- 9 ore fa
film fantascienza in italiano
Categoria
🎥
CortometraggiTrascrizione
00:00:12Grazie a tutti.
00:00:48Grazie a tutti.
00:01:23Grazie a tutti.
00:01:24No!
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00:05:51No!
00:06:18Come on, darling, toffi, toffi, toffi, toffi, toffi, toffi.
00:06:20Sì, ragazzi!
00:06:27Eww, che pagano per l'ho, son?
00:06:29Cosa?
00:06:30Che pagano per l'altoffè?
00:06:32No, che pagano per l'altro!
00:06:34Non ci pagano per l'altro!
00:06:36No, non c'è nulla!
00:06:38Non c'è nulla!
00:07:06Non c'è nulla!
00:07:10Non c'è nulla!
00:07:13Non c'è nulla!
00:07:13No, non c'è nulla!
00:07:15Vabona!
00:07:18Vabona!
00:07:20No!
00:07:21Ah, borghè, ma quant'è il composter?
00:07:25Oh, 60 quid.
00:07:27È un film classici di tutti i tempi.
00:07:30Qu'è l'origine di riproduzione.
00:07:33Oh, veramente?
00:07:3460 quid, eh?
00:07:36Right.
00:07:53Ma legh! Ma legh!
00:07:55Where is he?
00:07:55The little Italian fink?
00:07:57Come here, I'm gonna sue you.
00:07:59Oh, ma legh!
00:08:00Mamma mia!
00:08:01Please, calm yourself.
00:08:03Stay tranquillo.
00:08:05Please, somebody will carry him into this shop.
00:08:07I am so sorry.
00:08:08That's you, Finnish, mate.
00:08:10It's the end of your game.
00:08:10Piano, piano.
00:08:12Oh!
00:08:13Ah!
00:08:14Oh!
00:08:15Oh!
00:08:16Careful, careful.
00:08:18Thank you, thank you, thank you very much indeed.
00:08:19And now I will make us...
00:08:22Ow!
00:08:22I am sorry.
00:08:23I will make us a cup of tea.
00:08:25And everything will be a little bit better, eh?
00:08:28As my old English mamma always say,
00:08:30there is nothing like a cup of tea.
00:08:32Oh!
00:08:33Oh!
00:08:34Oh!
00:08:37Ah!
00:08:43Milk, sugar.
00:08:49ã…‹ã…‹ã…‹ã…‹
00:09:09Oh!
00:09:10Oh!
00:09:15Oh!
00:09:16Oh, oh!
00:09:16A non-no.
00:09:17Let's go.
00:09:17Oh!
00:09:18Oh, okay.
00:09:19Oh!
00:09:19Oh, oh, come on!
00:09:19I'm going to call it the cops!
00:09:23Here's 60 quid for your poster.
00:09:26Here, what about them oranges, then? Who's going to pay for them, then?
00:09:29All right. Buy yourself some real fruit.
00:09:33Thank you, Miss.
00:09:33I'm taking this peach with me.
00:09:44Hello.
00:09:47Sorry to trouble you, but have you got a joint?
00:09:50Oh, go on, just one.
00:09:52It's always the same, man. Just one more.
00:09:56Go on, beat it, man. Beat it.
00:09:59Well, I do beat it, but the Pope says it's wrong.
00:10:02Ray?
00:10:03Thanks, chaps.
00:10:08Your drink.
00:10:10Oh, ta. Cheers.
00:10:23Waitress, could I have a sack, please?
00:10:32Full steam ahead.
00:10:35A star is born.
00:10:45Burn your bra, burn your panties.
00:10:48Call your ma, call your aunties, and ship off on.
00:10:51The liberated lady.
00:10:53It's the new dance.
00:10:56Sweep in every nation.
00:10:58And they swing to the beat of women's liberation.
00:11:03Ladies dancing into the fearsome lion's den.
00:11:07Fighting for the rightful places next to men.
00:11:11Grab a Honda with Jane Fonda.
00:11:14Cheer a cheer with Jermaine Greer.
00:11:16Let's ship off on.
00:11:17The liberated lady.
00:11:22Paris, London, Tokyo, and Rome.
00:11:26Still play in women's places in the home.
00:11:31New York, Dublin, Madrid, Peking, and Munich.
00:11:35Ladies are swinging to the beat of the female unit.
00:11:40Swing and sweep, fix the ring.
00:11:42Not the nearest male chauvinist.
00:11:44Let's ship off on.
00:11:46The liberated lady.
00:11:48Burn your bra, burn your panties.
00:11:51Call your ma, call your aunties, and ship off on.
00:11:54The liberated lady.
00:11:57Let's ship off on.
00:11:59The liberated lady.
00:12:01Let's ship off on.
00:12:03The liberated lady.
00:12:30The sea is like a woman unfolding her vast mystery before us.
00:12:35Relentlessly.
00:12:37Relentlessly.
00:12:39Relentlessly.
00:12:40Relentlessly.
00:12:41What a great line.
00:12:43I wish I'd said that.
00:12:56How are you feeling?
00:13:00What time does this pub dock?
00:13:02And what am I doing here?
00:13:04Uh-huh.
00:13:05You sign this contract.
00:13:08We're on our way to darkest Africa.
00:13:10To make a film that will make you the biggest film star in Uganda.
00:13:16Oh, terrific.
00:13:17Uh, listen.
00:13:18Have you got a joint?
00:13:20All prepared.
00:13:22Oh, tremendous.
00:13:24Tremendous.
00:13:31Unga, kunga, bunga.
00:13:33Unga, kunga, bunga.
00:13:35Who are they?
00:13:36Our native guides.
00:13:38From Lasanga, where they do the conga.
00:13:42Lasanga, where they do the conga?
00:13:45Our destination.
00:13:47Unga, bunga, bunga.
00:13:47Where no Englishman has ever set foot.
00:13:50Why has no Englishman ever set foot there?
00:13:52Full of Australians.
00:13:55My God.
00:13:57Unga, kunga, bunga.
00:13:58Cong, cong, cong, cong, cong.
00:14:02Cong, cong, cong, cong, cong.
00:14:05They keep saying, cong, cong, cong, cong, cong.
00:14:10Yes, that's true.
00:14:13Well, do you think this has some underlying meaning, or symbolism, or social significance?
00:14:19Perhaps it's a secret code.
00:14:23Maybe it's another language.
00:14:25Uh-huh.
00:14:26You are clever.
00:14:28But since I speak all native languages, and they speak ungabunga, language popular in many old movies,
00:14:36and the only language spoken on Lasanga where they do the conga,
00:14:39I can safely say that cong, cong, cong, cong, cong, cong, cong, has no particular significance as either a noun
00:14:47or a verb.
00:14:49Oh, shit.
00:14:50Cong, cong, cong, cong, cong, cong.
00:14:53Maybe it's not cong, cong, cong, cong, cong, cong, that they're saying.
00:14:58Maybe it's just the word cong, repeated six times.
00:15:02My god.
00:15:04You really are clever.
00:15:06Cong, cong, cong, cong, cong, cong.
00:15:09Your mother sees cong in hell.
00:15:13They seem possessed.
00:15:21Hey, look. They just spat green pea soup out of their mouths.
00:15:25The devil and Mrs. Hines.
00:15:37There is something out there that holds them in the grip of terror.
00:15:44Whatever it is that lies beyond the sea,
00:15:49we'll find it.
00:16:09Do you think this is really me?
00:16:11I mean, really me?
00:16:15I mean, do you think when my public views me for the first time on the giant Panavision screen,
00:16:21and the full wonder of the stereophonic sound,
00:16:26do you think I should look so much like a fag?
00:16:30Through the genius of the Kodak laboratories, I can make home movies that look like the professional movies you see
00:16:37on the second half of the bill at your local cinema.
00:16:40Now, the trouble with most home movies is that people just wave into the camera.
00:16:43In my award-winning movies, no one waves into the camera.
00:16:48That's what I'm famous for.
00:16:51Not one wave.
00:16:56Well, maybe one wave.
00:17:23There it is.
00:17:25Lasanga, where they do the conga
00:17:27Lasanga, where they do the conga
00:17:29Lasanga, where they do the conga
00:17:31Where?
00:17:33Brighton
00:17:35Oh, yeah
00:17:38Cong, cong, cong
00:17:40Cong, cong, cong, cong
00:17:43I know that tune
00:17:55That tune
00:17:56What's it called?
00:17:57Well, it's nice, but you can't really dance to it
00:18:01It's on the tip of my tongue
00:18:02Oh, what's it called?
00:18:04I'm not saying I don't like it, though
00:18:06Maybe if you do something, it'll dance
00:18:08Native in style, it'll be all right
00:18:10Yeah?
00:18:12Try it
00:18:17No, no
00:18:18Maybe at the local pub, but certainly not at the Hilton
00:18:21Let me have a go
00:18:30Oh, but you dance divinely
00:18:33Oh, do I?
00:18:34Yes, well, I learnt this step from a migrant clairvoyant
00:18:37Who'd been pillaged by a group of reactionary
00:18:39American boy scouts
00:18:40In the holy city in search of the golden fleece
00:18:44Interesting
00:18:47Oh, be careful, sweet one
00:18:49Drop anchor
00:18:56I'm so frightened
00:18:58I've always been helpless
00:18:59I used to stay at home with Daddy
00:19:01While Mum and the girls went out and played soccer
00:19:04There's nothing to be afraid of
00:19:07Don't worry
00:19:08I'm a woman
00:19:09I'll protect you
00:19:11Oh
00:19:14Oh
00:19:16Oh
00:19:20Oh
00:19:29Oh
00:19:30Oh
00:19:32Oh
00:19:32Oh
00:19:33Oh
00:19:34Oh
00:19:34Oh
00:19:52Park
00:19:53Original primitive music
00:20:18All right, girls
00:20:23Ray
00:20:24Ray
00:20:26I'd like you to put this costume on
00:20:28I think we can still get a few shots in before dark
00:20:31Eat your heart out, Hilton John
00:20:34Here I come
00:20:38All right, all right, all right, girls
00:20:42Ray
00:20:43Ray
00:20:45All right, now, come on
00:20:46We've got a strike camp
00:20:47Come along now
00:20:48Hurry up, girls
00:20:57Have a break, come on
00:21:03Hello P
00:21:04We're all right
00:21:06Go away
00:21:07We're all right
00:21:13Every
00:21:14Llama
00:21:14Him
00:21:17He
00:21:25No, no, no.
00:21:50Left, left, left, left.
00:21:57Nasanga, where they do the conga.
00:22:01Nasanga, where they do the conga.
00:22:29Morning.
00:22:31Morning.
00:22:34Morning.
00:22:47Morning.
00:22:47Morning.
00:22:47Morning.
00:22:48Morning.
00:22:48Morning.
00:23:01Morning.
00:23:04Morning.
00:23:07Morning.
00:23:08Morning.
00:23:19Morning.
00:23:23Morning.
00:23:39Look at that great big table and chair.
00:23:43Queen Kong.
00:23:45What do you see?
00:23:47Only time will tell.
00:23:52Look at that great big wall.
00:23:54What lies behind the great wall?
00:23:57The Chinese have always lied behind the great wall.
00:24:18Mr. Tarzan, Mr. Tarzan, your wife Jane is on the other vine.
00:24:26You, bored by the monotony of modern living, spend your next vacation in downtown Liverpool.
00:24:38. . .
00:25:03Make your, make your toilet as clean as your mouth.
00:25:08Nimbati conga
00:25:42Nimbati conga
00:26:10Nimbati conga
00:26:13sanga banga wanga danga him no but i uh pay you much to see the conga
00:26:20ziga miga figa biga yaga buga huga what's she saying she said no
00:26:29suga muga buga free gabaruga yaga buga okay sir ah sir ah oh sam she says she wants you
00:26:38because you look like doris day who's he it's no good girls she won't let us film the sacrifice
00:26:46come on let's go back to the boat
00:26:51bloody foreigners
00:26:55so beautiful so tranquil i'd want it to go on forever if we hadn't run out of joints
00:27:05whatever it is that they are hiding on that island is going to make me the biggest film
00:27:11producer with love interest in the business and you're going to be a star a big star no
00:27:19more panhandling for joints no more stealing posters you're gonna have cash baby and lots
00:27:26of it and now i must go below good night good night parting is such sweet sorrow
00:27:35oh how absolutely marvelous i do so love christopher marlowe oh ray you're magnificent
00:27:42you're such a literary iconoclast ha barcoa i didn't know you spoke italian
00:27:48only on yom kippa ha once more good night be careful sweet one lest in the cool evening breeze
00:27:59you catch a chill and croak
00:28:07bongar bongar dangar langar bongar bongar i'd love to leave the conga
00:28:16starlight star bright first star i see tonight
00:28:28starlight star bright first star i see tonight wish i may i wish i might have to wish i wish
00:28:36I wish I may, I wish I might
00:28:39Have the wish, I wish tonight
00:28:50Do you mind keeping the noise down, please?
00:28:53I'm busy
00:28:59Yes, and who to you too?
00:29:11Oh, do you mind girls, I'm going to be an international star, I've got no time for this frivolity
00:29:29Oh Ray, oh Ray
00:29:32Ray, when will this endless night turn into day?
00:29:38Ray?
00:29:42Ray?
00:29:44Ray?
00:29:47Ray?
00:29:50Ray?
00:29:58Ray?
00:30:02Ray?
00:30:15Ray?
00:30:31Ray?
00:30:36Ray?
00:30:44Ray?
00:30:46Ray?
00:30:47Ray?
00:30:48Ray?
00:30:58Ray?
00:31:01Ray?
00:31:02Ray?
00:31:09Ray?
00:31:12Ray?
00:31:14Ray?
00:31:15Ray?
00:31:21Ray?
00:31:22Ray?
00:31:34Ray?
00:31:36Ray?
00:31:37Ray?
00:31:38Ray?
00:31:42I paid 60 quid for that fruit.
00:32:21Get off me! Get off me!
00:32:25Mind me legs, for heaven's sake!
00:32:27These sacrifices only work with virgins!
00:32:31Help!
00:32:33What are you doing?
00:32:35Stop!
00:32:35Stop!
00:32:37No!
00:32:39No!
00:32:41Come on! My peach is just within reach.
00:33:05Help!
00:33:07Help!
00:33:14Whose birthday is this in any case?
00:33:41Come on, girls!
00:33:43Let's get him out of here!
00:33:44Help!
00:33:46I hate birthday parties!
00:33:49I wanna go home!
00:33:51Come on, girls!
00:33:55Oh!
00:34:08So this is the Queen Kong, the natives spoke about.
00:34:15Don't eat me, girls!
00:34:17I'm too young to be eaten!
00:34:32Alli vous, Francais!
00:34:36You can't eat me!
00:34:39I'm Jewish!
00:34:41I'm Irish!
00:34:43I'm black!
00:34:46I'm a leper!
00:34:47I'm a Jewish, black, Irish leper!
00:34:52Happy birthday to you!
00:34:55Happy birthday to you!
00:34:58Happy birthday to you!
00:35:09Happy birthday to you!
00:35:09Oh, God!
00:35:12All right, girls!
00:35:14Girls!
00:35:15Follow me!
00:35:18Look, I can act now! I'm screaming now!
00:35:24Come on, eh? That was a good scream.
00:35:33Come on, Gus, let's get him out of here!
00:35:46Try the icing, eh? You'll taste much better than me, I promise!
00:36:02Oh! Oh, I wish you'd cut your nails!
00:36:18Oh, my God! A man-eating rosebush!
00:36:37A rose was a rose, was a rose!
00:36:41Brunch the chameleas and beware the begonias! Forward, march!
00:36:45Left, left, left, left, left...
00:36:54My God! A Trinosauropticus, like I used to read about in the history books!
00:37:01It's as if, in this jungle, the time has stood still!
00:37:11It's all teeth! It's just like Jimmy Carter!
00:37:16I'm full face! Please put me down!
00:37:19Oh!
00:37:21No!
00:37:23No!
00:37:30No!
00:37:31No!
00:37:34No!
00:37:38No!
00:37:42No!
00:37:44No!
00:37:45No, no, no.
00:38:15That's it.
00:38:20Kick him in the, kick him in the, you know, below the belt.
00:38:46Good girl.
00:38:52Play with me, son.
00:38:53You're playing with fire.
00:38:59Does this look like Scotland?
00:39:02Or am I just pissed?
00:39:03Left.
00:39:04Left.
00:39:05Left.
00:39:06Left.
00:39:08Left.
00:39:09Oh, my God.
00:39:11A prehistoric bagpipe.
00:39:15A prehistoric bagpipe?
00:39:17Yes.
00:39:18A prehistoric bagpipe.
00:39:28Like those that wandered the earth thousands of years ago.
00:39:32It's as if in this jungle, time has stood still.
00:39:36Should we get it?
00:39:38It'll take the high road.
00:39:40And we'll take the low road.
00:39:42And let's hope we'll get there before it.
00:39:44All right, girls.
00:39:46Forward.
00:39:47March.
00:39:47Left.
00:39:48Left.
00:39:49Come on, girls.
00:39:59I can't stand heights.
00:40:01Please put me down.
00:40:02Come on.
00:40:04Pass it slowly.
00:40:06That's it.
00:40:08Nice and easy.
00:40:32And then if, you only use one person to pour anything.
00:40:48While there's no one, girls dunno.
00:40:49Enjoying Hog program.
00:40:49What are these instruments?
00:40:50Well, when I turned on and Start.
00:40:51How dare youizen?ETAism.
00:40:51Oh, no.
00:40:53I discovered you.
00:40:53over the deck. Imagine buying the affairs.
00:40:54omelands? How dare you paradise?
00:40:55The discoveringANE.
00:41:08Sì, sì.
00:41:30Sì, sì.
00:41:35Sì, sì.
00:41:55Sì, sì.
00:41:58Sì, sì.
00:41:58Sì, sì.
00:42:28Sì, sì.
00:42:28Sì, sì.
00:42:44Sì, sì.
00:42:58Sì, sì.
00:43:00Sì, sì.
00:43:14Sì.
00:43:34Sì.
00:44:03Sì.
00:44:07Sì.
00:44:08Sì.
00:44:10Sì.
00:44:11Sì.
00:44:12Sì.
00:44:14Sì.
00:44:17Sì.
00:44:19Sì.
00:44:23Sì.
00:44:25Sì.
00:44:28Sì.
00:44:29Sì.
00:44:32Sì.
00:44:34Sì.
00:44:36Sì.
00:44:38Sì.
00:44:39Sì.
00:44:40Sì.
00:44:41Sì.
00:44:46Sì.
00:44:47Sì.
00:44:52Sì.
00:44:57Sì.
00:45:03Sì.
00:45:05Sì.
00:45:06Sì.
00:45:08Sì.
00:45:08Sì.
00:45:11Sì.
00:45:12Sì.
00:45:13Sì.
00:45:13Sì.
00:45:15Sì.
00:45:17Sì.
00:45:18Sì.
00:45:27Sì.
00:45:30Sì.
00:45:38Sì.
00:45:39Sì.
00:45:40Sì.
00:45:41Sì.
00:45:42Sì.
00:45:44Sì.
00:45:46Sì.
00:45:47Sì.
00:45:48Sì.
00:45:53Sì.
00:45:55Sì.
00:45:56Sì.
00:45:57Sì.
00:45:58Sì.
00:46:06Sì.
00:46:07No!
00:46:10We crushed them!
00:46:15Rubbish.
00:46:37No!
00:47:11No!
00:47:19No!
00:47:41No!
00:48:25No!
00:48:25It's no good.
00:48:26All right, girls, follow me up the tower.
00:48:29Come on.
00:48:35Come on, Ray.
00:48:45Come on!
00:48:45Guess who didn't use that mouthwash this morning?
00:48:50Come on, all of you!
00:48:51Help!
00:48:59Come on, all of you!
00:49:00Push!
00:49:06Push!
00:49:07Go, you're a kind of a dare!
00:49:21Come on!
00:49:22They say, come on!
00:49:23No!
00:49:31No!
00:49:32No!
00:49:32No!
00:49:32No!
00:49:33No!
00:49:34No!
00:49:34No!
00:49:36No!
00:49:39No!
00:50:21No, come on!
00:50:23Run!
00:50:23Run, run!
00:50:34Come on!
00:50:35Come on, girls!
00:50:35On the boat!
00:50:36Hurry up!
00:50:37Come on!
00:50:37Quickly!
00:50:38Quickly!
00:50:42Oh, my God!
00:50:43She's tricked us!
00:50:45The bombs!
00:50:46Get the bombs!
00:50:47Start throwing the gas bombs!
00:50:49Come on!
00:50:49Come on!
00:50:54Throwing the bombs!
00:50:55Saria, come on!
00:50:59She's falling!
00:51:00She's falling this way!
00:51:01Oh, my God!
00:51:02Come on, girls!
00:51:03Run!
00:51:09Even for a 64-foot-high gorilla,
00:51:12you are one royal pain in the arse!
00:51:19There's nothing more to be afraid of, sweet one.
00:51:23We'll take her back to London,
00:51:24where she'll be the greatest attraction the world has ever known.
00:51:28She might have been a queen on this island,
00:51:30but in London, half the guys you meet are queen.
00:51:40Excuse me, sir.
00:51:41Could you tell us something about this female gorilla?
00:51:43It's about time they've made some of the monsters and women of the world.
00:51:47All the stuff about burning their brazzles.
00:51:50Well, let them take the blame if they're so liberated.
00:51:52Well, I've read their history books,
00:51:54but I'm sure some of the monsters and friends they need to know.
00:51:57Like Godzilla and...
00:51:58Yes, well, thank you very much for your leave.
00:52:14Mr. Payne, all London is waiting to hear how you felt when you were abducted by Queen Kong.
00:52:19Oh.
00:52:22I would like to thank everyone, great and small,
00:52:25who has made my stardom possible on the international motion picture scene.
00:52:30The director, the camera woman, the clapper girl...
00:52:32Ray, not now.
00:52:34Later.
00:52:35Oh.
00:52:36No comment to the press.
00:52:39Thank you.
00:52:43Thank you.
00:53:10I'm sorry.
00:53:11I could never stand for that.
00:53:12It's disgusting.
00:53:13A travesty.
00:53:14An insult to women everywhere, Mr. Wolfe.
00:53:17Well, as my great-aunt Virginia would have said,
00:53:19tough noogies if she don't hide her boobies.
00:53:22Because if she don't hide her boobies, no show.
00:53:27Ray?
00:53:28Ray?
00:53:29Oh.
00:53:30Ah.
00:53:32Would you please say something?
00:53:34Oh, yes.
00:53:36I would like to thank everyone, great and small,
00:53:39who has made my stardom possible on the international motion picture scene.
00:53:44Not that speech, stupid.
00:53:45What do you think of him insisting that Queen Kong wear bra and panty?
00:54:00is a very unusual engagement for me.
00:54:16I must admit, this is a very unusual engagement for me.
00:54:19I've, uh, I've never actually preceded a lady guerrilla before.
00:54:24I followed a few in my time, but that was basically desperation.
00:54:29Um...
00:54:29I tell you, baby, I ain't had one bare boobie in not one of my extravagances.
00:54:34But she is an animal!
00:54:36Now, look, baby, no-one ain't going to pay ten quid a head to see an animal,
00:54:40no matter how big she is.
00:54:41To get ten quid a head, you've got to shove her titties into two big sackets.
00:54:46You get it?
00:54:47That's her showmanship!
00:54:49That's...
00:54:50Ha-ha!
00:54:50Ugly!
00:54:51Which reminds me, please, when Kong is on, nobody coughs.
00:54:57No, no, please, it's very catchy when somebody coughs.
00:54:59I mean, one person coughs, another person coughs, she coughs.
00:55:03We could lose you in the draft.
00:55:05So now, ladies and gentlemen, to keep you more or less in a simian mood,
00:55:09the orang-a-tang!
00:55:10Queen Kong, Queen Kong, Queen Kong is the chick with all the hair.
00:55:25Queen Kong, Queen Kong, come from I don't know where.
00:55:33You're a sexist pig!
00:55:36You wouldn't ask a male gorilla to wear a brazier nail, would you?
00:55:40What is the difference between male boobs and female boobs?
00:55:44They're bigger and a little more fun to squeeze.
00:55:50You might have a full house, Mr. Wolfe,
00:55:53but you're not getting a full bra.
00:55:55If you don't go on, you're broke,
00:55:57because I'm not going to pick up the tab for your expedition.
00:56:09Thank you, thank you very much.
00:56:11Thank you.
00:56:12Now, ladies and gentlemen,
00:56:13I'd like to introduce you to a noted filmmaker,
00:56:16a lady whose talent is only surpassed by her personality.
00:56:21Miss Luce Abbott!
00:56:24Take it away, Lucy!
00:56:42Thank you, royalty and persons.
00:56:46Tonight we have a little surprise for you.
00:56:48Or should I say, a big surprise.
00:56:51We have just returned from darkest Africa
00:56:55and amid the jungle drums...
00:57:03Please!
00:57:10Amid the jungle drums,
00:57:12we discovered something so frightening,
00:57:15so terrifying,
00:57:17that we had to bring it back alive.
00:57:20A film would not do it justice.
00:57:22It had to be seen to be believed.
00:57:25But first, I would like to introduce you
00:57:29to the sweetest, gentlest, bravest little boy in the world.
00:57:35Ray Fay.
00:57:45Male Sheikh.
00:57:47Yay!걸,
00:57:50boo,
00:57:50boo. ehrlichè
00:57:58Stroh
00:57:59Woo Boy On
00:58:11Grazie a tutti.
00:58:51Grazie a tutti.
00:59:04Grazie a tutti.
00:59:35Grazie a tutti.
00:59:38Grazie a tutti.
00:59:39Grazie a tutti.
01:00:17Grazie a tutti.
01:00:23Grazie a tutti.
01:00:25Grazie a tutti.
01:01:08Grazie a tutti.
01:01:28Grazie a tutti.
01:01:31Grazie a tutti.
01:01:44Grazie a tutti.
01:01:47Grazie a tutti.
01:01:50Grazie a tutti.
01:02:14Grazie a tutti.
01:02:27Grazie a tutti.
01:02:30Grazie a tutti.
01:03:46Grazie a tutti.
01:03:49Ciao.
01:05:19No.
01:05:20No.
01:05:22No.
01:05:22No.
01:05:22No.
01:05:22No.
01:05:22No.
01:05:23No.
01:05:41No.
01:05:42No.
01:05:45No.
01:05:55No.
01:05:57No.
01:05:58No.
01:05:59No.
01:06:00No.
01:06:03No.
01:06:09No.
01:06:10No.
01:06:11No.
01:06:13No.
01:06:14No.
01:06:14No.
01:06:16No.
01:06:20No.
01:06:22No.
01:06:23No.
01:06:39No.
01:06:42No.
01:06:44No.
01:06:47No.
01:06:49No.
01:06:51No.
01:06:53No.
01:06:54No.
01:06:58No.
01:07:00No.
01:07:00No.
01:07:01No.
01:07:29No.
01:07:31No.
01:07:31No.
01:07:31No.
01:07:41No.
01:07:55No.
01:07:59No.
01:08:16No.
01:08:29No.
01:08:31No.
01:08:32No.
01:08:33No.
01:08:33No.
01:08:33No.
01:08:35No.
01:08:37No.
01:08:37No.
01:08:37No.
01:08:38No.
01:08:39No.
01:08:39che abbiamo avuto una 64-foot guerrilla.
01:08:43Abbiamo visto che hai avuto una spazionata.
01:08:45E vi ringrazio per...
01:08:47Cosa dice?
01:08:48Cosa dice che siamo avuto una 64-foot guerrilla.
01:08:51Cosa chiederebbe?
01:08:52Cosa chiederebbe?
01:09:08Non capisco, non?
01:09:11È tutto il vostro problema.
01:09:14Cosa chiederebbe?
01:09:17Cosa chiederebbe?
01:09:24Non lo so, non ti senti.
01:09:27Non ti senti.
01:09:28Non ti senti.
01:09:30Non ti senti.
01:09:35Non ti senti.
01:09:38Let me out!
01:09:40Let me go, tu...
01:09:42Big tut!
01:09:44Hooray!
01:09:51Go!
01:10:05Bene!
01:10:08Representative staBroffando un'ott Menscha!
01:10:13Edda?
01:10:15Mm...
01:10:16...o Norte Sea Oil, stand by for instructions...
01:10:20...let Churchill...
01:10:23...yes, Mother, yes, Mother.
01:10:25Ok, ok!
01:10:28What would Churchill do now?
01:10:30Churchill wouldn't be afraid and neither am I.
01:10:34Stand by old cars, stand by helicopters,
01:10:36stand by fire engines, stand by submarines,
01:10:39stand by Royal Air Force, stand by everything!
01:10:49No!
01:10:52Yeah!
01:10:56Yeah!
01:10:58No!
01:11:03No!
01:11:04Yeah!
01:11:12No!
01:11:14No!
01:11:15You've always been a good-for-nothing.
01:11:18Yes, dear.
01:11:19I'm in bed all day.
01:11:21Yes, dear.
01:11:22Just reading that paper.
01:11:24Yes, dear.
01:11:27Yes, dear.
01:11:51Oh, Ray.
01:11:55Take that.
01:12:03You want to fight, eh?
01:12:05All right.
01:12:06There.
01:12:27Hey.
01:12:29Ray.
01:12:31No.
01:12:37Okay, Queenie.
01:12:40Take it away.
01:12:42So that's gorilla warfare.
01:12:49It's nice to see you again, love.
01:12:52Looking very well.
01:13:02Don't tread on the people.
01:13:04Mind the people.
01:13:07Come back.
01:13:09Don't be afraid.
01:13:10She won't hurt you.
01:13:11Be careful.
01:13:12I know some of these people personally.
01:13:36But it's definitely not my color, love.
01:13:37Sorry.
01:13:46Sì, sono state in Londres.
01:13:52Hang on, Big Ben.
01:13:54Oh, è più bene.
01:13:57Come on.
01:13:58Listen, Chief,
01:14:00she just stole the crown jewels
01:14:01and now she's heading for Big Ben.
01:14:04You better get down there quick.
01:14:07We shall fight her by land.
01:14:09We shall fight her by sea.
01:14:11We shall fight her in the air
01:14:12and they shall say
01:14:14that this was England's finest hour.
01:14:17We'll crush that gorilla
01:14:18like we crush the U-boats, Winnie.
01:14:21Man your battle stations.
01:14:23Man your battle stations.
01:14:24Prepare to meet your enemy.
01:14:26Follow me, men.
01:14:33Good God.
01:14:34Is that the time?
01:14:36Doesn't time fly
01:14:37when you're having fun.
01:14:48Almost, almost!
01:15:03I think we have been having this problem
01:15:05since we British
01:15:06started to let these bloody foreigners in.
01:15:09I mean,
01:15:10you don't see an English gorilla
01:15:11behaving like that,
01:15:13do you?
01:15:19blasted traffic.
01:15:24My God,
01:15:26don't the peace in this city
01:15:27do anything?
01:15:28I wonder.
01:15:33No, don't shoot!
01:15:35Please!
01:15:36Don't shoot!
01:15:37Be careful!
01:15:42Steady, girls!
01:15:43Steady, steady!
01:15:45Steady!
01:15:48Please!
01:15:49Don't shoot!
01:15:53No!
01:15:54No, Queenie!
01:15:55Put the helicopter down!
01:15:59Put it down!
01:16:10Put me on the helicopter!
01:16:13Put me down!
01:16:24What the hell?
01:16:25Don't be afraid of her!
01:16:26She's just been misunderstood
01:16:28like all women throughout history.
01:16:30Put away those guns!
01:16:32Do you think they can affect her?
01:16:33Go on, get away when you can.
01:16:35Here,
01:16:35is there a PA system in here?
01:16:37It's up there!
01:16:39Stop the attack of the planes and helicopters
01:16:42at this moment!
01:16:43You cannot destroy her!
01:16:45For she represents all women everywhere!
01:16:48Women,
01:16:49fast into a mold
01:16:51to satisfy the images
01:16:52of male chauvinism!
01:16:55Hallelujah!
01:16:57If you destroy this beautiful beast,
01:17:00you're destroying
01:17:01a lifetime of female struggle!
01:17:04Yes!
01:17:05She represents woman!
01:17:08Woman struggling
01:17:09to find her identity
01:17:10in a society,
01:17:12viewing her as a kitchen slave
01:17:13and sex object!
01:17:14Right on, man!
01:17:15Let's go!
01:17:16Yeah!
01:17:17Woman,
01:17:18subjugated to the whims of man
01:17:20with no consideration
01:17:21for her own personal self-expression!
01:17:24Yeah,
01:17:25that's me,
01:17:26subjugated to the whims of man
01:17:28with no consideration
01:17:29for my own personal self-expression!
01:17:31What you see
01:17:33as a terrifying gorilla,
01:17:34I see
01:17:36as the embodiment
01:17:37of the frustrations
01:17:38of all women everywhere!
01:17:40It's true.
01:17:41It's so true.
01:17:44You mad pigs!
01:17:46You're not persecuting her
01:17:48because this poor creature
01:17:49is a giant gorilla!
01:17:51But because
01:17:52she is a woman,
01:17:55a female,
01:17:56a feminine creature.
01:17:58Oh, holy bloody shit!
01:18:02You persecute her!
01:18:04Like...
01:18:04I persecute all women!
01:18:06You take her
01:18:07from where she can be loved
01:18:09and respected
01:18:10and force her into a costume
01:18:12that you find suitable!
01:18:14Ladies everywhere,
01:18:15this is your chance
01:18:17for emancipation!
01:18:19All of you!
01:18:20Big women,
01:18:22small women,
01:18:24ugly women,
01:18:25beautiful women!
01:18:26All of you
01:18:27must now gather together
01:18:29and help save
01:18:30your friend,
01:18:31our friend,
01:18:33Queen!
01:18:33Queen!
01:18:35Queen!
01:18:39Queen!
01:18:59Grazie a tutti.
01:19:38Grazie a tutti.
01:19:41Grazie a tutti.
01:19:46Grazie a tutti.
01:20:22Kill it! Kill that ape!
01:20:25Now, chief, control yourself.
01:20:44Here's your report, you male chauvinistic pig!
01:20:59You're no son of mine.
01:21:03What?
01:21:04You mama.
01:21:06Okay.
01:21:08Okay.
01:21:09Officer, get that ape off that building and back to Africa.
01:21:13If you value your life.
01:21:17Oh, Queenie, we really have overcome.
01:21:26Soft breezes, loving squeezes, amid the bamboo treases.
01:21:38And if you hold me too tight in the jungle tonight, I'll run the risk of a swiftest mile.
01:22:06I wonder if they'd settle for a threesome.
01:22:10Buzanga, here we come.
01:22:17Soft breezes, asthmatic wheezes, amid the bamboo treases.
01:22:41And I'll have no cares in your massive heads, my sweet.
01:23:00Love has found a way.
01:23:20If I were just an ordinary gorilla.
01:23:23We could take that night boat to Manila, together.
01:23:34Clad in the latest pair of Jesus jeans.
01:23:38We could tour around the Philippines, together.
01:23:46It wouldn't matter what we saw, since everything's under martial law.
01:23:55And you would stop your yelling rape.
01:23:59If I were just an ordinary household ape.
01:24:04We'd spend our nights in a grass shank.
01:24:07And we'd never dream of coming back.
01:24:12Grazie a tutti
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