- 2 days ago
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Short filmTranscript
00:00:04THE END
00:00:35THE END
00:00:43THE END
00:00:43THE END
00:01:00THE END
00:01:07THE END
00:01:08THE END
00:01:14THE END
00:01:17THE END
00:01:23THE END
00:01:24THUS SPREADING
00:01:25HIS EVIL
00:01:26DOMINION
00:01:26EVERY WIDER
00:01:29THE ATTEMPTS
00:01:30TO FIND
00:01:31AND DESTROY
00:01:32THIS EVIL
00:01:33WERE NEVER PROVEN
00:01:34COMPLETELY SUCCESSFUL
00:01:35AND SO THE SEARCH
00:01:37CONTINUES
00:01:37TO THIS VERY DAD
00:01:49What's the time?
00:01:515.15.
00:01:52Good.
00:01:55Your crosses.
00:01:57Put them on.
00:02:32Here's the key.
00:03:09Let us know as soon as the sun clears the air to be.
00:03:11Yes.
00:03:20Take off the top.
00:03:44Just a few seconds more.
00:04:04Now.
00:04:07He's gone.
00:04:11But where? Where?
00:04:14I don't know.
00:04:16But wherever he is, he must be found.
00:04:28Now, Frieda, Frieda, please.
00:04:31You only make it more difficult.
00:04:34At least in America, I will be welcome.
00:04:36I can paint life as I see it.
00:04:39And an artist must have some kind of expression.
00:04:44The life is filled with goodbyes.
00:04:49Tell Cora to feed you well.
00:04:51Yeah, I will.
00:04:53You like America, Belak.
00:04:55You are lucky to be free.
00:04:56Yeah, I know.
00:04:58Well, good-bye.
00:05:06Well, good-bye.
00:05:26Excuse me, please.
00:05:46What?
00:05:46What did you see?
00:05:50Ah!
00:05:51Ah!
00:05:52Ah!
00:05:52Ah!
00:05:56Ah!
00:05:58Ah!
00:06:00Ah!
00:06:01Ah!
00:06:03Ah!
00:06:11Ah!
00:06:12Ah!
00:06:13Ah!
00:06:13Ah!
00:06:14Ah!
00:06:15Ah!
00:06:15Ah!
00:06:16Ah!
00:06:16Ah!
00:06:17Ah!
00:06:18Ah!
00:06:18Ah!
00:06:19Ah!
00:06:21Ah!
00:06:24Hey, Noggett! Noggett!
00:06:47Noggett! Noggett!
00:06:54Here, kitty, kitty, kitty! Here, kitty!
00:06:57Here, kitty, kitty, kitty!
00:07:02Noggett! Where are you?
00:07:08Gosh, Noggett, what are you doing down there?
00:07:14Quit playing games, Noggett.
00:07:18I gotta go now.
00:07:21I can get you later.
00:07:40You hear that?
00:07:42Yeah. Number 62 was sure early tonight.
00:07:50Sam!
00:07:52Hey, Sam! The train's coming!
00:07:54Are you sure?
00:07:55I just heard it.
00:07:56You better go and tell them.
00:07:56I am.
00:08:07Mickey, how many times must I tell you not to slam that door?
00:08:10Mom, the train's coming in.
00:08:12Oh, it can't be.
00:08:13It isn't due for half an hour. Are you sure?
00:08:15I just heard it, Mom.
00:08:17Oh, my goodness.
00:08:18Get your coal now.
00:08:19Stay up from under my feet.
00:08:21Don't forget your hands.
00:08:22Hey, wait! The train's early!
00:08:24Oh, I'm coming!
00:08:27Oh, the veil's all wrong.
00:08:29Did anybody tell Tim?
00:08:30I did. Look out, Mom.
00:08:31Move over.
00:08:32Mickey, must you stand in front of me, please?
00:08:35Okay.
00:08:35Oh, come on, Mama.
00:08:36Look at that.
00:08:37My hands are so shaky.
00:08:39After all, he's only a relative part of the family.
00:08:42Oh, but think of it.
00:08:43A man like that part of us.
00:08:45A man who's been all over the world
00:08:47and seen everything and done everything.
00:08:49I just can't believe it's happening to me.
00:08:51I hope he likes cheese sauce on asparagus.
00:08:53Oh, of course he does.
00:08:54Now, come on, Mama.
00:08:55If it's not my fault, the train's early.
00:08:58Well, what's keeping them?
00:09:00Come on!
00:09:05Aren't you gonna wear a coat?
00:09:07What for?
00:09:07Never mind.
00:09:08Get in the car, Mickey.
00:09:09I'll ride in front with Rachel.
00:09:11I sure hope Nuggle will be okay in that cave.
00:09:14Of course he will.
00:09:15Stop worrying.
00:09:36Hi, Mill.
00:09:36Good evening, Mrs. Mayberry.
00:09:38Good evening, Cora.
00:09:39Good evening, Nettie.
00:09:40Was that the 6.30 that just came through?
00:09:42Yes.
00:09:43Twenty minutes early today.
00:09:44I couldn't believe it.
00:09:45Never happened before.
00:09:46My cousin, Belac Cordal, is due in from Europe, you know.
00:09:50Tonight?
00:09:50Yes.
00:09:51Then he must have missed his connection.
00:09:53Oh.
00:09:53No passengers, Cora.
00:09:55Just this freight.
00:09:56Are you sure?
00:09:58Yes, I'm positive.
00:09:59I can't understand it.
00:10:01Wasn't there a telegram?
00:10:02Well, I don't think so, but I'll check.
00:10:07Well, if he missed this train, maybe he'll be on the next one.
00:10:10I hope so.
00:10:12Cora?
00:10:16Belac?
00:10:18Belac?
00:10:21Oh, for goodness sakes, I can't believe you're really here.
00:10:24I never would have recognized you.
00:10:27Why, the last time I saw you, you were just a little boy.
00:10:30This is my son, Mickey.
00:10:32Hello, Mickey.
00:10:33And my daughter, Rachel.
00:10:35Oh.
00:10:37Captivated.
00:10:39And Tim, who lives next door to us.
00:10:41How do you do?
00:10:42How do you do?
00:10:43I feel as if I've always known you, Cousin Belac, ever since you sent me the drawing.
00:10:48Oh, yes.
00:10:50Do you still have it?
00:10:51Of course.
00:10:53I can't wait to hear all about the family.
00:10:56It's been such a long, long time.
00:10:59The car's right over here.
00:11:08Did you see that fellow get off the train?
00:11:12No, sir.
00:11:14Neither did I.
00:11:15All right.
00:11:26I've got to get another, Mom.
00:11:28Now, Mickey, I don't want you to go in those caves.
00:11:31It's too dark there.
00:11:32Come on.
00:11:33That's where I went to.
00:11:34Mickey.
00:11:37Into the house.
00:11:39All right.
00:11:40Is this your house?
00:11:42Why, yes.
00:11:43When my husband died, I thought about selling it.
00:11:46Oh, no, you mustn't.
00:11:48Why, it's charming.
00:11:49It has a feeling of the old world, just like you do, Cora.
00:11:54You must never sell it.
00:11:55I shall prevent it.
00:11:57Oh, Belac, I'm so glad you've come.
00:11:59I had my misgivings.
00:12:01I'll have to admit, I did.
00:12:03But it's going to be fine having a man in the house again.
00:12:10Now, that's what you call a real snow job.
00:12:12What?
00:12:13Those two.
00:12:14The trouble with you is you just don't appreciate graciousness.
00:12:17And you do?
00:12:18Yes.
00:12:19You can tell he's refined just by looking at him.
00:12:21Is that so?
00:12:23Yes.
00:12:24And what can you tell by looking at me, for instance?
00:12:26That I shouldn't trust you.
00:12:28I'll see you later.
00:12:30Oh, I can't.
00:12:31The Reverend's coming to dinner.
00:12:33Oh, well, okay.
00:12:35Rachel?
00:12:36What?
00:12:43Good night.
00:12:55Delicious.
00:12:57More pie, Doctor?
00:12:58Couldn't.
00:12:58Couldn't.
00:12:59Possibly.
00:13:00I'm sorry Belac hasn't come down.
00:13:02You know, when he was a little boy, he used to do the same thing.
00:13:05He'd lock himself up in his room for hours to think and create.
00:13:10Now, Rachel is exactly the same way.
00:13:12Oh, Mother.
00:13:13Well, it's the truth.
00:13:14Mickey, what do you say?
00:13:15Excuse me.
00:13:16Quite all right.
00:13:18Rachel, why don't you go up and ask Cousin Belac if he'd like some pie?
00:13:21All right.
00:13:24Excuse me, Doctor.
00:13:25Certainly, Rachel.
00:13:26You know, Doctor, when Freda and Belac and I were younger, my father used to take us to the art
00:13:31gallery every Saturday.
00:13:36Come in, Rachel.
00:13:39Don't you want any dinner?
00:13:42Mother made a wonderful blueberry pie, and the Doctor's so anxious to meet you.
00:13:47I have already dined.
00:13:49Of course.
00:13:50And the train.
00:13:51We were afraid you weren't feeling well.
00:13:54On the contrary, I feel quite excellent.
00:13:58I only hope that your family will understand certain things about me.
00:14:02You see, my...
00:14:05My life has been confined.
00:14:09That's why I've come here.
00:14:11For freedom.
00:14:13I must have it.
00:14:15We understand.
00:14:17Perhaps I will grow to learn your ways in time, but until I do, I may seem strange to you.
00:14:24A recluse.
00:14:26You must have been terribly unhappy.
00:14:29Unhappy?
00:14:30Why do you say that?
00:14:32Well, I...
00:14:34I read all the letters you wrote, Cousin Belac.
00:14:37I've kept them.
00:14:38I'd re-read them.
00:14:40Pretty soon, it was as if it were happening to me, almost.
00:14:43I could feel the pain you felt, and how you wanted to express yourself, but couldn't.
00:14:48I know how that is.
00:14:50I feel the same way, too, sometimes.
00:14:53You sound like an artist.
00:14:55Are you?
00:14:56Well, I am, in a way.
00:14:59I'd like to be a dress designer.
00:15:01But I guess I'll end up being a nurse.
00:15:04How are these two opposites reconciled?
00:15:07Well, I guess they aren't.
00:15:08Yet.
00:15:09I'm sure they will be.
00:15:11Seems to me you're a most remarkable girl.
00:15:16Come.
00:15:18We shall join the honorable doctor.
00:15:20Oh, the mirror.
00:15:24Oh, is it broken?
00:15:25Leave that alone.
00:15:27What?
00:15:28I'm so sorry.
00:15:31Forgive me.
00:15:32I cannot send any mirrors in my room.
00:15:34It is a quirk of mine.
00:15:36You will have to indulge me.
00:15:40Of course.
00:15:47That was the best blueberry pie I ever tasted.
00:15:51Thank you, doctor. I'm glad you liked it.
00:15:53Oh, doctor.
00:15:54You're not leaving.
00:15:56I just told cousin Belak into coming down.
00:15:59I'm afraid I have to get back to the parish house, Rachel.
00:16:02Oh, that's too bad.
00:16:03This is my cousin, Belak Gordal.
00:16:06A pleasure.
00:16:07I've heard a great deal about you, Mr. Gordal.
00:16:10Yes?
00:16:11I hear you're an accomplished painter, among other things.
00:16:15Yes.
00:16:16Well, you'll find our town most picturesque.
00:16:19I'm sure I will.
00:16:20You must bring him to the parish house sometime, Rachel.
00:16:23Oh, I will.
00:16:24This one is a real treasure.
00:16:26You should see how the patients respond to her.
00:16:30I'm sure even that Deborah would respond.
00:16:33Yes, yes.
00:16:34I'd say he would.
00:16:37Well, I must go.
00:16:39It was a wonderful dinner, Cara.
00:16:42I'm looking forward to seeing you again, Mr. Gordal.
00:16:46You can count on it.
00:16:48Tomorrow night, Rachel.
00:16:49Jenny's expecting you.
00:16:50Oh, I'll be there.
00:16:51Good night.
00:16:52Good night.
00:16:53Good night, Doctor.
00:16:54Good night.
00:16:58Can't I get you something?
00:17:00No, thank you.
00:17:01Oh, you already ate dinner, Mama.
00:17:03Oh.
00:17:04Well, then help me clear the table, dear.
00:17:11Mom!
00:17:12In here, dear.
00:17:13I couldn't find no good anywhere.
00:17:15I looked all over.
00:17:16Do you suppose he's all right?
00:17:18Oh, of course he is, dear.
00:17:20He'll turn up.
00:17:20Don't worry.
00:17:44I'm late.
00:17:45What time is it?
00:17:46Quarter past.
00:17:47Rachel.
00:17:48Huh?
00:17:49Do you suppose you could cut classes today?
00:17:51Why?
00:17:51Well, I thought it'd be nice if you showed cousin Belak the countryside.
00:17:55Oh, my.
00:17:56I'd love it.
00:17:58I've got all those costumes to sew for the party.
00:18:00And besides, he seems to like your company.
00:18:02And you know, there are a lot of places he could paint.
00:18:04There's the bridge and the caves, even the old manor house.
00:18:07Where's Mickey?
00:18:08Oh, he's out looking for that cat.
00:18:17Hey, Nogget!
00:18:19Nogget!
00:18:25Mom, do you think you'll wake up early?
00:18:27I have a thousand things to tell him.
00:18:30Say, do you think you might help me with my designing?
00:18:32Well, I don't see why not.
00:18:34Why don't you ask him?
00:18:35Oh, I will.
00:18:36And you know what?
00:18:3725 years from today, I'll come back to this small, dull town from Paris.
00:18:42And I'll say, I owe all my success to cousin Belak.
00:18:45He inspired me in my youth.
00:18:48Oh, you.
00:18:50Shh!
00:18:50You wait, cousin Belak.
00:18:51Mom!
00:18:52What's the matter?
00:18:52What happened?
00:18:53Nogget!
00:18:54He's dead!
00:18:55Oh, darling, I'm so sorry.
00:18:57What happened?
00:18:59The cave.
00:19:00You're going to float all over him.
00:19:01Oh, there.
00:19:02There, darling.
00:19:02Something killed him.
00:19:04Stop your crying.
00:19:04You'll make yourself sick.
00:19:06Something killed him, Mom.
00:19:08There, darling.
00:19:09It's all right.
00:19:10Please.
00:19:11There.
00:19:12There.
00:19:13I'll be back in half an hour.
00:19:16Don't you think we ought to wake him, Mama?
00:19:18Now, Rachel, you're much too impatient.
00:19:20He needs his rest.
00:19:22But it's almost 12 o'clock.
00:19:24I know, but he needs his sleep.
00:19:26Now, we'll try this on when I get back.
00:19:28Okay.
00:19:49Cousin Belak.
00:19:52Cousin Belak, it's Rachel.
00:19:55Are you asleep?
00:20:10I'll walk in half a minute.
00:20:11Bye.
00:20:12Bye.
00:20:13Bye.
00:20:13Bye.
00:20:16Bye.
00:20:17Bye.
00:20:18Bye.
00:20:19Bye.
00:20:21Bye.
00:20:22Bye.
00:20:22Bye.
00:20:22Bye.
00:20:24Bye.
00:20:26Bye, bye.
00:20:32Let's go.
00:21:04Let's go.
00:21:31Let's go.
00:22:02Mom, where do you suppose he is?
00:22:03I don't know, honey.
00:22:05At least he could have told us he was going out.
00:22:07I waited all day.
00:22:09I know, dear.
00:22:10We'll just have to leave him alone and it'll take time.
00:22:13But we don't want him to feel obligated to us, do we?
00:22:16No, no, you're right.
00:22:18Don't be too late.
00:22:19I won't.
00:22:20Good night.
00:22:21Good night.
00:22:21Good night.
00:22:22All right.
00:22:46Rachel.
00:22:52Are you going somewhere?
00:22:54It's my night at the parish house.
00:22:56Ah, yes.
00:22:57The artist by day, the nurse by night.
00:23:00Come with me.
00:23:01I'd love to have you meet everyone.
00:23:02I'm afraid I can't.
00:23:04Not tonight.
00:23:05Well, some other time.
00:23:07Oh, were you painting today?
00:23:09Yes.
00:23:11I wanted to show you a few places around town.
00:23:13I guess you left early.
00:23:15Oh, I'm so sorry.
00:23:17Well, it doesn't matter.
00:23:19Sometime will you come with me and talk to Jenny?
00:23:21She's a blind girl and you could describe things to her.
00:23:24Oh, I know she'd love to meet you.
00:23:26You are truly an angel of mercy, aren't you?
00:23:29No, I just know how terrible it must be to be alone,
00:23:32like Jenny is, especially in the dark.
00:23:36Yes.
00:23:38Well, upon your recommendation,
00:23:39I shall make it a point to visit her sometime.
00:23:43Oh, that's wonderful.
00:23:46Well, I have to go now.
00:23:49I'm so glad you're back.
00:23:51We're worried.
00:23:52Good night.
00:23:54Good night.
00:24:00Good night.
00:24:02This is the menu we're planning for tomorrow, Doctor.
00:24:08Hello, Doctor.
00:24:09Hello, Rachel.
00:24:10I've invented a new game for the party.
00:24:12Oh, that's wonderful, Cornelia.
00:24:14Jenny's been asking for you.
00:24:16She isn't feeling well again.
00:24:18Oh.
00:24:19Oh, but Rachel.
00:24:19Excuse me.
00:24:23Rachel.
00:24:24Uh-huh.
00:24:25How do you feel?
00:24:26Oh, I'm all right, I guess.
00:24:29Did your cousin come yet?
00:24:30Yes, and he's wonderful.
00:24:32He's promised to visit you soon.
00:24:35Oh, he's such a nice person.
00:24:39Now, let's see.
00:24:41Where were we yesterday?
00:24:43The, uh, soldier had just gotten lost,
00:24:45and then he heard someone.
00:24:47It was the girl, and she kissed him.
00:24:51Rachel.
00:24:53Yes?
00:24:53Talk with me a minute.
00:24:55Okay.
00:24:57Rachel, I have the funniest feeling.
00:25:00I feel as if I'm going to die.
00:25:03Oh, Jenny, that's silly, and you know it.
00:25:05Is it?
00:25:06Of course it is.
00:25:09I don't think it's silly.
00:25:12Some nights...
00:25:14Some nights are darker.
00:25:17Some are almost black, Rachel.
00:25:20Like tonight.
00:25:22It seems so dark.
00:25:24And I'm scared.
00:25:26I'm scared of being alone.
00:25:29Oh, Jenny, you know you're not alone.
00:25:31Oh, no.
00:25:33I'm not.
00:25:36What was that?
00:25:38It's just the dogs.
00:25:40No.
00:25:41I mean at the window.
00:25:43At the window?
00:25:46Oh, the wind's blowing, that's all.
00:25:48Well, I'll lower it a little.
00:25:50Oh.
00:25:52I thought I heard...
00:25:54something.
00:25:56It was just the wind.
00:26:02Now, let's see.
00:26:06As he entered the drawing room,
00:26:08his heart beat violently,
00:26:10and his hands trembled so perceptibly
00:26:12that he clasped them behind his back.
00:26:15Raising his eyes from the stream
00:26:17and gazing at the sky,
00:26:19he recalled her fate
00:26:20in the shape of an unknown woman
00:26:22had once caressed him.
00:26:25Jenny?
00:26:28Jenny?
00:27:05She's asleep.
00:27:06That's fine.
00:27:07Why don't you go on home, Rachel?
00:27:09We're all turning in early.
00:27:11You look a little tired.
00:27:13I am.
00:27:15And when Tim comes,
00:27:16tell him I've gone, will you?
00:27:17Of course.
00:27:18And try not to worry too much about Jenny.
00:27:20I won't.
00:27:21Good night.
00:27:22Good night.
00:27:52Good night.
00:27:54What did you say?
00:28:10Really?
00:28:12Hi, what are you doing up there?
00:28:14What?
00:28:17I don't know.
00:28:18You get through early?
00:28:20Yes.
00:28:33I don't know.
00:28:34I'll do it, Lump!
00:28:38Oh, come on.
00:28:38Don't go.
00:28:40Oh, my God.
00:28:42Oh, my God.
00:28:43Oh, my God.
00:28:43What did it take?
00:28:44Oh, my God!
00:28:44Oh, my God!
00:28:44Oh, my God!
00:28:45Oh, my God!
00:28:45Oh, my God!
00:28:50Oh, my God!
00:29:11What did you say?
00:29:16I said, look at me, Jenny.
00:29:22Open your eyes and look at me.
00:29:26You can see me if you try.
00:29:28You can see me with your mind.
00:29:32I can free your soul, Jenny.
00:29:35I can take you from the blackness into the light.
00:29:42Look at me, Jenny.
00:29:45Can you see me now?
00:29:56Yes.
00:29:58Yes.
00:30:01Yes.
00:30:18Hello?
00:30:21Yes, Doctor.
00:30:23Of course.
00:30:26Well, she's just leaving for school.
00:30:29Yes, I'll tell her.
00:30:31All right.
00:30:32Goodbye.
00:30:33Oh, Rachel.
00:30:35The doctor wants you to stop by the parish house.
00:30:37Well, now?
00:30:38Yes, it's something about Jenny.
00:30:40Oh, all right.
00:30:41Bye-bye.
00:30:42Bye.
00:30:42Bye-bye.
00:30:47You're late.
00:30:52I'm sorry.
00:30:53Listen, we've got to go by the parish house.
00:30:55Jenny's worse.
00:30:56That's too bad.
00:30:56Let's go.
00:31:06Come on.
00:31:07Get in.
00:31:12How's your cousin these days?
00:31:14My cousin has nothing to do with your manners, which are crude to say the least.
00:31:19Well, that's not what you said last night.
00:31:21Oh, shut up.
00:31:22Come on.
00:31:47Jenny is very sick.
00:31:49I know.
00:31:56She's been calling for you.
00:31:58Jenny, it's me.
00:31:59I don't think she can hear you, Rachel.
00:32:03Jenny, Rachel's here.
00:32:05Rachel?
00:32:06Yes, Jenny?
00:32:09Rachel, what happened after he kissed her?
00:32:12Well, she ran out, and he didn't know what she looked like because it was so dark.
00:32:17Oh, Rachel, I know what he looked like.
00:32:20What?
00:32:20I saw him.
00:32:23Rachel, I've got to give you something.
00:32:26You've got to take it.
00:32:27You know him.
00:32:29Who?
00:32:30Is the window open?
00:32:32No, Jenny.
00:32:33It's closed.
00:32:34I've got to close the window.
00:32:36He's outside.
00:32:37He'll hear us.
00:32:38No, Jenny.
00:32:39Rachel.
00:32:39No, Jenny.
00:32:40Jenny, you mustn't get up.
00:32:41I've got to.
00:32:41Don't you understand?
00:32:42I've got to close the window.
00:32:44He's outside.
00:32:45He'll hear us.
00:32:47I've got to close the window.
00:33:00I've got to close the window.
00:33:01I'm sorry.
00:33:02She's gone.
00:33:04No.
00:33:05Jenny.
00:33:06Jenny.
00:33:08Oh.
00:33:10Oh.
00:33:11Oh.
00:33:11Oh.
00:33:17And so it is not for us to question, but to accept.
00:33:23Each life concludes, each life renews.
00:33:28And herein lies our faith, and the faith of all flesh.
00:33:35Amen.
00:33:37Amen.
00:33:39Amen.
00:34:01Thanks, Tim.
00:34:02See you a little later.
00:34:02Come on.
00:34:37Mrs. Mayburn.
00:34:38Yes?
00:34:39My name is Mac Bryant.
00:34:40I'm from the Department of Immigration.
00:34:42Yes?
00:34:43I wonder if I might speak to you.
00:34:45Why, of course.
00:34:46Won't you come in?
00:34:51You'll have to forgive us, Mr.
00:34:54Bryant.
00:34:55Mr. Bryant.
00:34:56We just came back from a funeral.
00:34:58It was very depressing.
00:34:59I'm sorry.
00:35:00I hope it was no one close.
00:35:01No.
00:35:02No.
00:35:02A little girl we all knew and loved.
00:35:04She'd been ill a long time.
00:35:07Well, what can I do to help?
00:35:09Well, it's in regard to your cousin, Mr. Gordor.
00:35:11Is he at home?
00:35:12No, he isn't.
00:35:13He's been away for a few days.
00:35:14Is something wrong?
00:35:15Oh, this is my daughter, Rachel, Mr. Bryant.
00:35:18How do you do?
00:35:19How do you do?
00:35:20No, I'm checking on all the immigrants that entered with his group.
00:35:23Oh.
00:35:24Just routine.
00:35:25Do you know when he'll be back?
00:35:27Well, that's very hard to say.
00:35:29I can never tell about him.
00:35:31He keeps very irregular hours.
00:35:33Do you happen to know if your cousin would have his papers here at the house?
00:35:36What kind of papers?
00:35:38Alien registration card.
00:35:40Entry papers.
00:35:41Well, I don't know.
00:35:43But they're probably in his room.
00:35:45Would you be kind enough to look?
00:35:46It's rather important.
00:35:47Well, I...
00:35:48But why do you want to see his papers?
00:35:50An unidentified man was thrown from a train over in Europe.
00:35:54He happened to be traveling with an immigration group.
00:35:57We're just checking through in the event that some of his papers were stolen.
00:36:01Well, I suppose it's all right.
00:36:03But I do so dislike invading someone's privacy.
00:36:07You understand?
00:36:08Of course.
00:36:10Now, won't you sit down?
00:36:20Bellark?
00:36:23Bellark?
00:36:26Oh, for goodness sakes.
00:36:30You scared me half to death.
00:36:32I didn't know you were back.
00:36:34I just came in.
00:36:35There's a man downstairs that wants to see you about your papers.
00:36:39What's his name?
00:36:40Bryant.
00:36:40Mac Bryant.
00:36:41He's from the immigration department.
00:36:43Tell him I'll be right down.
00:36:45All right.
00:36:46Did you have a nice trip?
00:36:48I rested.
00:36:49That's good.
00:36:50We do worry about you.
00:37:00Well, everything seems to be in order, Mr. Gaudot.
00:37:03I hope I haven't inconvenienced you too much.
00:37:05Oh, no.
00:37:06Not at all.
00:37:07In my country, I'm used to it.
00:37:09Yes, I guess that's one of the big differences between our countries.
00:37:12You see, over here, we don't like to investigate a man unless it's absolutely necessary.
00:37:16Oh, cigarette, sir?
00:37:18No, thanks.
00:37:19Do you care if I do?
00:37:20Oh, no.
00:37:20Go ahead.
00:37:21Where did you study art, Mr. Gaudot?
00:37:24At the Paris Institute.
00:37:25Oh, that would be under Rondeau.
00:37:27No.
00:37:28Marchant.
00:37:29Oh.
00:37:30Have you ever been hospitalized?
00:37:33No.
00:37:34Well, what about your appendix, dear, when you were ten?
00:37:38Oh.
00:37:39Yes.
00:37:40Do you, uh, remember the doctor's name?
00:37:43Well, it was so long ago.
00:37:46The family doctor.
00:37:48Uh, Barrage.
00:37:49But I thought Uncle Freddy took care of all of you.
00:37:52Oh, no.
00:37:53It was Dr. Barrage.
00:37:55Well, thank you ever so much, Mr. Gaudot, for your cooperation, and I'm sorry I gave you so much trouble.
00:38:00Oh, it's quite all right.
00:38:01Would you like some tea?
00:38:02No, thanks.
00:38:03I have a train to catch.
00:38:04Nice to have met all of you.
00:38:30Well?
00:38:31No, I don't think so.
00:38:32Why not?
00:38:33Well, everything seems okay, but I'll run a check on the questionnaire anyway.
00:38:37Did you take a picture?
00:38:38Yeah.
00:38:39Got it with a lighter camera.
00:38:41Hey, what are you so interested in this one for anyway?
00:38:43We've still got a long list of names.
00:38:45No special reason.
00:38:47Only that he was also an artist of sorts.
00:38:50Seems like a happy coincidence.
00:38:54When is the train out?
00:38:55Ten o'clock.
00:38:56Take it.
00:38:57I think I'll stay overnight.
00:38:59Perhaps I can have a look at the paintings and have this film developed.
00:39:03Right.
00:39:04Well, there's only one thing wrong.
00:39:06That we are defeated before we have begun.
00:39:09Why?
00:39:10The facets, my dear fellow.
00:39:11A wolf, a man, a bat, possibilities are infinite.
00:39:17There's only one thing he cannot change.
00:39:20Between sunrise and sunset, he has to lie in his coffin.
00:39:24Well, I'll drop you off at the hotel so you can pack.
00:39:28And we'll meet later at the station.
00:39:30Anything you say?
00:39:32Hey, he didn't suspect anything.
00:39:35Oh, no.
00:39:36Good.
00:39:54Good.
00:40:07Good.
00:40:22What?
00:40:29Jenny, Jenny, Jenny, I've come to wake you Jenny, Jenny, Jenny, wake Jenny, wake, wake.
00:40:54Rise up Jenny, rise up and breathe, that's right, it hurts to breathe again, but only for a moment, now
00:41:11Jenny, now.
00:41:37Come, we have work to do.
00:42:02Oh, uh, Station Master, is ten o'clock gonna be on time?
00:42:05Uh, yes sir, she'll be along in twenty minutes or so. Thank you.
00:42:33Mr. Bryan.
00:42:52Please, help me. Help me, Mr. Bryan, please help me.
00:42:58Come, where is he?
00:43:02Come, where is he?
00:43:03In every day.
00:44:02Oh, I see you.
00:44:03Wasn't there another passenger waiting, medium-sized man, about five foot ten?
00:44:09Yes, there was somebody waiting just a little while ago.
00:44:11Did you notice where he went?
00:44:13Don't know for sure.
00:44:14That's his suitcase, sitting right there.
00:44:17Ed!
00:44:20Ed!
00:44:22Ed, call the sheriff.
00:44:24What's wrong?
00:44:24There's a fellow on my place. He's dead.
00:44:26Looks like he's been killed by an animal.
00:44:28An animal?
00:44:28Yeah.
00:44:28Where? Show me where.
00:44:40All right, folks. Let's stand back a little, please.
00:44:42Sheriff Big Mill?
00:44:43Yes?
00:44:44Mr. Bryant here was working with me.
00:44:47Oh, yes?
00:44:48It was an animal, all right. There isn't any doubt of it.
00:44:50I don't see how that's possible.
00:44:52It is quite possible.
00:44:53May I have a word with you, Sheriff?
00:44:58I'm afraid I have to ask your utmost cooperation at discretion.
00:45:01Who are you?
00:45:06It is a matter we best discuss in private.
00:45:16The sheriff asked that I help you in any way possible.
00:45:19I understand that you serve as a county health supervisor.
00:45:23That's right.
00:45:24I would like to review the circumstances connected with the deaths in your community during the past three weeks.
00:45:30I'll get the records.
00:45:33Practically everybody in this town dies of natural causes.
00:45:38Of course, there was that fellow who was attacked last night.
00:45:44Here you are, Mr. Meyerman.
00:45:46Thank you, sir.
00:45:50Do you think I should wear my hair up for the party or down?
00:45:53Hmm?
00:45:54Well, Grecian women were the epitome of fashion, didn't you know?
00:45:58No kidding.
00:45:59And they made slaves out of their men.
00:46:01I'm your slave.
00:46:03I don't think you're interested in history at all.
00:46:05I'm fascinated. What else do Grecian women do?
00:46:08Well, they fell in love with educated men.
00:46:11Here, read.
00:46:11Ow! Hey, come here.
00:46:13Hey, be quiet. You'll wake up, mother.
00:46:16Oh, Tim, stop it.
00:46:17Shh, teacher. You're setting a bad example.
00:46:26Good evening.
00:46:32Well, listen, I've got to go and invite him to the party.
00:46:35Now?
00:46:35Why not?
00:46:36Well, if you don't know, I'm not going to tell you.
00:46:38Oh, stop it.
00:46:39Thanks.
00:46:46Oh, cousin Belak.
00:46:48Yes.
00:46:49Mother wanted me to invite you to the party tomorrow night.
00:46:52Party?
00:46:52At the parish house for Halloween.
00:46:54Oh, we'd love to have you come.
00:46:56I'm afraid not.
00:46:58Oh, but you have to.
00:46:59I designed the costumes and I'd like you to look at the sketches and tell me what's wrong.
00:47:03You'd know being a true artist.
00:47:06Of course, I shall look at your sketches, Rachel, but you will have to excuse me from the party.
00:47:11I have no, how do you say, social grace for large gatherings.
00:47:19Cousin Belak, have we offended you?
00:47:23Offended?
00:47:23Well, I thought at first we were going to be such good friends.
00:47:28Aren't we?
00:47:29I don't know.
00:47:31You seem so distant somehow.
00:47:33I don't think you've given us a chance.
00:47:36And we want to accept you very much.
00:47:39And there's a price for your acceptance for me to conform, to be as you would want me to be.
00:47:45Well, I didn't mean that at all.
00:47:48Well, you must accept me as I am.
00:47:51Do not question.
00:47:54You study me with such puzzled eyes.
00:47:57I'm sorry, I didn't mean to.
00:47:59If my behavior seems different, perhaps it is because it serves a higher purpose than to find acceptance in this
00:48:07dull and useless world.
00:48:10I'm afraid I don't follow you.
00:48:11Of course you don't.
00:48:13But you will, in time.
00:48:16For you are a very sensitive and intelligent young lady.
00:48:20So you see, you have not offended me.
00:48:24And we are good friends, huh?
00:48:26I'm so glad.
00:48:38Where did you receive that pendant about your throat?
00:48:41I...
00:48:42It...
00:48:43It was Jenny's.
00:48:45It does not become you.
00:48:46I wouldn't wear it if I were you.
00:48:59Hey, Rach!
00:49:00You got company, remember?
00:49:02Oh.
00:49:04Coming.
00:49:04What?
00:49:05Please...
00:49:06Please look at the sketches and...
00:49:08Of course.
00:49:08Change your mind about the party.
00:49:16Do you have to yell at everybody?
00:49:18You act like you were born in a corn crib.
00:49:20So I'm uninhibited, so?
00:49:21Okay, you're uninhibited.
00:49:23Hey, come on.
00:49:24I'm tired.
00:49:25You weren't tired five minutes ago until that phony cousin of yours walked in.
00:49:29That's very funny.
00:49:30Okay.
00:49:33Where are you going?
00:49:34I'll see you later.
00:50:05I'm Jack.
00:50:18Does anyone know who he is doing or DMV?
00:50:23Who is a drink?
00:50:24In the paper, we've estimated He and His vine?
00:50:24Hey, God.
00:51:48The cross is my enemy, Rachel.
00:51:51Take it off.
00:51:54Take off the cross, Rachel.
00:51:55Then we can speak.
00:51:57I must speak with you.
00:52:01What?
00:52:03The cross.
00:52:05The cross.
00:52:09You will do as I say.
00:52:14Yes.
00:52:24You are not afraid?
00:52:27No.
00:52:29There is only one reality, Rachel.
00:52:32And that is death.
00:52:34I bring you death.
00:52:36A living death.
00:52:39Are you afraid?
00:52:41No.
00:52:43I bring you the darkness of centuries past and centuries to come.
00:52:48Eternal life and eternal death.
00:52:52Now, do you fear?
00:52:56No.
00:53:04Mickey, don't you ever do that again.
00:53:08Get up, will you, Rachel?
00:53:09I've got to help Mom finish making the costumes.
00:53:12And Tim's downstairs.
00:53:14All right.
00:53:14I'll be right down.
00:53:40Here.
00:53:42Here.
00:53:43Here.
00:53:46Well, I thought you were going to sleep all day.
00:53:50What's the matter? Don't you feel well?
00:53:52I'm tired, that's all.
00:53:54There's orange juice in the icebox.
00:53:56All right.
00:53:58Finish wrapping this, huh, Mickey?
00:54:07Hi.
00:54:08Oh, hi.
00:54:11Rich, I'm sorry about last night.
00:54:13Last night?
00:54:14Sometimes I'm a real jerk, I guess.
00:54:15I lose my temper.
00:54:17Well, you know what I mean.
00:54:18It's all right.
00:54:21Is it? I wonder.
00:54:23Tim.
00:54:24Yeah?
00:54:24Do I look all right?
00:54:27I feel so strange.
00:54:29You look great.
00:54:30Of course, I'm no judge.
00:54:31I'm used to you.
00:54:32I mean, seriously.
00:54:33You look all right.
00:54:34Kind of pale, I guess.
00:54:37I had the strangest dream last night.
00:54:40But I can't seem to remember.
00:54:43It was about Belak.
00:54:47I wonder how Jenny is.
00:54:49Honey, Jenny's dead.
00:54:52Is she?
00:54:53Oh.
00:54:55Yes, of course.
00:54:58You were going to tell me about the dream.
00:55:01Well, I...
00:55:01I dreamt I was lying asleep.
00:55:05Mom wants to know if you're going to help her or not.
00:55:07She's waiting.
00:55:09Come on.
00:55:10Let's go.
00:55:26Excuse me.
00:55:27My name is Mayerman.
00:55:28May I speak to Dr. Whitfield, please?
00:55:30Come in.
00:55:32Right this way.
00:55:33We're having a party, you know, for Halloween.
00:55:36Yes.
00:55:36Right this way.
00:55:37The doctor's study is in here.
00:55:39Doctor?
00:55:40Yes?
00:55:41There's a Mr. Mayerman here to see you.
00:55:44I'm going as a witch.
00:55:45I beg your pardon?
00:55:47To the party.
00:55:47Oh, I see.
00:55:49Mr. Mayerman.
00:55:50Doctor.
00:55:50Sheriff Bicknell called me, said you were stopping by.
00:55:53Sit down, please.
00:55:54Thank you, sir.
00:55:58I hesitated coming to you, doctor.
00:56:01But there doesn't seem to be a choice, unfortunately.
00:56:04I've spent all day yesterday verifying my information.
00:56:09Well, I try to serve the community.
00:56:11Their problems aren't my problems, so to speak.
00:56:14Yes.
00:56:15Actually, I...
00:56:16This is rather difficult to explain.
00:56:19I've come to you on two counts.
00:56:21First, I want your help in getting the permission
00:56:25to open the crypt of Jenny Blake.
00:56:27Jenny's crypt?
00:56:28But why?
00:56:30That brings me to my second reason
00:56:32for confiding in you in particular.
00:56:35I understand you have done some studying abroad,
00:56:37in the Balkans.
00:56:38That is correct.
00:56:41But what has that got to do with Jenny?
00:56:43Perhaps you're familiar with the legend of the undead.
00:56:47The undead?
00:56:48Oh, yes, of course.
00:56:49The Dracula legend.
00:56:50Only that it isn't a legend.
00:56:52It is fact.
00:56:54Fact?
00:56:55Yes, sir.
00:56:56I have devoted a great many years of my life
00:56:58to proving it.
00:56:59It is fact.
00:57:01Are you...
00:57:03Are you serious?
00:57:05I've never been more serious, sir.
00:57:08One of the undead,
00:57:09possibly Count Dracula himself,
00:57:11has escaped to this country.
00:57:13It is my firm belief
00:57:15that he is now residing in this town,
00:57:18posing as a relative of the Mayberry family,
00:57:21for the sole purpose
00:57:22of starting a new chain of domination here.
00:57:25Oh, no.
00:57:26No, you must be mistaken.
00:57:29Furthermore,
00:57:30I have examined very carefully
00:57:32the recent deaths in this community,
00:57:33and it is my belief
00:57:35that Jenny Blake did not die from natural causes,
00:57:38but as a victim of this so-called Bella Gordal,
00:57:42and that she's following the cycle now
00:57:44and is herself undead.
00:57:45But why?
00:57:46Why do you believe such a thing?
00:57:48What proof do you have?
00:57:50This is a picture
00:57:52that was taken of Mr. Gordal
00:57:54two days ago.
00:57:58I don't understand.
00:58:00Your photographer must have made a mistake.
00:58:02My photographer is dead, sir.
00:58:05He was killed shortly after taking this picture.
00:58:08We are dealing with the supernatural.
00:58:11If I am correct,
00:58:13Mr. Gordal's flesh is as transient as his background.
00:58:22How can I help you?
00:58:25Tonight,
00:58:26we will open Jenny Blake's crypt.
00:58:28If she is undead,
00:58:30then my theory about Mr. Gordal
00:58:32will be correct.
00:58:33And if you are correct?
00:58:35Jenny Blake's soul must be freed,
00:58:38and all of the souls of their victims,
00:58:40if any.
00:58:41But how?
00:58:44Well, it wouldn't stake
00:58:46right through her heart.
00:58:53Let's go, Mickey.
00:58:55Now,
00:58:55don't forget the belts.
00:58:57I won't.
00:58:58And Cornelia's hat.
00:58:59And if Bellack comes in,
00:59:01ask him again to the party.
00:59:03I think he'd enjoy it.
00:59:04I do so wish we could reach him.
00:59:08All right.
00:59:09I'll try.
00:59:11Here I am, Mom.
00:59:13Aren't you going to wear a costume, Mickey?
00:59:15What does she mean by that?
00:59:17Rachel.
00:59:18Now, dear, you look very cute.
00:59:21Come on, let's go.
00:59:38Come on.
00:59:48Let's go.
00:59:49Let's go.
01:00:33Cousin Belak.
01:01:09Cousin Belak?
01:01:23Cousin Belak?
01:01:46Cousin Belak.
01:01:58Cousin Belak.
01:01:59Cousin Belak.
01:02:12Cousin Belak.
01:02:19I was just going to telephone Tim.
01:02:34That's right.
01:02:36There is no reflection.
01:02:38The flesh is only an illusion.
01:02:40The heart beats only when it is drunk with blood.
01:02:44What are you?
01:02:48I think you know.
01:02:50I think you remember.
01:02:57Yes, I remember.
01:03:02That's Tim.
01:03:04Well, we shall let him in.
01:03:08Yes?
01:03:10Yes.
01:03:18Where is she?
01:03:19In there.
01:03:22What's wrong?
01:03:23Nothing.
01:03:24What do you mean nothing?
01:03:25You just had a stroke on the phone.
01:03:27I just wanted you to see my dress.
01:03:29For Pete's sake, Rachel.
01:03:30I thought you were dying.
01:03:31Don't do that again.
01:03:32Oh, cousin Bellack.
01:03:33Yes?
01:03:35Mother didn't want you to forget to come to the party.
01:03:38Perhaps later.
01:03:39Yes, later.
01:03:47Later.
01:03:58That's right, folks.
01:03:59Have some fun.
01:03:59I want everybody to have a real good time and wants to be a real big party.
01:04:03They're real good.
01:04:06Why, Vicky, who are you supposed to be?
01:04:11Women.
01:04:16Are you lost in thought or just bored to death?
01:04:18What?
01:04:19Where are you?
01:04:29Rachel.
01:04:30Yes?
01:04:31I want to talk to you for a few minutes in my study.
01:04:34All right.
01:04:35Excuse me, Tim.
01:04:37I'll let you right now.
01:04:38Hurry up.
01:04:39Hurry up.
01:04:39Wake up.
01:04:46Rachel, this is Mr. Meierman.
01:04:48He's been visiting our town for a few days.
01:04:50How do you do, Miss Mayberry?
01:04:54How do you do?
01:04:56Sit down, dear.
01:05:02Rachel, we have some information that may concern you.
01:05:06Mr. Meierman is from the European Police Authority.
01:05:10Now, don't be alarmed.
01:05:13We aren't sure.
01:05:14But there's a possibility.
01:05:17Mind you, I said a possibility that your cousin Belak is not all that he says he is.
01:05:25Cousin Belak?
01:05:26We're not sure.
01:05:27And we don't want to make unjust accusations until we are sure.
01:05:33What are you talking about?
01:05:35Now, there's no cause for concern.
01:05:37That's why I don't want you to upset your mother.
01:05:40But just for tonight, just until we're sure, we want you both to stay here at Parrish House.
01:05:47Why?
01:05:48You'll have to trust me.
01:05:51Is that too much to ask?
01:05:53It's very important.
01:05:55I trust you, doctor.
01:05:58Make up some excuse.
01:06:00Tell her that we need you to help out here tonight.
01:06:03I'll explain everything tomorrow, I promise you.
01:06:06All right, I'll ask her.
01:06:13Goodbye, Mr. Meierman.
01:06:14I was happy to meet you.
01:06:16Likewise, Miss Mayberry.
01:06:18I can't tell you how wretched I feel about this whole thing.
01:06:24I wish I could be sure it wasn't a mistake.
01:06:27I just don't want to take a chance on the Mayberry family.
01:06:31If I'm wrong about Jenny Blake, and we'll find out shortly,
01:06:35then I'm wrong about Mr. Gordo.
01:06:37I sincerely hope I am.
01:06:41But it doesn't look that way.
01:06:43Well, we might as well go and get this over with.
01:06:49Hey, let's finish our dance, huh?
01:06:52Later, Tim.
01:06:53Rachel, we're going to judge the costumes now.
01:06:55I have to go, Cornelia.
01:06:56Oh, come on now.
01:06:57Everybody's waiting.
01:06:58Come on now, everybody gather around.
01:07:00We're going to judge the costumes,
01:07:02and the one that has the best costume is going to get a prize.
01:07:33I can't believe it.
01:07:37It seems like some sort of grotesque joke.
01:07:42Close it and put it back.
01:07:53What can we do?
01:07:56We'll wait for her to come back.
01:07:58She will.
01:07:58She has to before sunrise.
01:08:01Let's wait outside.
01:08:02It's best not to be too close.
01:08:04We don't want to frighten her away.
01:08:05I just can't believe it.
01:08:08Attention, everybody.
01:08:09I want it real quiet now,
01:08:10because I'm going to give the prize to the best costume.
01:08:13And I've got a great big surprise for you.
01:08:16You come right over here.
01:08:17How do you like this, folks?
01:08:18Isn't it lovely?
01:08:19Look at all the filigree on it.
01:08:21Rachel designed it.
01:08:23Oh, isn't it beautiful?
01:08:24Look at all the filigree on it.
01:08:25Let's give her a great big hand.
01:08:27Oh, Mr. Wilts, you look so wonderful.
01:08:29Oh, I think the dress is so beautiful.
01:08:31Oh, everybody's made her so nice, you know.
01:08:33Oh, I think it's just grand.
01:08:35And I'm so glad you want to fight her.
01:08:51Rachel, where are you going?
01:08:52What's the matter?
01:08:53Nothing.
01:08:53I'm going home, that's all.
01:08:55Wait a minute.
01:08:55They haven't even given the prizes out yet.
01:08:57I don't care.
01:08:58You don't care?
01:08:58Now, what's that supposed to mean?
01:09:00Look, Rachel, if something's the matter, tell me.
01:09:01I've never seen you this way before.
01:09:03Will you stop a minute?
01:09:04Let go of me.
01:09:05I'm just trying to talk to you.
01:09:07Go away.
01:09:07I mean it.
01:09:08Go away.
01:09:09OK.
01:09:32There she is.
01:09:32God save us.
01:10:05Take it out.
01:10:06Take it out.
01:10:16Open up.
01:10:20She's paralyzed.
01:10:22As long as her cross is there.
01:10:23No, we've made a mistake.
01:10:26She's alive.
01:10:27We've buried her alive.
01:10:29You know better.
01:10:31You know what she is, and you know what we have to do.
01:10:33May.
01:10:35May I pray for her first?
01:10:41Of course.
01:10:42Miss flower baby.
01:10:42Let's try.
01:10:48Go.
01:10:57Let's try.
01:11:02Come.
01:11:04Are you?
01:11:04Come, Come, come, come.
01:11:06Come, come.
01:11:08Come, come.
01:11:10Come, come.
01:11:22Oh, my God.
01:11:45And the fairest of the fair, fair Rachel.
01:11:50They found out about Jenny.
01:11:52They're waiting for her.
01:11:54Oh, yes. Well, let them find her.
01:11:56She has fulfilled her purpose.
01:11:58We shall never be touched.
01:12:00The world shall spin and they all, all shall die.
01:12:05But not we.
01:12:08I, I don't know.
01:12:10Oh, you only fear the unknown.
01:12:14Only this casing, this clumsy flesh stands between you and me.
01:12:19You are already balanced between two worlds.
01:12:25Eternity awaits you now.
01:12:33Throw away that cross, Rachel.
01:12:36Cast it on the ground.
01:12:38You shall rise reborn in me.
01:13:00Oh, my God.
01:13:05Oh, my God.
01:13:09Oh, my God.
01:13:09Ah!
01:13:09Oh, my God.
01:13:18No!
01:13:44Rachel, are you all right?
01:13:50Get me away from here.
01:13:52What happened?
01:13:54It's Bella. Get me away before it's too late.
01:13:57Honey, you're gonna be all right.
01:14:04What's that?
01:14:05I don't know.
01:14:07I'm cold. Is it cold in here?
01:14:10Just a little.
01:14:13Tim, if I die, then you should lose.
01:14:16You won't die.
01:14:17No, you've got to promise me I don't want to become like him.
01:14:19What are you talking about?
01:14:21Promise me.
01:14:22Honey, we'll get you to a doctor. You'll be all right.
01:14:24No, you've got to promise me.
01:14:30Don't come near him. He'll kill us. He'll kill us both.
01:14:35My poor child. I've come to help you.
01:14:40You are not yourself, Rachel.
01:14:43You must trust me.
01:14:45She has had a great shock.
01:14:47Her mind has undergone a strange metamorphosis.
01:14:51Don't listen to him!
01:14:53I'm taking Rachel home.
01:14:55Yes, of course. Let me assist you.
01:14:57No! Take the cross.
01:14:59Why?
01:15:00It's the only way.
01:15:04Her sicknesses cause wild imaginings, wild fantasies.
01:15:09I will not harm you.
01:15:11Put down the cross, Tim. We must help Rachel.
01:15:15We must combine our strength for her good, you and I.
01:15:19Our destiny must be fulfilled here.
01:15:22We three are the only ones to survive this dying world.
01:15:28Don't listen to him!
01:15:30That's right. Put down the cross.
01:15:33It is only a burden, huh?
01:15:35And your arm, it feels like leaden weight.
01:15:41Don't listen to him!
01:15:43Don't listen to him!
01:15:45Get out of the way!
01:15:48No. No, you must listen to me.
01:15:50You must listen to what I say.
01:15:53You shall not leave. You are bound to me.
01:15:56You shall die as you are bidden to die.
01:15:59Get out of the way!
01:16:14It's all right. We're all right.
01:16:28Don't look, honey. He's gone.
01:16:50Don't look, honey. He's gone.
01:16:53You
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