- 2 weeks ago
एक Bus Stop Attack से खुला Shocking Family Secret - Crime Patrol 2.0 - Most Viewed
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00:01Yeah!
00:03India will come from England from 1 July.
00:07Only on Sony Sports Network's TV channels.
00:30Devi Mataki!
00:35Devi Mataki!
00:45Devi Mataki!
00:47Devi Mataki!
00:48Devi Mataki!
00:50Devi Mataki!
00:54I was watching Devi Mataki in childhood.
00:57When she was born, she was born in the house of the house.
01:03She was born in her hands.
01:06Wow Kiran, I'm very happy to be honest with you.
01:08You've been toped all the school.
01:11We've got to make our dreams complete for our kids.
01:14No, the parents would be married.
01:24Go Kiran, go, live your life.
01:26I'm going to make you a great girl.
01:29Let's go. Bye.
01:31Bye.
01:36Kiran, I love you.
01:37I'm going to talk to you and my family on a few days.
01:42Yes, man.
01:44I don't want to marry you now.
01:46You have to do a lot of things in life.
01:49Yes, do it.
01:50But Kiran, always remember that without you it will be very difficult.
01:54That's why I can't live.
01:57Devi Ma, Devi Ma!
02:00Devi Ma, Devi Ma,
02:01Devi Ma, you have all your blessings.
02:04Please save our husband, Devi Ma.
02:07He's not doing any harm.
02:10It's your honor,
02:11which can be made of you, Devi Ma.
02:14Please save her.
02:16And please save your family.
02:19Devi Ma, Devi Ma!
02:20Devi Ma, Devi Ma!
02:22Devi Ma, Devi Ma!
02:24Devi Ma, Devi Ma!
02:38Devi Ma!
02:40You can buy a billy here, right?
02:45You know, I only have two bills.
02:47This room liked me.
02:48Let's do one job.
02:49Let's finish it.
02:50Let's get this.
02:50Let's take this token.
03:20So, guys, how do you feel about my new solo act?
03:23Please tell us in the comments.
03:25And what do you like now?
03:26And share it.
03:27Okay?
03:31Yes, Ami.
03:32You will take us one day.
03:34Now you are watching your life.
03:36What is the solo artist?
03:37What is the solo artist?
03:37Oh, Ami.
03:38Don't get any attention.
03:40This is a city of dreams.
03:41And there will also be dreams of your daughter here.
03:44Let's see.
03:44And tomorrow is my audition too.
03:46Look.
03:48People are falling in their eyes.
03:51You have to keep your attention.
03:52In a new city,
03:54she is alone.
03:55Ami, I'll tell you something.
03:58It's the most safe city for Mumbai.
04:00This is not our Agra.
04:02It's not our place.
04:04And now,
04:05I'm afraid of the name of Agra.
04:07You are still happy.
04:08Yes.
04:10I don't know that thing.
04:12There is no place.
04:13Maybe there is no place.
04:13Okay, Ami.
04:15Allah Hafiz.
04:15What is the name of Agra?
04:28It's not my name of Agra.
04:32And now,
04:32it's not my name.
04:34It's my name of Agra.
04:45You have to marry your daughter with your daughter.
04:55After marriage, you have to get married.
05:00You have to marry a married woman.
05:01And you can't marry someone else.
05:04Mom, I don't want to marry any of you like that.
05:11I don't want to marry any of you.
05:12After all this, everything will be fine.
05:16100% of your sins will be gone.
05:20What are you doing?
05:21I don't want to marry any of you.
05:23Giran! Giran!
05:24Giran!
05:25You have to do anything.
05:26But I'm not going to be able to marry you.
05:30What are you doing?
05:33Until she's married,
05:35she should not leave her home.
05:37I don't want to marry you.
05:37Papa!
05:38Papa, listen to me!
05:40Papa!
05:41Mom!
05:41Now tell me to Papa.
05:43I'm a son.
05:44I'm not a dog.
05:47That will be what your father decided.
05:51Mom!
05:52Mom, listen to me!
06:07I'm a son.
06:16laughs
06:33Aw Η
06:51Kiran? Kiran? Kiran?
06:54Kiran, Kiran, Kiran, Kiran, Kiran.
07:24Kiran, Kiran, Kiran, Kiran.
07:27Kiran, Kiran.
07:37Last stop.
07:38Last stop!
07:40Ekッ soil.
07:40Madam, the last stop is coming, madam.
07:44Madam?
07:45Madam?
07:48Madam?
07:50If you have been full of sleep, then go.
07:52The last stop is coming.
07:53Madam?
07:55Madam?
07:56What's that?
07:57Dude, you're not standing up.
07:59You're not going to die.
08:19You're not standing up.
08:23Hey, Ambulis.
08:38It's okay.
08:39I can't get it.
08:40How do you feel?
08:41I'm fine.
08:44How did I get here?
08:46Do you remember anything?
08:48How did this happen?
08:50What happened to me?
08:51I was going to go to the bus to go to the bus.
08:55I was shocked.
08:58I was gone.
09:03Forgive me, but I'm not going to go with you.
09:10What are you talking about?
09:13There's no rape-whip at me.
09:15I remember something you had to get to the bus stop.
09:18I don't remember anything.
09:21There's no blood in my body.
09:24I'm getting tired and I'm getting tired.
09:27There's no rape-whip at me.
09:30Please, don't you have to rest in this condition.
09:34Please.
09:35There's no rape-whip at me.
09:36There's no rape-whip at me.
09:38Sir, it's possible that the girl is a rape-whip.
09:41That's why we don't tell anything about it.
09:43We've got a little time for her.
09:45As long as the victim doesn't file a case,
09:48we don't have to do anything.
09:49Until the victim doesn't file a case.
09:50Go to the bus stop.
09:52Go to the CCTV camera.
09:53It's possible that we can get something in the footage.
09:55Sir.
09:57You've checked out from the dance.
09:59That girl is dead.
10:01She's dead.
10:02She's dead.
10:03She's dead.
10:03What's her?
10:04If she's dead, she'll listen to her.
10:06No one knows her in Mumbai.
10:09She's dead.
10:10She's dead.
10:10She's dead.
10:12She's dead.
10:12She's dead.
10:13She's dead.
10:15She's dead.
10:25She's dead.
10:29We had a good day.
10:31We had a little bit of trouble.
10:33But now, we had a good day again.
10:36You didn't have a good day.
10:40My daughter was only a machine to make money.
10:49Do you remember anything?
10:51How did this happen?
10:53But you're raped.
11:18I love her.
11:20I remember my daughter, Nushrat.
11:21She had him admitted to hospital two months ago.
11:23What's her, sir?
11:23She had a blood report.
11:25She had her blood in her blood.
11:27She had been caused by her.
11:27It was very bad.
11:27She was diagnosed with drugs.
11:28Sir, it's called hallucinogen.
11:30This drug works very different.
11:32It keeps the brain's imagination centers
11:34and listens to the body, including the body.
11:37Sir, this drug works very slowly.
11:39But once, if someone took this drug,
11:41for a long time, it doesn't have to remember anything.
11:44Then,
11:44I don't remember this about it.
11:48It's possible, sir.
11:49Because the bite marks on his body
11:50are a bit strange.
11:52No, sir.
11:58Sir, you were saying okay.
12:00There's something wrong with me.
12:02But I don't remember anything about it.
12:04What happened to me?
12:05You remember something.
12:17Sir, a girl's voice
12:20and a girl's voice
12:23that I can never forget.
12:25But I don't remember anything about it.
12:29In your body,
12:31drugs were paid.
12:33When did you take drugs?
12:35I don't see drugs.
12:37I've never seen it.
12:39Did someone eat something?
12:41Sir, I don't remember anything.
12:45What did you do?
12:47Sir, there was a message on social media
12:49that they were playing for a charity show.
12:53I was going to give him an audition.
12:56I was sitting on the bus at about 8 o'clock.
12:59I was sitting on the bus at about 8 o'clock.
13:01But the man who got upset you at the bus stop,
13:04he said that you were upset at 7 o'clock.
13:08What did you do at 7 o'clock?
13:10What did you do at 8 o'clock?
13:19And the man who got upset at 8 o'clock at 8 o'clock
13:21and the man who got upset at 8 o'clock,
13:24what was he doing at 8 o'clock?
13:26What was he doing at 8 o'clock?
13:26Who was he doing at 8 o'clock?
13:28And what was he doing at that time?
13:28And what was he doing at that time?
13:30He said he's got an IP address on social media.
13:31And whatever people of drug dealers are in that area
13:34he'd run off.
13:36The man who got upset about that,
13:38I'd tell him about him.
13:38He had a team where he was going to audition.
13:40But I don't understand this. What's the problem of this baby?
13:44In these drug-related cases, the victim reminds me of something.
13:48It can happen when the victim is being killed by that girl.
13:51So she showed her a baby.
13:54Do you know if there is a cat adoption center in this area or a cat clinic?
13:57Yes, sir.
14:01Evimantaki! Evimantaki! Evimantaki! Evimantaki!
14:07Evimantaki! Evimantaki!
14:08Evimantaki!
14:09Evimantaki!
14:10Evimantaki!
14:10¡Vimantaki!
14:14Those are all God's forgiveness!
14:22What happened?
14:23You are here.
14:26Are you okay?
14:28Just look long as every child of child.
14:31There still come from last year.
14:35I don't know.
14:37You, this month, had a murder, right?
14:40She didn't come for two months.
14:45Devi!
14:46Devi!
14:48Sasha, Devi!
14:49Devi, you!
14:50Devi, you!
14:51Devi, you!
14:52What are you doing, Maa?
14:54Hey!
14:55Do you remember that the wedding night
14:58was a thief on your body?
15:00These slaves were electrons.
15:06She cried.
15:07I needed a goat!
15:07Devi is her, Devi!
15:17You've become Devi.
15:18Devi is her and has to support on the Monetary of Helaman.
15:21You cannot hear people earlier,
15:24not cough or anxiety.
15:26and your eyes will not be your.
15:31You are the wife of Nagdevita.
15:35If you look at someone,
15:38he will die.
15:39This is the meaning.
15:41What are you doing with your Devi Devi?
15:44You don't have to be sold on your own business.
15:47You have to forget your daughter.
15:51Viriya, you have the honor of Nagdevita.
15:55This is the trust of your body.
15:59Everything is wrong.
16:01There will be nothing to do with the blessings of God.
16:05Now you are Devi.
16:06This is the truth.
16:08People have accepted it.
16:10Now you also.
16:13Devi Mataki!
16:15Devi Mataki!
16:16Devi Mataki!
16:18Devi Mataki!
16:20Devi Mataki!
16:21Devi Mataki!
16:22Devi Mataki!endi
16:26Mataki! Devi
16:29Mataki!휴
16:52Sir, in the places where he gave him a hall rent, I didn't know anything about him.
16:57But the address of Nusrat's address was sent to him.
17:01His name is Yatin Mehra.
17:03He's a great film producer.
17:05What do you think about him?
17:07You brought this post?
17:09Yes, sir.
17:11This post was my company.
17:13Some independent artists were looking for us.
17:16Cut, cut, cut. Thank you. Next.
17:18Hello, this is Nisha Sharma and these are my profiles.
17:21And this girl.
17:24This girl was the most wasted time of time.
17:27She had to say one line.
17:31I was wrong.
17:33Cut, cut.
17:34What are you doing?
17:35You remember the lines fine.
17:36One time, try and roll.
17:38Roll.
17:40I was wrong.
17:43Cut, cut, cut, cut.
17:44One last.
17:46Roll.
17:48Farab, you're wrong.
17:54Cut, cut, cut, cut.
17:55What's your name?
17:56Please, you know.
17:57You go.
17:58You make it real.
17:59Leave this active acting.
18:00And after that, she left.
18:02And how much time did she give her to her?
18:04She felt like she had to come out of her.
18:06She had to come out of her.
18:07She had to take advantage of her.
18:09Sir, what are you talking about?
18:11Sir.
18:12Raji.
18:13As many girls had to take audition,
18:15all of them had to come out of her.
18:16And when she doesn't say the truth,
18:18she will take advantage of her.
18:19Sir.
18:20No, sir.
18:21Listen to me.
18:22Listen to me.
18:23Sir.
18:24Yes, sir.
18:25This audition came to me.
18:26Probably Nushrat's name.
18:28Actually, after the audition,
18:29we talked about it.
18:30We were very upset.
18:36You're going to be fine.
18:38No, sir.
18:41No, sir.
18:41You're fine.
18:41Where are you here?
18:43Bhori Vali.
18:44Just do this.
18:45I'm going away.
18:46You should leave.
18:47Let me go.
18:48I'll take a car right here.
18:49Okay?
18:51When I came back to Nushrat.
18:54I was so sorry.
18:55I have been trying to get it.
18:56I have been trying to get it.
18:57Then I also go.
18:58Yes, sir.
18:59is
19:03Oh
19:04This is your audition club.
19:05Do you see it?
19:17I don't know
19:19I don't know
19:20I don't know
19:21I don't know
19:23I don't know
19:24I don't know
19:25I was in the audition
19:25I don't know
19:25I was in the audition
19:26You weren't talking to me
19:28You couldn't talk to me
19:30So it can happen
19:31How many times I can tell you
19:35I don't do drugs
19:37I don't take drugs
19:38You can't tell me
19:40You won't tell me
19:47What's the problem?
19:48How can I do your treatment?
19:51That's why
19:52You won't tell me
19:56You won't tell me
20:01You won't tell me
20:04You won't tell me
20:08I'll tell you
20:20I'll tell you
20:23That's what happens.
20:25After a while, their mind doesn't happen.
20:27You have to take a job and take your wife.
20:30We will test her something.
20:31And then we will start her treatment.
20:33Okay?
20:37Ma'am...
20:38Is there a problem with you?
20:40I mean...
20:42Is there something like your husband and your husband?
20:47Look, you take your wife.
20:50We will take her treatment.
20:51I will take her.
20:53If you have to do this, you can do it.
20:57I told you.
20:58You take your wife.
21:00We will take care of each other.
21:02Thank you so much.
21:09This is...
21:10Okay, Fee.
21:11This?
21:25I want to give her a gift for Diwali.
21:28I want to give her a good option.
21:29Do you understand?
21:29Yes.
21:30But I also need Diwali gifts.
21:32If you don't send it, who will send it?
21:33I want to give her a good option.
21:35I'll keep her.
21:36We will talk later.
21:41What happened?
21:43There is still an issue in the office.
21:45I got a special guest today.
21:46What?
21:57What?
22:00What?
22:01What?
22:02What?
22:04What?
22:05What?
22:05What happened?
22:05What happened?
22:10There was, God, an innocent child.
22:12One child showed you.
22:13The child gave to him a hundred children's.
22:54I'm sorry.
22:56I'm sorry.
22:57What is the idea of this?
23:01It's a lot of drama.
23:02You're just a bit different.
23:02Who is Ekbar?
23:03Sir, he is my ex-boyfriend.
23:05I was from Mumbai to him.
23:08In the beginning, all the relationships are like Tihaar.
23:11We were also very happy.
23:12We loved each other.
23:16Sir, then Iqbal gave up a gift to him.
23:20And he made my life.
23:22He used to kill me every day.
23:24Why don't you understand me?
23:26Our relationship is not possible.
23:28We are going to be married.
23:29I don't know how much I love you.
23:31I love you, Mushroom.
23:33Hey!
23:35Hey!
23:36Hey!
23:36What are you talking about?
23:37What are you talking about?
23:38Hey!
23:40We are acting.
23:41It's recording.
23:42Why are you acting?
23:44How are you acting?
23:44How are you acting?
23:45How are you acting?
23:46What are you acting?
23:47Hey!
23:48Hey!
23:49Sir!
23:50Sir, it was difficult to take my breath.
23:53He didn't leave my back there.
23:56That's why I'm here.
23:57I'm here.
24:00How are you acting?
24:01Please?
24:02You're here too?
24:03I'll give you one chance.
24:04I'll give you all.
24:05I'm saying all.
24:06Give me a chance.
24:07I'm frustrated.
24:08I've been scared of myself.
24:09You're not going to live.
24:10I'll give you any chance.
24:12I'm not saying all.
24:12I'm saying all.
24:13I'm saying all.
24:14What are you doing?
24:15You're fucking crazy.
24:16I'm telling you all.
24:17You're fucking crazy.
24:18Come on.
24:19Get out of here, get out of here.
24:20Let's go, Daburi Walid.
24:21Nusrat, please!
24:22Listen to my voice.
24:23Nusrat!
24:24Where is Iqbal in Mumbai?
24:26He's got a number of them.
24:27He's got a number of them.
24:36What did you give him a drug with him?
24:39I can't do anything, sir.
24:41Sir, I didn't want to ask him to give him away.
24:43Okay.
24:46What is this?
24:48Sir, I'm telling you, I was just following him.
24:51He didn't ask me.
24:57I was just following him.
24:59After he came, I don't know where he came from.
25:02Let's go.
25:03I'm not going to see him.
25:04You're going to see him.
25:05You're going to see him.
25:06Let's go.
25:06Let's go.
25:10I've been waiting for him a little while.
25:12But some time later, he saw me some other guy.
25:15Why?
25:16I'm not going to see him.
25:17Nusrat.
25:18Nusrat.
25:18Hey, come back.
25:19What happened to you?
25:21Who is he?
25:21He was in the room.
25:23He was in the room.
25:23He was in the room.
25:24He was in the room.
25:24He was in the room.
25:26He was in the room.
25:26Don't be a hero.
25:26Sir, let's go.
25:27Hey, hold on my hand.
25:30I'm going to call him back.
25:32I'm going to call him the police.
25:34Let's go.
25:40Sir, let's go.
25:44I'm going to call him the police.
25:47I'm going to call him the police.
25:54This man?
25:55Who is this?
25:56Who called for help?
26:03Madam, take it.
26:05Sir, this is probably the bus conductor.
26:10I also gave her my phone number.
26:15Take it, madam.
26:17Give me a break.
26:18How many times this bus return to Goriwili?
26:21How many times do you come?
26:22At 4 o'clock, madam.
26:24At 4 o'clock?
26:25So, you can give me your number?
26:27What?
26:28I haven't come here from Mumbai to Agra.
26:31So, I don't know the bus routes.
26:33So, I'm going to call you at 4 o'clock.
26:35Rajiv.
26:36When Nusrat was in the audition,
26:38he didn't have an issue.
26:40And when the house was locked back,
26:41he also had an issue.
26:43So, you know that the conductor gave him drugs,
26:46and after that, he took it.
26:47Sir, Nusrat was going to come at 4 o'clock.
26:49But for the CCTV footage,
26:51the bus conductor was going to take it at 5 o'clock.
26:54Let's do it.
26:55Let's do it.
26:55In Nusrat's call records,
26:56there are many unknown numbers.
26:57You can tell them about all of the unknown numbers.
27:00Then take the conductor to him.
27:02Sir.
27:24Alda's call records.
27:37The Paranormal
27:41Devima, why did you come here?
27:44You called us. We are going to go.
27:58Something happened to us with something like that.
28:01We are clean.
28:03But how can we become a mother of our children?
28:08Devima, you should be happy.
28:10You should be happy.
28:11You should be happy with your mother's mother.
28:16Can we meet you guys?
28:23Devima, you are here.
28:25Everything is fine, right?
28:32What is this? Why are you studying this?
28:38Sir, I know the conductor. His name is Suraj.
28:42But he is a Ferrari. Where is he? I don't know anything.
28:44Don't forget.
28:45Until he doesn't know the evidence of death.
28:50Yes, tell me.
28:50Sir, I'm Amar Shekhawad Bikaner Police Station.
28:53A girl complained that she was raped.
28:56I have been able to take this in the past.
29:12I am going to take this in the past.
29:14I am going to take this in the past.
29:18Yes, sir.
29:20I am going to take this in the past.
29:24It's not necessary because one is in Mumbai and the other is in Pika Nair.
29:30But the use of drugs has probably happened in both cases.
29:33We have to study this case for Kiran.
29:37We have to ask for Kiran a little bit.
29:39Devi Mataki!
29:40Devi Mataki!
29:41Devi Mataki!
29:43Devi Mataki!
29:44Devi Mataki!
29:46Devi Mataki!
29:47Devi Mataki!
29:49Devi Mataki!
29:56Devi Mataki!
29:57Devi Mataki!
29:58Devi Mataki!
29:58Devi Mataki!
29:58Get out of here!
29:59People come to this area.
30:01Not talk about this.
30:04Look.
30:06They have complained about the police...
30:08...that they were게요.
30:10Yes, they are...
30:14...and they get they get down.
30:15You've got to get to the police...
30:16You're getting out of here...
30:17...and you're carrying out the state of molds.
30:17You won't need to do any of this.
30:19Kirtabadi...
30:20Police! Murta Abad!
30:25Sir, I'm going to send him an attorney to me.
30:29I'm going to come back.
30:32Police! Murta Abad!
30:35Sir, I had to say something to you.
30:41Come on.
30:42Kiran's boyfriend, Sagar.
30:44He was the owner of his wedding night.
30:46We talked about Sagar two months ago.
30:47We talked about Sagar.
30:48He didn't have a phone.
30:51And now the phone is closed.
30:53When did you talk about last time?
30:55Two months ago.
30:57I was going to come back on the wedding night.
31:01Then he didn't come back.
31:02Now he's also switched off.
31:04This is Kiran's boyfriend, Sagar.
31:06He's going to take him.
31:07Who is it?
31:11Donal Hutt?
31:12Donal Hutt!
31:13Donal Hutt!
31:15Donal Hutt!
31:16Donal Hutt!
31:18Donal Hutt!
31:19You complained of all of this.
31:20Yes?
31:21You have to do the work of the devil.
31:23To make everyone's good.
31:24To make everyone's good.
31:26To make everyone's good.
31:27And you?
31:27You have to give everyone's good.
31:30But, Ma.
31:31Our shit happened.
31:33You are saying the Lord's forgiveness?
31:34You are saying the Lord's forgiveness?
31:36Huh?
31:38Eh, Paakwan.
31:40I'm asking the Lord.
31:41I'm asking the Lord.
31:43I'll tell you.
31:45The Lord's forgiveness is my son.
31:47And then we are a child.
31:49He doesn't die for you.
31:49The whole world will die for your love.
31:52Listen to your heart.
31:54Don't listen to your heart.
31:54It's a house in the heart.
31:57You have to have a house in your heart.
31:57Do not have to do that again.
31:58Huh?
32:02Look, we're very close.
32:05Tell me the truth.
32:06Sir, it's true that I was going to take Kiran.
32:10Sagan, we're not able to do that.
32:12We're telling you we're going to die.
32:14Kiran, don't get the tension.
32:16I'm coming.
32:17We're going to run here.
32:19But I didn't get to go.
32:20Sir, I was scared of so much responsibility.
32:21I was scared, sir.
32:26When I can't take responsibility,
32:28why do you love me?
32:30Huh?
32:31Sir, it won't change from your actions.
32:34I haven't done anything.
33:03I'm coming.
33:04Here we go.
33:23I think this is a suicide link, a murder.
33:30But there is no force entry on the door.
33:33I mean, whoever has come to the door,
33:35he knows you.
33:36Please don't do anything.
33:38Please don't do anything.
33:42Stop.
33:43Stop.
33:44Stop.
33:45Stop.
33:45Stop.
33:46Stop.
33:46Stop.
33:46Stop.
33:47Stop.
33:48Our bus is going up completely.
33:52Sir,
33:53they also call me at 3am.
33:55Hello, Ma'am?
33:57I got your number,
33:59right.
33:59I don't have to go in here.
34:02I've got your...
34:04I can take it to us.
34:08What's the problem?
34:09You should have to take it to us?
34:11Then what happened?
34:12What's the problem?
34:13Sir,
34:14it just went back to us for 2 hours.
34:16After seeing the whole area, he saw me in a house.
34:20I don't even remember that he wanted to go with his girlfriend.
34:24Hey, you're in the room!
34:25Why don't you go with me, sir?
34:26Hey!
34:27Let's go!
34:28You're making a story.
34:29You're being an actor, man.
34:31I'm telling you, sir.
34:33You're telling me, sir?
34:34You're telling me, if you leave me from the grave.
34:37Yes, sir.
34:38You're helping everyone, sir.
34:41If anyone's dead, you'll be able to make a problem.
34:43You can't stand up, sir.
34:44You didn't get up.
34:45You didn't die.
34:47We were scared.
34:48That's why we left the bus stop and ran.
34:49When people say truth, they'll massage them.
34:53Sir!
34:54Sir!
34:55Ah!
34:56Sir!
34:57Sir, I'm running away from my house.
35:00I don't want to go back to the grave.
35:02Look, you're a liar.
35:03Whatever you want.
35:04I'm going to talk to you with some people.
35:06They'll take care of you.
35:08I don't know.
35:10How did my life become a nightmare?
35:14My father was calling me my lucky job.
35:18After my birth, my father opened up a new shop for five months.
35:23And after this, the 15 days before,
35:26my father gave me a very hard shop.
35:31It was so good.
35:33Don't do it.
35:35And those who have done the wrong work,
35:37we won't leave them.
35:38After the news of Nusrat,
35:40seven boys contacted us.
35:41Mostly Mumbai, Gujarat and Afghanistan.
35:44They all said that they had something like that.
35:47This means that they're a serial offender.
36:16Hello?
36:18Hello?
36:49Niharika?
36:51Niharika?
36:56Niharika?
36:57Arie, دیکھو تمہارے لئے کیاد آیا ہوں.
37:00Surprise!
37:06Niharika?
37:06What happened?
37:07Who did this with you?
37:18Who?
37:18He took care of everyone.
37:20He took care of everyone.
37:22I don't understand who it is.
37:24As many women who raped her,
37:26they all wanted to start a new start in their lives.
37:29But unfortunately,
37:30everyone's life will be the first one.
37:34You're absolutely right.
37:36Nusrat,
37:37Mumbai came to start a new start.
37:40And Kiran's father,
37:41a real estate agent
37:42gave him a shop in a very cheap way.
37:43He took care of everyone.
37:45A real estate agent gave him a shop in a very cheap way.
37:49This can be a real estate agent.
37:51This room has liked me.
37:52This is a legit token value.
37:54Ask all these guys and tell them
37:56that a real estate agent
37:57is in contact with them.
37:59Right, sir?
38:02Yes, sir.
38:04I know them.
38:05Was the date of marriage here at our house?
38:07Rajiv, come on.
38:08Let me show this photo to all the victims.
38:10If they all say,
38:11this is our serial offender.
38:12Sir.
38:17You didn't eat anything for two days.
38:20Take this soup.
38:28I'm not here.
38:31Let's leave the city.
38:37Anand Sharma?
38:38Sir?
38:39You have to go to our police station with us.
38:42Sir, you can't take me to the house.
38:45I haven't done anything.
38:47I haven't done anything.
38:48Nothing?
38:48These victims are not your touch.
38:57What is it?
38:58Sir, what do you want to say?
38:59The victims are not your touch.
39:01They match their mobile location and your mobile location.
39:06And the most important thing.
39:10Two bite marks on the body of the victims.
39:14One of you and one of your partner.
39:18What do you want to take the partner?
39:22What are you doing?
39:24What are you doing?
39:24On the body of the victims,
39:26two bite marks.
39:27One man.
39:29And one woman.
39:31And that woman, you.
39:34What are you doing?
39:37What are you doing?
39:37What are you doing?
39:38What are you doing?
39:38The way everyone's DNA is different,
39:41the way everyone's fingerprints
39:42and bite marks are different.
39:44The way everyone knows.
39:45You will take your sandals.
39:47You will know who's bite marks.
39:49Who's skin?
39:53What they did,
39:55what they did,
39:55what they did.
39:57What they did.
39:58People are angry with me.
40:00Because I was a woman
40:01from a sexual artist.
40:02But a few days ago,
40:03a man
40:03even killed me.
40:07What do you mean, doctor?
40:09People are going to hear me.
40:10They don't hear me.
40:11They don't call me.
40:12I'm a big man.
40:14I'm a big man.
40:14There are also bad men in this world.
40:19But I didn't like my husband.
40:21They were very respected.
40:23They were very respected.
40:23They were all the same.
40:26They were all the same.
40:27I don't have any interest in men.
40:29But I love my husband.
40:31And first of all,
40:34I don't know them.
40:36I thought they will leave me.
40:40But for my fantasy,
40:42I'm a big man.
40:44How are you?
40:45You are the only one.
40:46Every girl likes him,
40:48they give him drugs for her.
40:50And...
40:50But then...
40:51we need to complete his needs.
40:54My husband was all good.
40:55I didn't want to give him my dad to her.
40:58During his wedding,
41:00we had to get married.
41:00We also got the drugs into her.
41:02We ate the drugs in water.
41:18The last night we had been waiting for Kiran's house.
41:23And then the night, when everyone was asleep,
41:28we were waiting for a month.
41:30We were waiting for a month.
41:32We were waiting for a month.
41:32We were waiting for a month.
41:33That's where Mumbai came from.
41:35After targeting a couple of girls in Mumbai,
41:40I'll get to see Nusrat better.
41:43Yes, Nusrat.
41:44Everything's okay with water and water.
41:47There's no problem.
41:49No, no, everything's okay.
41:50Okay, I was asking you,
41:53that I'm going to audition tomorrow.
41:55I'm going to go.
41:56So, can you tell me where to go?
42:05In the bus,
42:06I gave her drugs.
42:12We brought her to the audition hall.
42:16We know that drugs will affect slowly and slowly.
42:19And that's the same.
42:21Nusrat,
42:22everything's okay?
42:24Are you okay?
42:26Come on, I'll drop you home.
42:28Come on.
42:33Mia!
42:39Mia!
42:45Mia!
42:49But just,
42:50one mistake has happened.
42:51What mistake?
42:52He's very shy.
42:56But you've already shifted to his house.
42:59He's so tired.
43:01He's so tired.
43:03He's so tired.
43:04I'm going to go home.
43:04You just work with me so much
43:07that you can tell me
43:08to give me my deposit to my landlord.
43:11He's so tired.
43:12I'll give you a minute.
43:13Yes, sir.
43:30I'll take him.
43:31Some things...
43:31You're saying something?
43:32You're that.
43:33You're that,
43:34who went to me!
43:39What's wrong with you?
43:41Don't tell me.
43:41I can't forget this.
43:43I never forgot this shit.
43:46You're that.
43:47I'll never go with me.
43:49I'll never leave you with me.
43:50You've got to the police.
43:55Don't leave me.
43:55No, you don't!
43:56Who's going to leave me?
43:57Don't leave me!
43:58Don't tell me!
43:59Don't tell me!
44:00What happened?
44:01I'm killing you from my head.
44:19What's your face on Billy's face?
44:21What's your face on Billy's face?
44:23I'm a doctor.
44:25And how the benefit of hallucination is, I knew.
44:30That's why we use those animal voices and toys to make them believe.
44:37We know that because of the truck,
44:41a person hallucinated that thing,
44:43which is in his mind.
44:44But we remember the passion.
44:49That's why we killed him.
44:51That's why we killed him.
44:51You, people, have lost their false fantasy.
44:54They have lost so many people's lives.
44:57Now, your fantasy,
44:59all your life,
45:01will be killed.
45:23see you next time.
45:24Find out more if you ever get into it.
45:27what kind of
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