- 10 hours ago
مسلسل The Kollective مترجم - Episode 1
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Short filmTranscript
03:11Will you be okay?
03:12If your story makes it to the front page, they have much bigger problem as enemy.
03:16Goodbye.
03:34Thank you, sir.
03:34Lock him on board.
03:37Lock him on board.
04:04Here we go.
04:05Here we go.
04:06Here we go.
04:32Here we go.
05:04I don't know what's going on.
05:22Parmi les victimes identifiées figure le journaliste britannique Steve Lush,
05:27qui devait pas plutôt travailler sur le projet de sécurité de cette boîte ?
05:30Si je fais une petite pause là.
05:32Arrête pas, je suis plus une enfant.
05:34Un journaliste est mort aujourd'hui.
05:37Il y a eu un crash d'avion et Steve Lush était à bord.
05:40Le reporter ?
05:41Oui.
05:42Merde.
05:48A l'heure actuelle, aucun blessé au sol n'a été signalé suite à cette tragédie.
06:01C'est parti.
06:04C'est parti.
06:19C'est parti.
06:30C'est parti.
06:32C'est parti.
06:33C'est parti.
06:42C'est parti.
06:43Ouais, il faut bien.
07:02Oh!
07:03Il faut pouvoir évolver.
07:04C'est parti.
07:04C'est parti.
07:05Enfin verser.
07:06European sur
07:06Oh, well, you have your microphone.
07:09All right.
07:17Yeah, cousin.
07:19You always wanted to have my job, right?
07:22It's now yours.
07:37Have you seen Josh somewhere?
07:45Josh, what the fuck are you doing?
07:46Just two minutes. Stop it.
07:48Thomas is going to kill you. Come on.
07:49Just give me a second.
08:23Hello.
08:24Hi.
08:24Are you finishing late tonight as usual?
08:27I quit.
08:28What, after ten weeks of training?
08:30Social media is successful,
08:32and there's nothing me or anyone can do about it.
08:34Well, it must hurt to admit that.
08:36That's how you know it's true.
08:39What's taught you about the plane crash?
08:40Look, I want to tell you in person.
08:42When are you going to be back from Berlin?
08:44I'm actually flying in this afternoon.
08:47Look.
08:48I think we should all get together.
08:50I don't think the plane crash was an accident.
08:53Oh, um...
08:54By the way, I've got a surprise for you.
08:56Did you know I hate surprises?
08:58Josh!
08:58All right, let's do this.
08:59Look, I'm gonna go.
09:04Let's go.
09:04Let's go.
09:07Let's go.
09:27Let's go.
09:32Let's go.
09:33The same as it was before
09:36It's a history
09:42Hold on
09:45Rather to what you really need
09:50If you wanna go
09:53Hey, it's okay, I'm 16 years old, I'm not going to die if I have a weekend with Cécile.
09:58Come on, it's okay.
10:0016 years...
10:03It's over and I'm done with you
10:06Nothing can stop you from running away
10:10Don't you come back to me
10:16Don't you run away
10:22Look at you, you're so excited.
10:25What are you? You're about to meet everyone.
10:26Yes I am, of course I am.
10:28Brother, that I am all you need
10:33How do you think I feel when you decide to leave?
10:39Oh, hi, welcome. Hi, Aaron.
10:42I'm Delia.
10:43Yeah.
10:44Please, come in.
10:45Hello.
10:47Nice to see you.
10:48You too.
10:49Don't give a tiramisu, by the way.
10:50Oh, that's so nice.
10:53Oh, you could have at least cleaned up for us.
10:56Yeah.
10:57Did you decorate this place?
10:58No.
10:59No, it's not mine.
11:01Oh, yeah?
11:01What did you do with the owner?
11:02Oh, he's tied up in the basement.
11:04Yeah.
11:05You're funny over real life.
11:07It's my dad's city apartment.
11:09Ah.
11:09Brother, meet the surprise.
11:13Nice.
11:13Delia's my girlfriend.
11:16Ta-da!
11:17Nice.
11:18May I?
11:20Etienne!
11:21Hey!
11:21Hey!
11:23Hey!
11:24Oh, it's beautiful.
11:26Yeah.
11:26It's Robert Bertel violin.
11:27Yeah, yeah, it was a graduation gift.
11:29Okay, Bertel.
11:31Bertel.
11:32It's my dad.
11:32Because I like him a lot.
11:33Yeah, you do?
11:34And he has a lot of fans.
11:35Hi.
11:36Oh.
11:37Oh.
11:37What did I name?
11:38Hi.
11:39Not much.
11:40Not much.
11:42Just the best people and the smartest people I know and the one that I love the most are
11:46all in the same room.
11:48And I'm having a beer.
11:49Who wants one?
11:50Great.
11:50Give me yours.
11:51Oh, thank you.
11:52Etienne!
11:53Buen ami!
11:55I could only find a few images online.
11:58This is the best I could do.
12:00The thing is, every picture is from the Congolese government.
12:03Every single one.
12:04Look, they are all taken from very far away, so there is no details, nothing.
12:09Someone must have got it on their phone somewhere.
12:11Yeah, but I looked everywhere, and my only theory is because the plane crashed in the
12:16middle of nowhere.
12:17So, sorry, can I ask what this is?
12:20Colton Mines.
12:21It's a mineral used in batteries and microprocessors, and right now it's one of the most valuable
12:25minerals on Earth.
12:26The workers usually live close to those mines, no?
12:28I mean, if a plane crashes, someone's going to take a picture of that.
12:33Or at least, what remains of it.
12:36Unless they're too afraid to do it.
12:37Okay, even if a sea blush was killed, and that is a big if, there's got to be a better
12:43way to do it than bringing down an entire passenger plane.
12:46That's going to bring international attention.
12:47Yeah, there's lots of better ways.
12:48But it wouldn't be the first time someone's done it.
12:51Flight MH17 from Amsterdam to Kuala Lumpur.
12:53Allegedly shot down by a Russian-made Buk missile in 2014.
12:57298 dead.
12:58Siberia Air Flight 1812.
13:00Shot down over the Black Sea in 2001.
13:02It was flying from Tel Aviv to Novosibirsk.
13:05All 78 passengers died.
13:07Korean Air Flight 007 from New York to Seoul through Anchorage, Alaska in 1983.
13:12It drifted into Soviet airspace, so the Soviets shot it down.
13:16269 dead, including a U.S. representative.
13:20Wow.
13:21I had no idea you were an air crash fetishist.
13:25Josh, not a single one of those were because of a passenger on board.
13:28Yeah, but if the plane was shot down, if, they must have used a fragmentation missile
13:34that exploded about 20 meters before the plane and not into the plane.
13:38So the shrapnel takes down the plane, but there's no combustion.
13:43So no trail in the sky.
13:44Yeah.
13:45Holy shit, the world gets more fucked up every day.
13:47Guys, this isn't an accident.
13:48It is a cover-up.
13:49The British government asked the DCR for their black box.
13:52And I just found the committee handling it.
13:55They might have the information we need.
13:56Great.
13:57Well, they'll release their findings publicly.
13:59I think we should wait till then.
14:00Erm, let's not jump to any conclusions.
14:04We're not conspiracy theorists.
14:08Okay.
14:09We'll see what they say.
14:26Josh, we're gonna get a great photo.
14:28Okay.
14:29We're coming.
14:31Let's go.
14:32Ooh.
14:39Eagan.
14:41Yes.
14:42Yeah.
14:42Yeah.
14:43Yeah.
14:59INSPANUS
15:00Oh, thank you.
15:02Can you grab the gin?
15:09Hey, you're looking more and more like your father.
15:16Steve Lush, your journalist.
15:19Was it an accident?
15:23Josh, why are you asking me about this?
15:26Professional curiosity.
15:27Oh, no, no. Don't even think about it.
15:29Well, I never dared to think that a government...
15:30I have been following the collective since you founded it a year ago.
15:35I'm a huge fan, really. It's great work.
15:38And so I know that you have not handled any cases like this one.
15:42Yeah, not yet, maybe.
15:44But, Maya, you know why this is so important to me.
15:48Josh.
15:50You were nine years old when your father died.
15:52There was nothing you could have done about that.
15:54Maya.
15:56Please.
16:00Look, I have one anonymous source.
16:04She doesn't want to talk to me.
16:05I mean, she doesn't want to talk to anyone in the conventional press in general.
16:11But...
16:13Perhaps she would be willing to talk to you.
16:17Because you are the symbol of a new kind of journalism.
16:28It's cold.
16:30You can smoke upstairs if you want.
16:33It's a lie.
16:35You're not the kind of person who would be okay with me smoking inside.
16:39Of course I am.
16:41You don't smoke, you don't like bad smells, you're extremely tidy and...
16:46I'm guessing you have a little asthma.
16:48Three out of four.
16:51Very close.
17:01Where were you from again, originally?
17:04Brighton.
17:04Brighton.
17:05Born and bred.
17:06Yeah.
17:06And then I went to New York for uni.
17:07And now London.
17:09With your best friend.
17:13You're different in person.
17:16Oh yeah?
17:17Yeah.
17:18How?
17:19Well, on Zoom you didn't seem like such a neat freak.
17:21And you seemed outgoing and confident.
17:25I don't see that in person.
17:27My Zoom background was always very clean.
17:32And...
17:32And you seemed to enjoy my bad jokes, so...
17:37But you're...
17:38You're different too.
17:40Oh yeah?
17:41A bit like...
17:43Like a tsunami.
17:46In a good way or in a bad way?
17:50I don't know yet.
17:56Hey!
17:58Well...
17:58I think she would hit it off.
17:59Yeah.
18:00No, she's...
18:00She's great.
18:02Even more in real life.
18:04Really?
18:05She adores me.
18:06She wouldn't trade me for anyone in the world.
18:08Oh, I definitely would.
18:09I just...
18:09I don't think Aaron wants a smoker.
18:12Oh, you are a little shit.
18:13You're an idiot.
18:15Hmm.
18:23Do you know why she reached out?
18:25No.
18:25I'm ready.
18:26Are you fixed?
18:28Well, it's okay.
18:31Come on.
18:31Come on.
18:35Come on.
18:40You're all right.
18:42It's okay.
18:43Come on.
18:45Come on.
18:46It's okay.
18:55To this point, I have something, I think, maybe of interest to you.
19:00So, this is Steve Lush.
19:04He was a colleague of mine and also a dear friend.
19:08He was in the Congo investigating the conditions of the mines.
19:13Rhenia 5M, Arium, yeah.
19:15Yeah.
19:15Yeah, we know.
19:16And I know for a fact that he was convinced that he was being followed.
19:20Whatever it was he found, he could not tell me about on the phone or via email.
19:24He said he would show me when he got back to London.
19:27And I think that's why he was killed.
19:29I wanted to ask you guys if you would help me to find out what really happened.
19:36Paid, of course, and you would work the way you always work,
19:39but with access to all of our resources and whatever support we could offer.
19:44I'm sorry to hear about your friend.
19:47But money doesn't make the work more real,
19:49and I'm not sure that we're interested in becoming part of a big news organization.
19:56And frankly, I don't...
19:58I'm sorry, but I don't believe you when you say that you won't change how we work.
20:04Okay.
20:05Heard.
20:06Lucas, what do you think?
20:11Uh...
20:11Staying independent was our first principle.
20:14Of course you will stay independent.
20:16I have no interest in changing you guys.
20:18I mean, I worked with Anna Politkovska.
20:20Back when you guys were in your nappies.
20:23Well, maybe you had already started school.
20:26No, sure.
20:27Of course, but with all due respect,
20:30you run a newspaper that was recently purchased by a multinational corporation.
20:35So we didn't have to close down like all the other newspapers.
20:38Now we reach millions of people all across the world.
20:42Truly, I'm no different to you guys.
20:43I have been fighting for truth every day of my life.
20:47So the point is I have a source
20:49who I think may be willing to talk to you guys
20:52because of your independence.
20:55Is this source anonymous?
20:57Yes.
20:58She's very exposed at the moment
20:59because of her known association with Steve Lash.
21:02So she is worried about a backlash.
21:05Well, we don't speak to anonymous sources.
21:07If we talk to anonymous sources that we can't quote,
21:10we become just like any other news organization
21:13that people dismiss as biased.
21:16The reason people trust us
21:18is that the work that we do behind our screens,
21:21anyone can do at home.
21:23Okay.
21:25Aaron, what do you think?
21:27I think we shouldn't rush anything.
21:31But thank you very much for your offer, Maya.
21:34Really appreciate that.
21:35Yeah.
21:36I'm sorry.
21:38Bye.
21:39Okay.
21:40Um, it was a pleasure to meet you.
21:44Well, good luck.
21:45Keep up the good work.
21:46Yeah.
21:46Yeah, thank you.
21:47Goodbye.
21:48We need to talk.
21:48I want to stay behind for a second.
21:54Thanks for coming.
22:03So, I think that would have been a lot easier
22:06if you told them about me.
22:07They wouldn't have understood.
22:08But now it's going to be so difficult to turn them around.
22:11Maya.
22:13I need to contact your source.
22:15Oh, no.
22:16No, no, no, no, no.
22:16No, you can't, um...
22:19Let's go get coffee.
22:20Let's talk about it.
22:21I don't think you understand.
22:23This isn't only about Steve Lush.
22:27It's also for me.
22:31Please.
22:32Can I have the contact?
22:53Is it a kind of self-portrait?
22:55No, it's a portrait of my grandfather.
22:58Oh.
22:59He died during the war.
23:00Maybe you met him.
23:01Where were you stationed?
23:04Why not lying?
23:05Do you both already know her?
23:08Yeah.
23:09Why?
23:11We are fighting fake news.
23:13Why are we lying to one another?
23:15I didn't lie.
23:17I just had no idea he hadn't told me.
23:20Josh's dad was a journalist who worked with Maya.
23:24And after he died...
23:25She became kind of close to the family.
23:27And that's how I happened to know her too.
23:29But I...
23:31Didn't lie.
23:33He hasn't told me any of this.
23:36You know, I spent almost 12 years with my wife.
23:40And there are still things I don't know about her.
23:44And I never will.
23:45Never.
23:46I spent almost 27 years with me.
23:49Still plenty of stuff I don't know about myself.
23:51Oh, hey.
23:52Hey.
23:53Hey, Josh.
23:56I know I owe you an explanation.
24:03September 14th, 2002.
24:05Moscow to Perm.
24:06NA flight 821.
24:0888 dead, including my father and a Russian general who was a close advisor to the president.
24:14I was nine.
24:17The official cause was the captain's alcohol abuse.
24:21But there were too many anomalies.
24:25And you don't believe it was an accident?
24:28Just like Rina Air 5 NRAM.
24:29I know it wasn't.
24:31What if Steve Lush was silenced?
24:33Just like my father.
24:35Maya gave me a contact in Kinshasa.
24:37A woman who's helped...
24:38What if I...
24:38Why haven't you told me any of this?
24:41I get it now.
24:42I understand why you're so invested in Steve's case.
24:46But we can't do it.
24:49We don't talk to private sources.
24:51And if we did, it would undermine our credibility as the collective.
24:55And it won't bring justice to your father.
24:58It was 20 years ago.
24:59It's not his case.
25:00My father died struggling for the truth.
25:02Every case like this is his case.
25:04Josh.
25:05I totally understand your reasoning.
25:07Really.
25:08But I think Delia's right too.
25:13And the risk of losing the credibility we have gained over the last years is real.
25:19We have to take that seriously.
25:24Josh, I think she's right.
25:26Yeah.
25:28Yeah.
25:30Wow.
25:38Yeah.
25:42Yeah.
25:43I don't know.
26:13Hello?
26:15Show me your face.
26:21Hi.
26:23You look better in your pictures.
26:26Well, it's been a long day.
26:28What do you want?
26:30Well, first off, it's nice to meet you.
26:32Maya Jensen said you might be able to help me.
26:35I want to know what happened to Rina Air Flight 5N or EM.
26:41Okay, I can send you something from another number.
26:43But you must delete everything after you see it, okay?
26:46Yeah, yeah, yeah, of course. Absolutely.
27:10I've never heard of a plane breaking in half because of a technical problem.
27:13And nobody's investigating this.
27:16Have you sent this to anyone?
27:18No.
27:19You think I don't care about the truth?
27:21No, no, no, I didn't, I didn't say that.
27:23So the law says that all information must go through the Congolese authorities to the British Commission.
27:29But guess what happens next?
27:31The Congolese authorities never passed along the video.
27:34Bingo.
27:37Listen, Mr. Joshua Moore, just stay home.
27:40So forget about the planes and the mines.
27:42This country is doomed, and it will never change.
28:09Hey.
28:11Hey.
28:14My hair's been spinning all afternoon.
28:18About...
28:19About your father, and...
28:24Where are you going?
28:37On a trip.
28:39A trip where?
28:42Look.
28:45I don't want to be stuck in the back of some restaurant, trying to secretly connect dots online forever.
28:50I want to be a reporter, like my dad.
28:52And I know you think that means that I'm gonna be, you know, I'll lose my freedom, or I'll be
28:56the enemy, or whatever, but I'm sorry.
28:58I'm sorry, it's something that I have to do.
29:03Have you gone completely insane?
29:05A reporter has just died in concha...
29:08Don't worry, don't worry, don't...
29:09Look, look, I understand.
29:11I get it.
29:13This hits a nerve, of course it does.
29:15But are you sure that your father would want you to throw away your life and all of our hard
29:19work to chase this unsourced hunch halfway across the world?
29:23I don't know what my father would want, but I have a feeling that he'd be proud of me.
29:27It's too personal.
29:28You're clouded by emotion.
29:30Stop it!
29:30It's too personal!
29:31Yes!
29:32You know what?
29:34Maybe you're right.
29:36Maybe everything you're saying is right.
29:39But I'm gonna do it anyway.
30:10Maybe you're right away.
30:11Maybe you're right away, isn't it?
30:15But the
30:28Let's go.
30:31Why are you?
30:32So, let's see where I can!
30:33Fuck, fuck!
30:47Excuse me? Excuse me? Do you know where la torace is?
30:51Pardon? La torace.
30:54Thank you. Appreciate it.
30:55Oh, merci.
31:13You don't follow my advice?
31:14My mother has the same complaint.
31:21Where'd you get that video?
31:23You know, with my work, I meet a lot of people.
31:26Janine, the same best job rep.
31:28And someone like me.
31:30I'm happy with the way things are going in this country.
31:32I mean, people who like me are more...
31:35...langry than afraid.
31:37Monsieur, madame.
31:39Voilà le menu. Poisson et du rite.
31:42Bon appétit.
31:46No worries.
31:47It's not the people who have you killed here.
31:51Do you have any other information?
31:59That's a thousand dollars.
32:03I thought you were doing this because you cared about the truth.
32:08The truth always has a price.
32:18Can we do five hundred?
32:38This was shot on May 11.
32:40Just one hour after the plane that shot down.
32:42You know you're gonna trust me.
32:45You're gonna have to go for it.
32:47You're gonna have to go for it.
32:49Mr. House.
32:52And the location is close to the side of the plane crash.
32:55Yeah, but this isn't enough to prove that they're what hit the plane.
32:57We need more evidence.
32:59I'm sure you do.
33:00And I'm sure you'll find them.
33:02Wait, where are you going?
33:04Enjoy the fish.
33:33Hi, Mum.
33:34Mum, Mum, Mum, Mum. I can't really talk right now.
33:37Where are you?
33:38Er, I'm... I'm at work.
33:40I've just got off a call with Maya.
33:42Mum!
33:43I'm quite close with her, to be honest with you.
33:45Mum, I'm fine, alright? Just don't worry.
33:47Still was an experienced journalist.
33:49Yeah, I know.
33:50I'm a dishwasher at an Italian restaurant owned by some Albanian bloke,
33:53because I know.
33:59What is that noise?
34:00Alright, Mum. Mum, Mum, I've got to go, alright?
34:03I'll call you when I'm back.
34:04Be careful.
34:05Alright. I love you.
34:06I love you.
34:07Bye.
34:10Bye.
34:11Bye.
34:19Bye.
34:27Bye.
34:32Bye.
34:35Bye.
34:37Bye.
34:38Bye.
34:38Bye.
34:38Bye.
34:40Bye.
34:45the
35:01you're good when we look at them
35:02They're good in the rest of the night.
35:04Yeah.
35:08I hate when they call me Old Man.
35:11They're sad.
35:13No, it's true.
35:16If they're sad, they're right.
35:20Look.
35:24You see...
35:26You see the damage in the carlingue of the plane?
35:28Hmm?
35:30All these little points.
35:32Hmm?
35:32Well, that...
35:34That's due to the explosions of the missile when it explodes.
35:38The missile entered into the plane.
35:40It exploded there.
35:41You understand?
35:45How can we know what type of missile we're talking about?
35:49There are several solutions.
35:50For example, we know that the plane was at about 1000 meters of altitude
35:53when the Bois-de-Loire started recording the descent,
35:55the fall of the plane.
35:57So we could eliminate the number of missiles that can't reach this height?
36:01That's exactly it.
36:04Well, you're going to pick me up my job, you?
36:06Which one?
36:07Or the computer?
36:08The two?
36:10The six?
36:12The computer?
36:19The four?
36:27The AI because of the vessel your aircraft training?
36:28I wasn't pushing around to the aircraft.
36:28No, it wasn't pushing the plane, I'm pushing it on.
36:28Holy Connor didn't completely manipulate someone!
36:29Oh, no, no, no, no!
36:43so that missile truck on the day of the crash was only 10 kilometers away from the crash site
36:48strange coincidence strange indeed yeah look at this let's get a look at the driver
37:12thanks
37:15yeah uh let me know what's going and take care yeah of course josh yeah i'm sorry for not having
37:24your
37:24back at the meeting it's fine you're making out for it now just call delia okay like look i know
37:31shit about love and i know we technically only met once but i do kind of know that you're both
37:35too
37:35stubborn to call first and just do it i liked it better when we didn't know anything about each
37:40other all right take you later yeah take care
38:11what's that
38:35do you know where claude is claude how did you find me there's only one taxi cooperative
38:43in kinshasa with a female president named claude
38:46i want to finish what steve lush started i want to know what happens in the colton mines please
39:16are you gonna help me or not because i'm doing this either way
39:23you have a lot of lusomba posters for someone who thinks their country can't ever change
39:33okay i got one more video she can't keep it why not because it's the one who killed steve lush
39:51take a seat
40:03eighty percent of all the colton mines on earth are here in the drc so all that money should be
40:10ours
40:10but it's not and then you have foreign countries fighting to secure our most raw materials
40:16and foreign powers filling up the buckets of a corrupt government
40:20who sells our country same as it has always been
40:31these are the samba supporters who worked at the mines
40:49are you sure you want to open up that door
41:11are you sure you want to open up that door
41:21How are you?
41:24Hi.
41:25Come here, Sidrik.
41:33Dunder.
41:51Come here, Sidrik.
42:11You're the person who filmed the executions in the mine.
42:14You gave the video?
42:15He only watched.
42:17I can trust.
42:18It's okay.
42:19It's okay.
42:20I'm not gonna say anything.
42:24Cedrik, you've been very brave.
42:26No, no, no.
42:27You're brave.
42:28You're stupid, yes.
42:30When they came, they came to me.
42:33They said I was a rebel.
42:34I said I was a criminal.
42:37I said no.
42:38They burned me everywhere with cigarettes.
42:42They killed me.
42:44Electric water and everything.
42:45They made me suffer.
42:48I couldn't sleep for 24 hours.
42:50I can't sleep for 24 hours.
42:51Look at what they did.
42:56And they worked for Lusamba.
43:02Why don't they want you campaigning for Lusamba?
43:05Because when Lusamba will win the power,
43:08he will nationalize all the mines.
43:11And then the money will remain for the people.
43:16Who were these people?
43:18The white men that did this to you?
43:20Please.
43:22Please.
43:22Please tell me.
43:33Les Russes.
43:39Is this one of them?
43:46What is his name?
43:50Ivanov.
43:53On l'appelle Ivanov.
44:07Yes?
44:08I don't look at you.
44:09Are you going on a date?
44:10Yeah.
44:11I met someone online and I have to be there in 25.
44:15Is it important?
44:16Is my sex life important?
44:18Well, that is a very good question.
44:21I need you to find someone.
44:22If you do it now, I promise you'll find your soulmate.
44:25Fuck you.
44:26I'm not looking for a soulmate.
44:27I'm just looking for sex and, I don't know, maybe some adventure.
44:30Okay, well, you're lying and you know it.
44:33Look.
44:34The bloke in the truck.
44:35The one with the baseball cap.
44:37Steve Lush tied into a video executing minors.
44:40His name is Ivanov.
44:42Can you find him?
44:46You have no idea how long it took me to find this fucking boot.
45:14Hey.
45:15Hey.
45:18I'm sorry.
45:21I miss you.
45:24Me too.
45:25I'm fucking tired.
45:26Turns out I can't sleep without you.
45:30Are you coming back soon?
45:32Yeah.
45:32Yeah, I, uh...
45:33I think so.
45:37Look.
45:38I do get it now.
45:40Just do what you gotta do and come back, okay?
45:44Yeah.
45:44I will.
45:46Promise.
45:47Well, actually, I was thinking about moving here.
45:49It's got the perfect blend of sunshine and corruption.
45:53What more could you want?
45:59I love you?
46:00I love you.
46:01I love you too.
46:03Bye.
46:07I am trying to eat it.
46:13I'm having to eat it.
46:29Hey, Josh.
46:32So this is your Boris Ivanov with Shaq Lemaire.
46:35He's the director of LeDuc magazine.
46:38Ivanov is credited as a journalist, allegedly, but...
46:42This is the same man from the convoy.
46:44It's a 100% match.
46:45Why would a journalist be driving a truck full of missiles?
46:49You think LeDuc is fake?
46:50Fake publication?
46:52Or like some elaborate cover story?
46:54Yes.
46:56And that leads me to say that I...
47:00I think it's time for you to come back.
47:02Not yet.
47:05Good luck, man.
47:07Stay safe.
47:09Yeah.
47:38I have one last gift for you.
47:40Open the link.
47:42It was recorded the night before Steve left.
47:57When did you get that?
47:59Just now.
48:00How?
48:01From someone who loves this country.
48:16Hey.
48:18What?
48:19I love you.
48:23See?
48:23I love you.
48:34the day before the plane crash
48:37wait wait there were four missiles on the truck
48:39but the video of the truck after the crash only had three
48:43you understand what that means
48:45last nail in the coffin
48:47but this is the most important thing we have
48:50here's your story
48:54what was that
48:55go to the airport
48:56no
48:56get out
48:57no
48:57no
49:32how do we get out of here
49:33how do we get out of here
49:38how do we get out of here
50:08hey
50:09Are you sure that he's here?
50:16He's here.
50:16I don't know.
51:12I'm sorry.
51:18I'm sorry.
51:29I'm sorry.
51:32I'm sorry.
52:18What the fuck is going on?
52:20I'm sorry.
52:41Hey!
52:43Hey!
52:56Hey!
52:57Hey!
53:05Hey!
53:05Hey!
53:06Hey!
53:07Hey!
53:17Hey!
53:23Hey!
53:31Hey!
53:33Hey!
53:39Hey!
53:44Hey!
53:45Hey!
53:46Hey!
53:46Hey!
53:49Hey!
54:05Hey!
54:08Hey!
54:09Hey!
54:10Hey!
54:20Hey!
54:22Hey!
54:24Hey!
54:28Hey!
54:34Hey!
54:36Hey!
54:37Hey!
54:40Hey!
54:42Hey!
54:44Hey!
54:44Hey!
55:13Transcription by CastingWords
55:26CastingWords
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