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Theatre Mods

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Transcript

00:12Everything is clear, now come on

00:22This is the city

00:24briti

00:25sanzana ke bhai

00:27banna chaatay ta actor

00:28ban gae gangster

00:31lakin aaj bhi

00:32jab ye aaina dhekta hai

00:33to inke anndar ka actor

00:35jaag ota ta

00:40bhas inka eki sapan hai

00:42inki bhehn

00:44sanzana ki shadhi kishi shariif khandahan maho jaya

00:46Lekin bhala koji bhi shariif

00:48lada ka dhaun ki bhehn se kiyo shadi

00:50kareaga

00:50This is why the people with respect is their own style.

00:56Look, the God has a good idea, a good person, a good person, a good person, a good person.

01:01How much is it?

01:07If you want to make a relationship with any other house, then you can't make a relationship.

01:10You just need a good food, a good person.

01:13But, Pandit Ji, you won't tell us something about your business.

01:17You won't tell us about your business.

01:19You won't tell us about this.

01:21What did you tell us?

01:22Sanjana Air Base.

01:24Yes, yes.

01:25Sanjana Air Lines.

01:28Sanjana Textiles.

01:29Yes, Sanjana Textiles.

01:31There are a lot of ideas about this.

01:33It's a good idea.

01:35It's a good idea.

01:36Now, everyone is working on the phone.

01:38Now, we have a lot of fun.

01:42You won't give this one.

01:44You won't give this one.

01:45You won't give this one.

01:46Yes, I'll give this one.

01:49Oh, my God.

01:50You won't give this one.

01:51You won't give this one.

01:55You won't give this one.

01:57I'm sorry.

01:57It's not going to die.

01:58I'm sorry.

01:58If he gave this one.

02:00You won't give this one.

02:01You'll make your whole life.

02:03The police police complaint.

02:05I've taken the settlement back.

02:05You've got a settlement, sir.

02:08Sir, you've given 2 crores.

02:10You've seen a 3 crores of the crores of the iPad.

02:20Who are these, sir?

02:22They are going to go.

02:24Go ask.

02:28They brought the relationship with Sanjana's baby.

02:31Where did they come from?

02:33They were calling from Mumbai.

02:35They were calling from you.

02:39How good is this?

02:41Who has left behind us?

02:42Who has left behind us and left behind us.

02:46Sorry.

02:47Sorry, sir.

02:48I'm going to go inside.

02:49What do you mean inside?

02:51Where are you sitting?

02:52Who are you talking about?

02:53What are you talking about?

02:54I don't understand.

02:57Control.

02:59Hey, tell me.

03:00Tell me.

03:01Tell me.

03:01What's wrong with this?

03:04Tell me.

03:04I'm angry with this.

03:06I'm angry with this.

03:07One day, my brother made me angry.

03:09So, my hockey stick was angry with my tank.

03:11But my heart was good.

03:13I took my hospital.

03:14I took a new tank.

03:15I took a little money.

03:16I took a little money.

03:17I took a little money.

03:20I took a little money.

03:30Tell me.

03:33I took a little money.

03:39I took a little money.

03:50Sorry sir.

03:55Control.

03:58Control.

03:58Control, control.

03:58Control.

03:59What are you doing? You can also call someone and ask anything.

04:04Guruji, my...

04:05Yes?

04:05Yes, don't say anything. Please.

04:07How are you?

04:07Today we are talking about biscuits too.

04:10You are a doctor, you are a great job.

04:11I know, I am a bad guy.

04:13I am going to the hospital in the house.

04:15Look.

04:16You are a doctor and you are the one.

04:18What is it?

04:19Mr. Shedi, I don't know if you are familiar with me.

04:23You are familiar with me?

04:25You are my friend.

04:30How are you?

04:31My friend is my friend.

04:33What is it?

04:34What is it?

04:35I am not a mistake.

04:36You are your work.

04:38I am just beating my heart.

04:43Sir, I am not a bad guy.

04:45No, I am not a bad guy.

04:47You are a bad guy.

04:49I am not a bad guy.

04:50I am not a bad guy in this world.

04:50No, I am not anything.

04:52But you understand this.

04:53Why? Why?

04:59Now, understand.

05:13Shattlati sahab.

05:23This is such a thing that in the village of the village and the city of the village,

05:27I have my own family.

05:29Yes, it's a good family.

05:32It's a good family.

05:33Yes, it's a good thing that we don't have to do with you.

05:35But we are so proud.

05:36This is the Pundit.

05:37We will think about it.

05:38We will go back to them.

05:39No, I am.

05:41Yes, I am.

05:42Yes, I am.

05:44Look, I will give you a gift.

05:47You are so proud of me, Shetty Saab.

05:48One time I will give you a gift.

05:50God, I will give you a gift.

05:53God has given you everything.

05:56There is a gift, a love, a love, a love.

05:58There is only one person who wants to be a good girl.

06:01That's the struggle today.

06:04I love you.

06:06I love you.

06:08What can you love to see?

06:10What can you love to see?

06:11Yes, I am thinking about your life.

06:15I was thinking about it that way.

06:17I will give you a gift.

06:19I will give you a gift.

06:20How will you do?

06:22God, what is your gift?

06:23What is this?

06:24What are you doing?

06:24You have only four cards?

06:25Four people to call them.

06:27And two cards need to call them.

06:28Just a good thing.

06:31I think that I am too much.

06:32You are too young.

06:33No, brother.

06:35There is no problem.

06:37No problem.

06:38No problem, sir.

06:38No problem.

06:39No problem.

06:40You can't communicate.

06:42I am today for one, two, three.

06:44My friends are so happy.

06:45Listen to them later.

06:46First meet them.

06:47This is the Samjana's guest.

06:50Hello, sir.

06:52Hello.

06:53Before I get to meet you.

06:54You understand?

06:56I understand.

07:01What happened, brother?

07:02What happened?

07:04It's a very strange thing.

07:06We talked about our kids.

07:09But there was no one thing.

07:11When you say, I will meet you with your family.

07:12I will take you with me.

07:14After two days, I will take my new hotel.

07:16There is an opening.

07:17I will take a small party.

07:19Yes, of course.

07:20I will take you with me.

07:23Brother, this is all...

07:27It's because of business.

07:29Security?

07:30Yes, security.

07:35If you have any chance to come to you,

07:37They will know.

07:39They will take me.

07:40You will take me.

07:41Why are you asking?

07:43No, brother.

07:44Actually, a man...

07:46Actually, a man...

07:47Actually, a man...

07:48It's two men.

07:48They are very frustrated.

07:50Who are you?

07:52Who are you?

07:52They are a big man.

07:53Tell me.

07:54Levels will come to you.

07:56We will take you.

07:57We will take you.

07:58We will take you.

07:59We will take you.

08:00We will take you.

08:02We will take you.

08:07We will take you.

08:08We will take you.

08:10I will tell you.

08:11I will tell you.

08:11Yes, sir.

08:20Yes, sir.

08:21Two seconds before that.

08:23Get you.

08:26Who will take you.

08:27Who will take you?

08:29Who will take you?

08:29I will tell you.

08:29I will make you.

08:32My painting is a man.

08:34What happens?

08:37What happens?

08:39What happens?

08:43You will take you.

08:47How many people will take you.

08:49Look, Sanjana loves this girl.

08:51She also loves Sanjana's house too.

08:54You've got to be fit.

08:56Don't let your girl get upset.

08:58Sir, I'm not able to control my acceptance.

09:01Oh!

09:02I don't want to ask, but I don't want to ask.

09:04That's right.

09:05I don't understand who you are selecting and cancel.

09:08Let me tell you.

09:10What's that, sir?

09:11I'm sorry, sir.

09:12Dr. Gongro.

09:14Pista canceled.

09:17Pardon?

09:17The party is really cool.

09:19Brother, the people of Rajiv are here.

09:22Okay.

09:24Hi, brother.

09:29This is my uncle.

09:30My uncle, this is my brother.

09:43Uncle!

09:45Are you okay?

09:46I'm a doctor.

09:47Let's go.

09:48Ambulance.

09:50If you say 100 men and men,

09:53then you will be born.

09:54Then you will be born.

09:55Then you will be born with us.

09:57Then you will be born with us.

09:59Then you will be born with us.

10:01Then you will be born with us.

10:01You know?

10:02That day, when I told you to cancel the divorce,

10:04then what did you say?

10:04If you go back,

10:06then you will not do this.

10:09You are called with your cousin.

10:11You hate my niece,

10:12How is your mère?

10:13To you be born?

10:17How would you join me?

10:22I'll be running for a criminal family.

10:26I'll give him a shot.

10:28Hey, come on.

10:29Go.

10:30Go.

10:31Go.

10:32Go.

10:33Go.

10:34Go.

10:35Go.

10:40Go.

10:40You should pay attention to your mother.

10:43I am going to marry you.

10:44What do you do?

10:45I don't understand.

10:47Who is this?

10:52I can nothing.

10:54You can do anything.

10:56Go.

10:57Do anything.

10:58But understand, who is the character?

11:00He's the real life.

11:02If his mind falls, what do you think?

11:03Yeah, no.

11:05Get your head behind your head.

11:07Good Willie.

11:08God, she's got ice.

11:10I'm hurting her my breath as well, that she will sit up the same way.

11:13I'm going to come back and continue.

11:14Don't control control.

11:16I'm going to control control.

11:18Control control.

11:21Control control.

11:24Control.

11:25Control.

11:26Control.

11:27Control.

11:29What I'm listening to you, mate.

11:30Eh, tiger.

11:31you have to go the balls?

11:34What are you doing?

11:36You have to go the ball to the ball?

11:38The ball is going to play the ball?

11:38The ball? What are you doing?

11:42The ball?

11:43You will call the ball?

11:44The ball? Don't forget that the ball is my best friend.

11:48I will ask you what is the ball to play?

11:50I thought I will play a ball.

11:52I will go to the ball.

11:53If you have to play a ball?

11:55Why? Sorry.

11:58You are so sorry.

12:00When will I go to the ball?

12:04I will go to the ball.

12:04I said, go and play the ball.

12:06I said, no. Why did I play the ball?

12:08And the ball was the thing that I told you.

12:12I told you.

12:13How did you tell me?

12:16How do you tell me?

12:17I have a good friend.

12:20I have a good friend.

12:22I have a good friend.

12:22I will kill you.

12:23I will kill you.

12:26But if you will get the tension,

12:28I will not leave it.

12:31What do I do?

12:33What do I do?

12:35What do I do?

12:36I will not kill you.

12:37What do I do?

12:38Tell me what he did.

12:40Tell me.

12:41Tell me.

12:41I will kill you.

12:44How are you?

12:45I didn't drop out of my ball.

12:46After that,

12:46I got sick.

12:46So, the ballroom is better.

12:50I will take the ball over the ball.

12:50But the ballroom is good.

12:51I will have a good ball.

12:53The ballroom is better.

12:55This is a bad feeling.

12:57I can't see me by the tension.

12:58What do you do?

13:00What do you think about such a ballroom?

13:02What do you think?

13:02I am a smart girl.

13:05Uncle, Uncle there,

13:07can't ask what's her.

13:09Are you going to ask me,

13:12will I have to call my uncle?

13:14I will.

13:16If my uncle is my uncle and my uncle is my uncle and my uncle is my uncle.

13:22I love you.

13:27I love your wife and my uncle,

13:31I love you.

13:32I won't do anything.

13:35Excuse me, sir.

13:36I'm going.

13:38If you have to stop,

13:40you have to run a gun on me.

13:49Rajiv.

13:54Rajiv.

13:56I will ask you to forgive me.

13:58I will ask you to forgive me.

14:00Rajiv.

14:00You are what are you doing?

14:03A brother is asking a son to priority to get his love.

14:06I have suggested you to forgive me.

14:11I ask you to forgive me.

14:12Unplugged by others.

14:16I cannot understand.

14:17I will beg the king of all my daughter's care.

14:22I will not mention my wife's gift as well.

14:23Listen to me when I call her.

14:25This is the last door.

14:28Don't do anything for my family, don't do anything for me.

14:40Without Glycerin, how do you want to get out of my eyes?

14:45Let's keep the drama in the future.

14:58oh

14:59oh

15:01oh

15:06no

15:07oh

15:08oh

15:09oh

15:12oh

15:13oh

15:13I'll put all the balls in my head.

15:15But what do you want to do with that?

15:18After 3-3 times, 6-6 balls in my heart,

15:21they'll come back and say,

15:24now we're dead!

15:26I'm dead! I'm dead!

15:28What did you say?

15:31What did you say to yourself?

15:32and you made our daughter, Anarkali?

15:37In my childhood, my father took me to the temple.

15:40I was living in the temple.

15:43I was living on the temple.

15:43I felt the man's life had to be killed by his own crimes.

15:51My childhood memories are so old,

15:53but the temple has been here.

15:58I think my father is also my sister's heart.

16:01What the hell is that?

16:08Oh, come here, brother.

16:09Welcome, welcome.

16:14Oh, Sunil Shetty is here.

16:16Yes, that's the hero.

16:17Rajiv, you said to our director,

16:19we'll meet with Sunil Shetty.

16:21What a big deal, man.

16:22Okay, sir.

16:23I said before you,

16:24that without Bound script,

16:26I won't do this film.

16:27Oh, this script is ready, brother.

16:29Where is this script?

16:30Here.

16:30Okay, okay, okay.

16:32Sunil Shetty,

16:33Buddha Shetty.

16:34Shetty Shetty Shetty.

16:35Nice to meet you.

16:36Nice to meet you.

16:37Nice to meet you.

16:38Nice to meet you.

16:39Nice to meet you.

16:40What do you want to say?

16:41What do you want to say?

16:41You have confidence in me.

16:43Oh, no, no, sir.

16:44You're a great director.

16:45You're a genius.

16:46But I'm not scripting.

16:47But I'm not scripting.

16:48Tomorrow, you're shooting me.

16:49Otherwise, you're out of the film.

16:51That's it.

16:53Okay, sir.

16:54You're good, sir.

16:55Huh?

16:55What do you think?

16:56What do you think?

16:57What do you think?

16:58You're not doing work with me.

16:59So, I'll leave you.

17:00Hey, sir.

17:02Hey, sir.

17:03Hey, sir.

17:03You're going to be a film without you.

17:04What did you do?

17:05When there's no star,

17:07then how will the film become?

17:07Where will we get it?

17:08Where will we get it?

17:09I'll take it from the start.

17:12I'll take it from the start.

17:15Huh?

17:17Hey.

17:17Here.

17:18Here.

17:22Here.

17:23Here.

17:25Here.

17:27Here.

17:28Here.

17:29Here.

17:30Now you are my hero.

17:31Here.

17:33Here.

17:34Here.

17:41Here.

17:43Here.

17:46Here.

17:47Oh.

17:47Hey, you're best.

17:48This man's video.

17:48I know it.

17:54Buy a bird.

17:54See, sir.

17:56Ah, don't forget this man.

17:58So, just in the end,

18:03you think the truth about this man?

18:23Yes, sir.

18:23Do you know who came here?

18:24Yes, sir.

18:25Nice, sir.

18:26Hey, doctor, take care of yourself.

18:29Who came here?

18:34Hello, Mr. Uday, I am Prashvattham.

18:36Pappu.

18:41Do you know that this house is illegal?

18:47I don't know who it is.

18:49It's the RDX. And who it is? I know this too.

18:56Do you know anything about the law or not?

18:59No, don't be afraid. I'm afraid to show you.

19:02But a man is very good. I work on the rules of the law.

19:07If you have any good advice, go out.

19:10I'm going to go to the house.

19:11Go, brother. I'll help you.

19:17Come on, guys.

19:18I'll help you.

19:19Come on, guys.

19:21What a joke, brother.

19:23The hero of the film has been complex.

19:26Come on.

19:28Tell me.

19:29My one big one. I'm a big fan of hockey.

19:32What happened to Mourad?

19:35Mourad?

19:37That's great.

19:38Listen, I took the girl and took the hero.

19:43I'm taking the money for someone.

19:46No, I'm taking the money for someone.

19:48I'm taking the money for someone.

19:49I'm taking the big actor.

19:52He's a great director.

19:53And Mujnu, brother, see.

19:55There's a photo in my brother.

19:57Look at him.

19:58Look at him.

20:01But what's the news about this?

20:04Now, we'll also throw the balls in the race.

20:07Oh, my God.

20:14I'm trying to make the animals out of your body.

20:14What's going on?

20:15What's going on?

20:16What's going on?

20:18I'm taking the money.

20:21Look at him.

20:26Look at him.

20:30Look at him.

20:40Look at him.

20:45Action!

20:47Take a look!

20:51Take a look!

20:55Take a look!

20:59Cut!

21:01Kamal!

21:02Kamal's shot!

21:03Kamal!

21:04One more thing.

21:05I'm giving a big action to this world.

21:07Keep it up!

21:08Good job!

21:09Let's go to the next shot.

21:11Let's go to the unit.

21:12Okay.

21:12Let's go.

21:15Wow, guys.

21:17You've done great.

21:19You're so talented.

21:21You're amazing.

21:24Sanjana, you won't say anything.

21:25I thought it would be very difficult with you.

21:28But everything is so easy.

21:32Look, look, look.

21:33It's a great dialogue.

21:34Say it.

21:35Say it.

21:37Don't even buy rice at night.

21:40No, no, no, no, no, no.

21:42I would like to buy rice at night.

21:42Hmm?

21:43Hmm?

21:45Hey, I want to say...

21:46No, no?

21:47No, not buy rice at night.

21:47No, no, no, no, no, no, no.

21:52No, no, no, no, no.

21:53No, no, no, no, no.

21:59You are just getting a small, no.

22:01You're just getting a small, no, no, no.

22:04There is no one of the aloo, or a kanta.

22:07Aada.

22:08Yes, aada, aada, aada kanta.

22:09Let me show you the short.

22:11Madam, I want to meet you.

22:12Who, madam?

22:13Your hero and set of film.

22:19Come here.

22:20Come here, sir.

22:28You are Miss Isha.

22:29Hello.

22:30Superb.

22:31Mind-blowing. Fantastic.

22:33I can't even think that this is your first film.

22:36And the first day of shooting.

22:38I am glad to meet you there.

22:40Same. Same here.

22:43I hope you don't mind me calling you there.

22:45No, not at all.

22:46Madam, your short radio.

22:48Ari.

22:49Ari.

22:51Yes.

22:51Look there.

22:52Don't worry, please.

22:54I had to leave this film.

22:55Why?

22:56Because when I knew that the director had removed the hero,

22:59I wasn't very comfortable, you know.

23:01I know.

23:01But when I saw your acting.

23:04Oh, my God.

23:05I mean.

23:06The way you said that dialogue.

23:08Take a look.

23:09Take a look.

23:10I became your fan.

23:12No.

23:13Just.

23:13Let's try to see a small actor as a small actor.

23:17I want your autograph.

23:18Oh, yes.

23:20Oh, yes.

23:22Yeah.

23:24Here.

23:31Thanks.

23:32Welcome.

23:33Welcome.

23:34Now I'm going to enjoy the work.

23:35Very.

23:36Welcome.

23:37Bye.

23:38Bye.

23:39Welcome.

23:43Oh

23:44Hi, I like this heroine is falling into love

23:47That's

23:48The

23:49The

23:50The

23:51The

23:52The

23:53The

23:54The

23:55The

23:56The

23:58The

23:59The

24:00The

24:00No one tells us in this world.

24:05What are you feeling, brother?

24:09Good.

24:11What are you doing on shooting at me?

24:14Udaya,

24:16today we have a meeting fixed from Dislova.

24:18Simon Gomi, I have called from Singapur.

24:20You need to go now.

24:22Yes, it will be back up, the last shot.

24:24If you go and meet them, you'll think they'll be fine.

24:30Who came here?

24:32The director changed the shots.

24:35You were going to go to the girl's hand.

24:37Now you're going to go to the girl with 25 people.

24:40But how would she ask her?

24:42She doesn't come to go to the girl.

24:44No, we're going to go to the girl's hand.

24:46This girl is difficult.

24:47No problem, brother.

24:48Just sit on the floor.

24:49The girl will go to the girl's hand.

24:51No, but the first shot was good.

24:52I'm going to go to the girl's hand.

24:53Just understand her.

24:55You know, I'm going to go to the director's hand.

24:58Sir, then the man will stop the picture.

24:59You want to close the picture?

25:01No, no, no.

25:02Then...

25:03Then...

25:03I don't know which one's hand.

25:06Give me a moment.

25:07Somebody's give me a moment.

25:15Ready?

25:17Time!

25:18Take seven!

25:19Action!

25:19I

25:24I

25:25I

25:27I

25:28I

25:30I

25:31I

25:33I

25:34I

25:35I

25:36I

25:43I

25:44I

25:48I

25:59I

26:01I

26:02I

26:03I

26:04I

26:05I

26:06I

26:11I

26:13I

26:14I

26:17I

26:18I

26:20I

26:21I

26:37I

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