- 14 hours ago
Later... with Jools Holland - Season 68 Episode 3
Category
🎥
Short filmTranscript
00:17Welcome to a wonderful show a wonderful line-up and welcome to Jesse Ware
00:44You know me the best of all It's plain, unpredictable
00:53You know your way around me Yours is the day you found me
00:58It could be anything strangest of mine
01:02You'd be like in the afternoon Something classic, something new
01:11There's five and sweet Hail Marys You know the words, so tell me what to do
01:17How about you bring me to life?
01:26Take me back to the place where we met super blooming
01:30Every day, held in your arms Love is forever, rise and fall
01:40And the flower and the rain make a cottage
01:42Take me back to the place where we met super blooming
01:47Every day, every day Just like before Don't let me go
01:55Give me a super bloom
02:02More than just a lover's game You and I are one the same
02:11Search me for sun-kissed memories You are the one to send me into this ecstasy
02:18Baby, just hold on tight And the flower and the rain make a cottage
02:24Take me back to the place where we met super blooming
02:30Every day, held in your arms Love is forever, rise and fall
02:38Love is forever, rise and fall
02:41And the flower and the rain make a cottage
02:44Take me back to the place where we met super blooming
02:48Every day, held in your arms
02:49Every day, held in your arms
02:50Just like before Don't let me go
02:54Give me a super bloom
03:15I really like the way we move
03:18The way we move, when we move like that
03:20I really like the way we move
03:22The way we move, when we move like that
03:24I really like the way we move
03:27The way we move, when we move like that
03:29I really like the way we now
03:31We're in super simple
03:35Let the flower and the rain make a cottage
03:40Take me back to the place where we met super blooming
03:44Every day, held in your arms
03:48Love is forever, rise and fall
03:53Let the flower and the rain make a cottage
03:57Take me back to the place where we met super blooming
04:01Every day, held in your arms
04:04Just like before Don't let me go
04:07EVER
04:20LAURA
04:26THANK YOU THE WONDERFUL JESSE WEST
04:29The title track of her new album, Superbloom.
04:32Who are our guests this evening?
04:34We have over this way, from Enfield,
04:36we will be talking to the wonderful Tim Pope.
04:40From New York, I'm going to say it, we welcome Fuckers.
04:47From New Jersey, Jack Antonoff.
04:53From south-east London, the delicious sound of Sam Henshaw.
05:01And now, from Nottingham, we welcome back onto the show,
05:04Holly Humberstone.
05:20Sure you crashed into the wall,
05:22you're cleaning up the broken glass,
05:25thinking what the hell is that?
05:28Yeah.
05:29In the movie of your life,
05:32you're the first to die,
05:34and the critics call the trash to die.
05:38They tell you that you feel too much,
05:40euphoria right down to the crush.
05:42It all breaks down, it always does.
05:45It all works out, it always does.
05:47To love somebody, to hit somebody, to hit somebody, to hit somebody.
06:15Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh,
06:20oh.
06:21But at least you've got to hurt somebody.
06:24You took a ride up to the jaw,
06:27she had gone for a short taste.
06:29A little powder on your cheeks,
06:32and you feel a little clever.
06:34This blue and green ball
06:36Keep spinning to the beat
06:38You gotta try and move your feet
06:41You better be boxing clever
06:42And you feel too much
06:45You bet it all on a summer cross
06:47It all breaks down, it always does
06:49It all works out, it always does
06:51And you wear his t-shirt, your haters' guts
06:54You read the handbook, you take the drugs
06:56You said, from here on out it sucks
06:58It always was, it always was
07:01To love somebody, to love somebody
07:04To love somebody
07:07It's gonna be your only two money
07:10I mean, to love somebody
07:11To love somebody, to love somebody
07:16But at least you got to love somebody
07:19Oh, oh, oh, oh, oh
07:23Oh, oh, oh, oh, oh
07:28They turn me back, you feel too much
07:31Euphoria right down to the crush
07:33It all breaks down, it always does
07:35It all works out, it always does
07:38And the things that I said
07:39And the songs you love
07:40The greatest hits and the deepest counts
07:42It all breaks down, it always does
07:44It always does
07:47To love somebody
07:48To love somebody
07:51To love somebody
07:53It's gonna be your only two money
07:56To love somebody
07:57To love somebody
08:00To love somebody
08:02But at least you got to love somebody
08:06Oh, oh, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah,
08:11oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah,
08:12oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah,
08:18oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah,
08:20oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah,
08:22oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh, yeah, oh
08:35With To Love Somebody
08:38From her top floor album, Cruel World.
08:41Now, an artist who first came on the show back in 2016,
08:45when he was a young lad.
08:47Now, with a song from his brilliant new album,
08:49It Could Be Worse.
08:50Please welcome Sam Henshaw.
09:05There's some things you may not understand.
09:09Oh, ain't no problem if it's out your head.
09:16Oh, sing, let your head down.
09:20Baby, let your head down.
09:23Oh, yeah, let your head down.
09:27Baby, let your head down.
09:30Oh, sometimes life can...
09:32Sometimes life can hit you out the blue.
09:36Don't you go and let that change.
09:39Don't you let that change your point of view.
09:43Ooh, let your head down.
09:47Oh, baby, let your head down.
09:50Oh, yeah, yeah.
09:52Let your head down.
09:54Baby, let your head down.
09:57Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
10:03ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
10:09ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
10:10ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
10:13ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh,
10:15ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh
10:34Say, when you hate, when you hate the way it feels
10:38Child, let Jesus take the will
10:42Say, now let your head down, baby
10:45Let your head down
10:47Say, you better go and let it down, yeah
10:49Let your head down, baby
10:52Let your head down
10:54Let it down, let it down
10:56Say, let your head down
10:58Baby, let your head down
11:01Oh, when you hate, when you hate the way it feels
11:05Child, let Jesus take the will
11:09Let your head down, baby
11:12Let your head down
11:15Oh, say, let your head down
11:18Baby, let your head down
11:21Oh, yeah
11:22Let your head down
11:25Baby, let your head down
11:28Oh, yeah
11:29Let it down, yeah
11:30Hey, hey, hey, hey, hey
11:37Hey, hey
11:38Hey, hey, hey
11:40What the hell do you do?
11:41Hey, hey, hey, hey
12:09What a fantastic sound, lovely harmonies, lovely voice, thank you, Sam Henshaw
12:21over here the recipient of some 14 Grammys he's worked with the likes of Taylor Swift Kendrick Lamar
12:27Sabrina Carpenter many others who will be mentioning later we welcome the great producer artist and writer Jack Antonoff
12:40now first of all congratulations on all these Grammys and in fact this year alone
12:46you were nominated for another nine oh yeah it's crazy I don't think we've ever had such a
12:52Grammy person grammyed up person but where do I never got a Brit well I'll sort that out don't worry
13:01anything you need I'll sort that out for you but where does music begin for you I mean did you
13:05pick
13:05music or did music pick you well I kind of fell in love with with tourings in a weird way
13:11first touring
13:12all around the same time but when I was like 12 and 13 I was part of the scene in
13:16New Jersey and
13:17we would just play shows and I loved music and writing but the shows we were playing were very
13:22divorced from like music it was it was just kind of noisy and so though the love started in like
13:30different places but as a child did you would you were you aware of music did you used to listen
13:34to
13:34is there something you first heard that you thought hey I want to be a producer when you
13:37heard some record or something yeah I started my parents played the Beatles only and so you know
13:45hearing like Fool on the Hill and and happiness is a warm gun things like that or you know when
13:52I
13:52heard because for the first time I felt pretty blown away by what was happening that might be one of
13:59my
14:00favorite recordings ever happy was a warm gun is was it the different elements of you thought hey I can
14:04put these together for other people well I think when I was growing up you know at the at this
14:08point
14:08in the 90s like a lot of music it wasn't in any way mono but it was just very kind
14:13of slammed and so
14:14then when I would listen to Beatles on my headphones I you know you I didn't really know what panning
14:18was
14:18but you took take off an earphone and you only hear John you put this one and you only hear
14:21bass and
14:22drums and then and I'm the walrus there's those people laughing there's the you know they were the dawn of
14:27stereo they were doing insane things so I didn't understand what that meant but I thought it was so
14:33interesting and then I got this Roland like VC something this little like that machine and I
14:39started hard panning which is something I still really enjoy doing and for the people at home
14:43who have an armchair interest in music but don't actually know what a producer does yeah how would
14:50you describe what your job is well it's like the most like reduced way I feel like I can put
14:56it is
14:57like you have a an idea or a feeling or a sense of something that isn't tangible or even really
15:03explainable and trying to make that something that you can like press play on and there's many different
15:09like routes to get there it gets very literal like what if there was an orchestra here what if the
15:13drums sounded all like this or that blah blah but at the end of the day it's like a feeling
15:17that
15:17you're trying to make a physical thing that can be played feel me yeah no I think so all right
15:25well
15:25if I came to you and asked you to produce a record for me yeah where would we begin well
15:30I like the way
15:31you talk so I feel like it would be really interesting to hear you just like playing some really interesting
15:37changes and then like giving like a sermon oh interesting yeah but it kind of doesn't yeah so like
15:42it's really great to have you here today because you are a legend in every single way but now change
15:50it it's really great it's really great to be alive today to be alive today because I'm because I am
15:57what do you feel I'm bitter last got a fantastic producer that's yeah so that's something like that
16:03that's one of the best songs that's ever happened yeah thank you sorry there wait great
16:08but I think sleigh bells on it Christmas number one I you know I I wrote a Christmas song and
16:14and
16:14now I've been putting sleigh bells on everything they're really um anything could be the Christmas
16:18number one well not just that but like I was listening a lot of suicide recently it's like what
16:21are other things that are like this and sleigh bells you know harpsichords etc I Jules that's a good
16:26song maybe we shouldn't you maybe this the show should stop and we should just all that's it do that
16:30every all the band yeah we've just got a hit let's do it yeah you're gonna it's great yeah it's
16:35spontaneity that's the thing does that I mean that's an important part of music isn't it people
16:38if the idea comes up bang don't do this let's do something else I mean do you've produced Lord
16:43St Vincent Lana Del Rey France machine I mean so many different people but is there approach you
16:47have if you're in the judo with Taylor Swift do you have to make the mood do you have to
16:50so what
16:51well I I just like being I really my whole life have loved writing music and playing music and then
16:56helping my friends with music I didn't realize that that was producing when I was a kid but I really
17:00like being in the studio with people who like it's like this it's like it's like you see the same
17:06thing and you chase it together and that's just a really fun exciting life-affirming process for me
17:13because I think what we all do is real powerless like we're just like grabbing at ideas and we get
17:19them or we don't and anytime you get one maybe everyone in the room agrees you're automatically filled
17:26with this horrible feeling like well that's the last one but then you get another one and I like
17:31that you've got a great new record you were talking about bleachers your band and and presumably when
17:37you're producing them it's your songs your production you know you get on with the producer
17:41the writer and the arranger because it's you yeah but then I kind of flip into a different zone and
17:45I
17:45lean pretty hard on my band and I kind of yeah then I turn into like the balloon and they're
17:51holding me
17:51kind of you know that that type of metaphor the balloon yeah you know that metaphor you like you
17:56know it's nice to be the balloon on the string if someone's holding you right very freeing it's not
18:01nice if no one's holding you so I feel very held by them it's like a different part of my
18:06brain what
18:07are you gonna play for us in a moment we'll play a song called I can't believe you're gone which
18:11is
18:11about how even like years after a loss you can just access the totality of it from like an object
18:18nice beautifully put we're really looking forward to seeing that Jack yeah I love being here it's
18:24great come anytime or we'll write another song I don't even know what happened there we have it
18:29on tape great hope so is the tape running not sure hope so yes great thank you very much Jack
18:37Antonoff
18:37thank you fantastic next a band from New York who've been touring the world they're about to
18:47support Harry Styles with a track from their album please welcome great name and I'm going to say it
18:54fuckers
18:58okay
18:59I'm lucky
19:00why oh you are mine cuz I'm lucky
19:04L-U-C-K-Y
19:07I'm lucky
19:08Y-O-U-R
19:10mine cuz I'm lucky
19:12okay
19:16okay
19:18okay
19:18okay
19:19New York
19:20see nobody in the world
19:24till you
19:25rock through
19:26your door
19:27okay okay okay okay
19:31no no no no it's okay
19:34okay okay okay okay
19:38no no no no it's okay
19:51Oh, oh, oh, oh.
20:14Oh, oh, oh, oh.
20:55Oh, oh, oh, oh, oh.
21:11Oh, oh, oh, oh.
21:13Oh, oh, oh, oh.
21:14Oh, oh, oh, oh.
22:04Oh, oh, oh, oh, oh.
22:06Oh, oh.
22:51Oh, oh, oh.
23:09Oh, oh, oh.
23:43Oh, oh, oh, oh.
23:52Oh, oh, oh.
24:23Oh, oh, oh, oh, oh, oh.
24:29Oh, oh, oh, oh, oh.
24:47What a great song. Thank you, Jack Antonoff
24:58Our next guest is a director who is behind some of the most iconic music videos of the last 40
25:04years before we meet him
25:06Let's experience some of his great work
25:17Don't matter what I do
25:19Dear freedom
25:23Won't you come on to rise
25:28Cause it's my soul
25:32It's my life
25:33Let's welcome Tim Pope, yes!
25:36CHEERING AND APPLAUSE
25:38I shoot rock stars. There you go. It's the title of your forthcoming book, The Wild Adventures of a Music
25:44Video Director
25:45And you're probably one of the great music video directors of all time and also one of the most unusual
25:49What is the thrust of the book though?
25:51The thrust of the book is about me being a sort of music fanboy if you like
25:56And yet I got to work with all these amazing heroes of when I was a teenager
26:00So I think that's the main sort of thrust of it
26:03And as the book title suggests you have worked with some of the greatest rock stars and music stars in
26:08the world
26:08For instance you worked with let's just start with David Bowie say as a starter. How did that come about?
26:14Well that came about because I was a huge fan of Iggy Pop, right?
26:19And I got to hang out with Iggy a fair bit
26:20He came up to see me in my cutting room in Soho
26:23And eventually I ended up in New York with him
26:25And we go out one night in New York
26:28And he said I've got a couple of friends turning up
26:31And I look over and it's Mick Jagger and David Bowie
26:34So I thought, you know, stay cool
26:36And then anyway I got invited up town
26:39And I walked to this table
26:41There was this, you know, round table where they all were
26:44And David was sat there
26:46And Iggy, or Jim as I know him
26:48He was sat next to me
26:50And I was thinking, you know, this is a bit awkward
26:53Because everyone was ignoring me
26:55And then suddenly Iggy went away
26:57Leaving me next to Bowie
26:58And then Bowie eventually turned to me
27:01And he said to me, Tim Pope, he went
27:03Funny little arsehole, aren't you?
27:07And he hadn't said anything to this point
27:09No, he had said nothing to me at this point
27:10And then my retort was
27:12And I can't really say it on broadcast TV
27:16Being a bit of a mouthy Enfield git, which I am
27:19I then turned to him and I said
27:21David Bowie, complete...
27:24Aren't you?
27:24And I saw his face
27:26And I thought, oh my God
27:27This is a bloke I've wanted to work with all my bloody life
27:29And I've just screwed it up in my first thing
27:32First sentence
27:33But anyway, I saw like a moment where he was teetering
27:35Like, I shouldn't be called that name
27:37And then we worked together for 12 years
27:40There you go
27:40He loved it really
27:41Yeah
27:41And you asked Freddie Mercury
27:43To dress as a giant Mediterranean prawn
27:45Well that was quite funny
27:46Because I was filming him in Germany
27:48Queen asked me to make a video
27:49And I go to Germany
27:51And I make this video with him
27:53And he was like being very secretive about this costume
27:56And I kept getting glimpses of like these
27:59Eyeballs
28:00And this mad mane of hair
28:02And eventually he said to me
28:05They said, oh Freddie wants to see you downstairs
28:07So I go downstairs
28:08And he's behind this curtain
28:09He says, just a moment darling
28:10And he swishes open this curtain
28:12And oh my God
28:14I've never seen anything like it
28:15I don't think the rest of the band particularly liked it
28:17But yeah, that got called
28:19If you watch the video called It's a Hard Life
28:21Freddie is dressed in this glorious Mediterranean prawn outfit
28:25But that was your idea
28:26Well, it was Freddie's really
28:27But you know
28:28But who else
28:29I like prawns
28:30Yes, exactly
28:32I'm sure that's why it works so well
28:33Yeah
28:33In 1982 the award-winning music video
28:36Friday I'm In Love
28:37Sent The Cure
28:38Helped turn that record into a huge hit
28:40And at the time it was seen around the world
28:42By several million people
28:44You know, it was on MTV and everything
28:45Now, since then
28:47It's on YouTube and all the other platforms and what have you
28:50It's been seen by literally hundreds of millions of people
28:53Because that's the way the modern world works
28:55What do you make of that?
28:55I think it's incredible
28:57I had to do a bit of research for that
28:58And particularly with The Cure
28:59Actually, there's one
29:00Which is I did a video with The Bangles
29:02A girl band
29:03And not a very good video, I have to say
29:06But that has been seen like 250 million times
29:10I mean, it is crazy
29:11With YouTube and everything
29:12It is really incredible
29:14All The Cure videos are shown
29:16I did something like 37 videos with The Cure alone
29:19And they're all shown, you know
29:23Millions of times
29:24Someone once said to me that all my videos have been seen over a trillion times
29:28And that is something to think about
29:30Any advice to somebody who wanted to do
29:32To go into that world now?
29:34Well, I do
29:35Which is, they have no excuse
29:37People come up to me all the time
29:38And we've all got like a phone in our pocket now
29:41And now you have like, in effect
29:43You know, a studio in your pocket
29:45So there's no excuse for not making videos, you know
29:48So that would be my one piece of advice, really
29:51It's very nice to have you
29:52This book comes out in August in England
29:54And as I say, I think your videos are magical
29:56And so strange and so out there
29:57Because they're an extension of your wonderful self
30:00Tim Pope
30:01Thank you
30:03The wonderful Tim Pope
30:04Thank you very much
30:10And now
30:11Do you need any videos doing?
30:13Pardon?
30:14Do you need any videos doing?
30:15Yeah
30:20Always helping, always getting in there
30:22And now I'm really pleased to be welcoming back
30:24The wonderful Holly Humberstone
30:26Thank you
30:46I say you're back
30:48I need to hear you
30:50I need your baby back
30:54I play you cool
30:56I miss your kisses
30:59I just want to feed back
31:03I know the lights
31:04are getting low
31:05Miracles and pheromones
31:07I can be a social hand grenade
31:10Tick, tick, tick, tick, tick
31:12Everybody's getting close
31:14Taking off each other's clothes
31:16No wonder where you are tonight
31:19It's a cruel world
31:22Without you, baby
31:27It's a cruel world
31:31Sugar, don't you be running away
31:35For long, please
31:36Let's catch a movie
31:38And get caught in the rain
31:40Wherever you are
31:42Is my favorite place
31:44And it's a cruel world
31:47Without you, baby
31:58Precious
31:59Your pain shows
32:01I fall my toes in my bed
32:03Yeah, yeah, yeah, yeah
32:05And I'll be going out tonight
32:07I don't know what else to do with myself
32:13Every word of love is holding tight
32:16Under ultra-violent light
32:18Before I kill the buzz
32:20I might c-c-c-curl up and die
32:22Everybody's getting close
32:24Taking off each other's clothes
32:26No wonder where you are tonight
32:28It's a cruel world
32:32Without you, baby
32:37It's a cruel world
32:40No sugar
32:42Don't you be running away
32:45For long, please
32:47We're hand in hand
32:48As the band starts to play
32:50Wherever you are
32:53Is my favorite place
32:54And it's a cruel world
32:58Without you
32:59It's a cruel world
33:01Without you
33:02As your army needs you
33:03Close to me
33:05Close to me
33:06I know
33:07How am I supposed to freeze
33:10Without you, baby
33:11I need you
33:12Touching me
33:13Touching me
33:15It's a cruel world
33:18Without you, baby
33:21Oh, yeah
33:24It's a cruel world
33:26Oh, sugar
33:28Don't you be running away
33:30For long, please
33:32Take off your shoes
33:34And stick around for a change
33:36It could be real cute
33:38If this time you stay
33:40It's a cruel world
33:43Without you, baby
33:45Without you
33:47It's a cruel world
33:49Oh, yeah
33:50Yeah, yeah
33:50Oh, yeah
33:51It's a cruel world
33:53Without you
33:55It's a cruel world
33:57It's a cruel world
33:59Yeah
34:09Thank you
34:09Holly Humberstone
34:12Wonderful sound
34:13Beautiful sound
34:15And now I'm delighted to welcome at the piano
34:18A dear old friend
34:19And a wonderful guest this evening
34:21Jessie Ware
34:21Lovely to see you
34:23Come on
34:24Come on
34:25Come on
34:27Beautiful dress, if I may
34:28So-so
34:28Thank you, Jules
34:29Great suit
34:30The suit's very well
34:31With the piano
34:31Lovely
34:32And now you're back
34:33With your new album
34:34Superbloom
34:35Yeah
34:35What does that title refer to?
34:38Superbloom
34:39I think, you know
34:40I'm on my sixth record
34:41And I feel like I'm getting better
34:42And better
34:43And more confident
34:44And Superbloom was kind of
34:45I don't know
34:46I feel like I'm evolving
34:47Blooming into it
34:48I think I'm blooming
34:49I think blooming marvellous
34:50Yeah, thank you, Jules
34:51Does it carry on?
34:53Because you've been doing some disco, really
34:54Do you think you're carrying on
34:56That disco vibration?
34:57Yeah, I think it's a different kind of disco
34:59I kind of wanted to kind of give a bit of a nod
35:01To like late 70s, 80s, New York
35:04Lots of gorgeous strings
35:05And groove
35:06And always
35:08I think there's always room to dance
35:09Who are your disco inspirations?
35:12I feel like
35:13I learnt a lot about Donna Summer
35:15And I think she's kind of a bit of an
35:17I mean, she's obviously
35:18Harold is a great disco diva
35:20But like her story's amazing
35:21And I love that she started a musical theatre
35:24And was doing hair in Berlin or something
35:28And then I mean
35:29She's not so disco
35:31But I love Tina Marie
35:33And who else was I
35:34I mean, Minnie Riperton
35:35Was definitely a bit of an inspiration
35:36On this record
35:37But that's, you know
35:38It's like groove and so
35:39I remember Donna Summer
35:41Came on the show
35:42Oh, did she?
35:42She sat at the piano
35:43And she said
35:44Play Let It Be
35:45The Beatles song
35:46She said
35:47Because it's my
35:47She said
35:48My father
35:48She said
35:49She said
35:50My mother's called Mary
35:50And then there's a line
35:51Mary
35:51And all of a Mary
35:52Comes to me
35:52I thought
35:52Wow, there's a thing
35:54Why did that just come to me?
35:56Because I don't know
35:57Because you mentioned Donna Summer
35:58Yeah, I think so
35:59And you're at the piano
36:00But earlier tonight
36:01We spoke to Tim Pope
36:02About videos
36:03And you've just done a video
36:05Which I'm told is quite racy
36:07You don't need to watch it, Jules
36:09Oh, no
36:09Would it upset me?
36:10I just think you look at me differently
36:12And I don't want that
36:13My children and Jules Holland
36:15Are not allowed to watch it
36:16All right
36:16But away from music
36:18You also co-host your hugely successful
36:20Table Manners podcast
36:21It's a huge thing
36:22For people who haven't heard of it
36:24How would you describe it to them?
36:26So you come over to my house
36:27Or my mum's house
36:28And we cook you food
36:29And we talk about food memories
36:31And we talk about
36:34I don't know, life
36:35It's like
36:36Coming over for a dinner party
36:37And we still need you on, Jules
36:39Oh, come
36:40Like, this has been an ongoing thing
36:41We need you
36:42I know, I'm looking forward to it
36:43But in October
36:44Speaking of food
36:45You're going to go out on tour
36:46Yes
36:46Doing some huge shows
36:47Both here and in America
36:49Yeah
36:49And is there any particular food
36:51You take on tour with you?
36:53I'm really strict
36:54I'm kind of like
36:55The closest I'm ever going to get
36:57To the laziest athlete in the world
36:58But like, I'll do like
36:59No debt
37:00I mean, I'm really boring
37:01And, um
37:02But by the time I get to the O2
37:04On the 28th
37:05Of, what, November
37:05I'll just be like
37:07Hopefully I'll be very
37:08It will be in my system
37:09The, um, the show
37:10So maybe I can, you know
37:11Have champagne
37:13Shows are going to be great
37:14What's the next thing
37:14You're going to be performing for?
37:16Oh, we're doing
37:16No Consequences
37:17Which I absolutely adore
37:19And my best mate
37:20Jack Pignate
37:21Is in the audience tonight
37:22And we wrote it together
37:24Let's hear it for Jack Pignate
37:25Where is he?
37:26He's up there somewhere
37:26Hiding in the audience
37:31Anyway
37:31It's fantastic having you here, Jessie
37:33We look forward to hearing that
37:34In just a moment
37:34Lots of love
37:35Thank you
37:36Thank you
37:37Jessie Ware
37:38Thank you
37:42Thank you
37:42Jessie Ware
37:42And now
37:43Back over to this corner
37:45And the delicious sound
37:46Of the vocalisation
37:47And the band
37:47And the wholeness
37:48Which is
37:49We welcome back
37:50Sam Henshaw
37:57Here we go again
38:01Church for love
38:02In the wrong places
38:04How can I be surprised
38:07I had you at your bed
38:11I had you at your bed
38:11Like the beauty of a sunset
38:15Never know when it's bound to end
38:20Can we turn back the time
38:22Can we turn back the time
38:23Could you be back the night
38:25When you said
38:27Did you love me
38:27Babe
38:28Did you mean that
38:29Always
38:31Can we turn back the time
38:33Could you be back the night
38:37Don't let me turn back the time
38:47Don't let me go
38:51Darling
38:53There's so much more
38:56That we should need you
38:58Oh
38:59Say now
39:02Don't let me fly
39:06Don't let me fly
39:25Don't you ever tell me
39:26This ain't love
39:28I'd still be there
39:29On the worst nights
39:30Pray the wind blows me
39:32By your side
39:33By your side
39:35Do you ever think
39:37We didn't try
39:38Enough words
39:39That I don't want
39:40To live by
39:41I'd like to think
39:42We got endless skies
39:44Tell me why
39:47Could we turn back the time
39:49Could we turn back the night
39:52Oh
39:52When you said
39:54Did you love me
39:55Babe
39:55Did you mean that
39:56Always
39:59Always
40:01Always
40:01Always
40:02Always
40:05Don't let me
40:07Don't let me go
40:08Darling
40:10The world looks so much better
40:13With you
40:16Don't let me go
40:19Darling
40:21There's so much more
40:23That we should be due
40:25Oh
40:28Don't let me go
40:33Don't let me go
40:37Don't let me go
40:39Blood without you
40:40You
40:57Wonderful Sam Henshaw
41:02Thank you to all of my wonderful guests this evening. Let's now finish with the superb Jesse Ware
41:22Oh
41:40Never last
41:42But I swear
41:46That you
41:48Never let
41:50Let me
41:52Go
41:56I had a dream about you last night
41:59You told me everything was alright
42:01Walk in the door
42:02Call it tonight, no consequences baby
42:05I had a dream about you last night
42:07You told me everything was alright
42:09Walk in the door
42:11Call it tonight, no consequences baby
42:13Ooh
42:15Ooh
42:22Love
42:23Is a game
42:25That I want
42:28To play
42:29With you
42:32You're the prize
42:34I keep winning
42:36Everyone's a winner
42:38But you hold me
42:41Can you tell me
42:43That you want me
42:45Now believe me
42:48For you
42:50Is a love
42:52That's worth it
42:54Baby
42:57I had a dream about you last night
43:00You told me everything was alright
43:02Walk in the door
43:03Call it tonight, no consequences baby
43:06Then I had a dream about you last night
43:08But you told me everything was alright
43:11Walk in the door
43:12Call it tonight, no consequences baby
43:14Then I
43:19I
43:23I
43:24I
43:25I
43:26I
43:26I
43:27I
43:27I
43:31I
43:32I
43:39I
43:43I
43:44I
43:44I
43:44I
43:44I
43:46I
43:46I
43:48You
43:52I
43:54I
43:54I
43:55I
43:56I
44:02You gotta be free
44:04You gotta be free
44:06I'm in love with you
44:09And you want me too
44:11Everyone's a winner
44:13You gotta be free
44:16I'm in love with you
44:18And you want me too
44:20Everyone's a winner
44:22You gotta be free
44:24I'm in love with you
44:27And you want me too
44:29Everyone's a winner
44:42I had a dream about you last night, you told me everything was alright, walk in the door, call it
44:48tonight, no consequences, baby, that's...
44:52REGINA
45:22Oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my,
45:26oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my,
45:26oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my,
45:26oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my,
45:26oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my, oh, my,
45:26oh, my, oh, my, oh, my, oh, my, oh, my, oh, my
Comments