Omer Shahzad & Aiza Awan bring charm, stories & unfiltered conversations to the BUZZ !
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Host: Hassan Choudary
Guest: Omer Shahzad & Aiza Awan
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➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #BehindTheScenes #SaturdayVibes #arydigital
Hit the subscribe button for more celebrity interviews!
#Buzz #BuzzWithARY #hassanchoudary #madawa
Host: Hassan Choudary
Guest: Omer Shahzad & Aiza Awan
Watch more
➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #BehindTheScenes #SaturdayVibes #arydigital
Category
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Short filmTranscript
00:08My name is Hassan Chaudhary and this is Buz
00:14Buz کی a lot of buzz-ed-ar episode with you in your service
00:19I apologize for my voice
00:21You know that the weather is a little bit changed
00:23That's why my voice is a little bit changed
00:26I will request you on that note
00:29That you can have a lot of ideas
00:31Your immunity will build your immunity
00:33Good things to eat
00:34Healthy things to eat
00:36So if you have a bad voice, then you can have a good job
00:40And this is why God all will all be safe and safe and safe
00:44Today show starts with us
00:46Biriyani about today I don't have a lot of stuff
00:49Because I feel like my complaints are repetitive
00:53I have a week to go and get a little bit
00:58that the biryani is eating, so I will only request a single week
01:02that the biryani team has come to the time
01:06that you can put this biryani on the house, keep this biryani on the ground
01:11and keep this biryani on the ground, because now the drama is going to replace it
01:19has also come to the teaser and of course I am talking about Kaffeele
01:31Tearri beerukhi thi, tearri adha, meri saad gaethi, meri sazaa
01:44Mujhe umr bhar na pata chala
01:50Tere dil me koji jaga na ni
01:56Mere umr nashin
02:00Mere mehra maan
02:04Kafeel me aap loog dekhenge of course Imaad Irfani ko or Sanam Saeed ko
02:09Pahli baar on screen together
02:11It looks very interesting
02:13And this drama is a lot of waiting for me
02:17Because it is written by Umaira Ahmed
02:20And it is directed by Meisam Naqvi
02:22Meisam Naqvi had directed by Meisam Naqvi
02:25Which you also loved and critics also acknowledged
02:28It emerged as a big hit
02:31So Imaad has a lot of hope with this drama
02:33Imaad ko of course on screen on the last one
02:35Imaad ko of course on screen
02:36Imaad ko of course on screen
02:37Imaad ko of course on screen
02:39Imaad ko of course on screen
02:43Imaad ko of course on screen
02:44We are also on screen
02:45And to me with this
02:50Imaad ko of course on screen
03:12you've got a lot of notes and you can see the cast on the buzz
03:17where we talk about the drama that we have replaced the drama
03:21it's like how can we see the drama that we watch the drama
03:24that we don't have to talk about it
03:27it's one drama that we are consistently delivering
03:31strong storytelling, strong direction, excellent performances
03:35all the actors
03:36I always recommend this week again
03:39I will not have to describe the drama that I will not have to do
03:41you've got Harim, you've got Afan, you've got Hira
03:44not just in these actors but in the extended support cast
03:49all the actors have done so much work
03:54you've got past relationships, you've got your life
03:57you've got your life
04:00why are you here?
04:02I want to see you in a technique
04:06my mother told me a sentence
04:09I feel like I've made a better decision.
04:13He'll be happy.
04:14I'll remind myself that everything will be forgotten.
04:22What happened to this season?
04:23You have to look at it.
04:26I don't want to see the house.
04:27I'll tell you what happened to this house.
04:29You will be able to meet me.
04:32I wasn't like this.
04:35God made me.
04:37my God has made me, it is my God.
04:39the blood has been made.
04:42This is my life too.
04:43Again, this is a mixed feedback here.
04:46But I like this, as well as I had the conversation on toxic characters,
04:54such directors, such directors, which actions are wrong,
04:57such directors, which do normalize society,
05:02that they are tripping.
05:03and some people think that they should be highlighted in the way that they should be highlighted.
05:10What do you think about this?
05:11In the comment section, tell me.
05:13In the coming days, I will tell you.
05:15We will go to some drama sets.
05:18There are some films coming from A.R.Y. in the coming days.
05:22We will also tell you.
05:23Now we have a feedback from you.
05:25We have a lot of people who are in the season 5.
05:29We want to talk about details.
05:31So, in the coming days, we have a lot of exciting content for you.
05:36So, you don't have to go anywhere.
05:37And now you don't have to go anywhere.
05:39Because now, the time for today's guest.
05:42This week, a new drama started.
05:44The name is Madawa.
05:46The two lead stars have joined us today.
05:48The two good looking and talented.
05:51When they come to the screen, you will appreciate your work.
05:54Ladies and gentlemen.
05:55I'm Omar Shazade and Iza Awan.
05:59Hello, I'm Omar.
06:01How are you?
06:03How are you?
06:04How are you?
06:04Please have a seat.
06:05How are you?
06:06You both are good.
06:07So good to see you.
06:09Same.
06:10Same.
06:11Same.
06:13We have all made jackets.
06:14Absolutely.
06:15I apologize in advance if you don't reach my voice.
06:20No, no.
06:21Your voice is very good.
06:22Your voice is coming.
06:22It's coming.
06:23It's coming.
06:23It's coming.
06:25It's coming.
06:26It's coming.
06:27How are you doing?
06:29Thank you very much.
06:30I'm watching you.
06:33MashaAllah.
06:33You've come to four episodes.
06:35Five.
06:36Five.
06:37You've got to find myCT.
06:38Your ending name is Noor.
06:40Yes.
06:40You're looking for a friend.
06:43You're also looking for a lot.
06:44You're looking for a lot.
06:47You're looking for a doctor.
06:50You're looking for a big doctor.
06:51You're looking for a large girl.
07:03She said to her mother that I will not get married with her mother.
07:06She will get married.
07:07You are left with no option.
07:09Your father is coming to your hands.
07:12My husband is in your hands.
07:15You have to marry this.
07:16When you get married,
07:19you start to make a home in their hearts.
07:23You are very annoyed.
07:25You don't change your mind.
07:27You stay there.
07:28and you say that it's like this and you say that it's like the name of Naveira
07:34but you start to become a romance
07:36You can interview all the stories of the drama and all the stories you know
07:42No, but this is so interesting. Accidental marriage in our drama
07:46is a very true trope or subject that people always like this
07:54It's like that.
07:55It's like that.
07:55Now tell me what I've told you.
07:58But you've already told 5 episodes of the story.
08:02But there's a lot more.
08:04There's a lot more.
08:05But the characters you've told are registered in the teasers.
08:09It's not such a badmarsh type.
08:12Yeah, it's not so badmarsh.
08:14But not badmarsh.
08:15It's not badmarsh actually.
08:16It's so badmarsh.
08:17It's so badmarsh.
08:20It's not badmarsh.
08:20It's not badmarsh.
08:24It's not badmarsh.
08:26It's not badmarsh.
08:30It's not badmarsh.
08:30It's not badmarsh.
08:32It's badmarsh.
08:32It's not badmarsh.
08:35It's all about Aliyan's character.
08:41And Aida, is your character like this?
08:43I will be like this.
08:46But it's just like Dr. Banjay's drama.
08:47I will tell you what I will tell you.
08:49I will tell you what you will see.
08:51Okay.
08:51This is a major point.
08:54It's a major point.
08:55Dr. Banjay.
08:56Noor is a very positive girl.
08:59But it's not badmarsh.
09:01Whatever happens with her, she will say.
09:04Okay.
09:05You're not your character.
09:07No.
09:07No.
09:08It's not badmarsh.
09:08It's not badmarsh.
09:11She is a person.
09:11She also asked her.
09:13In the last episode, she asked her,
09:15what would you do?
09:16She said,
09:17I accept this thing.
09:19And I will be happy to be with God.
09:20If God has written it for me,
09:23then it's true.
09:24But after that,
09:25there are many other things,
09:27which will be known as Noor.
09:28So, this is what happens to be married.
09:30It's what happens to be married in the family.
09:32And when there are such issues,
09:34there are such issues.
09:36There are such issues.
09:36And there are such issues.
09:37So, this is a family.
09:39This is what happens to be in the family.
09:53There are such issues.
09:57It's a family.
09:57And it's a family.
09:58It's not just that you talk about the character.
10:02It's how it's saying.
10:03How much is it, how much is it.
10:07It's not just that you talk about the character.
10:07How much is it.
10:10How much is it.
10:10I think that you evaluate that character from last project.
10:15It's a little different.
10:16And that is it.
10:18From the last project that I have done,
10:20it was a different.
10:21I was doing this opposite to Aliyan's character.
10:25So, I feel like I was studying this.
10:26And when I was studying, I was studying it.
10:29I was thinking about this, which is a margin.
10:33It's a normal life.
10:36You talk about this way.
10:38You have given the answer to your mother.
10:40And it's not serious.
10:42It's not serious.
10:42It's not serious.
10:43So, I thought I should do this script.
10:48And Aiza, what are your factors?
10:51I'll tell you how many different scripts come to you.
10:55Or how many different characters will be offered to me.
10:59You know, if you want to do a good job,
11:02then you will offer more than that.
11:06I think that if a script comes to me,
11:09I can see who is the director.
11:11Who is the cast in the cast.
11:13And I don't have a character who is a very sad character.
11:16Because when I do it, I will always go into depression.
11:19I've seen you like this.
11:21You are also going to go into depression.
11:23Not only yourself.
11:24So, it's just that in a different story,
11:28it won't be a lot of regret.
11:30And there will be a good message for people.
11:32Okay.
11:33Madawa's premise is that it's all about an accidental marriage.
11:39Two people who did not want to get married,
11:41they ended up getting married.
11:42And now, this is the story.
11:44And typically, we have seen that,
11:46especially when a Pakistani drama is on this subject,
11:50the audience gets engaged.
11:52And it seems like it's a short-shot winning formula.
11:56Because the audience says,
11:58how will they get married?
12:00How will they get married?
12:00How will their romance will build up?
12:02The whole journey of the couple,
12:03the audience relates to it and then progresses.
12:08So, when you have a script offered,
12:11you think that this subject is a trope.
12:15This is a short-shot success guarantee.
12:19So, we can do it.
12:21How do we think about it?
12:23What was that?
12:23The subject of this drama is a little different.
12:28It's a slightly different.
12:29That it's a little different.
12:30That it's a little different.
12:31We can do it in our brotherhood,
12:33and we can do it in our family.
12:35We can do it in our own books.
12:36But it's still a good idea.
12:42We can do it in our own way.
12:47So, you can see it in our audience. So, there were some kind of things in this drama.
12:54And like Aiza said, how many different stories you can see in different ways.
13:00Somehow, you can stand there. If there are two girls, one girl, you know, a love triangle or something.
13:08So, what character you are doing is you can make different.
13:11So, you can also make different. How much input will you be able to do with your team and your
13:16director.
13:17So, I feel like we have made different scenes and characters.
13:24So, Aiza, why do you connect with the audience with stories?
13:29They are a couple of couples and they have friction.
13:32Then they have romance. So, why do you enjoy it?
13:35I really like to see the audience romance.
13:36So, fans really like to see the fans.
13:38They don't want to see the cry and cry.
13:41They want to see that they have married.
13:44So, how will it be done? How will it be done? How will it be done?
13:47So, the audience feels good to see the stories.
13:49And I will tell you, the story of this drama.
13:53I was telling you in the show,
13:55that it is our own family.
13:58We don't have married.
14:00So, when I read this script, I thought,
14:02Oh, this is our own family story.
14:06So, it is good.
14:08I will do it.
14:08If I talk about my family,
14:10then the first preference is not in the family.
14:13But there is no restrictions.
14:16We can not like anyone outside.
14:18We can not be able to find anyone outside.
14:19But first, it is very easy.
14:21Next door.
14:23We can do it.
14:23We can do it.
14:25But, mashallah, on that note,
14:26I want to congratulate you on camera as well.
14:28Your baby was married.
14:30Isha, you gave me a birthday?
14:31I haven't invited you.
14:32So, you are going to be a Salami day.
14:34What is Salami?
14:35This is a great thing to tell me.
14:37What is Salami?
14:38Look at that.
14:39How are you doing that?
14:40I don't know Salami.
14:41You are a good actress.
14:43No, Salami.
14:44No, Salami.
14:44I didn't call this for you.
14:45No, I didn't call this for you.
14:46No, I didn't call this for you.
14:53No, Salami.
14:53Everything is myself.
14:54I have missed out all the people.
14:56I have not known many people.
14:58I don't know.
14:59I have to know myself.
14:59But, I am sorry.
15:01No, I am sorry.
15:02You were able to invite them?
15:03You were able to invite them, right?
15:03As you can see,
15:05the actors do so much work,
15:07they are feeling like,
15:09that they have to be really a girl.
15:12Is it you are not shooting yet?
15:14Yeah, I am sure.
15:15That explains it.
15:17That explains it.
15:18That explains it.
15:18Yeah, it's a lot of our stories.
15:21I'm seeing it.
15:22It's a lot.
15:23It's a lot of stories.
15:24So, is it a lot of characters or is it a lot of your off-screen bonding?
15:29It's like that.
15:30It's like that.
15:31I think that I really enjoyed working with this.
15:34It's a wonderful time.
15:35I feel like a co-actor is a good actor.
15:40So, you'll have a bond, a vibe.
15:44Because our work was so much together.
15:46And we're doing it right now.
15:48So, I think it's very important.
15:50Aiza, what do you think about a co-actor?
15:53I'll tell you.
15:54My wife doesn't match my wife.
15:56Then, it doesn't happen.
15:58And I don't talk to everyone.
16:01I don't talk to everyone.
16:02But with my experience with Umar,
16:05I don't need to do much more.
16:09It's a lot of work.
16:11It's very easy to work with.
16:13And...
16:14Patience level has increased.
16:15It's very, very, very.
16:16I can say that we've seen them in Tamasha.
16:19How many days?
16:2050 days.
16:23We've seen all of them in Pakistan.
16:2552 days.
16:2552 days.
16:27This is a patience machine.
16:29I can't go.
16:30You can't go.
16:32We've planned you next year in season 5.
16:35Okay.
16:36If you go to Tamasha,
16:37then,
16:38will it survive until the end?
16:41After three days,
16:42they will be inside and all of them will be in the room.
16:45That's the problem.
16:47And everyone will say,
16:48check it out, Aiza.
16:49Don't go.
16:51I can't go.
16:52I can't go.
16:54I can't go.
16:55I can't go.
16:56I can't go.
16:57I can't go.
16:57Say it.
16:57I can't go.
16:58But you know,
16:59they have to-do list in a day.
17:04So, if that thing is a little bit later,
17:06then it will be a little bit later.
17:09Like in the scene,
17:11they say,
17:11they say,
17:11when will the scene come?
17:12They say,
17:13now it's lunch time.
17:15Everything should be on time.
17:16On time?
17:17Yes.
17:17We listen to that.
17:18It's easy to do.
17:20We know that.
17:21We know that.
17:23When I feel hungry,
17:24I don't have control.
17:26Then,
17:26I say,
17:26just eat and I am.
17:28Yes.
17:29That's why we will not see you in Tamasha.
17:31That's why.
17:31Yes.
17:32Otherwise,
17:32you are an ideal candidate,
17:33Umar has said.
17:34You have reached the rest of the family,
17:36or?
17:37Yes.
17:38Here,
17:38so,
17:38I will reach the house.
17:40Now,
17:40they say,
17:41you go to your house.
17:43You go.
17:44Ladies,
17:45we want a little break.
17:47When we come back,
17:48we will keep the rest of the family.
17:50Don't let go.
17:52Welcome back,
17:53Ladies,
17:54Aizah and Umar are now.
17:56So,
17:57we have three qualities that you like.
18:00You can sit and sleep.
18:02You can sit and sleep.
18:03Yes.
18:04If it is inside me,
18:05I will say,
18:05what is the situation?
18:07My life is set.
18:08I am going on mobile.
18:10I am talking about something.
18:11I am sitting.
18:12I am sitting.
18:13I am sitting.
18:14I am sitting.
18:15I am sitting.
18:16I am sitting.
18:17Masha Allah.
18:18The other quality.
18:19It is a great job.
18:20We have no idea.
18:22Who is the quality?
18:22I don't know.
18:23The quality is only two qualities.
18:24They go to the gym.
18:25They are good.
18:26Yes.
18:27This is also a quality.
18:28This is also a discipline.
18:29This is a discipline.
18:30You both have a common quality.
18:32Your discipline is a discipline.
18:33And also a discipline.
18:34And also a discipline.
18:35They are also a discipline.
18:36Very good.
18:37Very good.
18:38But I am very...
18:39Yes, this diet is also very strict.
18:41I do not do it.
18:42Yes.
18:42After that, how much weight you lost?
18:45How much weight you lost?
18:45It was a good loss.
18:46It was a good loss.
18:48It was a good time.
18:49You have to eat the food.
18:51Yes.
18:52Obviously.
18:52But you have to eat the muscle mass.
18:55We have to eat the muscle mass.
18:56We are seeing that.
18:56You have to have to do the effort too.
18:57You have to do it too.
18:58You have to do it again.
18:59Then you have to do it again.
18:59Then you have to increase your protein intake.
19:01Then you have to increase your protein intake.
19:02Then you have to increase your time.
19:03So, you have to have a little time.
19:04Did you follow this year?
19:05I have seen it.
19:07What will you give feedback?
19:09I think it was...
19:10I think it was...
19:11There were about new faces.
19:12I am saying that.
19:14And...
19:14People have really liked it.
19:16People have connected.
19:18And they have loved it.
19:19They have loved it.
19:20I think when we were season 2.
19:22They have loved it.
19:22People have understood.
19:24I don't know what will happen.
19:26Then they have to look forward to the contestant.
19:31I think this season is like a benchmark.
19:34With all of you.
19:34Something happened.
19:36Yes, yes.
19:37So, after that,
19:38when people had a little idea,
19:39our headlines started coming.
19:41We had to know that
19:43if they are Umar or Junaid or Paisan.
19:46So, it was good overall.
19:48As far as acting is concerned,
19:52unfortunately, our actors are so limited by the choice of scripts that they get.
19:57So, do you feel like giving up on acting?
20:02No.
20:03Because acting is my passion.
20:06I wanted to become an actor from childhood.
20:07I wanted to make it very hard.
20:09I wanted to make it very hard.
20:11Because I didn't think that I would have to do my efforts.
20:13So,
20:15I believe that
20:16God will be one day.
20:17We will get good scripts and do good work.
20:20I think, Hasan, this is a whole learning process.
20:22As an actor,
20:24you want to do good things.
20:27You are learning,
20:29as an actor,
20:30you are growing.
20:30So,
20:31that is also one of your motivations.
20:33You have done this.
20:34It is important that
20:35it depends on the script.
20:37So,
20:38you will get a good script.
20:39You will get a good script.
20:40You will get a good script.
21:00What would be like
21:01the ideal character for you
21:03that you are saying that you are not able to do it?
21:05I will ask both of you.
21:05First of all, you tell us.
21:06As I feel like
21:08one thing matters also
21:10is that
21:11I feel like
21:12in the time of casting,
21:13what people expect from you.
21:15What people want to see.
21:17People as in the audience,
21:18not the makers.
21:19The makers or the audience.
21:20The audience.
21:20Because I often watch things
21:23because
21:24when you watch the border,
21:26you will see
21:27the casting approach
21:29when they are casting.
21:30If someone has
21:31made a negative character
21:32and people want
21:35to see
21:35this character
21:36as a romantic hero
21:38or action hero
21:39as a romantic hero
21:40as a romantic hero.
21:40I often get feedback
21:42that
21:42we will see a drama
21:43and if the age is fewer
21:45there,
21:46we will be...
21:47Negative or positive?
21:48Positive as a action hero.
21:50Sometimes
21:51I feel like
21:53a straight hero
21:54doesn't feel good.
21:55It should be small.
21:56It should be small.
21:58It's a whole
21:58transformation.
21:59It's a whole journey.
22:00It's a bit of aliyan.
22:01It's a bit of aliyan.
22:03It's a big transformation.
22:04It's a big transformation.
22:04It's a big thing.
22:05So,
22:06I feel like
22:07that people
22:09potentially want to see
22:11I feel like
22:13as an action
22:14I can do it.
22:16Yes, yes.
22:17I can do it.
22:18I can do it.
22:19I can do it.
22:21Unfortunately,
22:22in our country,
22:22we have a lot of drama.
22:23It's a lot of drama.
22:24It's a lot of drama.
22:25It's a lot of drama.
22:26It's a lot of drama.
22:26It's a lot of drama.
22:27then if you take the film,
22:28then we have a lot of options
22:30for directors.
22:33I have a lot of work with director.
22:35If they make a film
22:36and they feel like
22:37we cast the film
22:38for the character.
22:41Then why not?
22:42It all depends
22:43that the cast
22:44who are there
22:44who are there
22:46will be a character
22:48or a script.
22:49Aida, what is your
22:50dream character
22:52or dream role
22:53or dream story
22:54or dream drama?
22:55I don't know
22:56about the dream story
22:57but I would like
22:58to be a very negative character.
23:01I would like to be
23:02when a producer
23:05or casting
23:07is working
23:07and they say
23:08that you have such a
23:08evil face.
23:10You feel innocent.
23:11You do this.
23:13I would like to do that.
23:14I would like to do that.
23:15I would like to do that.
23:16This was not
23:16a negative character
23:20which people
23:20liked.
23:22It was a lot of
23:23I would like to do that.
23:26I would like to do that
23:27I would like to do
23:28a bit more
23:29dark shade.
23:31Dark shade.
23:32In our industry
23:33and not just our industry
23:34but other industries
23:35as well
23:37there are certain
23:38beauty standards.
23:40You know?
23:40So as far as
23:41men go
23:42you've got to be tall
23:43and broad
23:44and you've got to have
23:45a good physique
23:46which you do.
23:47And where you talk
23:48about girls
23:48like you are
23:50Do you feel that
23:50because of this
23:51you get easier
23:53in your work
23:54or because of this
23:55body
23:56this physique
23:56in beauty standards
23:58you have to face
24:00challenges.
24:01You have to face
24:02challenges.
24:03You have to face
24:05challenges
24:06in our industry
24:07so this is like
24:08a gold mine
24:09right?
24:09Yes but
24:11with this innocent
24:11shape
24:13I had to reduce
24:14my weight
24:14in acting.
24:16Oh?
24:16Yes, absolutely.
24:17I had to work very hard.
24:19I was 65 kg
24:20so I had to reduce
24:22my weight
24:22and I was 50 kg
24:24very skinny.
24:25Because people
24:26asked you to lose
24:26that weight?
24:27Of course
24:27of course
24:28as I can see
24:30on the screen
24:31some pounds
24:31add
24:32so
24:34when I was
24:35young
24:36I was younger
24:36so it was more
24:37than the screen
24:37so I had to work
24:39a lot.
24:40It's not that
24:41you can see
24:42and then you can
24:43have to face
24:44challenges.
24:46Personally, you also
24:47face challenges
24:47with this kind of
24:48life.
24:48obviously
24:49if I think
24:50that I would like
24:51to wear anything
24:52and I have
24:53made a physical
24:54so it's not
24:55enough.
24:56Sometimes
24:57you don't get
24:57that kind of
24:58because of
24:59that kind of
24:59you have to
25:01overshadow
25:01because
25:03in our drama
25:03we have to show
25:04a young man
25:06who says
25:06that
25:07body
25:07is
25:08exactly.
25:10How did you make it?
25:11I was
25:14very lean
25:15and
25:16wearing a t-shirt
25:17if I am
25:18doing a scene
25:20and when
25:20there are
25:22warm lights
25:22in our gym
25:23there are also
25:24warm lights
25:24so my bicep
25:26looks like
25:26that the director
25:27told me
25:27that the focus
25:28was going
25:28on my bicep.
25:32So
25:35if you have
25:36full-sleeps shirt
25:38I was so
25:39in the scene
25:40that I didn't
25:40think
25:41that my bicep
25:45doesn't
25:46changed
25:46so
25:47it doesn't
25:48happen
25:49but
25:50you can't get
25:51characters
25:52and
25:53reverse
25:56challenge
25:57and
25:58you have to keep
25:58lean
25:59a little bit
26:00broad
26:01our actors
26:03are
26:03very petite
26:04and
26:04are
26:05big
26:06and
26:07not
26:07and
26:08sometimes
26:08the bodies
26:10look good
26:10on the screen
26:12and the
26:12is good
26:13so
26:13lean
26:14and
26:14the
26:15way
26:16you can adjust
26:21more
26:23characters
26:24and
26:28fit
26:29it is difficult
26:30it is difficult
26:31too much
26:32in june, july, august
26:33and august
26:34you will see
26:35the set
26:35in that
26:37warm
26:37you will see
26:39that
26:39you will see
26:40how much
26:41it is
26:41it is
26:41it is
26:41it is
26:41it is
26:43it is
26:44it is
26:49the
26:50shock
26:50you have
26:51patience
26:52that
26:53passionate
26:56that
26:57is
26:57warm
26:58in the scene
26:59and
27:00it is
27:01I am
27:01doing a project
27:02and the director
27:03wanted a perfect take
27:05and in the scene
27:07you have dialogue
27:08so
27:08it is
27:09no
27:09you get frustrated
27:13and you need to work
27:14with patience
27:16so
27:17So now, 2025 is ending. We are going to be going like 2026.
27:21In the day of today, the content we are creating, the drama we are making, the stories we are making,
27:27the stories we are making,
27:28How do you assess that? Are you guys as actors working in the industry satisfied, happy with the kind of
27:35content that we are creating?
27:36Not necessarily what you are doing but what you are watching.
27:39What kind of drama you are making, which you are not seeing.
27:41Sani, you are watching. As actors, as people who are part of the industry, what is your assessment of the
27:47content that we are creating?
27:48I think potentially, we are now lacking.
27:52Lack? Lack.
27:53And there is always a room for improvement in every way.
27:58We often know the content that we have kept the previous scripts from the previous script.
28:0410 years of previous script? 10 years of previous script.
28:07Aiza Muskunai has been done with this.
28:09Yes, absolutely. But every script is not like you like me.
28:12The script has been kept the previous script and then it has become so super hit.
28:16So, I think that in the content, we need to do a lot of work in the content.
28:21And there are more good scripts because there is a lot of competition.
28:28And there is a lot of people who know that if you want to watch this stuff, we can't watch
28:33it on TV or go to the cinema or go to the cinema.
28:37But we can see it on the small screen as much as possible.
28:41Aiza, what is your assessment? Are you happy?
28:44What is your assessment? What is your assessment?
28:47What is your assessment?
28:48But the fact is that when there is a different script, there is a lot of people who don't like
28:55it.
28:55If you've watched a normal drama that you've watched a story for 10,000 times,
29:00you've watched a story for 10,000 times, you've watched a lot of people who don't like it.
29:14You don't think this is a chicken-and-egg situation.
29:18Because people only give one kind of content,
29:22so now they have the expectation that I'll give you this.
29:25What you've said about different kinds of stories in the year.
29:28There will be one or two dramas.
29:30So when you're not trying to change the palette of audience,
29:35the ratio is not fair, right?
29:37If it's 50-50 ratio, then you get to understand.
29:40You don't think that we've been in tune with one kind of content,
29:44and one kind of stories.
29:45and one kind of stories, and one kind of stories that you've seen.
29:47So you've got to accept them.
29:49You've got to accept them, right?
29:52So they're just doing this.
29:54They're just doing this.
29:55They're just doing this.
29:56They're just doing this.
29:57Producers, how many different scripts will be put on the script,
30:01and they'll wait for the audience to enjoy it.
30:04I think that's where a good producer comes in.
30:07What is the work of the risk of the producer?
30:09Yes.
30:10If you don't take the risk, then who will take the risk of the actor?
30:12We've started to take the risk of the actor.
30:13We're watching two or three scripts that were a little different.
30:17Maybe they didn't go that way.
30:19So the risk is...
30:20Who are you talking about?
30:21I think that's what I'm talking about.
30:23I think that different scripts are going on.
30:24Why don't you think it's a different script?
30:25Different script?
30:26I'm telling you that we're going on.
30:28We're going on.
30:28Two or three of them.
30:29They're going on.
30:30I don't think they're going on.
30:32But they're not going on that way.
30:34I think there is an audience for that kind of content as well.
30:39So if we create different content,
30:41then the audience will grow.
30:43If we create one project and then go back foot,
30:47and we'll create the usual stories,
30:50then how will the segment increase?
30:52So we're going to love each segment.
30:53We're going to love each segment.
30:54We're going to love each segment.
30:55Absolutely.
30:56If we create a production of five or six dramas,
30:58then the rest of the four are the only ones that we normally do.
31:03Yes.
31:04So many people who have seen their comments,
31:06are getting the same story that we've seen in it.
31:09It's the same story that we've seen in it.
31:11So these stories are also related.
31:14I think that when the audience is watching,
31:16they're going to see them.
31:16When they're going to see them,
31:18then we'll see them again.
31:20Because when I see the audience feedback,
31:22many audience members say,
31:24why don't they make such a drama?
31:26Why don't they make such a drama?
31:27And I think there's a segment of the audience,
31:31which doesn't make such a drama,
31:33but they feel like we're still making a lot of drama.
31:36And now they're making a lot of drama.
31:38They're making a lot of drama.
31:39They're making a lot of drama.
31:40They're making a lot of drama.
31:42But there's a lot of drama in the years,
31:44that the Pakistani dramas are all about the drama.
31:46So I think if you've seen it in the past 5-6-7 years,
31:50we've evolved a lot.
31:51It's been improved obviously.
31:53So with that in mind,
31:54what do you think in the coming years?
31:57And the best thing that I've seen in the drama,
31:59is that there's a character that people talk about.
32:03And he's a great character.
32:05He can be one of them.
32:06So I think there's a character that I think
32:08should be in the script.
32:11There's a little comedy type or something like that.
32:13Again, I think the good thing about our drama,
32:16is that there is a lot of relatability.
32:18So when the audience is watching,
32:20they can relate to any person in the family.
32:26They say, okay,
32:28they don't be like that,
32:28but they'll know someone like that.
32:30Like they're such a puppy,
32:31or like that,
32:33or like that,
32:34or like that.
32:35I think that is what our dramas have achieved.
32:37True.
32:38Individually,
32:39if I ask you both,
32:41individually,
32:42how do you see your journey,
32:46and what does the future hold for you?
32:48Aiza said that they just want to do acting,
32:50and they don't want to do anything.
32:52You are also a singer.
32:54You have such a beautiful voice.
32:56We've also seen you in the songs.
32:57Are you thinking about music and pursuing music?
33:00Because I'm seeing that there has been a resurgence of music.
33:04So as to say,
33:05in Pakistan,
33:05in the past few years,
33:07or two years,
33:08we started to do a lot of work.
33:10Music has been very good.
33:11And our music industry has grown.
33:14And if I say more scope-wise,
33:17it's like that.
33:18And I have said,
33:20that if you're in this drama,
33:22you're here as an actor,
33:23then why don't you do OST,
33:25or something like that?
33:27So,
33:28in my pipeline,
33:30it's there.
33:31An album?
33:31And I'm working on two to three songs right now.
33:34Great.
33:34Yes, yes, yes.
33:35So,
33:35in music video,
33:37I'll have three.
33:37No, if you want a female voice,
33:40then I'll be...
33:41This is also a good song.
33:42Yes, I'm going to say that.
33:43I know that you're good.
33:45I know that.
33:46No, you tell me.
33:48It's your wrong story.
33:50No,
33:50I'm telling you this.
33:52I knew that you're good.
33:54But when I was convinced,
33:55I was convinced that I got the right news.
33:57No, you...
33:59It's two lines.
34:01It's like two lines.
34:03It's like two lines.
34:05But it's like two lines.
34:06But it's like two.
34:07Yes.
34:08I'll close these cameras.
34:09What's your story?
34:11You'll hear two lines.
34:13It's okay.
34:14The cameras will be closed.
34:16I don't want to record that.
34:18Okay, then two lines are on your side.
34:20I'll see what it is.
34:20Saavan bhi to jaye pe harwa.
34:29Saavan bhi to jaye pe harwa.
34:35Saavan bhi to jaye pe harwa.
34:42Man mera ghabra hai.
34:48Man mera ghabra hai.
34:53Man mera ghabra hai.
34:55Mura saiyan.
34:58Mose bolena.
35:02Man mera ghabra hai.
35:03Very nice.
35:04Man mera ghabra hai.
35:05Without the mic,
35:06because it's the other one.
35:07He's got so difficult to play.
35:10Impromptu to play.
35:11Man mera ghabra hai.
35:13Man mera ghabra hai.
35:13Kamal, something that I've noticed,
35:16of course,
35:16I mean, you always hear a lot of your voice.
35:18But it's like that it's a lot more quiet.
35:22So, what do you think about it?
35:24I do.
35:25You're doing a lot.
35:26You're doing a lot.
35:26You're doing a lot with someone?
35:27You're doing a lot with someone?
35:28No, I'm doing a lot with someone.
35:30I'm doing a lot with someone.
35:32I'm doing a lot with someone.
35:33I'm doing a lot with your family.
35:35Yes, yes, yes.
35:38Shiroz Aang is a very good friend of mine.
35:40He's a musician.
35:41I'm seeing you,
35:41I'm seeing you.
35:42Yes, yes.
35:44He said that the time is good.
35:47The morning time is good.
35:49You're doing a lot of work.
35:53Some singers are doing a lot of work.
35:55Because it's a muscle.
35:57It's good to give you time.
36:00Like in a size,
36:02we give you one hour or two hours.
36:03So, you should give it to yourself.
36:05Then, you'll have more peace.
36:07You do the morning.
36:09Then, you do the morning.
36:10Then, you go to the gym.
36:12You're going to work out the whole day.
36:15I'm doing a lot of work.
36:15So, I'm doing a lot of work.
36:18I was going to ask you exactly what time is your plan.
36:21I've given them that time.
36:23I said, look, the time is better in the evening.
36:25The time is better in the evening.
36:27At that time, you get a little bit of work.
36:30Then, you understand this.
36:34Okay.
36:34The drama of the drama is now started.
36:36So, what should you give a message for fans?
36:40What do you want to wait for them?
36:42What do you want to wait for them?
36:44I'm going to ask for the character of Noor.
36:47So, I'm going to ask for the character of Noor.
36:48You will see it.
36:50It's very interesting.
36:51We've worked very hard on this film.
36:54It's cold and cold.
36:56It's cold and cold.
36:57It's coming.
36:58It's not even when you've been working on this film.
37:00We've been working on this film.
37:02So, we've worked very hard on this film.
37:04And I would like to watch this drama.
37:07Because it's not a typical story.
37:13It's not a typical story.
37:13The character of Noor is very passionate.
37:21And how he will achieve everything in this place.
37:27He will keep his relationships together.
37:29And he will stand on the wrong things.
37:30And he will stand on the wrong things.
37:32You can see, there's a lot of things to learn.
37:35What is this?
37:37Wow.
37:37What is this?
37:39I've lost your mind.
37:41It's very good.
37:42I've also told you about Noor.
37:44I was talking about Noor last time.
37:46So, is this a tonic one or what?
37:50No.
37:50Who is this?
37:51He's sitting on the right side.
37:52You will tell me.
37:53He's sitting on the right side.
37:55This is your answer.
37:57You've always started to say so much.
37:58You've also started to say so much.
38:00I don't know if it's your answer to your answer.
38:03Who is this?
38:04Who is this?
38:04Who is this?
38:05Both are good.
38:06The important thing is that both are good.
38:08And as I said, your drama is starting now.
38:11I wish you both all the best for it.
38:13Thank you so much.
38:13I don't know if you have to ask the pipeline.
38:15What do you think about the drama is starting now?
38:17What do you want to tell us?
38:18Do you want to tell us?
38:19I've told you.
38:20You don't want to tell us anything.
38:21In the next week, inshallah, we will be able to...
38:23In the next week, we will be able to meet you.
38:24Khoatin, on that note, you will need to be able to meet you.
38:27Keep your thoughts on that note.
38:28In the next week, inshallah, we will be able to meet you.
38:30Until next week, inshallah, you will be able to meet you.
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