- 5 hours ago
Bergerac S02E04
Category
ðĨ
Short filmTranscript
00:03Do you fancy a trip to the coast?
00:15How's things with your daughter?
00:18Uh, yeah, she's not speaking to me.
00:22Nope, she won't be.
00:24She's gonna punish you about 50 times before she eventually gives you the time of day.
00:30What do I do until then?
00:32Keep showing up, regardless of how much she tries to push you away.
00:36And eventually those 50 punishments will run down to zero.
00:41She's leaving soon.
00:43You'd better get cracking then.
00:52This car was found over there, with the keys still in it and the suicide note on the dashboard.
00:59I want to know a bit more about Alan.
01:02This incident with Monica and the knife, when was it?
01:06A few days before he died.
01:08But you didn't see it?
01:09No, I told you. I was at uni. He told me about it.
01:13Thanks.
01:14But in the years before I left, Monica and Dad would argue a lot.
01:19Not blazing rows, just sort of tense, small, sort of snipings.
01:24Do you remember what about?
01:26Michael, mostly.
01:27How Monica and Molly coddled him, how Dad wanted him out from underneath them.
01:31And me.
01:33How Dad was easier on me, at least according to her.
01:37How that was giving Michael a complex.
01:40Dad wanted out.
01:42I know he did, but not like this.
01:58Why are you looking into all this again?
02:02Well, it's possible that when Tony said no more secrets, he was talking to Monica.
02:06And do you think that my dad is the secret?
02:08I think...
02:13I'm late for work.
02:19The top only opened to the public two months before Alan Barton was reported missing.
02:23I presume dead. Thank you.
02:24Since then, we've sadly had one further suicide and an accidental death there.
02:28Now, the tide is very predictable, even in extreme weather.
02:31And both of those times, the body washed up in the bay half a mile down the coast.
02:35Alan's body didn't.
02:36And no one questioned it at the time because, I guess, no one knew about the tide patterns.
02:40Cara and I have been back to the hotel to check on Tony's sight lines.
02:43When Tony said, no more secrets, he was looking in a mirror at Monica.
02:49So, what was the secret?
02:51We've got two theories.
02:52Either Monica killed Alan, Tony knew and was threatening to expose her.
02:56But what was Monica's motive for killing Alan?
02:58I mean, he had a couple of grander savings, but that was about it.
03:00Like, the cottage, maybe?
03:02That's what we need to find out.
03:03The bit I don't get is why she'd then tell Tony.
03:05I mean, you'd keep that to yourself, right?
03:07Again, that's what we need to find out.
03:09The other theory is that Tony was summoning up the courage to tell Monica that he lied
03:13about his job and his money.
03:15Now, Monica says that Tony told her the week before the wedding.
03:18What if he didn't?
03:20What if he told her that night?
03:21Well, and then she killed him.
03:22That's quite a reaction, isn't it?
03:24Yeah, well, even if she didn't kill her first husband, Alan,
03:26the daughter said that Monica once threatened him with a knife.
03:29So we're dealing with someone potentially prone to aggression, violent outbursts.
03:33Cara, Sally, Dan, go back through the reports into Alan's suicide.
03:37We need to see if there's anything that they missed.
03:39Simon, Liam, Katie, talk to Monica's friends.
03:41Did she mention Tony's financial situation to anyone?
03:44And crucially, when did he tell her?
03:46And we still haven't figured out who this figure in the coat is.
03:50Hey, who's the name?
03:51Bonnie.
03:53All right, all right, all right, all right, all right.
03:55Yeah, yeah, yeah, yeah, good to see you, all right.
03:57They've discharged you from hospital.
03:58I mean, not technically.
04:00I thought you'd all be missing me by now.
04:02Are you okay?
04:03Oh, yeah.
04:04Doctor said it's a scratch.
04:06Sorry, Jimmy, you carry on.
04:07No, it's okay, we were just finishing.
04:09Uh, thank you, Ron.
04:18Hey, boss.
04:20Cheers, mate.
04:21Yes, mate.
04:22Good to have you back.
04:23How you feeling?
04:24Like I just got stabbed.
04:26So now you shouldn't be here.
04:26What am I supposed to do?
04:27I can't go to the gym.
04:30Let me bring you up to speed.
04:31Yeah, all right.
04:33Um, lots of video in on.
04:35Come down.
04:36Come down.
04:37Come down.
04:37Come down.
04:39Come down.
04:57Uh, Ian has confessed to killing Carl
04:59and to swapping the bloods
05:00and, uh, obviously to the attack on you.
05:03He's at him and he didn't kill Tony.
05:05You believe him?
05:06I do.
05:09I wish I didn't.
05:31So, yeah, the current focus is Monica and, uh, well, there's a possibility that her first
05:36husband's suicide was, was actually staged.
05:38Yeah, and Tony knew and threatened to expose her.
05:39That's what Nicola said, right?
05:41The other theory is that Tony told her about his financial situation.
05:44And she lost her shit.
05:45Yeah.
05:49All right, look, about what you said at the hospital, I just, what happened was really shit.
05:53I'd like to put it behind me, okay?
05:55We're good.
06:03What happened there?
06:05I've no idea.
06:06Barney, I didn't expect to see you back so soon.
06:10Discharge this morning.
06:11That's surprising after such a close shave.
06:14And got Jim arrived when he did.
06:16Take it steady, Barney.
06:18Understood, Mum.
06:19About time some of the others did some work, eh?
06:46I didn't expect to see you back.
07:02Boss, have you got a minute?
07:04Uh, yeah.
07:06So the footage from the night Tony's murder came in?
07:08What was it?
07:09Costello's, the restaurant.
07:11The footage of you and Nicola Barton.
07:13When you disclosed you had contact with Nicola the night of, you said it was a two-minute conversation.
07:17It wasn't.
07:19It was longer.
07:20Really?
07:21Way longer.
07:23It's 43 minutes.
07:2443 minutes?
07:26Wow, okay, yeah.
07:28You do understand I need to put this on the CMS, don't you?
07:30Yeah, of course.
07:31Which means that everyone in here can access that footage.
07:33Yeah, I know how the CMS works, Carol.
07:35And see that your two-minute conversation with the person connected to the case was actually much longer.
07:39And much more cozy than you initially let.
07:41Cozy?
07:42Uh, is it subjective?
07:43Maybe.
07:44But the timestamp isn't.
07:46Look, maybe you lost track of time.
07:50Or maybe you thought it was inconsequential.
07:53But please, get your fucking story straight, sir.
07:59Sir.
08:25I thought you'd gone back to Manchester.
08:28I decided to stick around.
08:31Visit some old haunts?
08:32Like the cliff.
08:34A friend saw you there this morning.
08:37Sorry, that sounds like...
08:38I mean, you can do what you like.
08:40I just mean that I wish I'd known you were still here.
08:43Um, we could spend a bit of time together.
08:47And done what?
08:49I thought we'd made some progress, Nick.
08:51I explained how your father was.
08:53I know that it must have been difficult for you to...
08:55But, you know, I thought it might have answered some questions for you.
09:00No, it did.
09:03It's just being back in Jersey.
09:06It's harder than I thought it would be.
09:09Being back around me, you mean?
09:19Have you heard about love languages?
09:22People have different ways of demonstrating their love.
09:26And I think that I had a way of showing you that I loved you because I did.
09:31I do.
09:33And I think it's something that I learned from my mum.
09:36She was, um...
09:38She was practical.
09:39She was endlessly practical.
09:42So, the house was clean and we were clean and there was food and, you know.
09:47I think that that's what I associate with love.
09:50And it's just as deep as something more demonstrative.
09:54But maybe it's not how you needed to be loved.
10:01I think it's not how you needed to be loved.
10:02I think it's not how you needed to be loved.
10:03That would make a lot of sense if I hadn't seen you do it with Michael.
10:08You weren't practical with him.
10:12You engaged with him.
10:15You gave him energy and time and love.
10:20And I got what was left.
10:24Well, Michael just demanded more.
10:26He needed more.
10:27You didn't have to give it to him.
10:29You could have said no.
10:30You can't say no to a child like that.
10:32So, I'm left with this impossible choice of what to believe.
10:36Yeah?
10:37That, oh, you couldn't love me because of some flaw in you.
10:43Some bit in you that's missing.
10:46Or that ultimately because I'm just too hard to love.
10:50What?
10:51No, that's not Christ.
10:53No.
10:53He doesn't stop.
11:03This is why I didn't want to see you.
11:07Because these conversations are too hard.
11:14I'm sorry about Tony, but...
11:20I want you to leave now.
11:29Have kids.
11:31Then we'll talk.
11:40Kim.
11:42I know you're furious with me.
11:43And you have every way to be.
11:46But we're leaving soon, you know.
11:48And I would just love it.
11:49You would just consider forgiving me just a bit quicker than you would normally.
11:55Yeah, I have forgiven you.
11:57Yeah, I mean, it just doesn't feel like that.
11:59I'm just tired.
12:03Thanks for the lift.
12:0849 to go.
12:19Jim.
12:21Nigel.
12:23I'm sorry.
12:24It doesn't even come place.
12:26It's okay, Jim, really.
12:27It was an accident.
12:28No, it's not okay.
12:30It was out of line.
12:32And look, I'm sorry.
12:33Apology unnecessary, but accepted.
12:38Is Charlie in?
12:41Um...
12:42Christ.
12:44Uh...
12:45Well, if you're sure.
12:59I just wanted to say...
13:01Um...
13:02How...
13:03How sorry I am.
13:04And by the party.
13:06Is that it?
13:08Well, we are.
13:10I don't know what else there is to say.
13:17When Rachel died, you were devastated, as was I.
13:21As was everyone.
13:23In many ways, we will never fully recover.
13:26I appreciate that.
13:29But the rest of us, even her daughter, are managing to function now.
13:35And so for you to still be spreading such Olympic standard chaos would suggest an element of choice.
13:42Of choice?
13:43Well, at the risk of sound, I'm condescending, Charlie.
13:46You do know that I'm an alcoholic.
13:47Really?
13:48Oh, you should have mentioned that.
13:50Oh, wait.
13:51You do.
13:52Endlessly.
13:54You know, Rachel was exquisite.
13:56She was...
13:57She was perfect.
13:59She was better than me in every single way, but...
14:01She never made me feel like I didn't deserve her.
14:05But from the moment we met, I have spent every single day trying to prove myself worthy to you.
14:14I have lowered the bar as far as I can for you, Jim.
14:17Any lower, it'll be in the cellar.
14:20Not getting drunk at Kim's leaving party was all that was required of you.
14:25I'm sorry.
14:26Even that proved too much.
14:32Jim.
14:33That actually went better than I expected.
14:36How do you deal with her?
14:38Well, when you get to my age and you've been through some...
14:43Some stuff.
14:45Not to suggest you haven't had your own share of stuff, but...
14:53I lost a child.
14:56My first wife and I.
14:59When he was only two.
15:01God.
15:02Nigel, I'm...
15:03I'm...
15:04Sorry.
15:04And obviously, that's something Charlie and I have in common.
15:08And the one thing about something so unfair, so...
15:15So savage, is...
15:19It gives you some perspective.
15:24And some patience.
15:28I'll talk to her.
15:30All shall be well.
15:32And all manner of things shall be well.
15:37I'm sorry, Jim.
15:38Oh.
15:39You should see the other guy.
15:51I'm sorry.
15:58I'm sorry.
15:59Talk to me.
16:01Monica was telling the truth.
16:04I spoke to one of her bridesmaids, and according to her, Tony had told Monica about his financial
16:08situation a week before the wedding.
16:09Okay.
16:10Did you see how Monica responded?
16:11Well, I'm not thrilled, but not filled with murderous rage either.
16:14Okay.
16:14And I take it we're still nowhere with the figure in the coat?
16:16Yeah.
16:18But, yeah, we're...
16:19We aren't...
16:20Uh, Cara?
16:21I had a look at Alan's phone records, and I found some calls that the original investigation
16:25must have missed.
16:27Who are Phillips and Hawthorne?
16:28Solicitors on the mainland who happen to specialize in divorce.
16:31I spoke to them.
16:32They dug out the notes.
16:33They said Alan Barton spoke to them about divorcing Monica two weeks before he died.
16:38Monica didn't mention it in either investigation.
16:40Which means she didn't know.
16:41Or she concealed it.
16:42Yeah.
16:42Read the third paragraph.
16:50Okay.
16:50Well, there we go.
16:51I'm going to put this to Monica.
16:54And, yeah, obviously you can come too, Bonnie.
16:58She'll come too, yeah, if you're up for it.
17:00I think I can manage sitting in the car and then sitting in a chair in her living room.
17:05Good.
17:07Yeah, brilliant.
17:08Let's go.
17:10Thanks.
17:12Yeah.
17:13See you in the car.
17:19If they get divorced, you're going into Vostica.
17:21Oh, don't say that.
17:24Listen, I thought you should know.
17:25I was with Jim Bergerac today.
17:28I finally got him to look into my dad's death again.
17:31Right.
17:33So, you're still looping all this back to Monica, then?
17:36She threatened my dad with a knife.
17:37I'd call that a red flag.
17:41I'm confused.
17:42I thought you thought Monica did it, too.
17:47When I saw her, Michael was there.
17:50And he got into an argument with his neighbor.
17:53He was out of control.
17:54Just the rage.
17:56Monica actually had to hold him back.
17:58I just think maybe we're looking in the wrong place.
18:01You think Michael might have killed Tony?
18:04Maybe.
18:06And maybe not just Tony.
18:09I don't, too?
18:11Oh, come on.
18:11Well, we've talked a lot about whether Monica did it, but never how.
18:15How did she overpower two husbands, two fully grown men who would have fought back?
18:31Look, we just have a couple more things we'd like to run by you.
18:33How would you describe your relationship with Alan around the time of his death?
18:38Well, what's this got to do with Tony's death?
18:41We're still trying to establish what Tony meant when he said, no more secrets.
18:44You described Alan as in a dark place before his death?
18:48Well, he killed himself.
18:51Unless I've read too much into that.
18:55You said that he was erratic and unpredictable, yet we found no evidence to corroborate that.
19:01If anything, Mrs. Salinger, we found that he was making plans for his future.
19:06You've been talking to Nicola.
19:09I don't know why she's dredging all this up again.
19:11I thought we'd settled this.
19:12Were you aware that shortly before his death, Alan contacted a divorce lawyer?
19:17What?
19:17Um, no.
19:19No, I didn't know that.
19:20They had two conversations.
19:22The solicitor described him as buoyed by the discussions and hopeful for his future.
19:28He said the final straw was a fight the two of you had where you threatened him with a knife.
19:32No, that never happened.
19:36I know this is hard, Monica, but we're still exactly where we were on the night of Tony's death.
19:40And look, no more secrets meant something, okay?
19:43You don't upend your wedding day for a joke.
19:46Now, there are people who love Tony.
19:47You loved Tony.
19:48And so we owe it to all of you to explore every lead, answer every question.
19:51I'm really sorry, but that's led us to Alan's death.
19:54And look, look, if there is nothing, if there is no relevance, then I swear to you we will move
19:57on.
19:59But we won't know until we ask.
20:10Okay.
20:11What?
20:13It's true.
20:14The knife.
20:16It's true.
20:17But when Alan spoke to Nicola and this solicitor, he left out some pretty crucial context.
20:24He did change.
20:26His behavior did change.
20:28And I hid it too because I didn't want people to think ill of this beautiful, kind man that I
20:37loved.
20:41One night, he hit me.
20:45And I grabbed a knife because he kept coming towards me.
20:49And I told him to get out of the house.
20:53And I didn't see him for a few days.
20:55So that must have been when he spoke to Nicola and this lawyer.
20:59Anyway, after a while, he came home.
21:02And he was full of this indignation.
21:06And he said that I had attacked him.
21:09And I said, no, Alan, you hit me.
21:13Because I still had the bruise.
21:17And he was devastated because his father was abusive towards his mother and him and his brother.
21:23And there he was, completing the cycle.
21:28Becoming the thing that he swore he'd never be.
21:33I see it in Michael too, sometimes.
21:37And a few days later, he died.
21:40I couldn't tell the kids.
21:41I mean, Nicola would never believe me.
21:44She would never let this go.
21:49Michael.
21:51You all right?
21:51I'm fine.
21:55Michael!
21:56Michael, please!
21:57Michael!
21:58No!
21:59Please!
22:00Come back!
22:02Oh, my God!
22:03You've got to go after him.
22:04Why?
22:04Well, he must have heard everything that I said about Alan.
22:07He didn't know any of that.
22:08I'm sure he'll be fine.
22:09No, no, no.
22:09Look, you don't understand.
22:10He's fragile.
22:11He's been going to the cliffs where Alan died.
22:13When he's like this, I have no idea what he's capable of.
22:16Please.
22:17Please.
22:23Need all available units dispatched to the Morbury cliffside.
22:26Anabolo put out for Michael Barton, driving a blue VW Polo.
22:37Hang on.
23:03Oh, shit.
23:06Hey!
23:07Is he?
23:08No sign!
23:09No sign of his car either!
23:11We've got a visual on Michael's car.
23:13Where?
23:13Pulling into the Clifton Hotel.
23:15Jesus.
23:17What?
23:18We need a unit at the Clifton immediately.
23:20Quiet approach.
23:21We're in 401.
23:22We do not want him spooked.
23:23Wait!
23:24What is in 401?
23:25It's Nicola Bunstrom.
23:26We don't know what Michael's capable of.
23:28He's not the one in danger.
23:29Nicola is.
23:31Come on!
23:37Oh.
23:49Oh!
23:51Oh!
23:53Oh!
23:55Whoa.
23:56Hold on.
24:01Oh!
24:04Oh!
24:07Never got laws against doing that.
24:14How did you know her room number?
24:15What?
24:17There's a bag.
24:34Hello, welcome to the Clifton. Do you have a room 401?
24:38Fourth floor, but you'll need a key card.
24:44Hey, we need a room pass for room 401.
24:47Okay, I just need a credit card to activate the room pass.
24:51Thank you so much. Okay, just 401, yeah.
24:55Please, please, can you just hurry?
24:58Alrighty, there we go, there's your room card.
25:00Oh, sorry, the lift's undergoing maintenance at this present moment in time.
25:04Of course it is.
25:19You alright? I'm fine. Just go.
25:30Wait, wait, wait, wait, wait, wait.
25:33Stop, you'll be fine.
25:35No, I'll be fine.
25:36I'll be so sad.
25:38I'll be fine.
25:39I'll be fine.
25:39Stay focused and drunk yourself with that one.
25:41Michael, no, no, no, no.
25:43Well, enough is enough.
25:45Go, go, go.
25:46Police!
25:47Police!
25:48I didn't do anything!
25:49I didn't do anything!
25:50I didn't do anything!
25:51I didn't do anything, I swear!
25:51Are you okay?
25:53Nicola?
25:54What is it?
25:55Nicola!
25:57What, what, what is this?
26:00Love you, Dad.
26:02I can't believe it.
26:04Well, it's true.
26:06So you can stop now, you can finally leave us alone!
26:09I don't understand, what is this?
26:10What's the confusing bit, huh?
26:12It's from him.
26:14Alan, my father.
26:21He's not dead!
26:37It arrived the day before my, er, 30th birthday.
26:42A few months earlier, Dad had been officially declared dead,
26:45and Mum had arranged a little gathering for us to say goodbye.
26:50And Nicola came, reeking of our gasp, her.
26:54And that's when she first suggested that our mother,
26:57a woman who has to literally ask me to open jars for her,
27:00killed our father.
27:01I mean, it's ludicrous.
27:04Anyway, that's when the card arrived.
27:07At first I thought it was Nicola playing some sort of joke.
27:10But then, postmark.
27:14The date.
27:15And you didn't tell Monica?
27:16Oh, Mum, by the way, Dad's alive.
27:19He'd just rather you think he was dead than ever talk to you again.
27:24No, I didn't.
27:26I didn't tell anyone.
27:28The police had ruled it a suicide for the second time.
27:30Nicola had been extradited back up to a northern town.
27:33I didn't think that there was any point in exhuming it all again.
27:36But then, Tony died.
27:39And when Nicola reappeared and started trotting out her greatest hits,
27:42I did think about telling her then.
27:45But the next minute she was leaving, so I didn't bother.
27:50Except...
27:50She didn't.
27:52Did she?
27:54Hmm?
27:59I saw you with her.
28:02At the cliffs.
28:05And sure enough, you descended on my mother, parroting Nicola's slurred fantasies like they were facts.
28:11Right.
28:12I thought enough is enough.
28:15Didn't quite a big risk there, your father.
28:18How did he know that you wouldn't tell your mother and Nicola straight away?
28:21Nicola likes to tell everyone about this special relationship she had with Dad.
28:27But I was the son.
28:29I was his blood.
28:30He could trust me.
28:33No, no.
28:34Don't get me wrong.
28:36I mean...
28:38I feel sorry for her.
28:41It must be quite a shock.
28:43No, to...
28:45To find out that someone would literally fake their own death rather than spend time with you.
28:51I mean...
28:54That's bound to smart little.
29:02Forensics have checked the postmark.
29:04It's authentic.
29:05Definitely sent from Bermuda.
29:07What about the handwriting?
29:08They've only been able to do a preliminary analysis.
29:10They still need to do full bells and whistles.
29:12But they compared the card with confirmed examples of Alan's handwriting.
29:15And it's a match.
29:19Right, so...
29:19Monica didn't kill Tony because of the money.
29:21She didn't kill him because he was about to tell the world that she killed Alan,
29:24which would suggest she didn't kill Tony.
29:27Okay, so we keep looking.
29:29We keep digging.
29:30Jim, I'd like a word with you.
29:34Can someone tell Monica Salinger her first husband is alive and well and living in Bermuda?
29:38I'll call their family liaison.
29:40Cara, did the footage come back from the bar of Nicola Bowden?
29:43Oh, yeah. It's on the CMS.
29:44Yeah, and?
29:46It's deemed irrelevant.
30:13What's your next move?
30:15I have absolutely no idea.
30:17Well, whatever it is, it won't involve Barney.
30:19You need to send him home.
30:20He's practically green.
30:21Yeah, that's my fault for allowing him to accompany me to interview Monica.
30:25I'll make sure he stays behind his desk from now on.
30:27You seem uncharacteristically eager to keep him here.
30:29Normally I have to sit you two as far apart as possible.
30:32Well, he's an exceptional officer and an integral part of the team.
30:34Now I'm really suspicious.
30:37Why did he go and see Ian Monkford without backup?
30:40We were working in parallel and we both uncovered different strands of evidence against him.
30:45That's not what I asked.
30:46He went without telling his colleagues, specifically you, suggesting a troubling, and in this case potentially fatal, breakdown in communication.
30:54Something's going on.
30:55And it's becoming a problem.
30:57Sort it out, Jim.
30:59Redraw some boundaries.
31:20Wow Emily.
31:21Don't start, I'm fine.
31:21Ahh, listen.
31:22Don't start, I'm fine.
31:23You're not.
31:24You need to go home.
31:24That come from Omar.
31:26This coming from me.
31:27Take your time.
31:27Get better.
31:28Christ.
31:29It gets right when you come backwards.
31:30I'm just in the middle of something here.
31:31Do you need me to leave this second or can I finish?
32:17You all right?
32:18Absolutely sensational.
32:20Good.
32:22Now, I know that despite your best efforts to conceal it, Kim leaving is challenging for you, so it'd be
32:28all right if things weren't all right.
32:29Yes, it is challenging for me.
32:31And I think it's important Kim isn't privy to that.
32:33The last thing she needs is to feel guilty about what she's leaving behind.
32:37That would be selfish.
32:39And I'll leave that to her father.
32:42What was Jim like before Rachel died?
32:45Very different.
32:47Capable.
32:49Resorted with the two girls.
32:52Steady.
32:54Reliable.
32:55Right, so this isn't him. He's still hijacked by the grief.
32:58He's a man possessed.
33:03When did you become a functioning adult again? How long did it take?
33:08It's a work in progress.
33:11I'm saying be patient with him.
33:15I'm not making any promises.
33:17That's my goal.
33:25I'd like to give you the money for the restaurant.
33:27You would be alone, obviously, but it seems rather silly.
33:31You need the money and I've got it sitting in my bank account.
33:34Um, right.
33:37That's very kind of you.
33:39But no.
33:40No what?
33:42No, thank you.
33:43But why not?
33:46Because it would be emasculating and utterly humiliating.
33:50Oh, for God's sake, so this is about pride, is it?
33:51It's all I have, Charlie.
33:54I don't have any property.
33:55I don't have any investments.
33:57I don't even have a family.
33:59My pride is the one thing I've been able to cling on to, so no.
34:03But again, thank you.
34:07Where are you going?
34:08I need to pee.
34:10I don't need any help with that either.
34:16Good night, Ross.
34:17Good night.
34:32Good night.
34:58Nicola?
35:01Hey.
35:03I'm in here.
35:09Free upgrade.
35:11Due to the door.
35:12So thank you.
35:18It's Monica, she keeps calling.
35:21Uh, that will, uh, yeah, someone will have just told her.
35:23I'm sorry, it's looking like the card is genuine.
35:27It can't be.
35:29I'm sorry.
35:30Because my dad is dead.
35:33He wouldn't do this to me.
35:40He wouldn't do this to me.
35:42Hey, it's okay.
35:45It's okay.
35:57It's okay.
36:09It's okay.
36:11I'll go again.
36:12I'll go again.
36:13Oh, it's Kim.
36:15Um, I'll take this outside.
36:17Hi.
36:18Hey, sweetheart.
36:19I'm staying another night at Granny's.
36:22Yeah, okay.
36:22Yeah.
36:23Uh, that's, that's fine.
36:24Uh, will I, I'll pick you up tomorrow?
36:26I'll text you.
36:31I didn't even make it to the door.
36:33She rang you there.
36:35She could have just texted.
36:38She wants a dialogue.
36:39Yeah, you really think so?
36:43Is this what being a parent is like?
36:45Your kid becomes like someone you have a crush on at school and you're constantly trying
36:48to decipher every single interaction.
36:51Oh, and she asked me earlier for a lift.
36:58I think she likes you, Jim.
37:00Yeah, you see, now you've made it weird.
37:05She's just, she's trying to keep the channels open.
37:07She just wants to run it down from 50 to zero.
37:10As much as you.
37:18What are you doing, Jim?
37:20In what sense?
37:21In any sense.
37:23The case.
37:26Us.
37:28There can't be any us.
37:30So stop showing up at my hotel.
37:34I know, I'm sorry.
37:51Just, um, hold that thought.
37:53I, um, I just gotta pee.
38:09Uh, where's the minibar?
38:12Uh, you're kidding, right?
38:14I thought we could share a sparkling water.
38:17Yeah, let's push the boat out.
38:19It's in the wardrobe.
38:32Oh, uh, we're doing this.
38:43I don't.
38:43I don't.
38:43Oh.
38:52We found it!
38:56Jim?
39:18Oh, crap.
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