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  • 6 hours ago
Spider Noir Episode 2
Transcript
00:00The New York Times
00:03The New York Times
00:05The New York Times
00:06The New York Times
00:09Silvermane, charge of organized crime for 30 years.
00:12Someone burned down his mansion a couple of nights ago.
00:15Addison!
00:16You keep following me, it won't end the way you wanted to.
00:18Does this guy have superpowers, like you?
00:22Do me a favor, hold off on printing that.
00:24I want to warn Donnerville before he gets himself killed.
00:27It's a little for that.
00:28There's gonna be a free-for-all.
00:30The people could use a hero.
00:32I hope they find someone.
00:33I can't help but wonder what Ruby would think.
00:36I'm not that guy anymore.
00:38Any chance you know who this is?
00:40Oh, that's Cat Hardy.
00:41Star attraction over at the alcove.
00:43Is there somewhere we can talk? It's business.
00:45Clint? Despite what I do, we don't enjoy hurting people.
00:53Don't hurt him.
00:54What the hell is this?
00:55Just leave us alone, please.
00:56When someone tells you what they are, you have to listen.
00:59And what is he?
01:01Retired.
01:02I came here to offer him a job.
01:04My friend we met last night, he's disappeared.
01:33You were saying Flint's your bodyguard.
01:35Yes.
01:36He protects me and he's loyal.
01:39Hard to find these days.
01:40No kidding.
01:41I didn't marry my husband for his looks.
01:43What else can you tell us?
01:44Does he have family, friends?
01:46I don't know anything but his personal life.
01:48I know his address.
01:50Are we gonna talk about the fact that he turned into some kind of sand monster?
01:55What I know, she knows.
01:57What I know, she knows.
01:58It started about six months ago.
02:00Slow at first.
02:02But it's been getting worse.
02:04And he never remembers when it happens?
02:07Oh, he always remembers.
02:08Unless he gets clubbed in the head with an iron girder.
02:12That's it.
02:12He turned into sand.
02:14It was sand, right?
02:15It just seems kind of like a big deal.
02:17No.
02:17So do you have any clues as to what's causing this to happen?
02:20You haven't given us much to go on.
02:22Isn't that what the money's for?
02:24You're an investigator.
02:26Investigate.
02:28You know, an artist doesn't just paint with air.
02:30He needs a canvas, brushes, paint.
02:32Do you think I'm withholding from you, Mr. O'Reilly?
02:35What if I said I did?
02:36I'd ask why you thought that.
02:37I'd say a lifetime of experience.
02:39With clients?
02:40With... women.
02:43As fun as this little game is, I'm afraid I have other business to attend to.
02:47Get to painting, Mr. O'Reilly.
02:58What do you think?
02:59I think you might need a cold shower.
03:02I think I might need one.
03:06But you're right.
03:08She is hiding something.
03:10All the fun ones do.
03:11I'm gonna check out Flint's apartment.
03:13Why don't you go down to the...
03:15Bureau of Criminal Records?
03:16Yeah.
03:17Been a while since we've had a real case.
03:19But it ain't been number.
03:23You gotta accentuate the positive healing.
03:29Money to negative and light to sharp.
03:33To the affirmative, don't mess with mystery in between.
03:37You gotta spread joy up to the maximum.
03:42Bring the gloom.
03:44Down to the minimum and have faith.
03:47Amen.
03:48A pandemonium lovel to walk upon the sea.
03:53Amen.
04:01It's gonna be a new supplier at the docks tomorrow.
04:05Canadian.
04:07You didn't tell me that.
04:08I'm telling you now.
04:11It's not smart for you to go out in public until we know who tried to take you out.
04:15I'll go where I want.
04:16With all due respect, you don't pay me what you pay me for my charm or disposition.
04:21You pay me to keep you alive and I'm telling you it's a bad idea.
04:25If you dying benefited me, I would have done it myself ten years ago.
04:28But I know what I'm good at.
04:30I know what I'm not.
04:31And I need you to stay alive and in power.
04:34So pretty please, with cherries on top, let me go down to the docks ahead of you.
04:38And once I make sure everything's kosher, you can waltz on in and show everyone the brightness of your feathers.
04:44You finished?
04:48The problem is not that the guy is out there.
04:50The problem is that they thought they could take me out at all.
04:54Ever since the spider disappeared, things have been comfortable.
04:58Maybe someone's thinking that I got complacent.
05:01Or soft.
05:03Maybe you're one of them.
05:06Thinking you could take me out?
05:09If you could set yourself on fire like Addison, then you might have a shot.
05:13Imagine controlling that kind of power.
05:17How Flint goes missing.
05:19Right after.
05:21He's been acting strange lately.
05:23You know, those two things are related.
05:26I'll look for Flint.
05:32And when the boys find our P.I., Riley, bring him straight to me.
05:53The colors fading from the photograph.
05:55I could tell the story, but still you wouldn't know the hell.
06:00This love was brought to life from shorts of glass.
06:03When you kiss me, there's a shifting in the sepia tone.
06:07Can't escape the madness, baby.
06:09Can't escape the madness, baby.
06:09Magnetism.
06:11Run away, but something pulls me back into it.
06:14Lately, I've been staring at a broken mirror.
06:17In the dark.
06:18Needing someone to come out.
06:21I need someone to save me now.
06:27From all the pain I suffer.
06:30Ain't there anyone that wears me down?
06:34Cause now all I'm being sweet
06:37It's been time to taste
06:40But you can be my saving grace
07:28It's been time to taste
07:34Great
07:47Hi, this is Robbie Robertson calling
07:49Mr. Robertson, how many times do I have to tell you
07:52You're never getting your old job back?
07:54Listen, I don't know if Walters has seen my article in the Gazette
07:57But I just
07:57Mr. Robertson, there's no point
07:59What I'm saying is I just need to sit with him
08:02That's all
08:02Mr. Robertson, please
08:03Mr. Robertson, I'm going to hang out now
08:06I'm on to something truly sensational
08:09It's the biggest story of years
08:10There hasn't been anything this big since the spider
08:15I promise
08:16It'll be worth his while
08:21I'll see what I can do
08:25Mr. Robertson, I'm going to hang out with you
08:25Thank you
08:27Thank you
08:27Thank you
08:28Thank you
08:31Good, Marco
08:32Got a delivery
08:33Anybody home?
08:35There's no problem
08:36No
08:38No
08:50No
08:54I know
08:55I know
08:55He's working on this
08:55But no
08:55No
08:55No
08:55There's no
08:55No
08:58No
09:07Let's go.
09:29Let's go.
09:29Let's go.
09:33Let's go.
09:34It's Winston.
09:36Silvermane wants to talk to you.
09:38Give me the key.
09:52Check the bedroom.
09:55Let's go.
10:02Let's go.
10:13Let's go.
10:16Let's go.
10:18Let's go.
10:24Let's go.
10:32Let's go.
10:56Let's go.
11:03Let's go.
11:10Let's go.
11:12Let's go.
11:14Let's go.
11:31Let's go.
11:33Let's go.
11:38Let's go.
11:51Let's go.
12:20Let's go.
12:21Let's go.
12:22Let's go.
12:37Let's go.
12:40Let's go.
12:42Let's go.
12:46Let's go.
12:50Let's go.
12:51Let's go.
12:52Let's go.
12:54Let's go.
12:55Let's go.
12:57Let's go.
12:59Let's go.
12:59Let's go.
13:00Let's go.
13:00Let's go.
13:24I don't think I've ever heard that one.
13:26I wouldn't think so.
13:28It's an original.
13:32Visited Flint's apartment today.
13:36This mean anything to you?
13:38I knew he was in the war.
13:40Hard to believe he was ever so young.
13:43What about this guy?
13:45You see him?
13:45This little guy right over here?
13:47You ever come around the alcove, visit Marco?
13:51Can't say I've ever seen him.
13:54His name's Addison.
13:56He's the guy that burned down Silvermane's mansion.
13:59He's dead now.
14:01So is the P.I. that shot him.
14:04What can I say?
14:05The world's a dangerous place.
14:12You're pretty cool under pressure.
14:13I wasn't aware I was under any.
14:15Why don't you tell me Flint worked for Silvermane?
14:17Would you have taken the case if I had?
14:18I don't like surprises.
14:19I'll remember that when your birthday rolls around.
14:25The deed is under my name, but it's no secret Silvermane owns this place.
14:29And Flint's a good way to protect his investment.
14:32And you.
14:33And me.
14:35You see this club lives and dies on people walking through that door because they want what I give them.
14:44You trying to get me, Mr. O'Reilly?
14:46Get you?
14:48Understand me.
14:49Seems you got my number.
14:51I've learned a lot of them over the years.
14:53Oh, one for every Tom, Dick and Harry?
14:56Hmm.
14:57You're interesting.
14:58Oh, yeah?
14:59How's that?
15:00The other night when we met, you called yourself a coward.
15:03But I think you're braver than you let on.
15:06Oh, you're good.
15:08In an obvious sort of way.
15:10I must settle as the situation requires.
15:13You see, I have business with Silvermane and I have business with you, Mr. O'Reilly.
15:17One has nothing to do with the other.
15:19Now, have I said enough for you to keep the money you came here to return?
15:23Or have I misjudged you?
15:25No, I'll keep working the case.
15:28Not because I'm brave.
15:30Why then?
15:30Uh, a singer's gotta know all the numbers.
15:34Maybe a detective just gotta know all the answers.
16:18of course.
16:24Yes.
16:26In this case, I'm a hero.
16:27Oh, no, no, no.
16:28I'm not a hero.
16:29Also, you think your hero will be part of the win?
16:30You're a hero.
16:36uh it's uh tai chi yeah that's right it's tai chi it's uh it's good it's good for breathing
16:46and relaxation i recommend it i don't have the slightest clue what you're talking about
16:52you don't care either
17:01a toaster really gosh i shouldn't have thrown it so hard
17:16come on let's go for a ride
17:27you mind telling me why i'm here silverman wants to see you i figured that i'm asking you why
17:33we're not really the why guys maybe you wouldn't be here if you didn't try ripping the boss off
17:38ah donagle i didn't have anything to do with this little scheme i actually try to talk him out of
17:44it like i said the boss just wants to talk and i've got no idea who hired addison to burn
17:49down
17:49your boss's house you don't know nothing huh double negative but we'll set that aside for now my
17:54point is i'm not much of a detective yeah then you got nothing to worry about just like donagle right
17:59yeah just like donagle by the way i am sorry about the nose me that was him
18:21where'd he go check the side
18:31boss ain't gonna like this yeah he wanted us to bring you man
18:47times are tough all over but the true measure of a city is in how it responds to the hard
18:54times
18:54and this isn't topeka or kalamazoo this is new york we're gonna link arms and stand strong
19:02against the rising tide
19:07what's the headline here desperate morris delivers dud i'd go with quadruple m mayor's missive mrs mark
19:17man i wouldn't trust hudson to do my laundry that man's gonna beat morris by 10 points
19:22sometimes you just want a different brand of snake oil
19:26so uh you gonna explain your face let's just say you should lay off the addison recording
19:34silverman he's on a war path about addison wants to know what's coming after him so tread
19:40lightly i'm not the one with the face that looks like hamburger meat
19:44i've traveled with those guys before as the man with the mask and the goggles new york's beloved
19:50hero of the hour not as ben riley you know what give me that i'm making a declaration right now
19:57that's right if i'm selected you can say goodbye to prohibition
20:03man knows his audience as god is my witness you'll never go thirsty again
20:10look all i'm saying is in it with silverman now the choice is to suit up or die
20:15might be time to tango again maybe you'd be doing the city a favor in the process
20:19oh come on robbie enough of that you know what i'm doing after this what being beautiful
20:25and working the addison story i don't publish i don't eat my friend
20:33i've been thinking about the canadians you're gonna let me handle it
20:38no i'll do it plan stands but go ahead of me scout it out
20:50huh
20:52well i think it's stylish what do you think winston
20:57i'm not one for fashion but the whole thing is a little
21:02tired now winston have you got a gripe at her
21:07no i just think there's better thing to spend time on than dressing up dolls
21:12well there's fashion and there's taste box it up you like it too right
21:18honestly i think it's perfect
21:40excuse me ma'am i'm looking for the addison
21:55mrs addison
21:56mrs addison
22:11mrs addison
22:28who are you
22:34hey brother don't hey brother me i asked you a question you sure did and seeing as you are a
22:42very large and angry man i'm gonna answer i'm looking for vera addison
22:48and where she is
22:49why'd you want to know
22:50well i am a reporter working a story on james addison's death
22:55i wanted to talk to his widow
23:01jimmy's dead
23:04oh i'm sorry you guys were friends
23:08how did he die
23:10well there was an explosion
23:14standard oil depot
23:16why are you writing about him
23:18well before he died he burned down the wrong house
23:21whose
23:23silverman
23:32i think it's time for me to leave
23:33wait wait wait wait wait wait wait wait wait wait wait wait wait
23:36indison didn't just take it upon himself to burn down the house of the most dangerous man
23:39in the city someone paid him to do it now look he was your friend so i'm guessing he wasn't
23:45a bad
23:45guy he was sick and these days called for men to use their sicknesses to get by until their
23:51sicknesses eat them alive hang on what do you mean he was i don't know who hired him
23:57but yeah his wife mate and do you know where i can find her try the jeffrey hotel she always
24:04went there when they came in some money and when she came back the money was gone go figure oh
24:11thanks
24:13i'll be here a visit
24:18i told you he hardly comes to the office anymore i can't remember the last time i saw him
24:24well maybe this will show your memory please don't tell you the truth
24:31for your sake i hope so we'll be back
24:51janet did they hurt you no not this time but they said they'd be back
24:58then they would have gone to my head they kept saying that i'd end up like donagle
25:03that if i didn't tell them where you were he and i'd be crossing the river six together
25:09what does that mean it means donagle's dead silverman killed him but i'll take care of it
25:17ever since ruby died i've been waiting for you to get it back together
25:21back to the man i know is buried somewhere inside you five years
25:28and this is how it ends janet go home get get some rest you'll feel better and i'll call you
25:36when it's
25:36safe yeah i'm gonna go home but i am not coming back i care about you so deeply
25:48but not enough to die for you janet janet
26:01you
26:02that's
27:03I am familiar with the unit, yes.
27:05Bathroom's that way.
27:06Mm-hmm.
27:26Well, don't you stand there and say something.
27:27Um, sir, what exactly are you fixing?
27:32Oh, yeah, John, I found the issue.
27:34You've got a busted cherry basket.
27:37It's a misalignment from the mission joint.
28:03Excuse me, what's happening in there?
28:06Bit of an existential crisis, if I'm honest.
28:11About my toilet?
28:30I don't think that guy was a plumber.
28:54It says it to the left.
28:57Thanks for your trouble.
29:00Thanks for the dollar.
29:04Mrs. Addison?
29:09I didn't order anything.
29:11My name is Robbie Robertson.
29:12I'm a reporter.
29:14Hold on, hold on, hold on.
29:16Now, I just, I just want to talk.
29:18You have three seconds to get out of here or I'm going to scream.
29:21Then I don't think you want a white woman screaming about a black man trying to force his way into
29:24her hotel room?
29:27Actually, I got a hunch that you wouldn't want the city's most ruthless gangster knowing that the money someone paid
29:33your husband to kill him was being spent on lobster and designer clothes.
29:40So go ahead and scream, honey, unless you want me to do it.
29:43I got a pretty deep voice.
29:44It really carries.
29:46Hmm.
30:09So that's it?
30:10What do you mean?
30:11No tears.
30:12I just told you your husband died.
30:15People grieve in different ways.
30:19You already knew.
30:22James was a lot of things, but not the type to cut and run.
30:26When he didn't come home that night, I figured he was never coming home.
30:30When did he start setting fires?
30:31Six months ago.
30:33Suddenly discovered he had an innate talent for it.
30:35Who hired him for the silver main job?
30:38Just because I didn't scream doesn't mean I'm an open book.
30:42As far as I'm concerned, James dug his own grave and now he's lying in it.
31:02This place feels haunted.
31:05That's cause it is.
31:09Speaking of ghosts.
31:12Jimmy Addison's dead.
31:14What?
31:16What?
31:17What?
31:17Couple days ago, some reporter came around asking about him.
31:21Wanted to know who hired him to kill Silverman.
31:27You didn't know.
31:28If I'd known, I would have stopped him.
31:39Flynn.
31:40You don't look so good.
31:43It happened again.
31:45It changed completely this time.
31:47Never changed back.
31:49Yeah, not all the way.
31:52It's like the doc said.
31:55Our clocks are ticking.
31:58Faster and faster now.
32:01Everything we went through.
32:05We deserve better.
32:06We deserve better.
32:07You and I.
32:08Let's get out of here.
32:10You can crash at my place.
32:12Better for us to stick together right now.
32:16Yeah.
32:18You have to check every crate.
32:20Is it cause we're Canadians?
32:22Yeah, it's cause you're Canadian.
32:23No.
32:24Boss doesn't trust anyone.
32:26Myself included.
32:27The place still runs this town.
32:30Shipping's good, boss.
32:32Ready for you to come.
32:33All right.
32:34I'm on my way.
32:36Come.
32:37Let's go.
33:08What is that?
33:16Hey, go check it out. Go, go, go, go, go, go.
33:21We found the room.
33:28Shoot him.
33:40Oh.
34:00Where'd he go?
34:09That word.
34:13Come here.
34:18Oh, God.
34:20I can't go on out of the door.
34:23Guess you do.
34:34Well, what the hell are you waiting for?
34:38After you.
34:39No, no.
34:40By all means.
34:41Out of the car.
34:51Whoa, whoa, whoa, whoa.
34:53Not another step.
34:58See?
34:59Hi, see.
35:12It's been a while.
35:14You've done well without me around, haven't you?
35:17I didn't know you did hit jobs now.
35:19Do you mind if I ask you who hired you?
35:21Nobody hires me.
35:23I'm here because of Ben Riley.
35:25Riley the Flatfoot?
35:26Yeah, that's right.
35:28I owe him a favor.
35:29Sorry, where are my manners?
35:30Do you want to drink?
35:31No.
35:31I want you and your gums to lay off Riley.
35:35He doesn't know who tried to kill you,
35:37and roughing up his secretary isn't going to change that.
35:40So, I leave the gums you alone, and that's it?
35:43Because, you know, back in the day,
35:44you really couldn't leave me alone, could you?
35:47I don't think you're listening to me, Silverman.
35:50This is your only warning.
35:52If you mess with Riley or any of his people,
35:56I will kill you.
36:29I will kill you.
36:33I will kill you.
36:49Riley.
36:50This you?
36:51This you're doing?
36:52What are you talking about?
36:54Did you stop Silvermane's car?
36:56Well, you heard about that, huh?
36:58Yeah, well, I got some bad news for you.
36:59Cops had an ambush set up for Silvermane at the docks.
37:02Someone gave him a tip about a booze exchange.
37:04Someone tipped off the cops about a Silvermane booze exchange?
37:07Yeah, they're rounding up about a dozen of his guys right now.
37:09Cops were all set to catch the man himself in the act,
37:12but Silvermane never showed.
37:13Do they know why he didn't show?
37:16No, don't worry.
37:17The police got word that someone stopped Silvermane from coming.
37:20They don't know it was you.
37:21Shit, gotta go.
37:23I ain't trying to die in no phone booth.
37:50What the hell did I just do?
37:58Now, you say you're a lover of me
38:05Said you cried the whole night through
38:10Well, you can cry me a river
38:15Cry me a river
38:19Cause I cried a river over you
38:28Now you say you're sorry
38:33For being so untrue
38:40So what?
38:42Just cry me a river
38:44Cry me a river
38:49I cried a river over you
38:56You drove me
38:58You drove me out of my head
39:05While you never shed a tear
39:11Remember
39:12I remember all you said
39:16Told me you're a lover of me
39:20Told me you were through with me
39:25And now you say you love me
39:32Well, just who you do
39:37Go on and cry me a river
39:43I'd like to see you cry a river
39:49Cause I'm tired of crying over you
39:57Go on and cry me a river
39:58Go on and cry me a river
40:15Go on and cry me a river
40:20Go on and crispin coun 19-9667 to catch up
40:30you
41:04you
41:34you
42:04you
42:35you
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