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Cinemanía Club HD
Great mystery and suspense film
I hope you like it.
Great mystery and suspense film
I hope you like it.
Categoría
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CortometrajesTranscripción
00:00:07To be continued...
00:06:24you give me refuge. I have had a shock, sir. Most terrible shock. Who the devil are you?
00:06:33Upon my words, sir, I never would have dreamt of such a thing. Please, sit down.
00:06:46I had left my watch upon the table downstairs, you see, sir, where I had enjoyed a brandy
00:06:52or two with another gentleman. Then, upon returning to my room, I realized, with my candle, I set
00:07:00out to retrieve it, which I did.
00:07:20But coming back, all those stairs, they were difficult to climb, the endless corridors.
00:07:31I became quite lost.
00:07:47I tried many doors, and at last I thought that I had found my room, and I went in.
00:08:03There's something you really can't see. I can't see you on the mic.
00:08:07I can't see you on the mic.
00:08:08It can't see you, because you see you've seen one of them.
00:08:12It's here.
00:08:14And there's...
00:08:16Well, go on.
00:08:18So, I went in and got undressed.
00:08:22Got into bed and drew the curtains.
00:08:25Then, imagine if you will, sir, I fear.
00:08:32When I heard another presence in the room.
00:08:38A presence.
00:08:39Yes.
00:09:07And pray, sir, what action did you take?
00:09:12Well, I had to make my presence known, sir.
00:09:14Do you see?
00:09:16What could I do?
00:09:19Delicacy would not permit me to be seen by a lady in my nightcap.
00:09:28A lady?
00:09:29Yes, sir.
00:09:31I was in a lady's bedroom.
00:09:59Time was against me, so I shouted out,
00:10:03very loudly.
00:10:07Fraser, what was the lady's response?
00:10:09I regret a violent one.
00:10:11She screamed most horribly
00:10:14and pushed me out of the room.
00:10:17She threatened me with an umbrella.
00:10:19I had no candle and needed assistance.
00:10:23And so, you see, I am at your mercy, sir.
00:10:31Quick, quick, hide.
00:10:42Can I help you?
00:10:43Where is he?
00:10:44Where is the brute?
00:10:45With respect, madam, are you referring to me?
00:10:47I trust, sir, that you are a gentleman.
00:10:50But there is a rogue in our midst, a bespectacled rogue, sir, who has affronted my modesty.
00:10:56I am but a helpless female, sir, as you see.
00:10:59This is a most shocking tale, madam.
00:11:03I did think I thought I heard some footsteps come past my door a few minutes back.
00:11:16Ah, please, take my coat for the sake of your modesty.
00:11:22Thank you, sir.
00:11:23Very well.
00:11:24I will pursue the rascal.
00:11:26I will call the constable.
00:11:29He is no woman safe.
00:11:40Sir, it's safe to come out.
00:11:43God bless you, sir.
00:11:46You have my undying gratitude, Mr...
00:11:49Dickens, Charles M.
00:11:51And you are?
00:11:52Bit quick, sir, at your service.
00:11:59This is a hazardous place, sir.
00:12:05Sir?
00:12:15It's, uh, rather cold in those corridors.
00:12:20Please, take my coat.
00:12:21I couldn't possibly, sir.
00:12:23I insist.
00:12:26Well, then, sir.
00:12:34I bid you good night.
00:12:36Good night.
00:12:52I do hope Mr. Pickwick doesn't meet his nemesis in those dark corridors.
00:13:04He should have a candle.
00:13:06Mr. Pickwick!
00:13:09Mr. Pickwick!
00:13:12Mr. Pickwick!
00:13:15Mr. Pickwick!
00:13:37Mr. Pickwick!
00:13:40Mr. Pickwick!
00:13:44Mr. Pickwick!
00:13:45Mr. Pickwick!
00:13:45Mr. Pickwick!
00:13:47Mr. Pickwick!
00:13:47Mr. Pickwick!
00:13:47Mr. Pickwick!
00:13:50Mr. Pickwick!
00:13:57The Pickwick Papers is nothing but a coat hanging on the door.
00:14:51The Pickwick Papers
00:14:53Mr. Gibson? Mr. Gibson? Mr. Gibson?
00:15:00Good evening, David.
00:15:02Good evening, Mr. Gibson. And how are you, sir?
00:15:04I'm very well, thank you. And yourself?
00:15:06I'm fine.
00:15:07How old's your little one now?
00:15:10Oh, young Sebastian. He turned three last month.
00:15:13Three? Goodness. Doesn't time fly?
00:15:18The same as usual, sir.
00:15:20The same, David.
00:15:24No flowers this year?
00:15:27No, no, not this year.
00:15:29Well, you know we can always arrange something for you.
00:15:31I felt it was getting a bit stale. A bit of a cliche.
00:15:35Of course.
00:15:42Well, you're all booked in. Room 218.
00:15:45Oh, one other thing. How do I look?
00:15:48You look perfectly handsome, Mr. Gibson.
00:15:51That's good to know. That is good to know.
00:16:132-1-8.
00:16:29Come in.
00:16:32Come in.
00:16:36Tim.
00:16:38Julie you look ravishing thank you I brought you some flowers oh beautiful
00:16:44how was your journey fine did you remember to lock the back door and I
00:16:49turned off the light in the hall and happy anniversary happy anniversary
00:16:56here let me take this you don't need it come on stand up straight
00:17:08cheers they look after us well here don't they as long as we keep coming 40
00:17:14years not many people are married this long when do we get the letter from the
00:17:20Queen that's for the 60th dear Diamond this is our Ruby oh so she'll send us the
00:17:26crown jewels maybe a nice bottle of Ruby red 40 years can you believe it I can't
00:17:36believe it I was there for most of it it's a different world 40 years ago this
00:17:45room was certainly different this new wallpaper there's no accounting for taste
00:17:51these days all cleanliness you know maybe it hasn't changed that much after all I
00:17:58think they've just painted over the cracks stars change which reminds me I found
00:18:04something today show me what you found Timothy
00:18:13well I never where did you find this in the loft I had a rummage when Richard came to fix
00:18:20the boiler
00:18:23you know some images in my mind are like smoke they come to me quickly but break away before I
00:18:31have a
00:18:31chance to hold on to them but this the day you came home it's as clear to me now as
00:18:38it was then
00:18:39have you shown the children I showed Daniel he loved it of course you can put it in that family
00:18:45tree he's
00:18:46making I think these are some of my favorite days strange how I can have such fond memories of such
00:18:54dark times everything's better in the past especially the wallpaper especially the wallpaper
00:19:01we could always have a splash of paint this wines a nice shade of red oh come on let's dance
00:19:08no no no
00:19:08my legs aren't up to me I said no
00:19:26good evening mr. Gibson where's David David's finished his shift I thought he finished at nine
00:19:31not these days no I suppose he wants to be with his son ah dinner for two yes right thank
00:19:39you
00:19:40I'll take it can I help you no that's all thank you okay
00:20:02there's some new staff this year David's not around this evening did you know his son is three
00:20:08now yes I heard how lovely I'm not in a hurry to look after a toddler again though oh remember
00:20:18Sophie
00:20:19not so much too sleep deprived most of the time exactly we didn't do too badly though did we what
00:20:31with Sophie I mean they both turned out okay didn't they so we can't have done a terrible job Julia
00:20:37I
00:20:37think we did a marvelous job Daniel looks after me much better than I looked after him these days
00:20:48still your favorite well remembered are you okay I'm happy I'm happy with everything we did
00:21:05everything we've done me too my lovely me too
00:21:22Julie where's all this coming from
00:21:29I don't think we should come back next year I mean I don't think you should come back next year
00:21:40Tim 40 years Tim here's to 50
00:21:49it's been so wonderful every single year every single minute has been perfect
00:21:56but you don't need me anymore not silly old me
00:22:06I miss you so much I miss you every single day I miss you too darling
00:22:11don't take this away I don't want to but we both know I have to
00:22:22yes I know I know will you do something for me anything anything for you
00:23:11thank you for the flowers they're beautiful
00:23:15not as beautiful as you
00:23:17not as beautiful as you
00:23:20you
00:23:30you
00:23:45thank you
00:23:48I'm
00:24:04I'm
00:24:06I'm
00:24:41Please be careful with my machine.
00:24:46Machine?
00:24:50Shall we proceed?
00:25:02I've been working here 20 years.
00:25:05I ain't never seen a ghost.
00:25:06The Ghost Club have heard many stories originating from this hotel.
00:25:11Ghost Club?
00:25:12You've got a club?
00:25:14What are you doing here then?
00:25:16It's where you'll find your ghosts.
00:25:18No, the Ghost Club is not a club for ghosts.
00:25:21We explore unexplained phenomena
00:25:23and seek out links between this mortal coil and the spirit plane.
00:25:28Dickens was a member.
00:25:29Let's go.
00:25:31Let's go.
00:25:37Let's go.
00:25:40Let's go.
00:25:41Go.
00:25:49Oh, my God.
00:26:21Come in.
00:26:24Good day, madam.
00:26:26Good day. Good day.
00:26:28Good day.
00:26:30And what can I do for you?
00:26:32I'm the manager.
00:26:34You have my congratulations. Is that all?
00:26:37Yes.
00:26:38Yes.
00:26:41I mean, no. I understand you're conducting an investigation.
00:26:47Of sorts.
00:26:48An investigation into the paranormal.
00:26:51Yes, that is correct.
00:26:53Well, do you have to?
00:26:56I don't have to do anything, but I want to, and so I shall.
00:27:00May I present to you the creation that will make me famous.
00:27:05The Spectre-O-Meter.
00:27:07Funny name.
00:27:08It measures the harmonic frequency of the atmosphere and determines if a spirit lurks among us.
00:27:14It then pinpoints the whereabouts of the spirit and expresses it with this self-perpetuating locus device.
00:27:20What?
00:27:20This arrow. Years of studying the spirit world have left their mark on me, and the moment I arrived at
00:27:27this hotel, I could sense a strong spiritual presence.
00:27:30You could? Oh, dear.
00:27:34Mr.
00:27:36Erlo. Willie Erlo.
00:27:38Mr. Erlo, what do you know of the phantoms that inhabit your hotel?
00:27:43Oh, I don't know.
00:27:44Mr. Erlo, I can tell when information is being withheld from me, especially when the information is being withheld very
00:27:51poorly.
00:27:52Oh.
00:27:53Well, I haven't heard anything myself, but I think some of the guests have.
00:27:59And then there was...
00:28:00Yes?
00:28:01There was that incident with a predecessor of mine.
00:28:05But it's something that the staff at this hotel would much rather forget, which is why we don't discuss what
00:28:10happened with the guests, you see.
00:28:11Mr. Erlo, I am no ordinary guest.
00:28:14Well, no, of course not. Forgive me.
00:28:18Well?
00:28:19Well what?
00:28:20What happened?
00:28:21Oh.
00:28:26He was murdered.
00:28:28Most unpleasantly.
00:28:30By his wife.
00:28:32Big kitchen knife.
00:28:34Horrible.
00:28:36The guests sometimes hear him crying in the corridors.
00:28:40Poor chap.
00:28:41And the wife?
00:28:43Quite mad.
00:28:46They found her in the bar for room 223.
00:28:51Ah.
00:28:52Violent death and suicide.
00:28:55Possible unfinished business.
00:28:58Could be sentient.
00:29:00Excellent.
00:29:01This is excellent.
00:29:02And has the wife's spirit ever been seen?
00:29:05I don't know and I don't want to know.
00:29:07Ghosts are bad for business.
00:29:09No one wants to stay in a hotel where there's ghouls and spectres and what have you.
00:29:13Mr. Erlo, I have traveled all the way from London to stay in this hotel and for just one reason.
00:29:19The charming rooms?
00:29:21No, Mr. Erlo, the rumors of other worldly phenomena.
00:29:24If I'm prepared to stay in this hotel for that sole reason, don't you think others will be tempted to
00:29:29do the same?
00:29:30Well, when you put it that way...
00:29:33Now I'm determined to try my machine here and I invite you to join me.
00:29:38I'd really...
00:29:39I don't think...
00:29:40Courage, Mr. Erlo.
00:29:42The spirits cannot harm you.
00:29:43Aren't you curious about your hotel and the mysteries here within?
00:29:47Very well.
00:29:49You're going to do it anyway and I suppose I'd rather be here when you switch it on.
00:29:53Very good.
00:29:58Let us begin.
00:30:16Look!
00:30:48Oh, no!
00:30:58Spirit, reveal yourself.
00:31:00I am your friend.
00:31:08Spirit?
00:31:10It's only me.
00:31:11Blast!
00:31:12You didn't see a phantom on the other side of that door, did you?
00:31:17No.
00:31:18Can't say that I did.
00:31:21Curses.
00:31:22Failed again.
00:31:23Blast this machine.
00:31:25I came to see what all the noise was about.
00:31:28The lights was flickering downstairs.
00:31:32I heard you talking to someone.
00:31:34Yes, to Mr. Erlo.
00:31:36Mr. Erlo?
00:31:38Yes, Erlo.
00:31:39The manager.
00:31:40He's in the wardrobe.
00:31:42He joined me in my experiment.
00:31:44My failed experiment.
00:31:46Mr. Erlo, you can come out now.
00:31:49Mr. Erlo's dead.
00:31:51What?
00:31:52No, he's in the wardrobe, I tell you.
00:31:58See?
00:31:59It can't be.
00:32:05Mr. Erlo?
00:32:06Mr. Erlo?
00:32:22That's what happened to him.
00:32:23That's what happened to him.
00:32:24In this hotel.
00:32:25No!
00:32:50The killer stepped from the shadows.
00:32:52Laura knew with cold certainty
00:32:56that she would not live to see the morning.
00:33:15Good evening.
00:33:18Evening.
00:33:23Would you like a room, please?
00:33:26Yes.
00:33:27Yes, of course.
00:33:29How long are you staying with us, Mr...
00:33:31Fearless.
00:33:32Peter Fearless.
00:33:34Mr Fearless.
00:33:35A couple of nights.
00:33:41Room 17.
00:33:43It's really very comfortable.
00:33:44Is it a quiet room?
00:33:46I need a quiet room.
00:33:48All our rooms are quiet.
00:33:50Well, that's good to hear.
00:33:55Do you need a hand?
00:33:56It's your key.
00:34:00Good evening.
00:34:16You are not going to believe who's just walked in.
00:34:19Yeah, I heard he had some sort of breakdown.
00:34:24I guess he's all right now.
00:34:25I guess he's all right now.
00:34:27It's the crater.
00:34:28Yeah, no.
00:34:29Yeah.
00:34:54Bye.
00:35:03Malcolm, it's Peter.
00:35:05Peter? Where the hell are you?
00:35:09Suffolk. Ipswich, would you believe?
00:35:11Ipswich? Are you all right?
00:35:13Yeah, I'm fine. Bloody great, Malk.
00:35:17Look, Malk, I've started the new book.
00:35:22Well, Peter, that's fantastic.
00:35:25I thought I'd stick with the traditional ghost story
00:35:28rather than guts and gore this time.
00:35:30Suffolk has lots of ghosts and legends.
00:35:34I might borrow a few for the book.
00:35:37As long as you're OK.
00:35:39Are you taking your, you know, the...
00:35:42Yes, I'm taking them.
00:35:46I'm not stupid.
00:35:47I just need some peace and quiet to get on with my work, you know?
00:35:51Make us both rich.
00:36:21I can't be.
00:36:42Oh, my God!
00:36:46All right, Peter.
00:36:48Let's go.
00:36:49Let's go.
00:36:50Let's go.
00:37:15you told me all the rooms were quiet mr. fearless the dog in the next door room is
00:37:20making it impossible for me to work we don't allow dogs in most plainly not the
00:37:23case
00:37:30well your pipes must be very rusty my pipes just fine thank you I'd like coffee in
00:37:38my room and a bottle of scotch
00:37:56you bloody idiot you dreamt it
00:38:15bloody black shuck
00:38:28you
00:38:30you
00:38:31you
00:38:34you
00:38:35you
00:38:36you
00:38:45I don't know.
00:39:26Yes.
00:39:27Mr. Fairless?
00:39:28Yes.
00:39:29You have a visitor?
00:39:41Peter?
00:39:44I'm checking out, miss my bill.
00:39:50Let's have one for the road.
00:39:58Can I get you another round, gents?
00:40:03it's brilliant peter it's brilliant this is your best work i can't see you finishing it now
00:40:13really i haven't got it in me mouth not since the breakdown no but you've made a complete
00:40:19recovery you're a hundred percent fit according to the dog peter fearless i used to live up to my
00:40:27name now i'm afraid of everything you spend one more night at the hotel on me bottle johnny walker
00:40:3940 rothmans old faithful here you just let it all hang out and you just see what happens
00:40:48the spanish bit that won't dig its own swimming pool after all no not for me peter no for you
00:40:55you've got to prove the doubters wrong you you've got to prove that you've still got what it takes
00:41:02there we go gents
00:41:14what if i can't hack it well you may not succeed but as your age as your
00:41:19as your friend i think that you should at least try
00:41:22what if i can't hack it well you may not have to prove that you can't have to prove that
00:41:52you've got to prove that you've got to be a good friend
00:42:16You have reached the practice of Dr. James Matthews.
00:42:19Leave a message.
00:42:20We'll get back as soon as we can.
00:42:22Don't make this.
00:42:23It's Peter Fearless.
00:42:24The writer.
00:42:26Those pills.
00:42:27I'm having some side effects.
00:42:29I'm...
00:42:31Come on.
00:43:05I've still got it.
00:43:12No.
00:43:12No.
00:43:13I'm just a humble writer.
00:43:16You need to talk to the fans.
00:43:17They're the real experts.
00:43:18I'm just here to set an example for them to help people face their fears.
00:43:25A kind of spiritual guide through troubled times.
00:43:31Huh?
00:43:38I don't know.
00:44:11I don't know.
00:44:35Mr. Fairless?
00:44:40Mr. Fairless?
00:44:42Have you heard a complaint about the noise?
00:44:44Mr. Fairless?
00:44:44Oh, my God.
00:45:19I don't know.
00:45:54Come on.
00:45:56Let's get registered, then we can have a drink.
00:46:09Evening, Skye.
00:46:12What can I do for you?
00:46:13I've booked a room.
00:46:15Mr and Mrs Jones.
00:46:22Unusual name.
00:46:30Recently married?
00:46:31Yes, very.
00:46:38I'm 27.
00:46:40Along the corridor, up the stairs, turn left.
00:46:43Can't miss it.
00:46:44Bathroom is third on the left.
00:46:47Breakfast at 7.30 sharp.
00:46:49Full English?
00:46:51Blimey me.
00:46:52Yes, thanks.
00:47:06Don't, Eddie.
00:47:08Sorry.
00:47:15What did you get there?
00:47:17You know?
00:47:18No.
00:47:18What?
00:47:19Eddie, you know the thing.
00:47:21Oh, no.
00:47:21I forgot.
00:47:22Eddie.
00:47:23Of course I got it.
00:47:24Pack of three, actually.
00:47:25Make a night of it.
00:47:26I told you.
00:47:27I know my way around.
00:47:29Man in the world, me.
00:47:37I can't remember which way we turned.
00:47:41I think we're in here.
00:47:45What is it?
00:47:47Nothing.
00:47:48Just can't believe we got away with it.
00:48:10You do love me, don't you?
00:48:13Of course I do, sweetheart.
00:48:14Would I do all this for someone I didn't love?
00:48:17No, I suppose not.
00:48:48Come on, Mrs. Joan.
00:48:50Get that down, yeah.
00:49:02Can't see a thing out there.
00:49:07What's wrong with the lights?
00:49:09It's probably just the wiring.
00:49:13I don't think it's safe.
00:49:16I'll pop downstairs, have a word with the landlord.
00:49:18Maybe we can change rooms or something.
00:49:24Don't be long.
00:49:49And now we're taking the clock light among the stars, there's a young factory worker who's going to sing for
00:49:54you.
00:49:56Hello?
00:50:00Hello?
00:50:01Hello?
00:50:02Hello?
00:50:03Hello?
00:50:17Hello?
00:50:17Hello?
00:50:17Hello?
00:50:17Hello?
00:50:31Hello?
00:50:33Have a great day in your place.
00:50:42Hope you're going to hear this.
00:50:44Andy?
00:50:45Eddie, is this a joke?
00:50:47It's a joke.
00:51:12Betsy.
00:51:14Eddie.
00:51:20Hold me tight, Eddie.
00:51:24It was so strange. The light was flickering, and then the room was filled with ash, drifting
00:51:32through the air like snow. And then I woke up, and you were here.
00:51:40It was still quiet down there, except for the wireless. And when I came back up, the
00:51:44landlady was waiting in that long passage, so she could make us cocoa if we'd like. I
00:51:50said maybe later.
00:51:51Oh, I could do with that cocoa. It's freezing in here.
00:51:54It'll be warm under the covers.
00:51:56Oh, no. Eddie, I can't. Not now. I'm scared.
00:51:59You're safe with me.
00:52:01No, there's something odd in this place. I can't.
00:52:05I paid for it all. Most of my wages. I love you, Betsy. I want you to be all mine.
00:52:17Eddie, I said no. Everything all right, Mrs. Jones?
00:52:28No. I need to go home.
00:52:54My bloody wages.
00:53:00Yeah, very funny.
00:53:04I've got to pay. I've got to pay good money for this room. Let me out! Let me out!
00:53:20Just hang on a minute for me, Fred. We've got time before the bus.
00:53:23All right, love.
00:53:26Hello there. How can I help you, madam?
00:53:27I wondered if your wife was around.
00:53:31What's this regarding?
00:53:33She did me a favor the last time I was here. I just wanted to thank her.
00:53:38You must have been a little girl.
00:53:42My wife passed away during the war.
00:53:45Oh, dear. I'm so sorry. I must have made a mistake.
00:53:49It was back in 43.
00:53:53Most of the German bombing was over the docks around Ransoms, the munitions factory.
00:53:59I was a warden on duty, but I didn't like leaving her.
00:54:03Not in her condition.
00:54:11She promised me she'd be able to get down to the cellar if it got bad.
00:54:13But, um...
00:54:16In the end, she didn't have time.
00:54:20Bomb hit the east wing of the hotel.
00:54:25Brought it all down.
00:54:29Seven dead.
00:54:31Including my Daphne.
00:54:36I was so sure it was this hotel.
00:54:40Room...
00:54:4127B.
00:54:43The B rooms were all in the east wing.
00:54:47Bomb took them all down.
00:54:50Right.
00:54:54Come on, Fred. Let's catch our bus.
00:55:46As of now, you are a representative of this hotel.
00:55:49and you must always present yourself smartly this is for you oh actually it's
00:55:57Maisie any further questions direct them to Tom is she always like that always
00:56:05don't worry it's easy to win her approval just think Victorian servant be seen and
00:56:11not heard don't have any ideas of my own anything else try not to smile
00:56:19we better go Daisy all the rooms on this floor need to be spotless by one o'clock
00:56:30remember the devil's in the detail I have high hopes for you Daisy Maisie all right
00:56:48I'll start at the end and meet in the middle last one to finish buys the first drinks all right
00:56:54see
00:56:56you later then Daisy
00:57:30seriously you've got to be kidding me
00:58:08you
00:58:09you
00:58:09you
00:58:09you
00:58:09you
00:58:12you
00:58:12you
00:58:30you
00:58:32you
00:58:32you
00:58:33you
00:58:33you
00:58:39you
00:58:48you
00:58:51you
00:58:52you
00:58:54you
00:58:56you
00:58:56you
00:58:56you
00:59:01you
00:59:08you
00:59:10you
00:59:10I just cleaned this room.
00:59:12You didn't do a very good job.
00:59:13No, I mean I've already cleaned this room.
00:59:17Okay.
00:59:18Well, I need more polish.
01:00:07Oh!
01:00:09Oh!
01:00:12Staff never ring the bell, Daisy.
01:00:14There's a problem.
01:00:15A problem?
01:00:16Yes, the room. Room 116.
01:00:18I've tried to clean it but it refuses to stay clean.
01:00:21Look, there are two types of people in this world, Daisy.
01:00:25Those to whom the world happens and those who happen to the world.
01:00:30You're gonna go back to that room and show it who's boss.
01:00:33Conquer it.
01:00:35Please, can I just show you?
01:00:37Time's slipping away, Daisy.
01:00:39See?
01:00:41See?
01:00:50See?
01:00:53See?
01:01:07See?
01:01:11tiger
01:01:36Oh, my God.
01:01:58Oh, my God.
01:02:32Oh, Tom, have you seen Daisy?
01:02:34No.
01:02:34Can you give her a hand to finish by one?
01:02:37So my reward for finishing early is to do more work?
01:02:39Practice makes perfect.
01:02:40Oh, and don't get too distracted.
01:02:55Maisie?
01:03:07Maisie?
01:03:08Może인데?
01:03:12Yes.
01:03:13Here we go.
01:03:15Here we go.
01:03:35Oh, come on.
01:03:53Hey. Hey. Are you okay?
01:03:56It's the room.
01:04:31I do hope you have a pleasant stay. And if there's anything we can do, anything at all, just ask.
01:05:11What are you doing in my room?
01:05:14I'm, um, checking for mice.
01:05:19Mice?
01:05:20No, not mice. Um, rabbits.
01:05:25Rabbits?
01:05:26Yeah. Yeah, there could be a really big problem. Always chewing things. I've got really big teeth.
01:05:38Hello? Any rabbits in there?
01:05:55I don't know what to do with you, Bob. Head office has been on to me and they're suggesting I
01:05:59let you go.
01:06:00But I've said, um, well, he's a nice boy. He's a nice boy.
01:06:07Thank you, Mrs Jones.
01:06:08But I'm not sure you've got what it takes, Bob.
01:06:10I do.
01:06:11I think you're more of a lost soul.
01:06:15I've spent years just drifting around. I don't want to go back there. I need a purpose. I need this,
01:06:23Mrs Jones.
01:06:24Well, you better buck your ideas up, Bob. Ham up with a plan. This is your last chance and it's
01:06:30curtains.
01:06:32Thank you, Mrs Jones. You won't regret it.
01:06:53You can do this, Bob.
01:06:56You're not a nice boy. You're a... you're a tiger.
01:07:03Grrr! Grrr! Grrr! Grrr! Grrrr! Grrrr!
01:07:14Grrrrrrrrrr!
01:07:15In my office! Now!
01:07:34You said I should fuck my ideas up.
01:07:37What were you thinking, Bob?
01:07:39That poor family were traumatised.
01:07:42I wouldn't be surprised if they sue us.
01:07:46Oh, the head office is going to want my head on a block.
01:07:49And to be honest, I'd rather it be yours.
01:07:55Oh, Bob, how'd you hide behind the curtains?
01:08:02Move a bit of furniture,
01:08:05or tiptoe round their bedrooms in the night,
01:08:09or waft up and down the stairs.
01:08:12Punters love that kind of thing.
01:08:15Instead they get some blithering idiot
01:08:18wanting to chop up their children.
01:08:21I don't know.
01:08:23I guess I'm just not very, you know, ghostly.
01:08:28You must be able to do something, Bob.
01:08:31No.
01:08:32I'm a terrible, terrible ghost.
01:08:37Pull yourself together, Bob.
01:08:45There must be something we can do.
01:08:55I've got all sorts of bits and bobs in my wardrobe, Mrs. Jones.
01:08:58I'm a bit of a magpie, to be honest.
01:09:00Hopefully you can find a look that's more suitable.
01:09:02You know...
01:09:04Without being too, you know...
01:09:12Are you preparing to walk through the door?
01:09:16I'm trying to remember where I left my key.
01:09:19Oh, God.
01:09:25Get in, get in.
01:09:39Hello, Mrs. Jones.
01:09:40My name is Mr. Cuddles.
01:09:42Oh...
01:09:43Oh...
01:10:33I'll go and put an outfit on then, shall I?
01:10:43what's that under your arm? it's my head. I'm a headless ghost. a headless ghost? but I can see your
01:10:52head. where your actual head is. well, I haven't worked on that bit yet. like I said, I'm finding this
01:10:59whole ghost thing all very difficult. what other outfits have you got?
01:11:09it's very nice to meet you. no. I've got a present for Mrs. Jones.
01:11:34no. have we got a problem here, Bob? I'm starting to get... what? a little bit ticked off. harsh words,
01:11:42Bob? I've given you loads of options, but you don't seem to like any of them. it's really quite frustrating.
01:11:48frustrating? you should try being a hotel manager.
01:11:51you have to please all the guests all the time, and you have to smile all the time. and when
01:11:57you want to get rid of a member of staff, well, the paperwork is a nightmare.
01:12:03well, let me tell you something, Mrs. Jones. I might be a rubbish ghost, but I'm certainly no quitter.
01:12:09what's the plan, Bob?
01:12:13what's the plan, Bob?
01:12:13one more outfit. make or break.
01:12:17this is it.
01:12:32are you ready, Mrs. Jones? yes. get on with it.
01:12:46are you winding me up?
01:12:49what? it's a classic. the absolute pinnacle of ghostliness. the most recognisable and universally appreciated symbol of eeriness.
01:12:59it's ridiculous. i think it makes a statement. i'm a ghost. deal with it.
01:13:03take it off. no. take it off now. no. get it off. no, i won't. get it off.
01:13:32no. look what you've done.
01:13:40you complete and utter idiot.
01:13:45you complete and utter idiot.
01:13:46you complete.
01:13:55oh, my.
01:13:56pimple!
01:13:58come on.
01:14:00we're over here.
01:14:01all right.
01:14:03how would you like me?
01:14:04just like that. perfect. yeah.
01:14:09oh my gosh what's going on what is she doing
01:14:19is that meant to be scary she must be mad
01:14:25excuse me can we help you
01:14:50I love you
01:15:07Oh, Jesus, Dobby, slow down.
01:15:14This isn't doing my health any good, Dobby.
01:15:20Slow down. Don't draw attention to ourselves.
01:15:25Oh, God, honest.
01:15:27I'm starting to feel a bit Uncle Dick.
01:15:41You have arrived. Give it go.
01:15:48Leave it out, George.
01:15:50Your missus wouldn't even trust you with her TV remote.
01:15:54Not exactly a premiere in.
01:15:57It's perfect.
01:16:12Beers top floor, stair lift broken.
01:16:15Sorry.
01:16:16Remind me to give a bit of smack.
01:16:37Scary, isn't it?
01:16:39Not as scary as your driving, Dobby.
01:16:41Uh-huh.
01:16:42Come on.
01:16:53You all right, George?
01:16:56A bit sick.
01:16:58Can't sink.
01:17:00Sick of your ugly mug.
01:17:04Did you hear that?
01:17:07Probably Hobbit.
01:17:08Or your tinnitus.
01:17:10Oh, come on here.
01:17:40Well, you've made it.
01:17:43You went like a dream of it.
01:17:46Yes!
01:17:50Yes!
01:17:52Mickey boy, we did it.
01:17:55The last of the Deptford eight.
01:17:58Back to the five of us.
01:18:01God bless Tonka and Pat.
01:18:03Fallen comrades.
01:18:05God bless Lenny.
01:18:06Like you could have done it without me.
01:18:09I'm surprised you found your way upstairs without a pack of guide dogs.
01:18:13It's enough of your lips, sunshine.
01:18:21Right.
01:18:22Check my money.
01:18:24Every note.
01:18:25Any new ones?
01:18:26Earn them!
01:18:35Oh!
01:18:44Is that your granddaughter?
01:18:47My little Debbie.
01:18:49She's gorgeous.
01:18:52I don't want her ending up like us.
01:18:55She's going to be respectable.
01:19:02It's family that matters, Mick.
01:19:05I'm doing this and she doesn't have to.
01:19:13Is anyone else here?
01:19:16Terry?
01:19:17Dobbin?
01:19:18Give the place a look.
01:19:20Make sure.
01:19:27How did you find this place?
01:19:30People say it's haunted.
01:19:32They keep seeing these old, decrepit corpses wandering around.
01:19:38So you two should feel right at home.
01:19:42When I was your age, I was out there with a shooter,
01:19:45taking what I was owed.
01:19:47You're just a bedwitter.
01:19:48Sitting in front of your laptop and talking like a turd.
01:19:51Well, the days of shooting your way out are long gone.
01:19:56When you've lived as long as I have,
01:19:57you'll find that having the balls to fire a gun
01:19:59buys you a lot of influence in this world.
01:20:16boss?
01:20:18Boss?
01:20:19Boss?
01:20:22Will?
01:20:24Nothing?
01:20:29Who is Dobby?
01:20:31Who?
01:20:33Dobby.
01:20:34Don't know him.
01:20:36Are you mugging me off?
01:20:38Jackie Dobson.
01:20:40Don't mess me about to all.
01:20:42Boss!
01:20:42It's just the four of us and the kid.
01:20:47Have you all lost it?
01:20:48Dobby was with us tonight.
01:20:51He drove us here!
01:20:54Are you alright?
01:20:55Huh?
01:20:57Yeah.
01:21:02He's cracking up!
01:21:05Shut up!
01:21:09Boss, we're all here, we're all fine, and the main thing is, we've got this.
01:21:19This place reminds me of that pub on the high road.
01:21:22Massive rambling place.
01:21:24Oh yeah.
01:21:26Yeah.
01:21:26The black horse.
01:21:28You used to run that with Lenny Maitland, right George?
01:21:32Tricky little fella Lenny.
01:21:34Disappeared with your money, didn't he?
01:21:36He heard up about Lenny Maitland.
01:21:40Go and get the rest of the gear.
01:21:42Okay boss.
01:21:43Just need to take a leak.
01:21:45Hurry up.
01:21:55What's going on, Till?
01:21:57Am I cracking up?
01:21:59We're all cream-crackered, boss.
01:22:01I can't believe you don't remember.
01:22:05Jackie Dobson.
01:22:10Come on, Mountain.
01:22:12Sort yourself out.
01:22:14Mountain?
01:22:17What Mountain?
01:22:19Are you kidding me?
01:22:21Mountain!
01:22:23He's in the car, Z!
01:22:39There's no one else here, mate.
01:22:41Just the four of us.
01:22:42The four of us?
01:22:44There were six of us just now.
01:22:46Are you scamming me, Mickey?
01:22:48Calm down.
01:22:49Don't go into one.
01:22:50You and I go back a long way.
01:22:52And you know what I do to people across me.
01:22:54So, you gotta tell me what's going on.
01:22:56What's going on is you're senile.
01:22:58You-
01:22:58Mate, you need to calm down.
01:23:01You're not well.
01:23:05That's right.
01:23:06Take a chill pill.
01:23:07Look, you shut up, sonny!
01:23:09You've done something to my pills, haven't you?
01:23:12What pills?
01:23:14I'm gonna get dark with you, son!
01:23:20What's happened to the light?
01:23:22It's derelict, innit?
01:23:24The leaky's been off for years.
01:23:26Losing it, George.
01:23:27Cherry.
01:23:29Brass knuckles.
01:23:31Terry!
01:23:33It's just me and you.
01:23:35The last of the Deptford Five.
01:23:38And Hobbit, if he counts.
01:23:40Deptford Five.
01:23:42Terry!
01:23:43Dobby!
01:23:45You can all come out now!
01:23:47Do I look like the kind of mother's gonna let you take his money?
01:23:51Is that what Lenny Maitland tried to do?
01:23:54You would.
01:23:55He never ran off with your money.
01:23:58You made sure of it.
01:24:00Yeah.
01:24:02I see the resemblance now.
01:24:07You trying to avenge your family?
01:24:10I tell you what.
01:24:11I did kill Lenny.
01:24:13I bricked your grandad up in the basement at the Black Horse Hotel.
01:24:19Oh, yeah.
01:24:20I remember.
01:24:21You sent me down to the cellar to change a barrel.
01:24:25Hit me from behind.
01:24:27Next thing I remember, I'm chained to a pipe.
01:24:30Brick after brick going up in front of me.
01:24:33I begged you for mercy.
01:24:36But you just...
01:24:37You stood there and laughed.
01:24:42Who are you?
01:24:44How many other mates have you double-crossed over the years, eh?
01:24:47What about tonight?
01:24:49You got any plans?
01:24:54What have you done, George?
01:24:57He was one of us!
01:24:58Ah, you remember him.
01:25:00But you don't remember Terry.
01:25:02Or Dobby.
01:25:03Or Mountain.
01:25:05Please, George!
01:25:07What?
01:25:08You want me to think I'm going mad?
01:25:11Big mistake.
01:25:13You should have just killed him.
01:25:16That's what I was going to do to you.
01:25:19Go there, George.
01:25:39No!
01:25:53No!
01:25:55Talk.
01:25:58No way.
01:26:00The last of the Deptford eight.
01:26:03They'd like a word, George.
01:26:08What's happened to my Debbie?
01:26:10If you've hurt her!
01:26:11There is no Debbie.
01:26:14There's no family.
01:26:16They never existed.
01:26:28No!
01:26:44This is the way he would have wanted to go.
01:26:47On a job with his mates.
01:26:50We said no shooters on this one.
01:26:52You don't reckon he went into the...
01:26:53No way.
01:26:54Not George.
01:26:55He wouldn't turn on one of his own.
01:26:56He was a true gent, alright?
01:26:59We'll take care of your little Debbie, boss.
01:27:01Yeah.
01:27:03He would have done the same for us.
01:27:07He's in a better place now.
01:27:09It like that.
01:27:09Oh, yeah!
01:27:23He was right.
01:27:23He wasj парfilled, but we knew it.
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