Watch Island of the Dolls 2, the terrifying sequel that returns to Mexico’s infamous haunted island. A new team investigates the mysterious disappearance of tourists, only to face sinister spirits and cursed dolls that grow more violent with every step. More scares, more shadows, more horror!
#IslandOfTheDolls2 #HorrorMovie #SupernaturalHorror #HauntedIsland #CreepyDolls #FullMovie #ParanormalHorror #ScaryMovie #HDMovie #HorrorSequel
#IslandOfTheDolls2 #HorrorMovie #SupernaturalHorror #HauntedIsland #CreepyDolls #FullMovie #ParanormalHorror #ScaryMovie #HDMovie #HorrorSequel
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00:32:17the soup was incredible though sumac yeah well tasted
00:32:29julian i just wondered if i could ask some questions with the camera
00:32:34of course that's why you're here right when i received your letter i was thrilled i mean
00:32:40we've all been waiting for somewhere like this for such a long time
00:32:47but there is nowhere like this correct
00:32:55when i first started collecting the dolls for santana
00:32:59i would get visitors from the mainland often i think to begin with it was out of sympathy
00:33:07but then after a while it felt like they were laughing at me
00:33:13so i stopped sanctioning their boats
00:33:18i felt like it was just better to be on my own
00:33:24but now i think people should know the truth
00:33:28um what is the true i mean we've heard rumors about a curse
00:33:36if the island is cursed by anything it is cursed by love
00:33:39oh my god that's beautiful love with santana
00:33:48i'm we're all really sorry about what happened to your daughter
00:33:51it must be hard hearing what people say santana is not dead
00:34:00she she not
00:34:02no no her spirit is here on the island but not her body
00:34:12santana spirit is what matters
00:34:14her body is gone but she still helps give life to the island
00:34:24she knew this would bring me great comfort
00:34:25and where is santana now
00:34:36the dolls were my tribute to her
00:34:38i left her favorite doll near where she died and and over the years i've just added more
00:34:46now
00:34:48now they are her vessels
00:34:53they are everywhere
00:34:56so she can watch
00:34:57She's watching us right now
00:35:01Waiting
00:35:04Sorry
00:35:10Look, do you have everything you need for now?
00:35:16Because I'm feeling a little bit tired
00:35:18Just reliving it all
00:35:21He kind of takes all of my energy away
00:35:22Yes
00:35:24Yes, of course
00:35:26That was perfect
00:35:28Thank you so much, Julian
00:35:30Are you sure you're okay camping out here?
00:35:34I have some room inside
00:35:35No, I can't
00:35:36I think they're fine
00:35:38Jo?
00:35:45Thank you
00:35:46But I can
00:35:48We've got shots to film around here tonight and whatnot
00:35:50And, you know, I'll
00:35:52We'll be back in the morning, of course
00:35:54As you wish
00:35:56Good night, everyone
00:35:58Good night
00:35:59Good night
00:36:00Oh my god
00:36:11That was perfect
00:36:14He's a fucking creep
00:36:17Oh, I actually
00:36:18I think he's quite broken
00:36:20And I really hope we can tell the story the way he'd like, guys
00:36:24I think we know what he would like, honey
00:36:25Oh
00:36:26Come on
00:36:27All right, look, we've got some good footage today, guys
00:36:30Tomorrow's a big day
00:36:32We'll get the rest of Julian's story in the morning
00:36:34We'll get a few more bits and we're back to the boat for noon
00:36:37Tonight we need some creepy shot from where the girl died
00:36:41And some decent sound from the forest
00:36:43Santana
00:36:44Santana
00:36:46Sorry?
00:36:47Her name was Santana
00:36:48Right
00:36:49Santana
00:36:50Sorry, where Santana died
00:36:52I thought she didn't die
00:36:54I'll record in the forest
00:36:55I love all the different noises
00:36:56Yeah, I'll come with you
00:36:57No, Huey
00:37:08We need you for these shots
00:37:10We can't be up here all night
00:37:12We've got to rest up
00:37:13We're up at dawn
00:37:15I can film where Santana died
00:37:17I want to be a cinematographer one day
00:37:20I've got a good eye
00:37:21I can do it
00:37:22She's taking good establishing shots for me
00:37:25Okay, fine
00:37:26I'll go with her. She might get lost. You know what she's like.
00:37:36Don't be too long, if all.
00:37:39Have you got time to go over the script?
00:37:41Yeah, sure.
00:37:56Are you scared, baby boy?
00:38:00It's a phobia. I can't help it.
00:38:03I'm sorry. I wish you would have told me. We wouldn't have come.
00:38:08Am I supposed to know that de las maracas meant dolls?
00:38:11Well, it doesn't. Maracas.
00:38:16That's cute. You're cute.
00:38:26Come on.
00:38:44Are you sure you don't need me to protect you?
00:38:56They're just dolls.
00:39:03My hero.
00:39:14Poor Santana.
00:39:16This is where they last saw her alive.
00:39:18It's so sad.
00:39:20Well, someone's done their research.
00:39:22I just want to do a good job.
00:39:26Jo mentioned it was one doll to begin with.
00:39:32Reckon this is it.
00:39:34This is it.
00:39:39Freaky.
00:39:40You're some pretty good Nick, though.
00:39:43He was Santana's.
00:39:44He was very special to her.
00:39:46I think it's really nice that Jillian left it here for her.
00:39:52Do you reckon that guy even had a daughter?
00:39:54He's a bit off, isn't he?
00:39:58Makes a mean soup, though.
00:40:00Well, of course she was real.
00:40:02You don't lie about something like that.
00:40:04He's art broken.
00:40:05You can tell.
00:40:06Yes.
00:40:07Like, tell her, take one.
00:40:13What's your story, then, Tori?
00:40:17My story?
00:40:19Yeah.
00:40:20You rock up as an intern, you've got this whole
00:40:21Detsy-but-in-control thing going on.
00:40:25but I know nothing about you.
00:40:30I'm sorry, I'm really not interested.
00:40:33Excuse me?
00:40:35I'm just here to do my job.
00:40:38Oh yeah?
00:40:40You suddenly want to become a cinematographer
00:40:42as soon as there was a chance to be alone?
00:40:45I do want to be a cinematographer.
00:40:55Veronica!
00:41:01I'm not done here!
00:41:03Where are you going?
00:41:05Veronica!
00:41:22What was that?
00:41:24Stop.
00:41:27Normal rustling to be found in any normal forest?
00:41:30No.
00:41:31No, it was something else.
00:41:38Okay, I heard that.
00:41:40Hooey, I'm scared.
00:41:43Who's out there?
00:41:45Veronica!
00:41:48Stop being such a weird bitch!
00:41:53I think we should go.
00:41:54No, no, no, no.
00:41:55We're not going anywhere.
00:41:56Who are you?
00:41:58This cheesy giggling is just Veronica.
00:42:00Even though I've never heard her laugh a day in my life!
00:42:03The viewers will eat this shit up.
00:42:04Yeah, haha.
00:42:05Okay, we know it's you, Veronica.
00:42:06Just give us something so we can go back to camp.
00:42:12It's chilly.
00:42:13Hooey, please.
00:42:14I'll give it up, V.
00:42:15Just give us your little lighting trick or whatever it is you're planning.
00:42:20Is Michael there too?
00:42:21Was this all a set-up?
00:42:22Do you reckon this was all a set-up?
00:42:23Who reckon we should go?
00:42:24Fine.
00:42:25I'm quiet now anyway, she gave up.
00:42:43Were those here before?
00:42:44It's fine. I'm quiet now anyway. She gave up.
00:42:52Were those here before?
00:42:56Yeah, um...
00:42:59OK, let's go.
00:43:14Veronica, you scared me.
00:43:16And what?
00:43:17What's wrong with you? And where's Tori?
00:43:19How should I know?
00:43:20OK.
00:43:21Michael! Michael!
00:43:23If you're gonna snore, you're sleeping in Julian's house with the creepy dolls.
00:43:27What?
00:43:28What?
00:43:29What?
00:43:30What?
00:43:31What?
00:43:32What?
00:43:33What?
00:43:34What?
00:43:35What?
00:43:36What?
00:43:37What?
00:43:38What?
00:43:39What?
00:43:40What?
00:43:41What?
00:43:42What?
00:43:43What?
00:43:44What?
00:43:45Tori!
00:43:46What did I say before?
00:43:48I'm so sorry.
00:43:49We filmed the stairs.
00:43:50We don't make the stairs.
00:43:51I'm sorry, I'm sorry.
00:43:52I'm just...
00:43:53anxious of all this work stuff, you know?
00:43:55Yeah, of course.
00:43:56Anyway, do you get what you needed out there?
00:44:01Sure did.
00:44:02Great.
00:44:03Great.
00:44:04You know, I think it's really great.
00:44:06It's very creepy over there and we found Santana's doll and everything.
00:44:09Oh, cool.
00:44:10Maybe we can film that tomorrow.
00:44:11Yeah, cool.
00:44:12Great.
00:44:13Ah, Huey's camera.
00:44:14You can just put that over there with his things.
00:44:15Oh, they're not back yet?
00:44:16No.
00:44:17You know, I really admire you.
00:44:19You make everything so accessible and whenever you speak to anyone you do it with dignity.
00:44:25You're the reason I wanted this internship so badly.
00:44:26You're the reason I wanted this internship so badly.
00:44:28Yeah, you've been a great addition to the team too.
00:44:31Keep up the good work.
00:44:32Do you think you'll let me take some more shots?
00:44:33Oh, he's precious about his camera.
00:44:34Yeah, maybe I'll just wait up for him.
00:44:35I wouldn't.
00:44:36I wouldn't.
00:44:37I'd rather think what he's even doing out there.
00:44:38And, you know, maybe ask him tomorrow.
00:44:39Yeah.
00:44:40Maybe I'll just wait up for him.
00:44:41Yeah.
00:44:42Maybe I'll just wait up for him.
00:44:43I wouldn't.
00:44:44I'd rather think what he's even doing out there and, you know, maybe ask him tomorrow.
00:44:48Yeah.
00:44:49Yeah.
00:44:50Yeah.
00:44:51Yeah.
00:44:52So...
00:44:53So, should you just hang out for a little bit?
00:44:54Oh, yeah.
00:44:55Yeah.
00:44:56Yeah.
00:44:57Yeah.
00:44:58I'd rather think of what he's even doing out there and, you know.
00:45:02Um, maybe ask him tomorrow?
00:45:05Yeah.
00:45:06Yeah.
00:45:07So...
00:45:08Should you just hang out for a little bit?
00:45:17I really have to get on with these notes, Tori.
00:45:21Goodnight.
00:45:44Hello?
00:45:47Hello?
00:46:14Hello?
00:46:15Hello?
00:46:16Hello?
00:46:17Hello?
00:46:18Hello?
00:46:19Hello?
00:46:20Hello?
00:46:21Hello?
00:46:22Hello?
00:46:23Hello?
00:46:24Hello?
00:46:25Hello?
00:46:26Hello?
00:46:27Hello?
00:46:28Hello?
00:46:29Hello?
00:46:30Hello?
00:46:31Hello?
00:46:32Hello?
00:46:33Hello?
00:46:34Hello?
00:46:35Hello?
00:46:36Hello?
00:46:37Hello?
00:46:38Hello?
00:46:39Hello?
00:46:40Hello?
00:46:41Hello?
00:46:42Hello?
00:46:43Hello?
00:46:44Hello?
00:46:45Hello?
00:46:46Oh, shit.
00:46:54Jo.
00:46:57Everything okay?
00:46:58Yeah, I'm so sorry that your door scared me.
00:47:02Yeah, they have a tendency to do that.
00:47:09Do you want to come in?
00:47:11Um, I mean, sure.
00:47:13I just, I'm not sure if you'd rather be alone.
00:47:15And I know we said we'd come back in the morning.
00:47:19It's no trouble.
00:47:21I'll be glad of the company.
00:47:24Okay.
00:47:35I can't remember the last time I had someone here for tea.
00:47:39Well, I'm glad to be of service.
00:47:45Where did you find that?
00:47:58Oh, I just found out outside.
00:48:00Is it your daughter's?
00:48:02Yeah.
00:48:02Do you have Lily loved Johnny?
00:48:14Oh, yeah.
00:48:15I remember now.
00:48:17It was sometimes friend Lily's.
00:48:20She must have dropped it the last time she was here.
00:48:22They used to play outside together all the time.
00:48:28And Johnny?
00:48:32Yeah.
00:48:33And Johnny.
00:48:36Little Johnny.
00:48:36Yeah, such a crush on her.
00:48:44I know it's not the same thing, but I live alone, too.
00:48:48So I know what it's like to be alone.
00:48:52Actually, I just throw myself into work, you know.
00:48:56I don't really have any family.
00:48:58Well, the crew, they're like my family, you know.
00:49:01I don't think they realise just how much they mean to me.
00:49:07Family is important.
00:49:10And, you know, the best thing about family
00:49:12is that you can always make your own.
00:49:17They don't have to be blood.
00:49:18You know, there is a difference
00:49:25between being alone and feeling lonely.
00:49:31I don't feel lonely.
00:49:35I feel Santana's spirit all around me every day.
00:49:41I feel her warmth.
00:49:43That's nice.
00:49:48Look, I know you'd rather stay outside with your friends.
00:49:57Buy some extra blankets you can take.
00:50:00If you like.
00:50:01That would be lovely.
00:50:48We used to sit outside
00:50:57and wrap ourselves in this blanket.
00:51:00It was Santana's favourite.
00:51:04It's lovely and warm.
00:51:05Um, I wouldn't, without your permission, of course,
00:51:27but I just wondered if you had any photos of Santana.
00:51:31You know, it brings a story so far to life
00:51:35when there's a place.
00:51:37You know?
00:51:38Mm-hmm.
00:51:41I have many.
00:51:45I used to look at them every day.
00:51:47But it was too painful to see her face.
00:51:52Yeah, I understand.
00:51:56I have some locked away.
00:51:59Yeah.
00:51:59It's getting easier to think about looking at them again.
00:52:01You mentioned before that Santana, you know, sees through dolls.
00:52:08What do you want to know?
00:52:09Um, like, what she's looking for?
00:52:16Not what.
00:52:19Who?
00:52:20She's looking for someone.
00:52:24Santana was a very curious girl.
00:52:26She liked to sit in the forest and watch when we would have visitors.
00:52:33She used to sit there for hours
00:52:34and just stare.
00:52:38Her and her sister would stay out there for hours.
00:52:41Her sister?
00:52:43Wait.
00:52:44Is she alone?
00:52:47Does she nip here?
00:52:50How old is she?
00:52:51No.
00:52:51I'm sorry, Jo.
00:53:06This is all very emotional.
00:53:09It's okay.
00:53:10Um, I should get going because we have a really early start in the morning and...
00:53:14You know I'd never hurt you, Jo.
00:53:19Thanks for the tea, Julia.
00:53:21Don't forget this.
00:53:29Good night.
00:53:31Sweet dreams.
00:53:32Sweet dreams.
00:53:51Slow dreams.
00:54:05Sweet dreams.
00:54:14You gotta go.
00:54:15Hey, sweetheart.
00:54:15Okay.
00:54:16Skea-
00:54:17Santana?
00:54:23Will you be my darling friend?
00:54:36You alright, Michael?
00:54:39What's that place for?
00:54:43She's done blue!
00:54:46I'm the director, I have to be grumpy.
00:54:50Morning, guys.
00:54:54We need to be getting those shots up at the house right now.
00:54:56The boat's coming in two hours. I can't believe this.
00:54:59Huey and Sadie are still sleeping or...?
00:55:03They didn't come back in last night.
00:55:04What?
00:55:05You didn't see the media?
00:55:07No, I was writing some notes and I went straight to bed.
00:55:11I knew it was a bad idea to keep hiring them both.
00:55:14Ever since they got together they've been wandering off every five minutes canoodling.
00:55:19No, this isn't like them.
00:55:21We should go and look for them.
00:55:22No, no, we're not wasting any more time.
00:55:24Toy, Toy, you've got the camera there, right?
00:55:27Yeah.
00:55:28How do you feel about taking over?
00:55:29I'd love it.
00:55:30Whoa, whoa, whoa, whoa, whoa.
00:55:32What about sound?
00:55:33I know I torture Huey and Sadie but they are the best.
00:55:37And they could be in trouble.
00:55:40Maybe Action Man came back for Huey?
00:55:43We don't know what's out there.
00:55:45Please, they'll be fine.
00:55:46They probably got busy in the woods and then fall asleep or something.
00:55:49I mean Huey definitely has but poor Sadie.
00:55:53Okay.
00:55:55Look, me and Toy are going up at the house to speak to Julian.
00:55:59You two find those other idiots and meet us there.
00:56:04If those two are having tea with Julian right now, I swear I'll kill them both.
00:56:09Tea with Julian?
00:56:11Yeah, sorry. It's a bit too normal.
00:56:14Go.
00:56:16Don't get paid enough for this.
00:56:19I think I should get paid a little more taking on these extra responsibilities.
00:56:24This counts as ad hoc.
00:56:45Zero.
00:56:52Zero.
00:57:01Zero.
00:57:03Green!
00:57:05Zero.
00:57:07Zero.
00:57:10Two.
00:57:13Two.
00:57:15We did say we'd be back to him this morning, right?
00:57:24Yeah.
00:57:43Fuck this.
00:57:45Julian?
00:57:46It's Michael, the director.
00:57:47I'm coming in.
00:57:48Julian?
00:57:49It's Michael, the director.
00:57:50I'm coming in.
00:57:51Julian?
00:57:52Julian?
00:57:53Julian?
00:57:54Julian?
00:57:55I'm coming in.
00:57:56I'm coming in.
00:58:02I'm coming in.
00:58:03I'm coming in.
00:58:05I'm coming in.
00:58:08Julian?
00:58:09Julian?
00:58:10Julian?
00:58:12Jillian!
00:58:42Fuck.
00:59:12I don't know.
00:59:42I don't know.
00:59:49Ad-hoc.
00:59:50Fucking cheapskate.
01:00:12Did I do good, Dad?
01:00:17We're proud of you.
01:00:19You don't say much for your sister.
01:00:28Huey!
01:00:29Sadie!
01:00:32You better be decent by the time I find you.
01:00:36What if something's happened to them?
01:00:37What if an animal got to them?
01:00:39An animal?
01:00:41Yeah, well, something's not right.
01:00:43Something's happened.
01:00:44Relax.
01:00:45They'll be fine.
01:00:46They're cringe little idiots and they love each other.
01:00:48They're probably trying to sneak past us while pulling on their clothes on right now.
01:00:53Huey!
01:00:54Sadie!
01:00:55That was us once.
01:00:56What?
01:00:57Cringe little idiots who love.
01:00:59Veronica, this isn't the time.
01:01:00Come on.
01:01:01I'm just saying.
01:01:02Try and remember how great it was.
01:01:03Well, the way I remember it, it wasn't great but fun.
01:01:04I don't understand the fucking nothing reasoning why you ended it, though.
01:01:08But it's cool.
01:01:09Don't worry about it.
01:01:10I don't wonder what was going on in your head anymore.
01:01:11I'm over it now.
01:01:12Well, if you didn't know, that says it all, doesn't it?
01:01:13Keep going home alone and telling yourself that.
01:01:14Don't you?
01:01:15Hi, Joe.
01:01:16great fun I don't understand the fucking nothing reasoning why you ended it though
01:01:22but it's cool don't worry about it I don't wonder what was going on in your
01:01:27head anymore I'm over it now well if you didn't know then that says it all
01:01:32doesn't it keep going home alone and telling yourself that don't you
01:01:46you to be my doll you should come with me
01:01:50is she for real Santana I saw her last night
01:01:58Santana think fast
01:02:07it's just a fucking dolly I sliced that bitch open like I did to mine when I was a kid
01:02:15you don't sound very nice oh I'm not you should go you should come with me
01:02:25Joe she's not going anywhere with you
01:02:28she is
01:02:31nice
01:02:32put it back to this way
01:02:44I'm
01:02:46I'm
01:02:48I'm
01:02:50I'm
01:02:52I'm
01:02:54I'm
01:02:56I'm
01:02:58I'm
01:03:00I'm
01:03:02I'm
01:03:06I'm
01:03:08I'm
01:03:10I'm
01:03:18I'm
01:03:50Michael?
01:03:52Michael?
01:03:54Michael?
01:03:56Michael?
01:03:58Michael?
01:04:00Michael?
01:04:02Michael?
01:04:06Michael?
01:04:10I don't know.
01:04:40I don't know.
01:05:10I don't know.
01:05:40I don't know.
01:06:10I don't know.
01:06:40I don't know.
01:06:42Veronica, can you hear me?
01:06:44Veronica!
01:06:46Oh my god.
01:06:52Are you okay?
01:06:54I feel like shit.
01:06:58I think they killed Michael.
01:07:04Here inside it too.
01:07:06Get us out of here, okay?
01:07:10We just have to find Dorian.
01:07:14Oh, hi!
01:07:16I don't know.
01:07:18I'm hearing aids.
01:07:20Nope!
01:07:22Hi Veronica!
01:07:24I'm sorry about this, Joe.
01:07:26We filmed the scares, we don't make the scares.
01:07:28I tried to make sure I didn't frighten you.
01:07:30I hope Julian's other daughter.
01:07:32I knew you'd work it out.
01:07:34You're so smart, Joe.
01:07:36What's going on there?
01:07:38What other daughter?
01:07:40Surprise!
01:07:42He had two daughters.
01:07:44Well, you brought us here.
01:07:46So desperate for your big story.
01:07:48My dad found you though.
01:07:50Your series is okay by the way.
01:07:52I think I could do better.
01:07:54You look so much like our Santana.
01:07:56See?
01:07:58That's me and dad.
01:08:00Oh my god.
01:08:02Do you know what could be amazing?
01:08:04If we could turn this into a documentary.
01:08:06I mean, we wouldn't be able to show it to anyone, of course.
01:08:09But it would be amazing, wouldn't it?
01:08:11Then me and Santana could look back at it.
01:08:14You're fucking insane.
01:08:17We're so happy to have you here, Joe.
01:08:20We've been looking for a body for Santana for a long time.
01:08:23She's quite picky.
01:08:25But she really seems to like you.
01:08:27Aurora's here, leading us to our deaths.
01:08:30How could you?
01:08:31Not your death, Joe.
01:08:33We could never hurt you.
01:08:35But yeah, what about everyone else?
01:08:37We don't need them, do we?
01:08:38We have each other.
01:08:40You stupidity, you fucking bitch!
01:08:43Bring your stuff, sister, and I'm gonna fuck her up.
01:08:47Then it'll be your turn.
01:08:49You're so angry, Veronica.
01:08:51Do you know how much I fantasize about breaking your neck?
01:08:59I mean...
01:09:01Victoria, it's just me you want, isn't it?
01:09:05So just let her go.
01:09:06Please.
01:09:07If you want time, you're gonna...
01:09:09Why is that bitch I...
01:09:10Veronica!
01:09:11Veronica!
01:09:12So...
01:09:13Victoria, it's just me you want, okay?
01:09:17If you don't need her, so just let her go, please.
01:09:20No, actually, we need her.
01:09:24You see, for Santana to take her new body, we need a sacrifice.
01:09:28Guess who that is?
01:09:30I think that would be my favorite part.
01:09:38No!
01:09:39No!
01:09:42Tori, that's enough!
01:09:44I'm sorry I had to do all of this, girls.
01:09:58I thought I could just take two lives and it'd all be over.
01:10:02But I've had to kill and kill again!
01:10:10We have needed Santana's blessing and that has been difficult.
01:10:15Her spirit has grown very powerful and very unsettled.
01:10:18It's taken a lot of work to find someone she approves of.
01:10:22You should be honored, Jo.
01:10:25You're both fucking crazy!
01:10:27No!
01:10:28No!
01:10:29No!
01:10:30No!
01:10:31No!
01:10:32No!
01:10:33No!
01:10:34No!
01:10:35Why me?
01:10:36Why?
01:10:41Santana went missing one morning.
01:10:43The last time I saw her, she was playing happily in her favorite spot.
01:10:49The next thing I know, I find her drowned in the river.
01:10:54It fucking destroyed me!
01:10:58I didn't protect her!
01:11:01I failed as a father.
01:11:06The years passed and my pain only got worse!
01:11:09I couldn't be the father to Tori that I wanted to be because of it.
01:11:19I needed to do something.
01:11:32The pain.
01:11:34The grief.
01:11:35I'm sorry, all of that cursed Santana's soul.
01:11:39It was my fault!
01:11:45I made her a temporary body.
01:11:48Now all I can do is free her.
01:11:52She is trapped.
01:11:54And she will stay trapped until she finds the perfect place.
01:11:58And she does have to be perfect.
01:12:00You're never even more.
01:12:09No!
01:12:10No!
01:12:11No!
01:12:12No!
01:12:13No!
01:12:14No!
01:12:15No!
01:12:17No!
01:12:19No!
01:12:20you. As soon as I heard your voice, before I ever saw your pace, I just knew. You are
01:12:29everything I imagined Santana to be, if she had lived. Santana knew too.
01:12:37Now we can begin.
01:12:55Please let us go. Please, Julian, please.
01:13:07Please, please just let us go. Please.
01:13:37As we flood, run in the trap, souls find a crack to escape.
01:13:58Tori, focus!
01:14:01No!
01:14:05You fucking bitch!
01:14:12What have you done? You spoiled the blood of the sacrifice.
01:14:22No, I didn't. They can drink from the same cup.
01:14:24They cannot drink the mixed blood, you fool! Fuck!
01:14:28Forgive me.
01:14:35We finished this. We will have our Santana back.
01:14:42No!
01:14:43No!
01:14:44No!
01:14:45No!
01:14:46No!
01:14:47No!
01:14:48No!
01:14:49No!
01:14:50No!
01:14:51No!
01:14:52No!
01:14:53No!
01:14:54No!
01:14:55No!
01:14:56No!
01:14:57No!
01:14:58No!
01:14:59No!
01:15:00No!
01:15:01No!
01:15:07No!
01:15:09No!
01:15:10No!
01:15:11No!
01:15:12Joe!
01:15:20Joe!
01:15:36Joe!
01:15:40The longer you die,
01:15:42it will only get worse for you!
01:15:50Where is she?
01:16:10Where are you?
01:16:12Where are you?
01:16:14I need you farewell!
01:16:16I am everywhere!
01:16:18Everywhere!
01:16:20Everywhere!
01:16:22Where are you?
01:16:24I need you farewell!
01:16:26I am everywhere!
01:16:28Everywhere!
01:16:30Joe!
01:16:32Joe!
01:16:34Joe!
01:16:36Joe!
01:16:38Joe!
01:16:40Joe, I love a chase!
01:16:44Joe!
01:16:46Joe!
01:16:48Joe, come out!
01:16:50Come out!
01:16:52Come out, Joe!
01:16:54Joe!
01:16:56Joe!
01:16:58Joe!
01:17:00Joe!
01:17:02Joe!
01:17:04Joe!
01:17:06Joe!
01:17:08Now you're in here!
01:17:10I'm coming for you!
01:17:12Joe!
01:17:14Who's your sweet...
01:17:16Joe!
01:17:18Joe!
01:17:20He's out!
01:17:22Joe!
01:17:24Joe!
01:17:26Joe!
01:17:28Joe!
01:17:30Joe!
01:17:32Oh, my God.
01:18:02What have you done?
01:18:10You killed my dad.
01:18:11He wasn't well, Tori.
01:18:13How many people did he kill?
01:18:14He did what he had to.
01:18:16All he wanted was for us to be a family again.
01:18:18Look, I'm going to cow up here.
01:18:21You can come too, you little girl.
01:18:24You're not going anywhere.
01:18:27You know what?
01:18:28I used to think you were so amazing.
01:18:30I couldn't wait for us to be sisters,
01:18:32to get my Santana back,
01:18:33but you're not worthy of her.
01:18:35She must have been so special for you
01:18:37to go to the camp before her.
01:18:37She was my best friend.
01:18:39I didn't mean for her to die.
01:18:44You killed her?
01:18:47It was an accident.
01:18:48She fell, and I couldn't save her.
01:18:51But she fell because of me,
01:18:52so I have to do this for her.
01:18:54Tori, look, you're not a bad sister, okay?
01:18:56You're not.
01:18:56You're good?
01:18:57I'm good.
01:18:58Now, here we can go.
01:18:59You can start fresh.
01:19:00You can start new.
01:19:03I killed Michael too.
01:19:07I meant that one.
01:19:08I meant that one.
01:19:08I'm sorry if you're Daniel's sister,
01:19:37but it's over.
01:19:39You're not necessary.
01:19:48You're so pretty, Jo.
01:19:52I can't wait for you to be my doll.
01:20:07I can't wait for you to be my doll.
01:20:23I can't wait for you to be my doll.
01:20:25You're so pretty.
01:20:26I can't wait for you to be my doll.
01:20:29For more information visit www.fema.gov
01:20:59You're so pretty. Thanks for being my doll.
01:21:29You're so pretty.
01:21:59You're so pretty.
01:22:29You're so pretty.
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