India's Best Dancer Season.5 Episode.3 13 June 2026 Next Episode Join Telegram Channel👇

My Telegram Channel TvFanClub

My WhatsApp No. 👉 +919729781775 Next Episode👇👇 👇 👇 https://Telegram.me/TVFanClub #Today #Episode #Drama #Tvshow #Tvepisode #Indianshow #realityshow #ZeeTV #SonyTV #ColorsTV #StarPlus #jiohotstar #jioTV

Transcript

00:00:28Bollywood has been in the 40s of Bollywood's 20th century.

00:00:30It's a money duck duck girl the queen

00:01:05My god, I'll tell you why this is so happy

00:01:09Because this is the 5th season of IBD, and you know the first time, how much time did you put

00:01:14it?

00:01:14No, I really wanted to come here

00:01:16Because here is Terence, Javed, Gita Maa and my favourite co-actor

00:01:23She was very beautiful Karishma

00:01:26I wanted to come here

00:01:28But as I know, this is the dance of India

00:01:33So I thought you will go

00:01:34Come on

00:01:37Ma'am, you know, whenever a star comes to promoting a film here

00:01:41We make her special

00:01:44We dance

00:01:44We give tribute to her

00:01:47So, today, it means that she won't be a mother

00:01:50She won't do the right thing

00:01:59This film is really great

00:02:00It's a dark comedy

00:02:02And a mother and her two daughters

00:02:04It means that it means that it's a very dysfunctional family

00:02:08And it's a pain in the house

00:02:10And she calls her two daughters to help me

00:02:14And they come

00:02:15And that's what happens after her

00:02:17But we always say something in this film

00:02:19So you will see it's amazing

00:02:21It's very funny

00:02:23Sure

00:02:25Ma'am, your name is Rekha

00:02:27Your two daughters' names are Jaya and Shushma

00:02:29Yes

00:02:30Where are they?

00:02:31They are coming

00:02:32They are always coming

00:02:34My son

00:02:34I feel like they are making a reel

00:02:36And the other one

00:02:37I don't know what

00:02:38They are always busy with their family

00:02:41They are always busy with their family

00:02:43They are always busy

00:02:43I don't have time for them

00:02:44I don't have time for them

00:02:44No, I don't have time for them

00:02:45We have time for them

00:02:46Ma'am, their film has been released on OTT

00:02:49And it's a very great film

00:02:50I have seen it

00:02:53But if you haven't seen it

00:02:54Then once again

00:02:55Thank you so much

00:02:57We are so happy to have you here on India's Best Dancer Season 5

00:03:01It's going to be amazing

00:03:03I am the most excited

00:03:04Yes

00:03:05Happy to be here

00:03:16Welcome to India's Best Dancer Season 5

00:03:19Co-presented by Vimal Elaychi

00:03:24Let's go to our first contestants

00:03:28Presenting Dipali Borker with choreographer Pratikshah Sutta

00:03:35In 1993, a song came out of a song

00:03:39Who had beaten the whole country

00:03:40The songs of the song

00:03:43And the songs of the song

00:03:44And the songs of the song

00:03:45Come on to the shooting

00:03:46And open the steps of memories

00:03:54Viewers

00:03:55I just want to cry

00:03:57On the wings

00:03:58Oh my God

00:04:01It's like

00:04:02Sudhaj Dindi

00:04:03It's like

00:04:04Sudhaj Ji

00:04:05To be sure

00:04:06You are not going to cry

00:04:12How it's going to be

00:04:14This song

00:04:18Oh my God

00:04:19Yes, Sarojji.

00:04:20Let's go, let's go.

00:04:21Shot ready.

00:04:23Hey, girl.

00:04:24Go on.

00:04:25Full pose.

00:04:26One, two, three, four.

00:04:30Oh, yeah.

00:04:47What's the name?

00:04:50What's the name?

00:04:52What's the name?

00:04:53What is the love of my heart?

00:04:57My heart is my heart

00:05:02I will give my love to my friend

00:05:12Love you

00:05:15My love will be my love

00:05:25Cut, cut, cut!

00:05:28What are you doing?

00:05:29Saroj ji, will you show me one more time?

00:05:34Whatever you want to make, whatever you want to make

00:05:38What should I do, what should I do?

00:05:44Hi, Chori!

00:05:47Yeah, master ji!

00:06:00Nice!

00:06:03Nice!

00:06:14MD, now I need something like this

00:06:17Jumre ka Jumro Banja

00:06:19Jumre ka Jumro

00:06:21Kach kach

00:06:21Payal ka Jumro Banja

00:06:24Payal ka Jumro

00:06:25Chach chach

00:06:26Mere salami kar le

00:06:28Mere hulami kar le

00:06:31Chach chach

00:06:31Ooga tu ooga

00:06:33Koi wadashah

00:06:36Wadashah

00:06:37Ooga jah

00:06:43Kya baat hai maduri?

00:06:45Wah!

00:06:48MB, aag se yaga na tere naam se jana jayega

00:06:51Mere naam se sahi, pard sab se zyada aapke kaam se

00:06:57Cholhi ka pichhe kya hai chunrhi ka neeche

00:07:01Oh, cholhi me dhil hai mera

00:07:03Cholhi me dhil hai mera

00:07:05Cholhi me dhil hai mera

00:07:17Cholhi me dhol live

00:07:19Cholhi me dhil hai mera

00:07:22Cholhi me dhil hai mera

00:07:24Cholhi me dhil hai mera

00:07:28Cholhi me dhil ha mera

00:07:40Man�aga ja שолн��이

00:07:47Wow man, what a deal, what a deal, what a deal, oh my God.

00:07:57And Pratikshan has done so well, damn, and I'm looking forward to the feeling so good.

00:08:09Dipali and Pratikshan, my God.

00:08:11You took me to the set.

00:08:14And Saro Ji's memory came today.

00:08:16It was amazing what you both did.

00:08:19And I was watching my shooting.

00:08:23You also added a lot of nostalgia.

00:08:26Like Subhaj Ji is coming and telling you what to do, how to do it.

00:08:30The small moments you have done, the small expressions.

00:08:35Amazing, it was so good.

00:08:38And it was so seamless.

00:08:39It didn't feel like effort.

00:08:42Effortless.

00:09:37Thank you so much.

00:09:41Very, very, very good.

00:09:44The small packet, the big one.

00:09:46Amazing.

00:09:47Just, just call me.

00:09:50I don't know, I was so overwhelmed with your performance.

00:09:53And I would come and say, I would love to hug you.

00:09:56I love all of you.

00:09:57I love all of you.

00:10:01I love all of you.

00:10:15That's what she was doing there.

00:10:37Even our hand.

00:10:40How many positions do we have to do?

00:10:45I don't know why I'm getting over.

00:10:47I've never worked with Sarojji in life.

00:10:50But I felt like she was here, she was present.

00:11:00And Pratiksha, thank you for not making it caricaturish.

00:11:04Sometimes we play the character,

00:11:06but we take it to a different level.

00:11:08You kept it simple, you kept it good, and you kept it authentic.

00:11:12This was very good. Thank you.

00:11:18I didn't think about Dipali,

00:11:21that, besides Madhuri Ma'am,

00:11:24there will never be a good performance.

00:11:28But today, your dance was so big.

00:11:33It was so big.

00:11:36And it gave such a good performance.

00:11:39I can't believe that you did it.

00:11:42Now, I'm looking at Dipali suddenly.

00:11:43I swear, I saw two people.

00:11:47I saw Madhuri Ma'am, and I saw Sarojji on stage.

00:11:51This is India's dance.

00:11:52This is Bollywood.

00:11:53This is our culture.

00:11:54This is our authenticity of dance.

00:11:59Madhuri Ma'am, thank you for doing this, the way you performed it.

00:12:04And I don't think anybody, anybody has done certain songs the way you have done them.

00:12:10It's a big compliment coming from you.

00:12:14Dipali, you were smooth, you were sensual, you were scintillating, you were smashing.

00:12:21Thank you, sir.

00:12:23Thank you, Simhu.

00:12:25I'm also feeling very overwhelmed.

00:12:27Because we are celebrating MDG, I need to tell her this story,

00:12:31which I've never told her till today.

00:12:33And I don't think anyone knows.

00:12:35Sarojji was my teacher and my guru.

00:12:38And she taught me MDG's songs, which was Tammah Tammah Logan.

00:12:45Wow.

00:12:45She used to teach me.

00:12:47And I've never taught the steps that I've taught.

00:12:50Oh, sir.

00:12:52Do it again.

00:12:54If it's a mistake, you can see it again.

00:12:57So, we used to learn stamina and grit and determination.

00:13:01So, such a beautiful tribute for MDG and Sarojji.

00:13:06The hearts of Lolo love.

00:13:11Hey, thank you, ma'am.

00:13:15Thank you, ma'am.

00:13:18And let's sing it in the day.

00:13:22Thank you, ma'am.

00:13:24Thank you, sir.

00:13:26Thank you, sir.

00:13:27Thank you, sir.

00:13:29Thank you, sir.

00:13:32Thank you, sir.

00:13:36India, India's best dancer

00:13:40How to do a country of God

00:13:43India, India's best dancer

00:13:47Give me real, so much more

00:13:53India's best dancer

00:13:56When I was not sure how to get a white man

00:13:59I am so emotional because I am a big fan

00:14:04And it was always my dream that I would perform in front of you.

00:14:09And when I'm done, I don't understand how to react.

00:14:14Today, Madhuri Ma'am has come to India's Best Dancer.

00:14:17So, I won't leave this opportunity.

00:14:19Madhuri Ma'am, you and Aishwarya Ma'am are one scene in Devdast.

00:14:24So, will you please recreate that with me?

00:14:26I will create.

00:14:30I've seen you dance so well.

00:14:32Your expressions were so good.

00:14:34Yes, I will do it.

00:14:36Thank you so much.

00:14:37God bless.

00:14:55Three, two, one, and action.

00:15:02What a strange thing.

00:15:05Which people who are born in Devdast,

00:15:07they are the ones who are born in Devdast.

00:15:12What can they do to us?

00:15:19Can they give us love?

00:15:21Can they give us love?

00:15:22Can they give us love?

00:15:23Can they give us love?

00:15:25Can they give us love?

00:15:27No.

00:15:29You can't do it.

00:15:30You can't do it.

00:15:33You can't do it.

00:15:35You can't do it.

00:15:35And we can't give you the Devdast.

00:15:37But we will take them from here.

00:15:43We will take them from here.

00:15:55Don't say anything.

00:15:57Don't say anything.

00:15:57It's not a husband's wife.

00:16:04There is no husband's wife.

00:16:07It's not a husband,

00:16:07he's just a husband's wife.

00:16:10But now,

00:16:10It's a woman.

00:16:12The case is worse.

00:16:12The wife is worse.

00:16:13We will see a wife.

00:16:13No.

00:16:13The wife is worse.

00:16:13Ms.

00:16:19Nidhiyin.

00:16:20The wife is worse.

00:16:23The wife is worse.

00:16:25The wife is worse.

00:16:38Thank you so much.

00:16:40Thank you so much.

00:16:45Very good.

00:16:46But there's a lot of pressure.

00:16:48We all have goosebumps.

00:16:51Please.

00:17:01Sorry guys.

00:17:03Hello?

00:17:04What are you talking about?

00:17:10Rekha Ji's daughter Jaya and Shushma are coming.

00:17:15Give them a minute.

00:17:16Give them a minute.

00:17:17Give them a minute.

00:17:18Give them a minute.

00:17:19Give them a minute.

00:17:23Kala, Animal, Laila Majlou, Bhol Bholaiyathri, Ma, Behen, Jessie.

00:17:28Film of the talented actress.

00:17:29Multiple awards.

00:17:30Sammali, Tripti, Dimri.

00:17:32And social media sensation content creator.

00:17:34Very talented.

00:17:35Dharna Durga.

00:17:52Dharna sis, how are you doing?

00:17:53They were so amazing.

00:17:55Look at all, I am very excited and happy.

00:17:58I'm feeling happy.

00:17:59How are you?

00:18:00It's very big.

00:18:02And I'm seeing that someone is here before.

00:18:11What happened? Why are you talking about it before?

00:18:13Because he told us a wrong time.

00:18:18And he was sitting here before.

00:18:20We're seeing what's going on here.

00:18:24They told us that these girls are making real, make-up,

00:18:28they're making time.

00:18:29They don't listen to me.

00:18:30What did I tell you?

00:18:32Why did you say that?

00:18:35Why not?

00:18:36So you're always busy.

00:18:38We're busy.

00:18:40This is an Influenza.

00:18:42Influenza.

00:18:43Influenza?

00:18:45Yes.

00:18:45Whatever.

00:18:50I'm getting ready.

00:18:50Look this stadium is for your home.

00:18:53You can do something different here...

00:18:55and dance here.

00:18:57So, even here in India's best dancers?

00:19:00What do you feel like in India?

00:19:02How are we?

00:19:04Best Bara?

00:19:05Very good.

00:19:07Have you seen this show on TV?

00:19:08Of course.

00:19:09Who's your favorite contestant?

00:19:11Anshika.

00:19:13Anshika!

00:19:14Oh, my God!

00:19:15Wow.

00:19:18What's up?

00:19:19What's up?

00:19:21Archika!

00:19:22What's up? How did she get up?

00:19:24Archika has given up and up and up and down.

00:19:33Oh my God. She's gently.

00:19:37Give me more than a few thousand. Please.

00:19:40Gher ke betho hai amare.

00:19:41Let's see all these.

00:19:53Let's present the first hair loss.

00:19:57The boss of the dance.

00:19:58Rituraj Vijay Mahalim with choreographer.

00:20:01Vivek Chachere.

00:20:03One has hair, one has hair.

00:20:08Vivek Chachere.

00:20:10Judges, as Rituraj's choreographer was Vaibhav.

00:20:13But Vaibhav won't be able to continue with Vaibhav.

00:20:17And that's why Vivek Chachere will choreograph with Rituraj.

00:20:21Welcome.

00:20:22All the best to both of you.

00:20:24Thank you, ma'am.

00:20:29ले कहानी है देवदास की उससाкий नवयली की.

00:20:35कहते हैं उस हविली में आज भी पारो और चंत्रमुकी की आत्मा नाजती रहती है।

00:20:48Hey, brother, you know, the pictures in this area,

00:20:52their price is in the croods, in the croods.

00:20:56And in the croods, it's only our fault.

00:21:01Is it right?

00:21:01Let's go.

00:21:04Hey, brother, there are pictures.

00:21:07What do you mean?

00:21:08There will be money.

00:21:11Hey, dollar, dollar, dollar, dollar, dollar, dollar.

00:21:19Oh, my God.

00:21:29Oh, my God.

00:21:32Oh, my God.

00:21:35Oh, my God.

00:21:37Oh, my God.

00:21:40Oh, oh, oh, oh, oh, oh, oh.

00:22:12Oh, oh, oh, oh.

00:22:22Oh, oh, oh, oh, oh, oh.

00:22:49Oh, oh, oh, oh, oh, oh.

00:23:16Oh, oh, oh, oh.

00:23:26Oh, oh, oh, oh.

00:23:46Oh, oh, oh, oh, oh, oh.

00:24:03Amazing, amazing.

00:24:07I've seen such a take on Dola Re Dola.

00:24:10The timing of Kamal, the chemistry of Kamal.

00:24:17The sync of Kamal.

00:24:19The humor of Kamal.

00:24:28Everything was amazing.

00:24:29I mean, 100 out of 10.

00:24:32It was so, so, so good.

00:24:34Thank you so much.

00:24:35I was mesmerized, really.

00:24:38The soul comes and then comes out.

00:24:40Please, let me leave.

00:24:43No.

00:24:44Then what you did, you did.

00:24:48So, all the Dola Re Dola,

00:24:52the graceful,

00:24:55that,

00:24:55that's all,

00:24:57it took me out,

00:24:57then he comes out.

00:24:58Fit.

00:24:59If I go home,

00:25:00this will only be a Dola Re Dola.

00:25:04And what I think,

00:25:05I've seen so many people

00:25:06by Dola Re Dola,

00:25:09even men,

00:25:11in competitions and so on.

00:25:12But whatever moment you did, it was the best that I have seen.

00:25:17Any match.

00:25:20Whatever way you are, body structure-wise.

00:25:23The world tells you,

00:25:25and you think,

00:25:27what will you do in the dance?

00:25:30And you also have seen and thought,

00:25:32you will see what will you do.

00:25:35And this is what you have done today.

00:25:38Whatever way you performed,

00:25:39for that.

00:25:41Salute and thank you so much.

00:25:44This is what I call a Jumeishwari performance.

00:25:49Thank you so much, sir.

00:25:51Thank you so much.

00:25:53Ituraj, you only adapted a guru.

00:25:57You adapted your dance style.

00:25:59This is challenging for you.

00:26:01This is the second week.

00:26:02You performed with someone else.

00:26:03You performed with someone else.

00:26:05No one loves us.

00:26:07No one loves us.

00:26:07Today, you performed with someone else.

00:26:09You met a new guru.

00:26:11Well done on that.

00:26:12I am very proud of you for doing that.

00:26:14Thank you, ma.

00:26:18I love you.

00:26:20I love you.

00:26:20God bless you.

00:26:21I love you.

00:26:22Love you, ma.

00:26:22I love you.

00:26:23This was a very nice performance.

00:26:26This was a very nice performance.

00:26:28This was a very nice performance.

00:26:29And it became...

00:26:30Sorry, guys.

00:26:31Let's go.

00:26:32Go, go, go, go.

00:26:38Let's go.

00:26:44Go, go, go, go.

00:26:45Let's go.

00:26:46Go, go, go, go.

00:26:49Go, go, go, go, go!

00:26:51Go, go, go.

00:26:52Thank you so much.

00:26:58Please call me.

00:26:58Looks good.

00:26:58Go, go, go, go.

00:27:00I'll be our best at all.

00:27:07Tripti ji, what do you want to say?

00:27:08It was a great performance.

00:27:10The chemistry was very good.

00:27:12The expressions were on point.

00:27:14It was fully entertaining.

00:27:16I had a lot of fun.

00:27:18I enjoyed it.

00:27:19I enjoyed it.

00:27:20Thank you so much.

00:27:21Thank you so much.

00:27:22Thank you so much.

00:27:24My question is,

00:27:26I have come to my mother and I have asked myself.

00:27:29I will ask myself.

00:27:30Ma'am, how difficult was Dhak Dhak song for you to perform?

00:27:34Yeah.

00:27:35Dhak Dhak?

00:27:36This song was added last minute to the film.

00:27:39And I had to go for the other shooting.

00:27:42Correct.

00:27:43So Indu ji said to me,

00:27:44I have to go for this song because the film is going to be released.

00:27:47And I have to add this song.

00:27:49So I said, okay, we would do it in two shifts.

00:27:52I will do it for you.

00:27:54We were shooting at 7 to 2.

00:27:56Okay.

00:27:56And the first day when Baba, the cameraman, Baba Azmi,

00:28:01I said, okay, I have to go for the other set.

00:28:03They were all wearing the colors.

00:28:06They were all wearing the colors.

00:28:08They were all wearing the colors.

00:28:08So I said, what is it?

00:28:09I have to remove this.

00:28:10I don't need this.

00:28:12I have to go for it.

00:28:13So I went to half shift and just clearing everything out.

00:28:15He said, just paint everything.

00:28:17You know, browns.

00:28:17Rustic.

00:28:19Rustic.

00:28:19Yeah, rustic.

00:28:20Yeah, do it.

00:28:21And put a little hayway and I will fill it with the lighting.

00:28:24So it was half day waste.

00:28:26So what are we going to do?

00:28:28So Saro ji and all of us had a group meeting.

00:28:31Saro ji said, but if I say, take okay,

00:28:34then you will not say one more.

00:28:36Oh, wow.

00:28:37You say, okay.

00:28:38Trust me, she said.

00:28:40So we said, okay.

00:28:41No one more, Anil ji.

00:28:46So Anil ji said, no.

00:28:47We have to finish this song.

00:28:48Let's do it.

00:28:50So this song has been shot like this.

00:28:52Start sound.

00:28:53Camera.

00:28:53Action.

00:28:54Okay, next.

00:28:55Okay, next.

00:28:56This song has been shot.

00:28:57And we finished three and a half nights in three nights.

00:29:01And this song has been shot quickly, quickly.

00:29:04Superb.

00:29:05So sometimes every song has a destiny.

00:29:08And is our destiny good if we say,

00:29:10please, please, please, for you, I'm going to.

00:29:16I love you.

00:29:16All of us.

00:29:17Yes.

00:29:18All of us.

00:29:19All of us.

00:29:20Oh, perfect.

00:29:27Look, I'm going to do this song.

00:29:29But with them, the pain of my heart is my two daughters.

00:29:36Because in this film,

00:29:37my mother-in-law has made us a different song.

00:29:40So I also want to be with them.

00:29:43Kiss out.

00:29:44Whoo!

00:29:49Whoo!

00:29:50Oh, hey,

00:29:51Dhas, dhas, dhas,

00:29:53Dhani nilada

00:29:53Hamura,

00:29:55Jhara,

00:29:56Dhani nilada

00:29:57Ory,

00:29:58Dhas, dhas,

00:29:59Dhani nilada

00:30:01Hamura,

00:30:02Jhara,

00:30:03Dhani nilada

00:30:04Say,

00:30:33This magic

00:30:36Magic that you create

00:30:39It's so subtle and so complete

00:30:42This is pure magic ma'am

00:30:44I don't know how you've been doing it for years

00:30:46Thank you so much

00:30:47Thank you so much ma'am

00:30:50Thank you so much

00:31:06I don't know how you've been doing it for years

00:31:10I don't know how you've been doing it for years

00:31:15I don't know how you've been doing it for years

00:31:34I don't know how you've been doing it for years

00:31:38I don't know how you've been doing it for years

00:31:46You are my heart

00:31:49What do you feel like?

00:31:53I don't know how you've been doing it for years

00:31:57I don't know how you've been doing it for years

00:32:10I don't know how you've been doing it for years

00:32:14I don't know how you've been doing it for years

00:32:15You've seen Terran sir?

00:32:16So you have a problem

00:32:17No, I'm seeing them

00:32:19I'm seeing them

00:32:20I'm seeing them

00:32:24I'm seeing them

00:32:24Presenting Shimla ki waadiyo ki shahzadi

00:32:27Vaidehi with choreographer

00:32:29Haakas Thapa

00:32:50Hakiya Mela Okapi

00:33:11Akiya Mela Okapi

00:35:58Amazing.

00:35:59Amazing.

00:36:00Fantastic footwork.

00:36:01Fabulous chemistry.

00:36:33So, for both of you.

00:36:39What I really love, I'll quickly say Akash, that you kept the hook steps and especially you made Vaidehi do

00:36:49the iconic expressions of MDG.

00:36:52So, excellent, amazing, quickly, low low loud.

00:36:57Thank you so much.

00:36:59Thank you so much.

00:37:00I have a big request, MDG, for those of you.

00:37:03And especially for me, can you do that expression here?

00:37:07Oh, my God.

00:37:08Oh, my God.

00:37:08Can you play that music and make MDG bigger?

00:37:12Please.

00:37:13Oh, my God.

00:37:14One of my favorites.

00:37:15Okay.

00:37:19This one is for you, Karish.

00:37:21Yes.

00:37:23This one is for you.

00:37:24I have to do my exam.

00:37:26I have to do my exam.

00:37:27You have to do my exam.

00:37:28You have to do my exam.

00:37:45My test.

00:37:51Oh.

00:37:52You have to do my exam.

00:37:54Oh, my God.

00:38:02Oh, my God.

00:38:05Oh, my God.

00:38:06Crazy, really.

00:38:07Oh, my God.

00:38:10Do we have to do my exam?

00:38:10Can we kidnap her, please?

00:38:11We don't have to do my exam with the doctor.

00:38:16Oh, my God.

00:38:20Oh.

00:38:20Oh!

00:38:22Thank you so much.

00:38:24After seeing this, I'm confused.

00:38:26Well done.

00:38:27Mind-blowing.

00:38:28Stupend of NWC.

00:38:29Fantasmagorical and magical.

00:38:30Outstanding.

00:38:31Thank you so much.

00:38:31You all are such a cute couple.

00:38:33But at the same time, you all are such fantastic dancers.

00:38:36I love you guys.

00:38:37Thank you so much.

00:38:38Thank you so much.

00:38:40I have written a lot for you.

00:38:41But I think it will be really unnecessary.

00:38:44Honestly, this was a Chumeshwari performance.

00:38:46And all I'm going to say is that

00:38:48you don't need to grow and play.

00:38:49You don't need to be able to play.

00:38:50Those who are watching,

00:38:51they will know what you are worth.

00:38:54And this was definitely one of my finest performances today.

00:38:58Chomeki Jodi, Salamat.

00:39:00Thank you, sir.

00:39:02Jaji Zabakta, scores.

00:39:05Thank you so much.

00:39:19Jaji Zabakta says that any actor changes a film.

00:39:23But Madhuri Ma'am is a film that changed Bollywood.

00:39:27That film was Teezaab.

00:39:28Teezaab is the film that made Madhuri Ma'am a superstar.

00:39:32This is the film that,

00:39:34which, after Madhuri Ma'am's house,

00:39:35directors, producers,

00:39:37and theaters,

00:39:37had a line of public.

00:39:39But this film's real victory was that

00:39:41there was no category of best choreographer in the film fair award.

00:39:45But Teezaab's iconic songs,

00:39:47one, two, three,

00:39:48choreographies,

00:39:49and Madhuri Ma'am's performance,

00:39:51Film Fair has introduced the first time

00:39:52best choreographer's award.

00:39:55Nice.

00:39:55Jaji Zabakta, scores.

00:39:56And with this film,

00:39:57we're going to come to this film.

00:40:01Teezaab's director,

00:40:02the legendary N. Chandra.

00:40:23Namaskar.

00:40:24Namaskar.

00:40:25Say, what will you listen to?

00:40:28Tell me, what did you say before?

00:40:31I was waiting for someone.

00:40:34Who is that?

00:40:35That?

00:40:36I love my love.

00:40:44My surprise.

00:40:46My God, this is the biggest surprise for me.

00:40:49Amazing.

00:40:50These are my directors,

00:40:52who made Teezaab.

00:40:53who made Teezaab.

00:40:54And, of course,

00:40:56when I acted in that film,

00:40:57the rest is history.

00:40:58Thank you very much.

00:41:25Yeah, that's true.

00:41:59He looked after me like I was his daughter, you know,

00:42:02really, you treated me so beautifully.

00:42:06I would like to show him what he can do, what he can do.

00:42:10I would like to show him what he can do.

00:42:20So, when I was talking to you,

00:42:23my first and last choice was the other one.

00:42:27No one would like to know.

00:42:31Luckily, it was the hero of Anil Kapoor,

00:42:34and his secretary, Rakesh Nat,

00:42:36which was his secretary.

00:42:39So, it was very easy to match dates.

00:42:46We were here,

00:42:47and we had the greatest effort in this song.

00:42:52One, two, three.

00:42:54For the most, one, two, three.

00:42:56Now, where we dance,

00:42:59how many days did Rakesh Nat?

00:43:02Three, four days?

00:43:04Four days?

00:43:05Four days.

00:43:05Three, four days.

00:43:07Wow.

00:43:08Wow.

00:43:10That's why it's easy.

00:43:13It's the most difficult.

00:43:15The effort will be natural.

00:43:19So, one step was 30 days.

00:43:23And then, the step was the step in his body.

00:43:27And then, the step was the entire Hinduist's body.

00:43:30Wow.

00:43:33Wow.

00:43:34Wow.

00:43:34And today, we will request,

00:43:36that we perform this song in front of you.

00:43:40And you sit and see.

00:43:42Come on.

00:43:49Presenting Prathmesh Mane with choreographer Tushar Shetir.

00:44:00Nice.

00:44:02Nice.

00:44:04Nice.

00:44:04You tell me what you will listen.

00:44:06Let me tell you first who you are.

00:44:10We are the biggest fans.

00:44:14And today, we will dance on world-famous songs

00:44:16dance.

00:44:17How?

00:44:18This!

00:44:55How?

00:45:13Oh!

00:45:20Oh

00:45:44Oh

00:46:14Oh

00:46:45Oh

00:46:49Oh

00:46:57Man

00:46:57Sare to kar liye lekin aaj mujhe yaan pe meray gaano ke alag-alag roop dikhre

00:47:03Ek different way se jo gaana prastut kiya apne

00:47:07It was so full of energy

00:47:09Matlap aap log energizer bunnies lag rahe the aigdem

00:47:12whose battery has never been finished.

00:47:14Your expressions,

00:47:16which you have done here,

00:47:18which you have done,

00:47:19amazing.

00:47:22The choreography was different.

00:47:25I got a different choreography.

00:47:26I made different songs,

00:47:27which you incorporated,

00:47:29and all the rest.

00:47:31It was very good.

00:47:33It was spunk.

00:47:34There were some delicate moments

00:47:37which were very good.

00:47:38So, you have won my heart.

00:47:40Thank you so much for doing this.

00:47:44This is my heart.

00:47:46I will give you this.

00:47:59I remember an iconic song,

00:48:01which N. Chandra Ji

00:48:03wrote in his film,

00:48:06which was a song in his film.

00:48:08The first time I listened to it,

00:48:09it was strange.

00:48:11It is a song,

00:48:13one, two, three.

00:48:14I thought, how is this song?

00:48:16Then, when I started practicing it,

00:48:19it started growing on me.

00:48:23When we started shooting,

00:48:25it was a big set.

00:48:28Every section was different,

00:48:29and I had to dance on it.

00:48:31And Saro Ji told me,

00:48:33you do classical,

00:48:34but how do you dance in Bollywood?

00:48:37You have to rehearse.

00:48:38I used to dance on stage.

00:48:40I used to dance.

00:48:41I used to dance.

00:48:51I used to dance on stage.

00:49:08I got a house full, so I got a seat in front of me.

00:49:13So I, my mother and my sister,

00:49:16all went and sat down with a gurkha.

00:49:18Like this song, so many coins

00:49:21people are throwing behind me,

00:49:22and they're falling down there.

00:49:25Because we're getting hit with all the coins.

00:49:29And till today, of course,

00:49:31people know me as 1, 2, 3.

00:49:34Wow.

00:49:38I want to ask you, N. Chandra, sir,

00:49:41how did you perform your song?

00:49:44I think it was a great energy.

00:49:47So I'm thinking,

00:49:49what was the song I had put in my own film?

00:49:52How much was it?

00:49:53No, no.

00:49:54It was a lot more.

00:49:56So I think they lived up to it.

00:49:59And the energy of the song,

00:50:01the nuances of the song,

00:50:04the speed of the song.

00:50:06the song that was shot,

00:50:08the speed of the song.

00:50:09So I didn't think that

00:50:10that song could be shot in speed.

00:50:12But they've done it great.

00:50:14Thank you so much, sir.

00:50:19I heard something too.

00:50:20No, don't.

00:50:22For me,

00:50:25I'm a big fan of Madara's name.

00:50:27But I'm a big fan of Tripathi's name.

00:50:29I've seen you before

00:50:30I've met you with me

00:50:35I've seen you before

00:50:38I've seen you before

00:50:41Oh!

00:50:44That's the thing!

00:50:48I'm telling you first of all

00:50:51I've seen a lot of movies

00:50:53I've seen a lot of movies

00:50:56My indie is a little problem

00:50:57But

00:51:01I've seen Leila Muznu

00:51:04Leila Muznu

00:51:06When I saw that movie

00:51:08Then I'll stop

00:51:11Stop

00:51:14Then I

00:51:18I've become your Muznu

00:51:19One girl

00:51:20Don't go away

00:51:22I

00:51:34I

00:51:35I

00:51:37I

00:51:47Joe

00:51:52I

00:51:54I

00:51:55I

00:51:57I

00:51:58I

00:52:02I

00:52:03I

00:52:08I

00:52:11I

00:52:13I

00:52:14I

00:52:16I

00:52:17I

00:52:18I

00:52:20I

00:52:21I

00:52:22I

00:52:23I

00:52:24I

00:52:27I

00:52:30I

00:52:37I

00:52:38I

00:52:42I

00:52:43I

00:52:44I

00:52:45I

00:52:46I

00:52:52I

00:52:53I

00:52:55I

00:52:56I

00:52:57I

00:52:58I

00:52:59I

00:53:01I

00:53:03I

00:53:04I

00:53:06I

00:53:08I

00:53:09I

00:53:12I

00:53:13I

00:53:15I

00:53:27I

00:53:28I

00:53:29I

00:53:30I

00:53:31I

00:53:32I

00:53:33I

00:53:42I

00:53:53I

00:53:54I

00:53:55I

00:53:56I

00:53:57I

00:54:09I

00:54:10I

00:54:11I

00:54:12I

00:54:14I

00:54:15I

00:54:18I

00:54:19I

00:54:29I

00:54:30I

00:54:33I

00:54:35I

00:54:37I

00:54:39I

00:54:41I

00:54:43I

00:54:45I

00:54:56I

00:54:57I

00:54:59I

00:55:01I

00:55:10I

00:55:12I

00:55:15I

00:55:24I

00:55:26I

00:55:27I

00:55:30I

00:55:32I

00:55:34I

00:55:36I

00:55:38I

00:55:39I

00:55:43I

00:55:46I

00:55:47I

00:55:49I

00:55:55I

00:56:03I

00:56:08I

00:56:09I

00:56:23I

00:56:25I

00:56:26I

00:56:27I

00:56:28I

00:56:33I

00:56:35I

00:56:36I

00:56:45I

00:56:46I

00:56:48I

00:56:49I

00:56:50I

00:56:54I

00:56:55I

00:56:56I

00:56:57I

00:56:58I

00:57:08I

00:57:09I

00:57:10I

00:57:11I

00:57:12I

00:57:20I

00:57:21I

00:57:23I

00:57:24I

00:57:35I

00:57:36I

00:57:37I

00:57:38I

00:57:44I

00:57:45I

00:57:54I

00:57:55I

00:58:00I

00:58:01I

00:58:02I

00:58:03I

00:58:04I

00:58:07I

00:58:17I

00:58:18I

00:58:19I

00:58:20I

00:58:21I

00:58:34I

00:58:36I

00:58:45I

00:58:46I

00:58:54I

00:58:55I

00:58:59I

00:59:00I

00:59:06I

00:59:10I

00:59:11I

00:59:12I

00:59:14I

00:59:17I

00:59:19I

00:59:24I

00:59:26I

00:59:30I

00:59:32I

00:59:44I

00:59:48I

00:59:49I

00:59:50I

01:00:00I

01:00:03I

01:00:04I

01:00:16I

01:00:19I

01:00:20I

01:00:26I

01:00:27I

01:00:28I

01:00:31I

01:00:32I

01:00:34I

01:00:41I

01:00:42I

01:00:43I

01:00:44I

01:00:46I

01:00:48I

01:00:57I

01:00:58I

01:00:59I

01:01:01I

01:01:02I

01:01:03I

01:01:08I

01:01:10I

01:01:12I

01:01:13I

01:01:15I

01:01:17I

01:01:19I

01:01:21I

01:01:22I

01:01:23I

01:01:24I

01:01:25I

01:01:27I

01:01:28I

01:01:29I

01:01:30I

01:01:31I

01:01:32I

01:01:33I

01:01:35I

01:01:36I

01:01:37I

01:01:38I

01:01:41I

01:01:42I

01:01:43I

01:01:44I

01:01:46I

01:01:52I

01:01:53I

01:01:55I

01:01:57I

01:01:58I

01:02:08I

01:02:10I

01:02:11I

01:02:12I

01:02:15I

01:02:16I

01:02:26I

01:02:27I

01:02:32I

01:02:33I

01:02:34I

01:02:36I

01:02:38I

01:02:40I

01:02:48I

01:02:52I

01:02:53I

01:02:54I

01:02:55I

01:02:56I

01:02:58I

01:03:03I

01:03:06I

01:03:07I

01:03:08I

01:03:16I

01:03:17I

01:03:27I

01:03:28I

01:03:29I

01:03:30I

01:03:32I

01:03:33I

01:03:36I

01:03:41I

01:03:42I

01:03:43I

01:03:44I

01:03:49I

01:03:59I

01:04:00I

01:04:02I

01:04:03I

01:04:15I

01:04:16I

01:04:20I

01:04:24I

01:04:26I

01:04:28I

01:04:30I

01:04:33I

01:04:34I

01:04:36I

01:04:39I

01:04:40I

01:04:41I

01:04:43I

01:04:44I

01:04:45I

01:04:46I

01:04:47I

01:05:00I

01:05:07I

01:05:13I

01:05:14I

01:05:15I

01:05:16I

01:05:17I

01:05:18I

01:05:19I

01:05:22I

01:05:23I

01:05:24I

01:05:27I

01:05:28I

01:05:45I

01:05:46I

01:05:47I

01:05:51I

01:05:52I

01:05:59I

01:06:00I

01:06:03I

01:06:04I

01:06:06I

01:06:09I

01:06:11I

01:06:16I

01:06:17I

01:06:18I

01:06:20I

01:06:21I

01:06:28I

01:06:29I

01:06:30I

01:06:33I

01:06:36I

01:06:38I

01:06:39I

01:06:40I

01:06:45I

01:06:52I

01:06:55I

01:06:57I

01:06:58I

01:06:59I

01:07:00I

01:07:01I

01:07:12I

01:07:13I

01:07:28I

01:07:33I

01:07:34I

01:07:37I

01:07:38I

01:07:40I

01:07:41I

01:07:42I

01:08:06I

01:08:10I

01:08:12I

01:08:27I

01:08:32I

01:08:33I

01:08:35I

01:08:41I

01:08:42I

01:08:44I

01:08:45I

01:08:49I

01:08:57I

01:08:58I

01:09:15I

01:09:18I

01:09:20I

01:09:23I

01:09:24I

01:09:28I

01:09:29I

01:09:39I

01:09:40I

01:09:42I

01:09:43I

01:09:46I

01:09:53I

01:09:54I

01:09:58I

01:09:59I

01:10:01I

01:10:03I

01:10:10I

01:10:14I

01:10:15I

01:10:16I

01:10:20I

01:10:21I

01:10:23I

01:10:24I

01:10:25I

01:10:28I

01:10:35I

01:10:36I

01:10:37I

01:10:38I

01:10:41I

01:10:55I

01:10:58I

01:10:59I

01:11:00I

01:11:05My heart was so angry

01:11:06My heart was found from me

01:11:08How can I get out of my heart?

01:11:12My heart was so angry

01:11:13My heart was so angry

01:11:34Oh, my God.

01:11:37Five flowers.

01:11:39Five flowers.

01:11:45Violent.

01:11:46Violent love-story.

01:11:53Oh, ho, ho.

01:11:55There's so much tea in my songs.

01:11:56There's so much tea.

01:11:59Sizzling, fire, violent love-story.

01:12:03My goodness.

01:12:05I'm chocked.

01:12:07But chemistry was amazing.

01:12:09Thank you so much.

01:12:10I feel like in songs,

01:12:12there's always a hero and supporting.

01:12:14And romantic and supporting.

01:12:16But here, you were so active

01:12:19as the choreographer here.

01:12:23Amazing.

01:12:23You did a very good choreography.

01:12:26I don't know where it's going.

01:12:29What's happening?

01:12:30Something's happening.

01:12:31And then you come to know

01:12:32that one and the other

01:12:33means they're killed.

01:12:35And really,

01:12:36your performance was killed.

01:12:37Thank you so much.

01:12:48Thank you so much.

01:12:51Thank you so much.

01:13:06With due respect, Prince, she stole the show for me, because as a choreographer and who she interpreted the song,

01:13:14Initially, Prince, Romsha was in that whole sensual mood, you were a little harder, a little thin line.

01:13:24So I think she wanted to keep a little balance with sensuality, which Romsha has kept.

01:13:30And you went more aggressive from a dance perspective.

01:13:34So otherwise, as a choreographer, you carried it off well, towards the end, when the element changes, and that part

01:13:45really worked well.

01:13:47I loved it, and all the best, Prince, and Romsha.

01:13:51Thank you, sir.

01:13:52Judges, how are your scores?

01:13:54Here we go.

01:13:57Your total is 34.

01:14:01Thank you, sir.

01:14:05Dharna ji, we want to talk to you, your character is very interesting.

01:14:10Ma'am said, Influenza, Influenza.

01:14:12Mm-hmm.

01:14:13So what's your character?

01:14:14Influenza?

01:14:16Yes.

01:14:16He's an Influenza, but not Influenza.

01:14:19Oh, okay.

01:14:19I don't know anything about my mother.

01:14:22My mother doesn't know what she wants to do.

01:14:25Oh, oh.

01:14:27She makes real real with her.

01:14:30Oh.

01:14:32Yes.

01:14:33So, I'm going to use the hashtag for the Jiju.

01:14:36My daughter is very angry.

01:14:39I make videos with Jiju.

01:14:43But what does she mean?

01:14:44She wants to make videos with me.

01:14:47Correct.

01:14:48So, Sushma is so good.

01:14:50What do you say?

01:14:51She makes her own way.

01:14:53Sushma is like my mother said, Influenza.

01:14:58Yes.

01:14:58Influenza.

01:14:59Influenza.

01:15:00Influenza.

01:15:01Influenza.

01:15:03What are you?

01:15:04Now our fight will start.

01:15:05No, no, no.

01:15:07We are really enjoying it.

01:15:08The two women are the best entertainment.

01:15:11Seriously.

01:15:12Look, this is a great film.

01:15:14It's a great film.

01:15:15We have seen it.

01:15:16And I'm sure you've also seen it.

01:15:18But if you haven't seen it,

01:15:19then just watch it.

01:15:20After this show is finished.

01:15:25Friends, we are presenting

01:15:26Russian Patron with choreographer Anuradha.

01:16:03Aapko Dekheke

01:16:06Apko Dekheke

01:16:37Oh my God

01:16:56Nice!

01:17:31Oh

01:18:05Oh

01:18:06Oh

01:18:09So

01:18:10Nice, nice, nice.

01:18:13What a difference.

01:18:16But people ask them what they want to say.

01:18:19I want to tell you this song you've made.

01:18:24Because this song doesn't exist in a lot of reality shows.

01:18:27Amazing, your chemistry is so terrific.

01:18:34When you dance, you feel like you have an energy.

01:18:37It's amazing.

01:18:39From the steps, from the steps, from the steps, from the steps, from the steps, from the steps, from the

01:18:42steps, from the stage.

01:18:44Amazing.

01:18:45Thank you, ma'am. Thank you.

01:18:47So, if I say in Rekha's character,

01:18:51then I'll say,

01:18:52what a good dance was.

01:18:54It was like a big top.

01:18:59When we were picturized this song,

01:19:01we were doing two shifts.

01:19:04So, it was being done in the second shift.

01:19:07And we came here,

01:19:09and I and Anil Ji,

01:19:09and Anil Ji's dance means that they have a lot of love.

01:19:13So, when we dance,

01:19:14oh my god,

01:19:16it was like,

01:19:17let's do it.

01:19:18It was a lot of fun when we dance.

01:19:20And the songs of this film were great.

01:19:23It was a different kind of dance.

01:19:25And there was a step.

01:19:28Staccato.

01:19:29Staccato.

01:19:30Yes.

01:19:31Staccato.

01:19:32Yes.

01:19:33So, that's it.

01:19:34And you have done a lot.

01:19:35So, congratulations.

01:19:36Thank you, ma'am.

01:19:42Your total is 32.

01:19:45Thank you, guys.

01:19:46Thank you so much.

01:19:51Maduri ma'am,

01:19:51the actor.

01:19:53Maduri dixit,

01:19:53the superstar.

01:19:54Maduri dixit,

01:19:55the dancer.

01:19:56Every world teaches you.

01:19:57But when you were not all these,

01:19:59who was Maduri dixit?

01:20:01He can know someone else.

01:20:03And they're the creepy,

01:20:03that's our present.

01:20:05Come on, ma'am.

01:20:06we have given you something for us.

01:20:07Yes.

01:20:11After being a superstar,

01:20:12we all have seen the life of Madhuri Ji.

01:20:15But come on,

01:20:16let's go to J.B. Nagar Andhiri's house,

01:20:19which has seen Madhuri Ji's childhood.

01:20:25Madhuri Ji,

01:20:27do you remember that?

01:20:28This building, this building.

01:20:30Madhuri Ji's house,

01:20:34my mother,

01:20:37do you remember that?

01:20:40There was a sofa here,

01:20:42where your family was sitting with your mother and father.

01:20:46And this is the old house,

01:20:49which they call the kapaad,

01:20:50is still in the shape of the nishani.

01:20:52This is what you remember, Madhuri Ji.

01:20:58The house,

01:20:59the most important part,

01:21:01where it was the most important thing.

01:21:04The house was the most important place.

01:21:08The house.

01:21:10This house was brought in.

01:21:11The house of the house,

01:21:12the most important part of their house,

01:21:15this building was the main task.

01:21:19Hi Madhuri, I'm Manju, I live in Yoga Indra 1, you're on the third floor, I'm on the second floor,

01:21:2611th floor.

01:21:32I remember Madhuri, this is the old Syrian, where I sit here and talk to you every night.

01:21:39And how many people in the front of the building of Gupta Aunty.

01:21:43It was fun, it was fun.

01:21:49Madhuri Ji, this is the only place where you became a star.

01:21:54There was a very super-hit film, Ram Lakhan.

01:21:58When it was hit, you came to Jemini Nagar first.

01:22:04And I started that song for your support.

01:22:08And they said,

01:22:09One, two, ka, four, four, two, ka, one, my name is Lakhan.

01:22:16Today, Madhuri Dikshit Aasman Kee Unchaiyoon Koo Choo Chukie Hain.

01:22:20But their lives of this part,

01:22:22Today, they are the most close to their hearts.

01:22:25Madhuri Ji, you've just gone from Jemini Nagar.

01:22:28But Jemini Nagar's heart is still alive today.

01:22:33Oh, wonderful picture.

01:22:35That was a beautiful picture.

01:22:37A beautiful picture.

01:22:37So beautiful.

01:22:44That's a lovely picture, my love picture.

01:22:47Oh.

01:22:50There are many memories where I was growing up.

01:22:54It was a different time.

01:22:56All the neighbors were also family members.

01:22:59Everyone knew what was going on in this house.

01:23:01What was happening in this house?

01:23:03They would have to eat food in someone's house.

01:23:06Someone would come to our house.

01:23:07We would have to go to someone's house.

01:23:09We would have to go to our house.

01:23:10We would have made the potatoes.

01:23:11We would have to go to the gallery.

01:23:15We would have to go to the house.

01:23:21We would have to go to our house.

01:23:23We would have to go to the house.

01:23:23It was all of the things that we had to do.

01:23:25What was happening in everyone's house?

01:23:26What was happening?

01:23:29Those relationships were amazing.

01:23:32Those are the ones where they are missing.

01:23:33You are in such a house where you do not know

01:23:36who would be the neighbors.

01:23:37There are so many buildings.

01:23:39It is so many people there.

01:23:39So, a family atmosphere in JB Nagar was very amazing.

01:23:45I mean, my first film, Abodh, was released, we were there.

01:23:49After Teyzaab, we left there because there was no security in the building.

01:23:53So, after Teyzaab was a hit, people started coming.

01:23:58Someone came to the house, you know.

01:24:01I said, Madam has called us.

01:24:02Why has he called us?

01:24:03He said, we are going to take a goad.

01:24:04He was going to take a goad.

01:24:06He was going to take a goad.

01:24:09Then, we move on.

01:24:11But, today, when I think about JB Nagar,

01:24:13where I am growing up,

01:24:15there is a feeling of happiness.

01:24:19There is a smile.

01:24:22Maduri, Madam, are very good.

01:24:25They all know.

01:24:27But he is so good.

01:24:29One day, we were shooting, and it was my scene.

01:24:32And we had a phone call with him.

01:24:36And the sir and ma'am request,

01:24:37that you can give Tripti cues.

01:24:40I was off day.

01:24:41We were shooting in the film city.

01:24:43For two hours.

01:24:44She came just to give me cues.

01:24:46Wow.

01:24:47Wow.

01:24:50And that doesn't happen.

01:24:52Cute.

01:24:52That was very cute.

01:24:53I was so happy.

01:24:56And I think I learned a very big lesson that day.

01:24:58What a joke.

01:24:59What a joke.

01:25:00It's amazing to me.

01:25:02Amazing.

01:25:04With this, I would like to invite my sister's team

01:25:06to the stage.

01:25:08It's amazing to me.

01:25:09It's amazing to me.

01:25:15Don't mess with the cats.

01:25:18Don't mess with the cats.

01:25:20Why used this brook?

01:25:24Look out you know the rabbit grand проблема.

01:25:27There was Josh in my sight.

01:25:28I'm kidding.

01:25:29Hey!

01:25:30Don't mess with the cats.

01:25:33We bite with the ref.

01:25:35Don't mess with the cats.

01:25:37Eat like with the ref.

01:25:39Don't mess with the cats.

01:25:41Eat like with the ref.

01:25:45I am not a girl

01:25:47I am a girl who is the most beautiful girl

01:25:49I am a girl

01:25:52No love you, no love you

01:26:01Beautiful, it's like muska

01:26:04Lolo lab!

01:26:05Thank you so much ma'am

01:26:06This girl is in front of me

01:26:09This girl is in front of me

01:26:11This girl is in front of me

01:26:14My heart is in front of me

01:26:27Raja, you're crazy, you're crazy

01:26:31Raja

01:26:33Raja, you're crazy

01:26:34You're crazy

01:26:36Raja, you're crazy

01:26:38You're crazy

01:26:40Raja, you're crazy

01:26:42I am so mad

01:26:48That's pretty

01:26:50She's your favorite each time, baby, yeah.

Category

Transcript

Recommended