- 1 day ago
atch Other Plans (2014), a gripping crime comedy-drama about a struggling actor who gets caught in a dangerous world of crime, deception, and unexpected twists. As his life spirals out of control, he must make impossible choices to survive. A unique blend of humor, suspense, and drama.
Category
🎥
Short filmTranscript
00:00:09You
00:00:34Once upon a time in the city of all cities
00:00:38Nestled among towering buildings
00:00:41And streets filled with opportunity
00:00:46There lived a young woman
00:00:49Her name was Claire
00:01:11Like most heroines
00:01:13One day something very, very, very bad happened
00:01:17On that day there was no happy weather
00:01:19There was just after
00:01:27Claire
00:01:28Claire, honey
00:01:31Claire, honey, it's time
00:01:33I don't want to go
00:01:34Neither do I, but
00:01:36Mrs. Combs, I'm afraid I need you to be a king
00:01:39Can you give me a minute, please?
00:01:43It's only temporary, sweetheart
00:01:45Just until we can get back on our feet
00:01:47What about my books?
00:01:49Mrs. Combs, please
00:02:08Mommy
00:02:10Where are we going to go live now?
00:02:11I'll see you in the next couple of years
00:02:12you gotta fill my eyes
00:02:27One day
00:02:34Who��
00:02:34You know
00:02:36The one day
00:02:38My hands
00:02:38My hands
00:02:38My hands
00:02:39Erite
00:02:39One day
00:02:39Me
00:02:40weekends
00:03:01and that night
00:03:02from the ashes of her old life
00:03:05something else began
00:03:07a plan
00:03:38I'll see you soon
00:05:10According to her plan.
00:05:42Psst.
00:05:44Nathan.
00:05:58Bye.
00:06:12Hey.
00:06:14It's me.
00:06:18No, you're not acting.
00:06:20I'm not acting.
00:06:20I'm not acting.
00:06:32I'm acting.
00:06:37I'm acting.
00:06:55I'm acting.
00:07:00I'm acting.
00:07:00I'm acting.
00:07:01I'm acting.
00:07:01I'm acting.
00:07:01Oh.
00:07:34Good morning, Claire. Settling in?
00:07:38Ah, you got a window.
00:07:41And a headache. Nothing is where it's supposed to be.
00:07:44I left very specific instructions.
00:07:46All of these boxes are labeled and color-coded by drawer...
00:07:49Ooh!
00:07:51Just call maintenance and have them come take that back up.
00:07:55I can't have my future partner sitting in a broken-down chair.
00:07:58Oh, about that, I...
00:07:59All in good time.
00:08:02Got a motor?
00:08:10Oh.
00:08:14Claire?
00:08:26Claire Combs, vice president of broken things.
00:08:30I thought you were holding out for partners.
00:08:32Well, broken things used to be more of a side project, anyway.
00:08:37Please tell me your text was a joke.
00:08:39I don't think I can come.
00:08:41I wish that I could, but we are so busy with the G-A-N.
00:08:45What?
00:08:46Oh.
00:08:47The Great American Novelist.
00:08:49It's the search...
00:08:49Yeah, the search for the Great American Writer.
00:08:51I remember.
00:08:52I just cannot believe you're using it as an excuse again.
00:08:54Anyway, so how's the new view?
00:08:56Oh, we'll use a seven.
00:08:57Everything else is more like a one, but...
00:09:00What is that?
00:09:00The new partner treatment?
00:09:03While Jerry wants to wait until...
00:09:05Want until you're dead?
00:09:06Or stop asking, you know?
00:09:07He is stringing you along like a donkey with a carrot.
00:09:09Please don't call me a donkey.
00:09:11Again.
00:09:12Hello, donkey.
00:09:13This is the carrot.
00:09:14Stop following me.
00:09:16Mark.
00:09:17Okay, okay.
00:09:18We'll talk about it tonight.
00:09:19I told you, I don't think I can...
00:09:21Hey, you have not missed a Tuesday dinner in five years, and you are not starting now.
00:09:39What are you doing?
00:09:41You're not leaving.
00:09:42You can't leave.
00:09:43I'm up to my neck in here today.
00:09:45I'm sorry it's so short notice.
00:09:47Short notice?
00:09:47Two days is short notice.
00:09:49Two hours is spot on the unemployment line.
00:09:52Okay, well, do what you have to do.
00:09:53Alright?
00:09:54You're gonna throw your job away for a hobby.
00:09:58A hobby?
00:09:59I buzz my butt for seven days a week for the last four years coming in here.
00:10:04And then at night I go home to this hobby.
00:10:06Sometimes till three or four in the morning.
00:10:08And now I have a real chance to make all that mean something.
00:10:12When the new school calls and tells you to drop everything for a chance to meet the dean
00:10:16to be accepted to their writing program, I'm gonna drop everything and I'm gonna meet the dean.
00:10:20Look Nathan, I like you.
00:10:22You're a good kid.
00:10:25But aren't you a little too old for this?
00:10:29For what?
00:10:30I'm a kid or I'm old?
00:10:31Tell me.
00:10:32For this.
00:10:34This fantasy stuff.
00:10:35World famous writer guy.
00:10:37I mean sooner or later you gotta face facts.
00:10:43Maybe so.
00:10:44Not today.
00:10:46Wait!
00:10:48Wait!
00:10:49Oh no.
00:10:50No, no.
00:10:52Maintenance.
00:10:53Yes sir.
00:10:55I'll send someone up right away.
00:10:59You're up kid.
00:11:00I can't.
00:11:02So you're gonna leave me high and dry for God knows how long and you can't do this one
00:11:06little thing before you go.
00:11:09Fine.
00:11:09I'll do it, okay?
00:11:16You know I said I would do it.
00:11:17You don't have to follow me that close.
00:11:19Before you go?
00:11:21Before I go, I will do it.
00:11:23Before I go, I will do it.
00:11:25Listen.
00:11:25Listen.
00:11:26You may not realize it right now, but I'm protecting your future.
00:11:31Not everybody could be, uh, Harper Collins, okay?
00:11:36You can have a full back.
00:11:47Did Louis Lamont RSVP to our launch party?
00:11:50Not yet.
00:11:52What?
00:11:53The Queen of Page Six received an invitation to our launch party, right?
00:11:57Not yet.
00:11:58What?
00:12:00Look, Claire, if we don't get Page Six-
00:12:02We'll get Page Seven.
00:12:05Everything is going to be fine.
00:12:07I will hand deliver an invitation to him this afternoon.
00:12:10I had them here.
00:12:12Someone must have moved them.
00:12:14I-
00:12:14Claire.
00:12:17I'll find them.
00:12:18Don't worry.
00:12:27Oh, and word is Russell Hazelton is backpacking through the jungles of Manhattan today.
00:12:34So don't be late.
00:12:36Hm?
00:12:37Today?
00:12:37Oh, I...
00:12:40Peachy.
00:12:54Hey!
00:12:56Where you going?
00:12:57We're meeting now.
00:12:58Huh?
00:13:00I-I...
00:13:00You're Jones.
00:13:01What?
00:13:02The new guy.
00:13:02Jones?
00:13:03Where's your notebook?
00:13:05Ah, old school.
00:13:07I like that.
00:13:08Got a motor.
00:13:09Come on.
00:13:11All right, everyone.
00:13:12Listen up.
00:13:14All right, everyone.
00:13:15Russell Hazelton is on his way in.
00:13:17And this is everything we know about him.
00:13:21The man is like Bigfoot.
00:13:23There's rumors of his existence, but few has ever seen him.
00:13:28He's been the head of 12 Hazelton industry companies over the past two years.
00:13:36But he's never been in one place long enough to even have a photograph taken of him.
00:13:42And now he's the head of the publishing division, our biggest client, and the hinge in the door of our
00:13:52future success.
00:13:55So, it's our job to push that Sasquatch through that thing.
00:14:05Oh, crap.
00:14:12Crap.
00:14:14Crap.
00:14:18Ow!
00:14:20Ow!
00:14:21Are you okay?
00:14:22Yeah, yeah.
00:14:23No, I'm fine.
00:14:24Did I eat your nose?
00:14:24No, no, no.
00:14:25I'm so sorry.
00:14:27Are you okay?
00:14:28Yeah, I'm fine.
00:14:34I'm Claire Combs.
00:14:35I'm managing your account.
00:14:37Excuse me?
00:14:38Don't worry.
00:14:39I won't say anything.
00:14:40I know you like your privacy.
00:14:41It is so inspiring to work on a project like this.
00:14:45It's just such a noble cause.
00:14:47The search for the next Ernest Hemingway, John Steinbeck, William Faulkner,
00:14:54you're...
00:14:55Harper Collins.
00:14:56Sure.
00:14:57I mean, whoever.
00:14:59Oh, did you get your invitation to the event tomorrow night?
00:15:02What am I talking about?
00:15:03Of course you did.
00:15:04You're the guest of honor.
00:15:04I have some more here, just in case you need them.
00:15:08It's your party, right?
00:15:10Because I'm the guest...
00:15:11Guest of honor.
00:15:14Hey, that's...
00:15:16So, um, Russell, I mean, Mr. Hazelton, I'm so sorry I didn't mean to be presumptuous.
00:15:22No, you weren't.
00:15:23I...
00:15:24It was a pleasure meeting you.
00:15:25Pleasure's all mine.
00:15:26And I will see you tomorrow night.
00:15:31Okay.
00:15:34Tomorrow night.
00:15:35Yeah.
00:15:36Right.
00:15:59Oh, there she is, this corporate ladder.
00:16:02Mm-hmm.
00:16:04Mm-hmm.
00:16:06Oh.
00:16:07Those are an abomination.
00:16:09Two say a lot about a person.
00:16:11Those say, I'm blind and hopeless.
00:16:15Thanks.
00:16:15I love you, too.
00:16:17And speaking of love, I would love an exclusive with your guest of honor.
00:16:20And I would love to oblige you, but you...
00:16:21And I would love to pretend that I care what comes after that but.
00:16:25Get me the interview.
00:16:26Ah, ah, ah, ah.
00:16:28Feel the love.
00:16:29Don't ruin it with words.
00:16:30Lewis, you know I can't promise you anything.
00:16:37Fine.
00:16:38Just give me the tickets.
00:16:40I'll get the exclusive myself.
00:16:45You're welcome.
00:17:04Sorry.
00:17:05Boom.
00:17:08Yeah.
00:17:11Let's get right down to it.
00:17:14I read your book.
00:17:17And, uh...
00:17:23I wish it was more.
00:17:26More.
00:17:28More.
00:17:30More.
00:17:32More.
00:17:34Huh.
00:17:36I don't...
00:17:37I don't know how it could have been more.
00:17:40Because I bled for this book.
00:17:43I cried for this book.
00:17:45I sweated for this book.
00:17:47I made love to this book.
00:17:49I...
00:17:50I...
00:17:51Okay.
00:17:52Can I...
00:17:52Can I forget that last part I said?
00:17:54I didn't mean that, but...
00:17:55Mr. McKeon.
00:17:56No.
00:17:56No.
00:17:56I put everything I have into this story.
00:17:59And if...
00:18:00And if you can't...
00:18:01If you're too short-sighted.
00:18:03If your teeny, little, narrow, academic mind can't just see what's right in front of it.
00:18:10If it can't see what's right in front of it.
00:18:13Then...
00:18:14Then...
00:18:14Then...
00:18:14Then...
00:18:14Then...
00:18:15I don't know what?
00:18:18Finished?
00:18:19Yes.
00:18:20Yes, I'm finished.
00:18:23Good.
00:18:25I read your book in one sitting and I think it's great.
00:18:31I wish...
00:18:32That there was more.
00:18:42What'd I say?
00:18:43Wait a minute.
00:18:44That means you liked it?
00:18:46That's great!
00:18:47Wait, does that mean I'm in?
00:18:49I...
00:18:51I...
00:18:52I love to give you a spot.
00:18:55Um...
00:18:55But unfortunately, my...
00:18:56But unfortunately, my...
00:18:57What?
00:18:59Teeny...
00:19:00Little...
00:19:01Um...
00:19:02Just...
00:19:02Let me quote...
00:19:03Uh...
00:19:04Narrow-minded...
00:19:06Mind...
00:19:06Of mine.
00:19:08Well, I'd just rather give the fellowship to, uh...
00:19:11Somebody that embraces...
00:19:13Academia.
00:19:16Not but a little, Sid.
00:19:19But I love you.
00:19:20But I love you.
00:19:21No, I...
00:19:22No, I...
00:19:23No, I...
00:19:23Academia.
00:19:24I love academia.
00:19:25And when I said...
00:19:26Narrow-minded?
00:19:27I meant focused.
00:19:28It's a compliment.
00:19:29Like a laser.
00:19:30Like a laser.
00:19:31Like...
00:19:32Pew...
00:19:32Pew...
00:19:33Pew...
00:19:35Pew...
00:19:36Pew...
00:19:37Pew!
00:19:49You.
00:19:50Big bro, how's it hangin'?
00:19:53That low, huh?
00:19:55So the interview was a bust?
00:19:57At least you still got your mop there, Cinderella.
00:20:01You ever consider motivational speaking?
00:20:04Really?
00:20:05Hmm.
00:20:07What's this?
00:20:09Oh!
00:20:10Have you been invited to the ball, m'lady?
00:20:15I have a day
00:20:16that started bad
00:20:18got weird
00:20:21and got
00:20:23really
00:20:24bad, but you thought
00:20:26it was gonna be weirder, and then the thing
00:20:28that you thought was gonna be really bad
00:20:30ended up not being that bad?
00:20:32I have no idea.
00:20:35It's from Claire.
00:20:37That's great.
00:20:38She thinks I'm someone else.
00:20:39Even better.
00:20:41The Russell Hazleton, the billionaire baby.
00:20:44I mean, we barely spoke, but
00:20:47Wow.
00:20:48He was handsome.
00:20:51A bit quiet, but in a charming way.
00:20:55I think he might be the one.
00:20:57So, let me get this straight.
00:20:59You finally meet the girl that you've been pining
00:21:01and whining after for what, two years?
00:21:03Yes.
00:21:04And instead of introducing yourself, you let her think that your name is Russell.
00:21:08Yes.
00:21:09Okay.
00:21:10And now you're a billionaire.
00:21:11Yes.
00:21:11And she expects to see you, see Russell.
00:21:14Yes.
00:21:14At this big shindig where you, Russell will be the guest of honor.
00:21:18Yes.
00:21:18Okay, clearly you're gonna have to leave town.
00:21:20Start over.
00:21:20I'll get you some petty cash from the register.
00:21:24Come on, man.
00:21:25It's not that bad.
00:21:27Yes, it is.
00:21:29Why not just go clear everything up?
00:21:31I can't.
00:21:32She made the mistake.
00:21:33Your only crime is in not correcting her.
00:21:36Are you saying I can go to the party?
00:21:38You can go to the party.
00:21:39You're saying I can go to the party.
00:21:41You can go to the party.
00:21:42Why not?
00:21:43Yeah.
00:21:44She's reasonable.
00:21:45I'll explain everything to her.
00:21:47We'll laugh.
00:21:48Is it strange that instead of picturing him naked, I'm picturing him in a chapel.
00:21:54Wearing a tuxedo.
00:21:56Not the slightest bit.
00:21:59Wait, it's black tie.
00:22:00I don't have a tux.
00:22:02You can borrow mine.
00:22:02You mean the white one from the prom?
00:22:08Ugh, I'm so jealous.
00:22:13You're gonna make my man-engagement ring look like a gumball machine prize.
00:22:16Wait, what man-engagement ring?
00:22:22It's beautiful!
00:22:25And familiar?
00:22:26What?
00:22:29Familiar what?
00:22:31It isn't...
00:22:31They're diamonds.
00:22:33It...
00:22:34That's crazy.
00:22:36In my defense, I never actually proposed.
00:22:39What?
00:22:41It was every girl's dream.
00:22:42The love of my life, down on one knee, flowers in hands, saying the words I'd long to hear.
00:22:49Claire, I'm sorry.
00:22:51I'm gay.
00:22:52Who are those flowers for anyway?
00:22:54And why one knee?
00:22:56I tripped.
00:22:57You gave me recycled diamonds?
00:22:58You're an environmentalist.
00:23:00You're an environmentalist.
00:23:01Right?
00:23:05You know what?
00:23:07I'm gonna go home.
00:23:09Hey.
00:23:09Two tomorrow.
00:23:10Two tomorrow.
00:23:12Tomorrow.
00:23:12Two tomorrow.
00:23:15Fresh start.
00:23:18Tomorrow.
00:23:19Out of the wind.
00:23:20meals.
00:23:25One, two!
00:23:29Two, three!
00:23:41of the morning andpping for us.
00:23:44Fake or praying fast.
00:23:45Sorry.
00:23:46Dear friends, Charlie!
00:23:47You guys can trust me!
00:23:49My brain will laugh at your question only.
00:23:49The prodigial son returns.
00:23:51You sure he's still got a job here?
00:23:53Gus.
00:23:54Don't you Gus me.
00:23:55You know, I spent half the afternoon with a crazy broad
00:23:57whose chair you didn't fix and whose office you didn't unpack.
00:24:01Okay, it won't happen again.
00:24:02Goddamn right it won't.
00:24:03Because you're on probation.
00:24:05From now until when I decide.
00:24:07You got it?
00:24:08I got it.
00:24:09You're gonna do whatever I say when I say it.
00:24:13Okay.
00:24:14I got a job for you right now.
00:24:15I don't want a job.
00:24:16Men's room.
00:24:1834th floor.
00:24:19We got a cold red.
00:24:20Apparently, uh, chili dog situation.
00:24:23If you know what I mean.
00:24:25You're gonna need the scrub brush, disinfectant,
00:24:27the wet vac, and the large shovel.
00:24:30I want it smelling like a rose garden
00:24:31because I'm gonna be checking.
00:24:51I'm working so hard to get out of this place.
00:24:55I close my eyes and all I see is your face.
00:24:59But you don't know.
00:25:02No, you don't know.
00:25:05I set my mind on the greater things.
00:25:09And I count your eyes dancing, your body sings.
00:25:13But you don't know.
00:25:16No, you don't know.
00:25:20Hope is for a woman.
00:25:22I don't know.
00:25:27Sweet sounds of nothing overflow.
00:25:34Moving on to something that is new.
00:25:39That's falling in love.
00:25:43Well, it's about time.
00:25:44Relax, honey.
00:25:46Your fairy godmother's here.
00:25:50Wow.
00:25:52Yeah.
00:25:54She's a miracle worker.
00:25:56Yeah, she's something.
00:25:59Um, where'd you get this suit?
00:26:02My neighbor's a magician.
00:26:04Needs it back by tomorrow night.
00:26:05Seven sharp.
00:26:06Makes sense.
00:26:11Hello.
00:26:12Huh?
00:26:14What?
00:26:15Now?
00:26:16No.
00:26:17Okay.
00:26:18All right.
00:26:18I know.
00:26:19Okay.
00:26:19I'm coming.
00:26:19All right.
00:26:20That was work.
00:26:21I gotta go.
00:26:22There's a waterfall in 34.
00:26:35Hey.
00:26:36Come on.
00:26:37You're never gonna wear that.
00:26:41I can work with this.
00:26:43I don't need you to work with anything.
00:26:46Let's only take a second.
00:26:56Are we done conducting the New York Pops?
00:26:58That was weird.
00:27:01Okay.
00:27:02It was great being here.
00:27:04Thank you for that weird street blessing.
00:27:06That was just...
00:27:10What?
00:27:11Holy...
00:27:16Holy...
00:27:16Holy...
00:27:16Never lose faith, my brother.
00:27:19You got a party to get to.
00:27:20Then you're gonna need a ride.
00:27:24Holy...
00:27:25Holy...
00:27:26It's time to go now.
00:27:28Clock is ticking.
00:27:29Got a woman waiting.
00:27:57I wouldn't be surprised if you rode in on a candle.
00:28:00Wow.
00:28:00I wouldn't be surprised if you rode in on a candle.
00:28:03Did you get your eyebrows waxed?
00:28:06No. Why?
00:28:08It's nothing.
00:28:12It just looks a little less Frida Kahlo up there.
00:28:18But maybe it's the cleavage. It draws away from the face.
00:28:21It's like the roaring crew. Thank you.
00:28:28Crap. Crap. Crap on a carpet.
00:28:30Claire. What?
00:28:34This is not my fault. Partners don't lay blame.
00:28:38They fixed the problem.
00:28:42Now go!
00:28:50Hello everyone. Thank you for coming.
00:28:52I'm Russell Hiddleton, chief figurehead for me in publishing.
00:29:04Am I dreaming?
00:29:06Nope.
00:29:08Come on. Where are the cameras?
00:29:10Where are they at? They here?
00:29:13Why?
00:29:15Because if this is real, and I'm awake, and this isn't one of those television prank shows, then that means
00:29:21this whole thing would have to be some kind of...
00:29:22A miracle.
00:29:27Kurt Vonnegut once said, of all the words of my command, the status are, it might have been.
00:29:33Of course, he also said, if you can do a half-ass job of anything, you're a one-eyed man
00:29:36in the kingdom of the blind.
00:29:38Which is how I got this job.
00:29:40When my grandfather passed and left the main publishing to render, I was reminded of Vonnegut's work, and decided right
00:29:47then and there that I could not live with the regret of it might have been.
00:29:52That's why tonight we begin a quest.
00:29:55A quest for something elusive and rare.
00:29:58It's next great American novel.
00:30:02To help us restore from in publishing to a thrife full place.
00:30:06Thank you to Cenderlin for their partnership and vision.
00:30:09Onward and upward.
00:30:12Oh, enjoy the evening.
00:30:15Drink for all means.
00:30:16And on me.
00:30:19Yeah, miracles happen every day, Nathan.
00:30:22It's a miracle when the sun rises.
00:30:25When the birds sing.
00:30:26When the baby takes its first breath.
00:30:29It's a miracle when the kiss of the right woman.
00:30:33It changes the rhythm of a man's heart.
00:30:36We have arrived.
00:30:39This is so weird.
00:30:58Oh, come on.
00:31:01I am so sorry.
00:31:03Sorry?
00:31:04You know what?
00:31:05Sorry doesn't get...
00:31:07Oh.
00:31:09Never mind.
00:31:10It's just fine.
00:31:12Matches the dress.
00:31:14I am so sorry that I missed your speech.
00:31:17My speech?
00:31:18What?
00:31:19Oh, yeah.
00:31:20That...
00:31:20Can we talk?
00:31:22I should really go home and change.
00:31:25Hi, look.
00:31:27Gorgeous.
00:31:30Right.
00:31:31So do you.
00:31:33I don't know why I said it that way.
00:31:36You actually do look great.
00:31:43Please say something.
00:31:45I...
00:31:45I...
00:31:46I could...
00:31:47I could...
00:31:47I could...
00:31:48I could...
00:31:49I could...
00:31:49I could...
00:31:50I could...
00:31:50I could...
00:31:50I could...
00:31:50You could what?
00:31:53I could take you home.
00:31:56That sounded weird.
00:31:57I'm so sorry.
00:31:58I'm not a creep.
00:31:58I...
00:31:59I meant...
00:31:59Out to dinner.
00:32:01Out.
00:32:01I could take you out to dinner.
00:32:02You like to eat?
00:32:03Oh.
00:32:04I can't.
00:32:05My boss would kill me.
00:32:06Your boss would kill you for...
00:32:10Having dinner with your newest client.
00:32:15No.
00:32:19No.
00:32:20Maybe he wouldn't.
00:32:25I'm so sorry.
00:32:27No.
00:32:28It's really fine.
00:32:29I...
00:32:29Should I spill some on the purse so it matches?
00:32:32Thanks.
00:32:32Thanks.
00:32:36Is that one yours?
00:32:39It's...
00:32:39For real?
00:32:42Wow.
00:32:42But I forgot to bring my towel cut.
00:32:44Hm.
00:32:45Are you sure about this?
00:32:46It's my party, right?
00:32:54Sometimes I forget how beautiful this city is.
00:32:58You saw it at times.
00:33:01I just get so used to seeing it.
00:33:03It just becomes mundane.
00:33:05And a night like this comes along and...
00:33:08Can't see it.
00:33:10Do you know what I mean?
00:33:14I do.
00:33:19So where are we heading?
00:33:21Uh...
00:33:22The castle, sir.
00:33:25Yeah.
00:33:26Fine.
00:33:29It's a castle.
00:33:31It's a castle.
00:33:35It's a castle.
00:33:46Wow.
00:33:48What is this place?
00:33:50It's a...
00:33:52It's a park.
00:34:06It's a...
00:34:08It's a park.
00:34:10Wow.
00:34:12Wow.
00:34:17I happen to be here.
00:34:25Oh.
00:34:35How?
00:34:38Uh...
00:34:39Sometimes it's best if you just don't peek behind the curtain.
00:34:41You know.
00:34:42You know.
00:34:51You know.
00:34:52It's a place.
00:34:55It's a place.
00:34:57You know.
00:34:58You know.
00:34:58This isn't unusual place for a business dinner.
00:35:03Do you bring all your clients here?
00:35:05Oh this this this whole place that yeah pretty much it no I don't I don't it's
00:35:13just very special
00:35:20Oh Cheers
00:35:35so tell me what made you decide to rescue
00:35:38Tremaine I'm dying to hear the whole story
00:35:46I don't know
00:35:52you don't know why you want to go into
00:35:54publishing publishing of course yes I I I love
00:36:03books oh I just I I like books too I love
00:36:18them when I was 14 my mom and I lost
00:36:23everything the only constant that I had the
00:36:28only thing that I could escape to was the
00:36:31secret garden I read it obsessively for five
00:36:42that's not obsessive hundred times
00:36:49Wow no no I didn't mean that no I know I I realize that that's not crazy no no no
00:36:56I'm
00:36:57kidding I hey I'm like that too I love books I love to read I I'm a writer
00:37:02you're right right right right right I'm a riot office parties I think we
00:37:12should dance I I do
00:37:35is this Billy holiday yeah generation of generation of Billy has been passed down to the
00:37:45McKeon family
00:37:49McKeons
00:37:52uh my mom my mom's side her maybe big bunch of Billy lovers
00:37:59big bunch of Billy lovers
00:38:00big
00:38:01big
00:38:01big
00:38:02big
00:38:02big
00:38:03big
00:38:03big
00:38:03big
00:38:13big
00:38:27big
00:38:28big
00:38:28big
00:38:28We have an early start in the morning. We should go.
00:38:32What?
00:38:34Wait!
00:38:54Claire?
00:38:54I don't want this night to end.
00:38:57Can you stop time, Mr. Hazleton?
00:39:00Claire, there's something I have to tell you.
00:39:02Hey.
00:39:14For being even better than I could have hoped.
00:39:19Oh, I'm sorry.
00:39:21What was it you wanted to tell me?
00:39:23You can leave.
00:39:52No.
00:40:34Oh, dear, I'm sorry.
00:40:34All right.
00:40:35You do realize you live here, right?
00:40:37I forgot my key.
00:40:37What happened to you?
00:40:39I don't know. I don't know.
00:40:41Wait, did you go to the party dressed like that?
00:40:46Let me guess, you were having this magical evening at the ball, the clock struck twelve,
00:40:50your gown turned into rags and your carriage turned back into a pumpkin?
00:40:56It disappeared!
00:40:58What? What disappeared?
00:40:59It disappeared! The magic white car!
00:41:01Okay, is that office building properly ventilated? Because there are laws.
00:41:04No, no, no, no, no, no, there was a man, okay, and he was homeless, but he wasn't really homeless,
00:41:08and then all of a sudden, and then he poofed, and the next thing you know, I'm in a suit,
00:41:13and he's driving, and then he was talking about miracles, and babies, and sunrises,
00:41:16and then, and then, I spilled my wine on her, and then...
00:41:19Well, thought you were talking about a guy.
00:41:20No, no, no, no, no, and then, and then, and then, and then, and then, and then, and then, and
00:41:24then, and then, and then, Claire!
00:41:27Claire.
00:41:29Yes, who else?
00:41:30So you did go to the party dressed like that?
00:41:33Have you been listening to a word I'm saying?
00:41:37I hear them. I'm just not sure that you're saying them in the right order.
00:41:41Okay, let me start again.
00:41:56I know things have been hard since dad died.
00:41:58Sean.
00:41:59And then I realized that it wasn't fair for me to let you sacrifice yourself to keep the bar afloat.
00:42:04You're my brother.
00:42:05Well, with the crappy job, and the bills, and the debacle with the new school.
00:42:10Is there a rope at the end of this pep talk?
00:42:12Just let me finish.
00:42:14Because of all of those things, all of that stress...
00:42:20I'm not stressed.
00:42:24I'm not stressed.
00:42:25Because of all of those things, you've clearly experienced a psychotic break.
00:42:30Oh, shut up. Come on.
00:42:32Really?
00:42:33Well, what would you call it?
00:42:34My suit got destroyed.
00:42:36So I spent the night at work.
00:42:37Okay?
00:42:38That's all that happened.
00:42:39I'm sorry.
00:42:41Your suit got destroyed.
00:42:45Good night.
00:43:00Good night.
00:43:01Good night.
00:43:14Good morning.
00:43:16Good night.
00:43:19Good night.
00:44:05Is that a bribe?
00:44:07Would I stoop to such tactics?
00:44:11Yes.
00:44:13Especially if you correctly assumed I'd be upset.
00:44:24What am I going to do with you?
00:44:34I stepped into the huge bedroom with lavish furniture whispered a young someone.
00:44:40Can I help you?
00:44:42I hope so.
00:44:43Are you Claire Combs?
00:44:45That depends.
00:44:46Who are you?
00:44:47Oh, I'm Russell.
00:44:48Hazelton.
00:44:51I don't think so.
00:44:53Up.
00:44:53Out.
00:44:54I have work to do.
00:44:55Okay.
00:44:57There must be some misunderstanding.
00:44:59I can prove that I am.
00:45:00I have hairspray, breath spray, pepper spray, and a sticker for a self defense course that
00:45:03I may or may not have taken in this person.
00:45:05Whoa, whoa, whoa.
00:45:05I suggest that you stop right there.
00:45:06I'm just reaching out.
00:45:18What are you doing?
00:45:21Call security.
00:45:22On our biggest client?
00:45:24Have you gone mad?
00:45:25That is not Russell Hazelton.
00:45:27I spent the night with Russell Hazelton and that is not him.
00:45:31Would you please schedule your nervous breakdowns for another time?
00:45:37He was reaching for something.
00:45:39Inside his jacket.
00:45:42For his wallet.
00:45:46Hmm?
00:45:57Now go fix this!
00:46:04Wow, that was awesome.
00:46:06Who did you train with?
00:46:08Was it Noob.Han?
00:46:09No, no, no.
00:46:11That was straight from the Popolo handbook.
00:46:13Whoa.
00:46:14Was it Popolo?
00:46:16No.
00:46:19Panic.
00:46:20Adrenaline and Mocha Java.
00:46:24Fascinating.
00:46:24Mr. Hazelton, Claire would like to apologize.
00:46:29No, no, no, no.
00:46:31Have lunch with me.
00:46:33What?
00:46:35Have lunch with me.
00:46:38Now.
00:46:41She'd love to.
00:46:44Right.
00:46:46I would love to.
00:46:49Great.
00:47:12Would you like an invisible screwdriver for that imaginary screw?
00:47:18Young man.
00:47:26Oh, my God.
00:47:26They have hot dogs.
00:47:27Oh, wow.
00:47:29Oh.
00:47:30Oh, I'm so sorry.
00:47:31I just got back from a walk across Kathmandu.
00:47:33Uh-huh.
00:47:34You know the dog population over there is landlocked?
00:47:37They usually serve it al fresco.
00:47:40That's...
00:47:41Two of your finest, please.
00:47:45Mmm.
00:47:47Delicious.
00:47:47Thank you, sir.
00:47:50Wait, wait, wait.
00:47:50What breed is this?
00:47:52Okay.
00:47:53What did you say?
00:47:55All right, so, tell me everything.
00:47:58Yeah, um...
00:48:00Where to start?
00:48:02Favorite land mammal?
00:48:04Hmm.
00:48:06Uh, cat.
00:48:08Okay.
00:48:09All right.
00:48:10I would have guessed platypus, but...
00:48:13Favorite constellation?
00:48:16Little Deborah.
00:48:18Interesting choice.
00:48:21I like it, too.
00:48:23Mmm.
00:48:25What's your position on...
00:48:26Malaysian Dwarf wrestling?
00:48:29Hmm.
00:48:30I don't think I have one.
00:48:32Okay.
00:48:33Fair enough.
00:48:35What's your greatest fear?
00:48:37Nothing.
00:48:40I am not afraid of anything.
00:48:45Really?
00:48:46Like...
00:48:46cholera?
00:48:48No.
00:48:51No.
00:48:52Really?
00:48:54You might want to add that to your list.
00:48:56I just saw it take down a Sherpa in Nepal.
00:48:58Just so you know.
00:48:59Fear is just a natural reaction to the unknown.
00:49:02I rarely venture into the unknown.
00:49:06I am in bed by 11, up at 7 every day.
00:49:08I go to the office, the gym, I go home.
00:49:10I have a regular appointment with my best friend every Tuesday night without fail.
00:49:15I can tell you where, when, and most likely what I will be eating every meal for the next month.
00:49:21Except for today, of course.
00:49:24Almost everything I own has a backup.
00:49:26Phone, toothbrush, wallet, face cream.
00:49:30Wait.
00:49:32You have a backup face cream?
00:49:34And when I'm meeting a new client, I find out everything I can about him.
00:49:38Including his penchant for asking seemingly oddball questions to throw people off guard so that you can get an honest
00:49:43response to the one he wants the real answer to.
00:49:45And my answer is no, I am not afraid of anything.
00:49:50Okay.
00:49:51Leaving aside the fact that everything you just said proves the exact opposite of what you say it does.
00:49:57That was brilliant.
00:49:59That was...
00:50:01That was brilliant.
00:50:05Yeah.
00:50:08Uh-huh.
00:50:21Here.
00:50:21Let me help you with that.
00:50:22No, that's okay. I got it.
00:50:30Hey!
00:50:31Hey!
00:50:31You!
00:50:34Yeah!
00:50:36Hey!
00:50:40Are you kidding me?
00:50:41I-I can explain.
00:50:42Every lie ever told by a man begins with I can explain.
00:50:45It's just a girl you never shut up about.
00:50:48She's cute.
00:50:49But I told you she wouldn't go for you.
00:50:51You know about this?
00:50:52He doesn't know about anything.
00:50:53He's just negative.
00:50:55Oh!
00:50:56Can you give us a minute?
00:51:02Five minutes.
00:51:03No more, no less.
00:51:04Yes.
00:51:08Look.
00:51:09This is just a simple case of mistaken identity.
00:51:11That's all!
00:51:12That's all?
00:51:13Oh my God!
00:51:14You impersonated a client, practically kidnapped me!
00:51:16I didn't kidnap you!
00:51:17I said practically!
00:51:18All right, fair enough.
00:51:19You're not wrong.
00:51:24Who are you?
00:51:26I'm Nathan.
00:51:28I can read your name tag.
00:51:33I'm not a rich entrepreneur.
00:51:39I'm just a guy who unclogs toilets.
00:51:46I'm sorry.
00:51:50Claire.
00:51:51Yeah, well...
00:51:53I'm sorry too.
00:51:57Claire.
00:52:02What's this?
00:52:06I told you that...
00:52:08When I was nine, my family and I lost everything.
00:52:13But what I didn't say was that I promised myself that it would never happen to me.
00:52:18That I had a plan.
00:52:27Goodbye, Nathan.
00:52:32It was nice to finally meet you.
00:52:44There's a chili cheese dog with your name on it.
00:52:4934.
00:52:50Go, go, go, go, go, go, go, go, go.
00:53:10Hello?
00:53:11Where were you last night?
00:53:16I went home sick.
00:53:19Sick?
00:53:20You're slipping, dear heart.
00:53:22Your fierce battle against all forms of human frailty was what I admired most.
00:53:27You owe me an exclusive.
00:53:29I never promised you that.
00:53:31Yes, but since you blew me off and I missed my deadline, the rules have changed.
00:53:35I can't promise.
00:53:36Add lunch.
00:53:38What?
00:53:39Uh, when?
00:53:41Today.
00:53:42Oh, I already ate.
00:53:44Now.
00:53:55No, that is not what I said.
00:53:57That's exactly the opposite of what I said.
00:53:59What?
00:54:01My instructions were perfectly clear.
00:54:02They were in English.
00:54:03You do speak English, don't you?
00:54:06What were you thinking?
00:54:11Yes, I'm still here.
00:54:13I'm just trying to formulate a response that doesn't involve sign language and lewd noises.
00:54:18Look, I have a meeting.
00:54:19I'll call you back.
00:54:20Oh, mothers.
00:54:23And how is my favorite PR bunny today, huh?
00:54:26And by favorite, I mean the only publicist that I can tolerate enough to break bread with.
00:54:31In spite of those shoes.
00:54:34Look, I know a little bistro around the corner.
00:54:38I thought we could...
00:54:40Oh, listen, I'm sure that in the right light, maybe no light, those shoes are perfectly...
00:54:48Why are men so...
00:54:53We're not talking about shoes anymore, are we?
00:54:57I have a life.
00:54:59And I have built it.
00:55:01Bit by bit by bit.
00:55:02I can't just change.
00:55:07Right?
00:55:08Right.
00:55:09Who is he?
00:55:10I don't know.
00:55:12I mean, I know, but I don't know, you know?
00:55:15No.
00:55:17He had a tuxedo.
00:55:19He can really throw you off, can't he?
00:55:22Yes, I mean, I've been literally thrown by many tuxedos.
00:55:26Right?
00:55:31Oh...
00:55:34What?
00:55:35Honey, this isn't some passing fancy. You're actually in love.
00:55:40Excuse me?
00:55:41Mystery solved. Let's eat.
00:56:03Hi.
00:56:04Hello.
00:56:04I was just about to call you.
00:56:07Oh.
00:56:07Here I am.
00:56:08Here you are.
00:56:12So, um...
00:56:13We've had a request for an interview.
00:56:15I know you like to shy away from the limelight, but...
00:56:18Mm-hmm.
00:56:21Is it important?
00:56:23Yes. Very.
00:56:26Uh...
00:56:27Okay. I'll do it.
00:56:29Just for you.
00:56:31Super.
00:56:31Super.
00:56:34You have to come on an underground tour of New York with me.
00:56:38Underground?
00:56:38Mm-hmm.
00:56:39Out like the subway.
00:56:41Something like that.
00:56:43I'll pick you up at eight.
00:57:07There's my girl.
00:57:09How are things with our mystery man?
00:57:12What's that supposed to...
00:57:14Oh.
00:57:15You mean Russell.
00:57:16Who else?
00:57:18Great. Things are great.
00:57:22Wonderful.
00:57:23No.
00:57:25Things are so the opposite of wonderful.
00:57:28Mm-hmm.
00:57:29We all have off days.
00:57:30I'm sure the next date will be perfect.
00:57:33Yeah, well...
00:57:34About that, there's not going to be another date.
00:57:38Hmm.
00:57:42Well...
00:57:42That's going to be a problem.
00:57:45You see, it seems in all of the excitement surrounding our new client...
00:57:51Someone messed up and forgot one tiny little detail.
00:57:57He hasn't signed the contract, Claire.
00:58:00What?
00:58:02But that's your department.
00:58:04Partners don't lay blame, Claire.
00:58:07We need to keep him...
00:58:09You need to keep him happy.
00:58:13Until...
00:58:14Wait, I need to keep him happy?
00:58:17Are you pimping me out?
00:58:20Grow up, Claire.
00:58:21It's business.
00:58:25We came up with a brilliant concept that is going to put his crumbling publishing house
00:58:29back on the map.
00:58:31But...
00:58:31Without a signed contract...
00:58:34He can pull the plug on us and find any willing partner on any street corner in Manhattan.
00:58:40Do it...
00:58:42Do it...
00:58:43Or...
00:58:47Hmm...
00:58:48...
00:59:03ideas?
00:59:14Jack's with gutes?
00:59:16Yeah.
00:59:17I wonder if mine didn't pump up any buttons?
00:59:18Oh, my God.
01:00:10Thanks, man.
01:00:21I need you to boozy-bop diddy-wop me.
01:00:24Excuse me?
01:00:25I don't know.
01:00:25Whatever you did the other night.
01:00:26I need you to do it.
01:00:27I need your help.
01:00:28Oh, it don't work like that.
01:00:30I need your magic!
01:00:34Time for you to figure out how to make your own magic.
01:00:42Close your eyes!
01:00:43Oh, I can't.
01:00:44I am too busy.
01:00:45It'll take a second.
01:00:47That's it.
01:00:47Russell.
01:00:48Claire.
01:00:58Russell!
01:00:59Seriously!
01:01:00I am too busy!
01:01:01Keep your eyes closed.
01:01:06I got this for you.
01:01:12I can't.
01:01:13I can't accept this.
01:01:15Of course you can.
01:01:15Open it.
01:01:16No, I really can't.
01:01:19You did just use your fingers.
01:01:21Open it.
01:01:23You can do it.
01:01:31It's a compass.
01:01:33It's freedom.
01:01:36I have no idea what you're talking about right now.
01:01:40You just pick a direction and we go.
01:01:42Go?
01:01:43Where?
01:01:44Anywhere.
01:01:46Anywhere.
01:01:47That's the beauty of it.
01:01:48You wake up in the morning, you say,
01:01:50Oh, it's Tuesday.
01:01:51I think I'll go east.
01:01:52And we're off.
01:01:54You can't be off.
01:01:56I can't be off.
01:01:57I mean, this contest is less than two weeks away.
01:02:00Contest?
01:02:01That's all you ever talk about.
01:02:02Where's your spirit of adventure, Claire?
01:02:04I think I might have lost it in the sewer.
01:02:07Look, Russell, people are counting on us.
01:02:10We can't just go east.
01:02:12I mean, east?
01:02:12This is New York.
01:02:13If we go east, it's the ocean.
01:02:16We'll charter a boat.
01:02:17We can't.
01:02:21You can't.
01:02:23I can do anything I want to.
01:02:28Okay.
01:02:31Goodbye.
01:02:33Oh, wait.
01:02:34Russell?
01:02:34Wait.
01:02:35Russell!
01:02:36Crack on it! Cracker!
01:02:38Hello?
01:02:41Hey, Russell!
01:02:43Wait!
01:02:43Russell, wait!
01:02:44No.
01:02:44I'm heading northeast there.
01:02:46Oh!
01:02:46Hey!
01:02:47Are you okay?
01:02:49I'm fine.
01:02:50I'm fine.
01:02:51I'm fine.
01:02:52I'm fine.
01:02:52I haven't seen you around in a while.
01:02:55Have you been eating?
01:02:56Oh, yeah.
01:02:57Don't worry about me.
01:02:58I'm fine.
01:02:58Wait a minute.
01:02:59You know this man?
01:03:00Yeah.
01:03:01He's my friend.
01:03:02Harold Graham, this is Russell Hazelton.
01:03:05Russell Hazelton, this is Harold Graham.
01:03:08You're a homeless person.
01:03:10You're a homeless person.
01:03:11More or less, yeah.
01:03:12I followed a homeless family in Pago Pago for about a month.
01:03:15But the houses are built with hay and saliva.
01:03:18So the line between homeless and satisfactorily housed is very fuzzy.
01:03:24Have you been in Pago Pago?
01:03:26I can't say that I have.
01:03:27I can't say that.
01:03:28It's fascinating.
01:03:29Hey, Russell, we should go upstairs.
01:03:32There's actually a few things that we could go over.
01:03:34No.
01:03:34No, no, no.
01:03:35I'm staying right here.
01:03:37I'm going to sleep under the stars.
01:03:41Red Bull, the duty of desperation.
01:03:44Russell, there is nothing beautiful about homelessness.
01:03:46There is.
01:03:47Claire.
01:03:48It's called freedom.
01:03:50Freedom, Claire.
01:03:52Freedom, Claire.
01:03:55Freedom, Claire.
01:03:56All right.
01:04:11Hey.
01:04:13Hey.
01:04:14Shouldn't you be at work?
01:04:15Yeah.
01:04:16You want to tell me what's going on?
01:04:19The love of my life is about to make a huge mistake and I have to stop her.
01:04:23What kind of mistake?
01:04:25She's getting married.
01:04:27Mrs. Tetrazzini from the fourth grade is getting married?
01:04:30Sean, come on.
01:04:31I'm serious.
01:04:32Okay.
01:04:33Fine.
01:04:35What do you have to do?
01:04:57Hello?
01:04:58Why is Russell Hazelton living on the street in front of our building?
01:05:04I have no idea.
01:05:06I need you to get down here and figure it out.
01:05:10Now?
01:05:11He's singing.
01:05:14He scares me, Claire.
01:05:16It's over early.
01:05:18No.
01:05:19No.
01:05:23No.
01:05:26No.
01:05:36No.
01:05:44It's over early.
01:05:48Oh my god.
01:06:16Flossil? Brilliant.
01:06:52What happened? Where were you?
01:06:54Sorry.
01:06:55What? Why does your office look like it was visited by fairies?
01:07:00It wasn't fairies. It was him.
01:07:03Who?
01:07:04The maintenance man.
01:07:05Well that is what I call service.
01:07:07This isn't funny. This is my life.
01:07:11Maybe not, but it is ironic.
01:07:15Our little Claire has finally fallen in love.
01:07:20Oh god. Really?
01:07:25I love you more than life. You know that, right?
01:07:28This does not sound good.
01:07:29You may want to brace yourself.
01:07:31Your life plan is actually preventing you from having a life.
01:07:38That is not true.
01:07:41I got a question.
01:07:43Why don't you socialize more? You're a young, vibrant woman.
01:07:48I've been busy.
01:07:50Claire, you live your life in a straight line.
01:07:52There's no room for deviation or spontaneity.
01:07:56We're for life for god's sake.
01:07:59That is so unfair.
01:08:02How many guys have you met in the past few years?
01:08:07I don't know. A few.
01:08:10And how many have you gone out with?
01:08:16Did you make a list?
01:08:18What was wrong with the guy that you met at the funeral last year?
01:08:21You mean besides the fact that I met him in front of an open casket
01:08:24and I would forever associate him with death?
01:08:27Okay, fine.
01:08:28What about Brad from my office?
01:08:30He was in awe of you.
01:08:32Brad was in awe of everyone.
01:08:35It's inevitable looking that tiny.
01:08:37Fine, but yet, you made time for that doctor
01:08:40because he looked good on paper.
01:08:42Do you see what I'm talking about?
01:08:44Do you see what this pattern is?
01:08:46You know, you're...
01:08:47You're...
01:08:50I don't know what the word is that I'm looking for.
01:08:55What a mistake?
01:08:58I flipped the life plan so perfectly
01:09:02that you willfully ignored the big pink elephant in the room.
01:09:06Stop it. Please.
01:09:07There is no perfect guy.
01:09:12There's no perfect life, Claire.
01:09:15No matter how much planning you do,
01:09:17stuff happens.
01:09:21I just don't want to make the same mistakes.
01:09:29Honey, I know.
01:09:32I know.
01:09:34But...
01:09:35You gotta just...
01:09:36Just get...
01:09:37Just get over it.
01:09:38You know, the stuff that happened with your family...
01:09:41It happened.
01:09:42It's over.
01:09:46This is your life.
01:09:48And it doesn't come in a pretty little blue Tiffany box
01:09:51with a perfect white silk bow.
01:09:55Not the way it works.
01:10:07It's close.
01:10:09Breathe, man. It's good.
01:10:12Hey, I got a letter for Nathan McKeon.
01:10:15That's me.
01:10:15Cool.
01:10:17I'll get your signature.
01:10:35You're a finalist.
01:10:37Dude, that's awesome!
01:10:38It's a joke.
01:10:40I never entered that contest.
01:10:42By the way,
01:10:43I entered you into a writing contest.
01:10:44Oh, yes.
01:10:58I saw a fly.
01:11:00You're a realist.
01:11:00Yeah, obviously.
01:11:12Let's go.
01:11:12Okay, I'll go on to the next edition.
01:11:12Let's go on to the next edition.
01:11:12Yes.
01:11:12I brought ya back,
01:11:12we're here.
01:11:12I've got the last edition.
01:11:13We're here.
01:11:14I heard you,
01:11:14No.
01:11:40Claire!
01:11:41There you are.
01:11:42She's here.
01:11:42All right.
01:11:43Hey.
01:11:43Didn't Jerry tell you my brilliant idea?
01:11:46Oh, can it wait until after we announce the winner?
01:11:48The winner?
01:11:49Yeah, let him tell you who the winner is.
01:11:53Jerry?
01:11:54Hmm?
01:11:55Who?
01:11:56Me!
01:11:59Ta-da!
01:12:02Uh, I don't understand.
01:12:04You haven't written a novel.
01:12:06Nope.
01:12:07He has not.
01:12:08No, that's irrelevant.
01:12:10It's all in here.
01:12:12Wait until he tells you where he got his inspiration from.
01:12:15Oh, yeah, yeah, yes, yes, yes, yes.
01:12:17I got it from the book in your office.
01:12:18It was so, uh, I don't remember the title, but it was so raw.
01:12:24Yeah.
01:12:25Like, it inflamed me like I'm en fuego, I'm on fire.
01:12:30That's what a great book does.
01:12:32Nathan is a great writer.
01:12:35That's why he's the winner.
01:12:36No, he's not.
01:12:37I am.
01:12:38Wait, didn't I just say that?
01:12:40You did.
01:12:42You can't do this.
01:12:43This is insane.
01:12:44You have to give the award to someone who actually entered the contest.
01:12:47Oh, my.
01:12:49Do I?
01:12:51Yeah, you do.
01:12:54Really?
01:12:56Do I really?
01:12:57Yes, you do.
01:13:00You can't make me.
01:13:01The rules of the contest state that the winner cannot be an employee of Tremaine Publishing.
01:13:06It's in the contract.
01:13:08Oh, well.
01:13:09Well, that's problem solved then.
01:13:12Great.
01:13:13Thank you, Russell.
01:13:14I really appreciate it.
01:13:17I didn't sign the contract.
01:13:24Partners don't lay blame, Claire.
01:13:41Lewis.
01:13:42I have got your exclusive.
01:13:44Give it your full scandal treatment.
01:13:49No.
01:13:50I'm leaving, actually.
01:13:53I've got to see a man.
01:13:54I've got a book.
01:14:06Excuse me.
01:14:08He's not here.
01:14:10Where is he?
01:14:11Engagement thinking?
01:14:12I don't know.
01:14:13He's getting married.
01:14:16I only know what he tells me.
01:14:19Married?
01:14:20To who?
01:14:22Like I said, I only know what he tells me.
01:14:27But the flowers in my office.
01:14:31Sweetheart, love is fickle.
01:14:35That's why I'm still on the market.
01:15:01It's worse than we thought.
01:15:07Let's do this.
01:15:09No.
01:15:10It's over.
01:15:11I messed up.
01:15:13Spectacularly.
01:15:14Hey.
01:15:15It is not over until we say it is over.
01:15:17Yeah.
01:15:18Step away from the cookies.
01:15:19Get off this couch and go get your man.
01:15:22Whoa, whoa, whoa.
01:15:23No, no, no, no.
01:15:26Not like that, honey.
01:15:27First, we've got a little bit of work to do.
01:15:34He's getting married.
01:15:36Not yet he isn't.
01:15:38Wait, what are you doing?
01:15:40What's he doing?
01:15:41Shh.
01:15:41Focus on me.
01:15:44Claire.
01:15:47It is time.
01:15:50No.
01:15:51I can't.
01:15:52We are here for you.
01:15:54Hey.
01:15:55This is your life.
01:16:11Oh, forget the makeover.
01:16:12Let's go get your man.
01:16:14Let's go.
01:16:18And now?
01:16:20And now, well, I truly can't remember a time where I felt like I had to know you forever.
01:16:28Stop.
01:16:30Nathan, stop.
01:16:31Claire?
01:16:33You can't do this.
01:16:34Please, give me a second chance.
01:16:37Claire, what?
01:16:41I know.
01:16:42I've seen it.
01:16:43Not this one.
01:16:46Please.
01:16:57Oh, the other side.
01:17:07I love you.
01:17:08You can't marry this woman.
01:17:15Because.
01:17:18The way you wear your hat.
01:17:22Oh, no.
01:17:23The way you sip your tea.
01:17:27Okay.
01:17:28The memory of all that.
01:17:30Oh, no.
01:17:31She can't take that away from me.
01:17:34Can you stop?
01:17:35No.
01:17:36You can't take that away.
01:17:38I won't marry this woman.
01:17:41You won't?
01:17:42But can I do one other thing first?
01:17:45Okay.
01:17:46Um, can I finish toasting my brother and my future sister-in-law on their engagement?
01:17:53Alright.
01:17:56You're not getting married.
01:17:58Nope.
01:17:59So I just busted in here and made a fool out of myself.
01:18:03Pretty much.
01:18:04It's not that bad.
01:18:05It is a bar.
01:18:06Same people do a lot worse.
01:18:08Shawn.
01:18:10I'm Claire.
01:18:11Yes.
01:18:12You are.
01:18:14Carla.
01:18:17Hey, can I, uh...
01:18:20Yeah, please, continue.
01:18:21Please.
01:18:23For the love of God.
01:18:24Well, I don't even know where I was now.
01:18:28So...
01:18:29Oh, well, okay.
01:18:30Let's just...
01:18:34Let's just keep it simple.
01:18:40Marry the one you love.
01:18:44And love the one you marry.
01:18:58What are you waiting for?
01:19:17What are you waiting for?
01:19:22What are you waiting for?
01:19:23How are you waiting for me?
01:19:26Well, I am.
01:19:26I am.
01:19:38How are you waiting for me to come.
01:19:52of a plan. And for Claire and Nick, it turns out that they're ever after. I was happy after
01:19:59all.
01:20:24I'm working so hard to get out of this place. I close my eyes and all I see is your
01:20:31face. But you don't know. No, you don't know. You're setting my mind on the greater things. Like how your
01:20:43eyes dance and your body sings. But you don't know. No, you don't know.
01:20:53Hopeless for a woman that I don't know. Sweet sounds of nothing but overflow. Moving on to something that is
01:21:11new. That's falling in love with you.
01:21:28It might sound funny but I think your smile could stop the clock for just a little while. But you
01:21:36don't know. No, you don't know.
01:21:42I hope someday that you can see that loving you means so much to me. But you don't know. No,
01:21:53you don't know.
01:21:57Hopeless for a woman that I don't know.
01:22:01Hopeless for a woman that I don't know.
01:22:04The sweet sounds of nothing but overflow.
01:22:11Moving on to something that is new. That's falling in love with you.
01:22:19Yeah, cool.
01:22:34Yeah, yeah, yeah, ooh.
01:22:36Yeah, yeah, ooh, yeah, ooh.
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