Omer Shahzad & Aiza Awan bring charm, stories & unfiltered conversations to the BUZZ !
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#Buzz #BuzzWithARY #hassanchoudary #madawa
Host: Hassan Choudary
Guest: Omer Shahzad & Aiza Awan
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Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #BehindTheScenes #SaturdayVibes #arydigital
Hit the subscribe button for more celebrity interviews!
#Buzz #BuzzWithARY #hassanchoudary #madawa
Host: Hassan Choudary
Guest: Omer Shahzad & Aiza Awan
Watch more
➡️ https://www.youtube.com/playlist?list=PLb2aaNHUy_gFylgVoAU7UbUUxlAoti8SD
Buzz — The Show That Talks!
A brand-new celebrity talk show with a twist — Buzz is where real conversations happen! Join Hassan Choudary as he sits down with your favorite stars for engaging, unfiltered, and fun-filled discussions.
#Buzz #BuzzWithARY #BehindTheScenes #SaturdayVibes #arydigital
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FunTranscript
00:00My name is Hasan Chaudhary and this is Buzz!
00:14This is a very buzzed episode that is available with you.
00:19I apologize for my voice.
00:21You know that the weather is changing a little bit.
00:23That's why my voice is also affected by the weather.
00:26I will request you on that note
00:29that you can have a lot of attention.
00:31Your immunity is built.
00:33Good things.
00:34Healthy things.
00:36If I'm not saying that my voice is bad,
00:38then you can keep your work.
00:41God will keep all of you together.
00:44Today we start the show.
00:46I don't do anything about this today.
00:49I feel like my complaints are repetitive.
00:54I'm having a few weeks.
00:56I'm having a few weeks.
00:57I'm having a little nervous.
00:59I'm having a few weeks.
01:01I'm using a few weeks.
01:03I'm going to request every week.
01:04The team of the time is now.
01:06You can get this biryani.
01:08You can keep this biryani.
01:10You can keep this biryani.
01:12I'm having a few weeks.
01:13I'm making a few weeks.
01:14I'm making a few weeks.
01:15I'm making a few weeks.
01:16We are making a few weeks.
01:17And this biryani has come.
01:18I'm making a few weeks.
01:19For a certain day.
01:20You can keep the drama.
01:21I'm making a few weeks.
01:22Of course, I'm talking about
01:23Kafil.
01:24a feel.
01:54a feel.
01:56a feel.
01:57a feel.
01:58a feel.
02:00a feel.
02:01a feel.
02:02a feel.
02:03a feel.
02:04a feel.
02:05You will see it in the open room, of course,
02:07Imaad Irfaniy and Sunam Sayid,
02:09the first time on screen.
02:12It looks very interesting.
02:14And it's a very pleasant way.
02:17It's also because it's written by Umair Ahmed.
02:21And it's directed by Meisam Naqvi.
02:23Meisam Naqvi made a feel.
02:25It's also directed by Meisam Naqvi,
02:26which has been very appreciated.
02:28The critics have been very acknowledged.
02:29It emerged as a big hit.
02:31So, I hope so.
02:33With this drama,
02:34Imaad, of course,
02:35I saw the screen on the last one.
02:36I've never seen it.
02:37I've never seen it.
02:38And Imaad's character,
02:40you've seen it.
02:41You've seen it.
02:42You've enjoyed it.
02:43You've seen it.
02:44You've seen it.
02:45And you've seen it.
02:46And you've seen it.
02:47I've seen it recently.
02:48I haven't seen it.
02:50So, this is a beautiful,
02:52I've seen it.
02:53I've seen it.
02:54I've seen it.
02:55I've seen it.
02:57I've seen it.
02:58So, I've seen it.
02:59I've seen it.
03:00I've seen it.
03:01I've seen it.
03:02I've seen it.
03:03I've seen it.
03:04I've seen it.
03:05I've seen it.
03:06I've seen it.
03:07I've seen it.
03:08How can it be that Buzz doesn't get to the team of Kaffeele's team?
03:11So this will be very soon. You can make your notes.
03:14Kaffeele's cast will be very soon on Buzz.
03:17Where we talk about Biriyani's drama and the drama is replaced.
03:20Kaffeele, how can it be that after Biriyani's drama,
03:25we don't talk about it.
03:27It's one drama that we're constantly delivering.
03:31Strong storytelling, strong direction, excellent performances, all the actors.
03:36I always recommend it.
03:38I will again recommend it.
03:39Numan Nijaz, Nadia Afghan, Harim, Afan, Hira.
03:44Every actor has, not only those actors, but the support cast,
03:48extended support cast, all the actors have so beautiful.
03:54You have past relationships in your life.
04:01Why are you?
04:02I want to dance a lot.
04:04I want to dance a lot.
04:06I want to dance a lot about my mother.
04:08I feel like I've made a better decision.
04:12She'll be happy.
04:14I'll remember everything.
04:16I'll forget everything.
04:18Don't do it.
04:20Don't do it.
04:22Don't do it.
04:23Don't do it.
04:24Don't do it.
04:25Don't do it.
04:26Don't do it.
04:27Don't do it.
04:28Don't do it.
04:29Don't do it.
04:31You'll do it.
04:32I was not like this, Allah has made me, so Allah has made me, that is the grace of God.
04:42My life is too, again, there is a mixed feedback on it, but I feel like, as I said earlier, the conversation that has been happening about toxic characters,
04:54or any other actors, or any other actors, or any actors, which society normalizes, which will highlight the society,
05:04there is a feeling that it is a highlight of the way that it does not highlight the way it is.
05:10You know, what about this is in comment section, I will tell you.
05:13I will tell you, I will tell you, I will tell you, I will tell you some drama sets on the top of this,
05:18some films are coming in A.R.Y.E.A.R.Y.E.A.R.Y.E.
05:21I will tell you, I will tell you, I will tell you, I will tell you, I will tell you,
05:25I will tell you a lot of people who are in season five, which will be very excited,
05:29and will tell you details about details.
05:31So, in the coming weeks, there are many exciting content we have to take for you to come to.
05:36So, you will not go anywhere, and now you will not go anywhere,
05:39because now, the time of the season 5, it will be time to come to our guest.
05:42This week, a new drama drama, which is called the name of Madawa,
05:46which is the two lead stars, which has joined us today.
05:48The two good looking stars, the two talented,
05:51when they come to the screen, you will appreciate their work.
05:54Ladies and gentlemen, I am Omar Shahzad and Aiza Awan.
05:58Assalamualaikum, how are you?
06:02Assalamualaikum, Aiza, how are you? Please have a seat.
06:05How good you both are, mashallah.
06:07Thank you, so good to see you.
06:08Same.
06:09After the same time.
06:11Same, same.
06:12It started the trees, we all put a jacket.
06:14Absolutely, absolutely.
06:15I apologize in advance, if you don't reach my voice.
06:20No, no, your voice is very good.
06:21Your voice is very good.
06:22It's very good.
06:23Your voice is very good.
06:24It's very good.
06:25Oh, wow.
06:26What about you?
06:27How do you feel?
06:29I'm sure I'm watching you.
06:33Mashallah, you've come to 4 episodes.
06:355.
06:365.
06:37I'm sure you have a prayer.
06:38Your teacher's name is Noor.
06:39Yes.
06:40You are Aliyar.
06:41Yes.
06:42You are very good.
06:43You do too.
06:44You are very good.
06:45You are very good.
06:47You want to become a doctor.
06:48That's it.
06:49Yes.
06:50You have a great daughter.
06:51Your name is...
06:52So, it's Navera.
06:53It's Navera.
06:54It's Navera.
06:55You like Navera.
06:57Yes.
06:57You don't like Navera.
06:58Yes.
06:59She likes anyone else.
07:00And on the date of marriage,
07:02on the date of marriage,
07:03she says to her mother,
07:04that I will run away from her.
07:06And she will run away from her.
07:07Yes.
07:08You are left with no option.
07:09Yes.
07:10And when your father comes to your thoughts,
07:11I will say,
07:12my father is in your pants.
07:14Let me get married.
07:16When you get married,
07:18you start to be married.
07:19You start to be married.
07:23You start to be a little new.
07:24Don't change my family.
07:27Don't stay there.
07:29And you start to be like Navera.
07:31And you say that Navera's name is not.
07:33But you start to be a romance.
07:37You start to be a romance.
07:39You start to be a romance.
07:42No.
07:43But this is an interesting thing.
07:44Accidental marriage,
07:45in our dramas,
07:46is a very true trope
07:49or a subject that people always love.
07:54That's right.
07:54That's right.
07:55Now tell me what I have told you.
07:58You have already told the story of 5 episodes.
08:00You have told the story of 5 episodes.
08:02But there is a lot more.
08:04There is a lot more.
08:05But the characters you have told me,
08:06they will be registered with the teasers.
08:09You don't have to be a romance.
08:11Yeah, yeah.
08:12It's not a romance.
08:14But not a romance.
08:15Not a romance actually.
08:16They are so sad.
08:17And they say that they are like this type of fights.
08:19They are so sad.
08:20Because they also have no reason for any reason.
08:22Like in the first episode,
08:24he showed that in the race,
08:25he has a romance.
08:26He has a fight.
08:26And he has a fight.
08:27And he has a fight.
08:28And he has a fight.
08:29But he doesn't think about it.
08:30He also says that I don't like a romance.
08:33I don't like a romance.
08:35It's all about these things.
08:38Ali Aan's character.
08:39It's what it's all about.
08:41And Aiza, your role will be like this?
08:43My role will be like this.
08:46It will be like the end of the drama.
08:48I will tell you what you will see.
08:50I will tell you what you will see.
08:52That means that this is not a point.
08:54It's a major point.
08:55It's a doctor.
08:56Noor is a very positive girl.
09:00But it's not that he will sit down and say anything.
09:03And yes.
09:05Your role is not.
09:07No, no, no.
09:07He is saying that
09:09he also asks his wife.
09:13In the last episode,
09:14he asks if you are in my place,
09:15then what do you do?
09:16He says that I accept this thing.
09:18He says that if God has written it for me,
09:22then it's the right thing.
09:24But then there are also many things
09:27that we will know in the past.
09:28So, this is what happens to be married in the family.
09:31We will marry in the family.
09:33And when there are such issues,
09:34there are a church that is sitting there.
09:37So, this is a family.
09:39This is what happens to our family.
09:41So, tell me,
09:43when there is a script,
09:44what are the two or three things
09:46that can be decided on the basis?
09:47That is the right thing.
09:49We will do this script.
09:50I think that
09:52what I have done in the previous drama,
09:54which I have done in the airway,
09:55is that it is very different.
09:57It is not just as a character,
10:01how are you talking about the dialogue,
10:04performance-wise,
10:04and how much there is a margin.
10:06What is the role of the character?
10:08What is the role of the character?
10:10I think that I will evaluate that character
10:12in every way.
10:14That it is a little different from the previous project.
10:16And that is also the role of the character.
10:18Because the previous project I have done in the past,
10:20it was the opposite of the character of Aliyan.
10:25So, for me, I feel like that.
10:26And when I was reading it,
10:28and I was reading it,
10:28I thought that this is a kind of a margin.
10:33That it is the opposite of the normal life.
10:35That you talk about your mother,
10:38that you have given the answer to your mother.
10:40And that it is not serious.
10:42Non-serious attitude or anything.
10:44So, I think that I should do this script.
10:48And Aiza, what are your factors?
10:51I will tell you how many different scripts are coming.
10:55or how many different characters will be offered.
10:59You will know that if you do a good job,
11:01you will be able to do a good job.
11:02Then, you will be able to offer more than that.
11:05I think that if there is a script,
11:08then I will tell you who is the director,
11:11who is the cast in the cast.
11:12And I will not be able to do a good job.
11:16Because when I do it, I will go into depression.
11:19I have seen you like this.
11:21You also go into depression.
11:23Only you yourself.
11:24So, it is just that there is something different in the story.
11:28It is not going to be a good job.
11:30And there is a good message to people.
11:32The premise of Madawa that we have understood is that it is all about an accidental marriage.
11:39Two people who did not want to get married, they ended up getting married.
11:42And now, this is a story.
11:44And typically, we have seen that especially when a Pakistani drama is on this subject,
11:50the audience gets engaged.
11:52And it seems like it is a short-shot winning formula.
11:56Because the audience says,
11:58Okay, now what will it be like?
12:00How will their romance build up?
12:02The whole journey of a couple, the audience will relate and progress.
12:08So, when the script is offered,
12:10So, in your mind, you will think that yes.
12:13This is the subject, this is the trope.
12:15This is the short-shot success guarantee.
12:19So, what do you think about it?
12:21What do you think about it?
12:23The subject of this drama's story is that it is a little different.
12:29That it is a little different.
12:31That it is a kind of marriage.
12:33And then it is a kind of family.
12:35It is also a kind of family.
12:37But it is a kind of a bad thing.
12:41It is a kind of a bad thing.
12:43And it is discussed things.
12:45If someone has something against you,
12:47So, if someone has something against you,
12:49It is a kind of a bad thing.
12:51So, it is a kind of a bad thing in this drama.
12:54And like Aiza said,
12:56How many different stories you can see.
13:00Somehow, you come and sit there.
13:02If there are two girls, one girl.
13:05Or you know, there is a love triangle.
13:08So, the character you are doing,
13:10You can also make different.
13:12You can also make the input.
13:14Then, your team and your director.
13:17So, I feel like we have different scenes.
13:22We have different characters.
13:24So, Aiza, why do you think the audience connects so much with stories?
13:28It is a kind of a married couple.
13:31And then, it is a friction.
13:32And then, it is a kind of romance.
13:34So, it is an audience to enjoy it.
13:35I feel like the audience is a good thing.
13:38They don't want to see a lot of romance.
13:41They don't want to see a lot of romance.
13:42They want to see a lot of romance.
13:44They want to see that they are married.
13:46So, how will it be?
13:47How will it be?
13:48How will it be?
13:49How will it be?
13:50So, I will tell you,
13:51I will tell you,
13:52the story of this drama.
13:53I was telling you,
13:55that we are in our own family.
13:57We are not married.
13:59So, when I read this script,
14:02I thought,
14:03Oh!
14:04This is my family story.
14:06So, I will do this.
14:08If I am talking about my family,
14:10I will tell you,
14:11the first preference is in the family.
14:12But then,
14:13there is no restrictions.
14:15We can't like anyone outside.
14:17We can't get outside.
14:18But first,
14:19it is very easy to do next door.
14:22We can do it with this.
14:24But,
14:25MashaAllah, on that note,
14:26I want to congratulate you on camera as well.
14:28Your baby was married.
14:30Is that you give me a birthday?
14:31I haven't invited you.
14:32So, now it is your Salami Day.
14:34What is Salami?
14:35This is a great thing to tell me.
14:36What is Salami?
14:37Look,
14:38How are you doing?
14:39I don't know.
14:40Salami.
14:41No, Salami.
14:42No, Salami.
14:43As-salamu alaykum.
14:44I didn't call it for that.
14:45That's why I didn't call it.
14:46I didn't call it for that.
14:47I didn't call it for that.
14:48No, I didn't call it for that.
14:49No, I didn't call it for that.
14:50I actually,
14:51I have all of my...
14:52I have missed out all the people.
14:55I have a lot of people.
14:56I don't know many people.
14:58I know my own.
14:59But I am sorry.
15:00You were able to invite me.
15:02You were able to invite me.
15:03The ladies,
15:04as you can see,
15:05the actors do so much work,
15:07that they feel like
15:08that in reality,
15:09they are my sister.
15:10Is it right?
15:11Are you still not leaving?
15:12Are you still shooting?
15:13Yes.
15:14That explains it.
15:15That explains it.
15:16That explains it.
15:17That explains it.
15:18So that...
15:19It's a lot of...
15:20It's a lot of...
15:21I'm watching.
15:22It's a lot of...
15:23It's a lot of...
15:24It's a lot of...
15:25It's a lot of...
15:26I think...
15:27I think...
15:32There was a lot of good work.
15:33It was a wonderful time.
15:34I think...
15:35I feel like a good actor...
15:36With it...
15:37The best of yourself...
15:38It is a good actor.
15:39It is a good actor.
15:41It is good to have a good actor.
15:42It is a good actor.
15:43That has a good actor...
15:44It is a good actor.
15:45It is a good actor.
15:46Because it was so much.
15:47And now...
15:48we are still doing it.
15:49It is very important.
15:50What do you think about being a co-actor?
15:53I'll tell you that my wife doesn't match my wife, but it doesn't happen to me.
15:58And I don't talk to anyone with each other.
16:01I don't talk to anyone with each other.
16:02But with my life, my experience was that I didn't need anything to do with it.
16:09It's a lot of work. It's very easy to work with.
16:14Patience level is big.
16:15Yes, it's a lot.
16:16I can say that we've seen them in the film.
16:19How many days? 50 days, we've seen them in the whole of Pakistan.
16:2452 days, yes.
16:2552 days, this is a patient's machine.
16:29I can't go.
16:30You can't go?
16:31We've planned for you next year in season 5.
16:35Okay, tell us, if I go to Aiza,
16:37will this be able to survive until the end?
16:41After three days, I'll be inside and the rest will be in the room.
16:43I'll be inside and the rest will be inside and the rest will be inside.
16:46And everyone says, check out Aiza's house.
16:48I'll be inside and I'll be inside.
16:50I'll be inside and I'll be inside.
16:51I'll be inside.
16:52I'll be inside.
16:53Aiza, man.
16:55Yeah, tell us.
16:56I'll be inside.
16:56A little bit of food.
16:58You know,
16:58there are some things that are a to-do list.
17:03It's a little bit of food.
17:04So, if the things are a little bit after,
17:06then it will be a little bit.
17:09As in the scene, they say,
17:11when are you going to the scene?
17:12If the food is ahead of the time,
17:13they say, now is lunch time.
17:15Everything should be on time.
17:16On time.
17:17Yes.
17:17We listen to Aasar's house.
17:20We know that we're going to be doing it.
17:23Asan, when I feel hungry,
17:24I don't get control of me.
17:26Then I say, just eat food and I.
17:28That's why we won't see you in the house.
17:30That's why.
17:31Absolutely.
17:32Otherwise, you're an ideal candidate.
17:33Umar has said that.
17:34I don't know.
17:35You've reached the rest of the house.
17:36Yes.
17:37I'm going to get the rest of the house.
17:40Now, Selamat says,
17:41you go to your house.
17:44You go.
17:44Khoatinos,
17:45it's time for a little break.
17:47When we come back,
17:48we'll keep going.
17:50Don't go.
17:53Welcome back, Khoatinos.
17:54We're here with Aiza and Umar.
17:56We'll tell you about three qualities
17:59that you like.
18:00Can you sit and sleep?
18:02Can you sit and sleep?
18:03Yes.
18:03If it's in my room,
18:05I'll tell you what's going on.
18:06My life is set.
18:08I'm going on mobile.
18:10I'm talking about something.
18:11I'm sitting.
18:12I'm sitting.
18:13I'm sitting.
18:14I'm sitting.
18:14I'm sitting.
18:16I'm sitting.
18:17Masha Allah.
18:18Second quality.
18:19It's a very good job.
18:20It's a good job.
18:21We can't give it.
18:21Third quality.
18:22It's only two qualities.
18:24I'm going to gym.
18:25It's a good body.
18:26This is also a quality.
18:28Discipline.
18:29This is a discipline.
18:30Discipline is a common quality.
18:32Your discipline is your gym.
18:33And your food is your gym.
18:34And your gym is your discipline.
18:35It's also a discipline.
18:36Very good.
18:37Very good.
18:37I'm a big...
18:39This diet is also very strict.
18:40I don't do it.
18:42How much weight has been lost with Tamasha?
18:45How much weight has been lost?
18:47It's a good loss.
18:48That was a good time.
18:49And then you have to eat the food.
18:51Yes, obviously.
18:52Then he ate it.
18:53But your muscle mass went on.
18:55We're looking at that.
18:56You didn't have to do more effort.
18:57Then he had to do more.
18:58Then he had to do more work out.
18:59Then he had to increase his protein intake.
19:01It took a little time.
19:03Did you follow Tamasha this year?
19:05I saw it.
19:07What will you give feedback?
19:09I think it was...
19:10There were about new faces.
19:12I tell you.
19:13And...
19:14People really liked it.
19:16People have connected.
19:18People have always liked it.
19:20I think when it was season 2,
19:22people were still aware.
19:24You don't know what will happen.
19:26After that, they're still looking forward to the contestant.
19:31I think our season is like a benchmark.
19:33With all of you.
19:34Something happened.
19:35Yes, yes.
19:36Yes, yes.
19:37So, after that, when people had a little idea,
19:39our headlines started coming.
19:41Yes.
19:41That we knew that we were going to know
19:43that they are Umar or Junaid or Paisan.
19:46So, it was good.
19:47I think overall.
19:48As far as acting is concerned,
19:50you were also saying that
19:53unfortunately, our actors are so limited
19:55by the choice of scripts that they get.
19:57So, do you feel like giving up on acting?
20:01No.
20:02Because acting is my passion.
20:04My passion is that I had to become an actor in my childhood.
20:07So, I think that I have to become an actor in my childhood.
20:09I don't think I'll put my efforts on my own.
20:13So, I believe that in one day,
20:16we'll get good scripts and do good work.
20:19Adi Ghassan, this is a whole learning process.
20:21As an actor, you want to do good things.
20:25And you're learning, you're growing as an actor.
20:29So, that's your motivation.
20:33It depends on your scripts.
20:36So, you get a good script.
20:38You get a good script.
20:39You get a lot of the characters.
20:40In interviews, you have to ask,
20:42if you have a script,
20:44you feel like you've made a character
20:46that you want to do.
20:48So, I haven't done it.
20:50If I say that I don't get a script
20:52that I want to do what I want to do,
20:54potentially,
20:55that I feel like.
20:57So,
20:58it's a good script.
21:00What would be the ideal character for you
21:03that you wouldn't do it?
21:04I'll ask both of you.
21:05First, you tell me.
21:06I feel like one thing matters.
21:09I feel like
21:11what people expect you from casting time.
21:14What people want to see.
21:16The audience, not the makers.
21:18The makers or the audience.
21:19The audience.
21:20The audience.
21:21The audience.
21:22The audience.
21:23The audience.
21:24The audience.
21:25The audience.
21:26The audience.
21:27The audience.
21:28I feel like the audience.
21:29cast that if someone has made a negative character and people want to see this character as a romantic hero or action hero
21:39I often feel like this is a drama and if the age is fewer there, then we are very...
21:46Negative or positive?
21:47Positive as an action hero.
21:49Now, I feel like a straight hero is not like a hero on the screen. It needs to be a little bit.
21:56It's a little bit of transformation.
21:59It's a little bit of transformation.
22:01It's a little bit of transformation.
22:03It's a big transformation.
22:05I feel like what people want to see you potentially,
22:10I feel like I can do it as an action.
22:15Yes, totally.
22:16I feel like I can do it as a kind of stunts.
22:20Unfortunately, in our country, the drama is very low.
22:23The drama is very low.
22:24The action-oriented drama.
22:26If you take a screenshot of the film,
22:28we have a lot of options for the directors.
22:31I have done a good job with the director.
22:34So, if they make a film and they feel like they will cast the film for a character,
22:39then why not?
22:41It all depends.
22:42It all depends.
22:43If the cast is there,
22:45they will be a character or script.
22:48Aida, what is your dream character, dream role, dream story, dream drama?
22:54I don't know about the dream story,
22:56but I would like to be a very negative character.
23:00I would like to do it.
23:01Because when I was a producer or casting,
23:06they would say that you have a very low face,
23:09you feel innocent.
23:10You should do it.
23:11I would like to do it.
23:12I would like to do it too.
23:14I would like to do it.
23:15I thought that it was a negative character in our industry.
23:19It was also a negative character that people liked.
23:21He was talking a lot.
23:23So, I would like to do it again.
23:26I would like to do it a lot in which I would like to be a dark shade.
23:30Dark shade.
23:31In our industry, not just our industry,
23:33there are certain beauty standards.
23:38You know, so as far as men go, you've got to be tall and broad and you've got to have a good physique which you do.
23:46And where you talk about girls, you have to be lazy.
23:49Do you feel that because of this, do you feel it's easy to get a job?
23:54Or even if this body, this physique in the beauty standards, you have to face challenges?
24:00We have to face challenges because…
24:03You've said that you have to face a innocent face, so for our industry, this is like a gold mine, right?
24:08Yes, but with this innocent face, I had to reduce my weight in acting.
24:15Okay?
24:16Yes, absolutely. I had to work a lot. I was 65kg.
24:20So, I was very skinny.
24:24Because people asked you to lose that weight.
24:26Of course. As I see on the screen, some pounds add.
24:32So, when I was young, I felt more on the screen.
24:37So, I had to work a lot for that.
24:39It's not that if you look at it, then you have to face it for yourself.
24:43But you have to face challenges.
24:45Personally, you also face challenges with this kind of life.
24:47Obviously.
24:48If I think that I'm wearing something, I feel good.
24:51I've made a physique.
24:53So, it's not enough.
24:55Sometimes you don't get those characters because of this kind of life.
25:00It's going to be overshadowed.
25:02Because in our drama, I want to show a close girl.
25:04Or the person who says,
25:06I want to make a body like this.
25:08Yes, exactly.
25:09How did you make this?
25:10How did you make a body like this?
25:11I mean, it's like that.
25:12I mean, I had a lot of lean on myself.
25:15And if I'm wearing a t-shirt, if I'm wearing a scene,
25:19and when there's a lot of warm light on the spot,
25:22then there's a lot of warm light on the gym.
25:24So, I mean, my bicep looks like that.
25:26And the director said,
25:27that the focus of my bicep is going on my bicep.
25:29So, Umar, if you wear a full-sleep shirt,
25:36if you wear a full-sleep shirt,
25:38I was in the scene,
25:39I didn't even think of my bicep.
25:41I mean, my bicep is going on my bicep.
25:44So, I changed the shirt for that scene.
25:47So, it doesn't happen in my mind.
25:49But it's obvious that,
25:50because of this reason,
25:51you don't get those characters.
25:53And then,
25:54it becomes a reverse challenge.
25:56Yes, it becomes a reverse challenge.
25:57Like Aiza had said,
25:58you have to keep yourself lean.
25:59And so, you have to keep a little broad.
26:00Or, you have to keep a little broad.
26:01Our actors are very petite.
26:04They feel big.
26:06They feel bigger.
26:07And that's not the case.
26:08And then,
26:09our bodies are good.
26:10They look good.
26:11And on the screen,
26:12they look good.
26:13So, the way you keep lean,
26:14I've tried to keep it.
26:15I mean,
26:16I'm going to eat food.
26:18I don't eat food.
26:20So, the way you keep lean,
26:22you get more characters.
26:24So, you adjust them.
26:26So, basically,
26:27it's a difficult task.
26:28It's a difficult task.
26:29It's a difficult task.
26:30It's a difficult task.
26:31Too much.
26:32In June, July, August,
26:33you will come to see the set.
26:35In those days,
26:37you will have to think,
26:38how much I want to do.
26:40It's a shock.
26:41It's a shock.
26:42It's a shock.
26:43It's a shock.
26:44It's a shock.
26:45You chose this option.
26:46We didn't say it.
26:47It's a shock.
26:48It's a shock.
26:49It's a shock.
26:50It's a shock.
26:51In this case,
26:52the patience and patience
26:53and patience
26:54is so passionate
26:55that it's so warm
26:56and it's so warm
26:57and it's so warm
26:58in the scene.
26:59It's so warm.
27:00It's a take.
27:01I was doing a project
27:02and the director
27:03wanted a perfect take.
27:05And the director
27:06said that it's so much
27:07in the scene,
27:08you're talking about dialogues
27:09and you're talking about
27:10the bedroom.
27:11you get frustrated.
27:12You have to have to work
27:13with great patience.
27:15So now,
27:162025 is ending.
27:18We are going like 2026.
27:20We are creating the content
27:22we are creating,
27:23the drama we are making,
27:24the stories we are making,
27:25the stories we are making.
27:27How do you assess that?
27:29Are you guys as actors
27:30working in the industry
27:31satisfied,
27:32happy with the kind of content
27:34that we are creating?
27:35Not necessarily
27:36what you are doing
27:37but what you are seeing.
27:38as actors,
27:41as people who are part of the industry,
27:44what is your assessment
27:45of the content
27:46that we are creating?
27:47I think potentially
27:48we are lacking.
27:50Lacking?
27:51Lacking?
27:52Lacking.
27:53And there is always a room
27:55for improvement
27:56in every way.
27:57We often know
27:58the content
27:59that the previous script
28:01had been kept
28:02from that.
28:0310 years of previous script.
28:0510 years of previous script.
28:06I think the script
28:08has been done.
28:09Yes, absolutely.
28:10But every script
28:11is not like you.
28:12The script was so old
28:13and then the script
28:14was so great.
28:15So,
28:16I think the content
28:17we need to work
28:18a lot more
28:19in the content.
28:20There are more
28:21good scripts
28:22because
28:23there are so many
28:24competition
28:26and people know
28:28that if we want to see
28:30these things,
28:31we can't see them
28:32on TV.
28:33go to the cinema
28:35or then
28:36but we can see
28:37the things
28:38on the small screen
28:39on the small screen.
28:40What is your assessment?
28:42Are you happy?
28:43What is the difference between
28:44my happiness or not?
28:46What is the difference?
28:47What is the difference?
28:48The difference between
28:49different content
28:50or different script
28:51is that
28:52many times
28:53you don't like
28:54the audience
28:55because you've seen
28:56a normal drama
28:57that you've seen
28:5810,000 times
28:59the story
29:00and you've seen
29:01the audience
29:02and you're seeing
29:03the views
29:04and you're seeing
29:05where are they going
29:06and maybe
29:07it's a good story
29:08and it's a good story
29:09and it's a good story
29:10and it's a different story
29:11that you've never seen
29:12before.
29:13You don't think
29:14this is a chicken
29:15and egg situation
29:16that you,
29:17because the audience
29:18only gives
29:19one kind of content
29:21so now
29:22the expectation
29:23is that
29:24I'll give you this.
29:25What you're saying
29:26in different kinds of
29:27stories are the same.
29:28One or two dramas
29:29will be made.
29:30So when you're trying
29:31to change the palette
29:32to the audience
29:34the ratio is not fair, right?
29:36Fair, right?
29:37If it's 50-50 ratio
29:38then it comes to understanding.
29:39Absolutely.
29:40You don't think
29:41that the audience
29:42has so much
29:43intuned to
29:44one kind of content
29:45and one kind of stories
29:46and one kind of stories
29:47that they've also seen.
29:48They've also seen
29:49their acceptance.
29:50They've just been
29:51accepted.
29:52So they're doing
29:53the same thing.
29:54They're doing the same thing.
29:55They're doing the same thing.
29:56They're doing the same thing.
29:57Producers,
29:58how many different scripts
29:59will put money
30:00and wait
30:01that the audience
30:02will enjoy this.
30:03I think
30:04that's where
30:05a good producer
30:06comes in.
30:07Where is the risk of the producer?
30:08Yes.
30:09If the producer
30:10doesn't take risk,
30:11who will take risk?
30:12We've started taking
30:13two or three scripts
30:15that were different.
30:16Maybe they didn't do that.
30:18Who are you talking about?
30:20I think
30:21I think
30:22it's going to be different scripts.
30:23Why don't you think
30:24it's going to be different?
30:25I'm telling you
30:26that it's going to be
30:27two or three scripts.
30:29I think it's going to be
30:30interesting.
30:31But it's not going to be
30:32that.
30:33But I think
30:34there is an audience
30:35for that kind of content as well.
30:38So, if we make
30:39different content
30:40then the audience
30:41will grow.
30:42Maybe.
30:43If we make one project
30:44and then go back
30:45to the back foot
30:46and we make
30:47usual stories
30:48then the segment
30:50will increase.
30:51So, we're happy
30:52to see them
30:53as well.
30:54Absolutely.
30:55If there are 5-6
30:56dramas
30:57that are made,
30:58the rest of the 4
30:59are the ones
31:00that are normally
31:01that are normally
31:02coming.
31:03Yes.
31:04So, a lot of people
31:05in their comments
31:06see the drama
31:07that it's the same story
31:08that we've seen.
31:09It's the same story
31:10that it was like
31:11that.
31:12So, these stories
31:13are also related.
31:14I think
31:15when the audience
31:16is watching them,
31:17they will be closed.
31:19Yes.
31:20When I see the audience
31:21feedback,
31:22many audience members
31:23say that
31:24why do not make this
31:25drama?
31:26Why do not make this?
31:27I think
31:28that's a segment
31:29that's not the same
31:30segment of the audience
31:31that's not the same
31:32but they feel
31:33that we're still
31:34making a lot of drama
31:35and now that
31:36we're still making a lot of drama.
31:37Yes, now
31:38it's a lot of drama.
31:39It's a lot of drama.
31:40It's a lot of drama.
31:41It's not a lot of drama
31:42but it's a lot of drama
31:43that the
31:44Pakistani dramas
31:45are all about
31:46Saas Bho.
31:47So, if you've seen it,
31:48we've evolved
31:49in the past 5-6-7
31:50years.
31:51Yes.
31:52Obviously.
31:53With that in mind,
31:54what do you think
31:55in the coming years?
31:56And the best thing
31:57that I've seen in the drama
31:58is that
31:59there is a character
32:01that people talk about
32:02and he is a great
32:03character.
32:04He can be.
32:05So,
32:06there is a character
32:07that I think
32:08should be in the script
32:09or
32:10a comedy type
32:12or something.
32:13Again, I think
32:14the good thing
32:15about our drama
32:16is that
32:17there is a lot of
32:18relatability.
32:19When the audience
32:20is watching,
32:21as a character
32:22as you say,
32:23any person
32:24relates to the family.
32:25They say
32:26that they don't
32:27know the character
32:28that they know
32:29that they are
32:30like a guy
32:31or like a girl
32:32or like a girl
32:33or like a girl
32:34or like a girl
32:35or like a girl.
32:36I think that is what
32:37our dramas have achieved.
32:38Individually,
32:39if I ask you
32:40individually,
32:41how do you see
32:44your journey
32:45and what does
32:46the future hold for you?
32:47Aiza said
32:48that they just
32:49want to do acting
32:50and they don't
32:51want to do anything.
32:52You are also a singer.
32:53You are so beautiful.
32:54You are so beautiful.
32:55We have also seen you
32:56singing songs.
32:57Are you thinking
32:58about music
32:59or to pursue
33:00anything?
33:01I am seeing
33:02that there has been
33:03a resurgence of music.
33:04So as to say,
33:05in Pakistan,
33:06a few years,
33:07a few years,
33:08a few years,
33:09a few years,
33:10a lot of work
33:11in music.
33:12Music has been
33:13very good.
33:14And if I say
33:15scope-wise,
33:16it is absolutely
33:17like that.
33:18And most people
33:19have said that
33:20if you are
33:21as an actor
33:22in this drama,
33:23why don't you do
33:24OST
33:25or something like that?
33:27In my pipeline,
33:28it is there.
33:29An album?
33:30And I am working
33:31on two to three songs
33:32right now.
33:33Great!
33:34Yes, yes, yes.
33:35I am happy
33:37to have a voice
33:38in my music video.
33:39If I could hear
33:40a voice also,
33:41I am happy.
33:42Yes, I am happy
33:43that I am happy.
33:44I am happy to know
33:45that I am happy.
33:46You know,
33:47I am happy.
33:48That is your wrong news.
33:49No,
33:50I am happy to say
33:51that your voice is good.
33:52When I am happy,
33:53you agree
33:55that I am happy
33:56that I am happy.
33:57Well,
33:58you are
33:59two lines.
34:00That's the same two lines.
34:03That's the same two lines.
34:05But it's the same.
34:06But it's the same.
34:07It's the same.
34:08I'll close these cameras.
34:09What's the same?
34:10You can listen to two lines.
34:12That's okay.
34:14I don't want cameras to be closed.
34:15Please.
34:16I don't want to record that.
34:18Then two lines are your way.
34:20Sāvan bhi to jāyē pi harvā
34:42Man merā ghabrae
34:55Murasaiyang mūsse bolena
35:02Dhar.
35:02Very nice.
35:03Bhai.
35:04Baghiaer wu wala mic,
35:06We consider the other one
35:07It's impossible to put in this song
35:09Impromptu sing.
35:11Bhai yaar.
35:11Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
35:13Jamal, something that I've noticed,
35:15of course, I mean, you always hear your voice
35:17always from your voice,
35:19but it's getting more of a good idea.
35:21So, what is it?
35:23I'm doing it.
35:25Do you train with your teacher today?
35:27I'm doing it with your teacher
35:29as well as a teacher,
35:31and Madi Hassan
35:33to your family and
35:35and yes, yes, yes.
35:37Sheiroz Aang is very good friend of mine.
35:39He's a musician.
35:41But yeah,
35:43you can feel the expectation of anybody.
35:45Yeah.
35:47Yes.
35:48Yes.
35:50Yes.
35:51Yes.
35:52Yes, yes.
35:53Yes.
35:54Yes.
35:55Yes.
35:56Yes.
35:58Yes.
35:59Yes, yes,
36:01Yes.
36:02Yes.
36:03Yes.
36:04Yes.
36:05Yes.
36:06Yes.
36:07Yes,
36:08Yes.
36:09I don't want to go to the gym. You're going to work out this whole day.
36:14I'm just trying to listen to you.
36:18I was going to ask exactly what time is your intention.
36:21I had given them the time. I said, look, the time is better in the evening.
36:28At that time, you get a little bit of anger and then you understand this.
36:34Okay, you guys have to start the drama now.
36:36What should you give to fans?
36:39What are you waiting for? If you want to say something from your craft?
36:44I'll tell you about the character of Noor, so there will be a change in the night.
36:49You will see it. It's very interesting.
36:51We've worked very hard on it.
36:53It's hot in the morning. It's hot in the morning.
36:57It's coming, right? You've also worked hard on it.
36:59When did you do it?
37:01We've worked very hard on it, so we've worked very hard on it.
37:04I would like to watch this drama.
37:07Because it's not just a typical story of Mia, Bibi or Saz, Bahu.
37:11The character of Noor has its goals.
37:19He's very passionate.
37:20He's very passionate about it and he'll achieve everything in this house.
37:27He'll keep his relationships together.
37:29And he'll stand on the wrong things.
37:32You guys can see, there's a lot of things to learn in this.
37:35What a matter of fact.
37:36Wow.
37:37What a matter of fact.
37:39I've lost your mind.
37:41It's very good.
37:42I've also told you about Noor and you've also talked about Noor.
37:44I was talking last time, I'd say less.
37:47Yes.
37:47So is this tonic or anything clear?
37:50No, who is it?
37:51It's sitting in the house, right?
37:52You'll tell me.
37:53It's sitting in the house, basically.
37:55It's your impact on them.
37:56Sir, I...
37:57You were so much less.
37:58You've also started to say that.
38:00I don't know if it's your impact on them.
38:03Who's talking more?
38:04Who's talking more or I'm talking more?
38:05Both are good.
38:06Both are good.
38:06It's important that both are good.
38:08And as I said, your drama is starting now.
38:11I wish you both all the best for it.
38:13Thank you so much.
38:13I don't ask you about it in the pipeline.
38:15What are you talking about now?
38:15My drama is starting now.
38:16What do you want to tell us?
38:18No, I've told you.
38:20You don't want to tell us anything.
38:21In the next week, inshallah, we'll...
38:23In the next week, we'll have a chance.
38:24Khoatin, on that note, you'll have a chance.
38:27Keep your attention.
38:28Next week, inshallah, we'll have a chance.
38:30Until then, God bless you.
38:35Bye.
38:36Bye.
38:37Bye.
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