- 3 hours ago
A gentle council worker, John May, is tasked with finding the next of kin of those who have died alone and organising funerals for them. But things change when his department is downsized.
Category
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Short filmTranscript
00:00:07It plays a well-known band with the metal, but I could have been.
00:00:16I hope this is a very fun one for home.
00:00:17This is not the only one I can read from the video.
00:00:18This is also what I found at the calle.
00:00:19It was a really nice time for the military.
00:00:23I want to use these two creative tools.
00:00:37I don't know.
00:01:29I don't know.
00:01:44I don't know.
00:02:00I don't know.
00:02:38I don't know.
00:03:00I don't know.
00:03:09I don't know.
00:03:33I don't know.
00:03:39I don't know.
00:04:19I don't know.
00:04:23I don't know.
00:04:58I don't know.
00:05:20I think that I'm also going to travel more.
00:05:22It was inevitable.
00:05:24Juliana had already told me.
00:05:25I was originally slated to be the host.
00:05:27That's no longer the case.
00:05:29We've been assigned to cover the impact that cow excrement has on the whole planet.
00:05:36I don't know.
00:05:36And we continue with the case of Julia Cotoneese, the woman who disappeared a week ago.
00:05:40See?
00:05:41I need a note like that.
00:05:42Julia's parents are abroad looking for her.
00:05:43Even if a note like that were to come out, they asked or told, they handed over to Walter.
00:05:48Have you seen or know anything about his whereabouts?
00:06:01Have you seen or know anything about his whereabouts?
00:06:09I don't know anything about his whereabouts?
00:06:14I don't know anything about his whereabouts.
00:06:27I don't know anything about his whereabouts.
00:06:38I don't know anything about his whereabouts.
00:07:03Un árbol y luz artificiale, luz de naturaleza muerta, ella está muy cerca de un chaval.
00:07:21Te verás sufrir, sólo hay como repetir, ya amando aquí, nunca se perdió.
00:07:39No habrá un buen final, sólo sabemos comenzar, volverán igual, eso no cambió.
00:08:34¡Suscríbete al canal!
00:08:35El canal de Zapala con Miguel Krakzauer, que escribió un libro sobre el efecto de la creación de la creación.
00:08:40¿Cómo va?
00:08:41Bien, bien.
00:08:42¿Es verdad que la creación de la creación de la creación de la creación de la creación de la creación
00:08:45de la creación más que los aviones y vehículos de todo el mundo?
00:08:49Bueno, podría ser una escatológica joke, pero, unfortunately, no es.
00:08:54El gas expuesto por las intestinas de la creación produce el efecto de la creación de la creación de la
00:08:59creación de la creación de la creación.
00:09:00Cada animal, y hay millones de ellos en el mundo, produce cada día, tres o cuatro litros de la creación
00:09:07de la creación de la creación de la creación.
00:09:08Conclusión, contribuyen 5% de la creación de la creación de la creación de la creación de la creación.
00:09:29¿Quieres hacer un inserto o algo?
00:09:31Easy, easy.
00:09:33One little thing.
00:09:35We saw some cows out here next door.
00:09:37Do you know who they belong to?
00:09:40From the Cotton East.
00:09:42Couldn't you ask them to let us in to take some shots?
00:09:45It occurred to us that that way...
00:09:46He won't let them in.
00:09:48Ah.
00:09:49But they are neighbors.
00:09:51You haven't met him?
00:09:51Yes, but we don't get along.
00:09:53Isn't that the family whose daughter disappeared?
00:09:57Did you come to write me a note about the book?
00:09:59Or to talk about the Cotton East?
00:10:00Yes, no, no, sorry.
00:10:02It happens that since it talks about cattle raising,
00:10:04it occurred to us that it would be nice to end with a shot of the cows.
00:10:08We need the cow.
00:10:08The image.
00:10:10I'm not going to go there.
00:10:13Let's see.
00:10:14We can also do this from the road.
00:10:16I'm able to zoom in.
00:10:17This is not a problem at all.
00:10:18What we were hoping for was to have you walking along with the cows visible in the background.
00:10:23All right.
00:10:24Let's go.
00:10:25I'll catch up with you.
00:10:26Okay.
00:11:10Are you better?
00:11:13Yeah.
00:11:14Much better, thank you.
00:11:15You guys, did it go well?
00:11:17Yes.
00:11:18It's all done.
00:11:19Oh, that's good.
00:11:20Well, thank you very much.
00:11:21When will the article be released?
00:11:24Estimate two weeks, give or take a couple of weeks.
00:11:26Well, have a good trip.
00:11:30If you're on your way there, to the Cotton East, I mean, be careful.
00:11:35Why?
00:11:37They are bad people.
00:11:39Nobody wants them here.
00:11:41They're not good neighbors.
00:11:44They hunt and play and take pictures of each other like skinned animals and post it on Facebook.
00:11:48You know what I mean?
00:11:51Well, when I know it's on the air, I'll write you then.
00:11:53Okay.
00:11:54Okay.
00:11:54Thank you very much.
00:11:56Bye.
00:12:00This disgusting grass hurts me so much.
00:12:01Hey, and if we put a little bit of vibe on it, it's better.
00:12:04What will make me happy?
00:12:05To everything?
00:12:05I don't know.
00:12:06You're in another one.
00:12:07Who cares about this note, Diego?
00:12:10Let's see.
00:12:11It's work.
00:12:12Tomorrow we'll do the livestock.
00:12:13Shall we forget it?
00:12:32How's it going?
00:12:33Hello.
00:12:33Nice to meet you.
00:12:34Is the boss here?
00:12:35No.
00:12:36Gone.
00:12:36Traveling.
00:12:39I understand that you have livestock.
00:12:40Is that correct?
00:12:41Yes, sir.
00:12:41We have plenty.
00:12:43Because I have an ONG.
00:12:45Ah.
00:12:45We would be interested in setting up a refrigerator.
00:12:47Something like that.
00:12:48More work.
00:12:49No.
00:12:49This has nothing to do with it.
00:12:50It is the opposite.
00:12:51It's called the Animal Salvation Army.
00:12:53It's to protect animals.
00:12:54Ah.
00:12:55Well.
00:12:55But you're going to have to come when you're there, you know?
00:12:57Because I can't even let you in to see the animals.
00:12:59Okay.
00:13:00Okay.
00:13:00Okay.
00:13:01Look, I give you a flyer.
00:13:02It's what I hand out in general, to make people aware.
00:13:05That's perfect.
00:13:07Who can become a vegetarian, huh?
00:13:11Alright.
00:13:11I can leave you the phone.
00:13:13Yes.
00:13:13Of course, please.
00:13:14Sir, please.
00:13:16I'll let the boss know.
00:13:17There you go.
00:13:17There's my card.
00:13:18And maybe we can talk face to face.
00:13:20It's much better.
00:13:20But you're going to have to come back when you're there, because-
00:13:22Well.
00:13:22I'll be back tomorrow.
00:13:24I'm going to give you all the flyers while we're at it.
00:13:26And if you want, you can read it.
00:13:27It's very interesting.
00:13:28You will see that it will change some things.
00:13:31Good luck.
00:13:32Bye-bye.
00:13:36Okay.
00:13:47Is it here?
00:13:49Do you want something?
00:13:50No.
00:13:51Coming.
00:13:52Hello.
00:13:52What's up?
00:13:53I'm fine.
00:13:54I'm going to take these and-
00:13:56Hello.
00:13:58Can I leave you a flyer?
00:14:00Oh, I don't have hands right now.
00:14:01Thanks.
00:14:02Do you have beer?
00:14:03Here you are.
00:14:05How much is it?
00:14:06Twenty pesos.
00:14:07Oh, here you go.
00:14:07A free hand.
00:14:09Well, thank you.
00:14:12Twenty.
00:14:17A small bag, please.
00:14:19Yes, of course.
00:14:24Thanks a lot.
00:14:25Bye.
00:14:26Keep it in mind.
00:14:27Thanks.
00:14:28And read what will change your life.
00:14:31Thanks a lot.
00:14:39What did that kid want?
00:14:41He gave this.
00:14:44It's time to become a vegetarian.
00:14:48But don't they make the best empanadas sultanas here?
00:14:51Yes, Diego.
00:14:52The best empanadas sultanas are made.
00:14:54In Nucan.
00:14:55Enjoy that.
00:15:04Good morning, boss.
00:15:06How are you doing?
00:15:07A gentleman came by and brought these tickets.
00:15:10To give to you.
00:15:15Animal abuse.
00:15:17If there's anyone who loves animals, it's me.
00:15:19Elotario.
00:15:20Excuse me, sir.
00:15:21Put that away.
00:15:22Okay.
00:15:23Give me a hand.
00:15:30Excuse me, sir.
00:15:42There.
00:15:42I have the key.
00:15:43How is the key?
00:15:44In my room.
00:15:44It's only one.
00:15:45I'm off to grab the stuff.
00:15:46What?
00:15:54Well, there weren't any.
00:15:55The separate beds.
00:15:57Okay.
00:15:59Do you sleep there?
00:16:08How unpleasant you are.
00:16:12Stop.
00:16:12Stop.
00:16:12Stop.
00:16:12Give me.
00:16:13No.
00:16:13Don't change.
00:16:13Don't change.
00:16:15Turn off the volume.
00:16:17Turn it up.
00:16:18Going.
00:16:20Again, the whereabouts of Julia Cottonese are unknown.
00:16:23She disappeared a week ago and we still have no news about the case.
00:16:27People are shocked.
00:16:28We are afraid.
00:16:29We are afraid to go out in the street.
00:16:31We demand justice.
00:16:33Well, back here in the studio, the truth is that we are worried.
00:16:37The whole town is worried about the disappearance of Julia Cottonese.
00:16:41And if you have any information or have seen anything about her whereabouts, please call 24 hours a day, both
00:16:49the channel's numbers as well as the police 911.
00:16:53We are all working together.
00:16:54It is important that we are connected.
00:16:56Where are you going?
00:16:57For these things that we do not want to be repeated in our town because the truth and security is
00:17:01getting worse every day.
00:17:19I am Jasmine Alcina and we are at the house of Julia Cottonese who disappeared a week ago.
00:17:23I am going to show you exclusive evidence that she was kidnapped.
00:17:31In this area near Julia's house is where I found her wallet with documents, credit cards and money.
00:17:37Reliable proof that she did not leave by her own means.
00:17:39And that she was possibly kidnapped right here, in this place.
00:18:19I am not supposed toinger or do this falou somewhere.
00:18:20By the way, look how do I need to access to her wallet?
00:18:20I do not go back now on Twitter.
00:18:22There is no identification.
00:18:22There is no chickens.
00:18:22All these creatures seems liable.
00:18:38Things where I am so concerned in space.
00:18:56Hello.
00:18:59Hello.
00:19:00Lost?
00:19:01Codonies?
00:19:03No, it's the house next door.
00:19:06I'm sorry.
00:19:07No, it's still very common for people to cut through here.
00:19:11Gerardo.
00:19:12Jasmine.
00:19:14Don't worry, he won't do anything to you. He's a vegetarian.
00:19:18The dog? Vegetarian?
00:19:20Yes, we are both vegetarians. I feed him with soy meat.
00:19:24What do you want to see them for?
00:19:26They're fucked up.
00:19:28Why?
00:19:30Look, here in the village we know a lot about the Codonies people.
00:19:35Anyway, they don't live here anymore.
00:19:36The only one living here is Julia, their youngest daughter.
00:19:38Yes, the one who is missing. Who could have been murdered.
00:19:43Murdered? I don't think so.
00:19:48Do you know anything?
00:19:55Let me explain. I'm a journalist.
00:19:57I'm specifically investigating this case, so if you know you've heard about her, about her parents, it's useful for me.
00:20:05Let's do something. Can I lend you my card?
00:20:08Yes, of course.
00:20:10It's important to me.
00:20:11Let me know, okay?
00:20:13That's great.
00:20:14Thank you very much.
00:20:15A pleasure. It's mutual.
00:20:17Sorry.
00:20:17No, it's okay.
00:20:19The road?
00:20:19200 meters that way and to the left.
00:20:22Thank you. Excuse me.
00:20:24Bye.
00:20:26Bye.
00:20:33Well, at last.
00:20:35Where were you?
00:20:37Don't mess with me.
00:20:43What a face.
00:20:50Let's go calm down a little bit.
00:20:52You don't look well.
00:20:56What's for lunch?
00:20:58Steak.
00:21:05Remember that tomorrow.
00:21:07We have to get up early.
00:21:10We possess...
00:21:11An interview.
00:21:12Yes. To Jose and Mar.
00:21:14The grenadier.
00:21:15Yes.
00:21:17Finally, we're going to see someone who's not against killing animals.
00:21:22I'm starving.
00:21:25Do you want...
00:21:26Yes.
00:21:39How's it going?
00:21:40How's it going?
00:21:42It's going well.
00:21:43Has the boss arrived?
00:21:44He came, but retired on the way back.
00:21:46He was going to travel, then left.
00:21:49Okay.
00:21:51But he told me he had no interest for now.
00:21:54Of course.
00:21:55Maybe another time, but he told me no.
00:21:56What happens is that the pamphlets...
00:21:59Face to face.
00:22:00His best.
00:22:02What can I explain to him well?
00:22:03I explained to him and gave him something too, but he said he had no interest for now.
00:22:09I can't wait for him inside, can I?
00:22:10No, that's impossible.
00:22:12Well, I'll wait for him here.
00:22:14As you wish.
00:22:15No problem.
00:22:16But to say that it cannot happen.
00:22:18Yes.
00:22:19But it could be here.
00:22:20Yes.
00:22:21From here to here, no.
00:22:22From here to here, do whatever you want.
00:22:24Bye.
00:22:27And that's how I met my second wife.
00:22:29I just like meat a lot.
00:22:31They ken me.
00:22:32How does it feel to be one of the most powerful businessmen in the cattle raising world?
00:22:37It's a man's business.
00:22:38A macho man's business.
00:22:40And there are fewer and fewer people left in the business.
00:22:43Because there are fewer and fewer males?
00:22:45Let's see.
00:22:47How long has it been since a man has invited you for a good asado?
00:22:52Portenos eat sushi.
00:22:53All of them now.
00:22:54What do you think of those who say that cow breeding contributes to the greenhouse effect?
00:23:01Hey, that guy's a real show-off, isn't he?
00:23:03I liked him.
00:23:05Yes, because he has money.
00:23:06Sorry.
00:23:07Yes.
00:23:07Did you happen to see Jose Aymar?
00:23:10Yes.
00:23:11Yes, we did a story on him.
00:23:13I am promoting veganism in the interior.
00:23:16Today I'm giving a talk, a seminar.
00:23:19If you want to be informed, if you want to cover it, here is the invitation.
00:23:24Good.
00:23:25And here is an informative pamphlet.
00:23:28I'm Dan.
00:23:29Jasmine.
00:23:29Good.
00:23:35I'm coming.
00:23:41Jazz.
00:23:42Do you have production money for the pizza?
00:23:45Grab the drawer.
00:23:56No cash, Jazz.
00:24:06Yes?
00:24:08How much is it?
00:24:0948.
00:24:11Here, keep the change.
00:24:15Bye.
00:24:22Can you tell me what you do with Wallet?
00:24:25Of Julia Cottony's?
00:24:29It's the girl who disappeared.
00:24:30I'm asking you where you got it from.
00:24:33I found it where we made the note.
00:24:37See that?
00:24:42Vegetarian gave us one just like it today.
00:24:44Was she there?
00:24:45Yes.
00:24:48The talk is now.
00:24:50Let's go cover it.
00:24:51Why?
00:24:52Get the camera.
00:24:52We are leaving.
00:24:53The pizza has arrived.
00:24:54Okay, Diego.
00:24:55Do what you want.
00:24:55I'm going alone.
00:24:56Be careful.
00:24:56Car key?
00:25:00Remember that tomorrow we have to be in the capital, eh?
00:25:04We have to take all measures to avoid this great ecological crisis that we are producing.
00:25:11Cow excrement generates gases.
00:25:14These gases are making the hole in the area's layer bigger and bigger.
00:25:18Why is that?
00:25:19Because we are raising more and more cows for our livestock.
00:25:22Every time we eat meat, we increase the greenhouse effect.
00:25:25Much more than all the cars, boats, and fun planes in the world.
00:25:31But that is not scientifically proven.
00:25:34Gerardo Basavio Ilvaso.
00:25:37Have a seat, please.
00:25:46Here the problem is not the cow's poop, but that they are being killed to eat them.
00:25:51You know very well that animals are sentient beings, that they suffer.
00:25:55I think that what we have to aim at is that animals have rights, just like human beings.
00:26:00I agree with that.
00:26:03But people need to know that there are other ecological problems caused by eating meat.
00:26:08But they are not proven.
00:26:09It seems to me you are shifting the focus.
00:26:11You are distracting them.
00:26:12Well, neither is the existence of God proven.
00:26:15We can't wait for all the theories to be proven.
00:26:18We must act now.
00:26:19And if this speech helps us to convince people of our cause, let's go ahead.
00:26:25Excuse me.
00:26:27According to you, what would we have to do in order not to have so much cow shit?
00:26:51Diego?
00:26:56No.
00:26:57Who?
00:27:00No.
00:27:07No.
00:27:10No.
00:27:19I don't know.
00:27:45I don't know.
00:28:19I don't know.
00:28:21Hey, what's wrong?
00:28:25No.
00:28:25No, nothing.
00:28:26No.
00:28:32No.
00:28:32No.
00:28:35No.
00:28:47No.
00:28:48No.
00:28:49No.
00:28:51No.
00:29:07No.
00:29:08No.
00:29:09No.
00:29:22No.
00:29:23No.
00:29:23No.
00:29:25No.
00:29:28No.
00:29:41No.
00:29:42No.
00:29:42No.
00:29:43No.
00:29:43No.
00:29:52No.
00:29:55No.
00:29:56No.
00:29:56No.
00:29:58No.
00:30:00No.
00:30:02No.
00:30:03No.
00:30:05No.
00:30:07No.
00:30:08No.
00:30:09No.
00:30:10No.
00:30:10No.
00:30:11No.
00:30:11No.
00:30:13I don't know.
00:30:49what's up why aren't you listening to me I can't talk now where I'll call you back
00:31:34hello yes yeah of course
00:31:42that's great
00:32:19so
00:32:28so
00:32:38so
00:32:45so
00:32:54so
00:33:02so
00:33:11so
00:33:18so
00:33:24so
00:33:51do you know anything
00:33:52do you know anything
00:34:28so
00:34:30so
00:34:36so
00:36:26Hello?
00:36:50Hello?
00:36:51Hello?
00:36:53Hello?
00:36:55Hello?
00:37:10Hello?
00:37:15Hello?
00:37:26Hello?
00:37:53Hello?
00:37:54Diego?
00:37:55You have to come here.
00:37:56With the camera.
00:37:58Hey, what's up?
00:37:59Stop.
00:37:59Where are you?
00:38:01Kilometre 36.
00:38:02The Pink House.
00:38:05Do I have a son?
00:38:07Do I have a son?
00:38:32I'm sure.
00:38:32I'm sure he'll be able to do that.
00:38:38I don't know.
00:39:11Ready, thanks, Master. I'll see you around.
00:39:16Hey, cutie, what's up?
00:39:18You're late for an hour?
00:39:20What's up?
00:39:21Camera on.
00:39:22What?
00:39:23Ouch.
00:39:24What happened to you? What's wrong?
00:39:25Give me the microphone.
00:39:28Here.
00:39:31You can hurry up.
00:39:32Ready, come on.
00:39:33Follow me.
00:39:36Come.
00:39:37Start here.
00:39:40I'm Jasmina Alcina, investigating for Mass Noticias, covering the case of Julia Cotanese's disappearance.
00:39:45Follow me.
00:39:48Film everything, Diego.
00:39:51I'm exclusively at Raul's house, her brother.
00:39:54And the images you are about to see are very strong.
00:39:57Come here.
00:40:02He was here.
00:40:03He was here, lying there.
00:40:05I saw him.
00:40:06Where is he?
00:40:08Where is he?
00:40:10There, Diego.
00:40:11I saw him.
00:40:13I saw him.
00:40:14He was lying there.
00:40:15Dead.
00:40:17I saw him, man.
00:40:21I'm so tired.
00:40:22No, stop.
00:40:23Jazz.
00:40:24Jazz.
00:40:25Hey, easy.
00:40:26Come here.
00:40:26Come here.
00:40:30It's all right.
00:40:31That's it.
00:40:32That's it.
00:40:32Easy.
00:40:33It's all right.
00:40:33It's all right.
00:40:39It's all right.
00:40:43What are you doing?
00:40:44Get a grip.
00:40:45What?
00:40:47What do you mean?
00:40:49It's good.
00:40:50Don't you understand I'm not okay?
00:40:52I just saw a dead body lying there, and you're thinking about fucking me?
00:40:55You idiot.
00:40:56Baby, stop it.
00:40:57It's not that bad.
00:40:58Oh, no.
00:40:59It's no big deal.
00:41:00No.
00:41:00You know what?
00:41:01Go away.
00:41:02Go away and leave me the camera.
00:41:03Take it.
00:41:04Steric.
00:41:10Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:41:17no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:41:17no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:41:17no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:41:17no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:41:17no, no, no, no, no, no, no, no, no, no, no
00:41:46Hello?
00:42:10Hello?
00:42:33I don't know.
00:43:19What the hell is going on?
00:43:52I don't know.
00:44:05Are you all right?
00:44:08Yes.
00:44:09Yeah, I'm fine.
00:44:14What happened to you?
00:44:17No, nothing.
00:44:17I got lost.
00:44:18Where can I take you?
00:44:20Do you know where the Los Alamos hotel is?
00:44:24No, but I'm sure they'll be able to welcome us downtown.
00:44:36Well, thank you very much indeed.
00:44:39I can come another day to the conference.
00:44:42It's my job.
00:44:44Ah, I have some videos I can give you.
00:44:47I filmed them and I'm sure you can use them for your notes.
00:44:50Well, I have your brochure.
00:44:52There's your phone.
00:44:54Yes.
00:44:55Well, I'll contact you there.
00:44:57I'll bring it to the hotel tomorrow.
00:44:59Well, thank you.
00:45:00Bye.
00:45:02When you hear the tone, record your message.
00:45:08Diego, where have you gone, you son of a bitch?
00:45:16When you hear the tone, record your message.
00:45:20Diego, show up.
00:45:21I need to know where you are.
00:45:23I need to film.
00:45:43Doña Clota, how are you?
00:45:44A vegetable empanada, please.
00:45:46I'm not having vegetables.
00:45:47I only have meat.
00:45:49Do you remember that I don't eat meat?
00:45:50Do you have any vegetable ones left?
00:45:53No, I don't have any.
00:45:54I have chicken.
00:45:55Chicken is meat.
00:45:57Onion, cheese, or corn.
00:46:00No, I don't have any.
00:46:02I have ham and cheese.
00:46:05There are no vegetables.
00:46:06Do you have any left?
00:46:07I don't know.
00:46:08Maybe some chard.
00:46:10Hey, Paco.
00:46:17Ah.
00:46:18Well, how much is it?
00:46:20Five pesos.
00:46:24There you go.
00:46:26Can I leave these flyers with you?
00:46:27Yes, indeed.
00:46:28Bye.
00:46:29Have a good day.
00:46:55What happened, Joaquin?
00:46:58It happened that at Paco's they cheated me
00:47:00and put meat in my vegetable empanada.
00:47:18Have you ever thought about the number of animals
00:47:20that die because of that craving?
00:47:25Does it bother me to eat milanesa?
00:47:27You're already eating it.
00:47:29Mind if I sit?
00:47:31Have you sat down?
00:47:35Thanks for yesterday.
00:47:37It's the least it could be.
00:47:40And you've never eaten meat?
00:47:42My mom was vegetarian,
00:47:44so I've practically been vegan since I was in the womb.
00:47:46And how did you become a vegan activist?
00:47:50My family had a lot of money.
00:47:52And part of it,
00:47:54investing in an ONG is a bad idea.
00:47:57For animal protection and so on.
00:48:00But then they ripped us off.
00:48:01And, well, I started my own ONG.
00:48:03What's it called?
00:48:05Animal Salvation Army.
00:48:07Are they much?
00:48:09No, it's just me.
00:48:14Sorry, it made me laugh.
00:48:15Because I'm in the army.
00:48:16I thought there were a lot of them.
00:48:18Well, yeah, it's the only way I can have control over the ONG and do what I want.
00:48:23It's good.
00:48:26What I promised you.
00:48:28This is the unpublished material I have.
00:48:30I sneaked into several slaughterhouses to film the slaughter of the animals,
00:48:33the cruel way they are.
00:48:35The slaughter of the animals,
00:48:36the cruel way in which they are killed.
00:48:39How they bleed to death.
00:48:41Look, I don't want to lie to you.
00:48:43I am here investigating something else.
00:48:45That is the case of Julia Cotanese's disappearance.
00:48:48Have you heard about it?
00:48:50Yes, they mention it on TV.
00:48:52Let's see.
00:48:52I know it's not interesting what I'm asking you.
00:48:55But I can guarantee you that if you see this material,
00:48:58it will truly change minds.
00:49:00It will touch a nerve.
00:49:01The way you see how animals suffer,
00:49:04you can't turn a blind eye to this.
00:49:06Let's do one thing.
00:49:08I promise you,
00:49:09I'll get your note out with
00:49:10all the material you give me and everything I've already filmed.
00:49:13But I need you to help me.
00:49:15Basically,
00:49:16take me
00:49:16and film me.
00:49:18What about your cameraman?
00:49:21He's an asshole.
00:49:23Will you help me?
00:49:26When do we start?
00:49:53What are we doing here?
00:49:54Let's look for clues or evidence.
00:49:57It's not Julia Cotanese's house.
00:49:59No, her brother Raul's.
00:50:19Hey, do you
00:50:20always break into houses like this?
00:50:24We're going to film here.
00:50:26See if it's
00:50:27on this floor plan.
00:50:28Here.
00:50:30Do you know how?
00:50:31Direct.
00:50:33That one.
00:50:36I should always
00:50:37stay in the center
00:50:38of the frame.
00:50:39That's it.
00:50:43All right.
00:50:47My name is Jasmine Elcina
00:50:49and I'm at Raul Cotanese's house.
00:50:51Yesterday,
00:50:52I found Raul's lifeless body
00:50:54lying on the floor here
00:50:55covered in blood.
00:50:57When I went to get the cameras
00:50:59to record it and came back,
00:51:00the body was gone.
00:51:02However,
00:51:03there are still footprints
00:51:04and bloodstains here.
00:51:06Let's see.
00:51:06Let's look there.
00:51:09That certify that the body
00:51:11was there
00:51:11and that it was taken
00:51:12or dragged.
00:51:13It is important to point out
00:51:14that Raul Cotanese
00:51:15has been missing
00:51:16for more than 24 hours
00:51:17and that nothing
00:51:17and that nothing
00:51:17is known about his...
00:51:19No.
00:51:20Stop.
00:51:20Stop.
00:51:21It's no good.
00:51:21It's no good.
00:51:46It's no good.
00:51:49Recording?
00:51:51What are you doing?
00:51:53I want to see
00:51:54if he recorded...
00:52:19and that's not about it.
00:52:19I'm sorry.
00:52:46I don't know.
00:52:49What are you doing there?
00:53:15I need to have this. Help me.
00:53:46I need to have this.
00:53:49I need to have this.
00:54:28I need to have this.
00:55:00I need to have this.
00:55:03I need to have this.
00:55:33I need to have this.
00:56:32I need to have this.
00:56:48I need to have this.
00:57:31I need to have this.
00:57:32I need to have this.
00:57:54I need to have this.
00:58:51I need to have this.
00:59:15I need to have this.
00:59:50I need to have this.
01:00:07I need to have this.
01:00:19I need to have this.
01:00:57I need to have this.
01:01:17I need to have this.
01:02:07I need to have this.
01:02:10I need to have this.
01:03:01I need to have this.
01:03:05I need to have this.
01:03:06I need to have this.
01:03:38I need to have this.
01:04:08I need to have this.
01:04:11I need to have this.
01:04:42I need to have this.
01:04:45I need to have this.
01:05:06I need to have this.
01:05:08I need to have this.
01:06:05I need to have this.
01:06:35I need to have this.
01:06:44I need to have this.
01:07:12Dan.
01:07:22I need to have this.
01:07:41stay away.
01:07:49I need to have this.
01:08:20I need to have this.
01:08:49I need to have this.
01:09:33I need to have this.
01:10:01I need to have this.
01:10:31I need to have this.
01:10:51I need to have this.
01:11:30I need to have this.
01:11:38I need to have this.
01:12:06I need to have this.
01:12:30I need to have this.
01:12:38I need to have this.
01:12:45I need to have this.
01:14:04I need to have this.
01:14:11I need to have this.
01:14:47I need to have this.
01:14:55I need to have this.
01:15:34I need to have this.
01:15:59I need to have this.
01:16:34I need to have this.
01:16:52I need to have this.
01:17:04I need to have this.
01:17:04I need to have this.
01:17:34I need to have this.
01:17:36I need to have this.
01:17:41I need to have this.
01:18:04I need to have this.
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