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00:02I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:29Hi, did anyone order these?
00:31Heartless pervert!
00:32Whoa.
00:35You've got to be kidding me!
00:37Look, you've got it all over me!
00:38Do you have any idea how much this costs?
00:40And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office.
00:52Now.
00:53What?
01:02What's your name?
01:07Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview us a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer.
01:21I'm not here for...
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:34You'll hear things are very fast-paced here.
01:36I don't have time to ask twice.
01:48Hello?
01:49This is Cecilia.
01:50Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:54Until then, we cannot proceed.
01:56Okay, one second.
01:59Hello?
02:00Ms. Brooks?
02:01Shit.
02:06Who is this woman?
02:07His girlfriend or something?
02:09I wasn't done with my interview.
02:11We'll touch base soon, okay?
02:16Oh!
02:17Good luck.
02:21I thought you weren't interested.
02:23Take off your clothes.
02:24Right now.
02:43So, Ms. Brooks, what do you see in this room?
02:47Well, it's deliberate.
02:52Controlled.
02:53Powerful.
02:54Well, it's impressive, but...
02:57But?
02:59It's not...
03:01satisfying.
03:03Bold again.
03:07Tell me, how do you know it's satisfying?
03:10Satisfaction lies...
03:12somewhere in between.
03:13You think you can give me that?
03:15Think you can take the risk and find out?
03:26All yours.
03:27All yours.
03:31Hey.
03:35The women out there would do anything to be in the position you're in.
03:39Unless you have other ideas.
03:47Don't make me regret this risk.
03:49I don't plan to.
03:52The position's been filled.
03:54Go home.
03:57Get out!
03:58Damn.
03:59He doesn't have to be so rude.
04:14Pappy, your phone's upside down.
04:18Hi.
04:19How are you feeling?
04:20Hey, jubilation?
04:22Not doing too well, honey.
04:25Damn hospital postponed my surgery again.
04:27I'm so sorry, Pappy.
04:29I'm working things out with the hospital.
04:31I have some good news today, though.
04:34I'm sorry.
04:35Uh, I think that's my landlord.
04:36I have to go.
04:37Love you.
04:37Bye-bye.
04:40Oh.
04:42What the hell is he doing here?
04:46What are you doing here?
04:48Oh.
04:48What the hell?
04:50Hey!
04:51Whoa, whoa, whoa.
04:52Guys, whoa.
04:53Hey, don't take that!
04:58I did not agree to this!
05:00Actually, you did.
05:04The signing must reside on Mr. Mercer.
05:06I can't quite hear you.
05:09Must reside with Mr. Mercer for the duration of the project?
05:13How long?
05:14Keep reading.
05:16And definitely without exception?
05:24A gift.
05:26What the fuck?
05:29A gift?
05:30In exchange for being kidnapped?
05:31No thanks.
05:36I need to know where you're at.
05:37At all times.
05:40It's a tracker.
05:41What?
05:41Like a dark color?
05:43Do you think you own me now?
05:46I wouldn't do that.
05:47Come on.
05:48Let's go.
05:49This is insane.
05:49Just give me a second to put Crumpet in his carrier and call my grandfather.
05:53No.
05:54There are no animals in the mansion.
05:56You must say goodbye to your little Crumpet.
05:59What?
06:00Absolutely not.
06:02I told you in the contract that I will take care of everything.
06:06I don't care about the contract.
06:08What?
06:08Oh my god.
06:10Goodbyes are always so hard.
06:12Put me down.
06:13What are you doing?
06:17Welcome back, Miss Brooks.
06:20So, I'm not allowed to leave?
06:22If you leave, your contract will be terminated immediately.
06:26And what?
06:26You're just going to leave me all alone in here?
06:28Would you like me to join you?
06:39No, no, no, no.
06:41Why is it making that sound?
06:43Damn, if I leave, Pappy dies.
06:45Shit.
06:46I'm trapped with this monster.
06:48Oh my god.
06:49Is this really happening?
07:01This is your uniform.
07:03Work hours have started already.
07:06Tidy yourself up.
07:07Report to Mr. Mercer.
07:11Oh, and, uh, chop chop, Miss Brooks.
07:15Mr. Mercer does not like to be kept waiting.
07:27Enjoy the view?
07:44No, I, um, just didn't want to disturb you.
07:48I don't mind if you stare.
07:50Sorry, sir.
07:51I was just interested in your build.
07:54The building.
07:56The build of the mansion that we're building to work on today.
08:02What time are we leaving for?
08:04Car leave's in ten minutes.
08:06Great.
08:07I'll be ready.
08:16How much further?
08:21Patience, Miss Brooks.
08:33Oh, I'm not going to touch her.
08:40Hey, Foxy.
08:41I got something that'll keep that jaw clenched.
08:43Wow.
08:44Original.
08:45Mr. Mercer.
08:46We didn't know you was coming in today.
08:48Get off my property.
08:49What?
08:50You're fired.
08:51Leave.
08:52Oh, what the hell?
08:53I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
08:59If I collapse your lung...
09:01Wait, did he just stand up for me?
09:04Sir, how about you?
09:06Continue your work with Miss Brooks, and I'll handle this.
09:11Come on.
09:14Everything's nearly finished.
09:15I'm going to have a team come in and make some final measurements over here, and I'll
09:19ensure they know how to keep their mouth shut.
09:21Uh, is this all marble?
09:29Seeing her in my house gives me a strange feeling.
09:32It's so beautiful.
09:34What is it about her?
09:35Why do I want to...
09:37Follow me.
09:43Wow, an elevator?
09:45By the way, what you did out there, thank you.
09:49I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
09:53Remember that.
09:58Your first task for the client.
10:01I don't know anything about the client.
10:03Who is...
10:05We don't ask about the client.
10:06We only worry about what they desire.
10:09Okay.
10:10Am I allowed to know what the purpose of this room is?
10:14Yes.
10:15Great.
10:15The client would like this room transformed into their BDSM chambers.
10:25I hope she doesn't see right through me.
10:30So, how would you do it?
10:33Uh, um...
10:35Paint me a picture.
10:37Right.
10:38Uh, over here, I would collect a chaise lounge.
10:45Velvet.
10:46Obviously.
10:47Obviously.
10:47And over here would be a great place to mount the swing.
10:50One of the adjustable heights and handles.
10:55And next to it, we could put a cabinet for whips and toys and things.
10:59You're very well versed.
11:01I read a lot.
11:04Certain genres of certain books have certain details.
11:07Right, right.
11:09Of course.
11:10Yeah, it's perfectly normal.
11:12A lot of women read fantasy and romance and fantasy romance.
11:18Anyway, uh, this would be a great place to mount wall cuffs.
11:26I'm drowning in the heat
11:32Afraid of what I need
11:37Your touch is like a flame
11:41But I can't turn your way
11:44Hello?
11:52Miss Brooks, I'm sorry.
11:54We need the payment.
11:56Uh, I understand.
11:57Is there anything I could do now to hold him there?
12:00Anything that could be done right now?
12:02We need your payment, Miss Brooks.
12:03By tomorrow morning.
12:04All $200,000.
12:07Okay, I'll get it to you.
12:09I promise.
12:12Sorry.
12:12Your contract explicitly states that I receive 100% of your attention at work.
12:19Who was that?
12:21It's personal.
12:22There are no personal calls at work.
12:26I'm sorry.
12:33Mr. Mercer, it won't happen again.
12:35I'll get to work right away.
12:36I'll have designs to you by tomorrow morning.
12:41Take it off.
12:44What?
12:48Your jacket.
12:51Mr. Mercer...
12:54I won't ask twice.
12:57I won't ask twice.
13:02Uh...
13:03What's this for?
13:09It's perfect.
13:12Now go get dressed.
13:33I don't need to pout in this, Brooks.
13:36You'll be reading some of the top designers.
13:37I don't understand.
13:39How does this take priority over work?
13:41Am I your date or your designer?
13:44You are...
13:46when I say you are.
14:00Ladies and gentlemen,
14:02it is my pleasure to welcome you all to
14:04the annual architectural ball,
14:07proudly hosted by the Mercer Group.
14:14I'd also like to welcome and introduce
14:16our newest interior designer,
14:19Mrs. Celia Brooks.
14:24I thought you said you had the job.
14:26I did everything that I could.
14:29Mitch must have slept with him in the interview.
14:31Fine.
14:32I'll fix it myself.
14:37So without further ado,
14:39please enjoy your drinks
14:40and have a wonderful night.
14:49May I have this dance?
14:52Okay.
14:55Sterling.
14:57I was hoping that maybe we could
14:59walk and talk.
15:01Or maybe
15:02dance and discuss.
15:05You must be working so hard.
15:07I was thinking
15:09maybe you would benefit
15:11from a designer who
15:12really knows you.
15:14Your past.
15:16I'm not interested in rehashing
15:18old relationships, no.
15:20It was just a flint.
15:22It doesn't mean we can't be close.
15:25Sterling could be a
15:27difficult person to work for.
15:33You know you can come to me
15:34if you need anything.
15:41Get your hands off of her!
15:44Oh, God.
15:47What the hell are you doing here, Vincent?
15:50Folks, looks like the jester
15:51came to play!
15:52Ha, ha, ha, ha, ha, ha!
15:55Get him out of here.
16:01It's all right, folks.
16:02Enjoy the party.
16:03It's okay.
16:04Are you okay?
16:07Why don't you go grab a drink?
16:08I'm going to take care of this.
16:17Crazy night, huh?
16:18Yeah, too crazy.
16:20I'm Nora.
16:21A close friend of Sterling's.
16:23So, tell me,
16:25how's the new position
16:26treating you?
16:28It's demanding.
16:30And the client?
16:31What's your feel on them?
16:33Oh, I'm not at liberty
16:34to discuss that.
16:35Come on,
16:35it must be crazy, right?
16:38I really can't.
16:41Oh!
16:42Oh!
16:44Oh, how embarrassing!
16:50What are you doing in here?
16:51Uh, Cecilia,
16:52I'm sorry, I...
16:53I'm so done
16:54with their whole world.
16:57Yeah,
16:58the head of the board
16:59was barking my ear off.
17:01I...
17:02Stop it!
17:02What?
17:03I'm just trying to help.
17:04Help?
17:05Really?
17:06That's rich.
17:07I mean, I am rich.
17:10You.
17:11You are a lot of things.
17:13From the moment I met you,
17:14you've controlled
17:15every aspect of my life,
17:16every movement I make.
17:17You're obsessive,
17:18cryptic,
17:19a perfectionist.
17:21But you're not rich.
17:23Not where it counts.
17:43Phil, excuse me.
17:45I have work to do.
18:00His hand.
18:02What if?
18:04Maybe cuffs?
18:06What if we hang something
18:08around here?
18:24Is that me?
18:28Did I say you could
18:29come in here?
18:30Uh,
18:31you'll be happy to know
18:31that I worked on these
18:32all night.
18:42Maybe if you stayed at the gala,
18:44you would have learned something.
18:46Learned what?
18:46You follow through
18:47with your obligations
18:48so you wouldn't waste
18:49your time working on garbage.
18:51Garbage?
18:52I'll need five more
18:53by tomorrow morning.
18:54That will take me all night.
18:56Even making those two
18:57took me all night
18:58and I barely got them
18:59done in time.
19:00You've done it once before.
19:02You can do it again.
19:03Don't you think...
19:04Maybe, just maybe
19:05that's an unreasonable
19:06amount of time.
19:08Maybe.
19:08I don't care.
19:10Wait.
19:11I should have remembered.
19:13It's not in the contract.
19:23Oh my god.
19:30Excuse me, miss.
19:31Where's my grandfather?
19:33I'm sorry.
19:33Usually if they're not
19:34in the room,
19:35it's because the insurance
19:35ran out or...
19:48Miss Brooks?
19:51Yes?
19:52I just wanted to inform you
19:53that your grandfather
19:54just received his first round
19:55of stem cell treatment.
19:57He's being very well
19:58taken care of.
19:58I don't understand.
19:59How is that possible?
20:01I can't afford that.
20:03I told you.
20:05I'll take care of everything.
20:06What?
20:07I can't believe this.
20:17Oh, but...
20:18But why?
20:19Why would you do that?
20:21Well, when I said
20:21I needed your undivided
20:22attention,
20:23I meant it.
20:27Now the only thing
20:28you have to worry about
20:29is me.
20:31I'm not your slave.
20:37Five designs
20:39by tomorrow morning.
20:45You're welcome.
20:53I've been expecting you.
20:54I have a feeling
20:55I'll be impressed.
20:57Brushed work
20:57is not work to be proud of.
21:04Is this you?
21:05And my parents.
21:06They must be so proud of you.
21:07They never got to see it.
21:09I inherited this company
21:10before I was old enough
21:11to run it.
21:12I'm so sorry.
21:13It was a long time ago.
21:15What happened?
21:15They vanished
21:16on a work trip into Europe.
21:18Guess I don't control
21:19everything after all.
21:21I'm going to deliver
21:22these designs to everyone.
21:24I have a surprise for you.
21:30To your first approval.
21:36It's beautiful.
21:40I do have a request, though.
21:43I was wondering if I could...
21:44I could have a little freedom?
21:46From what?
21:47Me?
21:48No, no, not you.
21:51I'm this.
21:52Well,
21:54I need to keep track of you.
21:56I mean, what if...
21:58Sterling,
22:00I'm not your parents.
22:02I'll be fine.
22:04I just don't know
22:04if I'm ready for that yet.
22:06But you continue to impress me.
22:08I mean,
22:08you'll be free as a bird.
22:24I do have more surprises to show you.
22:26But, um...
22:28You're going to have to wait
22:29until tomorrow.
22:30Hmm.
22:31Full of surprises.
22:32Aren't you?
22:37And that's why
22:38I can't let you go.
22:50Thank you.
22:54What are you two doing here?
22:56There's not supposed to be
22:56anyone working today.
22:57We were just swinging by
22:58to assess a minor electrical concern.
23:00It seems that the circuit...
23:01It's nothing urgent.
23:02We're going to come back tomorrow
23:02with the rest of the crew
23:03and get it resolved.
23:06Okay.
23:08Thank you for the update.
23:10Thank you, Mr. Mercer.
23:15I've ordered these beautiful pieces.
23:17White marble.
23:20What the hell?
23:26It's kind of beautiful.
23:28No, no.
23:29It's a mistake.
23:32It's not too perfect.
23:34It's bold.
23:35It's not trying hard.
23:36It just...
23:37is.
23:38Well, I like my work
23:39to be...
23:40Intentional.
23:43Well, I would argue
23:45that this
23:45elevates the intention
23:47of the space.
23:48The juxtaposition
23:49between control and chaos.
23:51You have good eyes,
23:52Ms. Brooks.
23:54Follow me.
24:02Your second task
24:03for the client.
24:04Master bedroom
24:05and nursery.
24:08Oh.
24:08The client's a family man.
24:10We don't discuss
24:11the client.
24:12Only satisfy their needs.
24:16Would you like
24:17to see your designs?
24:36Is it not what you thought?
24:38No, it's...
24:39it's not that.
24:41It...
24:44The power went up.
24:46There's no signal.
24:47Yeah, the soundproofing they put up
24:50cuts signal.
24:51What?
24:52No.
25:06It's not funny.
25:07I'm not laughing.
25:09How long until someone notices
25:10that we're gone?
25:11I don't know.
25:12An hour?
25:14Maybe two?
25:15Is it Nora?
25:17The client?
25:18What?
25:19No, what?
25:20You're not supposed
25:20to ask about the client.
25:22Just tell me.
25:23No.
25:24It's not.
25:25Is she...
25:26more?
25:28I built this room
25:30because I believed
25:31in your vision.
25:32I cleared your schedule.
25:34I cleared your stressors.
25:36All because...
25:38I wanted you.
25:45It's a medicine.
25:55It's a medicine.
25:58It's a medicine.
26:01It's a medicine.
26:03It's a medicine.
26:04It's a medicine- owns.
26:06In the cement.
26:15Sir, your 7 o'clock is waiting upstairs.
26:29Tuck your shirt in, sir.
26:37I know. I know.
26:42Who the hell are you?
26:44Calm down, sweetie. Put Crumpet down.
26:48Listen, sweetie, I work for Mr. Mercer.
26:51He hired me to take care of your grandpa and Crumpet until you return.
26:55Sweetie, what are you doing home?
26:58What am I doing?
27:00This is Agnes, my nurse. She's taking care of me.
27:04Oh, I'm sorry. I'm so embarrassed.
27:11Um, hello?
27:12Why are you in your apartment?
27:14If you're there, there's no need for Agnes to stay employed.
27:18Ceci, you're ruining my chances.
27:20Go back, Ceci.
27:21Oh, okay, okay.
27:23Everything's all right. Agnes has taken very good care of me.
27:26Okay, okay, Pappy, I'll go.
27:28Um, it was nice meeting you, Agnes.
27:30Nice to meet you, dear.
27:42What the hell? He has a girlfriend?
27:52What was I thinking?
27:53Happy birthday, honey.
27:57Listen to me.
28:06I'm back.
28:10Bye.
28:10Bye.
28:14Bye.
28:34¡Suscríbete al canal!
28:56¡Suscríbete al canal!
28:58Sterling...
28:58Sterling...
28:59Can we talk?
29:00I don't have the time, Miss Brooks.
29:01Sterling, it's important, please.
29:03Well, I'm dealing with something. Figure it out yourself.
29:15You might want to ask me why I'm here, you psycho.
29:18I don't give a damn what you have to say.
29:20I don't trust you.
29:21Well, maybe you should start.
29:24Because I know a dirty little secret about you.
29:29You're about to be broke.
29:34I'm here to offer you a buyout.
29:37Get out.
29:38Hear me out.
29:39Instead of your accounts being compromised facing bankruptcy
29:44and becoming the embarrassment of architecture,
29:47we could merge as Hale Mercer.
29:50Even has a nice name.
29:53Oh, you're way out of line.
29:54Am I?
29:56Because someone pretty close to you seems to be worried about you.
29:59Besides, if you don't accept this buyout,
30:04I'll publish the information.
30:06And Mercer Designs will go bye-bye.
30:08Is that a threat?
30:10Think of it more of a bribe.
30:18Get the hell out of my property.
30:20And out of my sight.
30:22Now!
30:35Ms. Brooks, in my office immediately.
30:39Are you sure you want me in there?
30:40Or not your other woman friend?
30:42What are you talking about?
30:43Hand me your sketches.
30:47I have designs, but they're not the originals.
30:50The originals are missing or lost.
30:53What do you mean lost?
30:54I finished the designs last night and I fell asleep,
30:57but when I woke up they weren't in my room anymore.
30:59You're lying.
31:00I'm lying?
31:02Why don't you tell that to the next girl you bring over?
31:06Excuse me?
31:07You're so careless.
31:08Careless?
31:09Me?
31:10I'm pretty sure you're the one who's talking about losing sketches.
31:13Something you won't have to deal with anymore.
31:17Marley's gonna be taking you to the project mansion.
31:20Hopefully you can figure out your sketches problems there.
31:24You may go.
31:32Take her and her belongings to the project mansion.
31:35Anything I should know, sir.
31:37She can't be trusted.
31:39And check the cameras.
31:41We have a mole.
31:43Yes, sir.
31:49Miss Brooks.
31:51What are you doing here?
31:54Well, um, I, uh, had to get some artwork for the client.
32:01You don't trust me.
32:03That too.
32:06You not trusting me?
32:07You were the one with another woman after all that,
32:09I did this all for you bullshit.
32:11Okay, what woman are you talking about here?
32:13You can't lie to me.
32:14I saw you with her.
32:16I saw you with her.
32:17Okay, okay, okay.
32:18If it makes you feel any better, I...
32:22I promise I'm looking into her.
32:25You promise?
32:28I promise.
32:30I promise.
32:46I...
32:47I thought you didn't trust me.
32:51That you were mad at me?
32:52No, you're too hard to her, sis.
33:06Let's go inside.
33:22Eyes like knives, you cut right through.
33:26Every look says what you do.
33:29Pull me under soft and deep.
33:32You're the secret I can't keep.
33:35Breath on glass, you trace my name.
33:38No one else can play this game.
33:41You don't ask, you just take.
33:45And I give, and I pray.
33:50Well, hello.
33:51I'm here for Mr. Brooks.
33:53I'm sorry, what exactly is this for?
33:55I'm the treatment nurse.
33:56I'll be taking him to his appointment for today.
33:58Oh, Mr. Brooks doesn't have an appointment today.
34:00I can assure you he does.
34:05Well, thank you for coming.
34:08Can I bring Crumpet?
34:09Yes, Mr. Brooks.
34:11Bring the cat.
34:14Yes, Mr. Brooks.
34:24Bring the cat.
34:31Hello, Cecilia.
34:33I'll need your full cooperation.
34:35I have something of yours you might want back.
34:38Now that I've got your attention,
34:40I need a little favor.
34:41Bring me Mercer's Legacy One design.
34:44You can't do this!
34:45But see, I already have, sweetheart.
34:48Get me the designs.
34:49Tell Sterling, and your sweet old pappy dies.
34:52And your little cat, too.
34:53Your choice.
34:55I've been reviewing project management assets.
34:58You're four days late on the Hudson property.
35:01The client is not happy.
35:02Mr. Mercer is not happy.
35:05Pick it up or I'll give your work to her.
35:07She's three days ahead.
35:10Is that a personal email?
35:26Me and I.
35:30She's two days later.
35:30Sweetie, you don't have to do this.
35:32Too late, old man.
35:34Who the fuck are you?
35:36Your worst nightmare.
35:38Baby.
35:39I'm so glad you made it.
35:41I set all this up for you.
35:43This better work.
35:48No, no, no, no, no, no, no.
36:27Show me the video.
36:28Yes, sir.
36:32She knew how to evade the cameras.
36:34I can't identify her, but you knew her enough to let her in.
36:39Keep this video between us.
36:41Yes, sir.
36:56Cecilia.
36:58Sterling, you're not working from home today?
37:00What are you doing here?
37:01Who have you been talking to?
37:03No one.
37:04I just, I needed to pick up some paint samples, and this was on the way.
37:08On the way to what?
37:09We're like 20 miles south of home.
37:13I'm getting my necklace cleaned.
37:15So if you can't find me or track me for any reason, that's why.
37:27Why do you need your necklace cleaned?
37:29I've just been working a lot.
37:30The drafting table is super dusty, and I don't want to get messed up.
37:36It's a woman thing.
37:43I'm trusting you right now.
37:45I know.
37:47I know.
38:15I know.
38:21I know.
38:22Good girl.
38:23Right on time.
38:26Well, don't hesitate now, sweetheart.
38:28Or they're dead.
38:31Come on, Cecilia.
38:33Do it.
38:39Sterling Morse's legacy designs.
38:42Just like I asked.
38:44Oh.
38:45Sterling, you won't even know what hit you.
38:47Now let my grandfather go.
38:49He's all yours.
38:51A deal is a deal, pretty lady.
39:14I've had a change of heart.
39:19Please.
39:21No.
39:22This way.
39:34Well, you really know how to tie the room together, darling.
39:37Sterling has my location.
39:39You have no idea what you're in for.
39:41Oh, but I think I do.
39:44You see, when that timer goes off,
39:48you and that little tracker
39:50and this entire place will go bye-bye
39:53and then that will pave way
39:54for the construction site
39:55of all hail designs.
39:58He'll find me.
40:00And when he does...
40:00That's very unlikely, Cecilia.
40:04Now that Sterling has this video,
40:06no one's coming to save you.
40:09Screw you.
40:10Screw both of you.
40:12Oh, oh, oh.
40:14But I almost have everything I need.
40:18His financials, his accounts.
40:21You see, the only thing that is missing, my dear,
40:25is the contact for Sterling's Project Mansion.
40:29What?
40:30Why does that matter?
40:32Well, once I have the contact,
40:35I can put in a bid under his.
40:39Therefore, Mercer will no longer have any names
40:41attached to any property.
40:45That will never happen.
40:50Who's the client?
40:53How much was the bid offer?
40:56I don't know.
40:59Will you remember?
41:02Trust me.
41:04Even if I did,
41:06I wouldn't tell you.
41:16So...
41:17Tell me.
41:20Who is the client?
41:22He took care of my family.
41:24I'm never going to sell him out.
41:30Unless you forget, sweetheart.
41:33You already gave me the plans.
41:36So therefore, you are already a betrayer.
41:40Promise?
41:40I don't know anything.
41:43Hmm.
41:45Well, I can see that you're a lady of your word,
41:47which makes it kind of harder to believe you.
41:49So,
41:51tell you what.
41:52This is how it's going to go.
41:55You're going to tell me,
41:56and then you,
41:58Pappy,
41:59and little Kitty
42:00can go free
42:02while Mercer Designs burns to the ground.
42:06Or,
42:08I could kill you
42:09right here.
42:12Right now.
42:13And Mercer Designs falls anyway.
42:18Okay.
42:20Decisions, decisions, darling!
42:22Wait, no!
42:22No, I'll tell you!
42:22I'll tell you anything you want to know!
42:23Please, don't touch him!
42:25I'll tell you!
42:36Tell me
42:38everything.
42:41I don't...
42:42I don't know a lot.
42:44I just...
42:45I know she's very private,
42:47very secretive.
42:49She only talks to Sterling.
42:52She's an older,
42:53conservative woman.
42:56Liar!
42:57That night that I dosed Sterling
42:59with that sleeping elixir,
43:02I found your little project mansion
43:04and that newly built BDSM room.
43:07Oh, and then all the plans
43:09that I stole from Cecilia's bedroom?
43:11They were for a nursery.
43:13Both rooms that an elderly woman
43:15wouldn't need in a new home!
43:17You drugged him?
43:17Yes!
43:18I drugged him!
43:25And then I ransacked his mail.
43:28That's where I found you,
43:30your address,
43:33and your little cat, too.
43:38Well, then.
43:40Looks like you chose...
43:43Oh!
43:44Oh, I'm sorry, my sweet miss,
43:46but our short little affair
43:48is over.
43:50Excuse me.
43:52Well,
43:53obviously I don't need
43:55your services any longer.
43:57Besides,
43:59I don't
44:00do
44:01witnesses.
44:08Sterling,
44:09help me, please!
44:10Sterling, wait,
44:10it's a trap!
44:11No!
44:11Sterling, please,
44:12you have to help me!
44:13Watch out!
44:21Tell me how to disarm it!
44:23Now!
44:26Pack wire!
44:34You little bitch!
44:36Nora, stop!
44:37Put down the knife!
44:39She kidnapped me!
44:40I've been waiting here
44:41for hours for you!
44:42Put down the knife!
44:43Come on,
44:44let me at her one last time!
44:45She betrayed you!
44:46She's the one
44:47who gave up
44:48the Legacy One
44:49and the third floor!
44:51Wait,
44:52how do you know
44:52about the Legacy One project?
44:53That was confidential.
44:54That little bitch,
44:55she told Vincent
44:56everything!
44:57No,
44:58she's lying!
44:59It's all because of her!
45:04She drugged you!
45:05No, I didn't,
45:06you bitch!
45:07When I thought
45:07I saw you with that woman!
45:10Then now you lost
45:10the designs.
45:12No!
45:12No,
45:13that wasn't me!
45:14Okay,
45:14Vincent made me do it!
45:16He said he threatened
45:17my family!
45:17I had no other choice!
45:20I don't believe you.
45:22Arrest her!
45:23No!
45:47You're safe, you're safe, okay?
45:52Vincent, we'll be able to touch the project.
46:01I'm so happy you found me.
46:03I'm so happy you found me.
46:03I thought...
46:04What ways
46:04I find you?
46:07How?
46:12Because I know you.
46:15That moment in the parking lot
46:16I knew
46:17I knew
46:18I knew
46:18from your eyes
46:19that you needed me.
46:24I will always keep you safe.
46:29Hey!
46:30Hey!
46:30Would you two take it someplace else?
46:35Sorry, Babby.
46:36I'll take you and Crump at home.
46:43Oh, thank goodness you're okay.
46:47I want to tell you something, sweetheart.
46:49I love Agnes.
46:51I really mean it.
46:52Okay, Babby.
46:54Just get to rest.
46:55I...
46:55I mean it, Cece.
46:56When a man knows,
46:58he knows.
47:02Agnes,
47:03it's been a long time
47:04since I've met someone
47:05as caring as you.
47:06And I'd like you to be my wife.
47:10Yes!
47:12I love you, Agnes.
47:22Marley,
47:23what are you doing here?
47:24Miss Brooks.
47:25Mind coming with me?
47:27Will you give me a second?
47:28I want to change first.
47:31Okay.
47:49When the sky was pink,
47:51coffee tastes like sugar dreams,
47:54traffic sounds like melodies,
47:57sex you've been around,
47:59everything feels brand new,
48:02sunlight dancing in my...
48:04Come on.
48:05I don't know what you do,
48:08but love just fits like truth,
48:11you got...
48:15This is really beautiful.
48:20We work well together.
48:22I'm glad you think so, Cecilia.
48:26Um...
48:26Yes, Sterling?
48:30I have something I need to tell you.
48:34About?
48:35There isn't a legacy, Kalai.
48:38Well, there is, but...
48:42it's not who you think.
48:44I don't follow.
48:49It's me.
48:50What?
48:51This...
48:52this is my legacy.
48:56Come here.
48:57I need to show you something.
49:07I made this for you.
49:09Wait, one second.
49:21I thought if we put them next to each other,
49:24it would create balance.
49:26Balance?
49:41But then you came in.
49:44You're kind.
49:46Bold.
49:49Intuitive.
49:50Sterling.
49:53Beautiful.
49:55You gave this place a soul.
50:00Cecilia Brooks.
50:03Would you share the love we built together?
50:09Yes.
50:11Yes, Sterling.
50:13Yes.
50:13Yes, Sterling.
50:19I said yes to you.
50:23To forever, too.
50:26To every dream we're walking through.
50:30willkommen.
50:30Oh, they're women.
50:32Oh, they were out.
50:33Oh, my God.
50:33Oh, my God.
50:34Oh, my God.
50:34Oh, my God.
50:37Oh, my God.
50:39Oh, my God.
50:40Gracias por ver el video.
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