- hace 2 días
Reparto: Jean Gabin, Bourvil, Louis de Funès, Robert Arnoux, Hans Verner, Jeannette Batti, Monette Dinay, Georgette Anys, Jacques Marin, Hubert de Lapparent, Myno Burney
Dirección: Claude Autant-Lara
Sinopsis: Durante la ocupación nazi de París, un torpe e ingenuo estraperlista se ve obligado a pedir ayuda a un extraño individuo que dice ser pintor para poder transportar en varias maletas un cerdo troceado. Juntos tendrán que cruzar la ciudad en plena noche.
Dirección: Claude Autant-Lara
Sinopsis: Durante la ocupación nazi de París, un torpe e ingenuo estraperlista se ve obligado a pedir ayuda a un extraño individuo que dice ser pintor para poder transportar en varias maletas un cerdo troceado. Juntos tendrán que cruzar la ciudad en plena noche.
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CortometrajesTranscripción
00:00:13Thank you!
00:00:58Thank you!
00:01:25Thank you!
00:01:58Thank you!
00:02:23Thank you!
00:02:34Thank you!
00:02:39Thank you!
00:02:40Did you see how outrageous that is?
00:02:41It's not audacity, it's courage. You wouldn't dare do it.
00:02:45The thing is, I don't ask for alms, I give them.
00:02:53Hey! Are you planning to take her on the subway?
00:02:56Can.
00:02:57Not yet, but it will come.
00:02:59Are you looking for something?
00:03:00Well, I wanted to go to Bollirá, but I don't know.
00:03:03Phew! It's not this way.
00:03:05It's straight to Danfe.
00:03:06You can't miss it, there's a lion.
00:03:08Good.
00:03:08Ask there.
00:03:09Do you realize the coupons that will mean?
00:03:11Yes! Come on, come on! Let's go!
00:03:32No!
00:03:34Oh!
00:03:35It can happen.
00:03:38Hey?
00:03:40Can you hear him?
00:03:42No, he might be asleep
00:03:44He doesn't know what awaits him, go and see.
00:03:46No, I don't want to see it, it's unpleasant.
00:03:48I'll wait for you across the street, that seems better to me.
00:03:51It's not good
00:04:08Thank goodness, Jericó wasn't coming.
00:04:09Father, you have to give light
00:04:13Because naturally there's a cut now.
00:04:20There's nothing left, just leave now
00:04:23But what do they expect, that I'm going to sell them the walls?
00:04:52Come on, music
00:04:53Music, music
00:04:54You'll find it very easy
00:04:55Nothing is in these times
00:04:57You, come here
00:04:58I'm going, man, I'm going
00:04:58Stronger
00:05:25Music
00:05:57Here, Dad
00:05:59I don't know if I'll be able to do it.
00:06:01Yes, man, yes, of course I'll know
00:06:13Music
00:06:14Yes, indeed.
00:06:17Yes, I know.
00:06:21Okay, okay, stop it now
00:06:29I'll come back to pick it up at eight
00:06:30It's a specimen, isn't it?
00:06:33Was it?
00:06:34It weighs no less than two hundred pounds.
00:06:36Look, how funny
00:06:37It's clear he's not going to carry it.
00:06:38Well, to him
00:06:39The drum will help you
00:06:40The drum is very loud
00:06:41No more than me
00:06:42What is his figure?
00:06:45Well, cheers!
00:06:54Well, cheers!
00:06:55Well, cheers!
00:07:18Hello good.
00:07:20Hello.
00:07:21What's new?
00:07:25That's all we needed.
00:07:26The drum stopped.
00:07:28With a suitcase, good lady.
00:07:30Filled with bars of soap.
00:07:35Come on.
00:07:36I know them, they're quite good.
00:07:38Bite it if you want.
00:07:39Thank you.
00:07:40As a souvenir.
00:07:41What are you going to have?
00:07:42The same.
00:07:44Where are you?
00:07:45There was the drum with the suitcase open.
00:07:47"Close it now," I told her. "Someone I don't know is coming."
00:07:50And that's when she closed it.
00:07:51The guy locked himself behind the counter. He asked me for a bolt and I told him,
00:07:54It's not happening today.
00:07:55And he didn't ask for anything else.
00:07:57Then he looked at his hands.
00:07:58I'd like to wash my hands. Do you have any soap?
00:08:02Look, his hands weren't even dirty.
00:08:05Well, yes. Like everyone else.
00:08:07"Nor is it soap today," I replied.
00:08:10And suddenly he stumbled.
00:08:11The fool opens the suitcase right in front of him.
00:08:15And he says, this is where it really matters.
00:08:18He was acting all funny, he messed up and got burned.
00:08:20Prolecho the glove.
00:08:21Naturally.
00:08:22That's the job of the police.
00:08:24Come on, baby, don't get excited.
00:08:26Valiant profession.
00:08:26It's the black market.
00:08:28A disgrace.
00:08:28If there were no black market, what would you use to wash your hands?
00:08:31I never wash myself, ma'am, since France was defeated.
00:08:34And if nobody washed, France would be cleaner.
00:08:37Don't pay any attention to him. He's been like this ever since he was a prisoner, baby.
00:08:41Yes, yes.
00:08:42And you think the police are going to clean up France?
00:08:44It just makes me angry.
00:08:46It is not noble to take advantage of someone who is doing us a favor.
00:08:48That has a name.
00:08:49He's called a provocateur.
00:08:51They are worse than the police.
00:08:52They are the calluses of the polis.
00:08:58Good afternoon everyone.
00:09:08What? There's no light?
00:09:13It's not seven o'clock yet.
00:09:14Okay, then give me a dark condom.
00:09:17Alcohol, no.
00:09:19There is no light, there is no alcohol.
00:09:20At least I'll be able to wash my hands, right?
00:09:24Over there.
00:09:34Hey, do you happen to have a little soap?
00:09:39I don't sell soap.
00:09:42Using the same trick again, huh?
00:09:46Hello good.
00:09:51Two boiling coffees.
00:09:53It's not hot at all.
00:09:54He does more in the kitchen, huh?
00:09:56Nobody asks you.
00:09:58Do you want to check it out?
00:10:00I've already been.
00:10:01Let's see those hands.
00:10:04Isn't that coal?
00:10:06There's a little bit of everything.
00:10:08We are looking for someone who stole coal from a pinnace.
00:10:17Ah, seven o'clock.
00:10:21The three of them.
00:10:25Ma'am, that's enough.
00:10:27We were given pig kidneys.
00:10:30They're for tonight.
00:10:31Grilled.
00:10:32Very good.
00:10:39Lady.
00:10:41What's that?
00:10:42It's soap.
00:10:42There are guards at the premises.
00:10:44Ah, thank you.
00:10:45They're looking for someone with dirty hands.
00:10:48To someone like me, right?
00:10:50Ah.
00:10:51This one...
00:10:52That?
00:10:53On the way back.
00:10:54Ah, yes.
00:10:58Thank you.
00:10:59You're all nice and clean now.
00:11:04What's up?
00:11:05I told the boss to put them on the iron.
00:11:08Which iron?
00:11:08The kidneys.
00:11:10Ah, yes.
00:11:10The kidneys.
00:11:12Go on, go.
00:11:13Okay, we'll have dinner and then we'll go to the movies, you know?
00:11:16How to the movies?
00:11:17But if you work tonight.
00:11:19If I told you we're going to the movies, it's because I don't have a job.
00:11:21Huh?
00:11:22Aren't you going to Yandier's house?
00:11:23No, take responsibility.
00:11:24One hundred kilos of pigs.
00:11:25I can't do it alone.
00:11:26Hey, if you need a replacement for the stamp.
00:11:29No, no, thank you.
00:11:29I don't want to work with anyone I don't know.
00:11:31Today I'm staying with my wife.
00:11:32Pattern.
00:11:33How much is this?
00:11:33I'll be right there.
00:11:35Hey, Marcelo.
00:11:36I couldn't guess.
00:11:37I have something to do tonight.
00:11:39To do?
00:11:42And?
00:11:43How I worked.
00:11:44So when I work, you have to do your part.
00:11:46Good organization.
00:11:46Careful, you're stupid.
00:11:51Is it stupid or not that we can't find out where the lady is going tonight?
00:12:03Come on.
00:12:05TRUE.
00:12:07Coffee.
00:12:08Quite cold.
00:12:10Oh, no, no.
00:12:10Very hot.
00:12:11No, I meant outside.
00:12:13Sorry, I thought it was the coffee.
00:12:15Very hot coffee.
00:12:19Good afternoon.
00:12:21See you tomorrow.
00:12:31Listen, you wouldn't mind returning the soap to me, would you?
00:12:33Now that your hands are clean, right?
00:12:36But it's his.
00:12:37Everything that belongs to my lady is mine.
00:12:39Very good.
00:12:40Thank you, ma'am.
00:12:42You're welcome, sir.
00:12:50Mariette, listen, tell me now.
00:12:52Any man in my place would have slapped you a couple of times.
00:12:54You're using too many words.
00:12:55Okay, I take back the slaps.
00:12:56But think about it, Mariette.
00:12:57If you go through that door without me, you'll never see me again.
00:13:00That would be wonderful.
00:13:03Besides, you don't care about anyone.
00:13:05Hey, you can't complain.
00:13:06The life you lead with me isn't about going to the movies every night,
00:13:08But you've got the steak for sure.
00:13:10And as for affection and everything else, well, you'd better find that.
00:13:12But what do you imagine?
00:13:14What we have in abundance are passionate men.
00:13:15Simply choose.
00:13:17Choosing them in the restrooms, huh?
00:13:18Can you imagine that neither of them has been seen?
00:13:20Take.
00:13:20Ah!
00:13:22Very good, you've won.
00:13:25So that you can learn.
00:13:27Get out of here!
00:13:28Don't let him see you!
00:13:31Well, she's my wife after all, isn't she?
00:13:38I did what I had to do.
00:13:42Yes, you, Eden.
00:13:44Yeah.
00:13:48Mariette!
00:13:51Mariette!
00:13:54Mariette!
00:13:56That's no reason for us to catch pneumonia.
00:14:06That's blue!
00:14:09Bye bye.
00:14:10Bye bye.
00:14:15Are you leaving?
00:14:16Seems.
00:14:17And where is it going?
00:14:18Man, that...
00:14:19Wait a moment.
00:14:20I need to talk to him.
00:14:22Good.
00:14:22Heard.
00:14:23You'll see.
00:14:24It's a delicate matter.
00:14:26Would you like something to drink?
00:14:28Yeah.
00:14:29Let's go.
00:14:30I'll have a white one.
00:14:31Two white ones.
00:14:32Two white ones.
00:14:35Well.
00:14:37First...
00:14:38Are you free tonight?
00:14:40Not tonight?
00:14:42Naturally.
00:14:43Why naturally?
00:14:44Pity.
00:14:46What if not?
00:14:47If not, I would have something for you.
00:14:51Tell me what it is.
00:14:53300 francs.
00:14:56Understand that it would be in your best interest to be free.
00:14:59And is it for the whole night?
00:15:01Ah, yes.
00:15:02All night.
00:15:04Rested?
00:15:05You are strong.
00:15:06Well, according to...
00:15:08Only...
00:15:09There is a small risk.
00:15:11Yeah.
00:15:15But why are you suggesting that to me?
00:15:18Because you have washed your hands.
00:15:22I don't see the connection.
00:15:24I don't see the connection.
00:15:24There has to be a relationship.
00:15:27Do you like kidneys?
00:15:29I still don't see the connection?
00:15:31Maybe there is one.
00:15:34Will they be together?
00:15:36Dinner is always an option.
00:15:38Good.
00:15:44The kidneys are for Mr. Martén.
00:15:46Good.
00:15:48The kidneys are for Mr. Martén.
00:15:51At the table.
00:15:54A bad time in these times.
00:16:02Pork pine nuts?
00:16:04Yeah.
00:16:04Those gentlemen brought them.
00:16:07I'd like to know where they got them.
00:16:09From a pig, for sure.
00:16:11It seems there are still pigs around.
00:16:15How much is a glass of wine?
00:16:17The red wine for five francs.
00:16:19Give me water.
00:16:22So you're not the one stealing the coal.
00:16:25It's dirty and very tiring.
00:16:27It's not for me.
00:16:29Okay, so what do you do for a living?
00:16:31I am a painter.
00:16:34And naturally you're standing still.
00:16:38The construction must be going slowly, huh?
00:16:41Pork kidney is worse than beef kidney.
00:16:45I can't even remember when I last ate them.
00:16:49The last time I was there was a year ago, with my sister on the Gold Coast.
00:16:54Stews with red wine.
00:16:56Well, I think it was even longer ago.
00:16:59Next to the market, when I get permission.
00:17:02Do you remember?
00:17:07Where will the kidneys be now?
00:17:09They're all for the Germans, naturally.
00:17:12They have the right.
00:17:13Kidneys for the victor.
00:17:16I'd like to eat some kidneys.
00:17:19But human kidneys.
00:17:21One of pea.
00:17:23Two glasses of red wine.
00:17:24Hurry!
00:17:30Look at me.
00:17:31Before the war, he was a taxi driver.
00:17:34And now I'm also standing still.
00:17:37Except that you abandon yourself.
00:17:39And I don't give up on myself.
00:17:42Especially because those who give up will have their conquests over.
00:17:48Conquests.
00:17:49Yes, yes, yes.
00:17:50Play innocent.
00:17:52Do you think I haven't seen you with my wife?
00:17:55I had visions.
00:17:56My hands were dirty and he gave me some soap.
00:17:59Nothing else.
00:18:04If I were gallant, I would tell you that I like your wife.
00:18:06But since I'm not, I won't tell you.
00:18:09And yet, with your air and your plant...
00:18:13Yes, but...
00:18:14It's just that he's not my type and I wouldn't want to offend you.
00:18:17Ha ha ha!
00:18:18Did you offend?
00:18:20Ha ha ha!
00:18:23See how one can make a mistake?
00:18:26I thought you were going to meet with her.
00:18:29And that's why you invited me to dinner, huh?
00:18:32Well yes.
00:18:33So that you wouldn't go.
00:18:37It didn't even occur to you that I'd prefer kidneys.
00:18:40You took advantage of my hunger.
00:18:43No way!
00:18:46Well, now that you've eaten, if you want, everything can stay here.
00:18:54Because the suitcases I told you about...
00:18:57They're heavy, huh?
00:18:59And it's also dangerous.
00:19:02Well, you shouldn't have told me.
00:19:04We'll leave it at that.
00:19:05Okay, huh?
00:19:06No, absolutely not, you shouldn't have told me.
00:19:08What if you let yourself get caught and betray me?
00:19:12Do I look like that?
00:19:14Hm?
00:19:16No, after all, what do I risk?
00:19:17You don't even know my name.
00:19:22Your last name is Marten.
00:19:31That's not true, Marcel.
00:19:34Hey?
00:19:42Where are we going?
00:19:43You don't need to know because I'll take you.
00:19:45Do you distrust me?
00:19:46I distrust everyone.
00:19:47I myself would prefer not to know where I'm going.
00:19:49I would be more at ease.
00:19:51It's here.
00:19:53A demon.
00:19:55There's no way to find this gossip.
00:19:59Thank goodness.
00:20:00Come on.
00:20:09Okay, are you coming?
00:20:16Yeah.
00:20:17Who is calling?
00:20:17Mars.
00:20:23That's not Letambo.
00:20:25No, Letambo has been caught.
00:20:26Phew.
00:20:27Well, we're in good shape.
00:20:28We've both already worked together.
00:20:30Relax.
00:20:32Hello good.
00:20:34Well, if you knew me.
00:20:54Do you trust him?
00:20:55Full.
00:20:56And besides, I haven't said anything to him.
00:20:57He doesn't even know where we are.
00:20:58Okay, let it go down.
00:21:02Hurry.
00:21:03It's already very late.
00:21:04There is no time to lose.
00:21:14Did you dismember it?
00:21:15Okay, if not.
00:21:17Ah, congratulations.
00:21:18Very good work.
00:21:19I don't think there's anything wrong with his work.
00:21:22Do you know the trade?
00:21:23I like charcuterie.
00:21:27What I like most about pork is the shoulder.
00:21:29I'll talk about that later.
00:21:31Don't you think that's the best thing to do?
00:21:33Yes, yes.
00:21:34Oh, by the way.
00:21:36Has his wife's kidneys been found to be good?
00:21:38Well, they weren't bad, but maybe a little too fresh.
00:21:42I prefer the shoulder.
00:21:44With wine from Alsapa.
00:21:47And speaking of wine...
00:21:49Isn't that Ron you have here?
00:21:52Hey, we're here to work.
00:21:53If the boss wants to give you a glass, that's his business.
00:21:55Yes, but since he doesn't say anything...
00:21:57Pour yourself a glass and let's not waste any time.
00:22:09It's the street, huh?
00:22:11What else did I want it to be?
00:22:12Of course, Bolivar Street.
00:22:14Like Bolivar Street?
00:22:16There's nothing wrong with living on Bolívar Street.
00:22:19It's a nice little street.
00:22:21Well...
00:22:21A little drink, boss?
00:22:23No, no, no, no.
00:22:24We need to hurry.
00:22:25Tonight we shouldn't go next door, but to Pica Street.
00:22:28Pica Street?
00:22:28He told me that the one from the temple.
00:22:30Well, I don't think there's a big difference.
00:22:32No, not much.
00:22:32You keep quiet.
00:22:33In this business, I'm the one who speaks.
00:22:35Look, boss, let's see if we can understand each other.
00:22:37Since it's in Montmartre, how much are we going to be?
00:22:39I'll give you 50 more francs.
00:22:41But go ahead!
00:22:41No, no, I don't beg for alms.
00:22:43To Montmartre it will be 600 each or to God.
00:22:46So you want to take advantage of the situation.
00:22:49Take advantage of me?
00:22:49Carrying a pig on your back from Bolívar Street to Pica Street?
00:22:52It's like crossing Paris surrounded by police officers, apart from the Germans.
00:22:56With today's shoes, you can walk I don't know how many kilometers in complete darkness.
00:23:01Eight.
00:23:02Nobody asked you.
00:23:03How about 400 francs?
00:23:05Offer that to a beggar, I am a man.
00:23:08Okay, I'll make an effort.
00:23:09450, 900 for both.
00:23:12Tell me, boss.
00:23:14Is this number 45?
00:23:17Why are you asking me that question?
00:23:18You're welcome, because I already know.
00:23:22Mister...
00:23:22Jean-Pierre, 45 Bolivó Street.
00:23:27District.
00:23:27Fifth.
00:23:28Leave us alone!
00:23:29We're serious.
00:23:31Okay, fine, 900.
00:23:33Jean-Pierre, Jean-Pierre, 45 Bolivó Street.
00:23:38For me, it will be a thousand francs.
00:23:42Boss, don't listen to him, give me 900 and I'll sort it out with him.
00:23:49Look, Marcel, worse for me, I lose a thousand francs.
00:23:52But right now you and your friend, whom you trust so much, are going to get out of here.
00:23:56But don't listen to him, he doesn't know what he's saying.
00:23:58It's more than just a ciabatta.
00:24:00I don't believe it.
00:24:05That one scares me.
00:24:07He has a gold tooth.
00:24:08What's happening?
00:24:09What if he were a cop?
00:24:11No?
00:24:13Which is true or false?
00:24:15Although it matters, it's all the same.
00:24:17Good for friendship.
00:24:18And what did I know?
00:24:20Jean-Pierre, Jean-Pierre, 45 Bolivó Street.
00:24:25Now, I want two thousand francs.
00:24:29Well, I already knew.
00:24:34Give me a hand.
00:24:40Here, here.
00:24:42Thank you.
00:24:44I regret it.
00:24:46What do you think?
00:24:47Some top-notch beans.
00:24:48Vandal.
00:24:49As if we were in a position to waste money on fried calamari.
00:24:51Hey?
00:24:52No, no, no, no, no!
00:24:53Do you want to leave that mark on my ticket?
00:24:57I want three thousand.
00:24:58Hey?
00:24:59The money will be refunded.
00:25:01Give it back to him.
00:25:02Give it back to him.
00:25:03Shut up!
00:25:04Yes, man.
00:25:05Above him is the reason.
00:25:06I do what I want with my money.
00:25:08Ah, well, well.
00:25:09Also, shove whatever you want in there.
00:25:10You'd better hurry and take that one with you.
00:25:13What a business!
00:25:14What a business!
00:25:16Ah!
00:25:17Grass soap!
00:25:18Listen, he's already taken three thousand francs from me.
00:25:21Get out!
00:25:21Come on!
00:25:22Long!
00:25:22I'm the pig.
00:25:24I have come to bring the pig and I will not leave.
00:25:26I beg you, please.
00:25:27Forget about it.
00:25:28You call the pig.
00:25:29What a mouthful!
00:25:29I'm not going to carry the pig alone.
00:25:31Ah, don't worry, Martin.
00:25:33The friend Chambier jokes.
00:25:35I will not abandon you.
00:25:36Come on, come on.
00:25:38Calm down.
00:25:39Ah, Mr. Chambier.
00:25:41Since we're friends, in case anyone asks me for references about this pig, where did it come from?
00:25:46Mr. Granjil, I take credit for Mercedes above all else.
00:25:50What does it matter?
00:25:51Hey, remember what I've done for you.
00:25:53Here, have some cigarettes.
00:25:54One whole package is missing.
00:25:56And on top of that, he gives her cigarettes.
00:25:58Oh, what...
00:25:59Oh!
00:26:00What happens now?
00:26:01Nothing, nothing, zero.
00:26:03It weighs more than I expected.
00:26:05Theo.
00:26:06Justice, this is worth two thousand francs more.
00:26:08Oh really?
00:26:09Of course it's serious.
00:26:11Not a quarter, Loño.
00:26:12Not a quarter.
00:26:14I want two thousand francs, Chambier!
00:26:18I want two thousand francs more!
00:26:20Not a quarter!
00:26:21Do you want me to smash your face in?
00:26:22I want two thousand francs, Chambier!
00:26:25It's from 45 Bolivar Street!
00:26:27I've already heard him!
00:26:28And not a quarter more!
00:26:29Not a quarter!
00:26:30Chambier, let me kill him.
00:26:32Chamber!
00:26:34Chamber!
00:26:36Chamber!
00:26:39Chamber!
00:26:41Chamber!
00:26:42Chamber!
00:26:42Chamber!
00:26:42Shut up!
00:26:43Is he crazy?
00:26:44Stop making a scene!
00:26:45Stay out of it!
00:26:47Mr. Chambier!
00:26:48I told him I want two thousand francs more!
00:26:51Alright!
00:26:52It's all fixed!
00:26:52And what about me?
00:26:53And now leave!
00:26:55Yes, yes, yes!
00:26:56Leave now!
00:26:57I don't want to see them anymore!
00:26:58Out into the street!
00:26:59To the!
00:26:59Come on!
00:27:00Out!
00:27:00Out!
00:27:01You too!
00:27:02I've already given five thousand!
00:27:05The house is closed!
00:27:05Out into the street!
00:27:06Out!
00:27:15I won't forget this pig!
00:27:25Come on!
00:27:26Come on, shoot!
00:27:28Come on!
00:27:33Come on, shoot!
00:27:37Come on!
00:27:37He hasn't made a bad decision down there, has he!
00:27:40Five tickets to places where they do nothing...
00:27:42The debatable point is how to achieve it.
00:27:44If you had been alone with Jean-Pierre it would be different.
00:27:47But I had taken you there.
00:27:48And in this, my only motto is honesty.
00:27:51Honesty?
00:27:52Precisely.
00:27:53Don't make that face.
00:27:55And what do you know about the face I make if nothing can be seen?
00:27:57I'm just like cats.
00:27:59That?
00:28:00Nothing.
00:28:01Want a cigarette, honest man?
00:28:03I don't get the most out of it while I'm working.
00:28:05And besides, they gave you the tobacco for free.
00:28:07Yes, that's why I can offer you that.
00:28:09And that's why they don't do it for you, don't you understand?
00:28:12Ah, that's pleading.
00:28:18Let's see.
00:28:18At Esterlí Station, take the left-hand turn.
00:28:21Plant garden, wine market.
00:28:24And then if we cross, we cut straight across the sea.
00:28:30The sea.
00:28:32That's not my neighborhood.
00:28:34Let's go.
00:29:00What's it going to be?
00:29:02Wolves.
00:29:02Wolves in Paris.
00:29:03Are you making fun of me?
00:29:06We are next to the menagerie and they smell the meat.
00:29:14Damned.
00:29:15Let's get out of here.
00:29:17Luckily, the tasonas don't smell meat like that.
00:29:20Oh, don't get your hopes up.
00:29:22They can smell it too.
00:29:23They're just more timid.
00:29:25They don't dare to flee.
00:29:31It's a ship.
00:29:32You've been lucky.
00:29:33At least you can sit down.
00:29:34What harm have I done to myself?
00:29:37Did I draw blood?
00:29:39What else in the blood, man?
00:29:41No, I mean, on the inside.
00:29:43Continuoficio.
00:29:44Why do you do this?
00:29:45A guy like you could do other things.
00:29:48Can you offer me something better?
00:29:50Set it up on your own.
00:29:51Good idea.
00:29:52And the money to set it up?
00:29:54Are you going to give it to me?
00:29:56Bah, money, money.
00:29:58It's in the suitcases.
00:30:00How much does a kilo of pork cost on the black market?
00:30:04Leave it now.
00:30:05That doesn't matter to us.
00:30:06At least 150 francs.
00:30:09Could be.
00:30:10Good.
00:30:1150 kilos each makes 100 for both of them.
00:30:13That would mean 15 tickets to be distributed.
00:30:17Do you know any outsiders?
00:30:19I don't have relationships of that kind.
00:30:21Well, we'll have to look for them.
00:30:23You seem naive to me.
00:30:25You, a newbie, what do you think you could do with wholesalers?
00:30:29They'd tell you right away that pig is rotten.
00:30:31It's not worth it for whatever reason.
00:30:34Man, you're worldly.
00:30:36You would be the one to make the deal.
00:30:38Ah, you're starting to appreciate me now.
00:30:40Well, my friend.
00:30:42If I had wanted to do that, I wouldn't have come looking for you here.
00:30:45Ah, you hadn't even thought of that.
00:30:48I have the forges.
00:30:51What is your address?
00:30:52Calle de la Asunción 27.
00:30:54Let's see the papers.
00:30:56Let's go this way.
00:31:00Oh man.
00:31:01What's the matter?
00:31:02The fairy has broken.
00:31:03Nothing, just give me that.
00:31:04Take mine.
00:31:04You're useless.
00:31:06If you press your leg.
00:31:07Ah, I see.
00:31:08You'll have time to complain later.
00:31:10That?
00:31:14The door, please.
00:31:16The light.
00:31:19Are they going to enter or not?
00:31:21Give us time.
00:31:22Don't be in such a hurry, man.
00:31:26Well, let's see what there is to drink.
00:31:28This is closed.
00:31:29Hot wine, right?
00:31:31It's closed, I said.
00:31:33And I said it came hot.
00:31:38I don't know.
00:32:08Thanks for watching the video.
00:32:11Thanks for watching the video.
00:32:41How and to what extent?
00:32:42Twenty francs.
00:32:56Don't be afraid, ma'am. It's honest money. And honestly earned.
00:33:04With thirty fifty and fifty one hundred. Four hundred. And one thousand.
00:33:14Does she have a maid?
00:33:15No.
00:33:16And that one?
00:33:19She's a neighbor.
00:33:26Hey, do you know that all this isn't paying off for me anymore?
00:33:29No, what you hear is not possible.
00:33:31That guy didn't pay you.
00:33:33Two more minutes.
00:33:34Ah, I'm going to leave the gas on all night!
00:33:36Well, give us four and let's not talk anymore.
00:33:39But if he hasn't paid you, he'll have told you why, right?
00:33:41Well, he told me...
00:33:43The box is closed and that's it.
00:33:46Ah!
00:33:46He probably imagined I was going to share with you.
00:33:49I don't know what he imagined.
00:33:51But what I do know is that I wouldn't accept.
00:33:53I haven't suggested it to you either.
00:33:54And if you suggested it to me, I would refuse.
00:33:56How can you know I'd reject it if I haven't even suggested it, man?
00:34:00Well...
00:34:02I'll see if...
00:34:06The light!
00:34:08Light it up, please!
00:34:12Still.
00:34:14Forty francs.
00:34:16There's time, isn't there?
00:34:18No.
00:34:18It's time to close.
00:34:22They leave whenever they want.
00:34:24Can't we wait for our friends?
00:34:25Ha!
00:34:26His friends.
00:34:27I know them.
00:34:28They are the ones waiting out there.
00:34:30Ha!
00:34:30But would you be capable of handing us over to the guards?
00:34:34Why not?
00:34:36Mr. Paul, would you like to help my husband put those bundles out on the street?
00:34:47Stop the petunias!
00:34:48Those things are not for the poor.
00:34:51Listen to me, gentlemen!
00:34:52Leave now!
00:34:53This is a quiet house.
00:34:55And honest!
00:34:56Honest?
00:34:58And do you employ Jews in a public establishment?
00:35:01I don't employ anyone.
00:35:03It's to do me a favor.
00:35:05Ah!
00:35:05So on top of that, you exploit her.
00:35:08I feel like reporting you so you can learn how to live.
00:35:10I don't understand why they make laws if nobody respects them.
00:35:14Dirty, vile.
00:35:15Leave it be.
00:35:16Don't pay any attention to him.
00:35:17People who lack conscience revolt me.
00:35:20They are scum and they all need to be put in jail.
00:35:23That's right, to jail without mercy.
00:35:25Scoundrels, anarchists, fancy hands.
00:35:27Besides, come on, the name will be Civil Status and all that.
00:35:30Come on, let him go!
00:35:31Come on!
00:35:33Coron Alfred, September 23, 83, Obonas Ardech.
00:35:38And Colonel Lucien, 49 years old without children.
00:35:42Employed in the wine market until 1937.
00:35:46No criminal record.
00:35:48Military situation!
00:35:49Stop it, you know too much!
00:35:51But look closely at that guy with his alcoholic face and gray skin.
00:35:55Soft all over!
00:35:56Soft, soft, soft!
00:35:58When you decide to change your face.
00:36:00And the other one, the fat one!
00:36:02The gelatinous monkey and soup.
00:36:03Three chins and a bust that hangs down to her knees.
00:36:0650 years old each.
00:36:07One hundred for the whole lot, one hundred for junk.
00:36:11Where did he get all that from?
00:36:12What the hell are you doing in the world!
00:36:15Aren't you ashamed to exist?
00:36:16Hey! Shut up! Shut up!
00:36:24Hey, don't you think so?
00:36:26Now it's your turn.
00:36:27Yes, but...
00:36:27You take a shot, my friend.
00:36:28Go on, throw it, my friend.
00:36:30Go ahead, you have the right.
00:36:31Can't you see they're not saying anything?
00:36:33Pull! Go!
00:36:36Here!
00:36:41And these others?
00:36:42Do you know where they're going, Marten?
00:36:44Go find the police.
00:36:45They are not capable of doing anything on their own.
00:36:47There are four men and the two of us.
00:36:51What are you waiting for to run with our suitcases?
00:37:09Hey?
00:37:09Come on, be brave!
00:37:13Look, they're not even moving.
00:37:16And then they'll start howling against the black market.
00:37:23Disgusting poor people!
00:37:25You are all miserable.
00:37:28I ignore you, I shake you from my memory.
00:37:31I'll sweep you away!
00:37:38It's terrible.
00:37:41It's terrible.
00:37:57They are gone.
00:37:58We have dreamed.
00:37:58I would like to.
00:37:59That would be a sign that he was in my bed.
00:38:03Look.
00:38:04I don't blame you for anything related to the owners.
00:38:05But honestly, what good does it do to tell them they're ugly?
00:38:08But why are you insulting those unfortunate people?
00:38:10Disgusting poor people!
00:38:11What does that mean?
00:38:12It's their own fault if they are poor.
00:38:14I don't know what you were trying to do.
00:38:15Should he break our faces or hit us in the ass?
00:38:17And why not?
00:38:18You still haven't gotten it into your head that the pig isn't ours.
00:38:21I'm not trying to force it in.
00:38:24The moon.
00:38:25That was all we needed.
00:38:39Already with a dog.
00:38:49Come!
00:38:50You too, the guards!
00:38:57A damn rice dish is going to stop us!
00:39:00Come on, just keep going straight and think about something else.
00:39:02Leave it to me.
00:39:08Help!
00:39:08Help!
00:39:08Yaduñen!
00:39:09Intí ver, lieber Gott!
00:39:10Huh?
00:39:10Nich regnes en la tierra!
00:39:12Have!
00:39:13Help!
00:39:13Sabt!
00:39:19Help!
00:39:41Did you see?
00:39:44Was that German?
00:39:45Clear.
00:39:47Do you know German?
00:39:48A bit.
00:39:50What were you saying?
00:39:52A poem, but I don't know what about, doctor.
00:39:55Well, I won't be the one to tell you.
00:39:59Tell me, who saved the pig?
00:40:01Yes, I admit it, bravo.
00:40:03I don't know why, but this pig inspires me.
00:40:06And I wonder, what would the police have done with the pig?
00:40:09They would have caught him.
00:40:11Isn't that right?
00:40:12Well, that's it, they've caught him.
00:40:14That?
00:40:16He believes that Jean-Bier no longer has the pig.
00:40:18It belongs to the guards.
00:40:20Goodbye, Jean-Bier pig.
00:40:22Hello, Big Gilles pig.
00:40:27Yeah, I know where you're going to end up.
00:40:29Yes, what you probably don't know is what I'm going to do for you.
00:40:33No, I don't know.
00:40:34I'm going to give you half of my pig.
00:40:36Yes, the same one you're wearing.
00:40:38Okay, I guess I can hear you and that between the two of us we'll get rid of the pig.
00:40:42I mean, I suppose.
00:40:43Because it would be known immediately in the town square.
00:40:45And then tomorrow, who would give me a job? There would be no one.
00:40:49Very well, you would give it to the others and become the boss.
00:40:53You see where dishonesty leads.
00:40:56I'll tell you, it disgusts me.
00:40:57You do what you want, I'll do my part.
00:40:59Well, man, it was a joke.
00:41:01No, I don't like jokes.
00:41:02And besides, you never know with you.
00:41:03I appreciate you, believe me.
00:41:05No, no, no, I don't trust you.
00:41:26Invite yourself.
00:41:28Can you give me a light?
00:41:29Well, a young man.
00:41:42You're not going to be German!
00:41:44You have to be polite!
00:41:54French?
00:41:55Yeah.
00:41:56I'm satisfied.
00:41:58Neither of them has a fire?
00:41:59We're short-staffed, you can see that already.
00:42:01What we lack is gallantry.
00:42:09There are always two or three hanging around this place.
00:42:11Do you know him?
00:42:12Naturally, we're almost at my house, Tiret Street.
00:42:15We will stop as we pass.
00:42:16I don't think there's any reason.
00:42:18Don't you want to know if your torment has returned?
00:42:21And?
00:42:21Your wife.
00:42:22You're not very refined, to say the least.
00:42:23Her name is Mariette.
00:42:24Well, he doesn't feel the desire to know if he has already returned to Mariette.
00:42:28Because?
00:42:29Man, after what happened there...
00:42:31Where there?
00:42:31In the tavern.
00:42:32And what tavern?
00:42:33Where did we have dinner?
00:42:34I'm telling you, he's back.
00:42:35And besides, I don't want to know.
00:42:37And I'll add that you don't care.
00:42:39It's fantastic.
00:42:40Always meddling in other people's business.
00:42:43Okay, okay, I'll shut up.
00:43:11Okay, okay, I'll shut up.
00:43:27Okay, but only for a minute.
00:43:32Get out, Chucho!
00:43:39What number is the fourth one?
00:43:42It's the 18th.
00:43:43The key is missing.
00:43:44As you can see, it has gone up.
00:43:45Yes, it's gone up, it's gone up.
00:43:47How old are you?
00:43:48That's none of your business.
00:43:50No, but anyway, your torment is no longer a little girl.
00:43:53I don't know what would have become of her if she'd been left alone, poor woman.
00:43:55It's curious.
00:43:56Even when you want to be nice, you manage to be cynical.
00:43:59No, but no...
00:44:02No, no, no.
00:44:35Is that you, Pierre? Did I wake you?
00:44:39Excuse me, kid. Hey, let's see this.
00:44:42I haven't seen myself, dear God, and I've seen myself as green.
00:44:47And I've seen myself today, and I haven't seen myself as green.
00:44:52Tell me if it's by Heine. I couldn't remember.
00:44:58Okay, thank you very much. And good night, okay?
00:45:07What? Was I upstairs?
00:45:09Yes. It didn't take long, did it?
00:45:12No, it's just... I didn't want to wake her up.
00:45:19Marcel!
00:45:20Huh? Goodness, Mariel.
00:45:29Were you going to leave?
00:45:30What are you doing with that guy?
00:45:31I'm not talking about that. Hey, Mariel, I'm serious.
00:45:35Why are you taking him with you?
00:45:36I'm not talking about him either.
00:45:38I heard him on the phone in German.
00:45:40Marcel, don't go.
00:45:41I don't see it clearly.
00:45:42What does it matter to you if it's clear or murky, if you're going to leave anyway?
00:45:44I'm not leaving anymore. That's precisely why I'm not going.
00:45:49I don't understand it.
00:45:51If you're in trouble, I won't abandon you.
00:45:54That's appreciated.
00:45:55Do you think so? Yes?
00:45:58But, Di, why are you taking him with you?
00:46:01Well, precisely so that you wouldn't go with him.
00:46:04You've been fooled. You see?
00:46:06Come on, man. What are you doing?
00:46:12Martin, I'm here.
00:46:15Ah, I thought he wanted to scare me.
00:46:17Let's go.
00:46:18I'm coming.
00:46:20I'm coming.
00:47:00Martin, I'm here.
00:47:10Look, now there are two.
00:47:12I want to start marching right away.
00:47:13Both.
00:47:19Are you worried about that?
00:47:20Keep going, keep going.
00:47:23Here.
00:47:24Here it is.
00:47:27Hey, what are you going to do?
00:47:28You'll see.
00:47:38And what about this guy?
00:47:40Oh, there's another one.
00:47:42Come here.
00:47:46Hello.
00:47:47Do you think it's easy?
00:48:10What's happening?
00:48:14Ah, dog.
00:48:15But what are they doing here?
00:48:18Long.
00:48:18Get out of here.
00:48:20Long.
00:48:21Out.
00:48:22Are you leaving?
00:48:24Are you leaving?
00:48:25Alar.
00:48:27Long.
00:48:28Leave.
00:48:30Leave.
00:48:31Out.
00:48:32Get out, what a scare!
00:48:33Out.
00:48:57Quite a trick, isn't it?
00:49:00Damn it, do you know what I'm going to do?
00:49:01I will feed one and provide for the others.
00:49:03Get out, what a scare!
00:49:03Out.
00:49:04Get out of here.
00:49:05Long.
00:49:06Out.
00:49:06Out.
00:49:07Hey, you guys.
00:49:08Stop.
00:49:10That's it.
00:49:11Let me talk to him.
00:49:16What's happening?
00:49:17Police.
00:49:18I don't know, I don't see anything.
00:49:19It dazzles me.
00:49:20He's an agent.
00:49:21What are they carrying in their suitcases?
00:49:23Ah, ha, ha, ha.
00:49:25Officer,
00:49:26You see, we were looking for someone
00:49:27that could tell us
00:49:29Where is the street of the archives?
00:49:31From the archives.
00:49:32They have her behind them.
00:49:33No.
00:49:34Do you hear it?
00:49:36Look, we're turning our backs on him.
00:49:38Oh, I was already telling you that.
00:49:40that you were wrong.
00:49:42Oh, officer,
00:49:43Thank goodness we found him
00:49:45to show us the way.
00:49:46The path to Archives Street
00:49:48He will tell you very soon.
00:49:50First come with me.
00:49:51Ah, sir, listen.
00:49:53Why should we go with you?
00:49:55We are very behind schedule.
00:49:57If we're not under curfew,
00:49:58It will be cumbersome.
00:50:00What's in those suitcases?
00:50:01Officer,
00:50:02I'm not going to waste your time with vagueness.
00:50:05This morning I went for a walk
00:50:07to my property in Berrier
00:50:08just to please my wife.
00:50:10I don't like to contradict her.
00:50:12She is pregnant.
00:50:13Perhaps you are married, officer.
00:50:15Yes, but without children.
00:50:17Oh, you're doing very well.
00:50:19I have five.
00:50:21Anyway, I arrive in Berrier.
00:50:23My servant was waiting for me at the station.
00:50:25Is this man?
00:50:26Yeah.
00:50:27He may not have invented gunpowder,
00:50:29But he is very loyal to me.
00:50:30Yes, yes, yes, yes.
00:50:32Yes, it looks like that.
00:50:34And his papers?
00:50:37I...
00:50:37Yeah.
00:50:38Ah, yes, it's for papers, officer.
00:50:40I have tons.
00:50:41Sorry.
00:50:44No.
00:50:44Ah!
00:50:45Ah!
00:50:46Sorry.
00:50:48That?
00:50:49Ah!
00:50:52Runs!
00:51:06Hey! Don't run so fast!
00:51:08The guard's got a while to go, man.
00:51:10No way
00:51:10The moment I open one eye, I'll blow my whistle and the entire police force in the district will be mobilized.
00:51:15It would be my turn, his whistle is in my pocket
00:51:18You wouldn't have thought of that, would you?
00:51:20Could be
00:51:21But I don't make a habit of taking down officers.
00:51:23I already had him in the boat, calmly, without violence.
00:51:26You don't want to understand anything.
00:51:27Because of you I've gotten involved in my neighborhood
00:51:29But you don't care, you're not from here
00:51:32Where are you from, huh?
00:51:34And what do you intend to do with me?
00:51:36You'd like to know, wouldn't you?
00:51:38Definitely
00:51:39Well, I won't tell you.
00:51:41The dogs
00:51:42That's enough.
00:51:43Don't move, I'm going to get rid of them.
00:51:46You'll see
00:51:48Oh no, no! Not the pig!
00:51:50No way!
00:51:53That's not it, dog!
00:51:54You're crazy!
00:51:56Leave it there!
00:51:57Pig!
00:51:58Someone had told me that you were a pig.
00:52:00How dirty!
00:52:02Come, draw near
00:52:03Brought closer by the leek!
00:52:04There are confiscations here!
00:52:05There are confiscations here!
00:52:06There are confiscations here!
00:52:06Leave it there!
00:52:07Don't overwork the dogs!
00:52:09Let the cops arrest me if they want!
00:52:10But I'm going to beat the crap out of you with the ballad!
00:52:12Take!
00:52:17Watch out, watch out!
00:52:17A patrol!
00:52:18No!
00:52:25Come on!
00:52:26Don't hold a grudge!
00:52:27I'll fix it!
00:52:28That?
00:52:28Your ballet flats!
00:52:33Runs!
00:52:34Runs!
00:52:36Runs!
00:52:45Runs!
00:52:46A patrol!
00:52:46Only minus five!
00:52:47Well, folks, don't worry
00:52:49Shh!
00:52:51Open!
00:52:53Open!
00:52:53Come on!
00:53:23They've been lucky. I can hide them.
00:53:26Everyone in the house is trustworthy.
00:53:28First things first, to the cave.
00:53:30Quiet, quiet, quiet.
00:53:31No, we have to deliver it tonight.
00:53:33Well, I admire them and I envy them.
00:53:48Can you hear them? They're coming tonight.
00:53:50The mess was the last straw.
00:53:52We didn't need to leave.
00:53:53No, no, you shouldn't have said that.
00:53:55The young lady was so excited.
00:53:58So they carry...
00:54:00Black Market?
00:54:01Yes, indeed.
00:54:03Pork.
00:54:05That interests me too.
00:54:06Yeah.
00:54:07No, no, no, no, none of that.
00:54:08None of that is ours.
00:54:09No, it can't be.
00:54:10No way!
00:54:10Come on, come on!
00:54:11Come on, no, no!
00:54:26Come on, come on!
00:54:52No, no, no, no, no, no. I'm scared. Let's go to the subway.
00:54:55Oh, what a drag. Just ten more minutes and...
00:55:04Don't stay outside. Go into the shelters. We're coming.
00:55:07I'd like to know where. To my house.
00:55:10Because you live here now. Always.
00:55:34Come on, hurry up. Don't just stand there.
00:55:40Don't just stand there.
00:55:53Leave it. Don't worry, it won't stain. It's tile.
00:56:01Go on. Come in.
00:56:07Do you live with a painter?
00:56:09No, I've already told you. I'm a painter.
00:56:14Ah. I understood painter...
00:56:19So.
00:56:20No, painter...
00:56:23So.
00:56:51Painter artist?
00:56:53Yeah.
00:56:55Did you do all this?
00:56:56Uh-huh.
00:56:59Don't you recognize him?
00:57:01The bar where we met.
00:57:03I've been working with her for a week.
00:57:05It doesn't turn out badly.
00:57:11Hey, aren't you doing too badly?
00:57:14I have never denied it.
00:57:16One thing.
00:57:18You're going to give that cowardly cutthroat back his five thousand francs.
00:57:22You'll bring joy to your own family too.
00:57:27Good.
00:57:28If you return the money, what will you do for food?
00:57:31I'm selling my paintings.
00:57:34I'm going to make you some coffee, it will do you good.
00:57:36Do you sell your paintings?
00:57:38Yes, and I'm even starting to become an expensive painter.
00:57:41So tonight you're not here for the money.
00:57:43No, you see.
00:57:45So why?
00:57:47Out of curiosity, just to see.
00:57:50That's why I've followed you.
00:57:52And I confess that I am disappointed.
00:57:54I had imagined the black market differently.
00:57:56How did you imagine me?
00:57:58Even darker.
00:58:01You and Zambia cannot stand up.
00:58:02You blow on him a little and he kneels down.
00:58:04Maybe, but in the meantime, what about me?
00:58:06You, you, you.
00:58:07Zambia is exploding on you.
00:58:08That's my business.
00:58:09And you, the painter artist, can say nothing.
00:58:11You don't depend on him to earn your living.
00:58:13Go on, smell it.
00:58:14Let's see if it's real coffee.
00:58:15Well, and besides, you won't remember Zambia tomorrow.
00:58:17Whereas I am, you know?
00:58:18Oh, so what?
00:58:19There's nothing about "so what."
00:58:20I work, if you know what work is.
00:58:22And you wanted to interfere in my work.
00:58:24Oh, oh.
00:58:25Yes, get involved.
00:58:25You had fun like a fool, without considering the consequences.
00:58:28And also knocking down a guard almost at my doorstep to close off my neighborhood.
00:58:32And all without taking any risks.
00:58:33What? I haven't risked anything?
00:58:35No, sir.
00:58:35Because when you have a bank account and an apartment like that, nothing is at risk.
00:58:39Oh, you're the one saying that.
00:58:40He who has the most, risks the most.
00:58:42Risk losing it.
00:58:43Yes, why did you do that?
00:58:44Because?
00:58:45Why did you do that? Why?
00:58:46What? Why?
00:58:47To see how far the occupation will go.
00:58:50Have you seen how far you can go?
00:58:52Have you seen what can be done to those cowards?
00:58:54The same goes for rich people like Zambié who grovel to avoid being denounced.
00:58:57than with the poor who crawl around likewise, without one knowing why they do it.
00:59:01Probably because crawling is fashionable these days.
00:59:04And what about you? Don't you grovel?
00:59:05No, not yet.
00:59:07Well, just wait until something falls on you and hits you in the face.
00:59:09Anything you didn't expect, of course.
00:59:11Hey?
00:59:12Anything you wouldn't want.
00:59:14Do you wish it for me?
00:59:16Then I would make fun of it, yes.
00:59:18A little, yes.
00:59:19What alert, no alert, no alert?
00:59:21The alert explains nothing.
00:59:22They should have arrived before the alert.
00:59:24Don't worry so soon, they'll have been entertained.
00:59:27Don't say that.
00:59:28If he didn't feel like entertaining himself.
00:59:30Who is it?
00:59:31The guy who's with him.
00:59:33What type?
00:59:35Hey?
00:59:36That?
00:59:38The man?
00:59:39And did he allow them to leave with the merchandise?
00:59:45No.
00:59:46One moment.
00:59:49We've done well.
00:59:51Uh, wait.
00:59:53Angela.
01:00:20Angela.
01:00:21It took so much work.
01:00:22That is, if they put both of us in prison.
01:00:25My God, my God, my God.
01:00:27Angela, the ox.
01:00:29No, I'm talking to my wife.
01:00:31What do you want?
01:00:31The ox goes down.
01:00:32And to that marten, I swear.
01:00:35You'll see what happens to him.
01:00:36What's wrong?
01:00:38The ox.
01:00:39The ox?
01:00:39We need to get the ox out right away.
01:00:42And why?
01:00:43It was another stupid thing Jambié did.
01:00:45I'll explain it to you.
01:00:46Come, go on, help me.
01:00:52We'll put him in the cave.
01:00:53In the cave?
01:00:54Where?
01:00:54Under the coal.
01:00:56Grab a cloth, the saw, and the knife.
01:01:05Making me butcher an ox at one in the morning will get me back.
01:01:08Hold the saw.
01:01:09Make some space, make some space.
01:01:18Well, don't get angry.
01:01:19We had our coffee and left.
01:01:20No, I don't have time.
01:01:21We are five minutes from the house.
01:01:23I'm not saying that, I'm not drinking your coffee.
01:01:25Then wait for me.
01:01:26No, I'll go alone.
01:01:27No, it's too much for you to carry 100 kilos by yourself.
01:01:30I can make two trips.
01:01:31No, I just want to earn my 450 francs.
01:01:33No, don't joke about money.
01:01:35Here, take your 450.
01:01:36No, no, I can't leave you like that, my friend Martén.
01:01:39I am no longer your friend, Martén.
01:01:41They are pigs.
01:01:42I've given it to you like this.
01:01:49Naturally you are very strong.
01:01:51Don't take it like that, man.
01:01:52I feel incapable of getting angry with you.
01:01:55And so that...
01:01:55I don't want us to talk anymore, you understand.
01:01:57You've done too much to me already, and I don't want to see you anymore.
01:01:59Very well, you go first.
01:02:01That way you won't have to see me.
01:02:27No, no, no, no, no, no.
01:02:31No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:02:39no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:02:40no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:02:40no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:02:43no, no, no, no, no, no, no, no, no, no
01:03:00Here it is, here.
01:03:06Marshan Doh?
01:03:16Marshan Doh?
01:03:18Marshan Doh?
01:03:23Marshan Doh?
01:03:24What if Marshan Doh wasn't there?
01:03:26Why wouldn't I be there?
01:03:28It doesn't matter, we'll return the suitcases to Jean-Bier.
01:03:31What are you saying? I'm about to burst.
01:03:33No way, I'm not going to carry a pig around with you all night.
01:03:37Marshan Doh! Marshan Doh!
01:03:39Come on, shut up, are you crazy?
01:03:41I'm already inside this pig.
01:03:43Marshan Doh! Marshan Doh!
01:03:46Marshan Doh!
01:03:49Marshan Doh!
01:03:50I can't take it anymore, I can't take it anymore.
01:03:52And you, get out of here.
01:03:53Okay, I'm leaving then.
01:03:55Marshan Doh!
01:03:57Marshan Doh!
01:04:00Marshan Doh!
01:04:05Marshan Doh!
01:04:06Marshan Doh!
01:04:08Marshan Doh!
01:04:09Marshan Doh!
01:04:11Marshan Doh!
01:04:12Marshan Doh!
01:04:16Marshan Doh!
01:04:17Marshan Doh!
01:04:19Marshan Doh!
01:04:21Marshan Doh!
01:04:22Marshan Doh!
01:04:23Marshan Doh!
01:04:25Marshan Doh!
01:04:25Marshan Doh!
01:04:28Marjando, Marjando, Marjando, Marjando.
01:04:31What the hell is wrong? Do you want to open up?
01:04:33Come on, man.
01:04:57Yes, it's awesome! Was warst du denn? Yes!
01:05:14Grab two handles!
01:05:19You too!
01:05:25Awesome! Let's go! Awesome!
01:05:34Stop right there!
01:05:37Grab two handles!
01:05:49Oh!
01:06:03Grab two handles!
01:06:06Grab two handles!
01:06:18Oh!
01:06:47Thanks for watching the video
01:07:05Thanks for watching the video
01:07:19It's a shame that the color green is so prominent in the baseboards and ceilings.
01:07:24What a stupid thing to do
01:07:28Police station during the military occupation
01:07:33Wow, it was worth watching
01:07:35I'm not interested
01:07:38Why are you afraid?
01:07:40What are you saying?
01:07:41They might let you go here
01:07:42But me, inside
01:07:43Mandatory work service
01:07:44Yes, you know what that is.
01:07:45Because I am unemployed
01:07:47Oh, you're getting old, man.
01:07:49There is no age limit for being stopped
01:07:51Stationary?
01:07:53Me too
01:07:55With those expensive shoes?
01:07:58It's very shocking
01:08:00And then, Maria?
01:08:02Hey?
01:08:03Without me
01:08:05And without a penny
01:08:08Well
01:08:08Without me
01:08:09And without a penny
01:08:10It's the same
01:08:12My God
01:08:13My God
01:08:13What a situation
01:08:30Are you Mr. Cranjil?
01:08:32Indeed
01:08:33The painter Cranjil?
01:08:35Yes sir
01:08:44It's a place
01:08:45A little special
01:08:46To introduce ourselves
01:08:48But
01:08:48In the war
01:08:50Like in war
01:08:51It is said in France
01:08:52I'm very pleased.
01:08:53In getting to know him
01:08:55Do me a favor
01:08:56Come with me
01:09:00With your permission
01:09:02The gentleman accompanies me
01:09:05Come too
01:09:13Mr. Cranjil
01:09:15We know him too
01:09:16In our country
01:09:17A cousin of mine
01:09:19Doctor in Cologne
01:09:20He owns one of his works
01:09:22It's a great pleasure
01:09:23A lithograph
01:09:25A still life, I think
01:09:38Furthermore, Mr. Cranjil
01:09:39I see that you study
01:09:41Still lifes
01:09:45A pretty pig
01:09:46Isn't that true?
01:09:47You know the saying
01:09:48Commander
01:09:49In every French
01:09:50There's a pig dozing
01:09:53And perhaps in every man too
01:09:55Perhaps
01:09:56Could be
01:09:57That's not true
01:09:59Well, recently
01:10:00The pig was dozing
01:10:01He dozed in the field
01:10:03And this poor pig of mine
01:10:05I killed him while he slept
01:10:07This morning at my property in Barbizon
01:10:10Barbizon?
01:10:11Naturally
01:10:12Being a painter
01:10:13Tell me
01:10:14Tell me
01:10:15All painters
01:10:16Do they still live in Barbizon?
01:10:17No, not everyone
01:10:18Some
01:10:19Some
01:10:21However, Mr. Cranjil
01:10:23I would like to ask you
01:10:25Here are
01:10:26A large amount of pork
01:10:31I have many friends
01:10:32Maybe he too
01:10:35Have many friends
01:10:40And what is this gentleman's name?
01:10:47Mars
01:10:52Are there any papers for this...
01:10:54Mars?
01:10:55Take it, sir.
01:10:56Take it, sir.
01:10:56Take it, sir.
01:11:00Mars
01:11:01Please, sir
01:11:07Very polite, right?
01:11:09You shut up and leave me alone
01:11:11You should speak to him in German.
01:11:12He is winged, he speaks our language
01:11:14That may be the case
01:11:19Let's see
01:11:21I see here
01:11:22Profession
01:11:23Taxi driver
01:11:25For now
01:11:27What profession?
01:11:29Well, now
01:11:30The point is that...
01:11:32In other words, well, that's it...
01:11:34There don't seem to be many taxis around now.
01:11:37No, in a sense there are too many taxis
01:11:42I just wanted to say
01:11:44Are you perhaps unemployed?
01:11:46Stationary
01:11:47Standing, my friend Marten
01:11:48If you've never worked harder in your life
01:11:50He practices a multitude of professions
01:11:51He is much more than my trusted man
01:11:54He has all my powers
01:11:56He's my mayor
01:11:57My secretary
01:11:58It's not true that you have my powers.
01:12:00Yes, I do what I can.
01:12:01And also
01:12:02Besides
01:12:02It serves as a model for me
01:12:05Listen, commander
01:12:07You who love painting
01:12:08Look at that face!
01:12:11Typically French
01:12:12Look closely
01:12:13What do you think?
01:12:14Well, there are some in France.
01:12:15Today a man
01:12:16That he not be unemployed
01:12:17Just one
01:12:18He's my friend Marten
01:12:20It's not him, that's for sure.
01:12:25Very good
01:12:27Well, Mr. Transil
01:12:29Thank you
01:12:36With permission
01:12:48What do you say now?
01:12:49From your good friend Transil?
01:12:50What am I going to say?
01:12:51I mean, thank you
01:12:52You're doing the right thing.
01:12:54Listen to me
01:12:55Do you think they'll make the pig for us?
01:12:58Don't get your hopes up too much.
01:13:00Because they like pork too.
01:13:02Yes, I suppose so.
01:13:03Of course
01:13:04You've been better than good.
01:13:06As far as I'm concerned, especially
01:13:09I appreciate you, Marten
01:13:11You're the one who doesn't appreciate me.
01:13:13Oh, oh, oh, oh, oh!
01:13:25Mayota says!
01:13:26Already!
01:13:38What is it?
01:13:39A bodysuit
01:13:39A loving
01:13:51Thank you!
01:14:27Thank you!
01:14:29Thank you!
01:15:06Solid!
01:15:09Solid!
01:15:15Solid!
01:15:23Solid!
01:15:25Solid!
01:15:28Hahaha!
01:15:31Naturally!
01:15:40Raúl, Raúl, Raúl, Raúl, Raúl, Raúl.
01:15:49But what's happening? What has happened?
01:15:51I think they've killed a colonel.
01:15:53And what does that have to do with us, my God?
01:15:55They've gotten us into a real mess.
01:15:57What are they going to do with us?
01:15:58Or at least tell us where we're going.
01:16:00That's what I'd like to know.
01:16:01I heard Shaxe Medina.
01:16:03Throw it!
01:16:04High demand!
01:16:08Madam, if you can see her, Mrs. Mariette.
01:16:10Mariette, Turén Street 22.
01:16:13Will you remember it?
01:16:13Yes, I'll agree to it.
01:16:15Mrs. Mariette, Turén Street 22.
01:16:18Are you saying it?
01:16:19What does that have to do with her?
01:16:20I don't understand any of this.
01:16:21Everything is absurd.
01:16:22What is absurd?
01:16:23Me, you, the war, them, everything else.
01:16:27Aunce there!
01:16:34No, no, no, no.
01:16:36Injustice!
01:16:37That's a blunder!
01:16:38I don't understand any of this.
01:16:40Innocent!
01:16:41Where is he going, where is he going!
01:16:43I haven't done anything.
01:16:44No! No! No! No! Leave me alone! I don't want to go! I don't want to go! Let me go!
01:16:51I don't want to go! Let me go! Let me go! Let me go!
01:16:58You know what's going to happen, right?
01:17:00Digre! Yes! I don't know anything!
01:17:01Yes! Yes! I don't know anything! I assure you I know nothing!
01:17:05Come on, man! Let's get to the stress!
01:17:18Open! Go for it! Open! Ask!
01:17:23Thank you!
01:17:25It's me!
01:17:26Eat each other! Together!
01:17:46What's up?
01:17:54And me! And me!
01:17:57Marcel!
01:17:59And me! Dinque messages! Dinque messages!
01:18:44Dinque messages!
01:19:14Dinque messages!
01:19:43Dinque messages!
01:20:14Dinque messages!
01:20:17Dinque messages!
01:20:26Dinque messages!
01:20:28Dinque messages!
01:20:46Dinque messages!
01:20:48Dinque messages!
01:20:52Dinque messages!
01:20:53Dinque messages!
01:21:08Dinque messages!
01:21:20Dinque messages!
01:21:29Dinque messages!
01:21:30Dinque messages!
01:21:32Dinque messages!
01:21:42Dinque messages!
01:21:53Dinque messages!
01:21:58Dinque messages!
01:22:11Mercen.
01:22:15Club!
01:22:16Condolence!
01:22:17But it is.
01:22:18Grand Gil!
01:22:19Ah!
01:22:19Yeah!
01:22:20Grand Gil!
01:22:20I remember now.
01:22:22Gee!
01:22:22Great Gil!
01:22:23So what, Martén?
01:22:24Always with suitcases!
01:22:26Oh yes!
01:22:26of the others
01:22:30bye
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