- 2 days ago
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00:00A-ha-ha!
00:30They're not going to be able to find the world
00:32All of you are sure, they all love
00:40Very nice things, the things, the things, the things
00:45And all of you are sure, they all wait
00:49A minute of the day, right?
00:53Just like that, you know?
01:01.
01:01.
01:02.
01:04.
01:04.
01:04.
01:04.
01:04.
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01:06.
01:06.
01:06.
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01:08.
01:19.
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01:20.
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01:24.
01:26.
01:26.
01:26.
01:26.
01:26.
01:27.
01:27.
01:27.
01:28.
01:28.
01:28.
01:29.
01:29.
01:40Chicho said that...
01:42...
01:43...
01:44...
01:44...
01:44...
01:46...
01:46...
01:46...
01:46...
01:46...
01:46...
01:47...
01:47...
01:47...
01:47...
01:49...
01:49...
01:49...
01:50...
01:50...
01:51...
01:51And now I've known him.
01:53I've known him.
01:55And I've known his congratulations card.
01:58What card?
02:03The president of the production house.
02:07Style Productions.
02:09He's very happy Figuero and his wife
02:12with his happy marriage.
02:15That's a year ago,
02:17until a year...
02:21The office...
02:26I'm absolutely happy, Chicho.
02:29Okay, I'm signed.
02:32I pray for you.
02:33So, Basilio Ivanov,
02:38opera director.
02:40Oh, this is Chicho Basilio?
02:42My friend, Chicho.
02:43Basilio Ivanov,
02:46opera director.
02:47He will make the death of Figuero.
02:50He will make the casting
02:53for horses and horses.
02:55How much?
02:57How much?
02:58How much?
02:59How much?
03:01How much?
03:05How much?
03:09How much?
03:12Can I be in my mouth?
03:16How much?
03:25How much?
03:26Woo.
03:27How much?
03:27You just have a short reflex.
03:29You think?
03:31Yes.
03:34Kosta!
03:37Kosta!
03:39Kosta!
03:40Kosta!
03:40Look at that!
03:41Today we have to leave
03:43an obama for casting
03:46for opera singers.
03:47And no congratulations cards!
03:49Good Kosta!
04:02The Karen keep going.
04:20I'll call it, the smallest вечe,
04:22the most富ised camera!
04:24When you speak three cameras,
04:26you'll want to come up in the studio
04:29That's it, that's it, that's it.
04:31That's it.
04:31That's it, and if not,
04:33well, let's write it.
04:36And the orchestra is playing,
04:39how many are they playing?
04:41The set of the group,
04:45and the three spirits.
04:48What spirits?
04:49Not spirits, but instruments.
04:52And the mass,
04:53and weapons,
04:58and children,
05:01and many children...
05:05What ?
05:06What the, what ?
05:08How am I Pavilion?
05:12Can you imagine these are theragenvets in the途征,
05:16who was at the battle battle,
05:18and he probably described,
05:21FIGARO, who is preparing the wedding wedding.
05:25She begins the love scene.
05:28Music!
05:29P.K.
05:30Let's go!
05:32Let's go!
05:35Let's go!
05:53What a genius!
05:54Yes.
05:56With this route from Style Productions,
06:00she takes an ahead of hernd smoke.
06:02and следующая trip becomes the most famous one in the world.
06:07I'm not being accept 연 uma.
06:09But договор definitely...
06:17What is it?
06:19What is it?
06:20What is it?
06:24I'm sure my winners are.
06:26What is it?
06:27I'm talking about what's the thing.
06:32We'll find new people,
06:34we'll find new people...
06:35I'll call the ball.
06:36How are the boys?
06:38These are the boys who are left in Bulgaria.
06:42I can't work with the boys.
06:44Let's go!
06:45Basilio!
06:46How much I am!
06:48You are going to go to me with the teacher!
06:53Maestro!
06:55Maestro!
06:57We can't wait for the honors,
07:00if we are left out of...
07:01a horse, a horse, a horse, a horse, a horse, a horse, a horse,
07:06a horse and a horse with a horse in hand.
07:10And so we will have more honors!
07:24I'm sorry, Maestro, but...
07:26this is...
07:28a dirty decor,
07:30no art, no horses,
07:33no horses, no horses,
07:36no dogs,
07:38a horse,
07:39a single camera,
07:42only the healing of the audience,
07:44which leaves the viewers of the audience.
07:48Oh, no!
07:50It's the end!
07:52I'm going to go!
07:53Maestro!
07:54Is it going to be for someone for a little bit
07:56to say something?
07:59Maybe we can replace it?
08:00Maybe we can replace it.
08:02Maybe we can replace it.
08:03For example,
08:05opera for three dollars.
08:07so it sounds quite efficient, right?
08:10Yes,
08:11we can go to Chicho!
08:14The end!
08:18Maestro!
08:19I'm a little bit of a thing!
08:21We can't do film, opera,
08:24not a spectacle.
08:26The end!
08:28The end!
08:30There are some artists
08:31who will make you
08:33a miracle of kindness.
08:35The end!
08:39Just you.
08:40Just you.
08:41I know.
08:42I know I'm not?
08:45We can't do that
08:46battle with you!
08:47We can't do that
08:49battle with you!
08:51It's not that we can do that
08:52The end.
08:53In the future,
08:54we can't do that
08:54Playback.
08:58What?
09:00Playback?
09:01What's playback?
09:10Maestro, Rigoletto, Quartett.
09:31Tvojta prelest me zatrogva, Tvojta prelest, Tvojta chubost, Gali,
09:49Gali, neno, moja, Tvado.
09:55Tvojta režabati .
09:58Tvojta režabiti?
10:07Mais edite.
10:16Actually...
10:17...
10:17...
10:18...
10:22...
10:24...
10:24I don't know if she is a woman.
10:27One, two, one.
10:31Be able to go.
10:36Penge, start to call.
10:38No, it's like a phone call.
10:50Grafe?
10:59Zahar?
11:00Nya kakakki konek.
11:02Chudesna je za glas
11:03i za srdčni i ljubovni bolki.
11:06Marci, botu.
11:08Kaj nami, Zahar?
11:09Ah, kakva raka imaš, Susan!
11:15Neverojatno.
11:16Za prv pët vijedam takava linja na srdceto.
11:19Preživjala si nya kolko razočarovani.
11:22Eto, seda също si v loš period.
11:25Ia?
11:27Eee, a na mene na laka, nama li da mi poglednеш?
11:30Niki, viste!
11:32Při zaici!
11:33Kde be?
11:33Eto, tuka.
11:35Ela, a ti pogledam na kafé.
11:37A nešta za budešte to?
11:38Eto?
11:39Eto, imala si nya kolko dõlgi vrëzki
11:42s vatrnicevi nepostojane mladih hora.
11:46Tuk te očepia golemata istinska ljubov.
11:49S malko pololegnal.
11:50Malko pololegnal.
11:52Malko pololegnal.
11:53Malko pololegnal.
11:54Iaure.
11:57Malko pololegnal.
12:00Malko pololegnal.
12:02Ma
12:03Ma
12:03Ma
12:04Ma
12:06Ma
12:07Ma
12:07Ma
12:08Ma
12:08Ma
12:08Ma
12:09Ma
12:09SHOT
12:10Jamas
12:24No, it's just so nice.
12:26Just look at all of us.
12:28I'm not allowed to do that with my sister.
12:36You'll say something to say to someone.
12:39You're a friend.
12:41Give me my hand.
12:43I'm sorry to tell you something to say to the star.
12:46No, I don't say anything.
12:48You'll say something to say to someone.
12:50You'll say something to someone.
12:53You'll say something to someone.
12:59And Hitch, I don't trust you.
13:01He can't look at his hands.
13:04Abelelo!
13:06Oh!
13:08Oh!
13:09Oh!
13:10Oh!
13:10Oh!
13:21I don't know.
13:22How much I tell you, it's not worth it.
13:24I don't trust you.
13:27I'm not sure to tell you.
13:28Yes.
13:30By the way, it's a woman.
13:33Yes.
13:34I'm not sure to tell you.
13:35Yes, it's a woman.
13:35You know, Mariana is a father.
13:37But I don't know.
13:41I don't know.
13:42Is this a woman?
13:45Yes?
13:46I don't know.
13:47Now, I'll explain.
13:49Two are two brothers.
13:50Yes?
13:52Yes, my brother.
13:55Yes, my brother.
13:57Yes, my brother.
13:59Let's go!
14:04Let's wait!
14:06What is this?
14:07What is this?
14:08What is this?
14:08What is this?
14:13What is this?
14:18What is this?
14:20What is this?
14:23Yes, exactly so.
14:26You, little girl,
14:27you lost the hair,
14:29which the author gave you to Susanna.
14:32Looking the hair,
14:34you get to Figuero,
14:37who is hiding in the middle of the story.
14:40You tell him the whole story.
14:43Figuero is very sad,
14:44because you are very sad.
14:46If you tell me to tell you,
14:48you will not be able to tell you.
14:49I'm not sure.
14:52What are you doing?
14:54No.
14:54What is this?
14:56What is this?
14:56What is this?
14:57What is this?
14:58I don't know.
15:01What is this?
15:05Yes.
15:07How are you doing all the far ahead of time?
15:19I know.
15:21What does it mean?
15:23what is the other way?
15:30You are.
15:31What is that?
15:33Mariana is not the one of the Kakao.
15:37And how is it?
15:42Brutus.
15:45He makes the experience to kiss Susanna.
15:50Susanna is upset and he makes the laugh.
15:53The laugh.
15:55He makes the experience to kiss Susanna, but he's got a figure.
15:59Oh!
16:01Brutus.
16:04I'm a year old.
16:05Yes, but you're a little girl.
16:08What?
16:10He says everything.
16:14I love her in the graffiti and she starts to kiss her.
16:17I love you! I can't be without you!
16:21I love you!
16:23I love you!
16:26Susanna is upset,
16:27She doesn't hold up.
16:29She's mad.
16:31One, two, three, four, five, six.
16:33She's a man.
16:33She's a man.
16:33She's a man.
16:34She's a man.
16:39She's a man.
16:43Oh, how good!
16:44Can you imagine?
16:46I'm a man.
16:47Let's do it now.
16:49Music.
16:50Where is she?
16:51A man.
16:54A man.
17:01A woman.
17:06A man.
17:06A man.
17:11A woman.
17:16Is there any?
17:18Mariana has a very serious relationship with Nikolai and...
17:20Spokojno be, Lole.
17:22There is no more to pay attention.
17:24You don't know what to do.
17:26No, no, no, no.
17:27Do you think so?
17:28Do you think you're going to be sure after that?
17:31Yes.
17:33Yes.
17:33Yes.
17:34Yes.
17:34Yes.
17:36Yes.
17:36No, no, no.
17:40Yes.
17:47It is a matter of mind that you have something that you want to say you,
17:51but you should never believe.
17:51What it is?
17:52Yes.
17:53Yes, I will.
17:55Yes, yes.
17:55Yes, yes.
17:56Yes, yes.
17:58Yes, yes.
17:59Yes.
18:04I don't know what to do.
18:05What is it?
18:08What is it?
18:34What is it?
18:56What is it?
18:57I don't want to say that.
18:57That's why I'm not going to talk about you, that you are my darling.
18:58Can you hear me?
18:59What?
19:00The граф Almaviva, the famous Suzanne,
19:03the evening of the show, the scene, the scene,
19:06will repeat a great episode.
19:08But if you repeat a great episode,
19:10don't fall into any of the show.
19:12Oh, leave it and a rose.
19:15But...
19:16...
19:16...
19:16...
19:16...
19:16...
19:16...
19:17...
19:17...
19:18...
19:20...
19:25...
19:26...
19:27...
19:27...
19:29...
19:31...
19:32I'm going to be
19:35I'm going to be
19:37I'm going to be
19:42I'm going to be
20:02on hijos
20:03Anyway, here is a round of applause
20:09Sorry
20:16I'm done
20:19on romantic evening
20:24afteramis
20:32If you will be the same, you will be your sister, if it is necessary.
20:38My sister, it doesn't mean that...
20:41What do you mean? What do you mean?
20:44It doesn't let you go with me.
20:48Okay, sorry.
20:53Oh, dear sister!
20:56I want to tell you what's happening here.
20:58What do you mean?
21:01You're your sister, your sister or your sister?
21:03No!
21:04You're not your sister!
21:06No, you don't have to go with me!
21:08My sister, my sister, you can't do anything!
21:11Mariana!
21:14Pardon!
21:16I'm sorry, Mr. Basilio.
21:19I want to give you a romantic evening.
21:21I'll show you the story on the scene.
21:24Oh, the scene!
21:47Mariana!
21:49Mariana!
21:49Mariana!
21:50I'll show you the plot of Mariana, but we won't be the same.
21:59Oh!
22:01Mariana, Mariana, Mariana!
22:03But your little and your sister,
22:06one of the places � Burri's two Henriences,
22:08one of the scenes will be the same.
22:09The scene...
22:11Opa!
22:12It's a surprise.
22:14What do you do here?
22:16And you?
22:18I repeat it.
22:21Susanna, Susanna, Susanna, my little sweet Maria.
22:44Yes, the scene is the only place where four actors can stay themselves.
22:51Oh, I'm hungry.
22:54Of course, the only place where five actors can stay themselves.
23:00Tell me.
23:01Oh, wine, wine, wine, wine.
23:03It's bad that they can stay themselves.
23:05And to repeat it.
23:13Ooh, ooh, ooh.
23:14Be, be, be.
23:14Hello, honey.
23:18Hello, honey.
23:19Marceleina.
23:21Listen carefully to fall into the intrigue.
23:25So...
23:25You both with Dr. Bartholo had a love intrigue.
23:30I'm the captain of Almaviva.
23:33Everything.
23:34Okay.
23:35With the captain of Almaviva you had a love intrigue.
23:37Yes.
23:38And from this intrigue you have a child.
23:41No.
23:42Yes.
23:44How so no?
23:46No, tell me.
23:48That's why no one knows.
23:52Exactly.
23:53No one knows.
23:56And this child is called...
23:58Stop!
24:00Figaro!
24:01Yes.
24:02He's very excited.
24:04What did he say for our child?
24:06He's very good.
24:07He's very good.
24:07He's very good.
24:08Mariana, Mariana, Mariana.
24:11He's very good.
24:12Mariana is our child.
24:13Mariana is our child.
24:16How is our child?
24:18That night.
24:20Who is?
24:21That night.
24:23I'm not going to go.
24:24Is it?
24:25No.
24:26No.
24:27Yes.
24:29Mariana is our child.
24:31Mariana is our child.
24:32Exactly.
24:33Figaro is your child.
24:38Mariana is mine.
24:38Mariana, Mariana.
24:39Mariana is my child.
24:43Mariana is my child.
24:45Mariana is my child.
24:47Mariana, Mariana.
24:47Mariana...
24:48Like, what is it happen now?
24:49How the hell is?
24:5029 years ago, I know my dad has died, but now, from a few seconds, I is lost with my
24:55father and my father and my mother.
24:56Hello?
24:57Mariana, Mariana, Mariana.
25:01Mariana, Mariana, Mariana.
25:03Oh, my mother, Mariana, Mariana.
25:07But you are not normal.
25:17Grafe?
25:18Can you tell me something about my future?
25:22I don't know what you are doing.
25:23I don't know what you are doing.
25:27You are not sure what you are doing.
25:29Mariana, you have a lot of coffee.
25:31Yes.
25:32I have a lot of coffee.
25:35Mom?
25:36Mom.
25:38Why did you get me to marry me?
25:42I met a woman, who is to get to my mom.
25:47And I met a mother, who is to marry him, who is to marry his mother and dad.
25:52And I met a son who is to marry his mom and dad, who is to marry her!
25:56And I will never be with a coffee.
25:59I will never better!
26:01And you will never be with me.
26:02And you will never be with me.
26:04I have a bitch from my dad.
26:10And I will never be with you.
26:15I was afraid of it.
26:16You should put me and put me?
26:18No, it's hard to put me.
26:22Why did you tell me why you're not
26:24I was that I was and I was
26:26I was and I was and I was
26:51I'll see you next time.