,
26:01but,
26:01now,
26:01the question of the people's minds,
26:03because,
26:04the attachment to Anas,
26:07will be completely justified.
26:09Why is it?
26:10And,
26:10why is it?
26:11So,
26:11when people see the drama,
26:14they can't miss anything.
26:16Yes.
26:16that's a question.
26:17People asked,
26:18okay,
26:18Pupo's husband told me,
26:20my daughter.
26:21But,
26:21Pupo didn't put up a strong fight.
26:23Maybe,
26:24they told me,
26:24they were both brothers and sisters.
26:26That's right.
26:27That's right.
26:29That's right.
26:30That's right.
26:31That's right.
26:31So,
26:32eventually,
26:32this is a Pakistani,
26:33and our family's daughter.
26:35So,
26:37when they gave the reason,
26:39that they don't want to make brothers,
26:40they are brothers.
26:42So,
26:44I'm sure,
26:45that many people have said,
26:46that this is true.
26:47Because,
26:47that's true.
26:48Yes.
26:49I was divided.
26:50When I heard,
26:51I said,
26:51actually,
26:52he's not doing the wrong thing.
26:54But,
26:54the question is,
26:55here was also a sister,
26:57who was a cousin,
26:58who was a husband,
26:59who was a whole marriage,
27:00and then started a conversation.
27:03when his husband talked about it.
27:05So,
27:06if he was giving the option to his husband,
27:09then,
27:10that means,
27:11that he has so much trust,
27:13that he has so much trust,
27:14that he has so much trust,
27:18that he has so much trust,
27:20that he has so much trust,
27:28that he has so much trust.
27:30So,
27:31I've been hearing a lot,
27:32from the team,
27:33that he has so much trust,
27:34that he has so much trust,
27:37that he has so much trust,
27:38that he has so much trust,
27:39that he has so much trust,
27:39Not what the audience is thinking.
27:41So,
27:41without giving anything away,
27:43what can you add in this moment?
27:45Just,
27:47where the episode is finished,
27:49and the second episode is finished,
27:52where you have to wait for 5 days,
27:55that will be difficult to wait for 5 days,
27:56that will be difficult to wait for 5 days.
27:58I will tell you,
28:00that my daughter,
28:02they say,
28:03that we can't watch so long dramas,
28:05they are used to watch 8 episodes,
28:06they are used to watch shows,
28:08so they say,
28:09that if she has started one time,
28:11then that will happen,
28:11and that will happen.
28:12So,
28:12they started one or two dramas,
28:13but,
28:14there is no interest,
28:15that will happen.
28:17So,
28:18I have shown her two episodes,
28:19then to my other daughter,
28:20who is in the UK,
28:21she has a baby,
28:23she asks me,
28:24she asks me,
28:25tell me what will happen,
28:26please,
28:26I can't wait for 5 days,
28:28tell me what will happen.
28:29I said,
28:29when I don't tell my mother,
28:31why will I tell you?
28:32She said,
28:33because I am a daughter.
28:34I said,
28:35no,
28:35I will tell you.
28:36She watched the drama,
28:37it was fun.
28:39She said,
28:40I will wait for it,
28:41and when it will be finished,
28:43I said,
28:43then you will really have to wait long,
28:46because it will be very long.
28:48So,
28:50this is a very happy thing,
28:52that the children,
28:53and the children,
28:54who don't approve this,
28:56that it will be so long,
28:58that it will be so long,
28:58that it will be so long,
28:59that there is no time.
29:00So,
29:01they are following her,
29:02and they are not waiting for her.
29:04And then,
29:05you see,
29:05the first episode is usually an introduction,
29:08to the characters,
29:09and the situation.
29:10In the first episode,
29:11you know,
29:12yes,
29:12and usually,
29:13it is not gripping.
29:14But,
29:14it is not happening.
29:15But,
29:16it is not happening after the episode,
29:18that it has picked up,
29:20and the first episode,
29:21it was revealed so much,
29:22in the first episode.
29:23It did indeed.
29:24Ma'am,
29:25thank you so much.
29:26I am telling you all,
29:27that,
29:27you have a little time,
29:28I will tell you,
29:29that,
29:30I am standing with you,
29:31and I am not wanting this conversation,
29:34and I am telling you,
29:34that,
29:35you are not coming to our set,
29:37and there are no holes,
29:38that we can do a conversation,
29:40but,
29:40because,
29:41we are on the set,
29:42and they are telling you,
29:43and you are probably going to the seat,
29:44and you might not go to the seat,
29:45but,
29:46thank you so much,
29:46ma'am.
29:47It's such a pleasure.
29:48I hope,
29:49inshallah,
29:50we will have a long time to sit,
29:50and have a long time,
29:52and a long time,
29:52a long time.
29:52Done.
29:54My pleasure.
30:06I have with me,
30:07the very handsome,
30:08the very good looking,
30:09and also a very very fine director Qasim Ali Mureed.
30:13Assalamualaikum sir, how are you?
30:14Yes, Assalamualaikum.
30:16First of all, what have you done so much? Thank you so much sir.
30:19I would like to add a little bit with your pleasure.
30:22Mashallah, how long they are, how big they are.
30:26I have to say, on camera, I have only one phone call.
30:30I said, my brother, I want you to come to the set.
30:33They have opened their hands and said anytime.
30:36This is a few times.
30:37So I got your day from time before the start is one thing.
30:42My home's journey.
30:43My home's journey part two.
30:45My home's journey sequel.
30:47Now this is what is the story of my home's journey?
30:50This is what you can find,
30:51My home's journey.
30:56Which happened?
30:58They were the initial episodes of the initial.
31:03Overall of all we can find many songs when we watch them.
31:06stories from each other, the color of the world is also in harmony and melodies.
31:16So most of the stories are the same, how you tell the stories is very important.
31:20Was it a conscious effort that we have created in the realm of the universe or in the universe?
31:25Or because they are adakar, one is a adakar too, sorry to your name, one is a adakar too.
31:33The other thing is that there is a script of the famous Sairah Raza,
31:40and I'm doing direct, then I'm doing it.
31:43And at the initial stage, we wanted to be a similar cast.
31:47But of course, the television stories are at such a level,
31:54that it is difficult to create the sequel.
31:57It is difficult to create the sequel.
31:58If you have 10-15 years later, 20 years later,
32:04you can take your children to work with your children,
32:06then it will be a different story.
32:27So I've been hearing a lot, that this is not a story.
32:31It's not a story.
32:32It's not a story.
32:33It's not a story.
32:33It's a story.
32:34I don't want to know you.
32:35But what is the story?
32:37What is the story that you have seen?
32:38It's not a story.
32:39Why did you see it?
32:40It's not a story.
32:42It's not a story.
32:43If there is no wow factor,
32:44then what does it affect you?
32:46You expect something else.
32:48And then you will kill it.
32:52Let's say this way.
32:54How many episodes will be explained?
32:56In some episodes,
32:58some of the things will change.
32:59With the speed.
33:00With the speed.
33:00With the speed.
33:01Some of the situations will be remembered.
33:07Because you can say that this is an extension.
33:11My own journey?
33:12Yes.
33:12My own journey is an extension.
33:13I can say that this is an extension.
33:14Because you will see a lot of different things.
33:16You will see similarities in other situations.
33:19Yes.
33:19But,
33:20these situations will be better to rewrite.
33:23And better to explain it.
33:26Was it intentional casting?
33:29Was it intentional?
33:29Or was it originally thought of Haniyah?
33:32Or was it not?
33:33What was it?
33:33Because the sound of your projects are not coming from you.
33:35Absolutely.
33:36There were Haniyahs.
33:38There were Haniyahs.
33:39There were people who were simultaneously.
33:41And there were two conversations.
33:44But we had a certain timeline.
33:46In which we had to achieve it.
33:47And I couldn't shift the drama further.
33:52And I always say that.
33:54As you know,
33:55It's written in the food.
33:56The food.
33:58The food.
33:58The food.
33:59The food.
33:59The food.
34:00The food.
34:00The food.
34:01The food.
34:02The food.
34:02The food.
34:03The food.
34:04The food.
34:05The food.
34:06And the food.
34:07The food.
34:08consistent.
34:09The food.
34:23The food was queen.
34:30no one was looking too bad
34:32yes I am super happy
34:34I am happy that you have to look like this
34:35and that was your surprise and the great fire
34:40that was a good thing to see
34:42they are complimenting each other
34:44no, that would be a great,
34:47and we will move on to a lot of things
34:49do you have made this film?
34:51Yes sir
34:51what am I doing now?
34:53I am going to come in the next one
34:55because now we are going to do so much
34:59I think there is a lot of good scripts in my opinion.
35:07I think there is a lot of good scripts.
35:08After creating a teach button, there were two types of projects.
35:10There were a lot of films that I said later,
35:14because now I am not interested in teaching a teach button.
35:20Pakistan had a serious cinema.
35:23I would like to tell those stories which actually belong to this land.
35:27These are actually our stories.
35:29If you have seen the past time,
35:31most of the time, we are trying to tell those stories.
35:36People say how many, 2% exist or 5% exist.
35:41So it is a little daring to tell our stories.
35:45We are interested in telling the stories of other woods.
35:48We are interested in telling the stories of other woods.
35:50I think that we are not our stories.
35:52But because we are telling the stories of our dramas,
35:57so when we come to film,
35:59we have to borrow from other woods.
36:01But you think,
36:02like Pakistan had a history of a film editor,
36:05so we have seen a lot of it.
36:07Maybe I will talk about it earlier.
36:09You are also a big part of it.
36:10The human being,
36:13the human being,
36:14the human being,
36:16the human being,
36:17the human being,
36:17the human being,
36:17the human being,
36:19So if you talk about fiction,
36:20then fiction is more in Pakistan than the first time.
36:23The human being is more in Pakistan than the other people.
36:25So today is contemporary,
36:26and today is more of a good stories.
36:29And the diversity of society,
36:31the click away,
36:32and the human being,
36:33everything is more in the world.
36:34So if people want to bring in cinema,
36:36then we should make good stories
36:38and very good stories.
36:40And if you think,
36:41the scope is a little limited to it.
36:44We are growing,
36:46the parents are growing,
36:47fancy and different.
36:49But at the end of the day,
36:50most dramas are being made.
36:52The drama is also being made,
36:53when we are out of the house,
36:55but a story of a house,
36:56a story of a family,
36:57is more shows.
36:59There are all experiments on the TV.
37:02You can see it from our audience.
37:06So,
37:07people have tried to be a little different story.
37:11So,
37:11I think it's so much appreciated.
37:13And then,
37:14the people of the TV
37:15who work for 120 days,
37:19we also have to take the TV
37:20who are more passionate for the TV.
37:23There are a lot of people
37:24who are going to sit for 70 days
37:26and sit for some people
37:26and sit for some people.
37:28What are we going to do?
37:30It's a great thing
37:30when people go to the outdoors
37:32and do so much work.
37:33But,
37:33I think,
37:35the outdoors
37:36and the interior
37:37are cheating in Islamabad.
37:39So,
37:40the things are changing.
37:42The TV is growing.
37:44Alhamdulillah,
37:45the audience
37:46and the international eye ball
37:48is watching us.
37:49It's more,
37:50it's more responsibility.
37:53So,
37:54it's better.
37:55Alhamdulillah,
37:56I'm an optimist.
37:57I'm an optimist.
37:57I'm a positive side.
37:59Thank you so much,
38:00Qasim.
38:01Thank you for your time.
38:02And,
38:03you know,
38:04you've got a lot of time.
38:04And,
38:05you've got a lot of time.
38:07as I said,
38:08you have a lot of time.
38:09And,
38:10you've got a lot of love.
38:11You've got a lot of love.
38:12You've got a lot of love.
38:13You've got a lot of love.
38:13I've got a lot of love.
38:15As you've got a lot of love.
38:16on that note,
38:16just follow you,
38:17that in the set,
38:18we've got a special episode.
38:20I'll come to conclude.
38:21Inshallah,
38:22next week,
38:22we'll come to you.
38:23Until then,
38:24we'll see you.
38:24I will be happy to see you in the future.
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