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Short filmTranscript
00:00:00You
00:01:02Are you sure you don't mind me going to Paul's show tonight?
00:01:04Of course not.
00:01:06I'm surprised he invited me if I'm honest.
00:01:09Why do you think he did?
00:01:10Dunno.
00:01:11To gloat.
00:01:12Show me what I've been missing.
00:01:14And have you?
00:01:17What?
00:01:18Missed him.
00:01:20Do you even need to ask?
00:01:30We should get married.
00:01:32What?
00:01:32To appease my insecurities?
00:01:34No, because I love you.
00:01:37You don't need a piece of paper to validate our near bliss of a relationship.
00:01:41Near?
00:01:42Did I say near?
00:01:43I'm imperfect.
00:01:45But seriously, I don't see the point in marriage.
00:01:48When I'm dead, you'll be well covered.
00:01:50You're seven years older than me, not fifty.
00:01:53Besides, I could always pay you at first.
00:01:54That's not going to happen.
00:01:56Then how do you know?
00:01:57Because I love you.
00:01:59Besides, life wouldn't be that cruel.
00:02:11You nearly ready yet?
00:02:12Give me a sec.
00:02:21Vanity aside, that is the most beautiful photo you've ever taken.
00:02:25And modesty aside, I agree.
00:02:27Let's just say I was inspired by my muse.
00:02:30Why did it take me so long to figure out what you meant by these numbers?
00:02:33Because it was too obvious.
00:02:36We need to go.
00:02:38Now.
00:02:40Fine.
00:02:41But you don't know what you're missing.
00:02:43I do.
00:02:44That's the problem.
00:03:07I really love you.
00:03:09Okay.
00:03:10Are you planning on making some sort of confession?
00:03:14No, cool stuff.
00:03:15It's just important that you know.
00:03:20Ignore me.
00:03:20I'm being silly.
00:03:22Go on, go.
00:03:23I'll see you tonight.
00:03:24Make sure you wait up for me.
00:03:26So you don't want to lift?
00:03:27Nah.
00:03:28I feel like walking today.
00:03:29I feel like you're too late.
00:03:30Yeah.
00:03:32I don't know.
00:04:07Have fun returning to the scene of the crime.
00:04:31I don't know.
00:04:32I don't know.
00:04:46ORCHESTRAL MUSIC
00:05:12Most of the people I met sleeping rough weren't doing so through choice, it was out of necessity.
00:05:17They're playing devil's advocate here but if they choose to reject all support services to house them then surely it's
00:05:23voluntary.
00:05:24From what I've witnessed that view is too simplistic.
00:05:27For some people life on the streets becomes so ingrained that they find it difficult to fit back into
00:05:31what would be considered a normal environment.
00:05:33It's a catch-22 situation then isn't it?
00:05:38Personally I think more needs to be done to prevent homelessness happening in the first place.
00:05:43And you are?
00:05:44Rebecca Sheldon.
00:05:45Ah, the art critic. Your photo doesn't do you justice.
00:05:52That's a powerful message.
00:05:54It's true. We never know what's going to happen from one day to the next.
00:06:00I want the viewer to understand the individual as a human being, not label them a homeless person or a
00:06:05drug adult.
00:06:07There you are Jen.
00:06:10Paul, Rebecca? Rebecca, Paul.
00:06:13Nice to finally meet. I've heard lots about you. And read your critiques of course.
00:06:19Are you an artist as well? What do you...
00:06:21I'm sorry but I'm going to have to steal Jen for a while. Everyone wants to know the date you're
00:06:26going to make an honest man out of me.
00:06:28Come on.
00:06:30Well, nice to meet you.
00:06:32Please be gentle. This is my first time but I look forward to reading your review.
00:06:57So you're leaving without saying goodbye? You looked busy. I'm not busy now.
00:07:06Can we go somewhere private?
00:07:27Wine?
00:07:29Please.
00:07:53So, you're engaged?
00:07:56Sort of.
00:08:01Look, I'm going to be honest with you.
00:08:03I don't know why I'm here.
00:08:09I just wanted to...
00:08:15I've never felt...
00:08:19Yeah.
00:08:24I'd better get that.
00:08:25I'd better get that.
00:08:57I'm in here.
00:09:00Cause I know the sun won't rise till you do.
00:09:08Even she can't get out of here.
00:09:19Hello?
00:09:22Oh my God.
00:09:45I'm here to see Genevieve Simmons. I'm Rebecca Sheldon. I just got a call to say she's been brought here.
00:09:49I'm afraid she's being seen by the doctor at the moment. If you take a seat...
00:09:52I'm sorry, you can't go in there.
00:09:53I want to see her. I need to know if she's okay.
00:09:55I'm sorry. The doctor won't be long.
00:09:57She's in the best place.
00:10:01Miss Sheldon is here to see Miss Simmons.
00:10:03What happened? How bad is she?
00:10:05Miss Simmons was attacked and has suffered trauma to her head.
00:10:08We've had to put her in a medically induced coma.
00:10:11It's just to prevent neurological damage until...
00:10:14I want to see her.
00:10:15Okay.
00:10:15But be prepared. She's hooked up to a lot of machines.
00:10:19So it may appear scarier than it really is.
00:10:34Have the police been informed?
00:10:36Yes. I don't know much, but I'm sure they'll be contacting you at some point.
00:11:00Let me guess. Paul. He's called how many times now?
00:11:07Too many to count.
00:11:09You don't like talking about him, do you?
00:11:12Given the circumstances, it doesn't really seem appropriate.
00:11:15Besides, my life with Paul already feels like ancient history.
00:11:19Another time.
00:11:23I nearly didn't follow you to your girl the other night, you know.
00:11:26I'm glad you did.
00:11:32Guess it's time to face the music.
00:11:34Don't use putting off the inevitable.
00:11:48Any regrets?
00:11:50Yes.
00:11:56I thought I didn't meet you years ago.
00:12:13So you decided to come back?
00:12:16I think we should talk when you're sober.
00:12:19Are you fucking joking?
00:12:24Are you fucking joking?
00:12:26You stay out all weekend like a fucking alley cat on heat.
00:12:31And have the gall to dictate to me when we can talk?
00:12:49You're drunk. And if you think you're going to intimidate me-
00:12:51No, just fuck off.
00:12:53You fucking dyke.
00:12:56Yeah.
00:12:59That's right.
00:13:01Dyke.
00:13:04That's right.
00:13:05The whole fucking gallery was talking about you two.
00:13:09The famous lesbian art lover and the star-stroke photographer.
00:13:14Have you ever-
00:13:16Have you any idea how fucking small you made me feel?
00:13:24Not to mention your poor parents hearing about their fucking pussy-loving dyke of our daughter.
00:14:00Leaving, are you?
00:14:03Good.
00:14:05Saves me the trouble for throwing you out.
00:14:09Here.
00:14:11Let me get the door.
00:14:17Whatever the gentleman-
00:14:19Whatever the gentleman-
00:15:08You have one new message.
00:15:10Message received from Mum.
00:15:14Today at 8.47pm.
00:15:22Is it true?
00:15:24Please Genevieve.
00:15:25Paul called and Eason-
00:15:27Is that her?
00:15:28Give me that phone.
00:15:29I demand that you bloody call us and let us know what you're playing at Genevieve.
00:15:32Do you hear me?
00:15:33Have you lost all sense of-
00:16:06I do not want another dog.
00:16:08Oh, but they were cute.
00:16:10Ugh.
00:16:15Is that her?
00:16:22What do you want?
00:16:24You want us to talk, so let's talk.
00:16:27Please Genevieve, don't be brainwashed by these people.
00:16:30People?
00:16:31You mean degenerates.
00:16:33Degenerates?
00:16:34Degenerates?
00:16:34You mean like Ellen.
00:16:36What?
00:16:36She's a famous American lesbian.
00:16:38I thought you might be comparing-
00:16:39You find this amusing?
00:16:40No, I find it pathetic.
00:16:42She's a good girl.
00:16:43It's not her fault.
00:16:45It's this-
00:16:46This-
00:16:46Whatever her name is.
00:16:47She's messed with her head.
00:16:49Her name is Rebecca.
00:16:50And she's not done anything to me.
00:16:52I was hoping for at least some understanding when it came to my happiness.
00:16:55My mistake.
00:16:59What happened to you?
00:17:00One minute you're a normal girl getting married and the next you're off with God knows who.
00:17:05If you don't snap out of this girl, you will have nothing more to do with you.
00:17:08Do you hear me?
00:17:08How could I not?
00:17:09And the feeling is totally mutual.
00:17:11Don't you dare walk away while I'm speaking to you.
00:17:13Genevieve!
00:17:17How have you lived with him all these years?
00:17:22Why have I never asked before?
00:18:07What the hell happened, Elsie?
00:18:10You've got ten seconds to get out of here.
00:18:12Or you'll be the one needing intensive care.
00:18:22Can someone call me when they leave, please?
00:18:30Miss Sheldon?
00:18:31Yeah.
00:18:32I'm D.C. Smith.
00:18:33This is D.C. Simpson.
00:18:34We'd like to talk to you about Miss Simmons.
00:18:36If we may.
00:18:47I'm sorry we need to do this now.
00:18:49But we need to piece together Miss Simmons' movements prior to her attack this morning.
00:18:54I understand you share a flat with her.
00:18:57Yeah, I do.
00:18:58And how long have you been living together?
00:19:01I'm sorry, but what relevance does this have to do with anything?
00:19:05I'm sorry if this seems personal, but it's just procedure.
00:19:12I'm sure you can appreciate that we're starting this case off on a blank canvas
00:19:16and we need to learn everything we possibly can about Miss Simmons.
00:19:23We've been living together for four years.
00:19:26Could you go through this morning's events?
00:19:28And if possible, Miss Simmons' timetable for the day, please?
00:19:33Nothing else Miss Simmons had mentioned.
00:19:37Okay.
00:19:38We'll leave it.
00:19:39For now.
00:19:50We'll leave it.
00:20:14I don't know.
00:20:28I don't know.
00:20:57I don't know.
00:21:29I don't know.
00:21:30I don't know.
00:21:32I don't know.
00:21:33I don't know.
00:21:35I don't know.
00:21:39I don't know.
00:21:43I don't know.
00:21:55Yes.
00:21:56Yes.
00:21:58How did I get here?
00:22:00I'm afraid you were attacked.
00:22:02Attacked?
00:22:04By who?
00:22:05We don't know.
00:22:06We don't know.
00:22:07And at the moment your health is our main concern.
00:22:10Now just let me check something.
00:22:21Very good.
00:22:24Do you know what year it is?
00:22:29It's...
00:22:30It's...
00:22:30Do you know who the Prime Minister is?
00:22:32The Prime Minister, yes.
00:22:35It's...
00:22:36Do you know your name?
00:22:44It's okay.
00:22:46It's okay.
00:22:46Try and relax.
00:22:49We're here to see Genevieve Simmons.
00:22:54If you're feeling up to it, you've got visitors who want to say a quick hello.
00:23:05Hello.
00:23:05Doctor?
00:23:06Yes?
00:23:08I don't know these people.
00:23:10It's okay.
00:23:11The blow to your head has just left you a bit forgetful.
00:23:14This is your mum and dad and this is Paul.
00:23:17Your boyfriend.
00:23:22Try not to stress too much.
00:23:24You've nothing to worry about.
00:23:26You're in safe hands.
00:23:27We thought we'd lost you.
00:23:30Glad you're okay.
00:23:33How are you feeling?
00:23:36My head hurts.
00:23:40I'm afraid I'm going to have to ask you all to leave now.
00:23:44We must make sure Genevieve gets plenty of rest.
00:23:56How long have I been here?
00:23:58Four days.
00:24:02Four days of sleep and I still feel like crap.
00:24:09This is risky, Eddie.
00:24:11What if Gene remembers?
00:24:12God has done this for a reason.
00:24:14He won't let us down.
00:24:15Paul's right, Eddie.
00:24:20So, about her memory.
00:24:23The good news is that a CT scan has ruled out anything serious.
00:24:28As a result, I believe she has disassociative amnesia, which is psychological in nature.
00:24:35Recovery can be measured in weeks, months and even years.
00:24:38We must ensure she has plenty of rest and no stress.
00:24:51Hello?
00:24:53Yeah, speaking?
00:24:56Yeah.
00:24:57Yeah.
00:24:58Yeah, of course.
00:25:14Wakey wakey sleepyhead.
00:25:17How are you feeling?
00:25:22Do I know you?
00:25:24Jeannie, it's me.
00:25:28I'm sorry, I don't remember you.
00:25:32Jeannie, that's not even funny.
00:25:34I'm your...
00:25:34I don't remember anyone.
00:25:36Please leave.
00:25:37I'm sick of people trying to make me remember stuff.
00:25:38I just want to be left alone.
00:25:43Leave me alone.
00:25:44Leave me alone.
00:26:16I'm trying to get my kids out of alcohol food, so, for you.
00:26:43Let's wait for a lot of people to eat.
00:26:43J&K
00:26:52Why don't I make us some tea?
00:26:54I think I'll go straight to bed if that's okay.
00:26:56I'm lacquered.
00:26:57Oh.
00:26:58Well, come on then.
00:26:59I'll show you your room.
00:27:02I'm going to get an early night.
00:27:03Thanks for everything.
00:27:23Can I help you?
00:27:25I'm looking for Genevieve.
00:27:27Ah, yeah, she's been discharged.
00:27:29Her parents and boyfriend were over the moon.
00:27:33Boyfriend?
00:27:56What's going on out there?
00:27:57Oh, nothing for you to worry about.
00:28:04What the fuck is going on?
00:28:06Did you tell Genevieve you're her boyfriend?
00:28:08I don't know what you mean.
00:28:11I want to see Genevieve now!
00:28:13Listen to me carefully.
00:28:15Turn around, get in your car,
00:28:16and don't show your face around here again.
00:28:18Now fuck off or you still have the chance.
00:28:20I think you made your point, mate.
00:28:21Don't you?
00:28:24Yeah, just like I thought.
00:28:26This isn't over.
00:28:28Not by a long shot.
00:28:32Come on.
00:28:50Come on.
00:28:51Come on, come on.
00:28:53Come on.
00:28:54Come on.
00:29:50Thanks for coming over.
00:29:52You said it was urgent on the phone that you're concerned about Genevieve's welfare.
00:29:56Jeannie's parents have been lying to her about who I am.
00:29:59They've told her Paul's her boyfriend.
00:30:03I know.
00:30:05When I went to question her, the family asked me not to mention your relationship so as not to confuse
00:30:09her.
00:30:14Look, I shouldn't even be discussing this case with you.
00:30:17But we're under direct orders not to mention you.
00:30:21How is that even legal?
00:30:23I mean, how can Jeannie's parents lie to her and just get away with it?
00:30:26If I had my way, I'd tell her the truth.
00:30:29But the family have made it clear to my superiors that anybody caught with any kind of information
00:30:33that might cause a setback to her rehabilitation would result in action being taken against them.
00:30:38So, until she remembers something...
00:30:40I'm basically fucked.
00:30:59Look, I know this must be tough.
00:31:06But she seems perfectly happy.
00:31:08She's not being held against her will.
00:31:10So they get to erase me out of her life and I've just got to sit here and take it.
00:31:14I saw that I can't tell her the truth, but there's nothing to stop you from telling her.
00:31:17I don't want to confuse her more than she already is.
00:31:26I sent over a box of her belongings today.
00:31:29Let's see how her parents explain why I had them.
00:31:34Genevieve thinks you're flatmates.
00:31:37Flatmates?
00:31:38Are you kidding me?
00:31:45Maybe this is the universe trying to right or wrong.
00:31:50I was, um...
00:31:52I was going over your notes.
00:31:53And something struck me as not being quite right.
00:31:56You said that Genevieve was on her way to a meeting in London Bridge at 10am.
00:32:00Right?
00:32:00Yeah.
00:32:01Okay, so it would seem strange that she would have been in another part of London when she should have
00:32:05been at her meeting.
00:32:06Don't you think?
00:32:09I can't believe Genevieve would lie to me.
00:32:13Did you check to see if she had a meeting with the gallery owner?
00:32:17Yeah, and he confirmed their appointment.
00:32:18But Genevieve called him to put it back an hour.
00:32:21Obviously something happened from the time she left you to make a change of plans.
00:32:25And even though we haven't located her phone yet...
00:32:28We have checked her call logs and the last call she received was from a phone box on the South
00:32:32Bank.
00:32:38And this, um...
00:32:39This situation with Paul, I don't quite get the connection.
00:32:46Genevieve dated him a few years ago and then she met me and they split up.
00:32:55A few days after he proposed to her.
00:33:01Anyway, things got nasty, people took sides, mostly Paul's, especially most of Genevieve's family and friends.
00:33:12In the end, she stopped calling them.
00:33:15Then, out of the blue, we get Paul's invitation.
00:33:22On the very same day Genevieve gets attacked.
00:33:56That is honest, he's still here.
00:33:57Themelody of Jesus.
00:33:57Themelody of Jesus.
00:33:57On the very same day.
00:33:58Here he's also on the show's stage.
00:33:59Š¼ŠøŃ geneva is right by him.
00:34:18Chessie! Much Chessie!
00:35:06Your mum sent me to check up on you.
00:35:09Are you okay?
00:35:11Fine. Just thought I'd try out my camera.
00:35:13See if it jogs my memory.
00:35:16Any luck?
00:35:22Seriously, if my mum tells me what an amazing person I am one more time, I think I'll scream.
00:35:28It's the truth.
00:35:29So you're saying I have no negative traits? I find that hard to believe.
00:35:33It's true.
00:35:35Unless you count doing things before really thinking them through and being impulsive as a negative.
00:35:41You make me sound like a rebellious teenager.
00:35:44You asked.
00:35:48I was thinking of visiting that therapist the hospital recommended.
00:35:51No!
00:35:53Look, I'm sorry Jen, but you know I just don't trust those quacks. They could put anything in your mind.
00:35:58Well I have to try something.
00:36:00I need to remember who attacked me. They could be stood right in front of me and I wouldn't even
00:36:03know.
00:36:08Well, I won't let anything happen to you. We'll get through this. Together.
00:36:15Thanks Paul. You're a good friend.
00:36:19I hope I'm more than just a friend.
00:36:25Speaking of friends, that woman who visited me in the hospital, Mum said she's my flatmate.
00:36:29I feel awful. I was really rude to her.
00:36:32Don't. You two aren't exactly best friends.
00:36:35Really? She seems genuinely concerned.
00:36:38Well, that's Rebecca for you. Always putting on a front of some kind.
00:36:42So you're not a fan of her either?
00:36:44Not especially.
00:36:48I tell you what. Why don't you come back to mine and I'll cook dinner.
00:36:52And you can be the first to see my new work.
00:36:57No pressure. Just dinner.
00:37:02Okay then. Just dinner.
00:37:05That's my girl.
00:37:11This is delicious.
00:37:14Did I ever cook?
00:37:17Does, er, boiling an egg count?
00:37:19Oh, it's that bad.
00:37:26This is just like old times.
00:37:30I'm sorry, I can't remember.
00:37:32No, don't be.
00:37:34I have more than enough memories for the both of us.
00:37:37I'll just have to do for now.
00:37:39What's sweet of you to say.
00:37:55I'm sorry.
00:37:57No.
00:37:58I'm sorry.
00:37:59I shouldn't have done that.
00:38:03Please, sit and enjoy your meal.
00:38:05I will. I just need to use the note.
00:38:14Jesus, Genevieve, why are you a virgin?
00:38:18Gene, are you alright?
00:38:19Yeah, I'll be out in a minute.
00:38:35That day, I arrived and you walked in there.
00:38:43I'm sorry.
00:38:44I haven't eaten today all day.
00:38:47I have a good time when I found you.
00:38:50Let's see each other.
00:38:53I like reading video on the porch.
00:39:00So how are you feeling today?
00:39:06Restless, suffocated, like I'm living under a microscope.
00:39:10What's making you feel like that?
00:39:23It's been a few weeks now. How do you feel about Paul?
00:39:29I don't know. I can imagine I would be attracted to someone like him, but he just doesn't reach me.
00:39:37We don't have the connection, I think we should.
00:39:41And, Rebecca, have you made contact with her yet?
00:39:47I don't see the point. If we were true friends, she would have made the effort to see me by
00:39:51now.
00:39:52She even sent my stuff via courier rather than delivering it herself.
00:39:57Just shows Paul was right. We weren't that close.
00:40:00But do you feel as though you were?
00:40:02I did, but I was obviously wrong.
00:40:05Could it be possible that she's giving you some space to find yourself?
00:40:12Do you think?
00:40:14What do you think?
00:40:24Do you know why your parents and Paul don't like her?
00:40:29I've tried to ask, but they get evasive every time they hear her name.
00:40:31Oh, I see.
00:40:36And do you feel the need to please your parents and Paul?
00:40:43Your life was in London, right?
00:40:46Do you feel drawn to Rebecca because you think that she can help you get your memory back?
00:40:57I'm wondering if you could return to London. It may stimulate your memory.
00:41:07Genevieve, what's important to you right now?
00:41:13Obviously getting my memory back, but at the same time I don't want to hurt my parents.
00:41:18Yeah, I understand that. I do.
00:41:20But first we need to focus on your memory loss and uncover who you are.
00:41:30You're saying I should go back to London?
00:41:32That's your choice.
00:41:34But in my experience, if you want to get over this, you need to go back and go through it.
00:41:48Are you awake, love?
00:41:50Yes.
00:41:51It's just that you've been up here since you came back from your therapist.
00:41:55Are you feeling ill?
00:41:56No.
00:41:57Well, Paul's downstairs and he's waiting to see you.
00:42:19So is someone going to tell me about Rebecca then?
00:42:24How am I going to get my memory back if you're keeping secrets from me?
00:42:27Can someone please tell me why you all have such a problem with her?
00:42:29Or do I need to call her and ask her myself?
00:42:35Well?
00:42:37Is anyone going to speak?
00:42:43It's a bit of a sore subject really.
00:42:48A sore subject for who?
00:42:52For me.
00:43:04The two of you have been living together for some time.
00:43:07And she basically ruined my chances of getting an exhibition.
00:43:11By writing a really bad review about it.
00:43:15Why would she do that?
00:43:17Your work's amazing.
00:43:22Because...
00:43:24Because she was jealous of our relationship, Jen.
00:43:26We had words and things got a little out of hand.
00:43:30Why would she be jealous?
00:43:35She's a lesbian, Jen.
00:43:38I was always under the impression she liked you and...
00:43:43We didn't want to tell you because we didn't want to upset you.
00:43:46Can you forgive us?
00:43:48Me?
00:43:53Yes.
00:43:54Of course.
00:43:56It's awful to think she'd give you a bad review for personal reasons.
00:44:01Look, I'd appreciate if we kept this between us.
00:44:05I mean, things have worked out for the best and...
00:44:07I think it's best we leave it in the past where it belongs.
00:44:11Speaking of the past, I've decided I'm moving back to London.
00:44:15You're what?
00:44:15I'm moving back to London.
00:44:17My therapist thinks it will help me get my memory back. She says I'm...
00:44:20Did you not hear a word Paul said?
00:44:22She's a lesbian.
00:44:23You should be disgusted at the idea of being in that sort of environment.
00:44:28That's not the way we raised you.
00:44:29But I don't remember how you raised me, do I?
00:44:32All I know is what I believe now.
00:44:34And Rebecca being a lesbian doesn't put me off at all.
00:44:37Live and let live, right?
00:44:42You don't need to worry about me.
00:44:44I have my own mind. It's not going to be warped by anyone.
00:44:47Tell her, Paul. Tell her she's making a big mistake.
00:44:49My decision has nothing to do with Paul.
00:44:54Mum. Dad.
00:44:56I'll be careful. I promise.
00:44:58But don't fight me on this.
00:45:01Support me.
00:45:17Please don't worry about my mum.
00:45:19I just want you to be happy.
00:45:25I know.
00:45:28The more we try to prevent her from seeing Rebecca, the more she's going to fight against us.
00:45:35Rebecca.
00:45:37Let's just hope she doesn't remember anything once she gets back there.
00:45:41Let's do it all about her.
00:45:46That's okay.
00:45:48It would be back.
00:45:54Yes.
00:46:07We will be happy now.
00:46:10Now, if we're planning on this journey,
00:46:19I didn't expect you so early.
00:46:21No, I was awake, so I didn't see the point hanging around.
00:46:23Is that what you brought with you?
00:46:25The rest of my stuff's arriving later.
00:46:27Okay, well, let me show you around so you can familiarise yourself with everything.
00:46:35So, this is your bedroom.
00:46:38And this is the kitchen, obviously.
00:46:42I'm guessing that's mainly your domain, so here I'm not much of a cook.
00:46:45You could say that.
00:46:47Do I have a workspace?
00:46:49Yeah, follow me.
00:47:05Well, I'll leave you to get settled in.
00:47:08If you need anything, give me a yell, okay?
00:47:09I will.
00:47:11Thanks, Rebecca.
00:47:35Rebecca?
00:47:37Rebecca?
00:47:39Rebecca?
00:47:40Are you alright?
00:47:42I thought I heard a noise.
00:47:43I was probably next door dragging their garden furniture.
00:47:46Oh.
00:47:48How about I make us some breakfast?
00:47:50Have you eaten?
00:47:52That'll be why you're looking so pale.
00:47:55You never could go on an empty stomach.
00:47:58Come on.
00:48:08I'm gonna get dressed, okay?
00:48:10I'll be back in a sec.
00:48:13All the time.
00:48:13I'll be back.
00:48:13I'm going to get dressed.
00:48:38All the time.
00:48:39I'll be back.
00:48:39I'll be back.
00:48:40I'll be back.
00:48:51Mmm. It's delicious. Must have been my favourite.
00:48:55Actually, it was.
00:48:57You know, you could say that about anything you whip up and I wouldn't know if you were messing with
00:49:00me or not.
00:49:00You're actually very fond of my haggis.
00:49:02God, please tell me you're joking.
00:49:06I'm sorry if I freaked you out earlier.
00:49:07I guess I'm still a bit anxious about being back in London.
00:49:10That's perfectly understandable.
00:49:12But I promise you, you're safe here.
00:49:19So, are you going back to work?
00:49:21Paul thinks it's for the best.
00:49:23He thinks I'll lose my creative ability if I don't use it.
00:49:29I could not but notice your reaction when I mentioned Paul.
00:49:32Oh, I just...
00:49:34It's fine. I understand.
00:49:36You do.
00:49:38About the animosity between you two.
00:49:41He's agreed to bury the hatchet and I'd be really grateful if you'd do the same.
00:49:45Don't want any bad feelings when he comes round.
00:49:48Yeah, of course.
00:49:51That'll be him now.
00:49:53Paul.
00:49:54Yeah, we can go and see a heart expression.
00:50:02I told you I'm squeamish.
00:50:05That was ridiculous.
00:50:07I know.
00:50:07I know.
00:50:08I know.
00:51:18Mmm. Very nice.
00:51:20Can't take any credit I'm afraid.
00:51:22Picked them up from the supermarket.
00:51:34What?
00:51:35You hate tuna.
00:51:37Do I?
00:51:38Yeah.
00:51:40Mmm.
00:51:45So what have you been up to today?
00:51:48Nothing special. I went to a little French place on Shaftesbury Avenue with Paul.
00:51:57Do you know it?
00:51:58That was our favourite hall.
00:52:01We went there most Sundays.
00:52:03That's probably why it felt like I recognised the place.
00:52:07That's encouraging.
00:52:08Yeah.
00:52:09It was more of a feeling than anything else.
00:52:11Like a deja vu moment.
00:52:13What were you two talking about when it happened?
00:52:16You.
00:52:18Oh.
00:52:23Don't worry it was nothing bad.
00:52:26I've just realised I hardly know anything about you.
00:52:30What do you want to know?
00:52:32I don't know.
00:52:32When did you grow up?
00:52:34Hampstead.
00:52:36How long have you been an art critic?
00:52:37Seven years.
00:52:40Must be tough.
00:52:42Being in a position where you have the power to ruin an artist's career.
00:52:46I would never do that to someone.
00:52:49I have the utmost respect for artists.
00:52:52Even if their work was mediocre I'd still write a balanced review.
00:53:04So do you have a partner?
00:53:06I mean I can make myself scarce when you need to be alone.
00:53:11I'd better see who that is.
00:53:26Paul's here to see you.
00:53:27He's just getting something out of his car.
00:53:29I only saw him a few hours ago.
00:53:32Thanks for the sushi.
00:53:34But I think I'm going to get on with some work.
00:53:47Guess who's just sold a shitload of paintings for top dollar!
00:53:51Oh!
00:53:53Oh!
00:53:54Oh!
00:53:57Glasses please.
00:53:59Okay.
00:54:10Hey!
00:54:11Celebration!
00:54:13Okay.
00:54:17Here you go my darling.
00:54:19Have one for me.
00:54:21Okay.
00:54:24Here's to the future.
00:54:26Couldn't be happier for you.
00:54:27For us, you mean?
00:54:34You know, there's only one thing that could happen tonight that would make me happier than I already am.
00:54:54I'll do the future.
00:54:56I'll do much better care.å½ē¶
00:55:42I want to see you.
00:56:05What's the matter?
00:56:06It's you.
00:56:07You look different.
00:56:09I can't do this.
00:56:10What the fuck is wrong with me?
00:56:19Where the fucking door?
00:56:21I want you to leave now.
00:56:22Rebecca will be home soon.
00:56:23I don't care if she's coming back.
00:56:25I'm not going to let you do this to me again.
00:56:26Do you hear me?
00:56:52I'm not going to let you do this to me.
00:57:24I'm not going to let you do this to me.
00:57:25I'm not going to let you do this to me.
00:57:36I'm not going to let you do this to me.
00:57:37One, two, three.
00:57:39One, two, three.
00:57:43One, two, three.
00:57:48I love you.
00:58:05What the fuck?
00:58:14Fuck, fuck, fuck, fuck.
00:58:29Fuck.
00:58:34Rebecca?
00:58:38What's going on?
00:58:39Are you okay?
00:58:42Where's Paul?
00:58:43Have you two had an argument?
00:58:44Are you serious?
00:58:45Do you expect me to believe you actually give a fuck about what happens to me?
00:58:48I don't understand what you mean.
00:58:49You leave your girlfriend with a man who's trying to fuck her while you run off in the middle of
00:58:54the night.
00:58:56That's right, Becca.
00:58:57I remember.
00:59:00How could you not tell me?
00:59:03How could you let me go back with my parents, let me think Paul was my boyfriend?
00:59:08How could you do that to me?
00:59:10They threatened me and told me not to contact you.
00:59:13I couldn't exactly turn around and say, oh, by the way, I'm your lesbian lover.
00:59:16You wouldn't have believed me and then I might never have seen you again.
00:59:18You should have taken the fucking risk.
00:59:20I didn't want to hurt you.
00:59:21I love you.
00:59:22Bullshit.
00:59:23So you'd have let me sleep with Paul last night because that's how much you love me.
00:59:27You'd have let me roll around with him, kiss his neck the way you like it because that's all I
00:59:31can remember to do.
00:59:33That's how much you love me.
00:59:35You have to understand.
00:59:36The only thing I understand is the people who are meant to care about me don't give a shit.
00:59:41I was attacked.
00:59:42I lost everything.
00:59:44I didn't know who I was.
00:59:47And you all just started lying to me.
00:59:49You let them use my suffering to manipulate me.
00:59:52Do you realize how fucking sick that is?
00:59:54Jeannie, I'm so sorry.
00:59:55It's way too late for that.
00:59:57Jeannie, I'm sorry.
01:00:09Jeannie, I'm sorry.
01:00:28You took the rest.
01:00:30Like a drip, drip, drip, you fed me.
01:00:35Nothing but insults and lies.
01:00:38I want to leave with the remainder of my sanity.
01:00:42So bye-bye.
01:00:46I'll find better than you.
01:00:50Oh.
01:00:52I'll find better than you.
01:00:56Even though I'm broken down.
01:00:59Oh.
01:01:00I want nothing from you.
01:01:03You can have it long.
01:01:06I'll find better than you.
01:01:21So where do we go from here?
01:01:23All we can do is stay the course.
01:01:25Things are short of work.
01:01:28Listen up.
01:01:29Fuck you.
01:01:29Now see here.
01:01:30And fuck you two.
01:01:32Is anyone going to tell me why you've all been lying to me?
01:01:34Lying to you about what exactly?
01:01:36Well, why should we start?
01:01:38My sexuality?
01:01:39Rebecca?
01:01:40Him?
01:01:41I don't know what you're talking about.
01:01:43I see.
01:01:44More lies.
01:01:45I know the truth, Dad.
01:01:46And what do you know, Genevieve?
01:01:48That he is not my partner and hasn't been for years.
01:01:51And you know this how?
01:01:52Did she tell you?
01:01:54Does it matter?
01:01:57You don't even feel ashamed of yourselves, do you?
01:02:00Well?
01:02:02Everything's about you, isn't it?
01:02:04You couldn't care less about the consequences your actions have on other people.
01:02:08As long as you get what you want, you've brought nothing but shame on your family.
01:02:14Not to mention making me the laughingstock of the art world.
01:02:18While you walk around with that thing.
01:02:20So is that it then?
01:02:22You're just humiliated because I left you for a woman.
01:02:24What?
01:02:25Paul.
01:02:27What were you all going to do when I got my memory back?
01:02:29Did you even want me to?
01:02:31Of course we did.
01:02:32What is so wrong with me, Mum, that you had to lie?
01:02:34You're our daughter.
01:02:36And we love you.
01:02:37Even though you are a...
01:02:38That you've made mistakes.
01:02:40Mistakes?
01:02:41Did you say mistakes?
01:02:43She's a filthy lesbian.
01:02:45The Lord does not forgive that ever.
01:02:47I don't need forgiveness for who I am.
01:02:50And after what you've done, you bring up God.
01:02:53You're the ones who need forgiveness.
01:02:54What kind of people are you?
01:02:58You come into your parents' house
01:03:00and have the audacity to ask them what kind of people they are.
01:03:03Well, we know what kind of person you are.
01:03:06Someone so self-obsessed
01:03:07that you actually thought I'd pick you over Rebecca.
01:03:10That thing you're with.
01:03:13She turned you.
01:03:14She took you away from us
01:03:15and we were only taking you back for your own good.
01:03:17Well, it didn't work.
01:03:19Now I'm going to check on Mum
01:03:20and then I am done with you.
01:04:13Jeannie?
01:04:31What the fuck are you doing here?
01:04:33To put an end to all this.
01:04:35If I were to ask you to leave Genevieve alone, would you?
01:04:38It doesn't matter what I do.
01:04:40She's with Paul now, she doesn't want to be in a relationship with me anymore.
01:04:43Nice try, but I know you told her the truth.
01:05:13Becca?
01:05:16Becca?
01:05:17Oh my God!
01:05:17Becca!
01:05:19Oh my God!
01:05:20Oh my God, talk to me!
01:05:20Becca!
01:05:20Becca, talk to me!
01:05:22Come on, Becca!
01:05:23Fuck!
01:05:24Fuck!
01:05:29You need an ambulance.
01:05:32Now!
01:05:33Fuck.
01:05:40Fuck!
01:05:42Please!
01:05:44Please.
01:05:44Please.
01:05:44Please.
01:05:44Please.
01:05:45Please.
01:05:45Please.
01:05:48Please.
01:06:18What the hell?
01:06:19What happened?
01:06:21I don't know. I found Becca in our flat unconscious.
01:06:25Any sign of a break-in?
01:06:26No, because he had my keys.
01:06:33I think the person who attacked Rebecca is the same person who attacked me.
01:06:49What is it? Is it Genevieve? Has she been hurt again?
01:06:52No, she's fine. May we come in?
01:07:00Is your husband here?
01:07:01Yes, but why?
01:07:16Mr. Simmons, you are under arrest for the grievous bodily harm of Genevieve Simmons.
01:07:22And Rebecca Sheldon.
01:07:24So she's alive, is she?
01:07:27Stand up.
01:07:33Do you know what it's like to try and prevent your only daughter from being condemned to eternal suffering in
01:07:38hell?
01:07:39I don't.
01:07:40But I promise you, you won't be seeing her there any time after your life.
01:07:44What did you do, Eddie? What did you do?
01:07:46Shut up, you stupid bitch.
01:07:48Do you think I don't know about your past?
01:07:52I don't care what you think of me anymore. You're a monster!
01:07:55And I've been so weak and so guilty. For what?
01:07:59Our daughters are lesbians. So fucking what?
01:08:01This is all your fault. Must be in your genes. Mother like daughter.
01:08:07I'll take him to the car.
01:08:09You don't have to say anything, but it may harm your defense.
01:08:31It was my dad, wasn't it?
01:08:40I'm so sorry.
01:08:43I love you so much.
01:08:47You said you loved me.
01:08:59He just goes into the nose, love it.
01:09:01We're not.
01:09:03Are we actually getting out of bed today?
01:09:06No.
01:09:07We're not.
01:09:11I just heard about your father.
01:09:15I can't believe that's what he got up, what he did to you.
01:09:22All of us.
01:09:29And I...
01:09:34I know it's worth nothing, but...
01:09:38I really did love you.
01:09:43Yes.
01:09:56Hello.
01:09:58Hello.
01:09:59Yes.
01:10:01Nancy.
01:10:02Elsie? It's Elsie.
01:10:08I knew you would call one day. It was only a matter of time.
01:10:44I knew you would call one day. It was only a matter of time.
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