Padre Brown e il suo amico Flambeau sono ospiti del poeta Quinton, ricco e originale cultore di pratiche orientali. Un giovedì, mentre padre Brown e Flambeau passeggiano nel giardino di Quinton, si accorgono che sulla casa di Quinton aleggia una strana aria che fa presagire al prete qualcosa di orrendo. Né meno inquietanti risultano il rinvenimento nel giardino di uno strano coltello e il comportamento di un bizzarro indù, ospite del poeta. I sospetti di padre Brown trovano una risposta quando viene rinvenuto il corpo del poeta: dapprima si pensa ad un suicidio, ma padre Brown non ne è convinto.
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Playlist “I Racconti di Padre Brown”:
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00:03I have the famous cassock and I am a geribè priest
00:21who is interested in crime only to save his soul
00:37of a poor thief
00:47The real crime is the pessimism of those who do not believe in life
00:59We make mistakes out of mistrust, we make mistakes out of laziness.
01:06you make mistakes out of resentment or envy
01:12Right father good, right father good
01:18but life is very often
01:21But what is there there, father bra
01:25there is father bra
01:29there is father bra
01:31what is life
01:37People often steal because they have nothing.
01:42That's what people believe.
01:45Of being nothing
01:48But what if what you have is what's left from a shipwreck
01:55on a desert island
02:00You would scream with joy
02:02to have a blanket
02:05To put on
02:08And a bone button
02:11And a little red perrettino
02:13A straw
02:16A penknife
02:17In your hands
02:21You would have a pipe
02:23From strange sounds
02:26To make the verse
02:29To the seagulls
02:32If only you knew how beautiful it is
02:36If only you knew what a wealth
02:39If only you knew what joy it is, let it be so
02:45Right father good, right father good
02:51This life is a fabulous thing
02:56Thanks father bra
02:59Thanks father bra
03:02Now we know the truth
03:29I had heard that Indians don't eat meat.
03:34The spirit of a man can be reincarnated into any living being.
03:39In fact, those who eat meat risk anthropophagy.
03:43So why does she eat it?
03:45Giasmini says already from steel
03:47Excuse me?
03:49Giasmini says already from steel
03:50When you've gotten over wanting something
03:53You can afford it with impunity
03:57And then you never give up on a good thing
04:02One must achieve the most complete detachment from all desire.
04:06As long as it's not too easy
04:12And who decides when someone has overcome the desire for something?
04:17The purusha
04:19The who?
04:20The purusha
04:22What needs to be cultivated
04:24Create
04:24That is, the divine part of the soul
04:28The God Within
04:30Here you are
04:33It's been a long time since it was here
04:35The master, his goodness
04:38Dedicate half the year to the Maharaja of Jaipur
04:41And the other half in our humble home
04:44Gentle
04:45I need a guru
04:49By an Indian master
04:50More than anything else in the world
04:54More than anything else?
04:56Lionel
04:57All means of getting to Irvana are good
05:00The important thing is not to want anything
05:03Well, we Christians are much more modest.
05:07We always want something
05:08Now I'm writing a new novel about an Indian guru.
05:15A great magician
05:17Able to act at a distance
05:19To dematerialize objects and rematerialize them elsewhere
05:23I need his technical life
05:27At the university
05:30When we were friends in Paris you were very different Lionel
05:34It was then the East that opened my eyes.
05:39Eh...
05:40Excuse me
05:42We're talking about spiritual eyes, Anne
05:57When...
05:57When I received your invitation I spoke about you to Father Brown in a way that does not correspond
06:03more than reality at all
06:04I ask for forgiveness but twenty years is a long time
06:07Long for you?
06:09Strange
06:10The night is long for those who stay awake, isn't it?
06:13Long?
06:14Short?
06:15In relation to what?
06:23How many years have you been married?
06:26From ten
06:40Have you seen with your own eyes in the East what you describe?
06:45Dematerialized objects that float in the air without gravity etc.
06:49There is a great guru here to answer you
06:52The gods established the physical laws
06:56The gods can suspend them
06:58One can attain supernatural powers by meditating
07:03And can you give us proof of this here now?
07:07As round as the world is, it is not a circus and these
07:13The gods do not give fixed aura shows but they do
07:18There is a sacred book written there
07:45What to say, father?
07:48Huh?
07:51As far as I could understand of the gods
07:55I apologize but I only have one
07:59I know him, I know him
08:02Really?
08:04Can you introduce me?
08:06Anyway, father, you also believe in miracles
08:09So?
08:10And why not, why not?
08:11And I'm not surprised
08:13What amazes me instead is that she believes it.
08:17And yet he is a pessimist
08:19All thinkers are pessimists
08:22Bad
08:23She is not a pessimist
08:25I never think
08:27Seato she
08:29I don't think so
08:30I meditate
08:31It's very different
08:32I'm listening to you and in a century
08:36One way or another you all believe in metaphysics
08:40Miracles
08:41Magic
08:41The supernatural
08:43Eternity
08:45But gentlemen,
08:47As a doctor, I know the man very well.
08:49Alive and dead
08:50I have never found any trace of these possibilities of his.
08:55Harris, you are my doctor
08:56Which means I respect you
08:57But you don't understand anything about these things
09:01Not even on the thought of man
09:03Has she ever put her hands
09:04It exists too
09:07But not after his death
09:09As long as his brain cells are alive
09:12After death
09:14There is nothing left
09:15No, after death there is nothingness
09:18There is a big difference
09:24What does Father have to say?
09:27I have two things to say
09:30First of all, if there were no death
09:32We would fill eternity with our spirit weakened by life
09:35Luckily, death keeps us young.
09:39Providence has cut our immortality into little pieces
09:43Like a mother cuts buttered bread into little pieces
09:46So that the child can eat it
09:49Secondly
09:51I think that a conversation like this can only be had after having had a very good lunch.
09:56I only believe in nature
09:59The laws of nature
10:01They are certainly the best
10:03Because they regulate physical functions and instincts with perfect logic
10:08You often wonder whether an action is good or bad.
10:12Rather, ask your gods.
10:15Many or one is the same
10:18That is, you ask your invention
10:21That is, still
10:22You make up the answer
10:25But we are men
10:26The laws of nature are good for animals
10:29And what is man?
10:31An animal
10:32A slightly more evolved animal
10:35I believe that being a good animal
10:39Let it be the best and most scientific thing in the world
10:43And also the most honest
10:45Everyone can put themselves where they want after all
10:49They gave him a nice house to live in and he didn't
10:52He goes to crouch in a kennel
10:54No, no, Harris, no
10:56The animal dazzles, roars
10:59He's agitated, he wants
11:01Here, he wants
11:04That's why the ladder is at the bottom
11:07But the father here also wants something
11:10Oh, how much noise you make with all these desires of yours that intersect
11:16And what do you want now?
11:20Sleep
11:21But first I want to show our new guests my greenhouse
11:26Actually, I came to ask you something.
11:29Here, another one who wants
11:32Of course, I'm not a mummy yet
11:34My brother Richard is very close to what the doctor thinks of the man
11:39It is not my job to take care of the animal, so I am determined to get it
12:01A rather pleasant scenic effect, isn't it?
12:05Ah, beautiful, all tropical flowers
12:08Yes, the greenhouse is heated, so I take my afternoon nap there.
12:13It seems to me that I am in the Cange valley
12:24It must have fallen from there
12:33Yes, but why now?
12:38What wrong shape does this dagger have?
12:40I'm going to see that this is the little miracle of the Indian master.
12:44Excuse me for a moment
12:46She doesn't like it
12:48But look at this subtle work
12:51The finesse of the joints
12:53The enamels
12:54It's pure art, right?
12:56Yes, yes, yes
12:58The colors are beautiful
13:01But it's the form that's wrong
13:03How is it wrong?
13:05Don't you also see that it's wrong?
13:07He lacks a clear, straight purpose
13:10It doesn't point like a spear
13:13It doesn't shave like a sickle
13:17It doesn't look like a weapon
13:19It seems...
13:21Here you are
13:23An instrument of torture
13:26I hope you don't find the shape of my house wrong too.
13:31No, maybe I didn't explain myself well, Mr. Quinton.
13:36This house has a beautiful shape
13:39Then even if it was ugly or ridiculous
13:41It would never be
13:44How to say...
13:46Bad
13:48While that of the dagger instead
13:51Yes
13:52She's bad
13:55Malignant
13:57Sometimes it gets to him like that
13:59He wanders in a mystical fog
14:02But I assure you that every time something is about to happen...
14:06Very strange
14:08Ah, interesting.
14:10What order on this table
14:12They say that order does not go well with genius.
14:15No, maybe what he writes is brilliant, right?
14:19It's authentic, huh?
14:20Very nice
14:25The smell of this pipe tobacco is good
14:28What brand is it?
14:30A mixture of mine
14:32Please
14:32Thank you
14:48Poor missionaries
14:50Who knows how hot they must be in those parts.
14:53I hope she at least likes the flowers as they are.
14:57And why not?
14:58This one is even taller than me
15:00And do you sleep here?
15:01Yes, now
15:03It's my time, if you want to forgive
15:05Certain
15:06I absolve him
15:07My health, unfortunately
15:10Tell the doctor he can come bring me my pill soon
15:14Yes, I'll tell you right away, later
15:15Thank you
15:42AND
15:45But
16:13Did you see how beautiful she was?
16:16Father
16:16No, no, I'll tell him
16:19She was much more beautiful and much younger than she was a little while ago.
16:23She became younger in ten minutes
16:25Ten years old, yes
16:29This
16:30It would be another miracle from the Indian guru
16:35Do you really believe that there could be a medicine so powerful that...
16:39A moment, a moment, a moment
16:40Repeat it, repeat it please
16:43I said, do you really believe that there could be a medicine so powerful that...
16:48I do not know
16:51Don't you know?
16:53I don't know but I'm nervous
16:58What's happening to you, father?
17:01I feel like I'm trapped in so many things that I understand...
17:06One at a time
17:07Well, that's something, right?
17:09Oh no
17:09No
17:10Because then I don't understand them all together
17:12Did you like the greenhouse?
17:14Oh yes, yes yes
17:16Oh, look, Quinton is waiting for you for the pill.
17:18It's a sedative to help him sleep better
17:25Quinton is a double smoker, right?
17:28Usually a doctor is bound to confidentiality
17:31Yes, but since I tell him so
17:34I smelled it in the studio but then...
17:38I couldn't understand...
17:40Did you attend any workshops?
17:42No, I frequented sinners
17:46Unfortunately Leonard has been burning himself out for years
17:49I am sorry
17:51There's nothing to be done, it can't be cured
17:54Too late now
17:55And then these artists
17:58He says he couldn't write a line without opium.
18:01And would that be a great evil?
18:04No, I say...
18:06Father is an illustrious man
18:07I wanted to say...
18:09Poor wife
18:10This yes
18:12A great woman
18:13One of those women who do their duty for ten years
18:18And then suddenly...
18:20He does something wrong
18:23Well, I'm going to give Leonard the sedative.
18:43He meditates
18:46He says...
18:47I say you make the kilo
18:57He ate too much
18:59I'm in, look at the oil!
19:01I still haven't understood that I don't like it
19:03Don't worry, wait!
19:04Come on, you're right about...
19:06Leave me! Leave me the shaved piece!
19:10Mr. Flambeau is useful to me
19:11And he wants to come in at all costs in the evening to disturb Mr. Quinton
19:15But why?
19:17Yes gentlemen, to ask him for money
19:19On the other hand I am a student
19:21Why should I be left penniless when we're swimming in gold here?
19:30Excuse me, wouldn't it be better to ask your sister then?
19:34Yes, as if the poet would ever let her handle a pound.
19:38Keeps the guru short
19:40And I'm only avoided for breakfast on Sundays.
19:42And if I want to have a couple of crowns
19:44I have to come here at least ten times
19:47I think the doctor just wanted to protect his client.
19:50I didn't want him to get agitated just as I was giving him a sedative.
19:53But don't make me talk!
19:55Forget about sedatives!
20:01It should protect him from more than just me.
20:11Son, why do you hate your brother-in-law so much?
20:15If you meddle in his business
20:19Precisely
20:21I'll send you a pound
20:29If you want to say thank you
20:32Even from here
20:35Thank you, Leonardo
20:36But yes, yes
20:38Let it go, you'll make a bad use of it, I know.
20:49Is this one done too?
21:02From what?
21:06Protect him, huh?
21:07Eh
21:10Or from whom?
21:11I'm going away
21:12Nice to meet you
21:14No hard feelings, Richard?
21:16Oh, yes
21:17I just wanted to say hello to my sister
21:18I think that...
21:21Yes, it's upstairs
21:23All right
21:25I'll wait for it to come down
21:36Father, didn't you come to say that you were flying?
21:38Yes
21:38After the steps I have to take you for a walk
21:40What if I allowed it?
22:06How peaceful, huh?
22:08At this time in a big garden like this
22:11Peace does not come from gardens
22:15If anything, this looks like a zoo to me.
22:18You look at them
22:19You look at them one by one
22:27One way or another
22:29They look like so many captive beasts
22:31Prisoners of what?
22:34I do not know
22:43Perhaps prisoners of bad thoughts
22:48But what do you expect me to know?
22:50So father, why are you so nervous today?
22:59Superstition is pagan and we must beware of it
23:02But there is something in the atmosphere of this house
23:09It gives me the shivers
23:17It must be this Antone who sleeps upright but upside down
23:23I think she feels the storm
23:25There's one coming right now I think
23:27Let's hope
23:28I really wish it was a thunderstorm
23:31Because after all, one gets wet but then dries
23:35Flambeau
23:35I wonder if that one stays like that in the rain
23:41It would be interesting to see the wet ecstasy
23:55Come soon
23:58What did you do to him?
23:59You have disgraced
24:00Stop for goodness sake, doctor.
24:02And tell us instead what happened
24:04I saw it from outside
24:05Through the greenhouse glass
24:07But who?
24:08Quinton
24:08It is in a natural position
24:10It wasn't like this when I left it
24:12Meanwhile, let no one leave that gate
24:14I'll take care of it
24:14We'll take care of it
24:17Father
24:18Oh yes, here it is
24:25Oh no
24:26Look here
24:34I die by my own hand
24:35Yet I die murdered
24:40It's terrible
24:42I just did it
25:00There's nothing left to do
25:03No
25:10I would never have believed it
25:13What?
25:15That he could have such courage
25:19But
25:19You know that this sheet too
25:22It has the wrong shape
25:27Meaning what?
25:29Not fair
25:32Listen, father.
25:34First the wrong shape of the dagger
25:35What now?
25:36And in fact
25:37Did you see where the dagger ended up?
25:42Is that really it?
25:43Certain
25:44Don't recognize the grip?
25:48Do you remember what he said?
25:49When do we pick up the dagger from the ground?
25:53Flambu said
25:54It must have fallen from there
25:56And he answered
25:57But why now?
26:00And he had a strange expression
26:03Everything is strange
26:05Look at this sheet
26:07Isn't he unbalanced?
26:09Already
26:09Why not her?
26:11Huh?
26:12Excuse me father
26:13But it seems to me that we have much more to do
26:16And what else is there to do?
26:18He doesn't need anything anymore
26:22In short
26:22Will you stop playing Lara with that piece of paper?
26:25And give me a hand
26:26To properly lay out our poor friend?
26:28No
26:28Nothing is touched here
26:33The only thing to do
26:35It's calling the police
26:37Already
26:38It is true
26:39I'll send a waiter
26:41The police station is quite far away
26:43Well
26:52And who tells the wife?
26:55Here's a painful thing to do
26:59Well I'll do it
27:01Yes it's better
27:03It's upstairs
27:20Well I'll do it
27:56Thank you all.
28:23The Holy Man's Curse, a novel by Leonard Quinton.
28:52The waiter has gone but the police won't be here for another hour.
29:01The red sun lit up the gold of Vishnu's temple.
29:23Who?
29:27Yes, he wrote it, no doubt about it.
29:39Where is the Indian guru?
29:41I said to keep an eye on him.
30:03Then I'll go up to the lady's for a moment.
30:24However, doctor, apart from the words you left written and which seem to me to cut to the chase,
30:29we remained in sight of each other in the garden the whole time.
30:34I saw only the two of you and the Indian.
30:36No, no, we saw her, the Indian, him.
30:41And thank goodness.
30:42The servant cutting the grass and the lady upstairs through the window.
30:46And the waiter told me that the cook left right after breakfast.
30:51And so, you see, no one, I repeat no one, was able to enter the greenhouse because it has no communication with the outside.
30:59It is true.
31:01I said that because the priest, his friend, has such a curious attitude.
31:12And yet, and yet it is something that does not resemble him.
31:21I don't know, he was a tyrant, it's true, and also selfish, but not violent.
31:30And then...
31:33Say.
31:34It seems like she knows everything.
31:38Leonard never wanted anything except drugs.
31:43How could he have wanted death?
31:46Of course, to give oneself such a death requires a great surge of will.
31:53Here you are.
31:56Those must have been difficult years for her.
31:59Yes.
32:01Of loneliness.
32:03Yes.
32:05But he did his duty.
32:08Like a good nurse, right?
32:11At least I think so.
32:13But with a lot of effort, though.
32:16Why...
32:18Because there had been no love between us for many years.
32:23What did Dr. Harris tell you after breakfast today?
32:32How do you know he told me something?
32:37His face told it.
32:40He had a light inside.
32:43He was ten years younger.
32:46Really?
32:48I...
32:49I don't know much about cosmetics, but I know there's only one thing
32:53capable of rejuvenating a lady to such an extent.
32:58I'm moving on.
32:59Say it.
33:02A declaration of love.
33:06Life is strange, isn't it, father?
33:07Yes.
33:08Receive on the same day
33:10a declaration of love
33:12and the news that she was a widow.
33:16The word strange
33:18can understand many things.
33:21Improbable, mysterious, absurd.
33:23Ninth.
33:23I just wanted to say
33:24which is a remarkable coincidence, isn't it?
33:28Or necessary.
33:31Father, what do you mean?
33:36But...
33:38She is Catholic.
33:40There's nothing you'd like to tell me
33:42to me
33:43as a priest
33:45In short
33:48in confession.
33:50Does that mean bound to secrecy?
33:52Yes.
33:57No.
33:58No, Father.
33:59She is not bound to secrecy
34:01for what I'm about to say.
34:04She wants to know
34:06if between me and the doctor
34:07there was something.
34:11No.
34:12Nothing.
34:14A sympathy.
34:16A melancholic feeling
34:18because without hope
34:19and today, only today
34:21expressed for the first time
34:22in words.
34:23All right?
34:24You can tell anyone that.
34:26want to know.
34:28No.
34:30It wasn't curiosity on my part.
34:46There is something
34:48what can I do for you?
34:50Yes, I'll have myself carried
34:52Please
34:52a cup of tea.
34:53Good.
34:55I expected nothing less
34:56from a sincere
34:58and courageous
34:59English woman.
35:10It stopped raining.
35:12What is he doing here?
35:13I would like to.
35:14Why doesn't it go up?
35:14to console his sister?
35:16No.
35:18It's better to leave her alone now.
35:20Agree.
35:20I'm leaving the company.
35:21No, no, no.
35:22She waits for the police
35:23instead good, good
35:24like the others.
35:25Who's leaving?
35:26It raises suspicions, son.
35:28But what about?
35:29It's suicide.
35:30And then we have
35:30a collective alibi.
35:32Yes.
35:33But the police
35:34he will know
35:35that she earns from it
35:36a lot of money
35:37from this death.
35:38What do you say?
35:39Oh yeah.
35:42it will all go to his sister.
35:44His sister
35:45good-hearted
35:46so.
35:49And then they say
35:50that the priests
35:51they never give you
35:51good news.
35:55On purpose
35:56of news
35:57go to the kitchen
35:58to prepare
35:58a cup of tea
35:59very hot
36:00for his sister.
36:07but
36:08Always
36:09mysterious
36:10these papists, huh?
36:11Well
36:11if it doesn't rain anymore
36:12I'm going to do it
36:13two steps in the garden.
36:16He wrote it.
36:18There is no doubt
36:20it's his writing.
36:22And then it's about
36:23Surely
36:24of suicide.
36:25Difficult writing
36:26but beautiful.
36:28In his own way
36:28he was a true artist.
36:31were you saying excuse me?
36:33No, nothing
36:33he said
36:34he killed himself
36:35by his hand
36:35it's written here
36:36I die by my own hand.
36:38And I say
36:39who was killed
36:40and this too
36:40it's written here
36:41I die murdered.
36:43At that time
36:43as far as I can
36:44to seem absurd
36:45it must be said
36:45who committed suicide
36:46but they killed him.
36:51Nevertheless
36:53nevertheless
36:54we know
36:55that no one
36:55he was able to enter
36:56in the greenhouse.
36:57Real.
37:00One moment
37:03the plot
37:04of the novel
37:04who was writing
37:05he didn't treat
37:05just about this
37:06of a murder
37:07at a distance
37:07by means
37:08of hypnotism.
37:09Oh yeah?
37:11Do you think so?
37:11that he told me
37:12something like that?
37:13And this father
37:14it would fit like a glove
37:15I committed suicide
37:15but they killed me.
37:16Certain.
37:17The guru
37:18in meditation
37:19in the garden
37:20just as
37:23he remembers father
37:24the dark threat
37:25of the Indian
37:25while we were at breakfast
37:26when he said
37:27the gods give
37:28show
37:29when less
37:30we expect it.
37:31Here we are.
37:32To what?
37:33To the supernatural.
37:35I say if he doesn't believe it
37:36a priest
37:37to the supernatural.
37:38Yes
37:38but not to this kind
37:40of the supernatural.
37:41Oh that's true.
37:42It's strange
37:43that when they are done
37:44these stories
37:44supernatural
37:45there's always something in between
37:46the money.
37:47Or the precious necklace
37:49that disappears
37:49or the will
37:51of the dead millionaire.
37:52Possible
37:53that this type
37:54of supernatural
37:54you never frequent
37:55the houses of the poor.
37:57What do you want to conclude?
37:58Flambeau?
37:59Ah eh.
38:00In short
38:00or this Indian
38:02has powers
38:03superhuman
38:03or he doesn't have them.
38:04If he has them
38:05he uses them foolishly
38:08killing a man.
38:09And already
38:09why does it do
38:10what he knows how to do
38:11every night
38:12at the Port of London
38:13even a drunk porter
38:14or he doesn't have them.
38:15So what?
38:16it's irrelevant.
38:17Me then
38:18I don't like it very much
38:18these powers
38:20of the spirit
38:21why do we insist?
38:22too much on the word
38:22powers
38:23Right?
38:24Yes but how can it be?
38:24to reconcile
38:25then the murder
38:26with suicide?
38:28Sometimes
38:29a crime
38:30it's a game
38:31prestigious
38:31and a good game
38:33prestigious
38:33it really seems like it
38:34a supernatural event.
38:36Look
38:37this coin
38:38it's here.
38:40One two three
38:43it's no longer there.
38:44Well
38:46suddenly
38:47you find it here
38:49in the collar.
38:51I'll explain it later.
38:53and then
38:54if it weren't
38:55a game
38:55prestigious
38:56would be
38:57a little miracle
38:58No?
38:59Let's stick to the facts.
39:00But which ones?
39:01A
39:02just one fact
39:03the shape
39:05wrong
39:05of that sheet
39:06And
39:07I don't know
39:09there is no reason
39:10logic.
39:11Look
39:11let's suppose
39:13that I am
39:13Quinton
39:14and I want
39:15kill them
39:16look
39:17what do I have to do?
39:18Do
39:25I'm dying
39:26Of
39:27my
39:29hand
39:35nevertheless
39:36I'm dying
39:41murdered
39:44are you following me?
39:46Certain
39:51it's not finished
39:57Why
39:58it was not found
39:59the other piece
40:02Anyway
40:03it's not yet
40:05finished
40:11Well yes
40:11Why
40:12lacks
40:14that not
40:15there is
40:15neither
40:15around
40:17she will tell me
40:18that on the table
40:19there was a sheet
40:20advanced
40:21without that little triangle
40:23he used
40:23that
40:24me instead
40:25I tell her
40:26that the thing
40:26it stinks to me
40:27dear Flambeau
40:29Quinton
40:30he was an aesthete
40:31a collector
40:32of art
40:33he wants that
40:34his last
40:34written
40:35you leave it
40:35on a piece
40:36paper
40:36advanced
40:40imperfect
40:42No
40:43aside
40:44that around
40:45they are not here
40:45what whole sheets
40:46in the basket
40:47they are thrown away
40:49sheets with just
40:50two lines
40:52but what a one
40:53dying
40:53he starts doing it
40:54economy
40:54of a sheet
40:55paper
40:56don't do it to me
40:57to get angry
40:59nevertheless
40:59he was alive
40:59and healthy
41:00when he gave
41:01the pound
41:01to his brother-in-law
41:02we know
41:02that no one
41:03it was possible
41:03enter
41:04in the greenhouse
41:04we stayed
41:05in sight
41:05the one
41:05of the other
41:06we find it again
41:06with a knife
41:07in the heart
41:08if it's a game
41:09prestigious
41:09it must be said
41:10which was
41:10done enough
41:11Well
41:12nevertheless
41:12the trick
41:13there is
41:14only that
41:14us
41:15we can't
41:15to see him
41:16he sees
41:18that's all
41:19the opposite
41:20of a miracle
41:21a miracle
41:22it's simple
41:23straight
41:25here instead
41:26that's all
41:27so twisted
41:28complicated
41:29I see
41:31like a trace
41:33a slimy one
41:34trace
41:35of snail
41:36a trace
41:37that passes
41:37from here
41:37this horrible one
41:39bad
41:41very wrong
41:42form
41:44a moment
41:47and if this
41:48it wasn't at all
41:50a message
41:50of the fifth
41:51but we didn't say
41:53that his writing
41:54Yes
41:54but it could be
41:56simply
41:56a page
41:57of his novel
41:59a final page
42:01just started
42:05and probably
42:06the previous one
42:07it was burned
42:09Why
42:10why flambeau
42:12because there was something
42:13before I die by my own hand
42:14Bravo
42:14something like
42:15you won't say that
42:16you won't believe that
42:17something like that
42:18fire
42:19fire
42:20we're almost there
42:21if we can
42:21to discover
42:22what was wanted
42:23cut
42:23with this little corner
42:25after the last word
42:26a word
42:27that has nothing to do with it
42:28as he says
42:29a word
42:30that revealed
42:31that this
42:32it was a novel
42:33ninth
42:35a word
42:36it wasn't there
42:37in this little piece
42:44now I know
42:48think about something
42:50a little bigger
42:51of a comma
42:53what's up flambeau
42:54a little bigger
42:56of a comma
42:57two commas
42:58Bravo
42:59two small commas
43:00two quotation marks
43:01two speech quotation marks
43:02the new page
43:03with one sentence
43:04which ends with quotation marks
43:05the sheet is cut
43:07so that the writing
43:08it appears more central
43:09and then
43:10zacchete
43:11remove the quotation marks
43:12closing
43:14In short
43:14that's not all
43:15the trick
43:16we miss it here
43:17the magician
43:18who killed
43:19fifth
43:19my dear
43:21and very precious
43:22flambeau
43:23I'm going to ask for it
43:25to one
43:26who knows it
43:32to another
43:48to another
43:57to another
43:58How cleaner the air is after a thunderstorm, huh?
44:02But how long does it take for the police to get here?
44:07Thank goodness there's no one to arrest,
44:10otherwise we would be in trouble.
44:13Ah, to pass the time I played a little game.
44:18A philosophical game.
44:21At the table she talked about the law of the forest,
44:24of man as an animal who should not have moral conscience.
44:28But why are you telling me this now?
44:30Well, I'm going back to his previous point to kill...
44:33Oh, sorry.
44:34To pass the time.
44:37Please sit down.
44:39I want to show you my little game.
44:45It's just to show her what a little one,
44:50there is a very small difference
44:52between an atheist like her
44:54and he is a man of faith.
44:57Look.
45:03The man is
45:07a
45:11animal
45:16unconscious.
45:19she believes.
45:22Look, look.
45:25Man is an animal
45:27unconscious.
45:28But now look how little
45:31Enough
45:31to overturn his beliefs.
45:43man is an unconscious animal.
45:47Man is a conscious animal.
46:00Why?
46:03Why man has a conscience
46:05and no mind games,
46:08no philosophical school
46:10he manages to erase it.
46:12fortunately.
46:14And luckily for him too.
46:17Yes sir, because now it seems heavy to you
46:18this luck and it is understandable.
46:21But the path she has chosen is the hardest of all.
46:26But now
46:27he's doing it.
46:29He's getting there.
46:33Everyone seeks a path to consciousness.
46:37And sometimes
46:40they are really the best
46:42who choose the most difficult, the most terrible.
46:46but then
46:48knows
46:50in an instant
46:51what was dark
46:53it reveals itself.
46:56But what?
46:59the opposite
47:01Before I had everything clear
47:03precise
47:05everything was illuminated by the light of reason.
47:09I loved Enquinto
47:11what was wrong with that.
47:13nature pushed me to love it
47:17and it's love
47:18that makes the world go round.
47:20This is true.
47:22And it was biologically right.
47:24that it became mine.
47:27I am a healthy animal.
47:29The husband
47:31it was a sick animal
47:34corrupt.
47:35She would certainly have been happier with me.
47:39We would have had beautiful children.
47:42Was all this not scientifically correct?
47:46Scientifically
47:46and why not?
47:48But...
47:49But there was the husband.
47:51But according to reason
47:52it was right to eliminate it.
47:56In any rational horse breeding
47:58would have been eliminated.
47:59Certain.
48:00It's a stable
48:01and starting from a stable
48:04you can get to the cross.
48:06We have an illustrious example.
48:08But why what seemed right to me
48:11unassailable from the first hour
48:14now it turns me on its head
48:15it makes me sweat coldly
48:17I'm suffocating here.
48:19But I told him
48:21because he is reaching the goal.
48:24You're a doctor, right?
48:26Well...
48:26It's like the agony before death.
48:30This one of his
48:31It is the last struggle before life.
48:37I wanted to kill him.
48:39But I didn't want to ruin myself.
48:43So I was waiting for the right moment
48:45for a perfect crime.
48:47It happened this morning.
48:50He himself read me the last pages of his book.
48:54The last line gave me the idea.
48:56There was a character who, when dying, said
48:59I don't know who...
49:01The phrase she knows.
49:04It was written at the top of a page.
49:08I prepared the paper on the desk
49:10cutting the quotation marks
49:11when I went to give him the sedative
49:14to make him sleep.
49:16And you want him to answer his brother-in-law from the greenhouse.
49:20So everyone would know
49:22that I had left him in good health.
49:26Then I waited for the narcotic to take effect.
49:30and see the alarm.
49:33We entered the studio together, she and I.
49:36And as she stopped to read the message
49:38as was logical
49:40I went over there
49:41and I put the dagger in his heart.
49:45Very easy.
49:46Like on the operating table.
49:51He was sleeping.
49:54All smooth.
49:57Everything closed.
50:00Finished.
50:02It wasn't me.
50:05So what happens to me now?
50:08It's not possible.
50:11There's no way she's right.
50:15Where is God?
50:17There isn't.
50:18Never seen.
50:19Where?
50:20There.
50:22Where does it hurt.
50:37I suppose she'll want to now.
50:39No.
50:41Now it's my turn to want nothing.
50:49But he will report me.
50:54Now she is well looked after
50:57and he wants me to drive the carriage
51:00when it's already in the box...
51:02him.
51:05I'd look like a gadfly.
51:21No.
51:22But it burns me.
51:23Sara explains to me.
51:39A plan.
51:45And also for the manner.
51:47And also for the manner.
51:49No.
51:50But like a thing.
51:58Thank you all.
52:48Thank you all.
53:17Thank you all.
53:30Thank you all.
53:58Thank you all.
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