Grazie alla mediazione di Padre Brown, Lady Dorothy riesce a riavere un prezioso tappeto che le era stato rubato dal domestico Charles. Colto dal rimorso, Charles aveva infatti subito confessato il furto a Padre Brown, che ora lo restituisce alla legittima proprietaria, consigliandole peraltro di riassumere Charles - licenziato dopo il furto - come servitore. Nel frattempo, Charles , sotto falso nome, si era fatto assumere come cameriere da un certo Sir Aaron, un filantropo puritano che tiene allegri comizi contro l'alcolismo. Sir Aaron vive in una torre con la figlia, il segretario, un lugubre maggiordomo e, appunto, Charles. La notte successiva Sir Aaron viene ucciso, e tutti i sospetti dell'ispettore Gilder ricadono su Charles.
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00:03I have the famous cassock and I am a Gelibe priest who is interested in the hair.
00:30Just to skip the soul of a poor thief.
00:47The real crime is the pessimism of those who don't believe in life.
01:00We make mistakes out of mistrust, we make mistakes out of laziness, we make mistakes out of resentment or envy.
01:10Right father bra, right father bra, but life is very often.
01:20What is life about, curly father bra, curly father bra, curly father bra, what is life.
01:37He often steals from people because he has nothing, so he makes people believe he has nothing.
01:47But what if what you have is what's left of a shipwreck on a desert island.
01:58You would scream with joy to have a blanket to put on and a bone button and a little red cap.
02:13A straw, a penknife in your hands.
02:20Prepare a fife with strange sounds to imitate the seagulls.
02:32If only you knew what beauty, if only you knew what richness, if only you knew what joy it is, so be it.
02:44Right father bra, right father bra, this life is a fabulous thing.
02:55Thank you father bra, thank you father bra, now we know the truth.
03:31Thanks Mileni, carry on without me eh.
03:39Please this way.
03:43We received your ticket.
03:45I'm sure of it.
04:00Is this it?
04:01Oh good thing, he's a real Chinese of great value.
04:06I had a feeling he was Chinese.
04:08Is he an amateur?
04:09No, on the contrary, but the colors are beautiful.
04:12But the drawings are... they're bad.
04:17Huh?
04:18Yes, bad guys.
04:20I don't know, they are symbols from a language I don't know, but they certainly represent bad things.
04:28Hey, don't you see how the lines all go wrong?
04:31Here, look, on purpose, eh.
04:33As if they were snakes that wanted to escape.
04:35Anyway, how come she comes to own this carpet of ours?
04:40It's not in my possession, it's just on my floor for now.
04:45Already.
04:46And who put it there?
04:48Don't you understand? God put it there.
04:54No stories, father.
04:58This carpet was stolen from us by Charles.
05:01A servant of ours.
05:02Now a former servant.
05:04A Catholic.
05:06That's why you found it.
05:08If he wasn't Catholic he didn't confess.
05:11If he hadn't confessed, I couldn't have advised him to bring it to me to return it to you.
05:16There may be some truth in what Father says, but...
05:19And where is this wretch now?
05:22Guess, riddle.
05:23Whoever doesn't know, asks.
05:24And whoever knows can't say.
05:26What is it?
05:27Huh?
05:28What is it?
05:31But...
05:31It is the secret of confession.
05:33But it's also connivance, let me tell you.
05:37I studied law when I was young.
05:39Do you want to be an accomplice to a thief?
05:41I would always like to become an accomplice like with Charles.
05:45It must be reported.
05:46He must be imprisoned.
05:48It must be...
05:49Punished.
05:51Are you sure, milady?
05:52My sister is right.
05:53Otherwise, where is the justice?
05:55And where is the charity?
05:57There is a limit even to charity.
06:01Right.
06:02And this limit makes the difference between human charity and Christian charity.
06:08Well yes.
06:11But he had our trust and he betrayed it.
06:14Some things can be forgiven, others cannot.
06:16No, no, no, no and no.
06:18Oh, I know, I know.
06:20You only forgive sins that ultimately do not seem culpable to you.
06:25You tolerate a duel or an adultery or the murders of a war
06:29because they are faults that you consider conventional.
06:33They are your favorite vices, the crimes of fashion.
06:36In short, Father, Charles is a self-confessed thief.
06:41Where do you want to send him if not to jail?
06:43Ah, I don't know.
06:45I only know that he was a self-confessed thief.
06:47to which one day someone said
06:49tonight you will be with me in heaven.
06:51But let's go.
06:56But why not reward him then?
06:59No, I would be in favor of punishing him.
07:01Ah, here it is.
07:03You should take him back into your service.
07:05Ah.
07:06Oh, this one then.
07:09But you're crazy.
07:10Maybe, in your best interest though.
07:13Do you want us to steal our silverware too?
07:17I would more readily believe that the ghost of Henry VIII
07:20come and pull me by the feet tonight.
07:23But how can you guarantee it?
07:25But how can you say such nonsense?
07:27It was as simple and as logical.
07:30In fact, I would more easily believe in the impossible
07:33than the unlikely.
07:34Not only is it Catholic, but it is also paradoxical.
07:37Oh, we've been in good hands, there's no doubt about it.
07:40A priest who can believe in ghosts.
07:43Mmm.
07:44I didn't say I believe it.
07:46But if anything, it is more natural to believe in a supernatural event.
07:50which deals with an unknown world
07:52rather than a contradictory event
07:54and with the everyday world,
07:56with what we know well and can understand.
07:58And that is?
08:00I wanted to say this.
08:01That the ghost of Henry VIII
08:03come visit me, it's part of the relationship, right?
08:06And how do I deny it?
08:08But what chance does a precious object have?
08:10which could very well have been kept
08:13and then steal another one,
08:15this goes against reason.
08:17And so I deny it.
08:19But after all, why do you think we should choose him?
08:22among many servants we can hire.
08:25But why did he already steal?
08:27There are so many thieves around.
08:30In these times the only guarantee, believe me,
08:34he is a converted thief.
08:40We will send for the carpet to be collected.
08:42Well.
08:42And thanks for the mediation.
08:44Everything in truth.
08:51So will he take him back into his service?
08:53But I don't know.
08:54I have to think about it.
08:56My head is confused now.
08:58Good.
08:59It often happens just before you understand something.
09:02Anyway, I'll send Charles to her tomorrow.
09:05The ladies?
09:07In order.
09:10Sir.
09:18But who is he?
09:20John closes the door for me.
09:23And you come right away.
09:29We must send for Charles.
09:31The waiter?
09:32Yes.
09:34Missing.
09:35Find it.
09:37Missing.
09:38You have a calling as a magician, Johnny.
09:42Do it on that carpet.
09:50Miss, can you give me 315, please?
09:54Then put it in the closet.
09:56Why?
09:57Don't get involved.
10:03Where does it come from?
10:04From China.
10:10Can I answer?
10:11Yes, but be careful what he says.
10:16Flambeau?
10:17Yes.
10:20No, father, do you think so?
10:22No, no, I'm here arguing with a client.
10:25Okay, I'll take the night.
10:27No, I remember.
10:28Charles.
10:29Yes, of course.
10:31I'll find it for you before evening.
10:33All right, Father.
10:35I always come and get it if God gives me life.
10:37However, Father, I repent of all my sins.
10:39Amen.
10:41No, I was kidding.
10:43See you later, yes.
10:46Let's think about it.
10:46No, hands up.
10:48One minute, then shoot.
10:50She deceived me.
10:51I am a father and I have the right to have my daughter's address.
10:54I paid for this.
10:55She is a detective and she accepted the assignment.
10:58But his money is right here on the table, he can take it.
11:00I thought he wanted to find his daughter out of affection, but instead out of hate, out of revenge.
11:03Hands up.
11:05She ran away with a scoundrel.
11:07Your daughter is happy.
11:09With a Welshman.
11:11Impossible, I'll kill him.
11:12But he is not a Welshman.
11:14Hands up.
11:15He's Irish like her.
11:17Irish.
11:17But you're serious.
11:18From Connemara.
11:19Grampa!
11:20But why?
11:21He didn't tell me right away.
11:23Give me the address and I'll go there, we'll get drunk together and I'll take him to the altar.
11:28That son of a bitch.
11:31From Connemara.
11:32Smart guy, he must be.
11:34Instead the Welsh, do you know what the Welsh are?
11:37Great thieves.
11:39I too was a great thief until recently, yet I am not a Welshman.
11:43It may be, but no one can compare with a Welshman when it comes to stealing.
11:49Let's drink together.
11:50No.
11:51S against S, or A against A, who knows what it means.
11:57Speaking of Charles, you're sure, right?
11:59Yes, yes, he was hired by Serrano under the name Francis Hill.
12:03Well said son, but why with a false name?
12:07He must have feared that they would report him because of the carpet, after all.
12:10But he regretted it.
12:11He confessed, he gave back.
12:14Why didn't he trust?
12:18Now what do I tell Serrano?
12:20That Charles has to go.
12:22He can't stay there under a false name.
12:29Enter slowly and stand with the others on the left.
12:34Nice shilling, where?
12:35In the end.
12:38Spirit against spirit, or cheerfulness against alcoholism.
12:42Here's the formula.
12:43Ah, spirit against spirit, S against S, or cheerfulness against alcoholism, or A against A.
12:49Now I get it, but it's ingenious.
12:54Thank you.
12:55At this time it is very difficult to find alcoholics willing to come.
13:00They're all too drunk already.
13:02These conferences must be held at noon.
13:06And drunkards are necessary, huh?
13:09Serrano's message is for them.
13:13The other four cats giastemi.
13:15With permission.
13:17Please.
13:20As a young man, I had moved from studying Scottish theology to studying Scotch whisky.
13:26But luckily I got rid of both of them and with them of melancholy.
13:37He's a professional at cheer.
13:39But who is this Serrano really?
13:42A philanthropist, a puritan.
13:45Someone who ultimately believes only in optimism.
13:47He's condemned to good humor for life.
13:50He is the most seriously cheerful man in the world.
13:53But what does he do?
13:54This.
13:55He goes around preaching against alcohol.
13:57And during elections he also holds rallies and political speeches in the same way.
14:03But why are you against it?
14:05Oh, I have nothing against cheerfulness.
14:07On the contrary.
14:08But perpetual joy, Flambocco.
14:10I think that man must be sad sometimes.
14:15Every now and then I would give Serrano a nice glass of wine.
14:19I'm sure you have the melancholic wine.
14:22That's what the glass spoke to us first.
14:24Ah, his secretary.
14:25I don't remember what it's called.
14:32This is unworthy of her, Flambocco.
14:36And after all, I'm a detective, right?
14:46Eh, but it's wonderful.
14:48He looks like a prophet.
14:53And now here is a very fun and very educational experiment.
14:59A spiritual and witty experiment that might make you think.
15:04Two flowers.
15:05Two lives.
15:06Partly similar to you and me.
15:08To all of us.
15:09Two recently picked flowers.
15:12Two roses.
15:12Well.
15:13Perfect.
15:14Scented.
15:15Let us suppose that the Lord pours blessed rain upon one.
15:25Even more fragrant.
15:29Even more beautiful.
15:31But suppose the devil pours the cursed alcohol on the other one.
15:46What will happen?
15:50Just wait a little while.
15:55Here, here, here.
15:58What will happen to your life?
16:00Of your precious life that the Lord has given you.
16:05But I'm sure that from now on, each of you, when you pass by an inn
16:11he will turn his head away.
16:15Absolutely.
16:16Victoriously.
16:18Cheerfully.
16:19Viva.
16:20Dry joy.
16:23Our motto.
16:32Victoriously.
16:53Victoriously.
16:54And you let him go?
16:56Vicenza.
16:57No, no, no, let him go.
16:59Tell him to come to me.
17:01Okay, I'll let you know this evening.
17:03Thank you.
17:04She also had to listen to my lecture because...
17:09Do you drink wine?
17:12At least when you say mass.
17:14Not much.
17:26Mass is in a quarter of an hour.
17:28The confession then.
17:30Unless it's urgent.
17:32Father, it's me.
17:35Ah, good morning, what's up?
17:36Good morning, an accident.
17:37Seraron was killed.
17:39No.
17:40It's not possible.
17:42It's very possible, they killed him last night.
17:44But it's like killing Santa Claus, it's absurd.
17:46Come on, father, the police are already there.
17:49Everyone has their own job.
17:51I say mass at six.
17:52Father, there's a dead man.
17:53Here, exactly.
17:54Now he can wait for the living first.
17:58And how he was killed.
17:59I didn't quite understand this.
18:01He was apparently stabbed, shot, strangled and thrown out of a window.
18:05Nothing else.
18:10Sorry if I'm pushing too hard.
18:12No, don't worry father, I'm enough.
18:15But at two o'clock I was called to the bed of a dying man.
18:17I hardly slept last night.
18:20Is dead?
18:21No, no, he's cured.
18:22When he saw me he got so scared that he overcame the crisis.
18:26It happens often.
18:28I think the doctors know this and that's why they count on it.
18:32But doctors are paid for night calls.
18:35Well, in a way, us too.
18:37Whoever can does something and whoever can't.
18:38I remember in Italy I administered extremity to a brigand.
18:42He told me I can't give you money father.
18:45But I'll give you some advice that could be useful to you throughout your life.
18:49Push your thumb hard on the blade and strike from below.
18:52To me.
18:53Look, do you know why I can't stand calling you?
18:55No.
18:55Because it seems that his protégé Charles has been arrested for Sarano's murder.
19:00No.
19:00Yes, he's sitting here right now.
19:02Oh, let's go quickly.
19:17Yes, it's right away.
19:34I'm going to talk to the judge.
19:36Yes, it's right away.
20:04Yes, it's right away.
20:05Yes, it's right away.
20:34The killer.
20:35No.
20:36He simply told me that he arrested a waiter.
20:40I agree that he is not a professional murderer.
20:42Here, let's put it this way.
20:43I arrested the waiter who committed the murder.
20:48I don't think he did it.
20:50I know the man.
20:51Do you know him as Charles Reed or as Francis Hill?
20:56Yes, because he got himself hired here under a false name just three days ago.
21:01Aren't you surprised?
21:03I cannot.
21:06And why?
21:07Because I knew it.
21:09Well.
21:10Any other citizen who knows about a crime and fails to report it can be charged with complicity or aiding and abetting.
21:19With you others, however, nothing.
21:21Injustices.
21:23Ah, injustices.
21:25For me there should be only one religion.
21:27The state one.
21:28And that's it.
21:29It doesn't matter which one.
21:30But of state.
21:31In any country.
21:33Thus it could become unfair to be born in one country rather than another.
21:39Huh?
21:41Mr. Gildar, you are an honest man.
21:44You can't accuse a Christian of murder just because he changed his name.
21:48No?
21:49No.
21:49But when there's one more name and twenty thousand pounds less?
21:55Twenty thousand pounds are missing.
21:57Twenty thousand.
21:58From the deceased's desk.
22:00The secretary, Patrick Royce, was supposed to take them to the bank today.
22:12Yes, but it's not yet...
22:14Coincidence.
22:16But add another one.
22:17Sergeant?
22:18When we arrived, his protégé was making off across the fields.
22:23I caught him by chance in a ditch.
22:25He is truly poor in spirit.
22:28But before the beatitudes of the Kingdom of Heaven, this reaches the prisons of the United Kingdom.
22:35Can I talk to him?
22:37Of course.
22:39Sergeant?
22:42Open.
22:54Pussi, when do you want to go out?
22:57Yes, but will you let me in now?
22:59Oh, sure, Father.
23:13I hope you don't believe me, Father.
23:16When will you stop being afraid, Charles?
23:20Your whole life is ruined by fear.
23:23For a day you thought about stealing a carpet for fear of the poverty of old age.
23:29You falsify your name for fear of not finding a job.
23:32Then you run away for fear of being charged with murder.
23:35That's exactly how you pull it off.
23:39Look at you.
23:41You're thin because you're afraid of gaining weight.
23:43Haven't you exhausted Jennifer?
23:45Her name was Jocelyn.
23:47What was his name?
23:48Jocelyn.
23:49See, do you still remember it?
23:52Yet you lost it out of fear.
23:54You'll end up hanging for being afraid.
23:56No, no, Father, I swear.
23:58I didn't do anything.
24:00If he wants, I'll swear it to him in confession.
24:02Beast.
24:03There is no need.
24:06And where would you have found the courage to throw Santa Claus out the window?
24:12But...
24:15Give me the 40,000 pounds.
24:21Well?
24:22Why don't you say there were only 20,000, I swear.
24:26Which?
24:30You haven't touched any money here, have you?
24:33God sees me.
24:35What a poor guy.
24:37Poor thing, how sad it must be to see you.
24:41Tell me a little.
24:45How many days have you been here?
24:47For three days, Father.
24:50Is this a happy house?
24:52Worse than a tomb.
24:54As?
24:55With such a smiling master?
24:58Him?
24:58But everyone else.
25:01Did Magnus the butler see it?
25:03Just looking at it.
25:04Okay, I...
25:06As if a black cat made a cross with coal on my doorstep on New Year's Day morning.
25:12Don't be a pagan.
25:14Don't be a pagan.
25:15What...
25:17And the others?
25:19The secretary?
25:21Mr. Royce.
25:22Yes.
25:24They say he was a good painter.
25:26And even now he sometimes paints in his room.
25:29But he has a toad here.
25:33Meaning what?
25:33I don't know.
25:35Something's wrong with him, no way.
25:38And sometimes it strangles him.
25:40And then he looks around like a madman.
25:44It often happens to modern painters.
25:46They look around, they don't recognize the places, the people.
25:49It's challenging.
25:52And the daughter?
25:54That one then.
25:56You look at her and you feel like crying.
26:00Pale.
26:01Sad.
26:03And sometimes it trembles.
26:06Just like that, without a reason.
26:09She's a poor wretch.
26:13I too, father, am very unfortunate.
26:16But why is everyone against me?
26:19Only one has it in for you.
26:21Only one.
26:23You.
26:30No, no, Father.
26:32Don't go away.
26:34Please.
26:36Stupid.
26:37Not me.
26:38He prays, right?
26:44His nose, so to speak, had already fucked.
26:48Fucked.
26:49Too good.
26:50Well, I can already tell you with certainty that...
26:54The judge, right?
26:55Yes.
27:03Alex Magnus.
27:06I was a drunkard and I was redeemed.
27:09I have been serving in this house for eight years.
27:12First of all, this is twenty thousand pounds that was in my poor master's desk.
27:30Why did he steal them?
27:32Stolen from whom?
27:33To justice.
27:34They would not have reached the hands of the judge.
27:37But in mine, yes?
27:38Don't be offended.
27:40But I don't trust anyone.
27:41My poor master was a saint and was betrayed by everyone.
27:45Please explain more clearly.
27:48Perhaps he feared that the other servant...
27:50An imbecile.
27:51Others in the house?
27:53Say.
27:53Tell me, tell me.
27:54Here in the tower, besides Sir Aaron, only his daughter and his secretary live.
27:59Those are good.
28:00Be very careful what you say.
28:03Here, be very careful.
28:05You pay close attention to what I say.
28:08I say that I foresaw what unfortunately happened.
28:12My poor saintly master used to tease me because I always wear black.
28:17But I knew I had to be ready for his funeral.
28:21Just a few years ago, here in England, Mr. Magnus,
28:26they would have burned it on a robot.
28:28For witchcraft.
28:29Certain.
28:30For witchcraft.
28:33That's exactly twenty thousand pounds.
28:35This twenty thousand pounds that she took off the desk
28:38couldn't they have been left there quietly for Sir Aaron's family to enjoy?
28:43As is natural.
28:43There, how natural.
28:45I have no reason to have confidence in Sir Aaron's family.
28:48I do not allow my saint to be insulted.
28:51It's shameful.
28:53At least respect this moment of pain.
28:56Miss Armstrong is still sobbing, shaking, beside herself.
29:00I know Miss Armstrong's tremors.
29:03I've seen her tremble for years.
29:05He is not shivering from the cold, no, he is not shivering from fear, but from hatred.
29:10Yes, gentlemen.
29:11Because of his hatred towards his father, because he didn't want him to marry the secretary.
29:15Bastard!
29:15Mr. Royce!
29:18Yes, Sergeant!
29:20Here it is, really?
29:22Naturally.
29:25Control yourself, Mr. Magnus!
29:30We'll question her again later.
29:33We'll hear from you too, Mr. Royce.
29:36If possible, Miss Armstrong too.
29:41Bravo.
29:42There's no rush, it seems to me.
29:45Well, I let her work.
29:47If there were any news...
29:49By the way, who were you referring to before?
29:53What could he already tell me with certainty?
29:56Now, what could I already tell her with certainty?
29:59Precisely.
30:04That the motive is not theft.
30:08Sure, sure.
30:10See you later.
30:18Sargent.
30:21The key.
30:26To the father.
30:30Well, if you don't mind, I'd like to talk to you a bit later.
30:36Of course, Inspector.
30:52Charles, are you free?
30:55Thank you.
30:58Up, up, up, up, up, up, up.
31:00Yes, yes, yes, I know, I know, I know.
31:04Charles, I understand.
31:09His study.
31:18His bed.
31:20A very tragic end for someone who had a religion of joy.
31:26First of all, cheerfulness without humor is worth very little.
31:29In fact, it's quite annoying.
31:32Then, making joy a religion, well, with all due respect to the deceased, is a really crazy idea.
31:39But in his own way a missionary was a Puritan.
31:43Look at his bed.
31:44Eh, I saw it.
31:45Even his Saint Francis slept on the hard ground.
31:48It's the only point of contact.
31:51The truth is that these guys are pantheists, they confuse God with the universe and believe in evolution.
32:00There has been a certain evolution, from cannibals to us, he will admit.
32:05Personally, I believe that cannibalism is a decadent habit, not a primitive one.
32:11But after all, nature itself...
32:13There, I knew it.
32:15Nature.
32:16That's the whole difference.
32:18You see, these pantheists consider nature as a mother and end up realizing that she is a stepmother.
32:26We Christians, on the other hand, consider nature as a sister.
32:32And we are proud of her beauty because we have the same father.
32:36We aim for it, but we must not imitate it.
32:42And then, it has no authority over us.
32:45This adds a light, almost frivolous touch to the typically Christian joy on earth.
32:55In short, I would like to say, here, that for Saint Francis nature is a younger sister
33:00that dances around us to make us smile, to make us love.
33:05Excuse me, Father, if I interrupt you, but you promised to help me solve this case.
33:11That's what I'm doing.
33:13Yes?
33:13I'm trying to establish that these puritans of cheerfulness often sow hatred, resentment and, I don't know, despair around
33:24They.
33:25And this house is proof of that, I think, isn't it?
33:27Ah, indeed, only senseless hatred could lead to such ferocity.
33:33Look, the knife is stained with his blood.
33:37The revolver fired two shots at him.
33:39One ball landed on the floor here and the other on the ceiling there.
33:46Here, I'm not finished.
33:48This curtain cord was torn to make a noose and strangle him before throwing him out the window, see?
33:58Yes.
33:58It broke in the fall, one part got caught here and the other, remember, was still
34:03around his foot when we found him on the lawn.
34:05Thanks, but it's extraordinary, isn't it? Sometimes there's only one gun and maybe three or four deaths.
34:12Here there is one.
34:14Eh, I don't touch.
34:15No, no, no, I won't touch it. One, two, three with the cord, four with the window, and only one dead.
34:21I don't know.
34:21Precisely.
34:22Exactly what?
34:23As I was saying, a brutal persecution.
34:26Here. Oh, but do you know what killed him?
34:30The shot.
34:32What shot?
34:32He dropped it down in the garden, smashed the body, may have made other wounds disappear, but we will know better than that.
34:41'autopsy.
34:43Autopsy.
34:45What is he thinking about?
34:46To Julius Caesar.
34:48It is necessary.
34:50He was killed with twenty-one stab wounds, but there were many of them there, it was a conspiracy.
34:56Maybe it means a conspiracy of converted ex-drunkards.
35:03Sometimes even gratitude converts.
35:06In hate.
35:06Eh.
35:08No, no, that's not likely.
35:11As far as I'm concerned, there was a fierce fight here, eh.
35:15According to her, Father Magnus told the truth.
35:20It would be interesting to know if Magnus knows the truth.
35:23I am speaking about the emotional relationship between Miss Armstrong and the secretary.
35:28The father was against the marriage and so they...
35:31Well, today the morality of young people has declined.
35:34Precisely.
35:34Eh, no, no, no.
35:36Only in times when morality is strong can one think of killing the parent who does not allow it.
35:42Today, children simply don't care.
35:46Yes, the daughters neatly pack their trunks and leave.
35:50You don't kill your parent anymore.
35:53The door is slammed in his face.
35:55Bad times.
35:58Anyway, I think it's time to question this young lady.
36:01I also had the secretary called to her room.
36:03A kind of little comparison.
36:05What do you think?
36:07I say she knows about it.
36:08One more than the devil, Inspector.
36:12It was a unique example for me.
36:15A champion.
36:17A man like him, of his position.
36:20Of his name.
36:22I see.
36:23He could have enjoyed life as he wanted.
36:27But not him.
36:28He loved.
36:29He loved only virtue.
36:34It will remain in his heart forever.
36:37As.
36:39Shining like an old angel.
36:42Absolutely right.
36:44Now if it were possible I would like to ask you
36:46if she was woken up by some...
36:50Yes.
36:51Usual noise.
36:52No, no, I want to impose right away, right away.
36:55Before they learn the cards.
36:57There they are, I knew it here.
36:58No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
37:00no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
37:10There is not much more to say.
37:11Mr. Royce.
37:24Say.
37:26The truth is this.
37:28I rushed to my master's room
37:29shortly after these two had pushed him out of the window
37:32and I found him still standing at the windowsill
37:35and you knocked her out on the floor
37:37still with the bloody knife in his hand.
37:42Is that true, Miss Armstrong?
37:44What do you want me to answer?
37:46if he himself says she fainted?
37:49That man is telling the truth.
37:51And that is, Miss Armstrong?
37:54And that is that the young lady did have the knife in her hand.
37:57but to defend his father
38:00not to hit him.
38:01One moment, the knife was already stained with blood.
38:05Of mine, here, you see?
38:09We have to believe him, Inspector.
38:11In fact, when he punched Magnus
38:14this one had a bloody chin
38:16but showed no injuries.
38:20It was the blood of his hand.
38:22But she had the knife in her hand
38:25to defend the father.
38:27From whom?
38:28Then he wanted to defend him from him.
38:31That's what I'm trying to say.
38:34Even if I feel like I'm dying
38:36I'm happy to see her
38:38to see you so brave, Patrick.
38:45Do you have anything else to say?
38:47No.
38:56So what?
38:58You speak.
39:02They used to tell me I was a smart boy
39:05and that I would have a career.
39:09A painter.
39:11the fact is that everyone knows
39:13like Sir Armstrong
39:14he fished me out in the craziest taverns
39:17how sane.
39:19I owe him everything.
39:21He's always been good to me.
39:24He just didn't want to at all.
39:26that I married Alice.
39:28and maybe he was right.
39:31But this love without a future
39:34it became an obsession for me.
39:38And secretly
39:39the night
39:40I started drinking again.
39:44it's a terrible ordeal
39:47I know
39:49but it will pass.
39:52Take courage.
40:00Who will take it out of his sight?
40:03of certain things.
40:10I was awakened
40:12from two gunshots.
40:14Courses above
40:15to my father's room
40:16and already from the stairs
40:18I felt the panting
40:20and the cries of battle.
40:22When I entered
40:23the room knew
40:24of gunfire smoke
40:26and the two of them
40:27they were fighting
40:29desperately
40:30while Patrick
40:32he tried to strangle him
40:34with a rope.
40:37But also my father
40:38he was a strong man.
40:40With a leap
40:41he came out of the noose
40:41who held him by the feet
40:43instead of the throat.
40:45And he
40:46he started dragging him like that
40:48for the room
40:49like a madman.
40:56I grabbed the knife
40:57which was on the ground
40:58and I threw myself among them.
40:59Patrick tried
41:00to move away
41:01but he hurt his hand
41:02on the blade.
41:03But I
41:04he succeeded anyway
41:05to free my father.
41:07Then push
41:09I believe.
41:11Yes
41:13I just made it in time
41:14to take it
41:15in the arms
41:15and to support it
41:17to the wall.
41:19Mr. Royce
41:22if he gave us
41:23some clarification
41:25what he did
41:27when she
41:28maybe it's better
41:29if
41:31naturally.
41:39Be on guard.
41:41Of course, respectful.
41:41All right?
41:52What happened
41:54after the young lady
41:55she fainted
41:56against the wall?
41:57It seems clear to me.
41:59I grabbed it
42:00and threw it downstairs.
42:01I was crazy
42:02drunk
42:03soaked.
42:04I didn't know
42:04what I was doing.
42:05Already.
42:06And immediately after
42:07the greatest tamer arrives.
42:09The times agree.
42:11All right.
42:13It will be suggestion
42:14eh
42:14but I feel
42:16smell of whiskey.
42:18She has a thin nose
42:19father
42:20Indeed
42:22I left it open
42:23to give air
42:24but you can see it
42:25that a little
42:26it remained
42:28but the smell
42:28it comes from that
42:29which has been poured
42:30on the carpet.
42:34It was the second bottle
42:36they will have been
42:37the two
42:37the three
42:38I don't know
42:39enter
42:40suddenly
42:41and it catches me
42:41on the fact
42:42with a roar
42:43it hits me
42:44the bottle
42:44on the carpet
42:45I'm starting
42:46to insult him
42:47on the way
42:47of the daughter
42:48he's leaving
42:49furious
42:50I collect
42:51the bottle
42:52And
42:52this?
42:54Yes
42:56and it takes me
42:57the fury
42:58I grasp
42:59the gun
43:00from the drawer
43:00I'm chasing him
43:02in his room
43:03to force him
43:04to give me consent
43:08or you give me
43:09jelis
43:09or I kill you
43:10so the gun
43:12it's his
43:13is reported
43:15he would have found out
43:16by itself in an hour
43:18and then
43:22I shoot him
43:24but I was so drunk
43:27that disarms me
43:29then I take the knife
43:31we fight
43:32but he is strong
43:34he makes me drop it
43:36Like this
43:37I tear a cord
43:40of the tent
43:44the rest
43:45he told it
43:46Elis
43:50How come
43:50there is left
43:51this nice little bit
43:52of whiskey
43:52in the bottle
43:55he sees
44:01the rest
44:03he came out
44:03on the carpet
44:05but when
44:06the level
44:06it goes down
44:07at this point
44:08remains
44:09in the bottle
44:11Here you are
44:16sergeant
44:33everything was resolved
44:34soon enough
44:35it seems to me
44:35yes yes
44:40but what does father think?
44:43we should
44:44that I got drunk
44:45that you took me
44:46a solemn one
44:47whiskey hangover
44:48but father
44:49but
44:49Well yes
44:50if not how do I do it?
44:51to understand
44:52to hear
44:52to try
44:53what he feels
44:54being a drunk
44:55he asks me
44:57I passed
44:57some beautiful
44:58hangover
44:58I took it
44:59not many
45:00Why
45:00mine was
45:01a profession
45:01precision
45:02Nobody
45:03what do you want to know?
45:05so she
45:06he's drunk
45:06soaked
45:08but it's continuing
45:10to drink
45:10oh sure
45:11the more one drinks
45:11the more he wants to drink
45:12Here you are
45:13one arrives
45:13and from a slap
45:14to his bottle
45:15and throws it to him
45:15on the carpet
45:16what does she do?
45:18I react
45:18for me
45:19at that moment
45:19that touches my bottle
45:20he is an enemy
45:21and up to this point we are
45:23then the enemy
45:24he's leaving
45:24she stays there
45:25full of resentment
45:26in the drawer
45:27there is a gun
45:28with six nice bullets
45:30on the carpet
45:31the bottle
45:32with anchor
45:32six good sips
45:35what does she do?
45:36I'll drink first
45:37the six good sips
45:38then they grab the vaults
45:39I knew it
45:42and you can see that
45:43I have a secret calling
45:45of the drunkard
45:45because I knew it
45:46it's not possible
45:48that a drunkard drunk
45:49leave it there
45:50the rest of the whiskey
45:51that they took away from him
45:52No
45:52it's against nature
45:54and instead it happened
45:57the drunk young man
45:58soaked
45:58ignore the whiskey
45:59he goes upstairs
46:00pum pum
46:00two shots
46:01and it had to be
46:03very drunk
46:03he shot himself
46:04Good morning
46:05I had to say
46:06Good morning
46:07good morning son
46:09I was saying
46:10it had to be
46:10well drunk
46:11soaked
46:12he shot himself
46:12a shot down here
46:13another one up there
46:15this one shoots
46:16just worse
46:17about me
46:18father she
46:19when he makes certain speeches
46:21where he wants to get to
46:22and what do I know
46:24I am not able
46:25not even starting
46:27to detach myself
46:28from the fixed point
46:29of confession
46:30Why
46:30the killer
46:31he confessed
46:35And
46:36if to me
46:37it doesn't convince me
46:39but I say
46:39here is where it gets involved
46:40the gallows
46:41it takes
46:42a reason
46:42extraordinary
46:43to meet
46:44to the gallows
46:44innocent
46:45Well yes
46:46but this rather
46:47make things easier
46:48the extraordinary reasons
46:50there are few
46:51and all known
46:52and then it's always
46:53only one
46:54love for God
46:55love for one's country
46:56the love for a child
46:57for a woman
46:58if in short
46:59go round and round
47:00it's always
47:00alone and always
47:01love
47:02that saves
47:03for God
47:03and here it would be
47:05love for Miseris
47:06how to say
47:07that would have killed him
47:08she
47:08and he tries
47:09to save her
47:10at any cost
47:11in theory
47:12Yes
47:12but in practice
47:13but how can it
47:15let's say
47:15a chick
47:17wet like this
47:17to throw down
47:19from the window
47:19a father
47:19a colossus
47:20of that kind
47:21but not even a leg
47:24and then
47:25no exit
47:26Certain
47:27it's a dead end
47:28why do we persist?
47:29to look for it
47:30in fact
47:31and where else
47:32we should look for it
47:33in men
47:34Yes
47:35in the soul
47:36of the characters
47:37it's there
47:38where they are located
47:39the biggest surprises
47:40the facts
47:42almost
47:43I'm always
47:43the same
47:44for example
47:45a man
47:47that is built
47:47a bed
47:48so elementary
47:49so primitive
47:51must be
47:52in
47:53very complicated
47:55look for a certification
47:58exterior
47:58has its own
47:59contradictions
48:00and then
48:02and then
48:04Nothing
48:21ha ha
48:24dry cheerfulness
48:26we can go
48:29I know that the crime scene always exerts a certain fascination
48:33but now we have also completed the last formalities
48:38there is still one
48:40and which one
48:43remove the handcuffs
48:44to Mr. Rois
48:48and why?
48:50because I would like to have the pleasure
48:52to shake his hand
48:53on
48:54be kind
48:55have him brought here
49:00seriously
49:04please sir inspector
49:27but what happens now?
49:31that everything is clear
49:33Now
49:33that we understood everything
49:36Now
49:38I should have realized this much earlier
49:40fool that I am
49:42from the religion of joy
49:44and it seemed to me that all those weapons were too many
49:48for a single dead person
49:49do you remember?
49:50and I challenge
49:52they were for a living
49:53I am trying to say
49:55that were not used to kill
49:57if they were
49:58but to save him
50:02by whom?
50:05from himself
50:06he had suicidal mania
50:11him?
50:13And
50:25that of the religion of joy
50:28a very cruel religion
50:31poor
50:32but why didn't they let him cry every now and then
50:36as his ancestors surely did before him
50:39instead no
50:41dry cheerfulness
50:44a seeing mask
50:46behind which
50:47it doesn't fit
50:49all a man
50:50it's not possible
50:51not even an atheist is there
50:53the man
50:54it's wider
50:56then to support his laugh machine
51:00his reputation as a man who was always cheerful
51:03which is the great enemy of alcohol
51:07he secretly goes back to drinking
51:09Yes
51:10he returns to his youthful habits
51:13but he can't get drunk
51:15with the blissful unconsciousness of the past
51:18why now
51:19it's a hangover of a convinced abstinence
51:22it's the fall of an angel
51:24every time he gets drunk
51:26it falls on him
51:27they will be champions of virtue
51:29oh that's a damnation
51:31a torture
51:32and from here
51:33suicidal mania
51:43did he keep them there?
51:45sergeant
51:46I open
51:47thank you sir
51:49the handcuffs
51:52sergeant
51:52naturally
51:54I understand it's a very good brand
52:05I imagine that this morning it will be
52:07sitting here like this
52:08completely drunk
52:10he thought
52:11and more
52:13he could think
52:14if not to die
52:15and she corrects me
52:16if I'm wrong
52:17so much now
52:20Yes
52:20he was thinking about taking his own life
52:23it's easy to say
52:25one takes a knife
52:26And
52:28gossip
52:30oh yes yes
52:31even for this very vile act
52:34it takes courage
52:35so he thinks the gun
52:37is the best way
52:38then leave the knife
52:40he comes to his room
52:41with an excuse
52:42to take the gun away from her
52:46he came with the bottle in his hand
52:48to make peace
52:50he said
52:50a toast for Elis
52:53as if to give his consent
52:57but he was clearly drunk
53:01I tried to take the bottle away from him
53:03he resisted
53:05the bottle fell on the carpet
53:08he pretended to despair
53:11many other times
53:13had happened
53:14similar scenes
53:15and cried with his head
53:18on the table
53:20Indeed
53:21but how she
53:22why to take the gun away from her
53:26which was in the table drawer
53:27he had to do it that way
53:29exactly like that
53:34he understood it immediately after
53:38as soon as it came out
53:39saying he was going to sleep
53:40I open the drawer
53:42and I immediately run to his room
53:44just in time
53:45I grabbed his hand
53:49he fired two shots wildly
53:51as I twisted his arm
53:53in the end
53:55I make him drop the gun
53:58that's when he tries to throw himself out the window
54:01yes furiously
54:03he was struggling like a madman
54:05I understand that I have to tie him up
54:06which is a crisis worse than usual
54:08I tear a curtain cord
54:11and starts tying it up
54:12his daughter enters
54:14and believes she is the aggressor
54:16how could he make such a mistake?
54:21I who loved him
54:22like a father
54:24because between her and the prophet of virtue
54:27there was no need to hesitate
54:29he was the good one
54:30so she
54:33the bad guy
54:38so he freed his father
54:40cutting the rope with the knife
54:43Yes
54:43also hurting my hand
54:47then he fainted falling backwards
54:51and while I try to support her
54:54Sir Haron
54:55he throws himself out of the window
54:57but I would have told the truth right away
55:00To hell with the obituaries for Ser Haron
55:03it's a scandal okay
55:04but she and Miscellis
55:05you are worth much more I think
55:07but what do I care about funeral announcements?
55:10and then if it wasn't for the memory of Ser Haron
55:12why did he want to sacrifice himself
55:14for whom?
55:17so as not to let her know, right?
55:20Who?
55:21who shouldn't have known?
55:24he wasn't supposed to know what?
55:26that she
55:27he killed his father
55:29Understood?
55:32oh poor Miscellis
55:34as much as he was the inventor
55:37the stupid inventor
55:38of perpetual joy
55:40his father was always there
55:41No?
55:42he would still be alive
55:44if the daughter had not intervened
55:48when he finds out
55:49it might drive him crazy
55:51yes yes
55:52he would still be alive but
55:54until?
55:56one night or another
55:59and then
56:01he won't go crazy
56:03especially if she tells him
56:06it seems so safe father
56:09she herself said
56:11I lost at the same time
56:12a beloved father
56:14and the man who loves
56:15now the loss
56:16it has become
56:22sergeant
56:23let her examine it
56:25with pleasure
56:26inspector
56:26in the laboratory
56:27naturally
56:30and above all
56:31Mr. Royce
56:33let her cry
56:35as much as he wants
56:35that does good
56:36cry
56:37it's a sign of life
56:39of health
56:39after all
56:41you are born crying
56:43No?
56:48flambeau
56:51flambeau
56:54right father bra
56:56right father bra
56:59but life is very often
57:03what does he do?
57:06that's what father is good for
57:08you say father bra
57:11you say father bra
57:14what is life
57:20people often steal
57:22because he has nothing
57:25that's what people believe
57:28to be a nobody
57:31but if what you have
57:33it was what you had left
57:36from a shipwreck
57:38on an island
57:39deserted
57:42you would scream with joy
57:45to have a blanket
57:47to put on
57:50and a bone button
57:53and a red cap
57:56a straw
57:59a penknife
58:00in your hands
58:04you would have a pipe
58:06from strange sounds
58:09to make the verse
58:11to the gavians
58:15if you only knew how beautiful it is
58:18if you only knew what a wealth
58:21if you only knew what joy
58:24and so be it
58:26ago
58:28go
58:30to
58:30as
58:32to
58:32to
58:32to
58:32to
58:32to
58:33to
58:34to
58:35Thank you all.
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