- 2 days ago
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Short filmTranscript
00:00:07You
00:00:35Are you ready to get started?
00:00:37I think you are.
00:00:38I can't stop.
00:00:39We've got to make some art here, people.
00:00:40Okay, that's it.
00:00:41All right, let's go.
00:00:42Bring that light right next to me.
00:00:43Down here.
00:00:44All right.
00:00:45All right, that's not now.
00:00:46I need more light than that.
00:00:47You're ready.
00:00:48You're in the spa.
00:00:49It's about here.
00:00:50Okay.
00:00:51Right there.
00:00:52Get it up?
00:00:52All right.
00:00:54Good boy.
00:00:55Yeah.
00:00:56All right.
00:00:57Let's go.
00:00:58I told you that it's too hot.
00:00:59Here we go.
00:01:00Give me the other flat side, idiot.
00:01:02Come on.
00:01:03Let's go.
00:01:03Come on.
00:01:04Oh, Jesus Christ.
00:01:06Come on.
00:01:06Oh!
00:01:07All right.
00:01:13Good.
00:01:13Back in it.
00:01:14Back in it.
00:01:15That's a good dog.
00:01:16You're such a good dog.
00:01:32Good.
00:01:33Good.
00:01:33All right.
00:01:33That's fine.
00:01:38Good.
00:01:49All right.
00:01:50That was great.
00:01:51Yeah.
00:02:00tough.
00:02:02Good.
00:02:08Stand in it.
00:02:10That's it!
00:02:12Another job going!
00:02:16Can't help me out!
00:02:17this dog and you are as dumb as the dog all right is everybody ready is your camera loaded yeah
00:02:41are we all happy then give me the goddamn dog
00:03:00this program is sponsored by the women's press club of america along with the friends of public
00:03:06television i'm melissa kent i'm sander davis in a few minutes we will switch our control to the
00:03:12women's press club to honor emmanuel griffith as woman of the year some people may not know the
00:03:18name but they should be able to recognize the face at age 25 miss griffith has appeared on the front
00:03:25cover of some of the most famous fashion magazines in the world the covers of vision
00:03:30ole and velari just to name few emmanuel as she is best known has now become the world's standard
00:03:38of beauty and fashion and is also a major symbol of the feminist movement she denies any interest in
00:03:45the job of president of the women's press club so melissa what about those rumors well sander it's a
00:03:52demanding position and she's already in great demand she's been described as the highest paid fashion
00:03:58model in the history of the business now we switch our cameras to washington dc and joan harris
00:04:04current president of the women's press club
00:04:12good morning ladies i'm so very happy to see all of you here this morning
00:04:19when i first became president of the women's press club five years ago i had a problem
00:04:28yes i did i didn't think that i could handle the job it was too difficult too hard and at
00:04:36times it
00:04:36seemed impossible women were second-class citizens then and they still are today but let me tell you
00:04:46what things are changing
00:04:54manuel i would like you to accept this award as it is given you represent our strength and our desire
00:05:02for
00:05:03equality god love you oh god this is really great stuff good morning ladies and welcome to a man's world
00:05:22let me tell you a little about men ladies
00:05:26they'll tell you anything they want you to hear they'll tell you that they'll pay you as much as
00:05:33they're earning for doing the same jobs yes they will they will tell you that there is no sexual
00:05:41harassment in the workplace and some of them ladies
00:05:48some of them will tell you you should remain barefoot and pregnant
00:05:54this is really great stuff all of this is going to change ladies thank god for that honey thank god
00:06:02for that
00:06:06i don't want to take this world away from the boys all i want is for us to have a
00:06:15piece of the pie
00:06:18and when i'm talking peace ladies i don't mean a little one i am talking 50 right down the middle
00:06:40i want to thank you so much for having me here tonight i will cherish this woman for the rest
00:06:48of my life
00:06:56lord lord i can't believe this i mean i can't believe it i mean it was beautiful i mean this
00:07:01woman
00:07:01could be the president of the united states i got to see this again this is history in the making
00:07:06i mean this is tape at its best i got history right in front of me i can't believe it
00:07:10let me rewind this
00:07:11let me see this again come on let's go man i will tell you you should remain barefoot and pregnant
00:07:20well ladies all of this is going to change ladies yes 50 50 50 percent honey come on come on
00:07:29wake them up i don't want to take this world away from the boys no 50 50 all i want
00:07:37is for us to have
00:07:39our piece of the pie yes 50 percent down the middle nothing more nothing less come on baby
00:07:45i'm talking peace ladies i'm not talking a small piece i am talking 50 percent right down
00:08:02i want to thank you so very much for having me here today i will treasure this for the rest
00:08:09of my
00:08:09my life thank you
00:08:10so
00:08:12so
00:08:17so
00:08:25so
00:08:40Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine, what about the deal?
00:08:50Okay, for every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:57Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:02Phil, what do you do when I'm not in town?
00:09:07No, come on, you can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:25I know you're a good boy, Phil.
00:09:27I know you're a good boy, Phil.
00:09:32I know you're a good boy, Phil.
00:09:40I know you're a good boy, Phil.
00:09:42I know you're a good boy, Phil.
00:09:43I know you're a good boy, Phil.
00:09:44I know you're a good boy, Phil.
00:09:44I know you're a good boy, Phil.
00:09:44I know you're a good boy, Phil.
00:09:44I know you're a good boy, Phil.
00:09:45I know you're a good boy, Phil.
00:09:49I know you're a good boy, Phil.
00:09:54But it won't be me
00:10:00Girl, you're not done about
00:10:07Girl, I can't see you with somebody else
00:10:12Gotta have you, darling, now
00:10:18Hold me at nobody else
00:10:22Gonna make you laugh
00:10:25Gonna hold you through the night
00:10:32Look what you've just done to my heart
00:10:35Girl, I can't see you with somebody else
00:10:37Look what you've just done to my heart
00:10:40Oh man, look what you've just done to my heart
00:10:45Yeah, look what you've just done to my heart
00:10:48Girl, I can't see you with somebody else
00:10:51Look what you've just done in my heart, oh baby
00:10:55Look what you've just done in my heart
00:11:10Oh, yeah
00:11:11Good morning, ladies, and welcome to a man's world
00:11:17Let me tell you a little about men, ladies
00:11:21They'll tell you anything they want you to hear
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job
00:11:32God, I hope not
00:11:35Oh, Lord, woman
00:11:38We have a problem here, Emmanuel
00:11:43It's the word they
00:11:45Now we all know that they pertains to men
00:11:48So, why don't you just come out and say
00:11:51Men, you're blessed with great beauty
00:11:55You should be satisfied with that advantage
00:11:58But you're not
00:11:59I think all you girls should remember the terminology
00:12:04Manpower
00:12:05Manipulate
00:12:06The rights of man
00:12:09Manhole
00:12:09I mean, all you girls can climb down
00:12:11And it's still going to be a manhole in the eyes of God
00:12:13In the eyes of everyone
00:12:14You can't change that
00:12:15Not even God can change that
00:12:16Understand that, lady
00:12:22You have a lot to learn, Emmanuel
00:12:25And one Richard Tate
00:12:28Is going to teach you, darling
00:12:50Okora Hotel
00:12:51Oh, yes, Miss Emmanuel Griffith, please
00:12:54May I say who's calling?
00:12:55Oh, yes, tell her that our studio driver has arrived
00:12:58One moment, please
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here
00:13:04What time is it?
00:13:05No, I'm an hour from now
00:13:07Oh, no, but they moved the time up, ma'am
00:13:09Did they tell you that?
00:13:11No
00:13:12All right, fine
00:13:14I'll be down in a minute
00:13:15Ok, thank you
00:13:18Oh, no, I'm coming
00:13:20Oh, no, I'm coming
00:13:23Oh, no, I'm coming
00:13:30Oh, no, I'm coming
00:13:31Oh, no, I'm coming
00:13:32Oh, no, I'm coming
00:13:32Oh, no, I'm coming
00:13:33Oh, no, I'm coming
00:13:33Oh, no, I'm coming
00:13:34Oh, no, I'm coming
00:13:34Oh, no, I'm coming
00:13:35Oh, no, I'm coming
00:13:35Oh, no, I'm coming
00:13:35Oh, no, I'm coming
00:13:36Oh, no, I'm coming
00:13:36Oh, no, I'm coming
00:13:36Oh, no, I'm coming
00:13:37Oh, no, I'm coming
00:13:37Oh, no, I'm coming
00:13:38Oh, no, I'm coming
00:13:44Let's go.
00:14:29Hey, buddy. I smell some gas back here. Hey, guy. You got a leak or something?
00:14:45Can't you get the window down? Hey, mister. Hey, mister. What are you doing? What are you doing?
00:14:55Hey! Open my window!
00:15:18What are you doing?
00:15:19What are you doing?
00:16:11Don't worry, baby. I'm here to help you. Everything's gonna be just fine.
00:16:17All right.
00:16:46What are you doing?
00:16:55What are you doing?
00:17:07Hello. What's going on?
00:17:20Where am I?
00:17:23Why do you ask?
00:17:26Who the fuck are you and why am I here?
00:17:30I don't like women who use profanity.
00:17:34You don't?
00:17:35No.
00:17:39Well, then you just tell me a few things.
00:17:43What the fuck is going on?
00:17:45Where the fuck am I and who the fuck are you?
00:17:47Who?
00:17:50You'll find out, Manny.
00:17:53Who the fuck are you off- ED jÄ…?
00:17:57Who the fuck,ibelius?
00:18:07Who did you hope to get you through?
00:18:07Tell her, what's going on?
00:18:08Do the fuck really?
00:18:08Well, then, for you.
00:18:17Lisa?
00:18:18Plus, you.
00:18:21I would watch that.
00:18:21A Galuatingaутis
00:18:21What will you ask on?
00:18:30listen to me you bastard you let me out of here right now or I'm gonna see that you go
00:18:36to jail
00:18:36for the rest of your life well if you haven't already figured it out you're the one that's
00:18:42in jail and for how long depends entirely on you my pretty
00:18:52let's move ahead into a bright new future now it's less than time sweetheart so pay attention
00:18:59I think you're gonna enjoy this this is something very close to your heart
00:19:04they'll tell you that there's no sexual harassment in the workplace and some of them ladies
00:19:12some of them will tell you you should remain barefoot and pregnant
00:19:18I must tell you I love the barefoot and pregnant line I'm gonna play for you again and watch the
00:19:24smile that crosses your face just after you say the line it was great you were in charge then and
00:19:31wasn't it wonderful good morning ladies and welcome to a man's world you know what I think we're gonna
00:19:44have to rethink that dumb speech of yours but don't worry I mean we're gonna make it right you know
00:19:51I want you to memorize everything stupid word you say I want you to see the look on your face
00:19:56but you
00:19:58know it's like anything else I want you to see every arrogant sarcastic expression that you presented to
00:20:04that audience but don't worry it's gonna be okay we're gonna make it out just fine
00:20:14now what would you like for lunch nothing I want nothing from you oh okay well I tell you what
00:20:24there's a
00:20:25buzzer right on that table in front of the TV and if you just push it I'll bring you
00:20:33anything you need leave a dirt you Emmanuel
00:21:11yeah
00:21:13just follow you
00:21:41save your breath sweetheart you'll need it later you can't get out no one can hear you I'm in
00:21:47charge now the sooner you get that through your head the better off you'll be just push the buzzer
00:21:55if you need anything
00:22:02hey mister
00:22:04hey mister
00:22:07hey asshole
00:22:13you know your fucking TV set isn't working
00:22:26aren't there any other assholes that live in this area are you deaf
00:22:34I can hear this fucking buzzer where the fuck are you
00:22:42are you deaf
00:22:46hello
00:22:50oh
00:22:51oh
00:22:55oh
00:22:56oh
00:22:56oh
00:22:57oh
00:23:00oh
00:23:02oh
00:23:03oh
00:23:07oh
00:23:16hello
00:23:18this is your friendly chef
00:23:19how may I be of service
00:23:24I'd like something to eat
00:23:26mmm
00:23:28well I tell you that sounds reasonable
00:23:30all you have to do is use the word please
00:23:35please
00:23:36please
00:23:36well
00:23:38how do you like that sweet cakes
00:23:41you're finally making some progress and it hasn't even been 24 hours
00:23:47breakfast
00:23:48breakfast is served in 30 minutes
00:23:49breakfast is served in 30 minutes
00:24:02breakfast in bed
00:24:09for the only lady in the house
00:24:16not bad huh
00:24:17I make my bernet sauce with a little brandy
00:24:21I'm impressed
00:24:22well thank you
00:24:23I studied with a great chef at the Waldorf Astoria in New York
00:24:27lovely
00:24:28well thank you once again
00:24:30my specialty is pastry
00:24:35wow
00:24:37now I want to know who you are and why I'm here
00:24:40well my dear you already know why you're here
00:24:42that's to give you time and instruction
00:24:44until you get your pretty little head straightened out
00:24:47as for me
00:24:48I am your chef and host
00:24:51and
00:24:51in due time
00:24:53if you're really nice and kind
00:24:54I may even be your lover
00:25:00you should live so fucking long
00:25:02I told you that I don't like that kind of language from a woman
00:25:05I don't have to say it again
00:25:13what's your name
00:25:15my name is Richard
00:25:17hello Richard
00:25:20what did they call you in school?
00:25:23did they call you Ricky?
00:25:27did they call you Dicky?
00:25:30or did they just call you Dick?
00:25:33I don't know
00:25:33did they call you Dick?
00:25:51did they call me Dicky?
00:25:57I don't know
00:26:00you my son
00:26:01I just don't know
00:26:01I don't know
00:26:01I don't know
00:26:02but
00:26:02I don't know
00:26:02it's really nice
00:26:02Mike
00:26:02I just wanna get my mom
00:26:02I can come along
00:26:03interesting
00:26:03while you're a Gibbs
00:26:31Help!
00:26:34Help!
00:26:52You're about as dumb as a boxer rocks.
00:26:54I mean, what the hell made you think you could get your ass through that small open, huh?
00:26:58Please help me.
00:27:00Honey, you just said a magic word, please.
00:27:03My neck gun is caught on something here at the waist and I can't pull back out.
00:27:07Oh, well that's no problem.
00:27:11Okay, try it again.
00:27:14Go on.
00:27:19I can't do it!
00:27:20Why not?
00:27:21You got in there.
00:27:22Well, that's obvious, but now I can't get back out.
00:27:25Okay, well I'll tell you what.
00:27:26Let me check out the situation.
00:27:28Let me check this out.
00:27:29Okay?
00:27:30Okay?
00:27:31Alright, I'm checking it out.
00:27:33You know, the only thing I can figure is that your tits got bigger.
00:27:38You are a disgusting pig.
00:27:41Hmm.
00:27:42Well, I'll tell you what.
00:27:42I can take this thing off its hinges and you'll be wearing a door for the rest of your life.
00:27:50Please.
00:27:51Please.
00:27:52It's better.
00:27:53You know what?
00:27:54You're starting to get to me.
00:27:56The possibility exists is that you may even be getting better.
00:28:02But I doubt it.
00:28:07I don't believe this.
00:28:12Children.
00:28:16I'm dealing with children.
00:28:24Oh, this is that fake butter.
00:28:27I hate this shit, don't you?
00:28:32Alright.
00:28:33Alright.
00:28:34Alright.
00:28:35This is the gold we have been searching for.
00:28:41Oh, yes.
00:28:43Oh, yes.
00:28:46Oh, yes, baby.
00:28:48Oh, yeah.
00:28:50Come on.
00:28:50Come on.
00:28:51Move over a little bit.
00:28:52I see a touch of you, babe.
00:28:54Come on.
00:28:54Come on, honey.
00:28:55Come to daddy.
00:28:57That's it.
00:28:57That's better.
00:28:58Oops.
00:28:59Not enough.
00:28:59Just get your magi-
00:29:02Oh, come on.
00:29:03Get in the view.
00:29:04Come on.
00:29:04Let me strike a close-up on your magic spot.
00:29:12What are you doing to me?
00:29:15Come on.
00:29:27Yeah.
00:29:28Well, I want to go someplace where I can totally be lost.
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby.
00:29:39Oh, I understand, I think.
00:29:42But I want it to be magnificent.
00:29:44First class all the way.
00:29:46Of course.
00:29:47I like the ocean.
00:29:48But it has to be more than that.
00:29:51I want something that oozes love.
00:29:57Oozes?
00:29:58I beg your pardon?
00:30:00Oh, excuse me.
00:30:01Oozes.
00:30:02I was just flashing on something.
00:30:04Oh, right.
00:30:05What do you have in mind?
00:30:07Well, the people in the travel business might call me Mr. T because T stands for travel,
00:30:15of course, so you've come to the right place.
00:30:17Oh.
00:30:17What I'm about to show you, young man, is splendor in the sand.
00:30:24Oh!
00:30:25Hold your breath.
00:30:26You'll be screaming for oxygen.
00:30:27This.
00:30:29This is Antigua, the island of beaches.
00:30:34Five years ago, very dear.
00:30:38Well, close, intimate.
00:30:41A friend of mine and I spent five glorious days there.
00:30:45It was magnificent.
00:30:46I'll never forget it.
00:30:47We'd lay on the beach and write love poems to each other.
00:30:52And put them in a field.
00:30:55An empty orange juice bottle and hide it under this rock.
00:30:59Look, this is the very rock.
00:31:01And the nights.
00:31:03Don't ask.
00:31:04The nights were magical.
00:31:07The wind, the people.
00:31:10The island, the beaches.
00:31:13The love poems.
00:31:15Then when the mood struck us, which was quite often,
00:31:20we would adjourn to our magical suite.
00:31:22Yeah.
00:31:25This is the actual suite.
00:31:29Just between us.
00:31:31We did it everywhere.
00:31:34Upstairs, downstairs, in my lady's chamber, so to speak.
00:31:39It was magnificent.
00:31:42I bet.
00:31:45What a memory.
00:31:47Yes.
00:31:48Oh, excuse me.
00:31:50Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife.
00:31:58Your wife?
00:31:59Mm-hmm.
00:32:00Of course.
00:32:01Sorry.
00:32:02No harm done.
00:32:04Now you want me to write that up?
00:32:08Yeah, sure thing, pal.
00:32:12Like I said, I want a first class all the way.
00:32:14I'll take the beach.
00:32:14I'll take the sand.
00:32:15I'll take the nightlife.
00:32:16But, I definitely do not want that wrong.
00:32:19Oh.
00:32:22Oh.
00:32:35Hello?
00:32:37This is Dick.
00:32:38What can I do for you?
00:32:40Look, Richard.
00:32:43I have nothing against you.
00:32:46Please let me go.
00:32:48Not until your act is together, my darling.
00:32:52Okay.
00:32:54You're right.
00:32:54I'm sorry.
00:32:56Let me explain something to you, darling.
00:32:58Okay?
00:32:59I kidnapped you.
00:33:00I kidnapped you.
00:33:02You know what that means?
00:33:03The FBI is involved with this as we speak even here.
00:33:07And I'm not going to let you out until you get your head straight.
00:33:10And that, my love, is quite up to you.
00:33:15Look, Richard.
00:33:16I have nothing against you.
00:33:19Please let me go.
00:33:21Not until you get your act together.
00:33:25I know.
00:33:26You're right.
00:33:27I'm sorry.
00:33:29Not only do I hate women who use foul words,
00:33:32but I hate women who lie.
00:33:34Good night, sweetheart.
00:33:36Good night, sweetheart.
00:33:37Oh, no!
00:33:38Richard!
00:33:40Richard, come back!
00:33:43Oh, please, don't go away.
00:33:46Oh, please, you've got to come back.
00:33:50You've got to talk to me, Richard.
00:33:52Please!
00:33:54Oh, God.
00:33:57Oh, God, no, Lord.
00:34:03Please, Richard.
00:34:07Please.
00:34:10Yes, my darling.
00:34:12I can hear you.
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard.
00:34:20I have money.
00:34:22I have a lot of money.
00:34:26I don't need new money.
00:34:28What do you want, then?
00:34:30I want you to be a nice little girl.
00:34:33I want you to be nice to the men who support you.
00:34:37I want you to be barefoot and not pregnant.
00:34:39I hate kids.
00:34:44Look, I will do whatever you want.
00:34:49I have got to get out of here.
00:34:52I am going crazy in here.
00:34:54Okay.
00:34:56Take off the towel.
00:34:58I want to see you.
00:35:04You can see me?
00:35:08You've been watching me?
00:35:09Just relax, baby.
00:35:13How do I turn off this fucking thing?
00:35:16It's locked.
00:35:17I control it from here.
00:35:18Just relax, okay?
00:35:20What is it?
00:35:22Is it a peephole, Dick, you prick?
00:35:25Oh, no, not a peephole.
00:35:27Not for Dickie Boy.
00:35:28Dickie Boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it, and I will find it,
00:35:42I am going to smash the shit out of it.
00:35:45Don't even give it a thought, baby.
00:35:46You'll never find it.
00:35:47Never.
00:35:48You bastard.
00:35:50You sick son of a bitch.
00:35:52Who do you think you are, anyway?
00:35:54Listen to me, and you pay attention.
00:35:56I'm the guy with the key to your mind.
00:35:59God, I hate you.
00:36:01You are the lowest of the low.
00:36:04You listen to me, Dickie Boy.
00:36:07When I get out of here, you are dead meat!
00:36:14Don't do it!
00:36:15Don't do it!
00:36:20Don't do it!
00:36:21That was a bad idea, baby.
00:36:24You best plug that back in.
00:36:27Fuck you!
00:36:31Good night, sweetheart.
00:36:33Oh, this is just perfect.
00:36:36Oh, what's the matter, Dickie Boy?
00:36:39Reality gets to be too much for you, huh?
00:36:42Reality gets to be a little tough, and you can't take it.
00:36:45You gotta turn off the sound, huh, buddy?
00:36:48Well, let me tell you something.
00:36:50I'm still gonna find it.
00:36:52And when I find it, you can watch yourself for the rest of your fucking life!
00:36:57Ah!
00:37:33OK, see your dad's in the moment!
00:37:37What if I went to sleep...
00:37:39Forget it!
00:37:43All right.
00:37:43You can see my dad's in the minute.
00:37:43Yeah, I'm just going.
00:37:43Hey,754!
00:37:44I'm looking for a blessed example!
00:37:44I didn't know anything.
00:37:44What if he's on the moment?!
00:37:44You can't have a good one.
00:37:47I can go.
00:37:48You can see my dad's in the morning!
00:37:50I can't wait to have a good sleep.
00:37:50I know what I think.
00:37:55You can have a good help.
00:37:56I'm feeling in the future.
00:38:28Turner, Detective Agency.
00:38:30Jerry Turner, please. Sam Weston calling.
00:38:33Please hold.
00:38:35Hello.
00:38:36Mr. Turner, this is Sam Weston.
00:38:39Hey, Sam.
00:38:40Just make it Jerry, okay?
00:38:42Okay, Jerry. How are we doing?
00:38:45Well, Sam, while you were flying in first class from New York,
00:38:49I found the last person to see Emmanuel Griffith alive.
00:38:54Good.
00:38:55Yep, Japanese girl.
00:38:57I worked at the hotel.
00:38:59Helped her out to the phony limo.
00:39:00Okay.
00:39:02Sam, I gotta tell you.
00:39:03I run one of the best detective agencies in this area.
00:39:07Why don't we get this thing wrapped up real quick
00:39:09and go out and do some more business together?
00:39:12I can have her here on Wednesday.
00:39:14How's 1 p.m. for you?
00:39:16Sounds good.
00:39:17She'll be here.
00:39:18Good.
00:39:44Hello?
00:39:46Hello?
00:39:47I have no water in here.
00:39:52What's going on?
00:39:55Richard, I have no water.
00:40:03How many ways do I love you?
00:40:09I'm going to show you now.
00:40:12I'll buy you nice little things.
00:40:15And a big diamond ring.
00:40:19Oh, wow.
00:40:22You said that you didn't love me.
00:40:27Honey, I got class and style.
00:40:32I'll make sure we're together.
00:40:36This stormy weather.
00:40:38Mile after mile after mile.
00:40:41Yeah, how many ways do I love you?
00:40:47Let me tell the world.
00:40:49Let me tell them all.
00:40:52I'll buy you a rainbow.
00:40:55I'll buy you the moon.
00:40:57I'll buy you boats and planes.
00:41:00Horses and trains.
00:41:02I'll buy the size of the hall.
00:41:04Throw in the sleigh and all.
00:41:06You'll be the queen of the ball.
00:41:22The gown is $600 and $25.
00:41:24However, if you'd wish to purchase the undergarments we discussed, I'm sure we can come to some kind of agreement
00:41:30for a discount.
00:41:31Let's say, um, 5%.
00:41:35Well, that sounds okay.
00:41:36I'll tell you what.
00:41:37Why don't, uh, why don't you have her try the brown one?
00:41:40I'm sorry, sir.
00:41:42But we don't model underwear.
00:41:45Why not?
00:41:46Company policy.
00:41:47Who said what company?
00:41:49This company.
00:41:49You in charge of this company?
00:41:51I am.
00:41:52You set forth the rule?
00:41:53I did.
00:41:54Why don't you go and do that?
00:41:56I mean, why is everybody going to spoil my fun?
00:41:59Sir, this is a respectable establishment.
00:42:04Are you suggesting that I'm not respectable?
00:42:09Honey, could you go over and get me the gold dress?
00:42:11I mean, I don't like this at all.
00:42:12I gotta tell you, I don't want that at all.
00:42:14I deal with gold and I love gold.
00:42:16I mean, look at the shimmering of this.
00:42:17I mean, this is beautiful.
00:42:21Well, I'll tell you what.
00:42:22Why don't you throw all this shit in the box and, uh, oh, let's see.
00:42:28A 10% discount seems, uh, pretty respectable to me.
00:42:33Don't you think?
00:42:45Oh, my God.
00:42:47Whew.
00:42:49Yes.
00:42:51Oh, hell, man.
00:42:58It's asperating.
00:42:59Well, look at that.
00:43:03Front page, above the fold, in living color.
00:43:07Whew.
00:43:09I really am fantastic.
00:43:35Good morning, Emmanuel.
00:43:37Well, I have something very special for you.
00:43:41Something pink for Pink Lady.
00:43:44How are you?
00:43:46Hey, you.
00:43:46What's going on here?
00:43:47Plug it back in.
00:43:48There's a little bra for you in black.
00:43:49I've been calling you all day.
00:43:51I don't have any water.
00:43:52Where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you.
00:43:55Here's something royal for a royal lady.
00:43:57Oh, yes.
00:43:59Prick.
00:43:59Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for Pink Lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:23You got it, sweetheart.
00:44:24And if you want it back on, plug it back in.
00:44:28What the hell are you talking about?
00:44:31Oh, my God.
00:44:32Well, Jesus Christ.
00:44:35I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:45:06I'm not taking any calls, sweetheart.
00:45:09And I'm going to get some water, all right?
00:45:12Jeez.
00:46:06God, you are persistent.
00:46:08Jesus.
00:46:15Honey, these are difficult times for both of us, okay?
00:46:19But I tell you what.
00:46:20I'm going to make it as easy on you as possible.
00:46:23Now, all you got to do to get started again is plug it back in.
00:46:29Fuck you!
00:46:31You better not mess your room up, honey.
00:46:33You're going to be living there for a long time.
00:46:36Also, I've turned the buzzer off so you can save your finger.
00:46:40All you got to do is come over here and plug it back in.
00:46:43You want something to drink?
00:46:45Plug it back in.
00:46:45You want something to eat?
00:46:46Plug it back in.
00:46:47It's that simple.
00:46:48Plug it back in.
00:46:49I wouldn't do that if I were you.
00:46:52That's your only contact with the outside world.
00:46:57What are you doing to me?
00:47:00Honey, I'm not doing anything to you.
00:47:03You're doing it all to yourself, baby.
00:47:06You make it all happen.
00:47:12All right, Richard.
00:47:14We'll do it your way.
00:47:30Now, you see there, sweetheart?
00:47:33You've already started to learn something.
00:47:37Don't bite the hand that feeds you.
00:47:39And don't unplug the TV set.
00:47:43Soon, you'll have running water.
00:47:45And tonight, tonight I'm going to fix you a beautiful steak with bernet sauce.
00:47:51God, I love you, Matty.
00:47:53I love you with my heart and soul, and I would do anything for you.
00:47:56But please cooperate with me.
00:48:07Pour some for yourself, darling.
00:48:09It's wonderful.
00:48:14Here's looking at you, baby.
00:48:20It's wonderful.
00:48:24Why don't you try the steak?
00:48:25It's great.
00:48:26I mean, I'd like to see what you think.
00:48:36It's very good.
00:48:38Later, I'll share the method and the recipe with you, as soon as we get to know each other better.
00:48:43The secret is, though, that I use two egg yolks in the sauce at the end.
00:48:48It makes it smoother.
00:48:50It's very smooth.
00:48:52Look, Richard, can we talk?
00:48:56Of course we can.
00:48:57That's what I'm here for.
00:48:59That's good.
00:49:01I wanted to know when I could get out.
00:49:03I mean, when I could be released.
00:49:06That's quite up to you.
00:49:08You know that by now.
00:49:10Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight, I'm going to be the designated driver.
00:49:19Are we going out?
00:49:21No, no.
00:49:23I can't trust you to go anyplace.
00:49:25No.
00:49:25Oh, yes, you can.
00:49:26I'd behave.
00:49:28I love the word behave.
00:49:30Yes, I do.
00:49:31I mean, when you learn to apply that, it'd be better for both of us.
00:49:34I have learned that.
00:49:35Really, I have.
00:49:36Oh.
00:49:38Well, here, this toast.
00:49:39Okay?
00:49:41Oh, it's just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:57By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:23Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:29I represent the truth.
00:50:34You have a very nice voice.
00:50:38I love compliments.
00:50:45Here's looking at you, kid.
00:51:07Oh, I got you back on now.
00:51:09Well, so, after that, I invented this crazy thing that helps idiots program their VCRs, and I, uh, I made
00:51:17a fortune.
00:51:18You're very smart.
00:51:20Oh.
00:51:21No, just, just lucky.
00:51:25What about you?
00:51:26I mean, how'd you get into your crazy business?
00:51:32That was funny.
00:51:35I went to New York to become an actress.
00:51:41I was 19.
00:51:43What a joke.
00:51:46So what happened?
00:51:49I found out I was no actress.
00:51:53Then what?
00:51:56My mom needed money. I didn't know how to do anything.
00:52:02Cheers.
00:52:05I'm not ashamed. It was in all the papers.
00:52:09What?
00:52:11I did nude dancing at a Times Square bar.
00:52:16Well, I mean, how'd you handle that?
00:52:22It was easy.
00:52:26I actually enjoyed it.
00:52:30I got off on guys watching me.
00:52:34It was a turn on.
00:52:38That's what all models do.
00:52:41Turn guys on.
00:52:44Doesn't matter if you're naked or not.
00:52:47It's a turn on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:55Yes, you did.
00:52:59Well, men just take advantage.
00:53:01Oh.
00:53:05So when you're stuck naked in front of those good old boys.
00:53:09I mean, who has the advantage then?
00:53:21Why don't you play me some music?
00:53:27I want to dance for you.
00:53:32No.
00:53:33No.
00:53:33No.
00:53:34No.
00:53:41No.
00:53:43No.
00:53:44No.
00:53:48No.
00:53:53No.
00:53:55No.
00:53:57No.
00:54:01No.
00:54:04No.
00:54:13No.
00:54:16No.
00:54:18No.
00:54:18No.
00:54:19No.
00:54:19No.
00:54:20No.
00:54:21No.
00:54:22No.
00:54:24No.
00:54:27No.
00:54:28Oh girl, I need you darling, inside my world, I'm yours forever, please hear the song I sing, hold it
00:54:53inside your...
00:55:00I'll be down in the living room, just come down the stairs and bear to your left.
00:55:38Here are the songs I sing, and I'll get the song to the stage.
00:55:39I'll get the song to the stage of the stage, and I'll get it in the water.
00:56:04Hello.
00:56:07Hello.
00:56:08Come down and join me.
00:56:30Sit down.
00:56:35I got a present for you.
00:56:39It's by your side under that pillow.
00:56:47Open it.
00:56:55Try it.
00:57:04It's very nice.
00:57:12Yeah.
00:57:13It blends with your body.
00:57:18It's you all the way.
00:57:37Yeah.
00:57:40Oh, my God.
00:58:14Show yourself, baby.
00:58:16Come to daddy.
00:58:18If you think you can escape Richard Tate, you must be crazy.
00:58:24Not in a million years.
00:58:27There you are. Let's go.
00:58:51Come on, baby. Where are you?
00:58:53You can't hide. Come on.
00:58:57Come on.
00:59:07Come on.
00:59:08Come on, baby.
00:59:08Come on, baby.
00:59:23It's over, baby. I'll find you.
00:59:26You know what?
00:59:28You lied to me, baby.
00:59:30You lied to me after I gave everything to you, and you're trying to run from me and hide from
00:59:37me.
00:59:37When you deal with Richard, you're dealing with style, class, and elegance.
00:59:45You're used to punks.
00:59:46You're used to no-class guys.
00:59:48I give you the best of wine, the best of food, the best of clothes, and the best of perfume.
00:59:57Perfume that I can smell a million miles away.
01:00:02I got you.
01:00:14lose!
01:00:15Come on.
01:00:22Come on.
01:00:23Come on.
01:00:27Hey!
01:00:27Oh, my God.
01:00:57Oh, my God.
01:00:57Watch this.
01:01:05Needless to say, you've upset me.
01:01:07You're a liar, a thief, and a cheat.
01:01:10And that somewhere down the road, baby, somewhere down the road, you're going to come along and say,
01:01:15Dickie boy, I'm sorry.
01:01:17You got that?
01:01:24Oh, my God.
01:01:28I don't know.
01:01:56You haven't had enough of me yet, baby.
01:02:03I really appreciate your health for this.
01:02:05No problem.
01:02:06There she is, go for it.
01:02:10So, I understand you helped carry her bags downstairs.
01:02:16Yes.
01:02:17And what time day was this?
01:02:19Yes.
01:02:20It was about 8 a.m.
01:02:238 a.m.?
01:02:24Can you describe the limo?
01:02:26Yes.
01:02:29Go ahead.
01:02:30It was wrong.
01:02:33Wrong?
01:02:34Yes.
01:02:35Long?
01:02:36Yes.
01:02:37Most of them are.
01:02:38Kim, do you remember the color of the car?
01:02:43It was black.
01:02:45And the driver?
01:02:47Do you remember what he looked like?
01:02:50Yes.
01:02:54Well, describe him.
01:02:56Uh, he was tall.
01:02:59He had on a black jacket and a black hat.
01:03:03Was it a black man?
01:03:05No, white man.
01:03:06Well, let's go back to that long limo.
01:03:09Uh, do you remember what kind it was?
01:03:13Oh, you mean, um, a Cadillac or Lincoln?
01:03:16Yeah.
01:03:17Oh, I, I don't know.
01:03:23Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:31Thank you very much.
01:03:33Is there anything you can do to, uh, Jerry, she's your witness, man.
01:03:39Jump right on in here.
01:03:40Uh, I want to concentrate on what this man looked like, okay?
01:03:47Yes.
01:03:48Can you handle that?
01:03:51Handle what?
01:03:54What the guy looked like?
01:03:55Oh, yes, yes, I can.
01:03:57Well, great.
01:03:57What did he look like?
01:03:59He had a black hat.
01:04:02Oh, wait, wait, wait.
01:04:02Please, please, let's forget about the hat, okay?
01:04:04Let's just try this for him.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, all right?
01:04:12You see the guy.
01:04:13He's standing right in front of you.
01:04:15You got it?
01:04:15Yes.
01:04:16Okay, picture it there now.
01:04:18Yes.
01:04:19Now tell us, what do you see?
01:04:23I see a big, round hat of a face.
01:04:27Yes, thank you very much.
01:04:29Jesus Christ.
01:04:31Thank you very much.
01:04:35You're a very nice lady.
01:04:36Thank you very much.
01:04:39You're an asshole, Jerry.
01:04:42Thank you very much.
01:04:44It was a black hat.
01:04:51Good morning, Mr. Richard.
01:04:53Estella, I called you.
01:04:54I left you a message.
01:04:54I'm not going to need you for a while.
01:04:55I told you that.
01:04:56I got no message.
01:04:57Yes, but you don't understand.
01:04:58I'm not going to need you for a while.
01:05:00I already been paid for this, so I clean up when I can today.
01:05:03Yeah, but nothing is dirty, can't you?
01:05:04See around, everything is clean.
01:05:05I do dishes and I change sheets.
01:05:07Yeah, you did.
01:05:08Well, listen, I'm going to wait for a month or so, so come on.
01:05:10I'll tell you what.
01:05:11I'll give you a buzz as soon as I get back.
01:05:12Pero, pero, pero.
01:05:12Okay?
01:05:13I'll give you a buzz.
01:05:13No, no, Mr. Richard.
01:05:14Mr. Richard, you do not take money for something you do not do.
01:05:18Estella, you've been good to me.
01:05:19I mean, you do good work.
01:05:20And I'll be in touch with you as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard.
01:05:23Here, I got a pen and I got some ones.
01:05:28God, I don't want money.
01:05:29I don't want money from you.
01:05:30Okay?
01:05:31I don't want money from you.
01:05:31Here, here.
01:05:32You're going to die in there, Mr. Richard.
01:05:34If it weren't for me, you would die like a rat.
01:05:36Oh, God.
01:05:36Listen, Estella, I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you as soon as I get back from the vacation.
01:05:41All right, darling?
01:05:41All my best.
01:05:42God bless.
01:05:43God bless.
01:05:49God bless.
01:05:54You better not take much longer, baby, or we're going to die like rats in here.
01:05:58You're fucking up my life here.
01:06:00Do you understand that?
01:06:01Huh?
01:06:02I had a fire to goddamn aid.
01:06:04You know what that means?
01:06:06No clean laundry.
01:06:07No clean dishes.
01:06:09Garbage up the yin-yang.
01:06:10Dust everywhere.
01:06:12Come on, honey.
01:06:13Get your eyes together.
01:06:14We're living like pigs here.
01:06:17Come on, lady.
01:06:18You're going to have to make some son-of-a-bitch contribution.
01:06:20Do you know that?
01:06:21I mean, come on.
01:06:22Get in your head.
01:06:23I supply the food, the clothes, the shelter, the clean sheets, the clean towels, the toilet
01:06:28paper, and the best of time.
01:06:30And complete attention to your selfish ass.
01:06:33Come on, get your act together, goddammit.
01:06:36Or else I'll never lay on this goddammer.
01:06:38Have you got that?
01:06:39Now you get it together, lady, or you're on your way out.
01:06:42And I mean way out.
01:06:52Here's my gun permit from New York, North Carolina, Texas.
01:06:57I got a whole bunch of them things if you want to look at them.
01:07:00That won't be necessary.
01:07:02May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything we can to find this girl.
01:07:09I'm sure you are.
01:07:11But I don't feel that there's anything that you could possibly do that would add anything
01:07:16to the situation.
01:07:18That might well be, but I've been hired by her mother, who's paying me a lot of money
01:07:22to come on out here and help your boys locate her baby girl.
01:07:26Now I know you don't want me to lose out on good money.
01:07:29And I know you don't want me backing on the employment line, do you?
01:07:33What I want is for you to keep us informed of everything you're doing and anything that
01:07:39you might come up with.
01:07:40No problem.
01:07:42Used to be a cop.
01:07:43I know what it's like.
01:07:44We don't want no double work, do we?
01:07:47No.
01:07:48All right.
01:07:49My goodness.
01:07:50All you've got to do is tell me what you boys have found out so far.
01:07:55Nothing.
01:07:57Well, there you go.
01:07:59Then there's absolutely nothing for me to interfere with since you boys got nothing to start with.
01:08:03But you'll let us know if you come up with something.
01:08:07May I call you Jim?
01:08:08Why not?
01:08:10Jim, you've got the first name on my list.
01:08:16It's a hot day today, isn't it?
01:08:21Richard, I feel weak.
01:08:23Oh, come on.
01:08:25Women give birth.
01:08:25It's got to be worse than this.
01:08:27Well, that makes me feel a lot fucking better.
01:08:30I'm sorry.
01:08:31I didn't mean to swear.
01:08:33Come on.
01:08:34I want to believe.
01:08:35But you make it hard.
01:08:35You make it hard on both of us.
01:08:37I know.
01:08:38I'm sorry.
01:08:38Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes you can't seem to control it.
01:08:45You have to help me.
01:08:49All right.
01:08:51I will have to pan up, you know.
01:08:57You know, perhaps it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:03I mean, did you have any brothers and sisters?
01:09:07Yes, my brother is a lawyer, and my sister, she's a teacher.
01:09:11Mm-hmm.
01:09:12And what about your mother?
01:09:14My mother?
01:09:17She's fine.
01:09:18Did she swear a lot?
01:09:20No, never.
01:09:22Oh.
01:09:23All right.
01:09:23Well, what about your father?
01:09:27My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:33The Navy serving with the Marines.
01:09:35The Marines?
01:09:36I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do is drink, swear, and kill, and not necessarily in that order.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:52Well,
01:09:53I'll tell you what.
01:09:54I'll get you some water.
01:09:55I'll get you some clothes, and
01:09:58even through too much.
01:10:05Yeah, my name is Sam Weston.
01:10:07Now, you people rent limousines, right?
01:10:11Say that again?
01:10:13I'm sorry.
01:10:14I don't understand you.
01:10:17My question is,
01:10:19you people rent limousines, right?
01:10:25Well, let's try this one.
01:10:29Do you have anybody who works for your company that speaks English?
01:10:39Well, can I talk to your boss?
01:10:44I want to talk to the guy that you work for.
01:10:46Comprende?
01:10:52Yes, sir.
01:10:53And how are you?
01:10:55Well, thank you very much.
01:10:57Sam Weston here.
01:10:58I understand you people rent limousines.
01:11:04Big, long cars.
01:11:07Yes, I'm a private detective, and I'm trying to track down a black limo rented on April 5th of this
01:11:11year.
01:11:16I don't understand you, sir.
01:11:19I don't understand you, sir.
01:11:20Where are you from?
01:11:22Korea.
01:11:23Yes.
01:11:25That's a nice town, sir.
01:11:26I just love that place.
01:11:30You got anybody else who speaks English at your place?
01:11:50What's wrong?
01:11:53What's wrong?
01:11:56I'm alone here.
01:11:58I don't like being alone.
01:12:00I hate being alone.
01:12:02Look, calm down, okay?
01:12:05Richard, I'm trying.
01:12:09I can't take any more of this.
01:12:13I'm trying, but I just can't take any more.
01:12:17Everything's going to be fine, okay?
01:12:19Richard, this is not fine.
01:12:22This is weird.
01:12:23When it's fine, it's fine.
01:12:25When it's weird, it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore, okay?
01:12:29I can't stand it when you cry, all right?
01:12:30Just stop it.
01:12:32I need some space.
01:12:34I need something for me.
01:12:38I tried to make a statement.
01:12:40I was wrong.
01:12:41I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:46I think we're making some headway here.
01:12:49Headway?
01:12:51I am dying in here, and you are talking about headway!
01:12:56I can't.
01:13:00I'm going to die in this stinking, rotten hole.
01:13:07Richard.
01:13:11The night we spent together was the most beautiful night of my life.
01:13:17I want that again.
01:13:22I swear to you, I will do whatever you want.
01:13:26All I want is more of you.
01:13:30It's all I had.
01:13:32Is that too much?
01:13:38I have to get out of here.
01:13:42I have to see you.
01:13:46To touch you.
01:14:01I don't believe you.
01:14:02I have to see you.
01:14:14Oh, God.
01:14:17This is exasperating.
01:14:32Emmanuel, I'm sorry.
01:14:35I really am sorry.
01:14:37I feel your pain, and yet...
01:14:40I desperately need your love.
01:14:45I feel your strength.
01:14:48The strength of your beauty, even through this metal door.
01:14:52Nothing could separate us.
01:14:54And I mean nothing.
01:15:03The look of you, the thought of you, it permeates my mind.
01:15:11You know, anger, anger has made me say and do many, many ugly things...
01:15:19that I'm not proud of.
01:15:23When actually, my heart, mind, and soul adores you.
01:15:30Jesus Christ.
01:15:33I am so thankful that you're here with me.
01:15:39So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me, and I mean forgive me,
01:15:49and if you can find a way to reciprocate my love,
01:15:54I will be with you always.
01:15:59Jesus Christ.
01:16:01Jesus Christ.
01:16:17Jesus Christ.
01:17:03You don't even believe this girl has been kidnapped, do you?
01:17:05Do you know whether she's up in Aspen, Colorado,
01:17:10shacked up with some guy?
01:17:11Or in New York, or France, or...
01:17:15Huh?
01:17:16No, I don't know where she is.
01:17:19And neither do I.
01:17:27This is a shitty way to make a living.
01:17:32Let's go to lunch.
01:17:35You need to get out of here, man.
01:17:38Blow the snake off of you.
01:17:40Let the lady come in and clean the place up.
01:17:42Start fresh.
01:17:45A cop with a heart?
01:17:46I love him.
01:17:50Yes, brush my teeth.
01:17:52All right, nothing.
01:17:54I'll make a couple of calls off your list.
01:18:09Hello, this is Sergeant Lytel of LAPD.
01:18:13Yes, do you rent limos out of your place?
01:18:17I want to know if you're renting out a black limo 18 days ago.
01:18:23That would be the fifth.
01:18:24Yeah.
01:18:25Okay.
01:18:26I'll wait.
01:18:31Yeah?
01:18:325.45, you say?
01:18:35A black one?
01:18:37Uh-huh.
01:18:39And do you happen to have the guy's name?
01:18:42Yeah, sure, I got it.
01:18:45You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, got it.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:57Let's do lunch.
01:18:58Hey, I got a lead.
01:19:02You got a what?
01:19:04A lead.
01:19:04You know what a lead is, don't you?
01:19:07Talk to me, Jim.
01:19:09I called this guy up in Pacoima.
01:19:12He says that he rented a black limo to this guy at this address at 5.45 a.m. on
01:19:18the morning of the fifth.
01:19:21Great.
01:19:23Hey, I just dialed the next number on your list.
01:19:27What's the problem?
01:19:29No problem?
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me?
01:19:35Acting like there's a problem?
01:19:36Oh, yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43You got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:53You, Pete, how you work?
01:19:56Because I know damn well that since you know you can't go in and arrest him, you want me to
01:20:01do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:07I don't tell me the racial innuendos are starting.
01:20:13There was no racial innuendos.
01:20:17I just call them as I see them.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD, the way you people do business.
01:20:28I should have spoken more clearly.
01:20:30I should have been referring to you people as assholes.
01:20:34Real nice.
01:20:35Real good.
01:20:37I'm out of here.
01:20:38Sam!
01:20:41What?
01:20:42Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:53See ya.
01:21:02It's a little rough up in here.
01:21:05Come on, babe.
01:21:06Great.
01:21:09Well, come here.
01:21:10I want you to see something.
01:21:13Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope.
01:21:23Here, grab this, okay?
01:21:24Because we're going to have to pull ourselves up the rest of the hill.
01:21:26I'm going to lead the way, okay?
01:21:27Okay, you were behind me?
01:21:28Yeah.
01:21:29Okay, here we go.
01:21:31Pull up.
01:21:37Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:44No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:48I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:55Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:22:04Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:13Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:25All it takes is a little cooperation.
01:22:28I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42That's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:50You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You've got to forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:06You and me.
01:23:08Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:19You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:41Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So I want you to go down there and just get in bed.
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:24:03I'll be waiting for you.
01:24:15Emmanuel?
01:24:17Emmanuel?
01:24:18Come on, honey.
01:24:19We made a deal.
01:24:21Don't break a deal.
01:24:22Come on, open the door.
01:24:25Open the goddamn door!
01:25:11Open the door.
01:25:14Hi, Dick.
01:25:16How's it going?
01:25:20Hi. Is that you?
01:25:22How you doing? It's me, Richard.
01:25:25Listen, it was all over, baby.
01:25:27I mean, it was all over. I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, baby.
01:25:35Thanks, Dick.
01:25:36You're welcome. Listen to me.
01:25:38I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby. Just you and me.
01:25:46I mean, all the way. Do you understand that?
01:25:48I mean, are you staying with me?
01:25:49Royal Danish cruise lines, you don't believe me? Well, check it out, okay?
01:25:53Check it out, guys. I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see?
01:25:57Inside breast pocket. Go up there and look.
01:25:58Please for me, okay?
01:25:59Please for me right now.
01:26:01Would you check one for me?
01:26:03God, I miss you. I miss you, baby.
01:26:07Are you listening to me, honey?
01:26:09You're not thinking of leaving me here, are you?
01:26:16Of course I hear you, sweetcakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:31For dinner?
01:26:53Yes?
01:26:55Emanuel Griffith?
01:26:57Yes?
01:26:59I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:05Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:19The thing is, Sam, I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:26So you tell my mom I love her, everything's fine,
01:27:30and I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:41Thanks a lot, Sam.
01:27:42Yeah.
01:27:52Good morning, ladies.
01:27:54And welcome to a man's world.
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