- 2 giorni fa
film horror in italiano
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00:00:07Musica
00:00:58Musica
00:01:28Musica
00:01:58Musica
00:02:28Musica
00:02:58Musica
00:03:08Musica
00:03:09Musica
00:03:12Musica
00:03:14Musica
00:03:18Musica
00:03:23Musica
00:03:24Musica
00:03:28Musica
00:03:29Musica
00:03:30Musica
00:03:31Musica
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00:03:35Musica
00:03:36Musica
00:03:39Oh my god
00:03:41I don't know where he came from
00:03:45I didn't see anyone
00:03:49I don't know where I don't know where he came from
00:03:52Oh my god
00:03:55Where did he come from
00:03:56What happened here
00:04:02I don't know what to do
00:04:05Musica
00:04:05Musica
00:04:15Grazie a tutti.
00:04:37I've got to go back. I've got to. She's still back there. I've got to go back.
00:04:41Just relax, son. Just relax.
00:04:43I've got to go back. I've got to go back. She's still there.
00:04:47This won't hurt.
00:04:54That's the point.
00:05:01What's your name?
00:05:04Jason.
00:05:04Jason. Jason Grant.
00:05:08You live at home with your folks?
00:05:10Uh, no.
00:05:12Let me ask you this.
00:05:14Is there anyone to care for you while you're recuperating?
00:05:20Janet?
00:05:22Janet? Janet who?
00:05:25Janet Wells.
00:05:43Janet Wells.
00:05:45You don't understand. I've got to go back. She's still there.
00:05:48Just calm down. Calm down.
00:05:51What do you do, Jason?
00:05:53Me? I'm a student.
00:05:56What are you studying?
00:05:57I'm an art student.
00:06:01Two weeks.
00:06:04Was it only two weeks ago that all this began?
00:06:07Oh, you, man.
00:06:09Wasn't funny.
00:06:10Oh, yeah.
00:06:23Oh, yeah.
00:06:34Been there.
00:06:35Oh, yeah.
00:06:37들려� was desperate.
00:06:46Sì, Sì, Sì, Sì, hai un po' di talento, sì, molto bene.
00:06:52Se non spendo più tempo a essere bello, hai più tempo per il vostro drawing.
00:06:59È davvero buono, Janet.
00:07:02Grazie, Marika, ma potrebbe essere meglio.
00:07:07Sì, Sì, Sì, Sì.
00:07:35Hey, Janet, I'm really starving, let's go eat.
00:07:38Food? Did I use someone say food?
00:07:40That's a wonderful idea.
00:07:41Who invited you?
00:07:43Ah, here it goes again, Mr. Instant Uptight.
00:07:46Scotty is coming because I invited him.
00:07:49Okay.
00:07:50Come on, let's go.
00:07:55Hey, Marika.
00:07:56Yes, Janet.
00:07:56Would you care to join us?
00:07:58Well, I'd love to.
00:07:59But maybe you three would like to be alone for change, hmm?
00:08:01Ha, ha, ha.
00:08:02Come on.
00:08:15Who's there?
00:08:31Where are you?
00:08:59e dove pensi che sei andato?
00:09:00con te, dove pensi che sei andato?
00:09:02Not tonight, Jason
00:09:04What do you mean?
00:09:06Look, I'm tired, I'm dirty
00:09:09I want to go to sleep
00:09:10Good, it just so happens I'm tired and dirty
00:09:12And I could use a good night's sleep
00:09:14Then you'd better go home
00:09:16Because I feel like painting for a few hours
00:09:18First you say you want to sleep
00:09:19And then you say you want to paint all night
00:09:21What are you trying to tell me?
00:09:23Look, I just feel like being alone for one night
00:09:27Sometimes I wonder why you bother to pay rent
00:09:29On that apartment of yours
00:09:30What are why? I just as soon give it up
00:09:32We can be living proof that two can live as cheap as one
00:09:36Dead proof
00:09:36My parents come into town for a little visit
00:09:39We can take care of them
00:09:41How?
00:09:42By making it all legal
00:09:44Please don't start that again
00:09:46Why, you love me, don't you?
00:09:48Of course I do
00:09:49Well?
00:09:51I just don't know if I'm ready to play housewife yet
00:09:53And you never will be if you keep analyzing everything
00:09:57I just feel something's missing, that's all
00:10:00I don't intend going on like this forever
00:10:02Try and hold out a little while longer
00:10:05Yeah, well you just go out in the house there
00:10:07And paint your masterpiece
00:10:08Okay, you'll never change
00:10:11See you tomorrow
00:10:23As soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as soon as soon as soon as soon as soon as soon as soon
00:10:26as soon as soon as soon as .
00:10:26Sì, sì, sì.
00:11:04Sì, sì.
00:11:27Sì, sì.
00:11:41Sì, sì.
00:11:43Sì, sì.
00:11:55Sì, sì.
00:12:20Sì, sì.
00:12:27Sì.
00:14:08Sì.
00:14:09Sì.
00:14:10Sì.
00:14:11Sì.
00:14:12Sì.
00:14:13Sì.
00:14:44Sì.
00:15:30Sì.
00:15:32Sì.
00:15:34Sì.
00:15:35Sì.
00:15:35Sì.
00:15:35Sì.
00:15:39Sì.
00:15:40Sì.
00:15:40Sì.
00:15:43Sì.
00:15:44Sì.
00:15:45Sì.
00:15:47Sì.
00:15:50Sì.
00:15:51Sì.
00:15:55Sì.
00:15:56Sì.
00:15:59Sì.
00:16:01Sì.
00:16:01Sì.
00:16:01Sì.
00:16:03Sì.
00:16:33Sì.
00:16:38Sì.
00:16:51Sì.
00:16:52Sì.
00:16:54Sì.
00:16:55Sì.
00:16:55Sì.
00:16:56Sì.
00:16:56Sì.
00:16:57Sì.
00:16:57Sì.
00:17:00Sì.
00:17:02Sì.
00:17:05Sì.
00:17:06Sì.
00:17:07Sì.
00:17:08Sì.
00:17:12Sì.
00:17:15Sì.
00:17:15Sì.
00:17:17Sì.
00:17:19Sì.
00:17:20Sì.
00:17:21Sì.
00:17:30Sì.
00:17:34Sì.
00:17:34Do you know what I mean?
00:17:36You know, I don't understand you.
00:17:38If you love someone,
00:17:40I mean really, really love someone,
00:17:43then you take them as they are.
00:17:47You sound like an expert.
00:17:50Maybe I am.
00:18:05Want some more wine?
00:18:07Okay.
00:18:16Didn't you like it?
00:18:17What's that?
00:18:19My spaghetti sauce.
00:18:21Mmm.
00:18:22It was good.
00:18:24Very good.
00:18:26You eat so fast.
00:18:27How could you taste it?
00:18:30Can't you find a subject more suitable for your talents?
00:18:33Like what?
00:18:40Like me, for instance.
00:18:42It won't be still long enough.
00:18:47That's not what you said last week.
00:19:00I'm so sleepy.
00:19:04Amen.
00:19:10Ah!
00:19:12You really got it made, buddy.
00:19:15All right.
00:19:33All right.
00:19:34All right.
00:19:55This summer, as soon as school is out,
00:19:57we are going to Spain.
00:19:59We're going to rent a little house on the beach
00:20:01Paint, fish and live off the fat of the land
00:20:04I can't go
00:20:04I can't go
00:20:08What do you mean?
00:20:09I've signed up for the anatomy course this summer
00:20:13I'll give you all the anatomy lessons you need
00:20:20All right, what's the matter?
00:20:22Nothing
00:20:22Come on, what is it?
00:20:24I don't know, I guess I just stopped to think too long
00:20:27What are you thinking about?
00:20:28About my work, mostly
00:20:30Oh, your work
00:20:32Well, don't say it like that
00:20:33Well, how am I supposed to say it?
00:20:35I don't know, but not like that
00:20:40How about, um
00:20:43Oh, your work
00:20:47Oh, your work
00:20:49Oh, your work
00:20:51You asked me what's wrong, didn't you?
00:20:53I want to paint too
00:20:55Only I don't let it eat up my whole life the way you do
00:20:58We're different, that's all
00:21:00I take my work seriously
00:21:02I know
00:21:02I'll never be the greatest painter that ever came along
00:21:05But I'll make a damn good illustrator
00:21:06And that's better than being some tormented Van Gogh
00:21:10Why do you paint?
00:21:11Why don't you be a plumber?
00:21:14Well, maybe I would be a plumber
00:21:16If I thought it would make me happy
00:21:18Well, what's happy anyway?
00:21:20I don't know
00:21:21But you keep running at this rate and you're going to burn yourself out
00:21:24That's my problem
00:21:26People can't keep up with that kind of running
00:21:28Then I'll leave them behind
00:21:30Isn't that kind of, um, callous?
00:21:33Just honest
00:21:34Won't you be lonely?
00:21:36Who isn't?
00:21:42Even now?
00:21:46Even now
00:22:06I don't know
00:22:09I don't know
00:22:28Grazie a tutti.
00:22:59Grazie a tutti.
00:23:19Grazie a tutti.
00:23:36Grazie a tutti.
00:23:38Grazie a tutti.
00:23:41Grazie a tutti.
00:24:36Grazie a tutti.
00:24:45Grazie a tutti.
00:25:04Grazie a tutti.
00:25:47Grazie a tutti.
00:26:45Grazie a tutti.
00:27:20Grazie a tutti.
00:27:47Grazie a tutti.
00:28:22Grazie a tutti.
00:28:45Grazie a tutti.
00:29:20Grazie a tutti.
00:29:21Grazie a tutti.
00:29:23a tutti.
00:29:31Grazie a tutti.
00:29:33Grazie a tutti.
00:29:46Grazie a tutti.
00:29:47a tutti.
00:30:32Grazie a tutti.
00:30:50Grazie a tutti.
00:31:01Grazie a tutti.
00:31:03?
00:31:41a tutti.
00:31:44...
00:31:44...
00:31:44...
00:31:44...
00:31:48...
00:31:50...
00:31:51...
00:31:51...
00:31:51...
00:32:21...
00:32:28.........
00:32:30...
00:32:30......
00:32:31...
00:32:32...
00:32:32...
00:32:34...
00:32:34...
00:32:36.........
00:32:37...
00:32:38...
00:32:38...
00:32:38...
00:33:08......
00:33:14.........
00:33:16...
00:33:30...
00:33:32...
00:33:32Cosa?
00:33:42Sì, qui?
00:34:02I'm frightened of you, I'm sorry.
00:34:05It's just that I was expecting someone else.
00:34:08I had a feeling you might be here.
00:34:12But I didn't even know I'd be coming here until a little while ago.
00:34:15You seem to be working.
00:34:18Am I interrupting?
00:34:20I wish you were.
00:34:22I guess I lost my inspiration on the way over.
00:34:25I've come at an opportune time then.
00:34:28I had a feeling you understood my work.
00:34:33Your face intrigued me so that...
00:34:37that I did this for you.
00:34:49I feel so strange.
00:34:53Like a nightmare that I don't want to think about.
00:34:59I can't help being attracted by it.
00:35:02It's yours.
00:35:04Oh, but you can't.
00:35:05Oh, please, it was done for you.
00:35:08And yet...
00:35:10I will always possess it.
00:35:13In my own way.
00:35:15I know what you mean.
00:35:16It's just the same for me.
00:35:18What you paint has to become part of you or it can't be any good.
00:35:22Of course.
00:35:24Which is why calling this a nightmare seems so strange to me.
00:35:28I'm sorry.
00:35:30You need be.
00:35:32You see, yesterday's nightmare is today's dream.
00:35:37And tomorrow's reality.
00:35:40Well, today's reality is that I can't work and that's a nightmare to me.
00:35:46Do you ever have that problem?
00:35:48If you know what you're attempting to accomplish, then there is no problem.
00:35:52What if you're not certain?
00:35:54Then find out.
00:35:57But without the answer to that, you're lost.
00:36:00I know.
00:36:02But my life is so full of confusion, I can't see through it sometimes.
00:36:06Then find a way out of the confusion.
00:36:10Have you found a way out to do this?
00:36:15If you go beyond imagination and create an entirely new world,
00:36:20then the one you have left becomes far less real than the one you have found.
00:36:27Even if you have to build that new world yourself.
00:36:31I wouldn't even know where to begin.
00:36:33Never worry about the beginnings.
00:36:35It's the work itself that gives us meaning.
00:36:38But your work means so much to you.
00:36:42Yes.
00:36:44I would do anything for my work.
00:36:48Oh.
00:36:50Excuse me.
00:36:52I'll wait for you outside.
00:36:53No, no.
00:36:54Please stay.
00:36:56I was just leaving.
00:36:59Haven't we met?
00:37:00That's right.
00:37:01We met the other day.
00:37:03Jason's in class with me.
00:37:06How fortunate for him.
00:37:08Well,
00:37:10I must be going.
00:37:11Good night, Mr. Butler.
00:37:13Thank you for the painting.
00:37:15I hope I'll see you again soon.
00:37:18I hope so.
00:37:28Well, well, well, well.
00:37:29Haven't we become cozy all of a sudden?
00:37:33Don't start that again, Jason.
00:37:35Well, what in the hell was he doing here anyway?
00:37:37He just came by to give me this.
00:37:40Good Lord.
00:37:42He must be joking.
00:37:46Good Lord.
00:37:49Good.
00:37:50Good.
00:37:59Come on, come on.
00:38:29Grazie a tutti
00:39:06Grazie a tutti
00:39:30Grazie a tutti
00:39:37Grazie a tutti
00:39:53Grazie a tutti
00:39:56Grazie a tutti
00:40:30Grazie a tutti
00:40:33Grazie a tutti
00:41:01Grazie a tutti
00:41:24Grazie a tutti
00:41:53Grazie a tutti
00:41:56We're the Girl Scouts
00:41:56We're gonna get stoned
00:41:58That's my girl
00:41:59Always prepared
00:42:30Grazie a tutti
00:43:38Don't talk to me
00:44:08She wants to talk to me
00:44:09This time
00:44:44come on lean back
00:44:51Jason this might hurt a bit
00:44:53good things have been going too well lately
00:44:56getting sorry for ourselves are we
00:44:58don't want to play with the other children anymore
00:45:03you're really very sweet you know that
00:45:06and you're very upset
00:45:10that's got nothing to do with it
00:45:35I'm sorry
00:45:38why Jason
00:45:40this might sound phony to you
00:45:42but you deserve better
00:45:44but Jason I don't understand
00:45:47now listen we could spend the night together
00:45:50and it would be beautiful
00:45:52but tomorrow I just want to go back to Janet
00:45:55you see what I mean
00:45:57I hope you know what you're doing
00:46:00so do I
00:46:03well I guess I better be going
00:46:05are you sure you don't mind being alone
00:46:08not tonight
00:46:11Jason
00:46:21Jason call me in the morning
00:46:25I will
00:46:41thanks
00:46:43for what
00:46:45just thanks
00:46:49I guess he really brought you down
00:46:52sure brought me down the hard way
00:46:55hey I'm sorry
00:46:56I guess I just don't know when to shut up
00:47:00not your fault
00:47:02I just never thought he had it in him
00:47:07you know you never cease to amaze me
00:47:10I mean every time I stick my big foot in my mouth
00:47:12you always come to my rescue
00:47:14I really don't know what I've done to deserve it
00:47:17you say you're lucky
00:47:20it's kind of strange
00:47:20it's kind of strange isn't it
00:47:21how we all use something for a crutch
00:47:23I mean I'm always the instant clown
00:47:25and you're always hiding behind your canvases
00:47:29why don't you stop playing games
00:47:30and take up painting seriously
00:47:34maybe I will someday
00:47:41do you think you could take me home now
00:47:45well I will if you'll promise
00:47:47we can get together again sometime
00:47:48I mean even if it's just a sudden talk
00:47:51I'll think about it
00:47:54Jenna before we go
00:47:55there is one thing I would like to say though
00:47:58there's a crab crawling across your foot
00:48:00oh now you've done it
00:48:02I'll never find him in this dark
00:48:10where are you?
00:48:15here's Caesar
00:48:17Janet?
00:48:20Janet!
00:48:22Caesar?
00:48:25get him get him get him
00:48:30where are you?
00:48:33Janet!
00:48:36Janet!
00:48:39Jesus!
00:48:41where are you?
00:48:44oh!
00:48:50oh!
00:48:52oh!
00:48:53oh!
00:48:55oh!
00:48:56oh!
00:48:56oh!
00:48:57oh!
00:48:58oh!
00:49:02oh!
00:49:16No.
00:49:17Non ancora risponde.
00:49:18Non.
00:49:21Probabilmente si è venuto a visitare i miei i miei i miei i miei.
00:49:23Ma perché non ha detto qualcosa?
00:49:25Non lo so.
00:49:27Si, sarà un paio di qualche giorni.
00:49:29Si, magari.
00:49:39I'm so tired I could sleep for a year
00:49:44What the hell was that?
00:49:45The mouth feels like the bottom of a birdcage
00:49:48Hey babe, why don't you take me home to roost?
00:49:51Cool it, I've had enough baltons to one day
00:49:53Well, you're struck out again
00:49:57Hey, looks like someone didn't make it home last night
00:50:00Hey, maybe they stopped for a few weeks
00:50:02Let's get a little closer to the situation
00:50:04Now come on, maybe they want to be alone
00:50:07Do you see any do not disturb sign? Come on
00:50:10Shh, don't scare the daylight
00:50:13Come on, come on
00:50:18All right, that's big
00:50:19I'll count to three and then we'll give it to them, all right?
00:50:22Come on, one, two
00:50:30Jason, please
00:50:31We've been looking all afternoon, this isn't doing any good
00:50:34This is doing just fine
00:50:36When Janet can come back, she will
00:50:38Janet's not coming back
00:50:40But she doesn't like her parents enough to stay there for long
00:50:44Not only doesn't she like them enough to stay with them
00:50:46She doesn't like them enough to go there at all
00:50:48Oh, of course she did
00:50:49Don't tell me, I know
00:50:51I called them long distance
00:50:53Station to station
00:50:54And I spoke to the maid
00:50:55The maid
00:50:56No Janet, no parents
00:50:58One lousy maid
00:51:00Parents are in Europe
00:51:01Haven't heard from Janet
00:51:04Wherever she is, baby, she's not home
00:51:07Well, I'm sure there's a reason for it
00:51:09Of course, it's simple
00:51:11She's out expressing herself
00:51:13She's shacked up with somebody
00:51:15Jason, don't
00:51:17I'm just going to find her, that's all
00:51:21Do you have to drink like that?
00:51:23Marika, don't worry about me
00:51:25I'm just going to find her
00:51:33His neck's broken
00:51:46When did you see him last?
00:51:49Last night at the party
00:51:51Did he leave alone?
00:51:52No, he was with Janet
00:51:54Janet
00:51:55Janet?
00:51:56Janet who?
00:51:57Janet Wills
00:51:58What time did they leave?
00:52:00Well, I don't know
00:52:00It must have been early
00:52:01Because there was the fight
00:52:02A fight?
00:52:02A fight with who?
00:52:05Now, now, come on, son
00:52:07You know we're going to find out
00:52:08Sooner or later
00:52:10Now, who did he have the fight with?
00:52:15Jason
00:52:16Jason Grant
00:52:24Her dresses are here
00:52:26Her shoes are here
00:52:26Everything
00:52:32Jason, will you please sit down?
00:52:35I can't
00:52:36I've got to keep looking
00:52:42Jason, stop it!
00:53:01Listen, here's the book of Butler's drawings
00:53:05Let's see
00:53:10She said she wanted to see him again
00:53:12That was just to make you jealous
00:53:14Maybe not
00:53:23What are you looking for?
00:53:25I don't know
00:53:53Jason, where are you going?
00:53:57Don't ask me any questions, okay?
00:54:18I think you deserve an explanation
00:54:22You're here because
00:54:23You expressed an interest in my work
00:54:26And because I sensed an affinity within you
00:54:30I did not always paint this way
00:54:34Not so long ago
00:54:35There was a marked change in my approach
00:54:40Things were very different then
00:54:45My work was good
00:54:47Not well known, but it was good
00:54:53When my style changed
00:54:55No one took much notice
00:54:58Then they couldn't know when it really began
00:55:03It started with my hands
00:55:07They began to lose something
00:55:09They wouldn't move the way they should
00:55:13Not only the muscles, but the skin seemed to go bad
00:55:28There was something wrong with my face
00:55:30Nothing startling, but
00:55:33Something was definitely changing
00:55:41There was a doctor I heard about
00:55:44I thought he might be able to help
00:55:46His name was Garrison
00:55:56He was such a funny little man
00:55:58He didn't look much like a genius
00:56:00He was witty, friendly
00:56:04And then I showed him my hands
00:56:16He had no idea what could be done
00:56:18He told me that he wanted a few days with me for preparation
00:56:29I'll have to make more tests
00:56:30But it's obvious you have a progressive deterioration of the muscle tissue
00:56:35I can't paint, I can't work
00:56:38What can I do?
00:56:39Mr. Butler, please
00:56:40There must be something you can do
00:56:43Perhaps I spoke a little too abruptly
00:56:46There is a procedure I've experimented with
00:56:50Might prove useful in your treatment
00:56:53Then you must try it
00:56:55It's not that simple
00:56:56I said experiment
00:56:58There's no guarantee
00:57:00And it could prove dangerous
00:57:03I don't care, you must help me
00:57:07All right
00:57:08This is my address
00:57:11It's not easy to find
00:57:12You will come and stay with me for a few weeks
00:57:16But remember
00:57:17This must be done in complete privacy
00:57:29He was right
00:57:31His home was difficult to find
00:57:55His home was difficult to find
00:58:15Laura, this is Mr. Charles Butler
00:58:17He's going to stay with us for a while
00:58:19How do you do?
00:58:23I hope I won't be too much of a bother to you
00:58:26Oh, I'm sure you won't
00:58:28Actually, we're so isolated here
00:58:30I'll welcome the distraction
00:58:32Laura, why don't you show Mr. Butler to his room
00:58:35Mr. Butler
00:58:37Please
00:58:38Call me Charles
00:58:40Won't you come this way
00:58:42Charles
00:58:50It might have been the uncertainty of my condition
00:58:55But I recognized in Laura
00:58:59The quality I thought I would never again find in anyone
00:59:08Do you think he can cure me?
00:59:10He can do almost anything
00:59:13Is that why you married him?
00:59:15Perhaps
00:59:19What if he finds out?
00:59:20He won't
00:59:21He hardly knows I'm in the house
00:59:23But what would he do?
00:59:26You mean to us?
00:59:27Would he still try to cure me?
00:59:29Of course
00:59:31His whole life is in his work
00:59:34I know
00:59:36I used to feel the same way
00:59:39Now I'm beginning to realize how much I overlooked
00:59:42It wasn't really wrong
00:59:46I didn't care what Garrison would think
00:59:48There was no time to worry about that
00:59:51I'm going to give you a series of three injections
00:59:54Each one highly dependent on the other
00:59:57You see, the drug alters the form of the living tissue
01:00:02To the degree needed
01:00:03But compensates for the change
01:00:06Without being fatal to the tissue
01:00:08Now I'm going to give you an anesthetic
01:00:11When you wake up
01:00:13There'll be some pain and bandages
01:00:15Don't be alarmed
01:00:18I'm going to give you an anesthetic
01:00:47I'm going to give you an anesthetic
01:00:56Docter
01:00:57I want to see my face
01:00:59There's a mirror over there
01:01:01on the wall
01:01:15God mark the king
01:01:17I mark you
01:01:23Days went by
01:01:27Days filled with loneliness
01:01:29and despair
01:01:32Laura was gone
01:01:34Her screams still ringing in my ears
01:01:44At first I wanted to kill Garrison
01:01:49But seeing how pitiful he became
01:01:51when Laura left
01:01:53robbed me of the desire for revenge
01:01:56So we both stayed on in this house
01:02:00Tied together as if by some evil design
01:02:11Something snapped inside him
01:02:17He spent every moment at work in the laboratory
01:02:20Obsessed with trying to find a way to restore my face
01:02:24As though by so doing he could
01:02:27Bring Laura back
01:02:33One day I found canvases and paints in my room
01:02:39Garrison was not content to try to rehabilitate my face
01:02:43He had to have me back at work as well
01:02:51To my surprise
01:02:54I found myself starting to paint again
01:03:02When Garrison felt he had perfected his techniques
01:03:05He was eager to begin working on me
01:03:07The drug when injected into the skin
01:03:11Would break down the cell structure of the scar tissue
01:03:14So that it could be molded like a piece of clay
01:03:20He hoped over a period of weeks to
01:03:24Gradually reconstruct my face along its former lines
01:03:28For some unknown reason
01:03:32I felt compelled to deliver myself
01:03:34Into the hands of this man
01:03:36Who was responsible for my plight
01:03:44Meanwhile I was painting with an intensity
01:03:46I had never known before
01:03:48Out of the depths of my torment
01:03:51I had uncovered a part of my soul
01:03:53That had lain dormant
01:03:56I was seized with a desire to reveal it in my work
01:03:59Suddenly my canvases were ablaze
01:04:02With all the color and passion
01:04:03Which before they had lacked
01:04:06Weeks of treatments followed
01:04:08But Garrison's labors were beginning to bear results
01:04:13I knew then that I would stay on in this house
01:04:16And continue with my work
01:04:19For Garrison had placed in my hands
01:04:22It was the means with which I would shape a new world
01:04:27You, Janet
01:04:28Are a part of that world
01:04:31Why me?
01:04:32Why?
01:04:34I know that you're suffering
01:04:36That you see
01:04:38You have love and a place in our world
01:04:41You, Janet
01:04:42You, Janet
01:05:10You, Janet
01:05:22A presto.
01:05:42A presto.
01:05:43Open up! Get out here!
01:05:46Yes?
01:05:47I'm looking for Janet Wells. Who lives here?
01:05:50Janet Wells?
01:05:51Who lives here? Who are you?
01:05:54Me? Me? I'm Dr. Garrison.
01:06:00May I help you?
01:06:03I want Janet. Where is she?
01:06:05Janet?
01:06:06Janet. Oh, yes, of course. You're that young man from the school.
01:06:12You can go now.
01:06:15Please forgive him. We have very few visitors.
01:06:18To hell with that. Where's Janet?
01:06:21I can see that you're upset. Why don't you come in and sit down?
01:06:25Knock it off. Where's Janet?
01:06:28What makes you think I know where she is?
01:06:31She said she wanted to see you.
01:06:33I'd only be too happy to see her.
01:06:35But the fact is, I haven't seen her since the evening I saw you last.
01:06:40You haven't?
01:06:41Of course not.
01:06:43Did you two have an argument?
01:06:46I guess I was upset.
01:06:48Because she's always talking about you and your work.
01:06:51I'm flattered.
01:06:53But I hardly think you have reason to be jealous.
01:06:57How did you manage to find this place?
01:07:01One of your drawings.
01:07:02One of my drawings?
01:07:04Yes, there's a...
01:07:05There's a gazebo in one of them.
01:07:07I recognized it, so I came here.
01:07:10Very clever.
01:07:12Are you sure you wouldn't like to come in and have a drink?
01:07:16No, thank you. I have to keep...
01:07:22I've got to keep looking for Janet.
01:07:26There is one favor you can do for me.
01:07:29You see, I like to pick my company.
01:07:32So if you'd just keep my seat.
01:07:34Of course.
01:07:35And when you're feeling better, do come back.
01:07:37I will.
01:07:40Goodbye.
01:08:06What are you doing?
01:08:09But this is my laboratory.
01:08:14I realize that.
01:08:17But there are some preparations which I have to make.
01:08:20You've taken my home.
01:08:22You've stolen my work.
01:08:24I won't let you bring anyone else here.
01:08:26I can't let this go on.
01:08:31Don't worry.
01:08:33I'll see that you're well provided for.
01:09:04I'll see that you're well provided for.
01:09:06I'll see you.
01:09:07I'll see you.
01:09:08Yeah.
01:09:21Good morning.
01:09:32Grazie a tutti.
01:10:16Grazie a tutti.
01:10:18Grazie a tutti.
01:10:22Grazie a tutti.
01:10:25Grazie a tutti.
01:11:02Grazie a tutti.
01:11:33Grazie a tutti.
01:11:53Grazie a tutti.
01:12:23Grazie a tutti.
01:12:59The change has begun.
01:13:03I'll give him the second injection in four hours.
01:13:34Don't be afraid, Jason.
01:13:36I'll kill that man.
01:13:38I'll kill that man, I swear to God.
01:13:40You can't, what good would it do?
01:13:41Untie me, Janet.
01:13:42We'll get out of here together.
01:13:44Well, leave with me?
01:13:46Look at me.
01:13:47Do you still want me?
01:13:49Janet, help me?
01:13:50You've got to help me.
01:13:51Get me out of here.
01:13:52Have you had the first injection?
01:13:54What are you talking about?
01:13:56Janet, untie me.
01:13:57All right, come on.
01:14:06Come on, let's get out of here, quick.
01:14:07Yeah, go.
01:14:08I'll get out of here.
01:14:10I'll get out of here.
01:14:10Be careful, Jason.
01:14:13There may be some others down the stairs.
01:14:16I'll be back.
01:14:54I'll get out of here.
01:15:24Damn you, get out of my way.
01:15:25You can't leave now.
01:15:42I'll get out of here.
01:15:57I'll get out of here.
01:16:55I'll get out of here.
01:17:05I know this place. It's just outside of town.
01:17:09Do you have anything else in this possession, Doc?
01:17:14Oh, just some change, a bunch of keys.
01:17:16Nothing important.
01:17:17I want to see those later.
01:17:20How is he, Doc?
01:17:21I think he's going to be all right. He's got a slight concussion.
01:17:25Mr. We're going to keep him a few days for observation.
01:17:28Did he say anything?
01:17:29Not since last night, to my knowledge.
01:17:32He was in shock when they brought him in.
01:17:34He did keep murmuring something, though, about a house and a girl.
01:17:38Girl?
01:17:39Did he mention her name?
01:17:42Seems to me it was Janet.
01:17:44Oh, that would be Janet Wells.
01:17:46Look, Lieutenant, I know it's none of my business, but what is he wanted for?
01:17:50He's wanted in connection with a homicide and a missing person.
01:17:55The homicide is a friend of his, or was, and the missing person is his girlfriend, Janet Wells.
01:18:05Lieutenant Sheridan.
01:18:06Yes?
01:18:06I'm Marika Gold. How is he?
01:18:09I haven't seen him yet.
01:18:11Oh, Miss Gold, this is Dr. Capel.
01:18:13How do you do?
01:18:14Have you seen this drawing before?
01:18:16Yes.
01:18:17That's one of Charles Butler's drawings.
01:18:20But Jason took it with him when he left.
01:18:22Can we go in to see him now, doctor?
01:18:24I suppose you'll have to.
01:18:26But please, don't stay too long.
01:18:28Give us a chance to do our job, and then you can do yours.
01:18:31Okay.
01:18:45He's not in his room.
01:18:47That's not possible.
01:18:48Was anyone watching him?
01:18:49No, I didn't think that was necessary.
01:18:51I'll broadcast an alert.
01:18:52In the meantime, you check with your personnel to see if anyone saw him leave.
01:18:55He can't get far with that concussion.
01:18:57Maybe he didn't have too far to get.
01:19:29I'll broadcast an alert.
01:19:51Janet, Janet, Janet, are you in there?
01:19:55Janet, are you in there?
01:20:00Janet, where are you?
01:20:02Janet?
01:20:04No, no, no!
01:20:33No, no, no, no, no!
01:21:03No, no, no!
01:21:32No, no, no!
01:21:34No, no, no!
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