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Cinemanía Club HD
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00:00:00Beverly Hills. It was around here that Max Sennett used to hold his Sunday morning wild boar hunts on horseback.
00:00:08Most of these homes were built and paid for during the great silent days of movies,
00:00:13before taxes were a fact of life, when people could afford to live like kings and queens.
00:00:20Here left, ladies and gentlemen, is the Lorna Love Estate,
00:00:24a 36-room mansion built at a cost of over $3 million for the beautiful and world-famous actress
00:00:31whose tragic death in 1935 saddened her millions of fans across the globe.
00:00:39The day after Lorna's funeral, a shrine was built directly behind the trees up there.
00:00:46Folks, use your imagination. Think of Lorna as beautiful as ever.
00:00:53As you remember her, her body, embalmed up there in her shrine, lying up there forever.
00:01:03Excuse me.
00:01:04Yeah?
00:01:04We'd like to get off here.
00:01:06Sorry, as company rules, no one's allowed to get off the bus insurance, you know.
00:01:10Well, my wife is pregnant.
00:01:12Congratulations, but that don't mean a thing to me.
00:01:14And I'm feeling a little sick.
00:01:24Oh, Joe, Joe, stop.
00:01:26I really don't feel well.
00:01:29Are you serious?
00:01:30No.
00:01:32Now, that's not fair.
00:01:33This is the first time for me.
00:01:35I've never been, I mean, you've never, we've never been pregnant.
00:01:51Oscar!
00:01:53Why'd you come up in that thing?
00:01:55If it was a tour you wanted, I could have arranged something with the studio.
00:01:58Sure you could have, Oscar, but that's not what we were interested in.
00:02:01We wanted to look at their faces and look at the dreams and see how much of Lorna's love is
00:02:06still alive.
00:02:07And believe me, she is alive and well.
00:02:10What do you say I drive you in and kiss you goodbye?
00:02:12I've got to get out of here.
00:02:13I've got things to do.
00:02:15Hey, the wind's starting to blow.
00:02:17The radio sent me a storm tonight.
00:02:33What?
00:02:36What?
00:02:38What?
00:02:43What?
00:03:46I'll never understand you, writers.
00:03:48You can write the same thing in a nice, clean, modern office in Beverly Hills as you can here.
00:03:53If you ask me, you're all nuts.
00:03:59There's supposed to be a housekeeper, a Clara Josephs.
00:04:02At least that's what the studio said.
00:04:05I'm glad they gave me a key.
00:04:21I'm sorry, honey. It must have been the wind. I don't know where it came from.
00:04:23You brought it with you from New York.
00:04:27Hello, anybody home?
00:04:31Mrs. Josephs?
00:04:40Mrs. Josephs?
00:04:44That housekeeper should be here.
00:04:46I'd feel a lot better if she'd show up.
00:05:10The door is locked.
00:05:17Mrs. Josephs?
00:05:19This is Mr. and Mrs. Gregory.
00:05:21How do you do?
00:05:28I didn't expect you this early.
00:05:46I'd seen photographs of it.
00:05:49I saw some preliminary sketches my father did.
00:05:59I thought I knew what to expect.
00:06:03But I never thought it would be like this.
00:06:10It's magnificent.
00:06:11Your father was a great artist, Joe.
00:06:15But you're right.
00:06:16There's really something special about that painting.
00:06:19Sure, it's the model.
00:06:20You're the most beautiful model in the world.
00:06:22No, that's not it, Oscar.
00:06:25It's not all of it, anyway.
00:06:28It's something else.
00:06:30It's love.
00:06:37There was great love between you.
00:06:52He was like you.
00:06:54The same face.
00:06:57The father and the son.
00:07:03Did you know him?
00:07:04Were you working here when they were living together?
00:07:08Your rooms are upstairs to the left.
00:07:11I'll open the rest of the house for you.
00:07:19You know, the book you're going to write should be a love story.
00:07:21About a great artist.
00:07:23And the equally great actress that opened up the world to him.
00:07:27I mean, she worshipped him.
00:07:29And he worshipped her.
00:07:32The romance that the whole world talked about.
00:07:35Fantastic love story.
00:07:37Bigger than F. Scott Fitzgerald and Zelda.
00:07:39Bigger than that.
00:07:40Bigger than that.
00:07:41Bigger than life.
00:07:42All right, Oscar.
00:07:43You can stop selling.
00:07:44We've already signed your contracts.
00:07:56Wait a minute.
00:07:57Did Mrs. Jones say right or left?
00:08:00I think she said left.
00:08:12It's locked.
00:08:15Fascinating.
00:08:16It's always fascinating me what's behind locked doors.
00:08:19Come on, you'll find out soon enough.
00:08:21Mrs. Jones says she's going to open up the house.
00:08:29Oh, wow.
00:08:32Hey, look what's here to meet us.
00:08:38Hey, thanks, Oscar.
00:08:40I'll tell you what.
00:08:41I'll give you a call at the office when we get all the research together.
00:08:45Research?
00:08:45What research?
00:08:47It's a love story.
00:08:48Boy meets girl.
00:08:49Boy gets girl.
00:08:51Boy loses girl.
00:08:52What more is there?
00:08:53Well, there's a little bit more, Oscar, because in this case, the girl's Lorna Love and the boy is Joel
00:08:58Gregory Sr.,
00:08:59who just happens to be the father of one of the authors.
00:09:04I never really knew him, Oscar.
00:09:06I hardly ever saw him when I was a kid.
00:09:09By the time I was a man, he died.
00:09:13So you can understand there's a lot I want to find out about him.
00:09:16Besides, Oscar, you know the way we work.
00:09:18We're more journalists than we are novelists.
00:09:20So the research is everything.
00:09:21Okay, okay, okay.
00:09:22Have it your way.
00:09:23You'll do the research.
00:09:24You'll write a great book.
00:09:25But it means nothing if nobody knows about it.
00:09:27So talking about publicity?
00:09:29What publicity?
00:09:30There's a shot the studio wants to use of the pair of you.
00:09:34Uh-oh.
00:09:35Can I see it, sweetheart?
00:09:37They want to release it.
00:09:38They want to let the public know about the book.
00:09:40Let them start talking about who's going to play the part in the movie.
00:09:45That's good of you.
00:09:47Look, Joel.
00:09:50Yeah, that's really beautiful, isn't it?
00:09:53Say, Oscar, where is the shrine to the goddess of love?
00:09:58Can't miss it.
00:09:58Any road you take on this place leads to the monument of that broad's ego.
00:10:03Joel?
00:10:04Come here.
00:10:05There's somebody out here.
00:10:07Come on, come on.
00:10:08I just saw a lady all in white with a white chiffon scar.
00:10:10She looked like something out of a 1930s vogue magazine.
00:10:13She ran right down that wall.
00:10:14That's to the shrine.
00:10:15Yeah?
00:10:16Let's go take a look.
00:10:17You go.
00:10:18I've got to get off these hills before the rain hits.
00:10:21It can be treacherous.
00:10:28I'll see you later.
00:10:30Hey, come on, Oscar.
00:10:31It's not going to rain.
00:10:32I don't want to see the shrine.
00:10:33When you get a few pages written, give me your call.
00:10:51I don't want to see the shrine.
00:10:52I don't want to see the shrine.
00:10:53I don't want to see the shrine.
00:10:54I don't want to see the shrine.
00:10:55I don't want to see the shrine.
00:10:56I don't want to see the shrine.
00:10:56I don't want to see the shrine.
00:10:57I don't want to see the shrine.
00:10:58I don't want to see the shrine.
00:11:00I don't want to see the shrine.
00:11:03I don't want to see the shrine.
00:11:36Can you believe that?
00:11:39Incredible.
00:11:42She's even more beautiful than I imagined.
00:11:46She's not as beautiful as your father painted her, Joel.
00:11:51He gave her a symbol.
00:11:56Spooky.
00:12:01Hey, come on. Let's get out of here.
00:12:21To millions of her fans all over the world, it seems incredible that Lorna Love is dead.
00:12:28But the funeral of the beloved star of My Love Lies Sleeping and the Blue Moth, to name only a
00:12:34few of her films, was viewed by thousands of grieving filmgoers in Hollywood's Toronto of Life Chapel.
00:12:41Miss Love died quietly in her home Friday night.
00:12:45But to all of us who knew her, Lorna Love did not leave us.
00:12:48She was and is a legend, and legends never die.
00:12:52Love don't even fade away.
00:12:56Colin Carroll, the man who directed Lorna in her first hit, Garden of Desire.
00:13:05Denise Christian, Lorna's only rival in Filmland, but no serious contender for the goddess of love.
00:13:19Who's the character with a cat?
00:13:21You tell me.
00:13:25Conan Carroll, Lorna's first director.
00:13:27Any chance he might still be alive?
00:13:29Yeah, we'll find out.
00:13:31He was one of the biggies, wasn't he?
00:13:33He was up there with D.W. Griffith and DeMille.
00:13:37Now, there's, uh, Denise Christian.
00:13:40What about her?
00:13:41Put her on the list.
00:13:42If she's alive, she'll have some juicy tales to tell about Lorna.
00:13:46And dying to tell them.
00:13:54Well, hello, cat.
00:13:56Hello.
00:13:59Oh!
00:14:01Oh, my God.
00:14:03Joe?
00:14:05Joe, this thing is stuffed.
00:14:07What stuffed?
00:14:08This cat, stuffed.
00:14:12Thought it was the same cat we found upstairs in the bedroom.
00:14:18Look at that.
00:14:22It certainly could be one of its ancestors.
00:14:28Nosferatu.
00:14:32Lorna was certainly a lady of singular taste.
00:14:38Malleus.
00:14:41Maleficarium.
00:14:43Witch's hammer.
00:14:44Here.
00:14:46Life beyond a grave.
00:14:51Well, I don't know what we're going to find out about you, Lorna.
00:14:55I have a feeling you're not going to be my kind of lady.
00:15:01I have a feeling you're not going to be my kind of lady.
00:15:29Hey, that cat must have really spooked you.
00:15:31It's just someone at the front door.
00:15:34Mrs. Josephs will get it.
00:15:39What are we going to bet on, Mrs. Josephs, or our nerves?
00:15:44Come on.
00:15:48Mrs. Josephs.
00:15:58My name is Conan Carroll.
00:16:02Carroll, I'm sorry, I didn't recognize you.
00:16:05You're a drinker, is it yet?
00:16:09I'm his son. Come here.
00:16:13My wife, Donna.
00:16:15How do you do?
00:16:16I'm writing a book about my father and Lorda.
00:16:19That's why I'm here.
00:16:21I suppose the studios hired you because they think you know the story.
00:16:26But you don't.
00:16:27You know nothing of Donna Love.
00:16:30That's why I'm here.
00:16:32To tell you.
00:16:33I want the world to know the evil, ugly witch that Donna Love really was.
00:16:39And not to see her again.
00:16:42Um, Mrs. Carroll, could I take your coat?
00:16:44You must be so aware.
00:16:46I created her.
00:16:47I molded her out of clay and dirt.
00:16:50I made her what the world thought she was.
00:16:53Write that.
00:16:54Tell them that.
00:16:56And then tell the world what she did to me.
00:16:58How she repaid me.
00:17:01Donna wasn't even a shadow on the screen until I took hold of her.
00:17:05I showed her how to walk.
00:17:06How to smile.
00:17:08How to use those hypnotic eyes.
00:17:10They were beautiful eyes.
00:17:13When she tried to look at a man with passion, they were empty.
00:17:17Because there wasn't anything inside her.
00:17:21I gave her everything.
00:17:24I made the gods and the heavens bow down to her.
00:17:27She believed all the lies they wrote about her.
00:17:30She was obsessed with that father eternal fire.
00:17:34Who's that?
00:17:37A faith healer of some sort.
00:17:39Could that be the guy in the funeral film?
00:17:42That's when she turned on everyone.
00:17:44She ruined me.
00:17:45She destroyed me.
00:17:46She smashed me.
00:17:48The way Joel Gregory smashed all those mirrors of hers.
00:17:52Mr. Carroll.
00:17:55My father.
00:17:57He was the only one that had the strength to walk away from her while he was still a whole
00:18:01human being.
00:18:02You know when he told her?
00:18:04She had no soul except the one he gave her when he did that painting of her.
00:18:10Oh, she was empty inside.
00:18:13Lifeless.
00:18:15Oh, there's more.
00:18:17Much more that nobody knows about Lana.
00:18:21Things no one else would ever believe.
00:18:23Things no one but I knew.
00:18:26I can't tell you here.
00:18:30Mr. Carroll, it's awfully late.
00:18:32Why don't you stay tonight and then we can talk some more in the morning.
00:18:35I wouldn't sleep from the warehouse one night.
00:18:38I'd rather be dead.
00:18:40Mr. Carroll, it is ready pretty heavily on set.
00:18:42I think it would be the best way to stay.
00:18:43I'll call you tomorrow.
00:18:44There are things you want to know.
00:18:50Mr. Carroll, it really isn't safe to drive.
00:18:53You sure you don't want to spend the night?
00:18:55I'll call you tomorrow.
00:19:02I'll call you tomorrow.
00:19:55I'll call you tomorrow.
00:20:25Tiger
00:21:01According to the doctor, it looks like a heart effect.
00:21:03Well, last night I saw him drive away.
00:21:05It's the last time I saw him.
00:21:07I didn't think he'd come back.
00:21:08It's funny.
00:21:10The last thing I would have thought he'd come back for would be to see the shrine.
00:21:14You see, that path leads to the shrine of Lone and Love.
00:21:17That's the only reason he'd be honored.
00:21:19Excuse me.
00:21:21Ma'am, is there anything you might be able to tell me?
00:21:24I went to bed early.
00:21:27I didn't see him come.
00:21:28I didn't see him go.
00:21:34If there's anything else, we'll be in touch.
00:21:41I'm frightened.
00:21:45You're also pregnant.
00:21:47Yeah.
00:21:48You're a chauvinist.
00:21:50I know the difference between fear and pregnancy.
00:21:56I need a sweater.
00:21:57I'm afraid.
00:22:25I don't know if you are pregnant.
00:22:27I don't know.
00:22:57These are all autographed pictures from friends of Miss Loves.
00:23:03To beauty from the beast, Ron Cheney.
00:23:16If jealousy is a cardinal sin, I'd rather be in hell, Claire and Beau.
00:23:33Marry me and take me to heaven. Come and carol.
00:23:44Let my eyes be your mirrors, Joe.
00:23:48Did he love her as much as they say?
00:23:52More. Much more.
00:23:55Tell me about them.
00:24:00There's too much I don't know.
00:24:04Too much I can only guess at.
00:24:08Well, guess for me.
00:24:10Tell me about them.
00:24:14This house will tell you the story.
00:24:18Shit.
00:24:22Learn from the house.
00:24:25Stay here.
00:24:29What about the doors that are locked across from our bedroom?
00:24:34Why can't I get in there?
00:24:37It was her room. Hers and your father's.
00:24:43What?
00:24:44How can anybody talk about their love?
00:24:47Something you feel, not talk about.
00:24:53They loved.
00:24:59Then...
00:25:00Go on.
00:25:04This was your father's studio.
00:25:14It's exactly as it was when he left it.
00:25:19Nothing's been changed. Nothing.
00:25:27All of this work.
00:25:32It's worth a great deal of money today.
00:25:36Why didn't...
00:25:38Lona sell it after he left?
00:25:41For what? Money?
00:25:43She loved him.
00:25:48Did you like him, Mrs. Josephs?
00:25:51Did you like my father?
00:25:54I was the housekeeper here. I did my job.
00:25:58I liked people who were pleased with my work.
00:26:03Did he like you?
00:26:05Yes.
00:26:07At least he said he did.
00:26:15May I talk to you again?
00:26:18May I count on you to help?
00:26:32What's the matter?
00:26:33Look at this.
00:26:36You know what that is?
00:26:37No.
00:26:37That's an ethane.
00:26:39It's a ritual knife used in witchcraft.
00:26:41See the pentagram?
00:26:44And that's the divine crystal, see?
00:26:45Well, yeah, whatever it is.
00:26:47It was used to cut this picture.
00:26:48I found it in the same bureau drawer.
00:26:51Where's the other half?
00:26:51I don't know.
00:26:52I looked all through the drawer.
00:26:53I couldn't find it.
00:26:54Well, honey, don't get so upset.
00:26:55I mean, if it's the picture you're worried about,
00:26:57we can call the studio and get another copy.
00:26:59Joel, it's not the picture and you know it.
00:27:00Now, come on, don't make fun of me.
00:27:02You better not tell me I'm overreacting because I'm pregnant either.
00:27:05All right, sweetheart.
00:27:07Take it easy.
00:27:08I know you're upset about Mr. Carroll.
00:27:09And look, maybe doing the book is getting to you.
00:27:13Yeah, it's not the book.
00:27:15It's this house.
00:27:18This house has been the scene of too many strong emotions,
00:27:22too many tragedies and too many secrets.
00:27:26It's like the way the sin of flowers stays in a room long after they're gone.
00:27:29You remember we wrote that.
00:27:31Only these flowers have been dead a long time and they don't smell so sweet.
00:27:35All right, honey.
00:27:37Okay.
00:27:37I mean, maybe we started the book at the wrong time.
00:27:40Maybe we're here at the wrong time, but we're stuck with it.
00:27:43So, let's do our thing, wrap it up and finish it.
00:27:46All right?
00:27:47Now, what's on for today?
00:27:50Hey, come on.
00:27:54Denise Christian.
00:27:56Denise Christian.
00:27:59How are you able to find Lorna's only rival in film land?
00:28:03I call the Actors Guild.
00:28:05That was before I found myself cut out of the picture.
00:28:08Literally speaking, I might add.
00:28:11Well, I guess that's the best place to call to find an actor.
00:28:14Where is she?
00:28:17This brand of coffee has been around a long time.
00:28:20It's pleased a lot of people because it knows how to please.
00:28:24Maybe that's why I like it so well.
00:28:26Because we've got something in common.
00:28:29Why don't you drop by and share a pot with me sometime?
00:28:37Okay, and cut.
00:28:39That's nice today.
00:28:40Beautiful.
00:28:41Right on the button.
00:28:42Okay, that's the print.
00:28:43Let's get ready for the insert.
00:28:46Excuse me.
00:28:47Excuse me.
00:28:48Miss Christian.
00:28:49I'm Joel Gregory.
00:28:54This is my wife, Donna.
00:28:56How do you do?
00:28:57Miss Christian, we're writing a book about my father and about Lorna Love.
00:29:03Can we talk to you about that?
00:29:06You look like him.
00:29:08You've got the same kind of intensity.
00:29:12I bet they tell you that all the time, don't they, Joel Gregory?
00:29:16Yes, they have.
00:29:19Why don't you run along and mix us a drink?
00:29:21I want to talk to these people about old times.
00:29:24It'll make me very sad.
00:29:28So, you want to know about Lorna Love?
00:29:33Yes, we'd like to know what you thought about.
00:29:38I hated the witch.
00:29:41Why?
00:29:41There were a lot of reasons to hate Lorna Love.
00:29:44The person didn't have to look too long or too far to find them.
00:29:47We started at the same studio together.
00:29:49I got all of her leftover parts, you know the one she didn't want?
00:29:53Then one of them made me almost as big a star as she was.
00:29:56That was reason enough to get me thrown off the payroll.
00:29:59She tried to blackball me with every studio, but she couldn't.
00:30:04She couldn't do to me what she did to poor Conan Carroll.
00:30:07God bless his soul.
00:30:09Then, there was your father.
00:30:12I met him first.
00:30:13I found him.
00:30:15I didn't know that.
00:30:16How?
00:30:17He was in the art department at the studio.
00:30:20He was good.
00:30:21I fell head over heels in love with him.
00:30:24I showed some of his paintings around to help him, and then Lorna got wind of him.
00:30:29I think at first she did it just to tear me apart.
00:30:32She went after him, and she got him.
00:30:35She opened a whole world for him.
00:30:37Something I couldn't do.
00:30:40I was very happy for him.
00:30:42But the happier I was for him, the more I found myself hating her.
00:30:49There was something about a healer, some kind of a faith healer.
00:30:54Do you know anything about that?
00:30:55Father Eternal Fire.
00:30:57He taught her all about hypnotic drugs, and she still couldn't get a night's sleep.
00:31:02She gave him a fortune because he promised her she would never grow old.
00:31:06That she would never lose her beauty.
00:31:08After your father smashed all the mirrors and left, she lived in a spiritual world.
00:31:13The world of Father Eternal Fire.
00:31:17Miss Christian, do you know why my father would have left Lorna?
00:31:23One morning, I guess he woke up and found out that he really wanted to live.
00:31:27This was impossible with Lorna.
00:31:29Why?
00:31:31Because she destroyed everything she touched.
00:31:37Excuse me, Miss Christian. I'm sorry to interrupt, but we need your hands in the insert.
00:31:42Well, can we talk again soon? How long will you be here? Where are you staying?
00:31:48Love House.
00:31:49Thank you very much, Miss Christian. I enjoy talking to you.
00:31:51Bye.
00:31:53Thanks very much.
00:31:54Wait a minute. You look like a nice couple.
00:31:57Do yourselves a favor. Get out of Love House. There's nothing but death there.
00:32:25Okay, that's it. I've had it. Come on, let's go up.
00:32:31Start with up, will you, sweetheart? Give me a few minutes and I'll be right up. Okay?
00:32:37All right.
00:32:42This is, obviously, okay, I think we must all be apart now.
00:32:53Bye.
00:32:54Bye.
00:32:54Bye.
00:32:59Bye.
00:33:05Bye.
00:40:51She needs fresh air.
00:42:13what did you find
00:42:14what did you find that miss
00:42:17what in Lorna's collection of records
00:42:20what's the matter sweetheart
00:42:25Lorna loved waltz
00:42:27yeah
00:42:32I heard this before
00:42:35last night
00:42:36when you went upstairs to take a shower
00:42:39I fell asleep down here and I had a dream
00:42:42and in the dream
00:42:44I heard that music
00:42:47I heard
00:42:50that before I heard you call
00:42:54there was Lorna
00:42:56and there were mirrors
00:43:00and there was that music
00:43:01that very same music
00:43:04now people don't
00:43:06dream about music
00:43:07note for note
00:43:08I mean I've just never heard about that before
00:43:09well sweetheart
00:43:10it could be the same thing
00:43:11that happens to you
00:43:12when you go into a place
00:43:13and you feel like you've been there before
00:43:14no it's nothing like that
00:43:20I saw my father in the dream
00:43:25I saw my father
00:43:27and I saw
00:43:29I saw him with her
00:43:32I saw the way it was with them both
00:43:38tell me about it Joe
00:43:42I can't
00:43:45I mean there just isn't the words that fit
00:43:49I know it
00:43:52I can feel it
00:43:57Joel
00:43:59let's get out of this house
00:44:00I don't want to leave the house
00:44:01look Oscar was right
00:44:02we can do our writing in town
00:44:04I don't want to go to town to write
00:44:05we need this place for research
00:44:06I mean my father's paintings are here
00:44:09Lorna's old movies
00:44:10her publicity books
00:44:12and he's here
00:44:13Donna believe me
00:44:14I know he's here
00:44:15I can feel him
00:44:15I can feel my father
00:44:16like I've never felt him before
00:44:17I can't leave
00:44:21you can leave if you want
00:44:23I mean there's no reason
00:44:24for both of us to stay
00:44:24but I can't
00:44:25no
00:44:28no we'll stay together
00:44:33are you hungry?
00:44:36no I'm not
00:44:38okay
00:44:39then we'll skip breakfast
00:44:42and we'll get going
00:44:43because we've got places to go
00:44:44and people to meet
00:44:45look what I found
00:44:52Cella Geffenhardt
00:44:53president of the Lorna Love fan club
00:44:54right I called her
00:44:55she'll see us anytime we want
00:44:58how about now
00:45:00huh?
00:45:01now
00:45:01come on
00:45:20Lorna gave me this house
00:45:22did you know that?
00:45:23oh she was wonderful
00:45:25to people
00:45:26she just gave this house
00:45:28to me
00:45:29and didn't even ask
00:45:30for a penny
00:45:31I have her picture still
00:45:33I loved her
00:45:35the whole wide world did
00:45:37but they didn't know her like me
00:45:38I knew how wonderful
00:45:40she really was
00:45:42I can't wait
00:45:43to see the movie
00:45:44who's gonna play Lorna's part
00:45:46did you get your pick?
00:45:48oh we're just writing the book
00:45:49miss Geffenhardt
00:45:50other people will decide that
00:45:51there you are
00:45:52well whatever you want to know
00:45:54you just ask me
00:45:55because me and her were close
00:45:58very close
00:46:00I was like a little sister to her
00:46:02that's what she called me
00:46:04little sister
00:46:04Marcella
00:46:06Marcella
00:46:06in the photograph
00:46:07there's you and Lorna
00:46:08who's the man in the middle
00:46:09in the black rose?
00:46:11oh that's um
00:46:13that's father eternal fire
00:46:15he was a very spiritual man
00:46:18he
00:46:20he believed in certain things
00:46:22like
00:46:23people should love one another
00:46:25and uh
00:46:26the ethane
00:46:29you know what that is?
00:46:32more or less
00:46:33the one at love house
00:46:34Lorna's ethane
00:46:35has a
00:46:35has a pentagram on it
00:46:37this one seems to be
00:46:38a little different
00:46:38no it isn't
00:46:40Marcella
00:46:41do you visit Lorna's shrine
00:46:42very often?
00:46:43I think we've had enough
00:46:43for today
00:46:44sweetheart
00:46:44I've got a few more questions
00:46:46can we go back
00:46:46and see you another time?
00:46:47oh yeah
00:46:47please come back
00:46:48then we'll go now
00:46:50you will come back
00:46:51won't you
00:46:52because
00:46:53I'd like to talk about Lorna
00:46:54nobody else seems to want to anymore
00:46:56they
00:46:57they forget
00:46:58and I think it's awful
00:46:59well I don't forget
00:47:00and I never will
00:47:04good bye
00:47:05good bye
00:47:07thank you
00:47:08you'll hurry back
00:47:10won't you
00:47:30okay sweetheart
00:47:31you want to tell me
00:47:32why you did that?
00:47:33did what?
00:47:34well you practically
00:47:35threw me out of the house
00:47:38you were beginning
00:47:40to lean on her a bit
00:47:41you were getting
00:47:41a little heavy
00:47:42Joel
00:47:42she's the woman
00:47:43I saw outside the window
00:47:45the first day
00:47:45we were at Lorna's house
00:47:46what woman?
00:47:47what do you mean?
00:47:48you remember I told you
00:47:49the woman in the white chiffon scarf
00:47:50I saw her
00:47:51and then she ran down
00:47:52the walkway
00:47:52look I'm sure
00:47:53it was her
00:47:54well even if it was her
00:47:55what difference does it make?
00:47:56will you tell me that?
00:47:56okay
00:47:57why was she running?
00:47:58what was she doing there?
00:47:59look
00:48:00why are you getting so upset?
00:48:01you saw the ethane
00:48:02and suddenly something
00:48:03has snapped inside of you
00:48:04nothing's snapped
00:48:05Joel
00:48:06look
00:48:06there's things going on
00:48:07in that house
00:48:07that I don't understand
00:48:08I think Marcella Geffenhaar
00:48:10can tell me about them
00:48:11she doesn't have to
00:48:12tell you anything
00:48:14and maybe
00:48:15just maybe
00:48:16you don't have a right to ask
00:48:17it was Lorna's house
00:48:19the way she loved her
00:48:20maybe she has more of a right
00:48:20to be there than you do
00:48:21you sound like
00:48:22you're choosing up sides
00:48:24and you sound like
00:48:25you're a jealous woman
00:48:45what's this one called?
00:48:48my love lies sleeping
00:48:50a silent film
00:48:52the last thing Lorna did
00:48:54for Conor and Carol
00:48:55oh
00:48:56the last thing Lorna ever did
00:48:58for Conor and Carol
00:48:58was to ruin him
00:49:02she's really pretty good
00:49:03isn't she?
00:49:06she's wonderful
00:49:10she had magic
00:49:13hey come on
00:49:14all you've been doing
00:49:15all evening's
00:49:15watching your old movies
00:49:17don't you think it's enough?
00:49:19now watch this
00:49:24go ahead
00:49:27just don't take a shower tonight
00:49:53thank you
00:50:17Joao, Joao, I want to be alone with you.
00:50:26I love you, Joao.
00:50:31Just you.
00:50:34I love you.
00:50:39Joao, I need you.
00:50:44Where are we headed?
00:50:45Doesn't matter.
00:50:53Salma.
00:50:54I love you, Joao.
00:50:57I love you.
00:51:08I love you.
00:51:19Oh, my God.
00:51:51Oh, darling, you know we're out of champagne.
00:52:01Oh, there's Conan Carroll's replacement.
00:52:06I can't say I like him any better.
00:52:10So, at last I have a chance to meet Queen Lorna's new consul.
00:52:16So, I'd like you to meet Eric Herman, a director I was.
00:52:20Could you damn well, my big ass?
00:52:24Go away, Eric.
00:52:26Before I tell everybody what a miserable lover you really were.
00:52:31The lady said to go away, Lucille.
00:52:45Joe, I want to go someplace else.
00:52:48I want to be alone with you.
00:53:02I'll never let you go.
00:53:33I'll never let you go.
00:58:16There is nothing left in the world but us.
00:58:22Nothing but us.
00:58:26Oh, Joe.
00:58:56I couldn't go on.
00:58:57I can't go on.
00:59:07I can't go on.
00:59:42I can't go on.
00:59:43I can't go on.
01:00:06I can't go on.
01:00:35I can't go on.
01:01:07I can't go on.
01:01:19I can't go on.
01:01:43I can't go on.
01:01:53I can't go on.
01:02:21I can't go on.
01:03:07I can't go on.
01:03:11I can't go on.
01:03:24I can't go on.
01:04:04I can't go on.
01:04:19I can go on.
01:04:39I can't go on.
01:04:40you know what I am I'm a three-room apartment in New York we're an
01:04:47unbalanced budget I'm just a lady who wants her husband and her baby with all
01:04:55the trips to the launderette and the mortgages that go with it really
01:05:05but Lorna's eternal Lorna is eternal she's like champagne that never goes flat
01:05:18or moonlight or a waltz how do I fight that Oscar
01:05:32please help me get my husband back
01:05:38okay if you want him back go get him if you have to pull him out of there kicking
01:05:44and screaming go get him
01:06:02I'm
01:06:12I'm
01:06:16I'm
01:06:17I'm
01:06:18I'm
01:06:21I'm
01:06:35I'm
01:06:36I'm
01:06:37I'm
01:06:38I'm
01:06:43I'm
01:06:49I'm
01:07:05I'm
01:07:06I'm
01:07:06I'm
01:07:07I'm
01:07:12Oh, Marcella, come on, come on, come on, I'm going to hurt you.
01:07:17I didn't mean any harm.
01:07:18I'm afraid of this room.
01:07:20Why are you afraid of this room?
01:07:22Why are you afraid of this room?
01:07:23And the Colonel Foyer's off.
01:07:25Why did you run from me, Marcella?
01:07:26They wanted me to do something awful in here.
01:07:28But I wouldn't do it.
01:07:30Never, Marcella, please.
01:07:31Never, ever.
01:08:03Never, Marcella.
01:08:36Mrs. Joseph's?
01:08:42Mrs. Josephs?
01:08:48Oh, my God.
01:08:54Mrs. Josephs, it's Lorna.
01:08:59She's not dead!
01:09:02Don't!
01:09:10It's Lorna, it's not dead! It's not dead!
01:09:27Joe!
01:09:33Joe! Joe! Joe!
01:09:36Joe! Joe!
01:09:39Joe! Stop! It's me! Stop!
01:09:42Who are you? What do you want?
01:10:06Joe! Joe! Joe!
01:10:14Lorna!
01:10:17Lorna!
01:10:18Lorna!
01:10:28Lorna!
01:10:31We'll be together forever now.
01:10:34Wait!
01:10:35It's...
01:10:45And now...
01:10:48forever!
01:11:06Joe!
01:11:09Joe!
01:11:11Joe!
01:11:14Joe!
01:11:19Joe!
01:11:23Joe!
01:11:25Joe!
01:11:26Joe, come on!
01:11:27Joe, burn it!
01:11:29Come on, get out!
01:11:30Joe!
01:11:31Joe!
01:11:33Joe!
01:11:35Joe!
01:11:39Joe!
01:11:42Oh, my God.
01:12:20She was beautiful.
01:12:24I can understand some of it.
01:12:26After the fire and what happened to her face.
01:12:30Well, you said it, Oscar.
01:12:31She didn't want the world to know.
01:12:34She didn't want to be remembered as anything but beautiful.
01:12:39I guess it's a happy ending for Lorna, after all.
01:12:52All she wanted was to be adored.
01:12:55To be worshipped forever.
01:12:57Look, she'll have that now for sure.
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