Rewatch This Space compiles all my horror related videos produced from 2024-2025.
ORIGINALLY PUBLISHED: October 28th 2025
#Horror #horrormovies #horrorfilms #thesubstance #sinners #mononoke #compilations
ORIGINALLY PUBLISHED: October 28th 2025
#Horror #horrormovies #horrorfilms #thesubstance #sinners #mononoke #compilations
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Short filmTranscript
00:24From Revenge Director
00:26Colleen Fargate comes The Substance, a body horror film about Elizabeth Sparkle, a celebrity
00:32fitness instructor, played by Demi Moore, who is given the sack when she hits 50. Desperate
00:37to reclaim her fame, she decides to take the titular drug known as The Substance, which
00:44grows a younger version of herself, called Sue, played by Margaret Cayley, who is both
00:50linked to her, but also very independent. Right from the get-go, I could tell this film
00:55was going to be great. The film owns a lot to other body horror directors, like David
00:59Cronenberg or Brian Yusner with its sensibilities, leaning towards Yusner, but with an added element
01:04of new French extremity and Dorian Gray thrown in for good measure. They run for these themes
01:09of body dysmorphia, aging, and sexism rather well. The makeup effects also look great in
01:15this. I don't want to spoil what they are or how they're employed in the context of the
01:20film, but it's a magnificent feat, and I hope the makeup team get their flowers during
01:24awards season.
01:28The direction of this film is on point as well. Fargeat's framing of the human body is creepy
01:35and disturbing, but lots of uncomfortable close-ups, and puts the film right up in your face, making
01:40it hard not to look away, especially in the body horror sequences. The film is also visually
01:44strong. With a little dialogue, it carries the film and tells the story in a clear fashion.
01:48And on a cinematography front, everything feels paradoxically clean, but also dirty at the
01:53same time, with lots of oversaturated dark colours being used to convey a grimy but glamorous
01:59feel to them. On the performance side, it's also strong in that department. In a supporting
02:04turn, Dennis Quaid is an enjoyable presence as a slimy TV exec who brings a heightened sense
02:09of derangement, but it's Demi Moore and Margaret Cayley who are the performers who nail this
02:14film. Their performances complement each other more, managing to strike a fine balance between
02:19playing straight and going for broke, and Quaid doing the more show-off-y part, capturing
02:24a useful essence but having an air of creepiness to it. The Substance is one of my favourite films
02:29of the year, and you should definitely check it out. It's wild and over the top, but still
02:33a great examination on the themes of fame and self-image.
02:51Mononoke, not to be confused with the Hayari Miyazaki film, was an anime series that was a spinoff
03:05Mononoke, not to be confused with the Hayari Miyazaki film, was an anime series that was a spin-off
03:09of the anime series called Monshi-MasÅ.
03:09Ayakashi Samurai Tales. The main premise of the show was about a mysterious medicine seller who
03:14gets himself into various supernatural encounters with Mononoke, a type of Ayakashi that linger in
03:20the human world. I love the series for its dark and eerie atmosphere and the beautiful and
03:25complimentary animation, but I was excited for the movie and I can proudly say that Mononoke
03:29the movie Phantom in the Rain is well worth the wait. This time the film sees the medicine seller
03:34having to deal with the goings on an oku. For those of you who don't know your Japanese history and
03:40have to do a quick google halfway through for the movie, an oku was an area in the Ido castle
03:45where
03:45one related to the shogun lived. In the film there's something serious going on but may or may not have
03:50connections to the disappearance of the concubine. Now if you know the inner workings of an oku then
03:55you know they didn't allow male adults in so most of this film is actually focused on two new characters
03:59Asa and Kame as they deal with the inner workings of the oku. Now this would seem like a
04:04cop-out not having the medicine seller be the main focus but I liked it because some of the best
04:09stories from the show mainly had other characters be the main focus and the medicine seller be an
04:13observer who was to sell the supernatural issue. Think of the Shashiki or Warashari or Nopabera
04:20both arcs and you can see how this film goes. Asa and Kame here are compelling and seeing them
04:25deal both with the essential office politics and the supernatural in its works well reminded me of
04:30stuff like Black Narcissus or that Sydney Sweeney nun movie Immaculate that came out earlier this year.
04:36As I mentioned those arcs on the shell the film does bore those arcs themes and observations about
04:40women's society's role. Sure Asa and Kame are free to fulfil their roles and the Elku but they're still
04:45contained within one building and have to make sacrifice to a shogun who we don't see much in the film.
04:55It's a fascinating theme that connects the film to the shell. The whole emulence here are strongly used
04:58effectively. The film carries the series eerie and creepy atmosphere but with a bit more fast
05:03pace than the shell. Lots of rapid editing while it would be a bit disoriented it still works to keep
05:08moving the film forward but still making it very deliberately odd and unnerving. Now this is an
05:13anime film. How's the animation? It's great. Like a lot of film continuation of shells the animation
05:18looks a bit upgrade while the animation the shell was great. The film has a more wider scale. The colour
05:22of the film is a bit more brighter and vibrant which creates a great contrast of the horror aspect of
05:27the
05:27film but also makes it a little bit darker but there's an unnatural element to it. The film
05:32character designs are also good making them strike a fine line between what you'd call a recognisable
05:36anime style with a P.R.E. painting look. Praise the director Kenji Nakamura who also directed the anime
05:41series and here brings the full style of the shell to the film with a bigger grander style. More like
05:46the movie Phantom in the Rain is a vibrantly creepy film. The film brings the shell's iconic
05:51style and animation backing goals all in the grander scope that a film would allow but a TV show would
05:57not. Even though there are some elements I kind of feel like are left hanging probably because this
06:03is the first part of a film trilogy so that obviously will be followed up in in two sequels.
06:09You can watch the film if you are a fan because it's a standalone film and the show as well.
06:13Both are
06:14currently streaming on Netflix at the time of recording and I full-heartedly recommend you watch it.
06:48Happy New Year!
06:50when you're watching this because I wrote and made this episode well in advance and
06:54also it may not be New Year's when you watch this considering how much lists I make. Anyway,
06:592024 was a midly premix in general but as we enter a new year it's good to look forward mostly
07:06to the
07:06films because yeesh and 2025 seems to have a pretty interesting slate ahead of us so let's get into it.
07:14Honourable Mentions. So a little house clean in this section is for films I'm interested in seeing but
07:19either didn't make it into the final 10 or I just found more interesting but I don't know if it's
07:25getting a release this year especially if it might be released at a festival where it sometimes takes
07:30years for it to be seen by the general public so here are the Honourable Mentions.
07:36Queens of the Dead. On the surface this might seem like another comedic zombie film but what piqued my
07:42interest for this film is who's directing it. Tina Romero, daughter of George A Romero so yeah
07:47it's cool to see if this might be like her father's or that most likely judging by the title and
07:53the
07:53comedic set up strike out in her own it's got an interesting cast as well so yeah I hope see
07:58if this
07:59gets released this year. And now onto the 10 films I'm excited for this year. Number 9, 28 years later.
08:1028 days later to me is several things. One of the best modern zombie movies, one of the best british
08:15movies and one of the best british horror films and that's a good line-up to be a part of.
08:19So now
08:19we're getting another sequel with original director Dane Boyle, original writer Alex Garland and original
08:23star Cillian Murphy back...
08:27...with actors like Jodie Comt, Murt, Aaron Taylor-Johnson and Ralph Fiennes and what seems to be a
08:32start of a new trilogy and judged by the trailer looks really good. I might be infected with rage
08:37virus because I'm not walking to see this film. Number 5, Frankenstein and The Bride. Showing the
08:43number 5 spot because my list by rules and because they're very similar Guillermo del Toro's Frankenstein
08:49and Mary Gennel's The Bride. Both are adaptations of the Mary Shelley novel one is by a director who's
08:54an obvious match for the source material generally by his appreciation of the genre and how it shows
08:58in his films and the other seems like an interesting take it's a musical with a good cast behind it
09:02it's
09:02feeding my Frankenstein itch. And those were my anticipated films of 2025. Are there any other
09:10films you're excited for this year? Please comment below and also like and subscribe.
09:25Well it's the end of the year and despite everything else the movies were good. It was a year about
09:29the
09:30horrors of pregnancy, clowns, films about tv, prequels, unconventional music biopics and
09:36multi-part films. So here's a list of my favorite films of the year. Now before we get into this
09:41list
09:42I know that I'm going to get asked in the comments section about why I left out certain films in
09:46this
09:46list. Well certain Oscar movies, The Complete Unknown, The Brutalist etc. don't get released in the UK until
09:53January so that's why they're not on the list. I haven't seen the film that you might mention
09:58because I mostly do this channel more as a hobby that I can probably monetize if I can reach a
10:03certain number of subscribers. Please subscribe. So I'm not a professional film critic in that
10:07sense so I don't often watch as many films as most professional film critics do and I just didn't
10:12get to see certain films. Draw number two? Didn't see it. Queer? Didn't see it. I saw the tv glow?
10:18Regrettably I didn't get to see it. Why is this 2023 film here? Certain films and questions would have had
10:24a
10:24festival run in the year before but have been given a general lease this year which is fair game.
10:29I watched it. Liked it. I didn't put it on the list because I saw something I thought was better
10:33but
10:33don't worry that's why we have honorable mentions.
10:38Acquired place. Day one. This prequel managed to pack a lot of heart in an alien invasion story
10:43showing that in dying circumstances there's still something to fight for.
10:47Rita. A dark fantasy that is sometimes harrowing but still helpful in some spots. Not an easy watch
10:53but still good.
10:58Stop motion. Horror and animation combine to make an interesting and unique film but it doesn't
11:03break new ground in certain regards but the stop motion animation makes it something worth
11:08you to seek out. If that was out of the way in alphabetical order it's time for my favorite films
11:12of
11:122024. In A Violent Nature. Inverting a slasher movie archetype has been done before in films like
11:19the remake of Maniac for Elijah Wood or Behind the Mask but what In A Violent Nature does is take
11:23a
11:23more slower atmospheric approach to it. Often feeling like slow cinema and when I can tell what
11:28horror movie franchise it's riffing on the film stands on its own as a damn good slasher with some
11:32great kills. Long Legs. Oddsgood Perkins's horror thriller is a creepy and dark film. His direction is
11:39bright and a lot of use of riding close-up shots and making the film feel uncomfortable. Aided by
11:44a good Nicholas Caterhons which I've heard other people seemed out of place with but I thought it
11:48added to the creepiness. Michael Monroe also gives a good performance here as well. Turned a lot through
11:53looks and reactions. Long Legs is a creepy film. A good one but yeah it's creepy. The first element.
11:59One of 2024's biggest trends was films about pregnancy. We had comedies about pregnancy like
12:04bays but the majority were horror films like The Rosemary's Babies Prequel Apartment 7A, Alien Romulus,
12:10Immaculate with Sydney Sweeney and my pick The Elman Prequel The First Elman. Yeah don't know why
12:15there's a bunch of movies about the horrors of your body being used to further someone else's ends.
12:19Anyway, The First Elman has no right to be as good as a prequel to The Elman could be but
12:23director
12:23Akasha Stevenson makes some creepy and disturbing imagery that sticks with you and now Tiger 3 also gives
12:28it her all in this film as well. It feels like a Satanic called The Midwife episode but it's a
12:32damn fine horror film.
12:35The Substance. Another film I already reviewed but in short The Substance is a creepy and timely film
12:39that can be a good treat to young age, the media industry and what it does to being a woman
12:42and
12:42also a great body horror film that makes the works Ronenberg and Brian Usner which stands out on
12:46its own. Demi Moore gives a good performance here along with Mark Qualey who had a good year
12:50herself being in the underrated driveway dolls and a Yorgos Lathamos kind of kindness. The Substance is a
12:56great horror movie and one of the best of the year that's why it deserves the place on this list.
13:00So those were my favourite films of the year. What were yours? Please comment below and like and share.
13:14So we're halfway through the year and I thought why not do a Midpoint Best
13:17films of the year list. Mostly to show what I've enjoyed throughout the year so far, inform you the
13:23audience of films you might have missed during the year and give you time to catch up on them if
13:29you
13:29missed them. My rules are still the same as the Best of 2024 list. Must have been released to an
13:34audience in 2025. Films that had a festival release count. Films that had a run in theatres the year
13:39before getting released in the UK do not count. Anyway, let's start this list with...
13:45Number 6. Sinners. Lots of things have been said by people who are smarter than me about this movie
13:50and probably have better recording equipment than me as well. But it's still true. Ryan Coogler's
13:55Sinners is both a great vampire movie and a loving piece on the communal power of music. Michael B.
14:00Jordan does a good double performance and Jack O'Connell is having a lot of fun as the main villain.
14:06Number 7. The Monkey. I liked the latest Final Destination just fine, but I found this latest
14:11Stephen King adaptation by Oz Perkins just slightly more than that film. Not saying it's bad though,
14:17it's actually pretty good as well. Here Perkins trades in the slow burning and disquiring horror
14:23of his previous film, Long Legs, for a straight up black comedy and it's effective. The film goes
14:28straight into a gleeful and over-the-topness with the deaths and they're funny, making it feel like
14:33it would have been a great fit for a creep shell movie if the film was a bit shorter. With
14:37the
14:37recent drought of the actual comedy films, I found The Monkey one of the best comedies
14:41I've seen so far this year. Number 10. 825 Forest Road. This film sees Hell House LLC
14:49director Stephen Cognetti step away from his found footage franchise that concludes this year with a
14:54completely different horror film. Shot like a regular film, but is still a creepy and scary film
14:58nonetheless. The film is told in a Russian monster with each act being told from a different perspective,
15:02and he manages to craft some excellent and creepy scenes from this setup. I'm excited to see what
15:07he does next, especially as his next Hell House film seems to be doing it in a way with found
15:11footage style as well. So these are my favourite films of the year so far. Will this change at the
15:16end of the year? Maybe. Maybe not. Will I be reusing clips of these in my end of year video
15:21this year to save time? Probably. But I might have other things to say about these films down the line,
15:27so who knows. Now what's the best film of the year you've seen so far? Please comment below,
15:31and don't forget to like, share and subscribe. Hey, do you like movies? Do you like movie reviews?
15:36Then this channel is stuff like that. There's Watch This Space, my film review show where I view
15:39recent films, and I also make short films like correspondence, which is very unique. If you'd
15:44like to see stuff like this, then please subscribe to stay updated on my work. Also follow my social
15:49media channels as well, so please subscribe to my channel.
15:57Warning! The following video discusses spoilers about Season 2 of The Last of Us and elements of
16:03the game that has not been adapted for TV yet. Please watch this at your own discretion.
16:13So, The Last of Us Season 2 has come and gone, and the reactions to it have been interesting compared
16:18to the game it's adapted from. When The Last of Us 2 came out, it was a divisive game to
16:23say the least,
16:24mostly owing to certain story elements. Here the discussion for the TV show seems to be on how the
16:29TV show adapted the game, mostly changing some elements to make it work as a TV show. Lots of
16:34people have decried these changes, and I understand where they're coming from, but I am okay with how
16:39they changed things. Oh yes, there are some moments I wish were in the game, like the scene in the
16:43synagogue, and I do think Abby telling Joel her motivations take away from the mystery that was
16:47in the game, along with showing who the WLF and Skars are early, but I can see why certain elements
16:53were changed. Video game adaptations, especially movies and TV shows, were for a long time seen as
16:58not good, often being in poor quality. Sometimes you can get a Mortal Kombat 1995, or something made
17:04by Uwe Boll. I feel like the reason why video games are hard to adapt is because of one thing
17:08that TV
17:09shows and movies don't have. Interactivity. Video games are an interactive medium. You control a
17:14character and you can make them do what you want to do. You can make choices that affect the story,
17:19you can fight enemies, you can choose who you can fall in love with, and you can explore the world.
17:23You can't do that in a film or an episode of TV where you're just watching something.
17:27When reviewing the 2005 adaptation of Doom, Roger Ebert once said,
17:31this movie has been inspired by the famous video game. No, I haven't played it, and I never will,
17:36but I know how it feels not to play it. Because I've seen the movie,
17:40Doom is like some kid came over and is using your computer and won't let you play.
17:44Interactivity is something that inherits video games, and without that factor it takes away
17:47from the experience and makes it feel derivative in adaptation. What would make a Last of Us TV
17:52show different from something like The Walking Dead, if you take out all the scavenging and gameplay
17:55sections if you're not controlling the characters on screen. Luckily, when it came to adapting the
18:00first video game into a TV show, they did some interesting creative decisions to circumvent the lack
18:05of interactivity. The Last of Us is a more story-driven game, which can easily fit into the
18:10mode of television. The game's chapters and levels have beginning, middles, and endings,
18:14which you can make into TV episodes, and you can even adapt and change it. The Bill and Frank
18:18episode is a complete 180 from the game, turning another level which you have to try and escape
18:22the infected into a more personal character piece, putting focus away from Joel and Ellie,
18:28and creates a breather after the action of the last episode. In an interview with TechRadar,
18:32Neil Druckmann, talked about this process of adaptation of Craig Mason when it came to episode
18:36three. That's what would have been an important thing in the past when you're adapting video
18:40games and looking at superficial aspects and thinking, oh, players want to see that gameplay
18:44moment. That's not what they want. They want the core of the heart of this experience.
18:48The Last of Us season one adds more scenes and more characters to flesh out the world,
18:51taking away the moments where you as a player would explore the world. In the show, we have scenes in
18:55the past, we have scenes outside of America, and we have new characters, so you can see them
18:59follow this mentality when it came to adapting part two. We get more scenes with other characters,
19:03we see Jackson spinning it off a horde while Abby works on a golf swing, and we have new characters
19:07and get more flashbacks into other characters like Isaac. But do they work? Kinda. Compared to season
19:12one, season two is adapting half of the game, so you can see moments that clearly are set up for
19:16when
19:16they deal with Abby's side of the story, especially the scenes with Ellie training in episode one.
19:20Don't think that will come into play later, or what Joel said to Eugene when they did the porch scene
19:25earlier than expected. With how they structured the season, it does leave things hanging in some
19:28regards. One extra thing I did love was how it had to circumvent the lack of gameplay.
19:32Last of Us part two is a sprawling game, then the first, lots of exploration and traversal,
19:36and lots of killing. Lots and lots of killing in the name of revenge, ending with Ellie's killing of
19:41Nora.
19:44A pregnant woman being a dark combination of a quest for revenge. The show being a tv show with a
19:49set
19:49time limit for an episode, there isn't a lot of time spent on the killing, so the show changed that
19:53aspect and by mixing up certain elements, mainly having Ellie and Dinah go out to Seattle before Tommy,
19:58and in spite of their community's decision not to do so, and have Dinah get involved with the
20:03action after revealing she's pregnant, but until she's injured and taken out of action,
20:07Jesse and Tommy have to chase after them because of this. Then when you get to Ellie's murder of
20:11Nora, the dark of the cell moment for Ellie is the realisation that she dragged a lot of people into
20:15this, nearly got her girlfriend killed more than once, and they could have gotten killed as well.
20:20This change is effective and manages to contain the same manner of impact the game did. Still shocking,
20:25then manages to capture the core of the game's story, and you can tell that this is obviously
20:28going to have a bit more impactful when they do get round to adapting the Abbey parts in Season 3.
20:37But ultimately the second season does feel incomplete, and there are some moments I do
20:40wish we did get to see adapted. It will be interesting to see how they adapt the Abbey scenes to
20:45TV,
20:45what characters will get expanded upon, and how will it play out as a whole.
21:09It's about a medicine seller who deals with some spooky stuff. Last year I did a movie wearing
21:15wrist skates going on at Onoku, aka the Haram of the Shogun. I reviewed the previous movie,
21:20and I'm going to show you my previous review here quickly, and if you want to watch that in slow
21:35motion, check it out here, but also other videos I have on my channel. Be subscribed to get more like
21:41it. Anyway, in Mononoke the movie, Chapter 2, Ashes of Rage, the medicine seller is back at the
21:47Yoku again to deal with some spooky stuff, but this time the focus is on the upper chambers where the
21:53higher class of concubines vie for the attention of the Shogun, where things get testy, as one lady,
21:58the lower in social class Fuku, is pregnant, and this has caused much distress in the court,
22:02and might be related to a possibly unrelated, but obviously not, fiery death of another concubine,
22:08which the medicine seller has to solve. I like this film. While its runtime is a bit shorter,
22:12so it doesn't have the slow burn or phantom in the rain, nor does it have the rising creepiness as
22:17well. I don't mind it, as the film makes up for it in other ways. We get more insight of
22:21the inner
22:22workings of the Yoku, mainly in the upper class areas. Secondary characters who showed up in the
22:26previous film get more bigger roles, like Sachiko the God or Lady Boltan. Then again, Asa, the main
22:32character from the first film, shows up briefly, which is kind of odd, considering that she was kind of
22:36the main character in the last one, and I was kind of thinking she'd be like the main throughline
22:39character, but surprisingly not, which is a shame because I liked her character in the last one.
22:43The Shogun is also briefly seen, but he's still not that big of a presence. It's clear when all
22:48three films will be released that they're going to play well together, and that's where you can also
22:52see little story beats set up and will be played off, especially in regards to how things are set
22:57up in each film. This film also carries the previous film's themes of what women give up to work
23:02in a patriarchal society. The last film was about identity, with most of the concubines of
23:06runaway personal belongings to start working at the Elku. This one is about bodily autonomy,
23:10so that's fun. If the first film felt like it was expanding on the themes of the Nopapara Boa arc,
23:15this one taps into the themes of the Zashiki Roroshari arc, but unlike that one, it doesn't feel
23:21muddled. If you've seen the show, you understand what I'm talking about, because I've not given up
23:25a lot of details here, because they might give the film's game away. Here we see most of the Shogun's
23:29counselors in the film, whose daughters are all concubines, and we see them trying to jostle for
23:33power, using their own daughters as pawns in the game. And helping us nail that theme down,
23:37is that most of the scenes that are all seen playing a game of Shogun, subtle. In my last film,
23:42I compared the theme to Immaculate, the assuming none movie, but that comparison is more appropriate
23:47here along with last year's first elements, as they also deal with bodily autonomy and how the
23:51patriarchy seeks to control women. There seems to be a bigger theme across these films emerging,
23:55like permission, the medicine isn't allowed into the Elku unless he has permission and still uses the
23:59policy earned from the last film, and certain characters are asked to do things if they consent
24:03to it, but often that is given under duress. It's a small thing, but I sense it will become a
24:07bit
24:07clearer when the third film comes out next year. On the animation side, it's as good as the previous
24:11film, still has the psychedelic, ukiya-air look, and the structural mononoke this turn around looks cool,
24:16and makes a good companion to the previous film's one. Obviously the editor in this movie is a bit less
24:21hyperactive than the last film, but editor Shiguro Nishiyama does some interesting tricks,
24:26like how he uses jump cuts to make a close-up on Lady Boltan, or how it cuts to a
24:30different
24:31character to correct juxtaposition who is often in the same place. Mononoke the movie, Asher of Rage,
24:36is a good and consistent follow-up to Phantom in the Rain, tackling some interesting themes and
24:40painting a clear through-line between these films with good animation to boot. I'm excited for the
24:44final part that comes out next year. This film, along with its previous entry and TV show it's
24:48based on, are all available on Netflix at the time of recording.
25:01And thus, it's the end of the summer, and now the time to take stock and look back at what
25:06we did
25:07during it. I mainly watched films, so here's a list of some of my favourite films of the summer season.
25:12Now, lists like this are kind of a bit superfluous, as studios spread out their tent poles throughout
25:17the year, big hits like a Minecraft movie and Sinners came out in April, a month before the summer movie
25:22started. But I'm keeping this list restricted to films that came out from May to August, and yes,
25:27that will include streamed movies in this list as well. Also, it was kind of hard to find what
25:32film qualifies as a blockbuster, and there are two films I liked, but I was confused on if they belong
25:38on this list, and that's why we have Honourable Mentions.
25:47Now, with those two out of the way, let's get to the main event.
25:53Final Destinations, Bloodlines. I haven't seen a Final Destination movie before, but I do know the
25:59formula and the premise. See also Osgood Perkins' excellent The Monkey. But I had a lot of fun with
26:04this film managing to have fun with the premise and crafting some excellent Rube Goldberg deaths,
26:09but it doesn't let the fun underscore the die stakes of this film as it is a family being killed.
26:13Add in an excellent swan song for the dearly Miss Tony Todd, and you've got yourself an excellent horror
26:17film.
26:20Killer of Killers. I feel this is what streaming movies should do more of, especially if they're
26:25spin-offs of big franchises. This animated spin-off of the Predator movies feels like a direct-to-video
26:30movie from 2007 that you mostly watch The Eclipse on YouTube, but this film boasts three great little
26:35stories set in different time periods that are all strong in their own, and then the Predator shows
26:39up and flips the script on them. The film manages to focus on certain aspects of the Predators and
26:43matching it to a different period of human history is an inspired choice. The animation is good as
26:47well, which has a patently look to it. This film is streaming on Hulu in America and on Disney Plus
26:51overseas.
26:5528 years later, Danny Boyle and Alex Garland go back to an infected England and taps into a plethora of
27:00themes,
27:01ranging from social aggression, masculinity, colonialism, to make a great horror film. Boyle and Garland also
27:06play around, and the fact that the zombies in this film aren't the undead ones that we know and give
27:09probably one of the most poignant moments in a horror film this year. I'm excited to see what Nia Costa
27:14does
27:14with the sequel in January. So those were my favorite films of the summer. Agree? Disgree? Please leave a comment
27:19down
27:19below and don't forget to subscribe to this channel to get more videos like this and other stuff I'm making.
27:24Like what you see here? Then please subscribe from my YouTube channel so you can get more Watch This
27:28Space but also other things such as my short films. Please remember to like and subscribe the videos you
27:32just watched and also please check out The Orange Bin, my blog where I have write-ups of my episodes
27:39here
27:39with links to sources that I mention on the show. I also contain some of my old blog posts if
27:45you want
27:46to see what else I used to do back in the olden days. So please remember to check out my
27:50blog and
27:50like and subscribe to my YouTube channel.
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